Boston Symphony Orchestra Concert Programs, Summer, 1972
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THE LA SALLE QUARTET Plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY
THE LA SALLE QUARTET plays HAYDN ∙ BRAHMS ∙ ZEMLINSKY JOSEPH HAYDN (1732 - 1809) Streichquartett D-Dur op. 71 Nr. 2 14:50 01 Adagio – Allegro 04:43 02 Adagio 04:50 03 Menuet. Allegretto – Trio 01:53 04 Finale. Allegretto 03:24 JOHANNES BRAHMS (1833 - 1897) Streichquartett Nr. 3 B-Dur op. 67 32:53 05 Vivace 09:30 06 Andante 06:52 07 Agitato (Allegretto non troppo) 08:08 08 Poco allegretto con variazioni 08:23 ALEXANDER ZEMLINSKY (1871 - 1942) Streichquartett Nr. 3 op. 19 20:41 09 Allegretto. Gemächlich, innig bewegt 06:48 10 Thema mit Variationen 04:51 11 Romanze. Sehr mäßige Achtel. Andante sostenuto 04:09 12 Burleske. Sehr lebhaft. Allegro moderato 04:53 TOTAL TIME 68:49 VON DER ERHITZUNG DER des Klavierquintetts von Dvořák mit Arthur unter anderem im Bereich markanter Auslo- mentalen Vorgehens lesen. Dieser Eindruck Rubinstein am Flügel festgehalten ist. tung dynamischer Grenzwerte bemerkbar. mag auch deshalb entstanden sein, weil die SACHLICHKEIT Und auch im Umfeld lieblicher, beschwich- von Walter Levin und seinen Mitspielern ge- Mit großer Entschiedenheit und ebenso gro- tigender und dann wieder dramatischer wählten Stücke allein schon eine extreme Es handelt sich um eine unvergleichliche ßer Überzeugungskraft widmete sich das Ausdruckselemente genieren sich die vier Konfrontation mit den Hörgewohnheiten der Lebens-, Schaffens- und Wirkungsgeschichte: LaSalle Quartet von Beginn an der Musik Herren nicht, Haydn sozusagen beim Wort Musikfreunde bedeuteten. Hinzu kommt, dass Die 42 Jahre währende künstlerische und insti- des ausgehenden -
Solo Violin O R ALL-BACH PROGRAM P
Wednesday, March 28, 2018, at 7:30 pm m a Virtuoso Recitals r g Christian Tetzlaff , Solo Violin o r ALL-BACH PROGRAM P e Sonata No. 2 in A minor, BWV 1003 (1720) Grave h Fuga T Andante Allegro Partita No. 2 in D minor, BWV 1004 (1720) Allemande Courante Sarabande Gigue Chaconne Intermission Sonata No. 3 in C major, BWV 1005 (1720) Adagio Fuga Largo Allegro assai Partita No. 3 in E major, BWV 1006 (1720) Preludio Loure Gavotte en rondeau Menuets 1 and 2 Bourrée Gigue Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall, Starr Theater Adrienne Arsht Stage Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Sunday, April 15 at 11:00 am in the Walter Reade Theater Chad Hoopes, violin David Fung, piano PROKOFIEV: Violin Sonata in D major DVORˇ ÁK: Romantic pieces RAVEL: Tzigane Tuesday, April 17 at 7:30 pm in Alice Tully Hall Richard Goode, piano BYRD: Two Pavans and Galliards BACH: English Suite No. -
Yellow String Quartets by Wolfgang Amadeus Mozart and Arnold Schoenberg
Yellow String Quartets by Wolfgang Amadeus Mozart and Arnold Schoenberg Amaryllis Quartett Katharina Persicke, Soprano Yellow String Quartets by Wolfgang Amadeus Mozart and Arnold Schoenberg Amaryllis Quartett Gustav Frielinghaus, Violin Lena Sandoz, Violin Lena Eckels, Viola (CD 1; CD 2 tracks 01–04) Tomoko Akasaka, Viola (CD 2 tracks 05–08) Yves Sandoz, Cello Katharina Persicke, Soprano (CD 2, tracks 03–04) CD 1 Wolfgang Amadeus Mozart (1756–1791) String Quartet No. 17 in B-flat major, K. 458, “The Hunt” (1784) 01 Allegro vivace assai .................................. (08 '51) 02 Menuetto and Trio. Moderato......................... (03'54) 03 Adagio ............................................. (07'05) 04 Allegro assai ........................................ (06'29) Total Time ............................................ ( 2 6 ' 4 9 ) CD 2 Arnold Schoenberg (1874–1951) String Quartet No. 2, Op. 10 (1907/08) 01 Mäßig (moderato) ................................... (06 '37) 02 Sehr rasch .......................................... (07 '01) 03 Litanei (Stefan George). Langsam ..................... (06 '04) 04 Entrückung (Stefan George). Sehr langsam ............ (12' 00) Wolfgang Amadeus Mozart String Quartet No. 19 in C major, K. 465, “Dissonance Quartet” (1785) 05 Adagio—Allegro ..................................... (10 '57) 06 Andante cantabile ................................... (07 '53) 07 Menuetto and Trio. Allegro ........................... (05 '09) 08 Allegro ............................................. (07 '44) Total Time ........................................... -
Three Case Studies in Twentieth-Century Performance Practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Three case studies in twentieth-century performance practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Huettenrauch, Tina, "Three case studies in twentieth-century performance practice" (2012). LSU Doctoral Dissertations. 547. https://digitalcommons.lsu.edu/gradschool_dissertations/547 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THREE CASE STUDIES IN TWENTIETH-CENTURY PERFORMANCE PRACTICE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Tina Huettenrauch B.A., Millsaps College, 2005 M.M., Louisiana State University and Agricultural and Mechanical College, 2008 August 2012 ACKNOWLEDGEMENTS First and foremost I wish to express my deepest gratitude to my dissertation advisor, Jan Herlinger, for his tireless commitment to this project, unceasing encouragement, precise and careful editing of my writing, and many insightful suggestions and comments. His dedication to his students and the field of musicology has always been a tremendous inspiration and I am truly grateful to have had him to guide me on this journey. I wish to thank my committee, Brett Boutwell, Andreas Giger, Alison McFarland, Robert Peck, and John Pizer for their continuous support, meticulous reading of the chapter drafts, and ready willingness to help. -
String Competition
e v e n t s • performances • exhibitions at san francisco state university irving m. klein international STRING competition silver anniversary 1 9 8 6 - 2 0 1 0 anniversary concert june 10, 8pm semifinals june 12, 10am-4pm finals june 13, 4pm college of creative arts san francisco state university creativearts.sfsu.edu from the director celebrate music 25 years strong san francisco state university Twenty-five years ago, colleagues, friends, college of creative arts and family of Irving M. Klein gathered to create a memorial to him that would serve the and the california music center young musicians of high school, college and present the 25th annual conservatory age who had been the focus of my father’s dedicated teaching after he retired from the Claremont String Quartet. We agreed to irving m. klein present a world-class string competition for young artists, ages 15 to 23, conducted in a manner that international string competition would afford the players the most supportive and respectful opportunity to perform at their best with our distinguished judges and to enhance their careers. Now, a quarter century later, we are thrilled to michael gelfand present a 25th anniversary celebration, including peter gelfand a special concert with eminent artists (and marc gottlieb long-time supporters of the Competition): the alan grishman Alexander String Quartet, the Cypress String dick hyman Quartet, Jon Nakamatsu and two recent first prize byung-woo kim winners who are already achieving superb musical careers, Tessa Lark and David Requiro. Then, for jennifer kloetzel the 25th time, we will hear eight magnificent and very individual young string joshua kosman players in the two scintillating days of the competition. -
Buffalo Chamber Music Society 1924-2019 Ensembles – Artists
BUFFALO CHAMBER MUSIC SOCIETY 1924-2019 ENSEMBLES – ARTISTS ACADEMY OF ST. MARTIN IN THE FIELDS, IONA BROWN, Director and violin soloist ACADEMY OF ST. MARTIN IN THE FIELDS OCTET Kenneth Sillito, violin, leader; Harvey de Souza, violin; Mark Butler, violin; Paul Ezergailis, violin Robert Smissen, viola; Duncan Ferguson, viola; Stephen Orton, cello; John Heley, cello AIZURI QUARTET Emma Frucht & Miho Saegusa, violins; Ayane Kozasa, viola; Karen Ouzounian, cello ; ALBENERI TRIO Alexander Schneider, violin; Benar Heifetz, cello; Erich Itor Kahn, piano – 1945, 1948 Giorgio Ciompi, violin; Benar Heifetz, cello; Erich Itor Kahn, piano 1951, 1952,1955 Giorgio Ciompi, violin; Benar Heifetz, cello, Ward Davenny, piano 1956, 1958 Giorgio Ciompi, violn; Benar Heifetz, cello; Arthur Balsam, piano 1961 ALEXANDER SCHNEIDER AND FRIENDS Alexander Schneider, violin; Ruth Laredo, piano; Walter Trampler, viola, Leslie Parnas, cello 1973 Alexander Schneider, violin; Walter Trampler, viola; Laurence Lesser, cello; Lee Luvisi, piano 1980 ALEXANDER STRING QUARTET Eric Pritchard, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1988 Ge-Fang Yang, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1994 Zakarias Grafilo, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 2006 ALMA TRIO Andor Toth, violin; Gabor Rejto, cello; Adolph Baller, piano 1967 Andor Toth, violin; Gabor Rejto, cello; William Corbett Jones, piano 1970 ALTENBERG TRIO Claus-Christian Schuster, piano; Amiram Ganz, -
School of Music the Reina Sofía
the reina sofía School of music the reina sofía School of music S.M. la Reina Doña Sofía y la Junta de Patronos de la Escuela. Primeros ensayos de la Orquesta con José Luis García Asensio Alicia de Larrocha and Paloma O’Shea First concert of the School Aquiles Machado Paloma O’Shea, the director of the Albéniz Foundation, encouraged the creation of the Reina Sofía College of Music with Her Majesty Queen Sofia as honorary president. 1991 - 1992 n The School embarked upon its first academic year in four semi-detached houses in Pozuelo de Alarcón (near Madrid). The campus consisted of classrooms and halls of residence, shared by staff and students alike in a convivial atmosphere. - 29 students from eight countries (Germany, Bulgaria, Spain, Finland, Israel, Poland, Russia and Ukraine). - The teaching staff adhered to the principles of teaching excellence, academic freedom and tutoring. The following leading music teachers were appointed: Violin: Zakhar Bron Viola: Daniel Benyamini Cello: Ivan Monighetti Piano: Dimitri Bashkirov n Musicians such as Yehudi Menuhin, Mstislav Rostropovich, Zubin Mehta and Alicia de Larrocha have accompanied Paloma O’Shea on her mission along with intellectuals such as Vicente Cacho, Federico Sopeña and Enrique Franco. n A new style of patronage – a blend of sponsorship and communication - has provided the necessary resources to support all talented students regardless of their means. - The first four sponsors of music departments were: Violin - The Endesa Group Viola - Nissan Cello – Sony Piano - Banco Santander n The first team from the School and the foundation, headed by chairman Vicente Ferrer (who later became the vice president of the foundation), was presented at the Real Academia de Bellas Artes de San Fernando. -
The Vogler Quartet
THE VOGLER QUARTET Individuality finding harmonious expression in ensemble – this has to be the quintessence of the Vogler Quartet, an ensemble which can claim the distinction of retaining its original membership since its formation in 1985. With an intelligent approach to the genre of chamber music, a brilliant playing technique, interpretive tactfulness and a vibrant ensemble spirit, Tim Vogler, Frank Reinecke, Stefan Fehlandt and Stephan Forck have created a unique string quartet sound which consistently offers new insights into the genre. This East German ensemble had its beginnings at the Hanns Eisler Musical Academy in Berlin. It became internationally renowned in 1986 only one year after its foundation as the first prize winner of the famous Evian string quartet competition. Eberhard Feltz, György Kurtág, and the LaSalle Quartet, notably Walter Levin, subsequently sponsored the quartet and became influential mentors. The ensemble’s extensive repertoire of classical literature from Haydn to Bartók as well as the Second Viennese School is complemented by both contemporary and lesser known works. The four musicians have performed compositions by Karl Amadeus Hartmann and Morton Feldman, including Feldman’s monumental Quartet No. 2. Together with the Arditti Quartet, the group organised a cycle of Rihm’s works at the occasion of the EXPO 2000. Among the world premières are compositions by Moritz Eggert, Frank Michael Beyer, Ian Wilson, Jörg Widmann, Mauricio Kagel, Erhard Grosskopf, and Taner Akyol. The Vogler Quartet actively broadens its field by collaborating with renowned artists. During its long career the group has performed with Lynn Harrell, James Levine, Bernard Greenhouse, Boris Pergamenschikow and Menahem Pressler. -
Coleman Chamber Concerts Ensembles & Musicians (1904-2020)
COLEMAN CHAMBER CONCERTS ENSEMBLES & MUSICIANS (1904-2020) (Dates in bold face type are Competition Winners Concert performances, including the prize awarded.) ENSEMBLE/MUSICIANS PERFORMANCE DATE ABAS STRING QUARTET............................................................................................................................................................. Feb 1937, Apr 1937 Nathan Abas, violin; Hubert Sorenson, violin; Abraham Weiss, viola; Flori Gough, cello ACADEMY OF ANCIENT MUSIC ................................................................................................................................................................ Feb 2008 Richard Egarr, director, harpsichord; Pavlo Beznosiuk, Pierre Joubert, Persephone Gibbs, violin I; Rodolfo Richter, Joanna Lawrence, Iwona Muszynska, violin II; Trevor Jones, viola; Joseph Crouch, cello; Tim Amherst, double bass; William Carter, theorbo; Rachel Brown, flute ACADEMY OF ST MARTIN IN THE FIELDS CHAMBER ENSEMBLE Kenneth Sillito, Malcolm Latchem, violin; Robert Smissen, viola; Stephen Orton, cello; Paul Marrion, double bass; Andrew Marriner, clarinet; Graham Sheen, bassoon; Timothy Brown, French horn ................................................................................. Mar 1994 Kenneth Sillito, Harvey de Souza, Mark Butler, Paul Ezergailis, violin; Robert Smissen, Duncan Ferguson, viola; Stephen Orton, John Heley, cellos ............................................................................................................................................................ -
June 9, 11 and 12, 2021 the Village Presbyterian Church 1300 Shermer Road, Northbrook, IL NSCMF 2O21 COMMUNITY AMBASSADOR AWARDS
10th Anniversary season: in-person and online VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI Vadim Gluzman, Artistic Director Angela Yoffe, Executive Director June 9, 11 and 12, 2021 The Village Presbyterian Church 1300 Shermer Road, Northbrook, IL www.nscmf.org NSCMF 2O21 COMMUNITY AMBASSADOR AWARDS Our Community Ambassador Award is given each year to recognize an individual, organization, or corporate partner whose compelling dedication to the arts and support of the North Shore Chamber Music Festival empowers us to enrich the cultural life of Chicago’s North Shore and the State of Illinois. In celebration of our 10th anniversary milestone, this season’s Community Ambassador Awards are gratefully presented to -
Metropolitan Opera Orchestra Jameslevine Jessyenorman
Metropolitan Opera Orchestra JamesLevine JessyeNorman 30 April 1991 Dear Friends, Greetings! When tonight's concert begins, you will be Among Ann Arbor's greatest assets is its cultural witnessing two historic University Musical life, a large portion of it nurtured and maintained Society occasions. First, this is the premier by the University Musical Society for 112 concert performance of the Metropolitan consecutive concert seasons! As a member of Opera Orchestra outside of New York. this University community for over 20 years, I have Second, this is one of the warmest enjoyed many of these continually top-notch moments in the relationship between the presentations. Now, as President of the University University Musical Society and its patrons, of Michigan as well as a Director of the University as we declare this evening's concert one Musical Society, it is my privilege to welcome you of the most loving and generous shows of to this evening's glorious event. support by UMS patrons in the history of the Society. _^ ,_. Ann Arbor, with its magnificent Hill Auditorium, is i|| | If ML 8 favorite performing venue for artists the world Special thanks go to you, the over. Sooner or later most of them arrive on our concertgoers, from the Musical Society campus, many to return again and again Board of Directors, staff, and dedicated ;|jl|jLgfthroughout their careers. This evening, we will volunteers who have worked diligently to experience a "first" as James Levine and the make this evening a great success. It is Metropolitan Opera Orchestra make their Ann your commitment to excellence that makes Arbor debuts, and we'll savor a very special possible not only this concert but also * homecoming for the esteemed, world-renowned sustains the entire concert season through! soprano Jessye Norman. -
Irving M. Klein International String Competition June 11-14, 2009
24th Annual Irving M. Klein International String Competition June 11-14, 2009 David Requiro Jing Wang Tessa Lark 2006 Winner 2007 Winner 2008 Winner “Successes have turned the Klein Competition into something of a legend.” — San Jose Mercury News PRESENTED BY For information: 415.252.1122 www.kleincompetition.org Performance Schedule Mark your calendars! Our First Prize Winners will be featured at the following venues: August 17 through 23, 2009 Violinist Tessa Lark, 2008 Klein Competition First Prize Winner, with the Music in the Vineyards Concert Series, Napa, CA. March 27 & 28, 2010 Violinist Tessa Lark, 2008 Klein Competition First Prize Winner, with the Santa Cruz Symphony, Santa Cruz, CA. Spring 2010 2009 Klein Competition First Prize Winner, with Chamber Music Tulsa, Tulsa, OK. May 2010 2009 Klein Competition First Prize Winner, with Noontime Concerts, San Francisco, CA. May 21 & 22, 2010 2009 Klein Competition First Prize Winner, with the Peninsula Symphony, San Mateo and Cupertino, CA. August 2010 2009 Klein Competition Winner, with the Music in the Vineyards Concert Series, Napa, CA. Your Support Makes A Difference! Your support of the Irving M. Klein International String Competition allows us to continue to present the finest young string players in the world. Now more than ever, we depend on your assistance to maintain and develop our program and the services we provide to our participants. Please help us continue our efforts. Benefactor - $1,000 or more Patron - $500-$999 Sponsor - $250-$499 Donor - $100-$249 Friend - $25-$99 Contribution envelopes available in the lobby may be sent to: The California Music Center/IMK Fund 2030 Harrison Street, 3rd Fl., San Francisco, CA 94110 OR Make a donation online at www.CaliforniaMusicCenter.org Donations are tax-deductibleto the extent prescribed by law.