The BG News April 21, 1975
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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The BG News May 27, 1977
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-27-1977 The BG News May 27, 1977 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 27, 1977" (1977). BG News (Student Newspaper). 3382. https://scholarworks.bgsu.edu/bg-news/3382 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. The 3*8 9b ws Vol. 60, No. 116 Bowling TSreen State University Friday. May 27. 1977 Registrar offers 'unique' system COPE sets goals of for identification alternative efficiency, ByKathyKruse "WHAT YOU'RE talking about is determine whether specifics should be will fulfill requests for transcripts, department planning Staff Reporter being discussed across the country." released. according to Brewer. Brewer said of individual rights of By Tom Griesser FIRST. DEPARTMENTS must A Social Security number system is detail the instruction and programs privacy. "Personally, I know of no ABOUT 15 students have signed "A CERTAIN amount of biographical not the only method used by the liabilities pertaining to the registrar's restrictive waivers this year ac- Increased efficiency and the available to students, which includes a University to identify its students. cording to Dickinson. information is available through our development of four-year planning profile on each faculty member, office in using Social Security numbers office, but I couldn't discuss any per- "Unique" numbers can be assigned as identification. -
Spring Band Concert
Advanced Band Personnel W. A. Carter & Maple Hill Elementary Schools Flute Bass Clarinet T rombone present Daniella Cruz* Imani Simpson Joseph Bowen Andrea Fritsch Michael Giordano* Spring Band Concert Gabriella Gomez Dennis Holder Mikala Hill Alto Saxophone Mya Padron * Joana Alves* Eisella Jaime* Nakaya Mapes Lillian Brooks Tuesday, May 12, 2015 Guadalupe Marin-Rojas* Kenny Campos 7:00 PM Jalissa Ocasio* Kayla Hunter* Baritone horn Brittney Ramirez Elyse Marcano Nicholas Calatayud Middletown High School Theatre Marques Rodriguez Natalie Rodrigues* With Special Thanks Trumpet Clarinet Percussion Alindogan Kaitlyn* Tomi Abiodun Ms. Lisa Collopy, Principal WACE Tyrone Diaz Victor Perez- Emily Diaz* Rosales Mrs. Christina Greenbaum, Mr. William Trinkle Angelina Garnere* Carlos Dominguez Assistant Principals WACE Atzael Gonzalez Joshua French Allisson Gonzalez* Clyde Hunter* Mrs. Amy Creedan, Principal MHES Jimmy Hyppolite* Ivan Lorenzo Mr. Matthew Kelly, Mrs. Maria Boller, Mrs. Ann Horrego Uriah Manson Daniel Manzanares Assistant Principals, MHES Jordan Monroe Troy Maurizzio Amanda Rios* Matthew Washington* Dr. Kenneth Eastwood, District Superintendent Edwin Rodriguez-Palma Members of the Middletown Board of Education Matthew Tilaj* Helen Castro* Mrs. Antoinette Depasquale, Music Department Chair Elizabeth Valentin* Middletown High School Music Faculty Victor Araque, Mark Brownstone, Kevin Witt, Bill Wilcox Custodial Staff at MHES, WACE and MHS * NYSSMA participants, May 29-30, 2015 Fourth and Fifth Grade Faculty MHES and WAC The Parents -
The Mars Volta and the Symbolic Boundaries of Progressive Rock
GENRE AND/AS DISTINCTION: THE MARS VOLTA AND THE SYMBOLIC BOUNDARIES OF PROGRESSIVE ROCK R. Justin Frankeny A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in Musicology in the School of Music. Chapel Hill 2020 Approved by: Aaron Harcus Michael A. Figueroa David F. Garcia © 2020 R. Justin Frankeny ALL RIGHTS RESERVED ii ABSTRACT R. Justin Frankeny: Genre and/as Distinction: The Mars Volta and the Symbolic Boundaries of Progressive Rock (Under the direction of Dr. Aaron Harcus) In the early 2000’s, The Mars Volta’s popularity among prog(ressive) rock fandom was, in many ways, a conundrum. Unlike 1970s prog rock that drew heavily on Western classical music, TMV members Omar Rodriguez-Lopez and Cedric Bixler-Zavala routinely insisted on the integral importance of salsa music to their style and asserted an ambivalent relationship to classic prog rock. This thesis builds on existing scholarship on cultural omnivorousness to assert that an increase in omnivorous musical tastes since prog rock’s inception in the 1970s not only explains The Mars Volta’s affiliation with the genre in the early 2000s, but also explains their mixed reception within a divided prog rock fanbase. Contrary to existing scholarship that suggests that the omnivore had largely supplanted the highbrow snob, this study suggests that the snob persisted in the prog rock fanbase during progressive rock’s resurgence (ca. 1997-2012), as distinguished by their assertion of the superiority of prog rock through discourses of musical complexity adapted from classical music. -
The Gentle Authors London Album Ebook Free Download
THE GENTLE AUTHORS LONDON ALBUM PDF, EPUB, EBOOK The Gentle Author | 160 pages | 01 Oct 2013 | Spitalfields Life Books | 9780957656918 | English | London, United Kingdom The Gentle Authors London Album PDF Book Read about the album here. When I worked on trucks, I would write everything on receipts. Of all the great British bands to emerge from the s, none had a stronger sense of place than the Kinks. Next came an addiction to singing at home, a can of Impulse body spray now standing in for a microphone. We're excited! Recommended for fans seeking education along with immersion into this band's melody and wit, Doyle conveys the Kinks' vision of a familiar, if elusive, bit of English decency. A fantastic collection of online publications based on pieces from the Herb Lubalin Study Centre. Kate marked it as to-read Apr 06, You can also follow Anto Thistlethwaite, who will be attending here. Show starts at 4pm. Single day tickets will be released at a later date to be decided by the festival organisers. Just work on it, in my crib, and record it. The result is a beautifully crafted, sustained meditation on postwar, working-class London and on the gentle balance between memory and nostalgia. Hardcover , pages. When she was 16, a friend posted some of her songs on MySpace. Critics often forget she writes the bulk of the music on her records and plays piano and guitar on them too. The melodies are pop from the tousled head of my co-writer Fred". Pre-sale for tickets, priced Nok , begins Thurs 28 th September at 10am here. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
Rock Music Lyrics As Postmodern Poetry: Gentle Giant 'Realization'
Martin Neef (Braunschweig, Germany) Rock music lyrics as postmodern poetry: Gentle Giant 'Realization' 1. Introduction: Rock music and rock music poetry In this paper, I talk about the text Realization of the British rock band Gentle Giant, which has released records in the period from 1970 to 1980. First, I will trace the story of Gentle Giant. Then I will turn to a particular text of this band, Realization. In doing so, I will first try to prove the existence of this text and determine its limits. Then I will go into the basic structure of this text and discuss some of the thematic focuses that I will address in the chapters In a glass house, The game, und Goodbye. In effect, my aim is to argue that Derek Shulman, a member of Gentle Giant, is among the most important postmodern lyricists of the 20th century. Lyrics of rock music are not at the centre of the scientific preoccupation with literary texts. Seriously taken poetry is first and foremost written poetry. This applies at least to contemporary poetry, less to old forms of poetry. I would like to plead for rock music in general and rock music lyrics in particular to be regarded as an art form to be taken seriously in cultural studies. If postmodernism is first and foremost a historical epoch, it can undoubtedly be said that rock music is one of the genres that has experienced the greatest boom in this epoch. If the term postmodernism is to be defined more in content than in history, one should at least be prepared to concede the grade postmodern to some works of rock music. -
The Industrial Revolution and Music
1 The Industrial Revolution and Music Jeremy Montagu Originally a series of lectures given in the early 1990s in the Faculty of Music, University of Oxford © Jeremy Montagu 2018 The author’s moral rights have been asserted Hataf Segol Publications 2018 Typeset in XƎLATEX by Simon Montagu Contents 1 Introduction 1 2 The Organ 15 3 The Piano 29 4 Exotica 43 5 String Instruments 59 6 The Flute 75 7 Single Reeds 91 8 Double Reeds 105 9 Trumpets and Horns 119 10 Valved Cornets and Bugles 135 11 Percussion 147 12 Bands, Choirs, and Factories 163 iii 1 Introduction In this first session, I want to set the scene for this series of lectures and to produce a general background against which we can discuss the effect of the Industrial Revolution on our instruments, on the way in which, and the reasons why, music was performed, the genesis of our modern orchestra and its instruments, and all the conditions under which music has been performed for, roughly, the last two or three centuries. I am using the term ‘Industrial Revolution’ in its widest sense – not necessarily from the first use of industrial machinery at Coalbrookdale, for example (the Industrial Revolution did start in England), or whatever other landmark of the beginnings of our modern age that a variety of people have used. What I have in mind is the change from a mainly rural, mainly feudal economy to an urban, partly industrial, economy, with two important, for us, concomitant changes: a rise in the level of tech- nology and the rise of an urban middle class. -
Gentle Giant Scraping the Barrel
Gentle Giant Scraping The Barrel 1 / 4 Gentle Giant Scraping The Barrel 2 / 4 3 / 4 View credits, reviews, tracks and shop for the 2004 CD release of Scraping The Barrel on Discogs.. Scraping The Barrel von Gentle Giant als 4-CD, mit Tracklist und weiteren Infos.. Voor mij als liefhebber van Gentle Giant een fijn inzicht in hoe de nummers tot stand zijn gekomen. De titel van de boxset zegt eigenlijk al .... Jump to Disk 1 - Total Time 77:49 - Material from Gentle Giant through ... - Scraping the Barrel was the second of two box sets of the English progressive rock band Gentle Giant, released in 2004.. Lyrics to the album Scraping The Barrel by Gentle Giant. Lyrics by Gentle Giant, new lyrics by Gentle Giant, albums by Gentle Giant, songs by Gentle Giant, .... Gentle Giant — Scraping the Barrel ... The title of this second volume of Gentle Giant audio and audiovisual archives is simply a long time fan's .... Listen free to Gentle Giant – Scraping the Barrel (Giant (Vocal Mix), Alucard (Derek, Master of Ceremonies) and more). 200 tracks (). Discover more music .... This is a 4-CD set of rare tracks and unusual items. Dan Bornemark, the creator of this album, writes: After six years of searching for previously .... Gentle Giant's Scraping the Barrel Box Set, and the separate DVD/CD set Giant on the Box are what you might come up with if this job was done right! I can't .... Scraping The Barrel, Gentle Giant. Artist: Gentle Giant. Date Released: 15th November, 2004. Label: Alucard. Produced By: Gentle Giant. -
Stacy Dee Blair
STACY DEE BLAIR Man of Faith, Loyal Friend, & Trumpet Virtuoso (1954 - 2010) We were in the midst of a gentle giant… "There is nothing as strong as gentleness, and nothing as gentle as true strength." ~ St. Francis de Sales (By D Chris Payne, formerly Diana C Keyes) Blind from birth, Stacy’s lifetime accomplishments were legendary and would take pages to discuss. They included winning the Maurice Andre International Trumpet Solo Competition in Paris in 1979, being inducted into the International Hall of Fame for Persons with Disabilities in 1998, and countless others. Stacy often stated that his most meaningful achievement was becoming an Eagle Scout in 1971. However, the true measure of the man was not found in his resume, but in his heart. This tribute is meant to shine the light of day upon the man behind the resume. Back in college, when I first met Stacy, I recall noticing that he was kind, gentle, humble, caring, and funny. My deepest understanding today, 37 years later, is that he was kind, gentle, humble, caring, and funny. Stacy never allowed fear to diminish his life. He traveled the world alone for years, conducting and playing with the world’s finest orchestras. When he finally acquired a guide dog, it changed his life forever. From that day forward, he went to organizations and schools to teach others about service dogs. He was consistently one of the top donors for the Guiding Eyes for the Blind organization. Stacy wanted others to experience the same joy and independence that he found with his precious dogs, Guthrie and Kellogg.