Journey's End Study Guide
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Saving the World Through Iambic Pentameter... Atlanta Shakespeare Company Education Programs 2014-15 INSPIRED! Delighted!
Saving the world through iambic pentameter... Atlanta Shakespeare Company Education Programs 2014-15 INSPIRED! delighted! thrilled! Students at the Shakespeare Tavern Playhouse enjoying A Midsummer Night’s Dream matinee performance/ASC Our Performance Approach... ASC Education Programs The Atlanta Shakespeare Company is the only professional theater company in Inside this Issue... Georgia actively producing the classics throughout the entire academic year. Our down-to-earth Shakespeare performance style, known as ‘Original Practice,’ engages Why Original Practice? students in a manner consistent with the playwright’s original intent. We base our How to Reserve Tickets to a productions on Shakespeare’s First Folio of plays, published in 1623 by his fellow artists. Performance Original Practice at the Tavern ensures that students and teachers will: Mainstage Performance calendars Sit in the region’s only Elizabethan-style playhouse, inspired by New Programming: Shakespeare 4 Kids Shakespeare’s own Globe Theatre. S.L.A.W “Shakespeare, the Language that Watch productions featuring actors in Elizabethan period costumes. Shaped a World” Hear period music on live instruments and live actor-created sound effects. How to Book “Shakespeare on Location” Thrill to dynamic, dramatic sword fights. In-Class Playshops Participate in a living, breathing, and exciting theatrical experience, Design Your Own Residencies made more engaging by an active relationship between actor and More Ways to Explore Theatre audience Studying and watching Shakespeare in -
Shakespeare on Travel in As You Like It and Othello
Selected Papers of the Ohio Valley Shakespeare Conference Volume 11 Article 4 2020 Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers Capital University, [email protected] Follow this and additional works at: https://ideaexchange.uakron.edu/spovsc Part of the Literature in English, British Isles Commons Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Recommended Citation Summers, David (2020) "Knowing the World: Shakespeare on Travel in As You Like It and Othello," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 11 , Article 4. Available at: https://ideaexchange.uakron.edu/spovsc/vol11/iss1/4 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The University of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers, Capital University etting to know the world through personal travel, particularly by means of the “semester abroad,” seems to G me to be one of the least controversial planks in the Humanities professors’ manifesto. However, reading Shakespeare with an eye toward determining his attitude toward travel creates a disjuncture between our conviction that travel generally, and studying abroad in particular, is an enriching experience, and Shakespeare’s tendency to hold the benefits of travel suspect. -
Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
Euhm-Restaurant-Guide.Pdf
RESTAURANT GUIDE American 4th & Swift 621 North Ave NE 678.904.0160 Broadway Diner 620 Peachtree St NE 404.477.9600 Eats 600 Ponce De Leon Ave NE 404.888.9149 Erica's Fine Foods 134 Baker St NE 404.525.6240 Livingston Restaurant and Bar 659 Peachtree St NE 404.897.5000 The Lawrence 905 Juniper St NE 404.961.7177 The Spence 75 5th St NW 404.892.9111 Top Flr 674 Myrtle St NE 404.685.3110 Wing Nut 120 North Ave NE 678.702.9990 Woody's Famous Philadelphia Cheesesteaks 981 Monroe Dr NE 404.876.1939 Wing Stop 595 Piedmont Ave, STE 330 404-874-9464 Barbeque Fox Bros. Bar-B-Q 1238 DeKalb Ave NE 404.577.4030 Sweet Auburn Barbecue 209 Edgewood Ave SE 404.589.9722 The Pig and The Pearl 1380 Atlantic Ave NW 404.541.0930 Bars/Sports Bars Independent 931 Monroe Dr NE 404.249.9869 Midtown Tavern 554 Piedmont Ave NE 404.541.1372 Publik Draft House 654 Peachtree Street 404.885.7505 World of Beer 855 Peachtree St NE, STE 5 404.815.9221 Breakfast Dunkin' Donuts 225 Peachtree Street NE 404.223.6717 Flying Biscuit Café 1001 Piedmont Ave NE 404.874.8887 IHOP 428 Ponce de Leon Ave NE 404.228.2741 Krispy Kreme 295 Ponce De Leon Ave NE 404.876.7307 Livingston Restaurant + Bar 659 Peachtree Street NE 404.897.5000 Waffle House 66 5th St NW at Spring St NW 404.872.0028 Burgers Cypress Street Pint & Plate 817 W Peachtree St 404.815.9243 Fuze Burger 265 Ponce De Leon Ave NE 404.685.9988 The Varsity 61 North Ave NW 404.881.1706 Last Revised April 2016 1 Vortex Bar and Grill 878 Peachtree Street NE 404.875.1667 Grind house Grill 209 Edgewood Ave 404.522.3444 Chinese -
The Taming of the Shrew Study Guide
The Taming of the Shrew The Atlanta Shakespeare Company Staff Cast Artistic Director Jeff Watkins Director – Jeff WatkiNs Stage MaNager –CiNdy KearNs Director of Education and AssistaNt Stage MaNager – Lilly Baxley Training Laura Cole LightiNg DesigNer – Greg HanthorNe Development Director Rivka Levin Kate – Dani Herd Education Staff Kati Grace Brown, Tony Petruchio – Matt Nitchie Brown, Andrew Houchins, Adam King, Lucentio – Trey York Amanda Lindsey, Samantha Smith BiaNca, ServaNt – KristiN Storla TraNio – Adam KiNg Box Office Manager Becky Cormier Finch Hortensio – Paul Hester Baptista, ServaNt – Doug Kaye Art Manager Amee Vyas Grumio – Drew Reeves ViNcentio, ServaNt, Priest – Troy Willis Marketing Manager Jeanette Meierhofer Gremio, Tailor, ServaNt – J. ToNy BrowN BioNdello – Patrick Galletta Company Manager Joe Rossidivito Curtis, Haberdasher, Widow – Nathan Unless otherwise noted, photos Hesse appearing in this study guide are PedaNt – Clarke Weigle courtesy of Jeff Watkins. Study guide by Samantha Smith, Laura Cole, and Delaney Clark The Atlanta Shakespeare Company 499 Peachtree St NE Atlanta GA 30308 404-874-5299 www.shakespearetavern.com Like the Atlanta Shakespeare Company on Facebook and follow ASC on Twitter at @shakespearetav. Photo Credit: NatioNal Portrait Gallery WILLIAM 2016 was the four huNdredth aNNiversary of SHAKESPEARE Shakespeare's death, aNd celebratioNs hoNoriNg Shakespeare's plays were popular with Shakespeare (1564-1616) wrote thirty- Shakespeare's coNtributioN seveN plays, which have become staples all types of people, iNcludiNg the two to literature took place of classrooms aNd theatre performaNces moNarchs who ruled ENglaNd duriNg his arouNd the world. across the world. lifetime: Elizabeth I (1533-1603) aNd James I (1566-1625). The soN of a glove-maker, Shakespeare was borN iN Stratford-upoN-AvoN, Shakespeare fouNd both artistic aNd co- where he received a stroNg educatioN iN mmercial success through his writiNg. -
Twelfth Night KEY CHARACTERS and SENSORY MOMENTS
Twelfth Night KEY CHARACTERS AND SENSORY MOMENTS Characters Viola Sebastian Olivia Malvolio Sir Andrew Sir Toby Feste Maria Orsino Antonio Sensory Moments Below is a chronological summary of the key sensory moments in each act and scene. Latex balloons are used onstage throughout the show. Visual, dialogue or sound cues indicating dramatic changes in light, noise or movement are in bold. PRESHOW • A preshow announcement plays over the loudspeaker and instruments tune onstage. ACT ONE SCENE ONE SENSORY MOMENTS • Feste begins to sing a song. When he puts DESCRIPTION a paper ship in the water, the storm begins. At Duke Orsino’s palace in Illyria, Cesario and There is frequent loud thunder, flickering others sing for Orsino. He’s in love with the lights and flashes of lightning via strobe countess Olivia, but it’s unrequited because she lights. Actors shout during the turmoil, is in mourning for her brother and won’t receive cymbals crash and drums rumble. his messengers. • The storm sequence lasts about 90 seconds. • After the storm, lights slowly illuminate SENSORY MOMENTS the stage. • Actors begin singing a song. Orsino enters the stage and picks up a balloon. When he walks to the center of the stage, the balloon SCENE TWO pops loudly. • When Orsino says, “Love-thoughts lie rich DESCRIPTION when canopied with bowers,” the actors Viola washes ashore in Illyria, saved by the leave the stage, suspenseful music plays and ship’s captain. She asks the captain to help her the lights go dark. disguise herself so she can get work in Orsino’s court. -
Shakespeare and Paul in Illyria
6 Shakespeare and Paul in Illyria In his lectures on Twelfth Night Emrys Jones insisted that ‘the whole play drives toward the moment of the twins’ reunion’. Indeed, reunion – better yet, resurrection – is (to use Molly Mahood’s choice words) the principal ‘governing idea’ of the play. I will show that there is a link between reunion-resurrection, Candlemas, and William Shakespeare’s own real-life drama that has been overlooked by his commentators and is key to appreciat- ing his play. Twelfth Night begins with Viola convinced that her brother, Sebastian, is dead; with practically her first breath she tells us ‘My brother he is in Elysium’ (1.1.4). So what we will be confronted with in 5.1 is not merely a family reunion but something of a resur- rection. We must bear this in mind when we consider the personal significance for William Shakespeare of his play’s performance on Candlemas. Though we know Sebastian is alive, to Viola he is so convincingly dead that she has turned herself into his image. When she looks into her mirror she sees not herself but Sebastian. I my brother know Yet living in my glass; even such and so In favour was my brother, and he went Still in this fashion, colour, ornament, For him I imitate. (3.4.376–80, my emphasis) This echoes Constance’s (and Shakespeare’s) lament for a lost son in King John: ‘Grief fills the room up of my absent child … Puts on his pretty looks … Stuffs out his vacant garments’ (3.4.93–8, my emphasis). -
Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers. -
Proposed Core Literature Titles Twelfth Night, Or, What You Will
Proposed Core Literature Titles The following summary is provided by the California Department of Education’s “Recommended Literature List”, and the top three Google searches of the book title and author name that produced a description of the title. Twelfth Night, or, What You Will Proposed Grade Level: 8 Title: Twelfth Night, or, What You Will Author: William Shakespeare First Published: 2002 Lexile Level: 1140 Proposed Grade Level: 8 California Department of Education, Recommended Literature List: https://www.cde.ca.gov/ci/cr/rl/ This title is on the CDE Recommended Literature List. Annotation: On the island of Illyria, Duke Orsino pines away for the love of the beautiful, but unapproachable Olivia. A tempest occurs that brings Viola and Sebastian to the shores, and a renewed pursuing of affection begins among the island's inhabitants. (Circa 1600.) Copyright: 1992: Original Copyright: 1600 Grade Level Span: 9-12 Genre: Drama Classification: Classic Topic: English-Language Arts/General Discipline: English Language Arts/Vocabulary; Visual and Performing Arts Descriptions From Top 3 Google Searches: Search: "Twelfth Night or What You Will" by William Shakespeare https://en.wikipedia.org/wiki/Twelfth_Night Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a Captain. She has lost contact with her twin brother, Sebastian, whom she believes to be drowned, and with the aid of the Captain, she disguises herself as a young man under the name Cesario and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother. -
Study Guide 2017
SHAKESPEARE IN THE SCHOOLS presents WILLIAM SHAKESPEARE’S TWELFTH NIGHT STUDY GUIDE 2017 Sidney E. Frank Foundation Montana Shakespeare in the Schools Montana Shakespeare in the Schools’ is an educational outreach program of production/program is part of Montana State University-Bozeman Shakespeare in American Communities, FOR MORE INFORMATION, PLEASE GO TO: a program of the National Endowment for the Arts in partnership with Arts Midwest. www.shakespeareintheparks.org TABLETABLE OF OF CONTENTS CONTENTS Table of Contents ............................................................................2 Welcome Letter (from Kevin) ...................................................................3 Director’s Notes .............................................................................4 About the Play ...............................................................................5 Characters ................................................................................6 Synopsis .................................................................................7 Seeing the Play: Before and After ...............................................................8 What You Will, or What Will You... By Gretchen Minton, Ph.D. ........................................9 Themes and Questions to Explore Love...Is complicated. 11 Identity, Disguise and Stereotypes ...........................................................12 Righting Perceived Wrongs. 14 How SIS Meets Montana’s Common Core .......................................................15 -
(ASTR) and Theatre Library Association (TLA) 2017 Conference
Welcome to the American Society for Theatre Research (ASTR) and Theatre Library Association (TLA) 2017 Conference Extra/Ordinary Bodies: Interrogating the Performance and Aesthetics of “Difference” ASTR Graduate Student Caucus (GSC) Conference Assistance Packet 1 Conference Assistance Packet Table of Contents: The Conference Assistance Committee of the ASTR Graduate Student Caucus (GSC) is delighted to welcome you to ASTR 2017, Extra/Ordinary Bodies. We have provided this packet to help guide you through the conference, as well as the host city of Atlanta, GA. Here you will find information on the role of the GSC and how you can maximize your involvement with the GSC, as well as conference advice and support and information on food and drink, travel, and attractions in Atlanta. We hope you find this useful and look forward to meeting you all personally at the GSC events. 1. President’s Welcome Letter .2 ……………………………………………… 2. About the GSC ...3 ………………………………………………………………… 3. Meet the Team .............4 ……………………………………………………… -
Twelfth Night Edited by Rex Gibson Excerpt More Information
Cambridge University Press 0521618770 - Twelfth Night Edited by Rex Gibson Excerpt More information List of characters Illyria The Duke’s court The Countess’s household Orsino, Duke of Illyria Olivia, a countess Valentine, a courtier Sir Toby Belch, her uncle Curio, a courtier Malvolio, her steward Musicians Feste, her fool Lords Maria, her gentlewoman Officers Fabian, a servant APriest ASea Captain The visitors Viola, later called Cesario Sebastian, her twin brother Sir Andrew Aguecheek, suitor to Olivia Antonio, a friend to Sebastian Sailors The action of the play takes place in Illyria 1 © Cambridge University Press www.cambridge.org Cambridge University Press 0521618770 - Twelfth Night Edited by Rex Gibson Excerpt More information Twelfth Night Orsino calls for music to feed his hunger for love. He reflects that love is like the sea, absorbing and devaluing every other experience. He claims to be completely obsessed by his love for Olivia. 1 Orsino: in love or infatuated? (in groups of three) The best approach to Scene 1 is to take parts as Orsino, Curio and Valentine, and read it through. Then change roles and read through again. Don’t worry about unfamiliar words in these read-throughs, but afterwards work on the following activities: a Love or infatuation? The opening lines suggest the play will be much about love. But what sort of love? You will find various expressions of love throughout Twelfth Night. Many people believe Orsino is not truly in love, but is just infatuated, and wallows in his emotions. To discover your own views, speak lines 1–15 in different ways (e.g.