Chapter 8 Japan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Case of Sugawara No Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho''
Ideology and Historiography : The Case of Sugawara no Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho'' 著者 PLUTSCHOW Herbert 会議概要(会議名, Historiography and Japanese Consciousness of 開催地, 会期, 主催 Values and Norms, カリフォルニア大学 サンタ・ 者等) バーバラ校, カリフォルニア大学 ロサンゼルス校, 2001年1月 page range 133-145 year 2003-01-31 シリーズ 北米シンポジウム 2000 International Symposium in North America 2014 URL http://doi.org/10.15055/00001515 Ideology and Historiography: The Case of Sugawara no Michizane in the Nihongiryaku, Fusi Ryakki and the Gukanshd Herbert PLUTSCHOW University of California at Los Angeles To make victims into heroes is a Japanese cultural phenomenon intimately relat- ed to religion and society. It is as old as written history and survives into modem times. Victims appear as heroes in Buddhist, Shinto, and Shinto-Buddhist cults and in numer- ous works of Japanese literature, theater and the arts. In a number of articles I have pub- lished on this subject,' I tried to offer a religious interpretation, emphasizing the need to placate political victims in order to safeguard the state from their wrath. Unappeased political victims were believed to seek revenge by harming the living, causing natural calamities, provoking social discord, jeopardizing the national welfare. Beginning in the tenth century, such placation took on a national importance. Elsewhere I have tried to demonstrate that the cult of political victims forced political leaders to worship their for- mer enemies in a cult providing the religious legitimization, that is, the mainstay of their power.' The reason for this was, as I demonstrated, the attempt leaders made to control natural forces through the worship of spirits believed to influence them. -
The Hachiman Cult and the Dokyo Incident Author(S): Ross Bender Source: Monumenta Nipponica, Vol
The Hachiman Cult and the Dokyo Incident Author(s): Ross Bender Source: Monumenta Nipponica, Vol. 34, No. 2 (Summer, 1979), pp. 125-153 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384320 Accessed: 17-03-2016 17:03 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded from 77.80.42.241 on Thu, 17 Mar 2016 17:03:08 UTC All use subject to JSTOR Terms and Conditions The Hachiman Cult and the D6ky6 Incident by Ross BENDER XO I NE of the gravest assaults ever made on the Japanese imperial institution was launched by the Buddhist priest D6ky6' in the 760s. Dokyo, who came from a clan of the low-ranking provincial aristocracy, gained the affection of the retired Empress K6ken2 in 761 and proceeded to gather political power to himself; by the end of the decade he stood as the paramount figure in the court bureaucracy and had already begun to usurp imperial prerogatives. It was in 769 that an oracle from the shrine of Hachiman in Kyushu was reported to Nara: the god prophesied peace in the realm if Dokyo were proclaimed em- peror. -
Of Ban Dainagon Ekotoba
Japanese Journal of Religious Studies 2001 28/1-2 Explaining the “Mystery” of Ban Dainagon ekotoba M a t s u o Kenji 松尾剛次 In the Heian period vengeful spirits (goryo) were widely feared. This essay examines the identity of characters who appear in the twelfth-century handscroll Ban Dainagon ekotoba 伴大納言絵詞. This scroll is thought to have been composed to mollify the angry spirit ofTomo no Yoshio, a coun selor (dainagon) who was believed to have become “a god of pestilence.” Some scholars have concluded from studying the text that one or two of the unidentified figures in the scrolls can be identified as Tomo no Yoshio. A thorough analysis of the pictures accompanying the text, however, reveals that the two unidentified characters are indeed Minamoto no Makoto, the victim of a plot by Tomo no Yoshio, who was then exiled to Izu. Keywords: Ban Dainagon ekotoba — goryo — vengeful spirits — Tomo no Yoshio — Heian handscrolls — Minamoto no Makoto Translator’s Introduction Ban Dainagon ekotoba (The illustrated story of Counselor Ban),currently held at the Idemitsu Museum, is a crucial work for the study of the devel opment of Japanese narrative, genre, and figural painting. The illustrated story as it comes down to us today is in three handscrolls, each over 800 centimeters long; but, according to a fifteenth-century text, they were all in a single long roll.1 The first scroll lacks any text, but it is clearly linked to the story “On the burning of the Oten-mon gate by Major Counselor Ban” in Jjji shui monogatan. -
A History of the Japanese People
A History of the Japanese People Frank Brinkley A History of the Japanese People Table of Contents A History of the Japanese People......................................................................................................................1 Frank Brinkley.........................................................................................................................................2 FOREWORD...........................................................................................................................................4 AUTHOR'S PREFACE...........................................................................................................................5 CHAPTER I. THE HISTORIOGRAPHER'S ART IN OLD JAPAN.....................................................8 CHAPTER II. JAPANESE MYTHOLOGY.........................................................................................13 CHAPTER III. JAPANESE MYTHOLOGY (Continued)....................................................................20 CHAPTER IV. RATIONALIZATION.................................................................................................29 CHAPTER V. ORIGIN OF THE JAPANESE NATION: HISTORICAL EVIDENCES.....................34 CHAPTER VI. ORIGIN OF THE NATION: GEOGRAPHICAL AND ARCHAEOLOGICAL RELICS.................................................................................................................................................42 CHAPTER VII. LANGUAGE AND PHYSICAL CHARACTERISTICS...........................................50 -
Writing the Irogonomi: Sexual Politics, Heian-Style
New Voices Volume 5 Writing the irogonomi: Sexual politics, Heian-style April Sprague University of Sydney Abstract Promiscuous “connoisseurs of love” (irogonomi) such as the fictional Genji and the semi- legendary Ariwara no Narihira have come to define popular perception of Heian period sexual politics; that is, their names have become shorthand for male privilege over women. In this article I will complicate established ideas regarding male promiscuity and privilege in the Heian period through an examination of Tales of Ise, Tale of Lady Ochikubo and Tale of Genji. I argue that, although women’s status as linchpins in the practice of “marriage politics” rarely translated into women’s individual empowerment, men’s reliance on marriage politics placed restrictions on men’s sexuality in ways that are rarely acknowledged by modern scholarship. Keywords Heian period, male sexuality, literature, irogonomi, Genji Approximately one thousand years ago, during the flowering of Japanese culture in the Heian period (794–1185), aristocratic women composed vernacular poetry, diaries, and works of fiction that have survived the test of centuries to become staples of classical literature. Although works such as Makura no sōshi, Kagerō nikki, and the poetry of Ono no Komachi and Izumi Shikibu have been the subject of much scholarly attention, Genji monogatari (The Tale of Genji) by Murasaki Shikibu emerges as the great representative work of the period. In this article, I call for a re-reading of male sexuality and patriarchy in mid- Heian literature. For my study, I have selected two male-authored texts, Ise monogatari (Tales of Ise) and Ochikubo monogatari (Tale of the Lady Ochikubo), and one female- authored text, Genji monogatari.1 I have identified two particular models of male sexuality present in these works: the better-known ‘promiscuous’ irogonomi—a ‘connoisseur of love’—and the rarely acknowledged monogamous type. -
The Role of Place Names in the Political Culture of Medieval Japan
The role of place names in the political culture of medieval Japan Ekaterina Kirillovna SIMONOVA-GUDZENKO The article focuses on the role and place of toponyms in the medieval Japa- nese political culture. The toponym can be considered as a hyperlink, “clicking” which reveals an endless chain of general cultural, historical, and literary images, events, and phenomena. Place name study requires a multidisciplinary approach. The insularity of the Japanese territory, terrain features, prevalence and sustain- ability of animistic beliefs contributed to the fact that the exact localization of an event or phenomenon took on special significance. A detailed address of an event or phenomenon most often consists of toponyms relating to a province, county, village or some particular place, which almost always makes it possible to find the specified object on a geographical map. Moreover, once introduced into the con- text of culture, geographical locations become places of worship, sources of inspi- ration for many generations and are rarely subject to change. Toponyms are an in- tegral part of the names of deities, emperors and their family members. Place names were also important in determining and fixing the boundaries of the state. Probably, for the first time in the Japanese literary tradition the geographical area of the entire archipelago, except for the remote north-eastern part, was referred to in the oldest existing anthology of the Japanese poetry “Manyoshu” (dated by the second half of the VIII century). This article presents a detailed analysis of the provenance and use of toponyms making up the cultural and historical image of the country, its name (Yamato – Nihon), and the name of the archipelago’s high- est mountain (Fuji). -
The Go-Tsuchimikado Shinkan-Bon ~ Izumi Shikibu Shū: a Translation of the Poems and an Analysis of Their Eques Nce Lisa Nelson University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2010 The Go-Tsuchimikado Shinkan-bon ~ Izumi Shikibu Shū: A Translation of the Poems and an Analysis of Their equeS nce Lisa Nelson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the East Asian Languages and Societies Commons Nelson, Lisa, "The Go-Tsuchimikado Shinkan-bon ~ Izumi Shikibu Shū: A Translation of the Poems and an Analysis of Their Sequence" (2010). Masters Theses 1911 - February 2014. 446. Retrieved from https://scholarworks.umass.edu/theses/446 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GO-TSUCHIMIKADO SHINKAN-BON ~ IZUMI SHIKIBU SHŪ: A TRANSLATION OF THE POEMS AND AN ANALYSIS OF THEIR SEQUENCE A Thesis Presented By LISA NELSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2010 Asian Languages and Literatures Department of Languages, Literatures and Cultures THE GO-TSUCHIMIKADO SHINKAN-BON ~ IZUMI SHIKIBU SHŪ: A TRANSLATION OF THE POEMS AND AN ANALYSIS OF THEIR SEQUENCE A Thesis Presented By LISA NELSON Approved as to style and content by: _________________________________________________ Stephen M. Forrest, Chairperson _________________________________________________ Doris G. Bargen, Member _________________________________________________ Stephen D. Miller, Member _______________________________ Amanda C. Seaman, Director Asian Languages and Literatures Department of Languages, Literatures and Cultures ________________________________________ Julie Candler Hayes, Chair Department of Languages, Literatures and Cultures DEDICATION To Izumi Shikibu, who continues to inspire and amaze me the more I learn of her. -
THE SOCIO-POLITICAL FUNCTIONS of JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 by Sara Lorraine Sumpter Bachelor of Arts
THE SOCIO-POLITICAL FUNCTIONS OF JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 by Sara Lorraine Sumpter Bachelor of Arts, University of California, Davis, 2006 Master of Arts, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Sara L. Sumpter It was defended on March 21, 2016 and approved by Katheryn M. Linduff, UCIS Research Professor, History of Art and Architecture Josh Ellenbogen, Associate Professor, History of Art and Architecture Clark Chilson, Associate Professor, Religious Studies Dissertation Advisor: Karen M. Gerhart, Professor, History of Art and Architecture ii Copyright © by Sara L. Sumpter 2016 iii THE SOCIO-POLITICAL FUNCTIONS OF JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 Sara Lorraine Sumpter, PhD University of Pittsburgh, 2016 The second half of the twelfth century witnessed a curious boom at the Heian Court in Japan— the production of illustrated handscrolls whose narratives centered on a specific type of historical figure. Within a span of fifty years or less, three such handscroll sets were produced: the Kibi Daijin nittō emaki, the Ban Dainagon emaki, and the Kitano Tenjin engi emaki. In each story, the protagonist is an aristocrat who had lived three-to-four-hundred years previous to the production of the handscroll set. Each of the men in question had died in exile, and each was—at one point or another—believed to have become a vengeful spirit. -
Onoe 2019 a Memo on Late Heian Central Bureaucracy
平安後期の中央官制メモ 20190720尾上 A Memo on Late Heian Central Bureaucracy by Onoe Yosuke " The Council of State 太政官 (daijōkan) : discusses policy at royal command; receives and executes orders from the tennō, regent 摂政 (sesshō) or 関白 viceroy (kanpaku) acting on behalf of the tennō, to run government affairs. ※The regent and viceroy assisted the tennō with government affairs. The royal secretary 蔵人 (kurōdō) deliberated on regulation. 【議政官】Giseikan 太政大臣 (Prime Minister (daijōdaijin)) 左大臣 Minister of the Left (udaijin); 右大臣 Minister of the Right (sadaijin); 内大臣 Inner Palace Minister (naidaijin) 大納言 Senior Counselor (dainagon)・中納言 Middle Counselor (chūnagon) 【事務官】Jimukan 弁官局 The Office of Controllers (benkankyoku) 左弁官局 Controller of the Left Office (sabenkan kyoku) 右弁官局 Controller of the Right Office (ubenkan kyoku) 左大弁 Major Controller of the Left (sadaiben) 右大弁 Major Controller of the Right (udaiben) 左中弁 Middle Controller of the Left (sachūben) 右中弁 Middle Controller of the Right (uchūben) 左少弁 Junior Controller of the Left (sashōben) 右少弁 Junior Controller(s) of the Right (ushōben) 左大史 Major Controller of the Left’s Secretary (sadaishi) 右大史 Major Controller of the Left’s Secretary(s) (udaishi) 左少史 Junior Controller(s) of the Left’s Secretary (sashōshi) 右少史 Junior Controller of the Left’s Secretary(s) (ushōshi) 少納言局 Junior Counselor’s Office (shōnagon kyoku) (外記局) (Council Secretary) (geki kyoku) 少納言 Junior Counselor (shōnagon) 大外記 Senior Secretary (daigeki) 少外記 Junior Secretaries (shōgeki) 平安後期の中央官制メモ 20190720尾上 A Memo on Late Heian Central Bureaucracy -
Representations of Travel in Medieval Japan by Kendra D. Strand A
Aesthetics of Space: Representations of Travel in Medieval Japan by Kendra D. Strand A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in The University of Michigan 2015 Doctoral Committee: Emerita Professor Esperanza Ramirez-Christensen, Chair Associate Professor Kevin Gray Carr Professor Ken K. Ito, University of Hawai‘i Manoa Associate Professor Jonathan E. Zwicker © Kendra D. Strand 2015 Dedication To Gregory, whose adventurous spirit has made this work possible, and to Emma, whose good humor has made it a joy. ii Acknowledgements Kind regards are due to a great many people I have encountered throughout my graduate career, but to my advisors in particular. Esperanza Ramirez-Christensen has offered her wisdom and support unfalteringly over the years. Under her guidance, I have begun to learn the complexities in the spare words of medieval Japanese poetry, and more importantly to appreciate the rich silences in the spaces between those words. I only hope that I can some day attain the subtlety and dexterity with which she is able to do so. Ken Ito and Jonathan Zwicker have encouraged me to think about Japanese literature and to develop my voice in ways that would never have been possible otherwise, and Kevin Carr has always been incredibly generous with his time and knowledge in discussing visual cultural materials of medieval Japan. I am indebted to them for their patience, their attention, and for initiating me into their respective fields. I am grateful to all of the other professors and mentors with whom I have had the honor of working at the University of Michigan and elsewhere: Markus Nornes, Micah Auerback, Hitomi Tonomura, Leslie Pinkus, William Baxter, David Rolston, Miranda Brown, Laura Grande, Youngju Ryu, Christi Merrill, Celeste Brusati, Martin Powers, Mariko Okada, Keith Vincent, Catherine Ryu, Edith Sarra, Keller Kimbrough, Maggie Childs, and Dennis Washburn. -
A Neglected Chapter. Courtly Fiction of the Kamakura Period Author(S): Donald Keene Source: Monumenta Nipponica, Vol
A Neglected Chapter. Courtly Fiction of the Kamakura Period Author(s): Donald Keene Source: Monumenta Nipponica, Vol. 44, No. 1 (Spring, 1989), pp. 1-30 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384696 Accessed: 14/04/2010 21:19 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sophia. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org A Neglected Chapter Courtly Fiction of the KamakuraPeriod By DONALD KEENE T mHE reputationof the works of fiction composed duringthe Kamakura period in the tradition of Heian monogatari JtK is by no means high. -
He Arashina Iary
!he "arashina #iary h A WOMAN’S LIFE IN ELEVENTH-CENTURY JAPAN READER’S EDITION ! ! SUGAWARA NO TAKASUE NO MUSUME TRANSLATED, WITH AN INTRODUCTION, BY SONJA ARNTZEN AND ITŌ MORIYUKI Columbia University Press New York Columbia University Press Publishers Since New York Chichester, West Sussex cup .columbia .edu Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Sugawara no Takasue no Musume, – author. | Arntzen, Sonja, – translator. | Ito, Moriyuki, – translator. Title: *e Sarashina diary : a woman’s life in eleventh-century Japan / Sugawara no Takasue no Musume ; translated, with an introduction, by Sonja Arntzen and Ito Moriyuki. Other titles: Sarashina nikki. English Description: Reader’s edition. | New York : Columbia University Press, [] | Series: Translations from the Asian classics | Includes bibliographical references and index. Identifiers: LCCN (print) | LCCN (ebook) | ISBN (electronic) | ISBN (cloth : alk. paper) | ISBN (pbk. : acid-free paper) Subjects: LCSH: Sugawara no Takasue no Musume, —Diaries. | Authors, Japanese—Heian period, –—Diaries. | Women— Japan—History—To . Classification: LCC PL.S (ebook) | LCC PL.S Z (print) | DDC ./ [B] —dc LC record available at https://lccn.loc.gov/ Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America Cover design: Lisa Hamm Cover image: A bi-fold screen by calligrapher Shikō Kataoka (–). CONTENTS Preface to the Reader’s Edition vii Introduction xi Sarashin$ Diar% Appendix . Family and Social Connections Appendix . Maps Appendix . List of Place Names Mentioned in the Sarashina Diary Notes Bibliography Index PREFACE TO THE READER’S EDITION he Sarashina Diary: A Woman’s Life in Eleventh-Century Japan was published in .