Program This Year

JUNE 2012 Welcome to

Welcome to the 2012 Summer Shakespeare Festival! The Old Globe is pleased to welcome back Adrian Noble, returning for his third season as Shakespeare Festival Artistic Director. Adrian is joined this year by Lindsay Posner, who is directing at the Globe for the first time. The Globe, in collaboration with the University of San Diego, celebrates the 25th anniversary of our Master of Fine Arts program this year. Considered the top classical actor training program in the country, the program’s talented students appear

HENRY DIROCCO HENRY every year in our Festival and make a vital contribution to its ongoing success.

The Summer Shakespeare Festival is a unique opportunity to sit under the stars and experience some of the greatest plays of all time, performed by an unparalleled company of actors. It also offers the perfect chance to introduce someone to the theatre for the first time. As you enjoy this evening’s performance, I hope you will consider coming back and bringing someone new — new to San Diego, new to The Old Globe or new to the wonderful experience of theatre itself. Remember the wonder of your first time in the theatre and share that extraordinary feeling with someone this summer.

We hope to see you back this fall for the start of our 2012-2013 season! See page 32 in this program for the full list of shows. The new season features two classics of the world stage as well as two world premiere musicals and several acclaimed contemporary plays. The season truly represents what the Globe does best, and we can’t wait to share it with you.

Michael G. Murphy Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS

RICHARD III

BY WILLIAM SHAKESPEARE

Ralph Funicello+ Deirdre Clancy Alan Burrett Lindsay Jones SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Peter Golub Steve Rankin+ Christine Adaire ORIGINAL MUSIC FIGHT DIRECTOR VOCAL AND DIALECT COACH

Calleri Casting Bret Torbeck CASTING STAGE MANAGER

DIRECTED BY LINDSAY POSNER

—————————————————— Lowell Davies Festival Theatre June 3 - September 29, 2012

2 PERFORMANCES MAGAZINE THE CAST (in alphabetical order)

EARL OF RICHMOND...... Dan Amboyer* GEORGE, DUKE OF CLARENCE...... Happy Anderson* SIR RICHARD RATCLIFFE...... Matthew Bellows SECOND MURDERER...... Adam Daveline MARQUESS OF DORSET...... Jeremy Fisher LADY ANNE...... Vivia Font* LORD HASTINGS...... Robert Foxworth*+ QUEEN ELIZABETH...... Dana Green* YOUNG DUKE OF YORK...... Aidan Hayek STANLEY, EARL OF DERBY...... Charles Janasz*+ SECOND CITIZEN/SIR VAUGHAN...... Rachael Jenison SIR WILLIAM CATESBY...... Jesse Jensen LORD MAYOR...... Joseph Marcell* EDWARD, PRINCE OF WALES...... Jonas McMullen QUEEN MARGARET...... Robin Moseley* SIR WALTER HERBERT...... Danielle O’Farrell THIRD CITIZEN/EARL OF OXFORD...... Allison Spratt Pearce KING EDWARD IV...... Bob Pescovitz* DUCHESS OF YORK...... Deborah Radloff SIR WILLIAM BRANDON...... Stephanie Roetzel LORD RIVERS/TYRREL...... Christopher Salazar DUKE OF BUCKINGHAM...... Jacques C. Smith* FIRST MURDERER...... Jonathan Spivey LORD LOVELL...... Whitney Wakimoto FIRST CITIZEN/SCRIVENER...... Bree Welch RICHARD, DUKE OF GLOUCESTER...... Jay Whittaker* SIR ROBERT BRAKENBURY/LORD GREY...... Sean-Michael Wilkinson

ENSEMBLE...... Matthew Bellows, Adam Daveline, Jeremy Fisher, Rachael Jenison, Jesse Jensen, Danielle O’Farrell, Allison Spratt Pearce, Deborah Radloff, Stephanie Roetzel, Christopher Salazar, Jonathan Spivey, Whitney Wakimoto, Bree Welch, Sean-Michael Wilkinson

There will be one 15-minute intermission.

STAGE MANAGEMENT STAFF Stage Manager...... Bret Torbeck* Assistant Stage Managers...... Jennifer Wheeler Kahn*, Amanda Salmons*, Jess Slocum* Production Assistant...... Stephanie Larson Stage Management Interns...... Jude Caywood, Corinn Moreno, Shayna Penn, Amy Ramsdell

PRODUCTION STAFF Assistant Director...... C.J. Keith Assistant Scenic Design...... Sean Fanning Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Shelly Williams Assistant Lighting Design...... Jason Bieber, Sherrice Kelly Assistant Sound Design...... Kevin Anthenill Associate Fight Director ...... Wayne Kohanek Studio Teacher...... Judy Ridgeway Fight Captain...... Matthew Bellows

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. +Associate Artist of The Old Globe. Student in The Old Globe/University of San Diego Graduate Theatre Program.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 PRESENTS

AS YOU LIKE IT

BY WILLIAM SHAKESPEARE

Ralph Funicello+ Deirdre Clancy Alan Burrett Lindsay Jones SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Shaun Davey Elan McMahan Steve Rankin+ Christine Adaire ORIGINAL MUSIC MUSIC DIRECTOR FIGHT DIRECTOR VOCAL AND DIALECT COACH

Calleri Casting Bret Torbeck CASTING STAGE MANAGER

DIRECTED BY ADRIAN NOBLE

—————————————————— Lowell Davies Festival Theatre June 10 - September 30, 2012

4 PERFORMANCES MAGAZINE THE CAST (in alphabetical order)

ORLANDO...... Dan Amboyer* DUKE FREDERICK/WILLIAM...... Happy Anderson* CHARLES/LORD 2...... Matthew Bellows AMIENS/SIR OLIVER MARTEXT...... Adam Daveline DENNIS...... Jeremy Fisher CELIA...... Vivia Font* ROSALIND...... Dana Green* ADAM/HYMEN...... Charles Janasz*+ EXILED LORD 1...... Jesse Jensen TOUCHSTONE...... Joseph Marcell* AUDREY...... Danielle O’Farrell PHOEBE...... Allison Spratt Pearce DUKE SENIOR...... Bob Pescovitz* SILVIUS/LORD 1...... Christopher Salazar JAQUES...... Jacques C. Smith* CORIN...... Adrian Sparks* LE BEAU...... Jonathan Spivey OLIVER...... Jay Whittaker* JAQUES DE BOYS/EXILED LORD 2...... Sean-Michael Wilkinson FOREST DWELLERS...... Rachael Jenison, Deborah Radloff, Stephanie Roetzel, Whitney Wakimoto, Bree Welch

There will be one 15-minute intermission.

PRODUCTION STAFF Movement...... Annette Yé Assistant Director...... Annette Yé Assistant Scenic Design...... Sean Fanning Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Elisa Benzoni Assistant Lighting Design...... Jason Bieber, Sherrice Kelly Associate Sound Design...... Kevin Anthenill Associate Fight Director ...... Wayne Kohanek Fight Captain...... Christopher Salazar

PERFORMANCES MAGAZINE 5 PRESENTS

Jerome Lawrence and Robert E. Lee’s INHERIT THE WIND

Ralph Funicello+ Deirdre Clancy Alan Burrett Lindsay Jones SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Elan McMahan Steve Rankin+ Christine Adaire MUSIC DIRECTOR FIGHT DIRECTOR VOCAL AND DIALECT COACH

Calleri Casting Bret Torbeck CASTING STAGE MANAGER

DIRECTED BY ADRIAN NOBLE

—————————————————— Lowell Davies Festival Theatre June 17 - September 25, 2012

6 PERFORMANCES MAGAZINE THE CAST (in alphabetical order)

BERTRAM CATES...... Dan Amboyer* MAYOR...... Happy Anderson* GEORGE SILLERS...... Matthew Bellows RADIO MAN/REPORTER...... Adam Daveline MR. GOODFELLOW...... Jeremy Fisher RACHEL...... Vivia Font* HENRY DRUMMOND...... Robert Foxworth*+ HOWARD...... Aidan Hayek REVEREND BROWN...... Charles Janasz*+ MRS. MCLAIN...... Rachael Jenison BANNISTER...... Jesse Jensen E.K. HORNBECK...... Joseph Marcell* MRS. BRADY...... Robin Moseley* REUTERS REPORTER/TOWNSPERSON...... Danielle O’Farrell TOWNSPERSON...... Allison Spratt Pearce JUDGE...... Bob Pescovitz* MRS. BLAIR...... Deborah Radloff MELINDA...... Lou Francine Rasse MRS. LOOMIS...... Stephanie Roetzel TOM DAVENPORT...... Christopher Salazar MR. MEEKER...... Jacques C. Smith* MATTHEW HARRISON BRADY...... Adrian Sparks* ELIJAH/KELLER...... Jonathan Spivey BOLLINGER/AARONSON...... Whitney Wakimoto MRS. KREBS...... Bree Welch DUNLAP/PAGE...... Sean-Michael Wilkinson

SETTING A small town. Summer, not too long ago.

There will be one 15-minute intermission.

PRODUCTION STAFF Assistant Director...... Annette Yé Assistant Scenic Design...... Sean Fanning Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Alina Bokovikova Assistant Lighting Design...... Jason Bieber, Sherrice Kelly Assistant Sound Design...... Kevin Anthenill Studio Teacher...... Judy Ridgeway

PERFORMANCES MAGAZINE 7 The 2012 Shakespeare Festival Company

Dan Amboyer* Happy Anderson* Matthew Bellows Adam Daveline Jeremy Fisher

Vivia Font* Robert Foxworth*+ Dana Green* Aidan Hayek Charles Janasz*+

Rachael Jenison Jesse Jensen Joseph Marcell* Jonas McMullen Robin Moseley*

Danielle O’Farrell Allison Spratt Pearce Bob Pescovitz* Deborah Radloff Lou Francine Rasse

Stephanie Roetzel Christopher Salazar Jacques C. Smith* Adrian Sparks* Jonathan Spivey

Whitney Wakimoto Bree Welch Jay Whittaker* Sean-Michael Wilkinson

8 PERFORMANCES MAGAZINE ACTOR RICHARD III AS YOU LIKE IT INHERIT THE WIND

Dan Amboyer* Earl of Richmond Orlando Bertram Cates Happy Anderson* George, Duke of Clarence Duke Frederick/William Mayor

Matthew Bellows Sir Richard Ratcliffe/Ensemble Charles/Lord 2 George Sillers

Adam Daveline Second Murderer/Ensemble Amiens/Sir Oliver Martext Radio Man/Reporter

Jeremy Fisher Marquess of Dorset/Ensemble Dennis Mr. Goodfellow

Vivia Font* Lady Anne Celia Rachel Robert Foxworth*+ Lord Hastings Henry Drummond Dana Green* Queen Elizabeth Rosalind

Aidan Hayek Young Duke of York Howard

Charles Janasz*+ Stanley, Earl of Derby Adam/Hymen Reverend Brown Second Citizen/Sir Vaughan/  Forest Dweller Mrs. McLain Rachael Jenison Ensemble

Jesse Jensen Sir William Catesby/Ensemble Exiled Lord 1 Bannister

Joseph Marcell* Lord Mayor Touchstone E.K. Hornbeck

Jonas McMullen Edward, Prince of Wales

Robin Moseley* Queen Margaret Mrs. Brady Reuters Reporter/  Sir Walter Herbert/Ensemble Audrey Danielle O’Farrell Townsperson Third Citizen/Earl of Oxford/  Phoebe Townsperson Allison Spratt Pearce Ensemble Bob Pescovitz* King Edward IV Duke Senior Judge

Deborah Radloff Duchess of York/Ensemble Forest Dweller Mrs. Blair

Lou Francine Rasse Melinda

Stephanie Roetzel Sir William Brandon/Ensemble Forest Dweller Mrs. Loomis

Christopher Salazar Lord Rivers/Tyrrel/Ensemble Silvius/Lord 1 Tom Davenport

Jacques C. Smith* Duke of Buckingham Jaques Mr. Meeker Adrian Sparks* Corin Matthew Harrison Brady

Jonathan Spivey First Murderer/Ensemble Le Beau Elijah/Keller

Whitney Wakimoto Lord Lovell/Ensemble Forest Dweller Bollinger/Aaronson

Bree Welch First Citizen/Scrivener/Ensemble Forest Dweller Mrs. Krebs

Jay Whittaker* Richard, Duke of Gloucester Oliver Sir Robert Brakenbury/ Jaques de Boys/  Dunlap/Page Sean-Michael Wilkinson Lord Grey/Ensemble Exiled Lord 2

PERFORMANCES MAGAZINE 9 Board of Directors

Welcome to the 2012 Shakespeare Festival. With these three productions — plus two more on our other stages — we are summer hosts each year to visitors from all 50 states, plus as many as 20 foreign countries, and we’re pleased you’ve chosen to be a part of our summer.

In addition to the mainstage productions, the Globe’s award-winning education and community programs are a vital element of our mission “to provide education for theatre professionals, audiences and the community at large.” And during the Shakespeare Festival, in particular, the Globe’s Shakespeare Initiatives offer summer programs for theatregoers of all ages.

Designed to enhance audience understanding and enjoyment of the plays presented, these Initiatives include: Shakespeare in the Garden, a series of informal pre-show presentations featuring members of the Festival creative team; Insights Seminars, at which a panel of artists engages patrons in thought- provoking discussions of each play; and the Shakespeare Intensive, a four-week program created for high school-aged actors and actresses culminating with two Shakespeare plays in the Lowell Davies Festival Theatre.

Learn more about the Shakespeare Initiatives and our many other programs by visiting the Globe’s website or contacting our Education Department.

Again, I thank each and every one of you for supporting The Old Globe! Enjoy the summer here.

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Ramin Pourteymour Lynne Wheeler Deborah Szekely Mary Beth Adderley* Paula Powers* Debbie Wilson Hon. Pete Wilson Elizabeth Altman Conrad Prebys* Karin Winner Pamela Cesak David Reagan June Yoder EMERITUS DIRECTORS Nicole A. Clay Sandra Redman Carolyn Yorston-Wellcome Garet B. Clark Peter J. Cooper* Reneé Schatz Vicki Zeiger J. Dallas Clark (1913–2005) Valerie S. Cooper Jean Shekhter *Executive Committee Member Bea Epsten Silvija Devine Ann Steck Sally Furay, R.S.C.J. Pamela A. Farr Steven J. Stuckey HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Karen Fox Daniel L. Sullivan, Ph.D. Mrs. Richard C. Adams Delza Martin (1915–2005) Victor P. Gálvez Julie H. Sullivan, Ph.D. (1912–2005) Darlene Shiley Kathryn Hattox* Dean Thorp Clair Burgener (1921-2006) Patsy Shumway Elizabeth Helming Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) Viviana Ibañez Debra Turner Audrey Geisel Deni Jacobs Stacey LeVasseur Vasquez Paul Harter Daphne Jameson Crystal Watkins Gordon Luce (1925-2006) Jo Ann Kilty Jim Wening Dolly Poet (1921-2007)

10 PERFORMANCES MAGAZINE LEADERSHIP Festival Sponsor GIFTS

The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major contributions have been designated for artistic, endowment and facilities projects, and help The Old Globe Established in 2010 by Qualcomm Incorporated, the remain one of our country’s great Qualcomm Foundation is dedicated to developing and strengthening communities worldwide. Specifically, the theatre institutions. Qualcomm Foundation aims to create educated, healthy, culturally vibrant communities, focusing primarily in $20,000,000 or greater geographic regions where the company has a business presence. The Qualcomm Foundation is proud to support Donald* and Darlene Shiley The Old Globe. For more information about the Qualcomm Foundation and Qualcomm Incorporated’s global social $10,000,000 or greater responsibility programs, visit qualcomm.com/community. Conrad Prebys

$5,000,000 or greater

Sheryl and Harvey White THE 2012 SHAKESPEARE FESTIVAL IS GRATEFULLY DEDICATED TO Kathryn Hattox Deborah Szekely Karen and Donald Cohn San Diegan Deborah Szekely, founder of the Golden Door and Rancho La Puerta, has long $2,000,000 or greater been known for her support of The Old Globe and her belief that community theatre is the Viterbi Family Foundation wellspring of a city’s cultural heritage. What is sometimes overlooked is her motivation. $1,000,000 or greater In one word: gratitude. California Cultural and Deborah credits the Globe as being her Historical Endowment “mentor, support system and graduate school.” Early in life she turned to volunteer work here Estate of Dorothy S. Prough as a way to broaden her horizons, for she had married and opened Rancho La Puerta by the The Rivkin Family time she was 18. Her experiences included “doing anything that needed doing,” such as scraping gum off seat bottoms in 1947. Yet theatre enthralled her as she Estate of Beatrice Lynds rose through the ranks. “The Globe was responsible for who I became,” she says Audrey S. Geisel/ today. San Diego Foundation When the Globe was destroyed by arson, Deborah — by then a successful Dr. Seuss Fund businesswoman — came to the rescue. “I said to Craig Noel, as he stood amidst the ruins, ‘Do not worry. I promise we will rebuild, and it will be better than ever.’” Mr. and Mrs. Victor H.* Ottenstein And rebuild they did. With Co-Chair Jim Mulvaney, Deborah raised more than $6 million. Mrs. Helen Edison* Even greater than the Globe’s institutional influence was her personal friendship The Stephen & with Craig. “He was my mentor and best friend,” she remembers. “His intuition Mary Birch Foundation about everything that works in art and life was incredible. And he had great faith in me. He gave me confidence in my own instincts. Everything I may have ever The Kresge Foundation done for the Globe is simply a partial repayment for all that the Globe and Craig have done for me.” *In Memoriam

PERFORMANCES MAGAZINE 11 SHAKESPEARE FESTIVAL SEASON SPONSORS

JOHN A. BEROL KAREN AND DONALD COHN AS YOU LIKE IT INHERIT THE WIND Having previously Karen and Donald enjoyed Cohn have served in Shakespeare at leadership roles at The school and on Old Globe for nearly 20 stage, John Berol years. Karen, a graduate was delighted to of USD law school, is discover San Diego’s involved with numerous enthusiasm for major arts and cultural Shakespeare in institutions. Don, Balboa Park upon founder and former HENRY DIROCCO HENRY John A. Berol sponsored the 2011 production moving to the city CEO of DataQuick of The Tempest starring Miles Anderson and in 1977. Information Systems Inc.—the nation’s foremost real estate data Ben Diskant. repository company—continues his career as an investor and Aware of the is owner of Ballena Vista Farms in Ramona, one of Southern fragile dependence of artistically driven theatre upon California’s largest thoroughbred racing, breeding and training charitable support from individuals, John joyfully joined facilities. Don serves as Immediate Past Board Chair, continuing in with contributions including sponsorship of Dancing his work on the Executive and Finance Committees. Karen first at Lughnasa, Voir Dire, Labor Day, Twelfth Night (2001), joined the Globe Board in 1992, serving two terms as Chair. Pericles, Much Ado About Nothing, The Two Noble The Cohns have supported several productions, most recently Kinsmen, The Winter’s Tale, Titus Andronicus, Measure The Taming of the Shrew and last year’s The Tempest. Karen and for Measure, Merry Wives of Windsor, Twelfth Night Don helped launch the Globe’s Capital Campaign in 2006 with (2009), The Taming of the Shrew and last year’s critically a significant gift, and, in recognition, the new education center is acclaimed production of The Tempest. named in their honor.

Production Sponsors

Elaine and Dave Darwin Committee. Currently, Elaine is industry. Barbara continues to INHERIT THE WIND Treasurer of the La Jolla Music support San Diego Opera, San Society. In 2011, Elaine and Dave Diego Symphony and Mainly Before moving sponsored Playwright-in-Residence Mozart, among others, and enjoys to Rancho Santa Matthew Lopez’s world premiere time with her grandchildren. Fe, Elaine and play Somewhere. The Darwins Dave lived in enjoy being supporters of the arts Palm Beach and Jeanette Stevens and culture. AS YOU LIKE IT Aspen where Dave served on A Chicago the Corporate Barbara Kjos native and RICHARD III Board of graduate the Aspen Music Festival and Barbara Kjos has been a loyal of Indiana School. Among their many patron of The Old Globe since University, activities in Palm Beach, Dave, an the summer of 1973 when she and Jeanette was environmental activist, chaired the her late husband, Neil, moved to first engaged Save the Dunes Committee and San Diego from Chicago. Their in the arts as Elaine served on the Board of the love of Shakespeare originally a devoted, Community Foundation for Palm drew them to the Globe, and passionate student of dance Beach and Martin Counties. At providing support for the Festival within a family and university the Globe, Elaine is a Vice Chair was a natural fit for the couple. dedicated to cultural appreciation. on the Executive Committee Neil owned and operated the Subsequently moving to San and serves on the Investment enormously successful Neil A. Diego, her first profession was as Committee. She is Chair of the Kjos Music Company, which a teacher in public and private Board Nominating Committee continues to set the standard in elementary schools, later teaching and the Artistic Director Search the educational music publishing and choreographing ballet.

12 PERFORMANCES MAGAZINE KATHRYN HATTOX JOAN AND IRWIN JACOBS AS YOU LIKE IT INHERIT THE WIND In 1997 Kathryn Joan and Irwin joined the Old Jacobs have Globe Board of been enthusiastic Directors. She supporters and has served as loyal subscribers of Board Chair and The Old Globe for continues today as more than 20 years, a member of the during which time the Executive, Finance theatre and the San and Endowment Diego community Committees. have greatly benefited In recognition of her leadership gift to the Globe’s historic from their generosity and involvement. Previous Globe Capital Campaign, the multipurpose performance and productions sponsored by Joan and Irwin include George event room located in the Education Center carries the Gershwin Alone, Macbeth, Resurrection Blues, Smash, Julius name of Hattox Hall. Caesar, Avenue Q, The Merry Wives of Windsor, King Lear, Golda’s Balcony and last year’s acclaimed production of Kathryn has generously supported the Globe each year Amadeus. The couple has been active philanthropically as a Production or Season Sponsor for such plays as throughout the San Diego community, supporting numerous Lucky Duck, Rough Crossing, All My Sons, The Boswell organizations including the University of California, San Diego Sisters, As You Like It, Measure for Measure, Cyrano de (most recently with a $75 million gift to build the new Jacobs’ Bergerac, King Lear and last year’s acclaimed production Medical Center), the new Central Library, the Museum of of Amadeus, directed by Shakespeare Festival Artistic Contemporary Art, San Diego Symphony, San Diego Opera, Director Adrian Noble. La Jolla Playhouse, Museum of Photographic Arts, the New Children’s Museum and the San Diego Food Bank.

Currently, Jeanette is retired the uncertainty and strife of from her public relations career World War II, Gillian’s parents at SDG&E, having developed met and married in the Bard’s and managed various programs rural hometown of Stratford- and partnerships there for many upon-Avon. They settled in a 17th AS YOU LIKE IT years. A former Board member century home neighboring Anne Union Bank has been a stalwart at San Diego Ballet and La Jolla Hathaway’s cottage where the supporter of The Old Globe Music Society, Jeanette currently only source of running water was for more than 20 years, and it serves on the San Diego Youth an outdoor pump, and cold, damp is continuing to reinvest in the Symphony Board and continues trips “down the garden path” were communities it serves. The Bank her enthusiastic involvement with frequent. Often through makeshift has supported The Old Globe in arts organizations countrywide. amateur productions, the plays many ways, including providing bank A longtime Old Globe subscriber of Shakespeare, particularly the employees to serve as volunteers and patron, Jeanette derives comedies, provided respite from with theatre education programs immeasurable benefit from both the hardships of life, creating a attached to Dr. Seuss’ How The performance experiences and unique bond with the playwright. Grinch Stole Christmas!, and Vice from her meaningful relationships In honor of their parents, who President, Community Banking established at the Globe. experienced the profound impact Group, Debbie Wilson serves on of Shakespeare’s works, as have the Board of Directors. Union Bank Gillian and Tony theatregoers throughout the has sponsored many productions Thornley centuries and around the world, including The Glass Menagerie, RICHARD III the Thornleys are proud to support Othello, A Midsummer Night’s The Old Globe in saluting this The connection between the Dream and Imaginary Friends. The incredible playwright. Thornley family and Shakespeare Old Globe applauds Union Bank for is a deeply personal one. Amid its longtime support.

PERFORMANCES MAGAZINE 13 Education DID YOU KNOW... many actors from tonight’s production are students in The Old Globe’s graduate acting program? A joint venture of The Old Globe and the University of San Diego, the graduate acting program nationally recruits seven students each year to participate in an intensive two-year, year-round Master of Fine Arts degree program. The seven students are selected from hundreds who audition in New York, Chicago, San Francisco and San Diego to be part of this prestigious program.

TO LEARN MORE, VISIT US ONLINE AT www.GlobeMFA.org Ben Diskant (M.F.A. ’11) as Ariel in The Tempest. HENRY DIROCCO. HENRY J. T. MACMILLAN. T. J. HENRY DIROCCO. HENRY HENRY DIROCCO. HENRY

Winslow Corbett and Deborah Radloff (M.F.A. ’12) Jesse Jensen (M.F.A. ’12) in the graduate theatre’s Ryman Sneed (M.F.A. ’11) in Amadeus. in Much Ado About Nothing. production of Twelfth Night.

14 PERFORMANCES MAGAZINE Profiles

DAN AMBOYER (Earl of Richmond, MATTHEW BELLOWS (Sir Richard JEREMY FISHER (Marquess of Dorset, Richard III; Orlando, As You Like It; Bertram Ratcliffe, Ensemble, Richard III; Charles, Ensemble, Richard III; Dennis, As You Like Cates, Inherit the Wind) recently starred Lord 2, As You Like It; George Sillers, It; Mr. Goodfellow, Inherit the Wind) has DID as Prince William in the television movie Inherit the Wind) recently appeared in appeared in the Old Globe/USD M.F.A. William & Catherine: A Royal Romance the Old Globe/USD M.F.A. productions productions of Twelfth Night, Fathers alongside Victor Garber, Jean Smart and of Twelfth Night, Fathers and Sons and and Sons and Pygmalion. His Chicago Jane Alexander. His Off Broadway and Pygmalion as well as Sunset Boulevard productions include Coronado and Hollow YOU New York credits include Bash’d (The (Pioneer Theatre Company), The Scarlett Lands (Steep Theatre Company), Stage Zipper Factory), As You Like It (HERE Arts Pimpernel and Beauty and the Beast (Hale Door and No More Dead Dogs (Griffin Center), The Great Unknown (New York Center Theatre), The Cherry Orchard (The Theatre Company), the title role in Ivanov, KNOW... Musical Theatre Festival), Rinne Groff’s People’s Theater), The Ark and Big River Sweet Confinement (After Dark Award for Orange Lemon Egg Canary (PS122), For (Provo Theatre Company) and The Sound Outstanding Ensemble), The Incredibly the Love of Christ (New York International of Music, Big River and Les Misérables Famous Willy Rivers and Bible B-Sides Fringe Festival), The Play About the (Tuacahn Center for the Arts). His other (Sinnerman Ensemble), Sweet Bird of Naked Guy (Emerging Artists Theatre), credits include Misalliance, Handing Down Youth (The Artistic Home), Election Day Friends and Relations (Abingdon Theatre the Names, The Beggar’s Opera, Elton John (Theatre Seven), Odin’s Horse (Infamous Company) and the New York premieres and Tim Rice’s Aida, The Zoo Story and Commonwealth Theatre), Hot N’ Throbbing of These Seven Sicknesses, Amy Freed’s the title role in Hamlet. His television and (Pine Box Theater Company) and Restoration Comedy and a newly-adapted film credits include the WB’s “Everwood,” Another Day in the Empire (Black Sheep Dido, Queen of Carthage, all with Exit, Forever Strong, Beauty and the Beast: A Productions). Mr. Fisher is a graduate Pursued By A Bear, where he is a founding Latter-Day Tale, Civil Love and The Letter of Indiana University and The School at member. His regional credits include Writer. He produced and starred in the Steppenwolf. two seasons with the Utah Shakespeare short film Hellespont, competing in festivals Festival, Walnut Street Theatre, The Muny, now. He has a B.F.A. in Acting from Brigham VIVIA FONT (Lady Anne, Richard III; North Shore Music Theatre, Quantum Young University. Celia, As You Like It; Rachel, Inherit Theatre, American Ballet Theatre and the www.matthewbellows.com. the Wind) is thrilled to be returning to First National Company of Joseph and the the Festival stage after completing her Amazing Technicolor Dreamcoat starring ADAM DAVELINE (Second Murderer, master’s here. She most recently played Donny Osmond. On television he has Ensemble, Richard III; Amiens, Sir Oliver América in the world premiere of Tortilla guest starred on “Body of Proof,” Martext, As You Like It; Radio Man, Curtain (San Diego Repertory Theatre). “Law & Order” and “All My Children.” Reporter, Inherit the Wind) has appeared Her other recent credits include the A native Michigander, Mr. Amboyer is a in the Globe productions of The Tempest, world premieres of underneathmybed graduate of Interlochen Arts Academy Much Ado About Nothing, Amadeus (Rattlestick Playwrights Theater), Menders and Carnegie Mellon University. and Jane Austen’s Emma – A Musical (Flux Theatre Ensemble), Mariela in the www.danamboyer.com. Romantic Comedy and also appeared as Desert and Map of Heaven (The Denver Sir Toby Belch in the Globe/USD M.F.A. Center for the Performing Arts) and HAPPY ANDERSON (George, Duke of production of Twelfth Night. Some of his workshops of new plays and musicals Clarence, Richard III; Duke Frederick, regional credits include Bruce in Finding by Octavio Solis and Karen Zacarias at William, As You Like It; Mayor, Inherit the Nemo – The Musical (Walt Disney Creative South Coast Repertory, Denver Center Wind) last appeared on Broadway in The Entertainment), Javert in Les Misérables, Theatre Company and Perry Mansfield. Merchant of Venice with Al Pacino. His David in Company, Peter in Jesus Christ Her other classical performances include television credits include “Boardwalk Superstar, Carl in Bus Stop, Zoser in Elton Olivia in Twelfth Night (Princeton Rep Empire,” “Blue Bloods,” “White Collar,” John and Tim Rice’s Aida, Adam in Seven Shakespeare Festival), Bianca in The Shrew “Army Wives,” “Eden,” “Law & Order,” Brides for Seven Brothers, Smudge in Tamer (Northern Stage) and Armada in “Law & Order: Criminal Intent,” “Law & Forever Plaid and The Baker in Into the Love’s Labour’s Lost (TriBeCa Playhouse). Order: Special Victims Unit,” “The Onion Woods. His film work includes Fire Creek As an M.F.A. candidate, she performed News Network,” “Onion SportsDome” (Lifesong Productions). His recordings at The Old Globe as Tess in Six Degrees and “The Book of Daniel.” His film credits include the concept albums of The Legend of Separation directed by Trip Cullman, include Duplicity, Redacted directed by of Sleepy Hollow and Savior of the World. Diana in All’s Well That Ends Well directed Brian De Palma, Going the Distance and He has also performed as a featured soloist by Darko Tresnjak and other memorable Blue Caprice. His theatre credits also in Carnegie Hall with the National Alliance fruitsellers, maids, saloon girls, citizens and include The Merchant of Venice, The for Excellence in Art. Mr. Daveline received nuns in the’08 and ‘09 Festival seasons. Winter’s Tale (New York Shakespeare his B.F.A. in Musical Theatre from Brigham She has appeared on film and television in Festival, 2010) and Emancipation (Classical Young University and his M.F.A. in Dramatic Sarbane’s-Oxley and “One Life to Live.” Theatre of Harlem). Mr. Anderson received Arts from the University of San Diego/Old www.viviafont.us. his B.F.A. from Ithaca College and his Globe. He is a proud member of Actors’ M.F.A. from Indiana University. Equity Association. www.happyandersonacting.com.

PERFORMANCES MAGAZINE 15 Profiles

ROBERT FOXWORTH (Lord Hastings, Wife and The Play’s the Thing (Asolo Sons and Twelfth Night. Her other Globe/ Richard III; Henry Drummond, Inherit the Repertory Theatre), Hay Fever (Court USD M.F.A. credits include The Importance Wind) is an Associate Artist of The Old Theatre), Cat on a Hot Tin Roof (Meadow of Being Earnest and The Winter’s Tale. Globe and has appeared in August: Osage Brook Theatre) and Twelfth Night and Her Chicago credits include Magnolia County, King Lear, The Madness of George Macbeth (Shakespeare Festival of Dallas). (Goodman Theatre), Wood Demon (The III, Cornelia, Julius Caesar, Private Lives, She is a proud member of The Antaeus Library Theatre) and Hedda Gabler and Below the Belt, Love Letters and Antony Company in Los Angeles. Misanthrope, or the Impossible Lovers and Cleopatra. In 2011 he played Arthur (Vintage Theater Collective). Her regional in Superior Donuts at San Diego Repertory AIDAN HAYEK (Young Duke of York, credits include Almond and the Seahorse Theatre, for which he won Outstanding Richard III; Howard, Inherit the Wind) was (Madison Repertory Theatre) and Twelfth Lead Performance in a Play from the San also seen at The Old Globe in the 2009 Night (Great River Shakespeare Festival). Diego Theatre Critics Circle. His most production of Dr. Seuss’ How the Grinch Ms. Jenison has a B.F.A. in Acting from The recent appearance on Broadway was in Stole Christmas! His more recent roles University of Minnesota/Guthrie Theater August: Osage County as Charlie Aiken. include Morton in An Enemy of the People Actor Training Program. Also on Broadway, Mr. Foxworth has (Intrepid Shakespeare Company, 2012), appeared in Twelve Angry Men, Ivanov, an ensemble member in The Music Man JESSE JENSEN (Sir William Catesby, Honour, Judgment at Nuremberg and (Lamb’s Players Theatre, 2011) and Nathan Ensemble, Richard III; Exiled Lord 1, As Henry V. He won the Theatre World in The Full Monty (Welk Resort Theatre, You Like It; Bannister, Inherit the Wind) was Award for his portrayal of John Proctor in 2010). Mr. Hayek’s early career was spent recently featured at The Old Globe in The The Crucible at Lincoln Center Theater. at Mission Theater in Fallbrook, CA where Tempest, Much Ado About Nothing and His television series include “Storefront he performed in CAST Productions shows Amadeus as well as Death of a Salesman Lawyers,” “Falcon Crest” and “LateLine” such as Oliver!, A Christmas Story and The directed by Pam MacKinnon. He has also with Al Franken. He has guest starred on Music Man. Mr. Hayek, a sixth grader, is the appeared in The Old Globe/USD M.F.A. countless television shows over the years Student Body President at his elementary productions of Fathers and Sons, Twelfth such as a two-year stint on “Six Feet Under,” school where he recently helped produce Night, The Winter’s Tale and Dear Harvey. episodes of “Law & Order” and “Law & and emcee their first annual talent show. His regional credits include The Heiress Order: Special Victims Unit.” Mr. Foxworth’s He is very thankful for this opportunity and (Long Beach Playhouse), West Side Story regional theatre work has included Cyrano looks forward to his summer at The Old (Musical Theater Los Angeles), The Merry de Bergerac (Great Lakes Theatre Festival), Globe. Wives of Windsor (Kingsmen Shakespeare Iago in Othello and The Scottish King in Festival) and the National Tour of The (Stanley, Earl of Derby, Macbeth (Guthrie Theater), George in CHARLES JANASZ Art of Being. His Los Angeles credits Richard III; Adam, Hymen, As You Like It; Who’s Afraid of Virginia Woolf? (Hartford include Brilliant Traces, Sex, Drugs, Rock Reverend Brown, Inherit the Wind) is an Stage), Uncle Vanya (Geffen Playhouse) & Roll and Feeding the Moonfish (Front Associate Artist and has appeared in 26 and many more. He is the voice of Ratchet Porch Players) and the title role in Hamlet Old Globe productions including Pericles in all three of the Transformers movies. (Loyola Marymount University). His film and the Summer Shakespeare Festivals and television credits include Wasted, DANA GREEN (Queen Elizabeth, Richard of 1985 and 2004-2011. He appeared Annabelle, Nomad and Charley as well III; Rosalind, As You Like It) is delighted on Broadway in the 1999-2000 revival of as primetime roles on “CSI: Crime Scene to be back at The Old Globe where she Amadeus and has been a leading company Investigation,” “Cane” and “Cold Case.” In was last seen in Life of Riley and was member and returning guest artist of both addition to acting Mr. Jensen has written, previously seen as Roxane in Cyrano de Guthrie Theater and Arena Stage. His produced, and directed for theatre and Bergerac and Viola in Twelfth Night in the other credits include work at Ahmanson film. He received a B.A. in Film Production 2009 Shakespeare Festival. Ms. Green Theatre, New York Shakespeare Festival, with a minor in Theater Arts from Loyola has spent four seasons with the Stratford Playwrights Horizons, Williamstown Marymount University. Shakespeare Festival where some of her Theatre Festival, Geffen Playhouse, Seattle www.jessejensen.net. favorite roles included Isabella in Measure Repertory Theatre, La Jolla Playhouse, for Measure, Carol Cutrere in Orpheus CENTERSTAGE, Empty Space Theatre, JOSEPH MARCELL (Lord Mayor, Descending, Princess in Love’s Labour’s Huntington Theatre Company, Walker Art Richard III; Touchstone, As You Like It; Lost, Titania in A Midsummer Night’s Center and Loring Playhouse. He trained E.K. Hornbeck, Inherit the Wind) is best Dream and Viola in Twelfth Night. Her at the University of Washington and The known to American audiences for his regional theatre credits include Pride and Juilliard School and is a proud member of roles as Geoffrey on “The Fresh Prince Prejudice and A Midsummer Night’s Dream Actors’ Equity Association since 1980. of Bel Air” and Hudson on “The Bold (South Coast Repertory), The 39 Steps and the Beautiful.” He has appeared in (Second Citizen, (La Mirada Theatre), All’s Well That Ends RACHAEL JENISON over 60 plays at theatres such as Royal Sir Vaughan, Ensemble, Richard III; Forest Well (Yale Repertory Theatre), Measure for Shakespeare Company, Shakespeare & Dweller, As You Like It; Mrs. McLain, Inherit Measure (Chicago Shakespeare Theater), Company, Young Vic, Royal Court Theatre the Wind) has appeared at the Globe in Twelfth Night (California Shakespeare and Theatre Royal Haymarket in such key The Tempest, Much Ado About Nothing and Theater), Love’s Labour’s Lost and Othello roles as Bynum in Joe Turner’s Come and Amadeus. She was last seen in the Globe/ (Shakespeare Santa Cruz), The Constant USD M.F.A. productions of Fathers and (continued on page 25)

16 PERFORMANCES MAGAZINE 2012 SHAKESPEARE FESTIVAL

was invited to San Diego in 2010 as Artistic Director of the 75th anniversary Shakespeare Festival, and two Iyears later I am still here. Why? The answer is simple: I had a wonderful time. I found an artistic freedom to create shows that I consider among the best of my career. I found a company and a staff willing and able to give their all and aspire to the very best. I found a space that was exciting and flexible. I could base our work on language, detailed characterization and bold visual statements. And I found an audience that was generous, discerning and open-minded.

This year I am directing one of my favorite plays, As You Like It. It is perhaps the most satisfying of Shakespeare’s KEN HOWARD comedies, full of love, wonderful characters and no less than four weddings at the play’s end. Shaun Davey, who wrote the award-winning score for last year’s The Tempest, is writing the music, and Dana Green returns to the Globe to play Rosalind.

I have invited Lindsay Posner, a hugely talented director of classics and contemporary work, to do Richard III, one of Shakespeare’s earliest smash hits. Jay Whittaker, the stupendous Mozart in last year’s Amadeus, plays the nefarious hunchback.

Completing the season is one of the jewels of the American dramatic crown, Inherit the Wind, which grips like a thriller from start to finish. It tells the story of an infamous trial and along the way celebrates the glories of democracy, justice and tolerance. You will certainly enjoy Robert Foxworth and Adrian Sparks locking horns as the two titanic lawyers.

I’m delighted to be back at the Globe for another summer of exciting theatre. Welcome to the 2012 Shakespeare Festival!

Adrian Noble, Artistic Director, 2012 Shakespeare Festival

PERFORMANCES MAGAZINE 17 Performing in Rep

The Old Globe’s annual Shakespeare Festival features three productions performed in repertory, where the same company of actors performs all three shows on alternating nights. The tradition of repertory acting has a long history at the Globe. When the Globe was founded in 1935, its original repertory company would perform shortened versions of up to seven different Shakespeare plays in a single day! For audiences, repertory productions offer the opportunity to see a variety of shows in a short period of time and to watch the same actors reinvent themselves night after night. For actors, performing “in rep” provides a unique challenge with surprising rewards.

(foreground) Jay Whittaker as Wolfgang Amadeus Mozart and Allison Spratt Pearce as Katherina Cavalieri in Amadeus (2011). HENRY DIROCCO HENRY

Allison Spratt Pearce ALLISON SPRATT Dana Green as Roxane DANA GREEN in Much Ado About with Patrick Page in Cyrano Nothing (2011). PEARCE I consider myself extremely

JEFFREY WEISER JEFFREY de Bergerac (2009). Rehearsing three different SCHWARTZ CRAIG fortunate to have done a shows at the same time is great deal of my work in the best food an actor can repertory. I enjoy how during ask for. We either thrive rehearsals and even in on the ride or fall off performance the plays and instantly and are pushed the roles feed each other to test every level of our and you discover things you strengths and weaknesses might not have otherwise as actors. Patience, ability, discovered while focusing skill, experience and on just one project. I also creativity are essential. love the little kick you get In one show I might be a coming back to a play after lead, in another a featured several days away. If it’s more soldier and in another than several days it can be maybe even a dancing terrifying, which isn’t as tree—all of which require much fun, but then you get the same amount of the bonding of “Whew! We dedication and passion. survived!” I love the challenge and thrill of having to be mentally and physically on my toes at any moment of Dana Green (right)

as Viola with Katie SCHWARTZ CRAIG the day. MacNichol in Twelfth Night (2009). 18 PERFORMANCES MAGAZINE Robert Foxworth as King Lear (left) and Vivia Font as Jay Whittaker as Diana, in All’s VIVIA FONT Edgar in King Lear Well That Ends One of the things (2010). Well (2008). that always strikes me about working in rep is how amazingly diverse

CRAIG SCHWARTZ CRAIG Shakespeare’s plays are. As actors in repertory, we get the privilege of exploring our range in these differently told stories. In one season we can show our chops, doing both comedy and tragedy or, as in this season, a courtroom drama. What is wonderful about doing three shows for the same company during almost six months is the community that develops Vivia Font as Katie in around the actors, crew and SCHWARTZ CRAIG The Merry Wives of Windsor (2008). artistic staff. CRAIG SCHWARTZ CRAIG

Jay Whittaker as William Pitt ADRIAN SPARKS (left) with Craig Dudley in The From April to May, it’s a whirlwind of creativity—artists, Madness of George III (2010). technicians and staff working triple time. The intense rep rehearsal process for the actor is a juggling act of many characters and emotions requiring focus and dexterity. SCHWARTZ CRAIG Perhaps a lover in the morning, a warrior in the evening—with singing, fighting, puppetry and dance rehearsals sprinkled JAY WHITTAKER throughout. Creating three roles in rep doesn’t allow you to over-think things; you have to fly by the seat of your pants. The fast and furious pace forces you to let go and create from a place of not knowing, Adrian Sparks as Stephano with Jonno Roberts and Ben Diskant which is where all inspiration arises. in The Tempest (2011).

Robert Foxworth as Dr. Willis (right) with Miles Anderson and Christian Durso in The Madness of George III (2010). HENRY DIROCCO HENRY CRAIG SCHWARTZ CRAIG

ROBERT FOXWORTH Acting in repertory is, to me, the essence of this thing we do. The shared lift we participate in brings together differing ages, Adrian Sparks as Corin backgrounds and experiences, and the communality of purpose (right) with Sandy McCallum is electrifying. We all learn from one another and give together in As You Like It (1976). to our audiences. That is the ultimate creative communication. PERFORMANCES MAGAZINE 19 ExtraordinaryINVENTIVE& Scenic Designer Ralph Funicello on a courtroom at all.” He thought we could be much more inventive about it, and we didn’t have to tie it down to realistic designing for the Festival Theatre scenery. The first thing Adrian said when I met with him was that he wanted 20 to 25 American kitchen tables from the turn of the century through the 1930s and a collection of odd I’ve done repertory theatre for more than half of my career. chairs. He wanted to construct the set by moving the tables I started designing scenery professionally at American around to create the space that we needed, using them not Conservatory Theater in San Francisco, where we did a only as tables but as platforms. Adrian felt the kitchen table rotating rep with five productions in the theatre at all times, was a piece of Americana, with a kind of small-town feel to changing over every night from one complete set to another. it. In small towns, that’s where things get discussed. It’s one Here at the Globe, the Shakespeare Festival uses a basic of the focal points of family life. We decided to create the unit set—the wooden deck and the side galleries—for all jury box by removing the first row of seats in the middle three productions. When the directors and I meet, we talk section and putting some of our mismatched chairs there. Ten about how we might use that basic set in each individual members of the audience act as jurors, and the last two jurors production. What I try to do in designing for the Festival is are chosen onstage during the course of the play. to provide as many entrances and exits as possible—as many interesting ways as I can for actors to get on stage. There’s As You Like It is set in a golden age, a remembered time, and absolutely no attempt at any kind of naturalism. It’s very the design includes references to 1930s British railway art much a performance machine, a theatrical space in which to and to the work of artist Sir Stanley Spencer, particularly perform the plays. We may add a piece of architecture—some his Cookham paintings. Spencer painted biblical allegories, glass doors or a proscenium arch—but we don’t use that as a but the people in them are all his neighbors in Cookham. It specific location. And we are always aware that we have to might be called “Marriage at Cana,” but it looks like 1930s change the set every day. small-town England, with middle-class English people sitting around long tables eating English food. That’s a sort of visual Each of the three shows in this year’s festival offered unique reference for us for what the world will look like. Going into challenges. For Richard III, director Lindsay Posner wanted the forest of Arden, Celia and Rosalind enter a hostile winter the play to be extremely contemporary. He feels that the wilderness that becomes magical with the arrival of spring. behavior we see in Richard III is the same A white cloth becomes both a blanket behavior, the same motivation, that is of snow and a forest canopy. We also apparent in every dictatorship and every came up with the idea of suspending insurrection that has happened in the a very irregular cable grid over the last 10 or 15 years. There’s no reason to entire auditorium with small light bulbs have to say that this happened 500 or suspended from it, so there could be a 600 years ago. It happened six months ceiling of light, almost like stars. ago, as well. Lindsay was interested in creating a space that would make that Some people get to design one visible. We have created a kind of royal Shakespeare every year, or even one bunker—our equivalent for a castle or every four or five years. Having the a palace—with people hiding there in opportunity to design two Shakespeares fear of who might overthrow them. In a year is fantastic. I’ve enjoyed all the Lindsay’s mind, Richmond is just as bad Shakespeare productions I’ve worked as Richard at the end of the play: it’s the on at the Globe, and they’ve all been same thing, just another name. very different. The more inventive and extraordinary the directors, the more Inherit the Wind is written to take place challenging and fun it is to find new ways in a courtroom, but Director Adrian to put these plays on stage. Noble’s first charge was, “I don’t want Marriage at Cana, Bride & Bridegroom by Sir Stanley Spencer, 1953.

20 PERFORMANCES MAGAZINE The Genealogy of Richard III

Edward III

1ST SON 2ND SON 4TH SON 3RD SON 5TH SON 1st 2nd Edward Lionel Edmund Blanche John Katherine Thomas THE BLACK DUKE OF DUKE OF DUKE OF DUKE OF PRINCE CLARENCE YORK LANCASTER GLOUCESTER

Richard II Henry IV

Anne Richard Mortimer Henry V

Cecily Richard DUCHESS OF DUKE OF Queen Henry VI Margaret Edward YORK YORK Margaret Beaufort Tudor

Deborah Radloff Robin Moseley

George Richard III Henry VII Henry Elizabeth DUKE OF DUKE OF EARL OF DUKE OF Woodville Edward IV CLARENCE GLOUCESTER Edward Lady Anne RICHMOND BUCKINGHAM

Dana Green Bob Pescovitz Happy Anderson Jay Whittaker Vivia Font Dan Amboyer Jacques C. Smith

CHILD OF HOUSE OF HOUSE OF HOUSE OF YORK LANCASTER TUDOR MARRIED TO DESCENDED FROM

PERFORMANCES MAGAZINE 21 The Scopes Monkey Trial Evolution on Trial in Tennessee BY DANIELLE MAGES AMATO

Amid the excitement of what was often The national visibility of the Scopes Monkey Trial drew big-name called “the trial of the century,” one attorneys on both sides of the case. Among the lawyers for confrontation emerged as perhaps the the prosecution was William Jennings Bryan, a social reformer, greatest moment in American legal history. three-time Democratic presidential candidate and one of the The year was 1925. Clarence Darrow, the great orators of his generation. Over the course of his political most famous criminal defense lawyer in career, Bryan became known as the Great Commoner; he the country, was representing a small-town campaigned passionately for women’s suffrage, a progressive high school biology teacher, John Scopes. income tax and the rights of workers and farmers. He was also Scopes was on trial for violating Tennessee’s deeply Christian and deeply opposed to evolution. Not only Butler Act, which prohibited the teaching did Bryan fear the social application of evolution (he opposed of human evolution in public schools. In an eugenics and felt governments should protect the weak), he also John Scopes unprecedented legal maneuver, Darrow felt that the growing public support of scientific theories like called prosecutor William Jennings Bryan evolution was undermining the nation’s morality and religious to the stand to testify as an expert witness. In the examination foundation. that followed, Darrow relentlessly attacked the Bible as a source of scientific knowledge, forcing Bryan to scramble to defend his On the defense side, the ACLU had concerns about including religious opposition to evolution. Clarence Darrow on their team. Despite his well-earned reputation in the courtroom (Darrow had just staged a brilliant When Jerome Lawrence and Robert E. Lee wrote Inherit the defense of thrill killers Leopold and Loeb), Darrow was an Wind in the early 1950s, they seized upon that moment, that outspoken, even militant, agnostic, and the ACLU did not epic conflict between two great men who stood on opposite want to put religious faith on trial. Darrow considered himself sides of one of the most controversial issues of their time. a modernist, and he saw the Scopes Trial as an irresistible Lawrence and Lee also borrowed the setting of the Scopes Trial, re-creating the carnival atmosphere of a small town that found itself at the center of a national media firestorm. But rather than create a historical docudrama from this material, they wrote a passionate defense of intellectual freedom in the face of fundamentalism that owed more to the era of McCarthyism than it did to the actual events of 1925. “Inherit the Wind is not history,” they explain in their prologue to the play. “The collision of Bryan and Darrow was dramatic, but it was not a drama… Inherit the Wind does not pretend to be journalism. It is theatre. It is not 1925. The stage directions set the time as ‘Not too long ago.’ It might have been yesterday. It could be tomorrow.” Unlike Inherit the Wind’s passionate evolutionist, Bertram Cates, the real John Scopes was a football coach and part- time biology teacher. When Tennessee passed the Butler Act, the American Civil AP/WIDE WORLD PHOTOS WORLD AP/WIDE Liberties Union, hoping to bring the law to Celebrated defense attorney Clarence Darrow and three-time presidential candidate William Jennings the attention of the U.S. Supreme Court, Bryan were personally hostile to one another by the end of the Scopes Monkey Trial but were persuaded placed advertisements in local newspapers to pose together for a photograph. offering legal support to anyone who would stand as a test case of the law. The leading citizens of Dayton, opportunity to battle religious fundamentalism and stand Tennessee thought that a trial and the national attention it would toe-to-toe with Bryan himself. “I believe I could bring him draw might boost the local economy. When they asked Scopes down,” he said. to volunteer to be prosecuted, he agreed.

22 PERFORMANCES MAGAZINE Richard III and the War of the Roses The Wars of the Roses (1455-1487) were a series of civil wars fought in England between two branches of the royal family, the House of Lancaster and the House of York, each of which claimed the right to the throne. The history of the conflict goes back to the time of Edward III, who created five powerful dukedoms for his sons, naming them the first Dukes of Clarence, Lancaster, York and Gloucester.

Edward III was succeeded by his grandson, Richard II, who had no children. Instead of the throne passing peacefully to the next in line, the great-grandson of the Duke of Clarence, the unpopular Richard was overthrown by his cousin Henry IV, son of the Duke of Lancaster. This overthrow created a break in the line of succession that would later lead to war. The House of Lancaster ruled for over 60 years, until the turbulent reign of Henry VI, which was marked by growing civil discontent. When Henry VI suffered a mental breakdown, his cousin Richard, Duke of York, took control of the kingdom. Richard, as a descendant of both Clarence and York, felt his family deserved the throne, and when Henry VI tried to regain power, a series of bloody battles erupted. Richard, Duke of York, was killed at the battle of Wakefield, but just weeks later, his son took the throne as Edward IV. Edward’s marriage to the widow Elizabeth Woodville alienated many of his supporters, and for a brief time, Henry VI was restored to the throne. But following a battle in which Henry’s son was killed, Edward became king once again. Henry was imprisoned and later died mysteriously in the Tower of London. Shakespeare attributes his murder to Richard III.

Shakespeare’s play Richard III begins during the final months of Edward IV’s reign and concludes with the last major battle King Richard III, by unknown artist, late 16th century. National Portrait Gallery, of the Wars of the Roses. At the Battle of Bosworth, a distant London: NPG 148 Lancastrian descendant, Henry Tudor, Earl of Richmond, defeated Richard III, became Henry VII, and established a new royal line: the House of Tudor.

The trial was a public spectacle as much as a legal proceeding. bearing on the ultimate verdict: John Scopes was found guilty of State of Tennessee vs. John Thomas Scopes was the first a misdemeanor and fined $100. The Butler Act was not brought trial ever broadcast live via radio. Songs were written to before the Supreme Court as a result of the Scopes Trial, and commemorate the event. Souvenirs were sold. The courtroom the ban on teaching evolution stood on the books in Tennessee was so packed with onlookers that the judge eventually ordered until 1964. In the years following the Scopes Trial, anti-evolution the trial to move outside to the courthouse lawn, fearing laws failed to pass in 13 other states—only Arkansas and that the floor might collapse. The prosecution’s case was Mississippi passed similar bans. But the polarization between straightforward—Scopes never denied teaching evolution. The fundamentalists and modernists continued to grow, the defense tried to have the Butler Act declared unconstitutional, widening gap between them only growing worse as the years arguing that it gave preference to a particular religious group. went on. The defense also attempted to present evidence supporting the “truth” of evolution, arguing that “the State may determine what “In the 30 years since [Bryan and Darrow] clashed at the Rhea subjects shall be taught, but if biology is to be taught, it cannot County Courthouse,” wrote Lawrence and Lee, “the issues of be demanded that it be taught falsely.” their conflict have acquired new dimension and meaning.” A similar statement could be made about the 60 years that have In Inherit the Wind, teacher Bertram Cates wins a clear moral passed since Lawrence and Lee wrote Inherit the Wind. The and popular victory. The impact of the real Scopes Trial was issues raised by the Scopes Trial have not been put to rest. The more complicated, and in the end, both sides felt they had won. question of the origins of human life still polarizes Americans Bryan’s stumbles on the witness stand turned public opinion today—and the battle continues, fought on the field of our against him and his position, although his testimony had no nation’s classrooms.

PERFORMANCES MAGAZINE 23 SHAKESPEARE FESTIVAL CALENDAR

2012SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY JUNE 3 4 5 6 7 8 9 Richard III 8pm 10 11 12 13 14 15 16 As You Like It 8pm 17 18 19 20 21 22 23 Inherit the Wind 8pm Richard III Richard III 8pm Richard III 8pm Richard III 8pm 24 25 As You Like It 26 27 28 29 30 Richard III 8pm Inherit the Wind As You Like It 8pm As You Like It 8pm As You Like It 8pm As You Like It 8pm Inherit the Wind 8pm JULY 1 2 3 4 INDEPENDENCE DAY 5 6 7 Inherit the Wind 8pm Inherit the Wind 8pm Inherit the Wind 8pm Richard III 8pm As You Like It 8pm Richard III 8pm 8 9 10 11 12 13 14 As You Like It 8pm Inherit the Wind 8pm Richard III 8pm Richard III 8pm As You Like It 8pm Inherit the Wind 8pm 15 16 17 18 19 20 21 Richard III 8pm As You Like It 8pm Inherit the Wind 8pm As You Like It 8pm Inherit the Wind 8pm As You Like It 8pm 22 23 24 25 26 27 28 Richard III 8pm As You Like It 8pm As You Like It 8pm Inherit the Wind 8pm Richard III 8pm 29 30 31 AUGUST 1 2 3 TGIF 4 Inherit the Wind 8pm Richard III 8pm Richard III 8pm As You Like It 8pm Inherit the Wind 8pm Richard III 8pm 5 6 7 8 9 OATG 10 TGIF 11 As You Like It 8pm Inherit the Wind 8pm Inherit the Wind 8pm Richard III 8pm As You Like It 8pm Inherit the Wind 8pm 12 13 14 15 16 17 18 Richard III 8pm As You Like It 8pm Richard III 8pm Inherit the Wind 8pm Richard III 8pm As You Like It 8pm 19 20 21 22 23 24 25 Inherit the Wind 8pm Richard III 8pm As You Like It 8pm Richard III 8pm Inherit the Wind 8pm Richard III 8pm 26 27 28 29 30 31 SEPTEMBER 1 Richard III 8pm As You Like It 8pm Inherit the Wind 8pm As You Like It 8pm Richard III 8pm Inherit the Wind 8pm 2 3 LABOR DAY 4 5 * 6 7 8 As You Like It 8pm Richard III 7pm Inherit the Wind 7pm As You Like It 8pm Richard III 8pm As You Like It 8pm 9 10 11 * 12 13 14 15 Inherit the Wind 7pm Richard III 7pm As You Like It 7pm As You Like It 8pm Inherit the Wind 8pm Richard III 8pm 16 17 18 19 20 21 22 Richard III 7pm As You Like It 7pm Richard III 7pm Inherit the Wind 8pm Richard III 8pm As You Like It 8pm 23 24 25 26 27 28 29 Inherit the Wind 7pm Inherit the Wind 7pm As You Like It 7pm Richard III 8pm As You Like It 8pm Richard III 8pm 30 As You Like It 7pm CALENDAR LEGEND Shakespeare in the Garden Post-Show Forums: Discuss the play with members of the cast following the performance. Admission is free. Shakespeare in the Garden Shakespeare in the Garden: Free presentations As You Like It begin at 7:00 p.m. is a series of informal Sunday, July 8; Thursday, July 19; presentations of ideas and Wednesday, August 22; Friday, September 28 Insights Seminars: A free seminar series featuring a insights that enhance the panel selected from the artistic company of the current show. Reception at 6:30 p.m., Seminar at 7:00 p.m. theatre-going experience. The Richard III *Presentation will begin at 6:00 p.m. due to an earlier performance. seminars feature members Wednesday, July 11; Saturday, August 4; of the Shakespeare Festival Friday, August 31; Tuesday, September 11* OATG creative team and take place OUT at the Globe: A pre-show event for gay and lesbian in the Craig Noel Garden. theatre-lovers and friends with food and cocktails. Inherit the Wind Everyone is welcome. $20/person. (Show sold separately.) Presentations begin at Sunday, July 29; Saturday, August 11; 7:00 p.m. Admission is free and Wednesday, September 5*; Thursday, September 20 TGIF Thank Globe It’s Friday: A Friday pre-show bash with food reservations are not required. *Presentation will begin at 6:00 p.m. due to an earlier performance. and cocktails. $20/person. (Show sold separately.)

24 PERFORMANCES MAGAZINE Profiles

(continued from page 16) King John (Delacorte Theater), Belinda in She also appeared in Globe/USD M.F.A. Seasons Greetings (The Joyce Theater) productions as Time in The Winter’s Tale Gone, Estragon in Waiting for Godot, Puck and Mildred in The Glass Cage (Mint and Viola in Twelfth Night. Mrs. Pearce in A Midsummer Night’s Dream and the Theater Company). Ms. Moseley’s was in the original casts of the Broadway title roles in Peer Gynt, Macbeth, “Master television credits include “Law & Order,” and Off Broadway productions of Cry- Harold”…and the Boys and Othello. He also “Law & Order: Special Victims Unit” and Baby, Curtains, Good Vibrations and appeared in Adrian Noble’s first season as “As the World Turns.” Her film credits Enter Laughing. Her favorite leading roles Shakespeare Festival Artistic Director at include The Sky’s No Limit, Manhunter regionally and on tour include My Fair The Old Globe in 2010 in King Lear, The and The Juror. Ms. Moseley’s favorite Lady (Capital Repertory Theater), The Madness of George III and The Taming roles have included Amanda in The Glass Girl in the Frame (Goodspeed Musicals of the Shrew. He has appeared in such Menagerie (The Repertory Theatre of and Manhattan Theatre Club), Thoroughly films as Cry Feedom and Sioux City. On St. Louis and American Conservatory Modern Millie (Flat Rock Playhouse), U.K. television Mr. Marcell has appeared Theater in San Francisco), Maureen in Cabaret (National Tour) and Grease! in Rough Crossings, “Brothers and The Beauty Queen of Leenane (Denver (European Tour). In film and television her Sisters,” “Juliet Bravo,” “Renford Rejects,” Center Theatre Company), Miss Lucy in roles include The Smurfs, He Got Game, “Eastenders,” “Doctor Who” and “Empire Sweet Bird of Youth (The Shakespeare “NY-70” (NBC pilot) and hosting on HSN. Road.” Recently he starred on Broadway in Theatre Company) and Mary Todd Lincoln Mrs. Pearce can be seen in the national Lee the world premiere of A Free Man of Color, in The Heavens are Hung in Black (Ford’s Riders Jeans ads. She received her B.F.A. and he also starred alongside Eve Best in Theatre). She most recently appeared with in Music Theatre from Elon University. Much Ado About Nothing at Shakespeare’s the Philadelphia Theatre Company in their Mrs. Pearce is a coach for Musical Theatre Globe in London. production of The Outgoing Tide. College Auditions, which provides college JONAS MCMULLEN (Edward, Prince of audition preparation for musical theatre DANIELLE O’FARRELL (Sir Walter Wales, Richard III) previously appeared and acting programs. Herbert, Ensemble, Richard III; Audrey, As at the Globe in 2009 and 2011 as Boo www.allisonsprattpearce.com. You Like It; Reuters Reporter, Townsperson, Who and Danny Who in Dr. Seuss’ How Inherit the Wind) most recently appeared ROBERT PESCOVITZ (King Edward IV, the Grinch Stole Christmas! Most recently, in Twelfth Night, Fathers and Sons and Richard III; Duke Senior, As You Like It; Mr. McMullen performed in Actors’ the staged reading of Pygmalion (The Old Judge, Inherit the Wind) returns to The Old Conservatory Theatre – San Diego’s Globe/USD M.F.A. Program). Previously Globe and completes his circuit of its three production of Legally Blonde. This past she worked in Chicago on The Real Thing venues. He previously appeared as Gabe year he performed the role of Patrick in (Remy Bumppo Theatre Company), in Dinner with Friends in the Globe Theatre Lyric Opera San Diego’s 2011 production Orpheus Descending (American Theater and as Jerry Mears in David Rambo’s God’s of Mame. Also, he performed with the Company), The Taming of the Shrew Man in Texas in the old Cassius Carter San Diego Opera in their 2011 season (Chicago Shakespeare Theater) and No Center Stage. He has worked regionally in Turandot and Der Rosenkavalier. Exit, The Love of the Nightingale and across the country at such theatres as Additionally, he appeared in the 2011 the world premiere of Hideous Progeny Mark Taper Forum, Cincinnati Playhouse National Tour of The Wizard of Oz at the (LiveWire Chicago Theatre). She has in the Park and American Players Theatre. San Diego Civic Theatre. He has been performed in numerous other productions Among the Shakespearean characters he fortunate to work with other community with the side project theatre company, First has played are Macbeth, Leontes, Malvolio, theatre groups in San Diego such as Folio Theatre, Signal Ensemble Theatre, Cassius, Theseus, Orsino, Antipholus J*Company Youth Theatre and California Point of Contention Theatre Company and of Syracuse and Costard. He has guest Youth Conservatory. A special thank you to Bruised Orange, as well as projects with starred on many television programs, most Miss Leigh for her love and guidance. Most Chicago Children’s Theatre, Remy Bumppo, recently “Grimm” and “Mike & Molly.” He importantly, he is grateful for the love and Around the Coyote and Northwestern is an ensemble member of the critically support from his family and friends. University. Her film credits include Farewell acclaimed Furious Theatre Company ROBIN MOSELEY (Queen Margaret, Darkness and Stay with Me. Her television in Los Angeles and is the recipient of a Richard III; Mrs. Brady, Inherit the Wind) credits include “My Boys.” Ms. O’Farrell Los Angeles Drama Critics Circle Award was last seen at the Globe in Death of a received her B.F.A. in Theatre from the for Lead Performance. http://resumes. Salesman. She spent six years with the Chicago College of Performing Arts at actorsaccess.com/bobpescovitz. Alley Theatre in Houston, Texas and two Roosevelt University. DEBORAH RADLOFF (Duchess of York, years with the Denver Center Theatre www.danielleofarrell.com. Ensemble, Richard III; Forest Dweller, As Company and has appeared at over 15 ALLISON SPRATT PEARCE (Third You Like It; Mrs. Blair, Inherit the Wind) has regional theatres. Her Broadway credits Citizen, Earl of Oxford, Ensemble, Richard previously appeared at The Old Globe in include Pygmalion (Roundabout Theatre III; Phoebe, As You Like It; Townsperson, The Tempest, Much Ado About Nothing, Company) and standby for Grace in Faith Inherit the Wind) was recently seen at Amadeus and Death of a Salesman and was Healer (Booth Theatre). She has appeared The Old Globe as Ceres in The Tempest, also seen in The Old Globe/USD M.F.A. Off Broadway as Vi in The Memory of Much Ado About Nothing, Katherina stagings of Twelfth Night, Fathers and Sons Water and Judith in Aristocrats (Manhattan in Amadeus and Jane in Jane Austen’s and The Winter’s Tale. Her Off Broadway Theatre Club), Lady Faulconbridge in Emma – A Musical Romantic Comedy. credits include Girls Night: The Musical

PERFORMANCES MAGAZINE 25 Profiles

(Sophia’s Downstairs Cabaret) and Dance Twelfth Night and Fathers and Sons. He pieces across the country, appearing on the Dance Revolution (Les Freres Corbusier). has appeared in New York in the World stages of such theatres as Guthrie Theater, She has appeared regionally in The Yiddish Premiere of Thieves (The Public Theater), Seattle Repertory Theatre, Philadelphia Are Coming: The Chosen Musical (world Hamlet (Gorilla Repertory Theater Drama Guild, Stage West, CENTERSTAGE, premiere, Denver Civic Theatre), Pericles, Company, Inc.), The Merchant of Venice Indiana Repertory Theatre, PAF Playhouse, Othello, Richard III, The Merry Wives (Inwood Shakespeare Festival), The Long Wharf Theatre and Cincinnati of Windsor, Twelfth Night and Measure Tempest (Brave New World Repertory Playhouse in the Park. This is Mr. Sparks’ for Measure (Nebraska Shakespeare Theatre) and Big Love (Columbia University third year as a member of Adrian Noble’s Festival) and A Christmas Carol (Cincinnati Stage). His regional credits include Romeo Festival company at the Globe. During Playhouse in the Park). She received her and Juliet (Shakespeare Center of Los the 2011 season he performed the roles B.F.A. in Acting from The University of Angeles), Saint Joan and Peter Pan (Barter of Leonato in Much Ado About Nothing Nebraska–Omaha. Theatre), Deathtrap (The Barnstormers and Stephano the drunken butler in The Theatre), The Winter’s Tale, Antony Tempest. In addition to his 2010 Festival LOU FRANCINE RASSE (Melinda, Inherit and Cleopatra and Love’s Labour’s Lost assignments in Taming of the Shrew, King the Wind) is excited to be back at The Old (American Shakespeare Center) and Lear and The Madness of George III, Globe Globe for its 2012 Summer Shakespeare understudying the East Coast Premiere of audiences have seen him portray Uncle Festival. She was previously seen in Dr. Outrage (The Wilma Theater). Mr. Salazar Ben in Death of a Salesman. Mr. Sparks Seuss’ How the Grinch Stole Christmas! has a B.A. in Dramatic Arts from The first came to The Old Globe in 1976 doing Her past credits include Tina Denmark University of North Carolina at Chapel Hill. Troilus and Cressida, Othello and playing in Ruthless (Vista’s Broadway Theatre) www.ChristopherJSalazar.com. Corin in As You Like It (a role he is reprising and Kate in Annie (Starlight Musical over 35 years later). His most recent Theatre). She also appeared in Annie JACQUES C. SMITH (Duke of theatrical engagement was playing Leonato (Moonlight Stage Productions), Hello, Buckingham, Richard III; Jaques, As You in Ethan McSweeney’s version of Much Dolly! (Starlight Musical Theatre) and the Like It; Mr. Meeker, Inherit the Wind) is Ado About Nothing with The Shakespeare youth productions of Bye Bye Birdie, Fame delighted to make his Globe stage debut Theatre Company in Washington, DC. and High School Musical on Stage! (Actors’ this season. He has appeared on Broadway For the camera, Mr. Sparks has portrayed Conservatory Theatre), The Wizard of Oz as Benny in Rent and also played the cowboys, doctors, soldiers, professors, (San Diego Junior Theatre), The Sound of same role in the International Broadway dads, best friends and evil villains in more Music, 101 Dalmations, Hansel and Gretel Tour of Rent featuring Anthony Rapp than 75 film and television projects. and Oliver! (J*Company Youth Theatre) and Adam Pascal. He has performed at www.AdrianSparks.com. and Annie (California Youth Conservatory numerous regional theatres throughout Theatre). When she’s not acting, singing the country in productions including Take JONATHAN SPIVEY (First Murderer, or dancing, she enjoys reading, swimming, Me Out (Celebration Theatre), Cuttin’ Up Ensemble, Richard III; Le Beau, As You sailing and anything snow-related. She’s (Cleveland Play House), Purlie (Goodman Like It; Elijah, Keller, Inherit the Wind) was 12 years old and is a student at Muirlands Theatre, Black Theater Alliance Award, recently seen at the Globe in The Tempest, Middle School. She studies with Leigh Joseph Jefferson Award nomination for Much Ado About Nothing, Amadeus and Scarritt. Best Actor), Cuttin’ Up, Purlie (Fred Award, Death of a Salesman and in the Old Globe/ NAACP Theater Award nomination for USD M.F.A. productions of Twelfth Night, STEPHANIE ROETZEL (Sir William Best Actor) and Blue with Phylicia Rashad The Winter’s Tale, The Importance of Being Brandon, Ensemble, Richard III; Forest (Pasadena Playhouse), Antigone (South Earnest and Dear Harvey. His New York Dweller, As You Like It; Mrs. Loomis, Coast Repertory), Before It Hits Home and regional credits include The Merchant Inherit the Wind) most recently appeared (San Diego Repertory Theatre), School of Venice, The Two Gentlemen of Verona, in Pygmalion, Fathers and Sons and for Wives and The Green Bird directed by Cyrano de Bergerac, A Midsummer Night’s Twelfth Night (The Old Globe/USD M.F.A. Julie Taymor (La Jolla Playhouse), Blue with Dream, The Complete Works of William Program). Ms. Roetzel has previously Leslie Uggams (Arizona Theatre Company Shakespeare (Abridged), Around the World performed regionally in Best Weekend Ever and Paper Mill Playhouse) and The Meeting in 80 Days (Sierra Repertory Theatre), (Williamstown Theatre Festival Apprentice (Illinois Theatre Center), among others. Black Gold (Phoenix Theatre), Dogpark: Company), The Seagull, The Beauty Queen His television credits include “General The Musical (Milwaukee Repertory of Leenane and Brighton Beach Memoirs Hospital,” “CSI: Miami,” HBO’s “Oz” for two Theatre), Souvenir, The Imaginary Invalid, (Vanderbilt University), My Fair Lady (The seasons, “ER,” “Ralph Ellison: An American Shakespeare in Hollywood, Room Service, Victory Theatre Center) and Little Women Journey” for PBS’s Emmy Award-winning The Foreigner, Kiss Me, Kate and Forever (Lake Charles Little Theatre). She has a “American Masters” series, “The Division” Plaid (Hope Summer Repertory Theatre). B.A. in English and Theatre from Vanderbilt and “Law & Order.” He received his M.F.A. Mr. Spivey is a Second City-trained improv University. from UC San Diego and his B.A. from artist, a jazz pianist, the co-author of the Princeton University. musical comedy Murphy’s Law and the (Lord Rivers, CHRISTOPHER SALAZAR recipient of the 2011 Craig Noel MFA Tyrrel, Ensemble, Richard III; Silvius, Lord 1, ADRIAN SPARKS (Corin, As You Like Fellowship. He is a narrator and voice actor As You Like It; Tom Davenport, Inherit It; Matthew Harrison Brady, Inherit the for Vivabook’s e-books. the Wind) previously appeared in the Wind) has, over the past 40 years, played Old Globe/USD M.F.A productions of leading roles in a wide variety of theatre

26 PERFORMANCES MAGAZINE WHITNEY WAKIMOTO (Lord Lovell, honoring his work in all three productions. American Theatre at The Kennedy Center Ensemble, Richard III; Forest Dweller, As He has been seen Off Broadway in and were inducted into the National You Like It; Bollinger, Aaronson, Inherit Frank’s Home at Playwrights Horizons and Theatre Hall of Fame. The Lawrence the Wind) has most recently appeared in Rose Rage at The Duke on 42nd Street. and Lee Theatre Research Institute was Twelfth Night, Fathers and Sons and the His other credits include Old Masters, established at Ohio State University in staged reading of Pygmalion (The Old Mother Courage and Her Children 1986. Dedicated teachers of playwriting, Globe/USD M.F.A. Program). Her New and David Copperfield (Steppenwolf they communicated to their students a York credits include The Tempest (Stages Theatre Company), Sense and Sensibility, passionate belief that the theatre must on the Sound Theatre). Her regional credits directed by Jon Jory, and Awake and be a forum for ideas and issues of social include Endgame and Big Love (Montana Sing! directed by Amy Morton (Northlight significance. Repertory Theatre), A Midsummer Theatre), Shining City (Huntington Theatre Night’s Dream and Romeo and Juliet (The Company), Tamburlaine and Edward II (The ADRIAN NOBLE (2012 Shakespeare Shakespeare Theatre of New Jersey), Bug Shakespeare Theatre Company), Shining Festival Artistic Director; Director, As (Montana Rep Missoula) and The Good City and Frank’s Home (Goodman Theatre), You Like It, Inherit the Wind) has served Person of Szechwan (The Open Space The Merchant of Venice, All’s Well That as Artistic Director of The Old Globe Theatre). She has a B.F.A. in Acting from Ends Well, A Midsummer Night’s Dream, Shakespeare Festival since 2010, where the University of Montana. Measure for Measure, Julius Caesar, Love’s his productions include King Lear, The Labour’s Lost and The Tempest (Chicago Madness of George III, The Tempest BREE WELCH (First Citizen, Scrivener, Shakespeare Theater) and Henry IV Parts and Amadeus. He served as Artistic Ensemble, Richard III; Forest Dweller, As 1 and 2 (Royal Shakespeare Company). Director and Chief Executive of the Royal You Like It; Mrs. Krebs, Inherit the Wind) Mr. Whittaker’s film and television credits Shakespeare Company from 1990 to returns to The Old Globe after appearing include Dustclouds, Let’s Go to Prison, 2003. His productions at RSC include as Bianca in The Taming of the Shrew, Death of a President, “Prison Break” and Henry IV Parts 1 and 2, The Thebans, Irene Ratliff in Dividing the Estate and “Early Edition.” The Winter’s Tale, Hamlet, Travesties Ensemble in King Lear and The Madness of (and West End), Macbeth, King Lear, A George III. Ms. Welch is an M.F.A. student SEAN-MICHAEL WILKINSON (Sir Robert Midsummer Night’s Dream (and Broadway), in The Old Globe/USD Graduate Theatre Brakenbury, Lord Grey, Ensemble, Richard Romeo and Juliet, The Cherry Orchard Program where she has also performed in III; Jaques de Boys, Exiled Lord 2, As You (and West End), Cymbeline, Twelfth The Winter’s Tale, The Country Wife, The Like It; Dunlap, Page, Inherit the Wind) Night, The Tempest, The Lion, the Witch Two Gentlemen of Verona and The Carver/ was most recently seen in Twelfth Night, and the Wardrobe (and West End), The Chekhov Project. Her regional credits Fathers and Sons and Pygmalion (The Old Family Reunion, The Seagull, Kiss Me, include A Christmas Carol (Alley Theatre), Globe/USD M.F.A. Program). His New Kate (and West End), Pericles, A Doll’s The Rabbit Hole (Stages Repertory York credits include The Party (Schapiro House, Forest, Art of Success (and New Theatre), Essential Self-Defense (Horse Theatre), The Joy of Sex (American Globe York), The Secret Garden (and West End), Head Theatre Company), Antigone and Theatre), Romeo + Juliette (Collective Henry V, The Plantagenets, As You Like It The Triumph of Love (Classical Theatre Company), The Lunar Adventure of Dar and and Measure for Measure. His additional Company), One Flea Spare (Mildred’s Matey (Stolen Chair Theatre Company) West End credits include The Duchess of Umbrella Theater Company), Enchanted and The Old Law (Theresa Lang Theatre). Malfi, Three Sisters, Brand, Home Place, April, The Odd Couple and The Heiress His national credits include Charlotte’s Web Kean, A Woman of No Importance, Chitty (Unity Theatre) and six seasons with (TheatreworksUSA). His regional credits Chitty Bang Bang (and Broadway) and Houston Shakespeare Festival where she include Comedy of Errors (Lake George Summer and Smoke. For opera he has performed in The Tempest, Hamlet, Titus Theater Lab). He has a B.A. in Theatre Arts directed The Fairy-Queen and Il Ritorno Andronicus, Love’s Labour’s Lost, Romeo from Marymount Manhattan College. d’Ulysse (Aix-en-Provence), Macbeth and Juliet, Julius Caesar, Cymbeline, As (Metropolitan Opera) Mozart/Da Ponte You Like It, Measure for Measure and The JEROME LAWRENCE and cycle (Opéra de Lyon), The Magic Flute Taming of the Shrew. She received her B.A. ROBERT E. LEE (Playwrights, Inherit the (Glyndebourne), Carmen (Paris), Alcina in Acting/Directing from The University of Wind), whose collaboration spanned more (Staatsoper, Vienna) and Serse (Theater Houston. than 50 years, were among the most prolific an der Wien). He also directed the film playwriting teams in the American theatre. of A Midsummer Night’s Dream. He is JAY WHITTAKER (Richard, Duke of In addition to the Pulitzer Prize-nominated the author of How to do Shakespeare. A Gloucester, Richard III; Oliver, As You Inherit the Wind, their major stage works Doll’s House won the Drama Critics Circle Like It) appeared in the Globe’s 2011 include Auntie Mame, the books for the Award for Best Revival and Best Director Shakespeare Festival as Mozart in musicals Mame and Dear World, The Night in 1981, along with the Plays and Players Amadeus and Don John in Much Ado Thoreau Spent in Jail, The Gang’s All Here Best Director Award, for which Mr. Noble About Nothing. He also appeared in and First Monday in October. They won was jointly awarded for The Duchess of the 2010 Festival as Edgar in King Lear, two Peabody Awards for Distinguished Malfi. He won the Best Director Award at Lucentio in The Taming of the Shrew and Achievement in Broadcasting and the the Globe Theatre Awards for The Winter’s William Pitt in The Madness of George American Theatre Association Lifetime Tale. In additional to his many international III, for which he received the San Diego Achievement Award. In 1990, they became awards, Mr. Noble’s productions have Theatre Critics Circle Craig Noel Award members of the College of Fellows of the

PERFORMANCES MAGAZINE 27 Profiles received numerous Olivier and Tony Theatre Club, American Conservatory LINDSAY JONES (Sound Design) Award nominations. He has been awarded Theater, A Contemporary Theatre, designed the Off Broadway productions of Honorary Doctorates from four British Mark Taper Forum, Arizona Theatre Through the Night (Union Square Theatre), Universities and is an Honorary Bencher Company, Seattle Repertory Theatre, The Brother/Sister Plays (The Public of Middle Temple, London. Mr. Noble Berkeley Repertory Theatre, Milwaukee Theater), The Burnt Part Boys (Playwrights directed the World Premiere stage version Repertory Theater, Denver Center Theatre Horizons), Top Secret (New York Theatre of The King’s Speech, which recently ran on Company, The Shakespeare Theatre Workshop) and many others. His regional the West End. Company, Guthrie Theater, South Coast credits include McCarter Theatre, Arena Repertory, Oregon Shakespeare Festival, Stage, Hartford Stage, Guthrie Theater, LINDSAY POSNER (Director, Richard Williamstown Theatre Festival, Huntington Chicago Shakespeare Theater, South III) was Associate Director at the Royal Theatre Company, Intiman Theatre, Coast Repertory and many others. His Court Theatre from 1987 to 1992 where Stratford Shakespeare Festival, Royal international credits include productions his production of Death and the Maiden Shakespeare Company, New York City with the Royal Shakespeare Company, won two Laurence Olivier Awards. He is Opera, LA Opera and San Diego Opera. He Stratford Shakespeare Festival and shows the director of The Old Vic’s current revival currently holds the position of Powell Chair in Austria, Zimbabwe, South Africa, Canada of Noises Off, which transferred to the in Set Design at SDSU. and Scotland. He has received five Joseph West End in March, and Menier Chocolate Jefferson Awards and 16 nominations, two Factory’s revival of Abigail’s Party, which DEIRDRE CLANCY (Costume Design) Ovation Awards and three nominations, opened in the West End in May. Mr. is in her third year designing all three Los Angeles Drama Critics Circle and Posner’s theatre credits include Butley Shakespeare Festival shows at The Old San Diego Theatre Critics Circle Awards and The Birthday Party (Duchess Theatre), Globe. She began her career as house and nominations for Drama Desk, Henry An Ideal Husband (Vaudeville Theatre), designer for the Royal Court Theatre in Hewes Design, AUDELCO, Barrymore House of Games and Tom and Viv (Almeida the late 1960s with such cutting-edge and many others awards. He was the Theatre), A View from the Bridge (Duke of authors as Edward Bond, Joe Orton and first sound designer to win the Michael York’s Theatre, nominated for four Olivier D.H. Lawrence. She went on to design Maggio Emerging Designer Award. His Awards), Carousel (Churchill Theatre, all over the world for the stage, opera, recent film scoring work includes A Note U.K. Tour and Savoy Theatre), Fiddler on film and television. Among Ms. Clancy’s of Triumph: The Golden Age of Norman the Roof (Sheffield Crucible and Savoy), many successes were costumes for Corwin (2006 Academy Award winner, Best Fool for Love and A Life in the Theatre Kiri Te Kanawa in Cosí Fan Tutte at The Documentary, Short Subjects) for HBO (Apollo Theatre), Calderon’s Doctor of Metropolitan Opera, Ian McKellen in Films. www.lindsayjones.com. Honour (Cheek by Jowl at the Donmar Wild Honey at The National Theatre, Warehouse), Oleanna (Garrick Theatre), Los Angeles and Broadway and Glenda SHAUN DAVEY (Original Music, As You the World Premiere of Power by Nick Jackson in Strange Interlude in the West Like It) composed music for last year’s Dear and Tartuffe (National Theatre), The End and on Broadway. She won a BAFTA Festival production of The Tempest. His Caretaker (Bristol Old Vic), Twelfth Night, Best Costume Design Award for Mrs. concert music includes “The Brendan The Rivals, Volpone and The Taming of the Brown featuring Dame Judi Dench and Billy Voyage” (the first work for an Irish Shrew (Royal Shakespeare Company), The Connolly and Olivier Awards for her work traditional musician and orchestra), “The Misanthrope and American Buffalo (Young on Twelfth Night and Love’s Labour’s Lost, Deers’ Cry” (St. Patricks’ prayer) and “Suite Vic), Noises Off and The Provok’d Wife both for the Royal Shakespeare Company. for the Dublin Special Olympics.” His (The Old Vic), The Lady from the Sea (Lyric In 2011 Ms. Clancy completed the trilogy of “Relief of Derry Symphony” was part of Hammersmith/West Yorkshire Playhouse), Mozart operas for Opera de Lyon, directed the early Northern Ireland Peace Process. The Seagull (Gate Theatre, Dublin) and by Adrian Noble, with costumes for Cosí His work features in the Irish schools The Robbers (Gate Theatre). His operatic Fan Tutte, The Marriage of Figaro and syllabus and can be heard on seven albums credits include Guilio Cesare (Royal Opera Don Giovanni. Ms. Clancy has written and on the Tara label, the most recent being House), Love Counts (Almeida Theatre), illustrated Costume Since World War Two. Voices from the Merry Cemetery. His Jenufa (Opera Theatre Company, Dublin), www.clancy.uk.com. credits include Ballykissangel (BAFTA Dada: Man and Boy (Almeida Theatre and nomination), “The Hanging Gale” (Ivor Montclair Theatre, USA), Tosca (Grange ALAN BURRETT (Lighting Design) Novello Award and BAFTA nomination), Park Opera) and La Traviata and Roberto designed the 2010 and 2011 Shakespeare scores for the feature films Waking Ned Deveraux (Opera Holland Park). Festivals and The Savannah Disputation Devine, The Tailor of Panama and Twelfth for The Old Globe. Mr. Burrett’s designs for Night (Ivor Novello nomination) and RALPH FUNICELLO (Scenic Design) theatre, opera and dance are seen regularly Hallmarks’ David Copperfield. His theatre is an Associate Artist of The Old Globe in many parts of the world in venues from credits include the musical James Joyce’s and has designed the sets for over 60 San Diego Opera to the Opéra national The Dead (Tony Award nomination for Best productions for the company including the de Paris. His theatre work includes 15 Original Musical Score), The Winter’s Tale, Summer Shakespeare Festivals 2004-2011. productions for the Royal Shakespeare King Lear, The Tempest, Pericles, Fair Maid Elsewhere, Mr. Funicello has designed Company and 25 productions for LA of the West and The Lion and the Witch scenery on and off Broadway and for many Opera. Mr. Burrett is Professor of Design at and the Wardrobe (Royal Shakespeare theatres across the country, including UC San Diego. www.burrett.com. Company) and The Silver Tassie, Well of the Lincoln Center Theater, Manhattan

28 PERFORMANCES MAGAZINE Saints, Angels from America, The Crucible Globe, including the 2004-2011 Summer The Taming of the Shrew. Her regional and Observe the Sons of Ulster Marching Shakespeare Festivals, The Mystery of directing credits include Eurydice, The Towards the Somme (Abbey Theatre). Irma Vep, Cornelia, In This Corner, Pig Clean House, The Laramie Project, www.shaundavey.com. Farm, Pentecost, Compleat Female Stage Doubt, The Maids, Present Laughter, The Beauty, Twelfth Night, Cymbeline, Romeo Fantasticks, The Unsinkable Molly Brown PETER GOLUB (Original Music, and Juliet, As You Like It, The Two Noble and The Cherry Orchard. Ms. Keith is the Richard III) has worked on the Broadway Kinsmen, Antony and Cleopatra, Othello, undergraduate advisor at San Diego State productions of Time Stands Still, Come The Taming of the Shrew, King Lear, University’s School of Theatre, Television, Back, Little Sheba and Hedda Gabler Hamlet, Macbeth, Julius Caesar, Henry V, and Film where she teaches acting and directed by Nicholas Martin with Kate Richard II, Titus Andronicus and Cyrano script analysis. She is also the executive Burton. His Off Broadway credits include De Bergerac. His Broadway credits include producer of the independent film company Suddenly Last Summer (Roundabout Henry IV, Memphis, Jersey Boys, Twelfth Jabronie Pictures. Ms. Keith trained at HB Theatre Company) and Macbeth with Night, Getting Away with Murder, Dracula, Studios in New York, is an alumna of the Liev Schrieber (Delacorte Theater). His The Who’s Tommy, Anna Christie and Two National Theatre Conservatory and holds previous Globe credits include Dinner with Shakespearean Actors. His Off Broadway a B.A. in Dramatic Arts from Berkeley and Friends. His other credits include New work includes The Third Story, Pig Farm, an M.F.A. in Drama from SDSU. Her next York Shakespeare Festival, Playwrights The Night Hank Williams Died and Below directing project is Beth Henley’s Crimes of Horizon, American Repertory Theater, the Belt. His Stratford Shakespeare Festival the Heart. Manhattan Theatre Club, Roundabout credits include Macbeth, Romeo and Theatre Company, La Mama, Huntington Juliet, Caesar and Cleopatra and Henry V. ANNETTE YÉ (Assistant Director, As Theatre Company, Williamstown Theatre His film work includes Renaissance Man, You Like It, Inherit the Wind) was the Festival, La Jolla Playhouse, Seattle Human Error and Tumbleweeds. He has Stage Manager for The Old Globe’s Anna Repertory Theatre and others. His worked with the Seattle, San Diego and Christie, Groundswell and the 2010 musical Amphigorey, written with Edward Metropolitan Opera companies. Mr. Rankin production of Dr. Seuss’ How The Grinch Gorey, was nominated for a Drama Desk plays mandolin with the Appalachian Roots Stole Christmas! Her other Globe credits Award. For 10 years he was Composer-in- artist Susie Glaze and the Hilonesome include How the Grinch Stole Christmas! Residence at Charles Ludlam’s legendary Band. (‘11), Boeing-Boeing, The First Wives Club, Ridiculous Theatrical Company in Opus, Dancing in the Dark, Hay Fever Greenwich Village. His film scores include CHRISTINE ADAIRE (Vocal and Dialect and the 2008, 2010 and 2011 Summer Countdown to Zero, Frozen River, The Coach) is a Designated Master Linklater Shakespeare Festivals. Ms. Yé’s regional Great Debaters, Wordplay, The Laramie Voice Teacher, trained by the world- credits include Peter and the Starcatchers, Project and These Amazing Shadows. He renowned voice teacher Kristin Linklater. Tobacco Road and ¡Salsalandia! (La Jolla is the composer of numerous concert She has worked as an actor, voice coach Playhouse). Her other credits include works and ballets and is the Director of the and director in many American regional 9 Parts of Desire (Mo’olelo Performing Sundance Film Music Program. theatres including Oregon Shakespeare Arts Company), Honky Tonk Angels, Festival, Milwaukee Repertory Theater, Baby and No Way to Treat a Lady (North ELAN MCMAHAN (Music Director, As You Guthrie Theater, Chicago Shakespeare Coast Repertory Theatre) and Forbidden Like It, Inherit the Wind) works in the arts Theater, Goodman Theatre, Steppenwolf Broadway: Special Victims Unit (Theatre in community as a pianist, musical director Theatre Company, Court Theatre, Theatre Old Town). and conductor. She is first and foremost for a New Audience, Shakespeare Santa a pianist, having received her bachelor’s Cruz and Shakespeare & Company. She CALLERI CASTING (Casting) (James degree in piano performance from Brigham coached the dialects for the First North Calleri, Paul Davis, Erica Jensen) also cast Young University and her master’s degree, American Tour of Mary Poppins. Ms. Adaire Anna Christie and The Recommendation also in piano performance, from the has taught at DePaul University, National at the Globe. Their other credits include St. Louis Conservatory of Music. Currently Theatre School of Canada, University of Venus in Fur on Broadway and the long- Ms. McMahan is Resident Musical Director Massachusetts Amherst and University running Fuerza Bruta. Some past Broadway for Moonlight Stage Productions in Vista. of Wisconsin-Milwaukee. She has taught credits include 33 Variations, A Raisin Her work at Moonlight has received critical workshops in Shanghai, Barcelona, in the Sun, Chicago and James Joyce’s acclaim, including two Robby Awards for Australia, New Zealand and Birmingham, The Dead. They have cast at Playwrights Best Musical Direction for Moonlight’s England. Currently she is a professor in Horizons for 10 seasons and numerous productions of A Little Night Music and the Theatre Conservatory at the Chicago seasons for Classic Stage Company. Their Ragtime. Previously at the Globe, College of Performing Arts at Roosevelt other theatre credits include Williamstown Ms. McMahan was Assistant Musical University. Theatre Festival, Rattlestick Playwrights Director for Dr. Seuss’ How the Grinch Theater, Long Wharf Theatre, The Flea Stole Christmas! C.J. KEITH (Assistant Director, Richard Theater, Actors Theatre of Louisville, III) has worked for seven years with the Naked Angels, New Georges, the STEVE RANKIN (Fight Director) is Shakespeare Festival. Her Festival assistant stageFARM and Summer Play Festival. an Associate Artist of The Old Globe director credits are The Tempest, Amadeus, Their television credits include “Army as an actor and fight director. This is Hamlet, Othello, All’s Well That Ends Well, Wives,” “Lipstick Jungle,” “Z Rock,” “Ed,” his 26th season staging fights for the Coriolanus, Cyrano de Bergerac and “Hope & Faith,” “Monk” and

PERFORMANCES MAGAZINE 29 Profiles

A Raisin in the Sun. Their film credits AMANDA SALMONS (Assistant Stage Mr. Murphy has served on the Board of include Sundance Jury Prize winner Manager) has worked previously at The Old Directors of the San Diego Performing Another Earth, That’s What She Said , Globe on Anna Christie, Dr. Seuss’ How the Arts League and serves as a Management Yearbook, Merchant Ivory’s The City of Grinch Stole Christmas!, Somewhere, the Trustee for San Diego County Theatrical Your Final Destination, Heights, The White 2011 Shakespeare Festival, Groundswell, Trusts, the pension and welfare trust Countess, Lisa Picard is Famous, Ready? Welcome to Arroyo’s, Lost in Yonkers, I Do! for IATSE stagehands in the San Diego OK!, Trouble Every Day, Peter and Vandy I Do!, The Savannah Disputation and The region. He was also an adjunct faculty and Armless. They have been awarded Price. In addition she stage managed for the member of the Music Department at the eight Artios Awards for Outstanding Summer Shakespeare Intensive through University of San Diego. Mr. Murphy earned Achievement in Casting. Member CSA. the Globe’s education department, working his B.F.A. degree in Stage Management with high school students on Love’s Labour’s from Webster University in St. Louis, BRET TORBECK (Stage Manager) is Lost, As You Like It and Pericles. Her other Missouri and his M.F.A. in Performing Arts excited to return to The Old Globe San Diego credits include The Music Man Management from Brooklyn College of the where his previous credits are the 2011 and The Rivalry (Lamb’s Players Theatre) City University of New York. Shakespeare Festival, The Women, The The Gondoliers, The Pirates of Penzance, Sisters Rosensweig and Take Me Out. In Candide, Trial by Jury and Rumpelstiltskin JACK O’BRIEN (Artistic Director Seattle, he has worked on Cinderella, A (Lyric Opera San Diego) and SummerFest Emeritus) served as the Artistic Director Christmas Story, Candide, Catch Me If (La Jolla Music Society). of The Old Globe from 1982 through You Can, Sunday in the Park with George, 2007. Broadway: Catch Me If You Can, Cabaret and Into the Woods (The 5th JESS SLOCUM (Assistant Stage Manager) Impressionism, The Coast of Utopia (Tony Avenue Theatre) and The Brothers Size, has previously worked at the Globe on A Award), Dr. Seuss’ How the Grinch Stole Fences, Doubt, Restoration Comedy, Room with a View, Richard O’Brien’s The Christmas!, Dirty Rotten Scoundrels (Tony Topdog/Underdog, Wit, Sisters Matsumoto Rocky Horror Show, the 2011 Shakespeare nomination), Henry IV (Tony Award), and The Time of Your Life (Seattle Festival, Rafta, Rafta…, Robin and the 7 Hairspray (Tony Award), Imaginary Friends, Repertory Theatre), among others. He has Hoods, Alive and Well, Sammy, Cornelia, The Invention of Love (Tony nomination, spent time working at regional theatres Since Africa, Dr. Seuss’ How the Grinch Drama Desk Award), The Full Monty (Tony such as CENTERSTAGE, Actors Theatre Stole Christmas! (‘07-’09) and The Glass nomination), More to Love, Getting Away of Louisville (most recently as part of Menagerie. Her Broadway credits include with Murder, Pride’s Crossing, The Little the 2012 Humana Festival), Long Wharf In the Heights. Her regional credits include Foxes, Hapgood (Lucille Lortel Award, Theatre, Arizona Theatre Company, La Ruined, The Third Story, Memphis and Most Best Director), Damn Yankees, Two Jolla Playhouse, American Conservatory Wanted (La Jolla Playhouse), Post Office Shakespearean Actors (Tony nomination), Theater, Kansas City Repertory Theatre, (Center Theater Group) and Tranquility Porgy and Bess (Tony Award). Metropolitan Berkeley Repertory Theatre, San Jose Woods (Steppenwolf Theatre Company). Opera: II Trittico. London: Love Never Dies, Repertory Theatre and Pittsburgh Public Her San Diego credits include Yellow Face Hairspray (Olivier nomination), National Theater. He has worked on the National (Mo’olelo Performing Arts Company) and Theatre: His Girl Friday. Six movies for Tours of Proof, Spamalot and The Phantom Festival of Christmas 2011 (Lamb’s Players PBS’s “American Playhouse.” Awards: of the Opera. He also looks forward to Theatre). She is a graduate of Vanderbilt 2008 Theatre Hall of Fame Inductee, volunteering for the ALS Association, University. Proud member of Actors’ Equity. 2005 John Houseman Award, ArtServe and he teaches for the University of Michigan 2008 International Achievement Washington School of Drama. MICHAEL G. MURPHY (Managing Award, Honorary Doctorate, University Director) served as General Manager of Michigan. Honorary Doctor of Humane JENNIFER WHEELER KAHN (Assistant of The Old Globe from 2003 to 2012, Letters, University of San Diego. Film Stage Manager) has her B.F.A. in Stage overseeing the Production, Education, (actor): Sex and the City 2. Management from USC and is a proud Human Resources, Information Technology member of Actors’ Equity Association. and Facilities Departments, as well as Front CRAIG NOEL (Founding Director) Some of her career highlights include the of House operations. He also managed the was first appointed director in 1939, National Tour of In the Heights, the Off construction of the Globe’s new theatre directing 15 productions prior to World Broadway production of Clara’s Christmas and education facilities. Prior to the Globe, War II. Since then he directed more than Dreams and regional productions of Six he was the Managing Director of Austin 200 plays of all styles and periods and Degrees of Separation, Working, Twelfth Lyric Opera in Austin, Texas, Director of produced an additional 270 productions. Night, Coriolanus, Cyrano de Bergerac and Administration of San Diego Opera and His vision for The Old Globe resulted in Some Lovers (The Old Globe), Creditors, General Manager of San Diego Repertory the establishment of the Shakespeare Surf Report and Little Miss Sunshine (La Theatre. Before relocating to San Diego Festival and the San Diego Junior Theatre Jolla Playhouse), Los Angeles Philharmonic from New York, he held similar positions at in the late ‘40s, the expansion to two (Walt Disney Concert Hall), Urinetown, Theatre for a New Audience and the Joyce theatres in the ‘50s, Globe Educational Ragtime and Nine (Starlight Musical Theater Foundation’s American Theater Tours in the ‘70s and Teatro Meta and the Theatre),The Who’s Tommy (Ricardo Exchange. He also served as negotiating Old Globe/University of San Diego MFA Montalbán Theatre) and many others. Love assistant for the League of Resident program in the ‘80s. During the 1940s, to JC, BK, JB, Mom and Dad. Theatres and sales representative for Mr. Noel served as dialogue director for Columbia Artists Theatricals Corporation. the 20th Century Fox Studios and was

30 PERFORMANCES MAGAZINE the former director of the Ernie Pyle combined tribute from the Public Arts Theatre in Tokyo. Described by Variety Advisory Council and the San Diego CALLERI CASTING as the eminence grise of San Diego County Board of Supervisors. Mr. Noel theatre, Mr. Noel is one of the few San was particularly proud of the following James Calleri, Paul Davis, Erica Jensen Diegans to have had an entire year (1987) three honors representing education and proclaimed in his honor, and to be named theatre: Honorary Doctorate of Humane one of San Diego’s “Living Treasures.” He Letters, University of San Diego, Honorary Program cover artwork by Llance Bower. was a founder of the California Theatre Doctorate in Fine Arts, San Diego State This theatre operates under an agreement Council and a former vice president of University and the annual Awards for between the League of Resident Theatres the California Confederation of the Arts. Excellence in Theatre named in his honor and Actors’ Equity Association, the union of professional actors and stage managers in the His numerous honors include The San by the San Diego Theatre Critics Circle. In United States. Diego Union-Tribune list of 25 persons who 2007, he received the National Medal of shaped the city’s history; the Governor’s Arts — the nation’s highest honor for artistic The Directors are members of the Society Award for the Arts; University of Arizona excellence — in a ceremony at the White of Stage Directors and Choreographers, an Alumni Association’s Outstanding Citizen, House. Craig Noel died on April 3, 2010 at independent national labor union. for his contribution to their Fine Arts the age of 94. This Theatre operates under an Agreement with department; San Diego State University’s the International Alliance of Theatrical Stage Outstanding Alumnus; Conservator of Employees Local No. 122. American Arts Award from American Conservatory Theater; the San Diego The Scenic, Costume, Lighting and Sound Press Club Headliner Award; San Diego Designers in LORT Theatres are represented by Gentleman of Distinction Award; and a United Scenic Artists Local USA-826, IATSE.

UNDERSTUDIES

ACTOR RICHARD III AS YOU LIKE IT INHERIT THE WIND Happy Anderson Matthew Harrison Brady Matthew Bellows George, Duke of Clarence Touchstone/Duke Senior Bertram Cates/Tom Davenport Adam Daveline Lord Hastings/King Edward IV William Judge Duke Frederick/Sir Oliver Martext/ Jeremy Fisher Earl of Richmond/Lord Rivers/Tyrrel E.K. Hornbeck/Bollinger Adam/Hymen/Silvius Rachael Jenison Queen Elizabeth Celia Rachel Jesse Jensen Richard, Duke of Gloucester Amiens/Jaques de Boys Reporter/Radio Man/Mr. Meeker Jonas McMullen Young Duke of York Howard Danielle O’Farrell Marquess of Dorset/Lord Lovell Mr. Goodfellow/Mrs. Brady Mrs. McLain/Reuters Reporter/ Allison Spratt Pearce Lady Anne Mrs. Blair/Mrs. Loomis/Aaronson/ Dunlap/Page Bob Pescovitz Henry Drummond Deborah Radloff Exiled Lord 1/Jaques First, Second and Third Citizen/ Stephanie Roetzel Exiled Lord 2/Audrey Melinda/Mrs. Krebs Scrivener Stanley, Earl of Derby/ Christopher Salazar Dennis/Charles Sir Robert Brakenbury Duke of Buckingham/ Jonathan Spivey Corin Mayor/Reverend Brown Sir Richard Ratcliffe/Lord Mayor Queen Margaret/First Murderer/ Whitney Wakimoto Phoebe/Lord 1 and 2 Mrs. McLain/Townsperson Earl of Oxford Duchess of York/Second Murderer/ Bree Welch Lord Grey/Sir Vaughan/Sir Walter Rosalind Herbert/Sir William Brandon Sir William Catesby/ Sean-Michael Wilkinson Orlando/Le Beau/Oliver George Sillers/Bannister/Elijah/Keller Edward, Prince of Wales

Matthew Bellows, Adam Daveline, Jesse Jensen, Allison Spratt Pearce, Deborah Radloff, Christopher Salazar, Jonathan Spivey, Bree Welch and Sean-Michael Wilkinson appear in these productions courtesy of Actors’ Equity Association.

PERFORMANCES MAGAZINE 31 Globe Ambassadors

Globe Ambassadors are generous supporters Marion Eggertsen◆ Donald* & Darlene Shiley◆ of The Old Globe who contribute a minimum of Bernard J. Eggertsen & Florence Nemkov◆ Ms. Jeanette Stevens◆ $3,500 to the Annual Fund, attend special Globe Carol Spielman-Ewan & Joel Ewan Evelyn Mack Truitt meetings and activities and serve as advocates Danah H. Fayman◆ Dixie & Ken Unruh in the community for the Globe’s mission and Alexa Kirkwood Hirsch◆ Doris & Lou Vettese◆ goals. As a group, Ambassadors sponsor one Leonard & Elaine Hirsch◆ Pamela J. Wagner◆ Globe production each season. Pat Jacoby Jordine Von Wantoch◆ Mary & Russell Johnson◆ Lawrence G. Alldredge & Dawn Moore *In Memoriam Bob* & Gladys King◆ Paul Black◆ Tadd S. Lazarus, M.D. ◆Denotes increased giving in 2011. Steven J. Cologne James & Pamela Lester ◆ R. Patrick & Sharon Connell◆ Merriel F. Mandell, Ph.D.◆ For additional information on how you Gigi & Ed Cramer◆ Peter Manes & Yoko Sakaguchi may become a Globe Ambassador, please Elaine & Dave Darwin◆ Paul I. & Margaret W. Meyer contact the Development Department at Darlene G. Davies◆ Joanne C. Powers◆ (619) 231-1941 x2309. Nina & Robert Doede Jeannie & Arthur Rivkin

SUBSCRIBE NOW TO THE 2012/2013 WINTER SEASON!

An Epic Story of Family, World Premiere Musical Love and Patriotism A GENTLEMAN’S GUIDE ALLEGIANCE – A NEW TO LOVE AND MURDER AMERICAN MUSICAL Book by Robert L. Freedman Music and Lyrics by Jay Kuo Music by Steven Lutvak Book by Jay Kuo and Lorenzo Thione Lyrics by Robert L. Freedman and Steven Lutvak Directed by Stafford Arima Based on the Novel Israel Rank by Roy Horniman September 7 - October 21, 2012 Directed by Darko Tresnjak March 8 - April 14, 2013

HENRY DIROCCO HENRY 2011 Tony Award Nominee – Best Play Classics Up Close GOOD PEOPLE Henrik Ibsen’s By David Lindsay-Abaire A DOLL’S HOUSE Directed by Paul Mullins Adaptation by Anne-Charlotte September 29 - October 28, 2012 Hanes Harvey and Kirsten Brandt Directed by Kirsten Brandt March 23 - April 21, 2013

Centennial Anniversary Production 2012 Tony Award Nominee – Best Play PYGMALION OTHER DESERT CITIES By George Bernard Shaw By Jon Robin Baitz

HENRY DIROCCO HENRY Directed by Nicholas Martin Directed by Richard Seer January 12 - February 17, 2013 April 27 - June 2, 2013

Southern California Premiere West Coast Premiere THE BROTHERS SIZE BE A GOOD LITTLE WIDOW By Tarell Alvin McCraney By Bekah Brunstetter Directed by Tea Alagic´ May 11 - June 9, 2013 January 26 - February 24, 2013

(top) Leo Ash Evens and Jon Rua in Somewhere; (center) Horton Foote Jr., Hallie Foote, Penny Fuller

HENRY DIROCCO HENRY and Elizabeth Ashley in Dividing the Estate; (bottom) the cast of The Scottsboro Boys. www.TheOldGlobe.org | (619) 23-GLOBE (234-5623)

32 PERFORMANCES MAGAZINE The Old Globe is deeply grateful to its Sponsors, each of whom has made a 2012 annual donation of $50,000 or greater. Membershipat The Old Globe LEAD SEASON SPONSORS

You can enhance your theatre experience Mary Ann Blair Conrad Prebys and Debra Turner when you become a member of the not- for-profit Globe’s family of Annual Fund Karen and Donald Cohn Darlene Marcos Shiley contributors, who generously make up the nearly 45% of the Globe’s annual operating David C. Copley Sheryl and Harvey White budget not covered by ticket sales alone. In addition to supporting the Globe’s 15 annual productions and wide variety of education and community programs, members enjoy exclusive benefits such as:

• Backstage Tours • Gift Shop and Pub Treats • Special Events with Globe Artists SEASON SPONSORS • Listing in Performances Magazine • Admission to the VIP Lipinsky Family Suite • Much More! Mary Beth Adderley and Elizabeth Valerie and Harry Cooper & Ryan Williams Become a member today and further your The County of San Diego The Legler Benbough support of San Diego’s largest performing Audrey S. Geisel arts institution at (619) 684-4142 or Foundation www.TheOldGlobe.org/Support. Globe Guilders John A. Berol Kathryn Hattox The Family of Mary and Dallas Clark Joan and Irwin Jacobs Peter Cooper and Elaine Lipinsky Family Foundation Norman Blachford June Yoder DOUG GATES Globe Artist Karen Ziemba (center) chats with Globe supporters Ron Isenberg, Ron and Ruth Leonardi and Gary Isenberg at Meet the Artist in April, 2012. J. KATARZYNA WORONOWICZ KATARZYNA J. Norman Blachford (left) and Board Member Peter Cooper (right) with The Scottsboro Boys director and choreographer Susan Stroman at the opening JEFFREY WEISER JEFFREY Robert Foxworth, Miles Anderson and Emily Swallow in the 2010 Shakespeare Festival production of The Madness of George III. night dinner.

For additional information on how you may become a SeasonPERFORMANCES Sponsor, please MAGAZINE contact 33 Todd Schultz, Director of Development, at (619) 231-1941 x2310. Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

City of San Diego Commission Audrey S. Geisel/The San Diego Darlene Marcos Shiley, for Arts & Culture Foundation Dr. Seuss Fund in memory of Donald Shiley David C. Copley Globe Guilders The Shubert Foundation The County of San Diego The James Irvine Foundation Sheryl & Harvey White Foundation Microsoft

Season Sponsors ($50,000 to $99,999)

Mary Beth Adderley and Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation Elizabeth & Ryan Williams Advised Fund at the San Diego Conrad Prebys & Debra Turner The Legler Benbough Foundation Human Dignity Foundation Qualcomm, Inc. John A. Berol Valerie & Harry Cooper United Mary Ann Blair Edgerton Foundation Wells Fargo The Family of Mary & Dallas Clark Kathy & John Hattox June E. Yoder, in memory of David Yoder Karen & Donald Cohn HM Electronics, Inc. Cohn Restaurant Group/ Joan & Irwin Jacobs Fund of the Prado Restaurant Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Pamela A. Farr SDG&E Balboa Park Celebration, Inc. Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina Bank of America Elaine & Leonard Hirsch Patsy & Forrest Shumway Alan Benaroya Jo Ann Kilty Mickey Stern Richard & Kathy Binford Barbara G. Kjos Ms. Jeanette Stevens California Bank & Trust National Corporate Theatre Fund Gillian & Tony Thornley Pamela & Jerry Cesak Neiman Marcus Union Bank Elaine & Dave Darwin Paula & Brian Powers U.S. Bank Mr. & Mrs. Brian K. Devine Random House Children’s Books Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Lee & Frank Goldberg Allison & Robert Price Arthur & Sophie Brody Fund of Dr. & Mrs. Harry F. Hixson, Jr. Price Family Charitable Fund the Jewish Community Foundation Deni & Jeff Jacobs Reneé Schatz Nikki & Ben Clay Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and James S. Copley Jeffrey & Sheila Lipinsky Anne Taubman & David Boyle Foundation Family Foundation Evelyn Mack Truitt Nina & Robert Doede Sue & John Major Dr. Steve & Lynne Wheeler Karen Fox & Harvey Ruben National Endowment for the Arts Karin Winner Hal & Pam Fuson Rafael & Marina Pastor Brent V. Woods & Laurie C. Mitchell Diana Glimm Tom & Lisa Pierce Carolyn Yorston-Wellcome

34 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mrs. Philip H. Dickinson Mo & Bill Popp PLATINUM ($5,000 to $9,999) Jim & Sally Ditto Daniel Porte Jr., MD ($1,000 to $1,499) Lawrence G. Alldredge & Dawn Moore Dan & Phyllis Epstein Joanne Powers Sondra & Robert Berk Fund of the Joan & Jeremy Berg Noddy & Ira Epstein The Arthur & Jeanette Pratt Jewish Community Foundation Barbara Bloom Carol Fink Memorial Fund Gary & Barbara Blake Family Fund of The Louis Yager Cantwell Mary & David Fitz Joseph & Jane Rascoff the Jewish Community Foundation Private Foundation Susanna & Michael Flaster Sarah B. Marsh-Rebelo & Steve & Elizabeth Bluhm Clifford & Carolyn Colwell Jean & Sid Fox John G. Rebelo Nancy Brock R. Patrick & Sharon Connell Chuck Freebern Roger & Christine Roberts Cecilia Carrick & Stan Nadel Ann Davies Charles & Millicent Froehlich Nancy Robertson Dorothy R. Dring Bernard J. Eggertsen & Joy & Dr. Fred Frye Mary & Eugene Rumsey, MD Paul & Clare Friedman Florence Nemkov Elaine & Murray Galinson Carole Sachs Gay and Lesbian Fund for San Diego Marion Eggertsen Victor & Jill Gálvez Warren & Beverly Sanborn at The San Diego Foundation Barbara & Dick Enberg Barbara & Albert Garlinghouse Sanderson Family Donor Advised Mr. & Mrs. Arthur A. Greenberg Dr. & Mrs. Robert Epsten Bill & Judy Garrett Fund at the Rancho Santa Fe George C. Guerra Carol Spielman-Ewan & Joel Ewan Teresa George Foundation Kaaren Henderson Martha & George Gafford Nancy Reed Gibson Drs. Joseph & Gloria Shurman Bill & Nancy Homeyer Drs. Thomas & Jane Gawronski Wendy Gillespie Dee E. Silver, MD Kenneth & Marilyn Jones Norm Hapke & Valerie Jacobs Hapke Robert Gleason & Marc Matys Paul Scott Silvera & Todd Schultz Louis & Mary Beth Kelly Alexa Kirkwood Hirsch Walter Goeddel Elene & Herb Solomon Gayle & Jerry Klusky William Karatz Tom & Sheila Gorey Nancy & Alan Spector and Family Dr. & Mrs. James E. Lasry Brooke & Dan Koehler Dr. & Mrs. William Gott Nancy Steinhart & Courtney & Raymond Liddy Carol & George Lattimer Walter & Lola Green Rebecca Goodpasture Don & Mary Jane Lincoln Peter Manes & Yoko Sakaguchi Tim Haidinger Eugene & Hannah Step Edward & Nancy Lyon Paul & Maggie Meyer Ms. Cheryl Haimsohn Pat & Jack Thomas Jasna Markovac & Gary Miller Money/Arenz Foundation, Inc. Pat & Rick Harmetz Cherie Halladay Tirschwell F. Dale & Lois Marriott Rebecca Moores Gordon & Phyllis Harris Carol Vassiliadis Peggy Matthews Matthew & Judith Pollack Drs. Patrick Harrison & Eleanor Lynch Doris & Lou Vettese Marcia Mattson John & Marcia Price Rhonda Heth & Thomas Mabie Mary R. Warkentin Dr. & Mrs. M. Joseph McGreevy Family Foundation Richard & Janet Hunter Zelda J. Waxenberg Jack Meek Rivkin Family Fund I at Hutcheson Family Fund at Jan Harden Webster & Raul Ortega Virginia Oliver The San Diego Foundation The San Diego Foundation The Patricia and Christopher Weil Dr. Julie Prazich & Dr. Sara Rosenthal Bob & Julie Sullivan Drs. Sonia & Andrew Israel Family Foundation Robert & Doris Reed Deborah Szekely Jerri-Ann & Gary Jacobs Kathy & Jim Whistler Jeffrey & Vivien Ressler Dixie & Ken Unruh Pat JaCoby Wade & Candi Rich Jordine Skoff Von Wantoch Mary & Russell Johnson ($1,500 to $2,499) The Ralph B. Rogers Foundation Pamela J. Wagner Jackie Johnston Anita Busquets & William Ladd San Diego Concierge Association Katleman Family Fund of the Lisa & David Casey Alan & Esther Siman CRAIG NOEL CIRCLE Jewish Community Foundation Devora & Ron Eisenberg Dave & Phyllis Snyder ($2,500 to $4,999) Dr. Gerald & Barbara Kent of Great News! Jack & Louise Strecker Dr. & Mrs. Wayne Akeson Bob* & Gladys King Gary & Carrie Huckell Greta & Steve Treadgold Gail Andrade and Ken & Sheryl King William & Edythe Kenton Celeste & Gene Trepte John & Jennifer Andrade Webster & Helen Kinnaird Sherry & Larry Kline Stan & Anita Ulrich Anonymous (4) Jane & Ray Klofkorn Robin J. Lipman Jo & Howard Weiner Judith Bachner & Eric Lasley Curt & Nancy Koch Nancy & James Mullen David & Irene Weinrieb Jan & Rich Baldwin Betty & Leonard Kornreich In Memory of Dolly & Jim Poet Mary Kay West Bobbie Ball Rosalie Kostanzer & Michael Keefe Marie & Don Prisby Christy & Howard Zatkin Diana J. Barliant & Nowell Wisch Regina Kurtz & Al Isenberg Marisa SorBello & Peter Czipott Jan Bart Bob & Laura Kyle James & Ellen Weil GOLD Melissa Garfield Bartell & Jean & David Laing Shirli Fabbri Weiss ($500 to $999) Michael Bartell Peter Landin & Michelle Cardinal Anonymous (3) Deron & Toni Bear Tadd S. Lazarus, MD DIAMOND George Amerault Linda Birch Terry & Mary Lehr ($1,500 to $2,499) Drs. Michael & Gabriela Antos Charlotte & Charles Bird Ms. Sherrill Leist Anonymous Earl Asbury Paul Black James & Pamela Lester Jeff & Donna Applestein Alicia Atun & Elaine Rendon* Dr. Herman & Irene Boschken Sandy & Arthur Levinson Mrs. Lazare F. Bernhard The Backman Family Dr. & Mrs. Edgar D. Canada Barbara & Mathew Loonin Steve G. Bjorg Andris Baltins Edward & Pamela Carnot Merriel F. Mandell, PhD Dr. & Mrs. Robert M. Callicott Richard & Linda Basinger George & Ellen Casey Charlie & Jackie Mann Jane Cowgill Bruce & Patricia Becker Rudy & Carol Ceseña Elizabeth & Edward McIntyre Enid Gleich Amnon & Lee Ben-Yehuda Carol & Jeff Chang Harold O. McNeil, Esq. Leo S. Guthman Fund Drs. John & Karen Berger Garet & Wendy Clark Elizabeth Meyer Jerry Lester, MD/Rosarito, Mexico Bob & Joyce Blumberg Ms. Heidi Conlan/The Sahan Daywi Grace & Scott Miller Paul Levin Barbara Bolt Foundation Barbara & Mike Morton Dr. Robert & Marcia Malkus Dr. & Mrs. J. Brand Brickman Richard & Stephanie Coutts Jim & Ruth Mulvaney Foundation at Joy & Ronald Mankoff Dr. & Mrs. Simon C. Brumbaugh, Jr. Susan Barlow Cowell The San Diego Foundation Holly McGrath & David Bruce Greg & Loretta Cass Gigi & Ed Cramer Elspeth & Jim Myer Akiko Morimoto & Luc Cayet & Anne Marie Pleska Timothy & Marie Cunning Joyce & Martin Nash Hubert Frank Hamilton, Jr. Lynne Champagne & Wilfred Kearse Carlo & Nadine Daleo National Alliance for Musical Theatre Mark Niblack Jack & Carol Clark Darlene G. Davies, in memory Lyn Nelson Shearn & Linda Platt Ronald D. Culbertson of Lowell Davies Arthur & Marilyn Neumann Esther Rodriguez Walter & Cheryl Deegan Pat & Dan Derbes Lawrence Newmark Margery & John Swanson Dr. Donald & Eilene Dose Michael & Katy Dessent Ben & Joan Pollard Jacqueline & Stanley Drosch

PERFORMANCES MAGAZINE 35 Annual Fund Donors

(continued) Drs. Paul & Katherine Ponganis Lisa Churchill Susan & Jim Oxford Rowling Family Charitable Fund of the Richard Clampitt & Rachel Hurst Mr. & Mrs. James Park Elisabeth K. Ecke Jewish Community Foundation Anne C. Coleman Clifford T. Pentrack & Bill Eiffert & Leslie Hodge Simon & Ruth Sayre Alan L. & Frances E. Cornell Mary E. Giovaniello Esther & Robert Feier Mr. & Mrs. Russell Schnapp Dr. Cynthia & Mr. Martin Davis Dr. & Mrs. Richard Perlman Richard & Beverly Fink Linda J. Seifert Florence C. DeLucia Abigail Pike Family Foundation Stella Shvil Professional Fiduciary Caroline S. DeMar Pricor Family Pauline Forman & Jack Burke Beverly & Howard Silldorf Bethany Derrough Alex & Eileen Pue Susan & Steven Garfin Mr. & Mrs. Randall Silvia Dutch & Dawn Dershem Cameron Jay & Kathleen Rains Peter & Christine Gault Mr. William D. Smith & Dr. Carol Harter Dr. & Mrs. Donald Duff Michael Rainsberger Theresa A. Georgi Ronald & Susan Styn Sam Dolnick in memory of Irl R. & Clarice Robinson Arthur Getis Clifford & Kay Sweet Edith Dolnick Stuart & Linda Robinson Norman & Patricia Gillespie Dr. & Mrs. Charles B. Tesar Mr. & Mrs. Clarence B. Dustin Judy Rosen Louise & Doug Goodman Gertrude Trebon Mr. & Mrs. Victor Engleman Dr. H. Warren Ross Robert & Edry Goot Jeffrey & Sheila Truesdell The Englunds Dr. Norman & Barbara Rozansky Chris Graham & Michael Albo Ms. C. Anne Turhollow & Dr. Susan D. Fee Crystal A. Rubin Carol & Don Green Mr. Michael J. Perkins Sherry L. Franklin, MD Frank Ruyak Richard & Candace Haden Natalie C. Venezia & Paul A. Sager Dr. & Mrs. Richard Friedman Samiljan Family Fund of the Helen M. Hammond Harold Walba John & Mary Garvelink Jewish Community Foundation James & Ruth Harris of the Douglas Wallingford Rita J. Geisel Lillian Schafer Jewish Community Foundation Kathy & Jim Waring Carole & Howard Goldfeder Norman Schiewe & Elli Johns Virginia Hawkins Dave & Kim Washkowiak Euvoughn L. Greenan Carl Schott Jamie Henson & Robert Houskeeper Ms. Sandy Wichelecki Craig & Catherine Greene Martin & Connie Schroeder Mike Hogan Enterprises Dennis & Carol Wilson Gary & Anne Grim Elsa & Jim Sears Stephen Hopkins & Dr. Carey Pratt Cass Witkowski Family Theodore Gryga John & Patricia Seiber Dr. & Mrs. Clyde W. Jones Ms. Abbe Wolfsheimer Maggi Hall Lori Severson & Eric Longstreet Kathy & Rob Jones Brendan M. & Kaye I. Wynne George D. Hardy Glenda Allen Shekell Patricia & Alexander Kelley Mark & Corrine Harvey Curt Sherman Robert Kilian & Kathleen Slayton SILVER Garry & Sharon Hays Beth & Jerry Silverman Bill & Linda Kolb ($250 to $499) Suzanne Hess Eunice M. Simmons, M.D. Dr. Marvin Kripps Margaret & Tony Acampora Donald J. Hickey Anne & Ronald Simon LABS, Inc./Silvia Dreyfuss Sybil & B.J. Adelson Peggy & John Holl Malcolm E. Smith Sherry & Rick Levin Cyla Andrus Geoffrey Hueter Norman & Judith Solomon

Marshall & Judy Lewis Fund of the Anonymous (7) Robert Hyman Peter & Frances Splinter Jewish Community Foundation John & Elizabeth Bagby Pat & Bonnie Hyndman Susanne Stanford & Tom Matthews Carl Maguire & Margaret Sheehan Beverly Bartlett Joseph & Donna Hynes Ann & Bob Steiner Sally & Luis Maizel Sharon & Bill Beamer Susan D. Inot Dave & Jan Stormoen Drs. Betty Joan Maly & John Meyers Edgar Berner Family Fund of the Isaacs Brothers Foundation at Helga & Sam Strong Ron & Mercy Mandelbaum Jewish Community Foundation The San Diego Foundation Eric & Marian Suggs Russell Mangerie John & Sally Berry Ed & Linda Janon Mrs. J.B. Swedelius Martin & Joanne Marugg Robert Blanton & Ann Clark Dr. Natasha Josefowitz Linda Tallian Rev. Stephen J. Mather Kathleen Blossfield Dr. James & Sharon Justeson John & Gail Tauscher McAuliffe Family Gaylyn N. Boone & James Dorcy Drs. Irvin & Nancy Kaufman Brian & Janet Taylor Ronald McCaskill & Robyn Rogers Helen & Douglas Boyden Zachary Adams Kelly Marshall & Leila Taylor Charles & Billie McKnight LaVerne & Blaine Briggs Julia Kenyon Neli Tena Charles & Susan Muha Donor Advised Fund at the Robert & Elena Kucinski Mr. & Mrs. Reed Thompson Shirley Mulcahy Rancho Santa Fe Foundation Steven & Denise Landgarten Doris Trauner & Richard Stanford Marsha J. Netzer Ruth Bunn Elizabeth Lasley Nancy Alice Vaughn Rod & Barbara Orth David Burns & Diane Lischio Dixon & Pat Lee Karen Walker Barbara B. Oswalt Helen M. Caldwell Allen Lemberg Family Barbara C. Ward In Memory of Margaret Peninger William & Shirley Carrington Lewis T. Lipton Stephen & Joy Weiss Fund of the

Dr. Ken Pischel & Janet & Maarten Chrispeels Timothy S. Lucey Jewish Community Foundation Dr. Katherine Ozanich Mr. & Mrs. Howard Lund Judith L. White Deborah & Frederick Mandabach Olivia & Marty Winkler Patricia Manning Mr. & Mrs. John W. Witt Harold & Beverly Martyn Mr. & Mrs. William F. Wolff Robert McCommins Elizabeth Zeigler & Bernard Kuchta Dennis A. McConnell Vicky Zollweg & Michael Dunteman Stay Connected with Oliver McElroy & Karen Delaurier *In Memoriam Teresa McEuen The Old Globe Mr. & Mrs. David McNair This list current as of April 19, 2012. Dr. & Mrs. Robert Meredith For additional information on how you Dr. & Mrs. Paul E. Michelson may support The Old Globe’s artistic, James & Dorothy Mildice education and community programs, Stan & Phyllis Minick please visit our website at C. F. Monroe www.TheOldGlobe.org or contact Dr. & Mrs. Robert Morrison Rachel Plummer, Major Gifts Officer, Mary Jo Murphy at (619) 231-1941 x2317 or Katherine Newton [email protected]. Thomas & Tanya O’Donnell Dr. David & Elizabeth Ostrander Visit us online at www.TheOldGlobe.org

36 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($30,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

National Corporate Theatre Fund is a not-for-profit DIRECTOR CIRCLE ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com C hristopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley Citi UBS FOUNDER CIRCLE ($5,000 - $9,999) Datacert, Inc. USA Today Bertrand at Mister A’s Break-Away Tours Nokia Inc. Dorsey & Whitney Foundation Vernalis Systems Hyatt Regency La Jolla The Westgate Hotel Ernst & Young Wells Fargo Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies HoyleCohen, LLC Cubic Corporation Corporate Partners enjoy benefits and recognition, including the opportunity to The Cox Kids Foundation at Goldman, Sachs & Co. entertain clients and employees with exclusive receptions at the Theatre, behind- the-scenes tours, and preferred seating at our shows. For information, please The San Diego Foundation Northgate González Market contact Todd Schultz at (619) 231-1941 x2310. Public Support

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

PERFORMANCES MAGAZINE 37 Planned Giving at The Old Globe

What is the Craig Noel League? living estate; or some other deferred giving instrument. Founded in 2000 and named for the Globe’s Founding In your estate plans, you have the ability to designate the Director, the League is a planned giving society for the specific use of the funds given to the Globe, and to help Globe comprised of individuals who have included The guide your decision, The Old Globe Board of Directors Old Globe in their estate plans. Through their generosity, has established specific giving areas that you may choose these supporters of the Theatre are helping to ensure from, including classical theatre and Shakespeare, a long and bright future for San Diego’s leading cultural education programs and new works. landmark. To become a member of the Craig Noel League or to tell What is a Planned Gift? us of a gift you have already made, please contact Bridget Planned giving is simply a way to support The Old Globe Cantu Wear, Associate Director of Development, Planned through your estate plans by establishing an irrevocable Giving, at (619) 231-1941 x2312 or

CRAIG NOEL,CRAIG 1957 bequest of property, stock or cash; a charitable trust; a [email protected].

CRAIG NOEL LEAGUE MEMBERS Anonymous (17) Dr. & Mrs. Robert Epsten Jean & David Laing Sarah B. Marsh-Rebelo & Cherie Halladay Tirschwell Diana Barliant Frank A. Frye, III Jerry Lester Foundation John Rebelo Evelyn Mack Truitt Nancine Belfiore Mr. Alan Gary & Heather Manion Darlene Shiley Ginny Unanue Alan Benaroya Ms. Joanee Udelf Chris & Jill Metcalf Patsy & Forrest Shumway Carol & Lawrence Veit Barbara Bolt Nancy Reed Gibson Paul I. & Margaret W. Meyer B. Sy & Ruth Ann Silver Jordine Von Wantoch Nancy Brock Robert Gleason & Steve Miller Stephen M. Silverman Merle Wahl Ronald Brown Marc Matys Dr. Robert W. Miner Roberta Simpson Holly J. B. Ward Dr. & Mrs. Edgar D. Canada Marcy Goldstone Shirley Mulcahy Dolores & Rod Smith Sarah Woodruff Watkins Garet & Wendy Clark Carol & Don Green Laurie Dale Munday Marisa SorBello & Sheryl & Harvey P. White R. Patrick & Sharon Connell Kathryn Hattox Stanley Nadel & Peter Czipott Mrs. Jack Galen Whitney Patricia W. Crigler. Ph. D., David & Debbie Hawkins Cecilia Carrick John & Cindy Sorensen Julie Meier Wright CAPT/USN/Ret. Jill Denison Holmes Alice B. Nesnow Nancy A. Spector & Carolyn Yorston-Wellcome Carlos & Patricia Cuellar Craig & Mary Hunter Arthur & Marilyn Neumann Alan R. Spector Mrs. Philip H. Dickinson Bob Jacobs Ronald J. Newell Jeanette Stevens Doug Druley & Becky Young Grace Johnston Greg & Polly Noel Eric Leighton Swenson Bernard J. Eggertsen & Gladys H. King PACEM (Pacific Academy of Anne C. Taubman Florence Nemkov Marilyn Kneeland Ecclesiastical Music) Randy Tidmore

Enjoy Special Events at The Old Globe! Annual Fund Members enhance their theatre experience with a variety of events each year, including opening night dinners and backstage tours of the Globe’s facilities and Technical Center, plus candid interviews with Globe artists and more! NOWELL WISCH NOWELL DOUG GATES DOUG GATES

(left) Rosalie Kostanzer, Michael Keefe, A Room with a View’s Karen Ziemba, Teresa George and Walter Goeddel at Meet the Artist; (center) Artistic Director Emeritus Jack O’Brien with Board Members Debbie Turner and Conrad Prebys at the 2012 Annual Board of Directors and Founders Dinner; (right) Board Member Karen Fox, Jeri Rovsek, Board Member Lynne Wheeler, Jean-Marie Hamel and Board Member Elaine Darwin at the Circle Patron Dinner for the opening night of Dividing the Estate.

To learn how you can participate in these exclusive events that offer a glimpse into the magic of live theatre, contact the Development Department at (619) 684-4142 or visit www.TheOldGlobe.org/Support.

38 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor The Old Globe thanks Elaine and Dave Darwin for their support in making possible the Associate Artist Hall of Honor, which is located adjacent to the Sheryl and Harvey White Theatre in the Conrad Prebys Theatre Center.

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the Old Globe Theatre and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 39 Staff

Michael G. Murphy...... Managing Director Beth Merriman...... Wardrobe Supervisor, Globe FINANCE Richard Seer...... Interim Artistic Advisor and Debbie E. Allen, Anna Noll, Ksusha Vanyan, Carly Bennett-Valle...... Senior Accountant ...... Director of Professional Training Julie Vesselle...... Wardrobe Crew, Globe Trish Guidi...... Accounts Payable/Accounting Assistant Edward Nelson...... Interim General Manager Erin Abbenante, Kristin Bongiovanni, Kimberly Eddo, Adam Latham...... Payroll Coordinator/Accounting Assistant Dave Henson...... Director of Marketing and Communications Sunny Haines, Christina Jo Nguyen, Sue Noll, Tim Cole...... Receptionist Todd Schultz...... Director of Development Noelle Van Wyk...... Wardrobe Crew, Festival Mark Somers...... Director of Finance Anna MacDonald...... Crew Chief, White DEVELOPMENT Robert Drake...... Director of Production Genevieve Nyien, Marilyn McAvoy Bergman...... Major Gifts Director Noelle Van Wyk...... Wardrobe Crew, White Roberta Wells-Famula...... Director of Education Annamarie Maricle...... Associate Director, Institutional Grants Marie Jezbera...... Rental Agent Bridget Cantu Wear...... Associate Director, Planned Giving ARTISTIC Eileen Prisby...... Events Manager Properties Adrian Noble...... Shakespeare Festival Artistic Director Rachel Plummer...... Major Gifts Officer Neil A. Holmes...... Properties Director Eric Louie, Justin Waldman...... Associate Producers Jessica Burger...... Manager, Individual Annual Giving Kristin Steva Campbell...... Assistant to the Director Danielle Mages Amato...... Literary Manager/Dramaturg Angelique von Thun...... Major Gifts Associate Kristine Hummel...... Prop Assistant Bernadette Hanson...... Artistic Associate Diane Addis...... Membership Administrator M.H. Schrenkeisen...... Shop Foreman Amanda Buzzell...... 2015 Planning Consultant Kacie Bluhm...... Development Assistant Rory Murphy...... Lead Craftsman Matthew Lopez...... Playwright-in-Residence Rico Zamora...... VIP Donor Ticketing Josh Camp, Trish Rutter, Beck Schlabach...... Craftspersons David Medina...... Properties Buyer PRODUCTION Donor Services Trevor Hay...... Property Master, Globe Debra Pratt Ballard...... Associate Director of Production Lee Conavay, Monica Jorgensen, Barbara Lekes, Ron Cooling...... Company Manager Dan Klebingat...... Stage & Property Master, White Pamela Malone, Richard Navarro, Stephanie Reed, Carol Donahue...... Production Coordinator David Buess...... Property Master, Festival Judy Zimmerman...... Suite Concierges

Stage Management Lighting MARKETING Leila Knox...... Production Stage Manager Shawna Cadence...... Lighting Director Jeffrey Weiser...... Public Relations Director Lace King...... Lighting Assistant Jessie Brunner...... Audience Development Manager Technical Tonnie Ficken...... Master Electrician, Globe Mike Hausberg...... Public Relations Associate Benjamin Thoron...... Technical Director Jim Dodd...... Master Electrician, White Kelly Boyle...... Digital and Print Publications Coordinator Wendy Berzansky...... Associate Technical Director Kevin Liddell...... Master Electrician, Festival Marissa Haywood...... Marketing Assistant Tramaine Berryhill...... Assistant Technical Director Kristen Flores, Rafael Vallejo...... Follow Spot Operators Monica Jorgensen, Sean Fanning...... Resident Design Assistant Dominic Abbenante, Eben Alguire, Andrea Fields, Susie Virgilio...... Marketing/Events Assistants Kristen Flores, William Hartley, Areta MacKelvie, Eliza Korshin...... Technical Assistant/Buyer Leah Nellman, Luke Olson, Rafael Vallejo...... Electricians Christian Thorsen...... Stage Carpenter/Flyman, Globe Subscription Sales Carole Payette...... Charge Scenic Artist Scott Cooke...... Subscription Sales Manager Sound W. Adam Bernard, Victoria Erbe...... Scenic Artists Anna Bowen-Davies, Arthur Faro, Andy Fink, Paul Peterson...... Sound Director Gillian Kelleher...... Master Carpenter Janet Kavin, Pamela Malone, Yolanda Moore, Erik Carstensen...... Master Sound Technician, Globe Jessica Morrow, Keith Perkins, Ken Seper, Andrew Young...... Charge Carpenter, White Jeremy Siebert...... Master Sound Technician, White Cassandra Shepard, Jerome Tullmann, Laura McEntyre...... Automation Coordinator Jeremy Nelson...... Master Sound Technician, Festival Grant Walpole...... Subscription Sales Representatives Fernando Avitia, Curtis Carlsteen, Daniel Capiro, Dana Pickop...... Deck Audio, Festival Chris Chauvet, Jason Chohon, Matt Giebe, Ticket Services Jack Hernandez, Eszter Julian, Josh Letton, RJ Givens...... Deck Audio, White Jeremy Luce, Jay McNabb...... Carpenters Bob Coddington...... Ticket Services Manager Daniel Capiro...... Painter ADMINISTRATION Marsi Fisher...... Ticket Operations Manager Eszter Julian, Jeremy Luce...... Deck Crew Brian Franko...... Assistant General Manager Dani Meister...... Group Sales Manager Jeremy Jefferson...... Technical Center Intern Shana Wride...... Administrative Assistant Tony Dixon, Rob Novak...... Lead Ticket Services Representatives Kari Archer, Sarah Ditges, Kathy Fineman, Costumes Information Technology Dean Yager...... Information Technology Manager Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Stacy Sutton...... Director Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Thad Steffen...... Information Technology Assistant Manager Charlotte Devaux...... Resident Design Associate Christopher Smith...... Ticket Services Representatives Maureen Mac Niallais...... Assistant to the Director John Ralston...... Information Technology Assistant Shelly Williams...... Design Assistant/Shopper PATRON SERVICES Human Resources Michelle Souza...... Design Assistant Mike Callaway...... Theatre Manager Sandra Parde...... Human Resources Director Alina Bokovikova, Elisa Benzoni...... Design Assistant, Festival Jessica Talmadge, Mary Taylor, Mary Rochon...... Design Assistant, White Samaria Ship...... House Managers Erin Cass, Marsha Kuligowski, Maintenance Kristen Cairns...... Front of House Assistant Joan Mathison, Randal Sumabat...... Drapers James Ford...... Facilities Manager Elaine Gingery...... Food and Beverage Manager Su-Lin Chen, Wendy Miller, Swantje Tuohino...... Tailors Violanda Corona, Ismael Delgado, Miguel Gaspar, Timothy Acosta, Missy Bradstreet, Nellie R. del Rosario, Babs Behling, Keith Bonar, Annie Glidden Grace, Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, AnaMarie Nelson, Somsi Norfolk, Susan Sachs, Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Michelle Thorsen...... Pub Staff Nicolas Torres, Leonardo Rodriguez ...... Building Staff Jordyn Smiley...... Assistant Cutters Jasmine Morgan, Stephanie Rakowski, Mary Miller...... Costume Assistant Lisa Reid...... Gift Shop Supervisors Erin Abbenante, Mark Baiza, Maria De La Mora, PROFESSIONAL TRAINING Tracy Graham, Noel Laws, Sandra Mangusing, Llance Bower...... Program Coordinator Security/Parking Services Roxanne Poyner, Heather Premo, Truman Schenck, Maria Carrera, Cynthia Caywood, Ray Chambers, Rachel “Beahr” Garcia...... Security Supervisor Ademir Serrano, Joanna Stypulkowska, Gerhard Gessner, Jan Gist, Fred Robinson, Dallas Chang, Sherisa Eselin, Brooke Vlasich, Veronica von Borstel...... Stitchers Liz Shipman, Abraham Stoll, George Yé...... M.F.A. Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Teri Tavares...... Dyer, Festival Alberto Holloway, Jeff Howell...... Parking Lot Attendants Erin Carignan...... Craft Supervisor EDUCATION Brandon Cencich, Norman Ramos...... VIP Valet Attendants Cammery Blevins, Sharon Granieri, Stephanie Parker, Kim Montelibano Heil...... Education Associate David Reynoso, Megan Schmidt...... Craft Artisans Carol Green...... Speakers Bureau Coordinator Molly O’Connor...... Wig and Makeup Supervisor Jennifer Barclay Newsham, Rebekah Bonney, David Kim Parker...... Assistant to Wig and Makeup Supervisor Carson, Amanda Cooley Davis, James Cota, Jo Anne Kristin Bongiovanni, Ana Maldonado, Glover, Lisel Gorell-Getz, Brian Hammond, James Pillar, Jack O’Brien...... Artistic Director Emeritus Christina Jo Nguyen...... Wig Assistants Sarah Price-Keating, Radhika Rao, Damon Shearer, Craig Noel...... Founding Director Beverly Boyd...... Wardrobe Supervisor Cynthia Stokes, Mark Wischkaemper...... Teaching Artists

40 PERFORMANCES MAGAZINE