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Ethiopia Briefing Packet
ETHIOPIA PROVIDING COMMUNITY HEALTH TO POPULATIONS MOST IN NEED se P RE-FIELD BRIEFING PACKET ETHIOPIA 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org ETHIOPIA Country Briefing Packet Contents ABOUT THIS PACKET 3 BACKGROUND 4 EXTENDING YOUR STAY 5 PUBLIC HEALTH OVERVIEW 7 Health Infrastructure 7 Water Supply and sanitation 9 Health Status 10 FLAG 12 COUNTRY OVERVIEW 13 General overview 13 Climate and Weather 13 Geography 14 History 15 Demographics 21 Economy 22 Education 23 Culture 25 Poverty 26 SURVIVAL GUIDE 29 Etiquette 29 LANGUAGE 31 USEFUL PHRASES 32 SAFETY 35 CURRENCY 36 CURRENT CONVERSATION RATE OF 24 MAY, 2016 37 IMR RECOMMENDATIONS ON PERSONAL FUNDS 38 TIME IN ETHIOPIA 38 EMBASSY INFORMATION 39 WEBSITES 40 !2 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org ETHIOPIA Country Briefing Packet ABOUT THIS PACKET This packet has been created to serve as a resource for the 2016 ETHIOPIA Medical Team. This packet is information about the country and can be read at your leisure or on the airplane. The final section of this booklet is specific to the areas we will be working near (however, not the actual clinic locations) and contains information you may want to know before the trip. The contents herein are not for distributional purposes and are intended for the use of the team and their families. Sources of the information all come from public record and documentation. You may access any of the information and more updates directly from the World Wide Web and other public sources. -
Timbuktu Civilization and Its Significance in Islamic History
E-ISSN 2039-2117 Mediterranean Journal of Social Sciences Vol 4 No 11 ISSN 2039-9340 MCSER Publishing, Rome-Italy October 2013 Timbuktu Civilization and its Significance in Islamic History Abdi O. Shuriye Dauda Sh. Ibrahim Faculty of Engineering International Islamic University Malaysia E mail: [email protected] Doi:10.5901/mjss.2013.v4n11p696 Abstract Timbuktu civilization began as a seasonal settlement for trade caravans in the early 11th century. It later flourished in trade and as one of the early African centres of Islamic culture. This paper reviews the trend of Timbuktu civilization from prehistoric period up to the current state of its political impact of the region. The paper further focuses on the role Timbuktu played in African history by serving as academic and commercial centre. The significant of this paper is to reveal the fact that Africa has a long Islamic civilization. The paper provides evidences from reliable sources of the symbolic representation of the impact and influence of the early schools and universities between 11th and 15th century that existed in West Africa. The manuscript of Timbuktu serves as a living testimony of the highly advanced and refined civilization in Africa during the middle ages. The history of monuments, artefacts as well as architectural land marks that signifies the historical origin of this ancient city is presented. The early heroes that stood firm towards the development and civilisation of Timbuktu are outlined. Analysis of the development as well as the factors that led to the civilization is presented in this paper. Keywords: Timbuktu, civilization, Islamic History, Africa. -
Annual Report 2019
ANNUAL REPORT 2019 ANNUAL REPORT 2019 Foto en © F. Abbeloos en © F. Foto Guido Gryseels,director general of the RMCA 2 · INTRODUCTION Introduction Guido Gryseels Director general of the RMCA 2019 was the first full year for the museum since it reopened its doors. If the interest demonstrated by the public was any indication, we can say with no hesitation that the year was marked by success. We surpassed the expected number of visitors by a comfortable margin, and the press made mention of AfricaMuseum all throughout the year. Nonetheless, it was a year for evaluat- ing and adapting, be it for technical matters or museological purposes, or in terms of the con- tent or the activities that we offered the public. The renovation, which took over 10 years, always kept in mind a continuous process of dialogue and investigation in terms of content, and this continued to be the guiding principle for this first year since the reopening. The range of reactions, with some saying we went too far and others not far enough, pushes us to revisit and reassess our choices. There was intense debate surrounding the issue of restitution for African cultural heritage both in Belgium and around the world. Moreover, the past year obliged us to reckon with our limits, both financially and in terms of our human resources. These past ten years, the federal government has pursued a policy of bud- getary prudence, forcing AfricaMuseum to make considerable budget cuts in terms of operations and staff. In concrete terms, in the past decade, the number of RMCA personnel went from 280 employees in 2009 to 208 in late 2019 – a 25% reduction in staff size. -
The Kongolese Atlantic: Central African Slavery & Culture From
The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 i v ABSTRACT The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 Copyright by Christina Frances Mobley 2015 Abstract In my dissertation, “The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti,” I investigate the cultural history of West Central African slavery at the height of the trans-Atlantic slave trade, the late eighteenth century. My research focuses on the Loango Coast, a region that has received -
An Analysis of the Role of Museums in the Polish-German
1 2014, Iziko Museums Publications in association with ICOM-SA, Cape Town IZIKO MUSEUMS OF SOUTH AFRICA 25 Queen Victoria Street, Cape Town, 8001 Telephone: +27 21 481 3800 Fax: +27 21 481 3993 E-mail: [email protected] Web: www.iziko.org.za ICOM-SA 3 Davann Court, 50 Bellair Road, Vredehoek, Cape Town, 8001 Telephone: +27 21 461 2315 Fax: +27 82 660 5497 E-mail: [email protected] Web: www.icom-sa.org.za ISBN: 978-0-621-43105-6 Design: Estelle Tanner.design All material is strictly copyright and all rights reserved. Reproduction without permission is forbidden. 2 3 Table of Contents Acknowledgment 1 Introduction Shahid Vawda 3 Powerful Ideas – Museums, Empire Utopias and Connected Worlds Susan Legêne 15 Cultural Policy as Utopia: The Case of South Africa Shahid Vawda 31 Teachers and Museums Wayne Alexander 49 Politics and the Presentation of Cultures in Museums Zvjezdana Antos 69 From Ethnology to Civilisations Museum, the Multiple Trajectories of ATP/MuCEM Collections 81 Myriame Morel-Deledalle In Search of the Utopia of the Past: Reflections of Antiquity Upon a National Narrative Katerina Mavromichali 93 Global Challenges for Regional Utopias Dennis Hermann 113 Imposed Utopias. Establishing Collections, Building the Israeli Nation State Judy Jaffe-Schagen 123 4 Museum Collections between Ideology and Reflection Tone Kregar & Tanja Roženbergar 139 Images for the Future: Aspects on Collecting Contemporary Images and on Future Collections 151 Elisabeth Boogh & Merja Diaz Seeking Common Ground: How Digital Museums Might Play a Role -
Sue Williamson BIOGRAPHY
Sue Williamson BIOGRAPHY Sue Williamson (b. 1941, Lichfield, UK) emigrated Passage, a large- scale installation of shackled, with her family to South Africa in 1948. Trained as suspended glass bottles engraved with details a printmaker, Williamson also works in installation, taken from 19th century slave trade documents. photography and video. In the 1970s, she started This installation was also exhibited the previous to make work which addressed social change year at Art Basel in Switzerland and at the Kochi- during apartheid and by the 1980s Williamson was Muziris Biennale in India in 2018. well known for her series of portraits of women involved in the country’s political struggle. Williamson’s works feature in numerous public collections across the globe, including those at Referring to her practice, Williamson says: “ I am the Museum of Modern Art, New York, USA, Tate interested in objects, often very humble ones, and Modern, London, UK, Victoria & Albert Museum, the stories behind them. I am interested in the London, UK, National Museum of African Art, media, in the subtext that runs behind newspaper Smithsonian Institution, Washington D.C., USA, reports, and in books which may seem mundane Wifredo Lam Centre, Havana, Cuba, Iziko South like a tourist guidebook. But most of all I am African National Gallery, Cape Town, South Africa, interested in people, in their stories, and in the and Johannesburg Art Gallery, South Africa. exact words they use to describe their memories, experiences and expectations’. Williamson has received various awards and fellowships such as the Bellagio Creative Arts Williamson has avoided the rut of being caught in Fellowship 2011, Italy, Rockefeller Foundation, the an apartheid-era aesthetic, constantly re-assessing Visual Artist Research Award Fellowship 2007, changing situations, and finding new artistic Smithsonian Institution, Washington D.C., USA languages to work out her ideas. -
The Museum in Ghana: Their Role and Importance In
THE MUSEUM IN GHANA: THEIR ROLE AND IMPORTANCE IN GHANA’S SOCIAL AND ECONOMIC DEVELOPMENT By Kuntaa Dominic Dekumwine (BA Art, Pg. Cert. Public Administration) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology, Kumasi, in partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS IN AFRICAN ART AND CULTURE Faculty of Art College of Art and Social Sciences July 2012 ©Year 2012 Department of General Art Studies 1 Declaration I hereby declare that this submission is my own work towards an MA Degree; and that to the best of my knowledge, it contains no material previously published by another person or material which has been accepted for the award of any other degree of the university, except where due acknowledgement has been made in the text. Student’s Name and ID Number Kuntaa Dominic Dekumwine ID No. 20065018 …………...…… .........……… Signature Date Certified by Supervisor Dr. Opamshen Osei Agyeman ………….......… .....………… Signature Date Certified by Head of Department: ................................ .......................... Nana Afia Opoku Asare (Mrs) Signature Date 2 Abstract The social and economic development that museums bring to a community is growing gradually the world over. The work of museums has transformed socioeconomically blighted communities into economically booming societies such as Kenya, Addis Ababa and Israel. Ghana is endowed with a lot of historical land marks and landscape that are economically viable. The museums in Ghana seem to have resources that can be employed to improve the social and economic standard of Ghanaians. However, they seem to have very little impact socially and economically in Ghana’s development. -
Getting to Know the K Umbukumbu Exhibition at the National Museum Brazil, 1818-2018
Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Slave Societies Digital Archive Press Nashville 2021 3 Publication of this book has been supported by grants from the Fundaçāo de Amparo à Pesquisa do Rio de Janeiro; the Museu Nacional/ Getting to Know Universidade Federal do Rio de Janeiro/Brazil; and the Slave Societies Digital Archive/Vanderbilt University. the K umbukumbu Originally published as: Conhecendo a exposição Kumbukumbu Exhibition at the do Museu Nacional (Rio de Janeiro: Museu Nacional, 2016). National Museum English edition copyright © 2021 Slave Societies Digital Archive Press Brazil, 1818-2018 ______________ Slave Societies Digital Archive Press 2301 Vanderbilt Pl., PMB 351802, Nashville, TN, 37235, United States Authors: Soares, Mariza de Carvalho, 1951; Agostinho, Michele de Barcelos, 1980; Lima, Rachel Correa, 1966. Title: Getting to Know the Kumbukumbu Exhibition at the National Museum, Brazil, 1818-2018 First Published 2021 Printed in the United States of America ISBN 978-0-578-91682-8 (cover photo) Street market. Aneho, Togo. 4 Photo by Milton Guran. 5 Project A New Room for the African Collection Director João Pacheco de Oliveira Curator Mariza de Carvalho Soares 6 7 Catalogue Team Research Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Carolina Cabral Aline Chaves Rabelo Drawings Maurílio de Oliveira Photographs of the Collection Roosevelt Mota Graphic Design UMAstudio - Clarisse Sá Earp Translated by Cecília Grespan Edited by Kara D. -
The Indexer Vol 9 No 3 April 1975
Department of the Haile Sellassie I University, Entry Word in etc., add the grandfather's personal name as well. For example: Ethiopian Names' Personal Father's Grandfather's name personal name personal name Kebreab W. Giorgis Habte Wolde Tekle Sellassie Mariam Hawariat Examples of names which occur as the first This article is an attempt to explain the nature element in a two-worded personal name are: of Ethiopian names so that the problem of their Berekete (e.g. Berekete Ab) cataloguing may be minimized at an early stage. Gebre (e.g. Gebre Sellassie) Although the Civil Code of the Empire of Ethiopia1 Kifle (e.g. Kifle Mariam) says clearly, "Every individual has a family name, Sine (e.g. Sine Giorgis) one or more first names and a patronymic", Examples of names which occur as the second Ethiopia does not yet have a national usage for element in a two-worded personal name are: surnames. The following elements normally Gabriel (e.g. Haile Gabriel) form part of an Ethiopian name: Mikael (e.g. Tesfa Mikael) 1. Personal name; Rufael (e.g. Wolde Rufael) 2. Father's personal name or given name; Work (e.g. Zenebe Work) 3. Attributes and titles. The two elements may be written as one word: A personal name is given at birtht and is used Bereketeab, Tesfamikael. Abbreviation of the throughout life. Family name, or surname, is second or first element in a two-worded name generally unknown in Ethiopia, and there are (e.g. W. Berhan for Wolde Berhan) sometimes very few Ethiopians who have followed the Civil occurs though not frequently. -
Muslim Traders, Songhay Warriors and the Arma Muslim Traders
This book looks into the interplay between different social groups Christian Holst that existed on the Middle Niger Bend between 1549 to 1660. The groups mainly under scrutiny are Muslim traders and scholars – the “Ulema” and the worldly lords that ran the polities that had laid claim to the region of the Middle Niger Bend; first the Ask- Muslim traders, Songhay warriors yas, then the Arma. The changing relationships between these and the Arma different groups and of individuals within them are analysed within the wider historical background of the rise and fall of the The social destruction of the Middle Niger Bend from 1549 to 1660 Songhay Empire and the subsequent takeover of the region by the Moroccan Arma that had conquered the heart of the Middle Niger Bend in 1591. This work explores the interaction between the groups through the framework of honour, religion and ances- try and traces the initially successful cooperation between rulers, traders and scholars to its breakdown and the final social disinte- gration of the Middle Niger Bend. Muslim traders, Songhay warriors and the Arma Muslim traders, ISBN 978-3-7376-0212-9 Christian Holst 9 783737 602129 Christian Holst Muslim traders, Songhay warriors and the Arma The social destruction of the Middle Niger Bend from 1549 to 1660 kassel university press This work has been accepted by the Faculty of Social Sciences of the University of Kassel as a thesis for acquiring the academic degree of Doktor der Philosophie (Dr. phil.). Supervisor: Prof. Dr. Winfried Speitkamp Co-Supervisor: Prof. Dr. Anne-Charlott Trepp Defense day: 26th of October 2015 Bibliographic information published by Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the Internet at http://dnb.dnb.de. -
Africa and the Excitement of Sources with Year 7
‘What is history?’ Africa and the excitement of sources with Year 7 Many history departments choose to begin The Arab traveller and chronicler, Ibn Battuta, one of our most their Year 7 curriculum with an introduction reliable sources for medieval Africa, recounts the story of Mansa to the nature of history and the processes Sulayman in vivid detail: he was a miser whose avarice stood in which historians engage as they develop, in stark contrast with the lavish reign of his older and more 1 refine and substantiate claims about the celebrated brother, Mansa Musa. Mansa Sulayman’s reign does not give us the same Hollywood moment that Mansa past. In this article, Adbul Mohamud and Musa’s pilgrimage to Mecca does, but it provides a powerful Robin Whitburn report on an such an insight into the complexities of a medieval African royal court: introductory unit, designed with a specific palace intrigue, diplomatic drama and a major rebellion led focus on the history of Africa and an by a queen that demanded a greater say in the affairs of the emphasis on the work of African historians state. It is unlikely that Ibn Battuta would have been witness in constructing interpretations of the past to Suleyman’s dramatic troubles had he not been enticed by based on archaeological sources (such as the stories he had heard of his more illustrious and generous artefacts and surviving buildings) as well as brother. In reading Ibn Battuta, we find an important lesson to written materials. With contributions from draw about the history of Africa: it can provide as much variety Sharon Aninakwa, Ciara McCombe and of narrative and perspective as that of Europe. -
The Entry Word in Ethiopian Names
The entry word in Ethiopian names Kebreab W. Giorgis This article is an attempt to explain the nature of Kifle (e.g. Kifle Mariam) Ethiopian names so that the problem of their cataloguing Sine (e.g. Sine Giorgis) may be minimized at an early stage.1 Although the Civil Code of the Empire of Ethiopia Examples of names which occur as the second element in a (Ethiopia Ministry of Pensions, 1960) says clearly, ‘Every two-word personal name are: individual has a family name, one or more first names and a patronymic’, Ethiopia does not yet have a national usage for Gabriel (e.g. Haile Gabriel) surnames. The following elements normally form part of an Mikael (e.g. Tesfa Mikael) Ethiopian name: Rufael (e.g. Wolde Rufael) Work (e.g. Zenebe Work) 1. Personal name. 2. Father’s personal name or given name. The two elements may be written as one word: Bereketeab, 3. Attributes and titles. Tesfamikael. Abbreviation of the second or first element in a two-word name (e.g. W. Berhan for Wolde Berhan) sometimes A personal name is given at birth, and is used throughout occurs, though not frequently. life. A family name, or surname, is generally unknown in Most personal names have some religious significance. Ethiopia, and there are very few Ethiopians who have For example: followed the Civil Code and adopted surnames. There are some noble families who sometimes retain names of illus- Ab means Father (God) trious grandfathers as a kind of surname. In general, Egziabhier means God however, a personal name is always followed by the father’s Giorgis means George (Saint) personal or given name.