Mapping Performances in Gay Spaces

Total Page:16

File Type:pdf, Size:1020Kb

Mapping Performances in Gay Spaces Kipp !1 From Bachelorette Parties to Sex Clubs Mapping Performances in Gay Spaces It was early in 2003 when I first witnessed my first bachelorette party. I was in a massive bar complex in downtown Davenport Iowa. This catered to the gay population of the area with three bar areas, a multi-level dance floor with go-go cages, a rooftop deck, a cabaret space for drag shows and an area for outdoor volleyball. I had just moved to the area and was being shown around by a friend from college, and we had laid claim to a space on the upper balcony of the dance floor for maximum viewing pleasure when they arrived. There was a fair warning as we heard an unusual screech of female voices even before they descended onto the dance floor. The gaggle (Pack? Posse?) was lead by a young woman wearing a party tiara with a hint of a veil attached to it. The energy of the room shifted as their exuberance overtook the dance floor as they started to perform a semblance of dance that had previously not been seen in the club that night. As their sight shifted towards the previous center of attention; namely a young male go-go dancer who was well endowed with a mix of a low carb diet and good genetics; my friend and guide suggested we go to another establishment. This bar, it seemed, was not our own anymore. The club space had been co-opted for another performance that we were not cast in. Where we ended up was just across the street to the other gay bar in the area. This was a more traditional neighborhood bar with a myriad of neon beer signs in the darkened windows and a large U-shaped bar that took up most of the interior. The men tending the bar appeared to be hired to be an equal part of eye candy and expertise. Near the entrance was a pool table that was overcrowding the front half of the bar. The table was being dominated by a small group of women more than likely not there for a bachelorette party but to run the table and school anyone who worked up the courage to challenge them to a game. The back half of the bar was more Kipp !2 dimly lit and filled with groupings of men in twos and threes were attempting conversations over the music. This too was a gay bar but did not attract the bachelorettes that were drawn towards the flashier establishment across the street. The performance they were looking for was not here. More so of the enacted rituals of cis straight womanhood that made up their program for the night would be more challenging to perform in this space. Both their performance and the performance my friend and I were embodying had the same goals -to shape our identity outside of the heteronormative. However, these scenarios were not compatible with each other. What this paper will explore is the spectrum of spaces in which a gay identity is performed from the neighborhood bar to the shadowy spaces of sexuality. This exploration will encompass the performances of self-identity of not only the bodies within these areas but also of the spaces themselves as they attract segments of the population to them. This examination will use Jason Orne’s book Boystown as a base as well as personal recollection and experiences by the author. In doing so, I will show that there is a symbiotic relationship of identity between the performer and the space the performed body inhabits. I come to this paper as a self-identified gay man. I have lived in the neighborhoods that Orne examines for a total of almost nine years. I have also been to several spaces that Orne describes and to all that are mentioned in this paper. My observations, like Orne, are through the lens of a cis male but unlike Orne, I do not self-identify as a queer man but due to my age as a fag. Simply put, due to my age, I predate the concept and construct of queer. I believe that this age difference allows another perspective in observations that mostly align with Orne’s. In Orne’s introduction, he describes a similar scenario to what I described in the mammoth club complex but on a smaller scale. Orne is at a small club in the heart of the Boystown area in Chicago with a friend to see a dancer/go-go boy. His friend identifies as a gay Kipp !3 male and is older than Orne (who also identifies as a gay/queer male) by at least a decade (mid- thirties) and the dancer is only identified by his tattoo on his chest. Orne and his friend both know that the dancer is straight identifying and dances in a gay club to support his wife and child. In response to the friend tip, the dancer acknowledges it by a quick smile and a firm squeeze on the upper arm. Moments later a single presenting woman in the club tips the same dancer. The dancer responds to the tip in a more prolonged and physical manner with the woman. This act of heteronormativity along with the entrance of more presenting females into the space causes Orne and his friend to leave the club. This gay space has turned straight. This scenario illuminates an issue that Orne tangentially addresses. As society moves away from a normative gender binary, can the space be identified within a binary? Even if it self- identifies within the binary of either straight or gay the performances within the space can shift it out of the binary. This, in turn, has created not a binary identity but a spectrum of spacial identity that on which the space, like a performative body, sits. The performative space does not occupy a single point on the spectrum but is positioned over a range within it. It is within this range that the performative space tries to claim its perceived identity. Dr. Viv Cuthill explores this concept of perception of space in the article Consuming Harrogate. While Cuthill examines two spaces within a cultural heritage framework, both of these spaces reside in the performance of the heteronormative and the historical. The tea shops that are examined build their identity on a concept of temporal space that is being created through reenactment. It is this temporal shift that allows a body to perform and travel to another period of time. The other establishment, a vodka bar, allows the performance of travel in space by the consumption of the vodkas from around the world. In both cases, the performative body is Kipp !4 drawn to the space to enact a well-codified scenario. One knows what to expect while embodying the space. They have narrowed the space on the spectrum to create their “brand.” The narrowing of scenarios by a space is examined Peter Adey in the design and use of modern airports. These spaces are well codified with a sharply formed objective for its identity; mainly to manage the movement of bodies within the space to allow them quick access to their destination. There is a duality within this space in such that once at the destination, namely the gate for your aircraft, this efficient movement is replaced by a performance of waiting. The successful design of the space allows both performances to happen congruently by subdividing itself. This multiplicity of subspaces enables the identity of the space in total to remain intact. One is not forced to perform buying an overpriced meal or bottle of water, but the option is there to enhance the performance of getting onto an airplane. Both these articles illuminate the ways that a space can shape the bodied performances within them. These spaces, as well as the bodies within them, occupy the range of the spectrum between heteronormativity and homonormativity. It is when spaces move past either of these constructs in their identity they become more fragile as the more widely known structures of performance are no longer present. In fact, performing this structured normative behavior would cause the space to shift or lose its intended identity. In contrast, it is the homonormative space that has the most resilience in its identity when they are invaded by performed behavior outside of its design. One example of the homonormative bar in Chicago is Big Chicks. This bar is not within the boundaries of the state-sanctioned Boystown neighborhood but is about two miles north a few blocks from Lake Michigan. Unlike the spaces along Halstead that constitute the vast majority of gay-identified spaces in Chicago, this space holds it own existing among Kipp !5 heteronormative spaces. Big Chicks can do this by the nature of its space. The layout of the storefront space is one that is typical of most bars in Chicago. It is a relatively narrow building that is quite deep. The central area takes up about two-thirds of the total with the back third divided again to accommodate restrooms of nominally binary gender and an outdoor patio for smoking. The main bar is a standard old wood style that is almost generic. On the surface, the identity could be mistaken for any number of bars within the city. It is only after studying the bar’s decor that one can determine where on the spectrum this establishment lies. The framed artwork of retro bouffant-haired women only hints at the aesthetic that the space wishes to share with the clientele.
Recommended publications
  • Contextualising Gay Nazi Fetish Subcultures
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/835 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Queering Nazism or Nazi Queers? A Sociological Study of an Online Gay Nazi Fetish Group by Danny Beusch A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Sociology University of Warwick, Department of Sociology August 2008 Table of Contents Acknowledgement ................................................................................................... 6 Declaration............................................................................................................... 7 Abstract.................................................................................................................... 8 Introduction............................................................................................................. 9 Why Study Nazi Fetishism? ..................................................................... 11 Chapter Outline........................................................................................
    [Show full text]
  • Transnational Sex-Positive Play Parties: the Sexual Politics of Care for Community-Making at a Kinky Salon
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-29-2019 Transnational Sex-Positive Play Parties: The Sexual Politics of Care for Community-Making at a Kinky Salon Christina Bazzaroni Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Gender and Sexuality Commons, Human Geography Commons, Leisure Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Geography Commons, Politics and Social Change Commons, Social and Cultural Anthropology Commons, and the Women's Studies Commons Recommended Citation Bazzaroni, Christina, "Transnational Sex-Positive Play Parties: The Sexual Politics of Care for Community- Making at a Kinky Salon" (2019). FIU Electronic Theses and Dissertations. 4050. https://digitalcommons.fiu.edu/etd/4050 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida TRANSNATIONAL SEX-POSITIVE PLAY PARTIES: THE SEXUAL POLITICS OF CARE FOR COMMUNITY-MAKING AT A KINKY SALON A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in GLOBAL AND SOCIOCULTURAL STUDIES by Christina Nicol Bazzaroni 2019 To: Dean John F. Stack, Jr. Steven J. Green School of International & Public Affairs This dissertation, written by Christina Nicol Bazzaroni, and entitled Transnational Sex- Positive Play Parties: The Sexual Politics of Care for Community-Making at a Kinky Salon, having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]
  • Download a Free Sample
    POLLY: SEX CULTURE REVOLUTIONARY Polly Sex Culture Revolutionary a memoir Polly Whittaker Moral Minority Press San Francisco, California Copyright © 2014 Polly Whittaker / Moral Minority, Inc. [Hardcover] ISBN 13: 978-0-61586-490-7 [Paperback] ISBN 13: 978-0-99040-981-6 [E-book] ISBN 13: 978-0-99040-980-9 Library of Congress Catalog Number Forthcoming ALL RIGHTS RESERVED. Printed in the United States of America. Any unauthorized reprint or use of this material is prohibited. No part of this book may be reproduced or transmitted without express written permission of the author, except in the case of brief quotations in critical articles or reviews For information contact: [email protected] Book Cover Design By Dominic Tinio Book interior Design By Mark Weiman / Regent Press Cover photo By Darren Cavanagh Makeup By Shelly Manser-Cavanagh Manufactured in the U.S.A. San Francisco, California FOR SCOTT This story would never have been told without your love and unconditional support. Thank you. POLLY WHIT T AKE R 6 POLLY: SEX CULTUR E REV OLUTIONA R Y Contents Foreword .............................................................................. 11 Introduction ......................................................................... 15 PART ONE My Three Lives .................................................................... 21 Four Hundred Thousand Perverts ........................................ 24 My Unconventional Upbringing ......................................... 29 Toasters ...................................................................................
    [Show full text]
  • Club Subversion Archives Catalogue 71 KB
    CLUB SUBVERSION ARCHIVE (CSA) ©Bishopsgate Institute Catalogued by Stefan Dickers, January 2019 CSA Club Subversion Archive 2005-2018 Name of Creator: Club Subversion, fetish club Extent: 3 Boxes Administrative/Biographical History: Club Subversion was one of London's top fetish clubs and ran from 2004-2018. Originally launched by Mistress Absolute, Mistress Kate and bobette with the first event selling out it continued from strength to strength despite the many venue issues over the years. Mistress Kate bowed out if the organisation due to work and family commitments after a year or so and Mistress Absolute and bobette took the helm. Club Subversion spawned many spin off events including Subversion Mansion, Subversion Boudoir and its most popular 'sub' version, Subversion Noir. The decision to finish Club Subversion was made after the terminal cancer diagnosis of Dave Playpenz. Dave was a dungeon furniture maker and supplier of kit for 12 of Subversions 14 glorious years and there was no way that the Club Subversion would ever be the same without him. The last Club Subversion was on November 23rd. Custodial History: Deposited with Bishopsgate Institute by Mistress Absolute, January 2019. Scope and Content: Archives of Club Subversion, including flyers/postcards for all Club Subversion, Subversion Noir and Club Femdom events and club nights, 2005- 2018; Club Subversion laminated signs on Club etiquette, the use of photography and directions, n.d.; Club Subversion mugs, n.d. System of Arrangement: No further arrangement required. Language/scripts of material: English Access conditions: OPEN Copying conditions: Photocopying, scanning and digital photography (without flash) is permitted for research purposes on completion of the Library's Copyright Declaration form and with respect to current UK copyright law.
    [Show full text]
  • Unrestrained Chapter
    Unrestrained by Joey W. Hill Chapters One through Three excerpt All rights reserved Chapter One The first time she stepped into a BDSM club, it felt like home. Surprised wasn’t the right word for her reaction. Surprise was what one felt toward a party thrown in one’s honor, planned on the sly by someone else. When she stepped into that dim environment, inhaled the intangible layers of want and need intertwined with the surface scents of tears and sweat, perfume and leather, her unconscious revealed the secret it had kept for so long. This was where she belonged. It rose up into her chest, an unexpected comfort and validation. Ironic, given that she hadn’t been there for herself. Not essentially. Roy had talked her into giving it a try. He wanted to take the play they did in the privacy of their home into a discreet but more populated world. It had mattered to him, so she’d prepared herself to accept it, no matter how sordid it might end up being. Everyone knew New Orleans had a seedy side. No one bothered to call it an “underside,” since it was broadly displayed in the French Quarter at all hours of the day, and it had worsened since Katrina, when more of the city’s criminal element shifted into that section. But then she found there was an actual underworld, and the darkness there was heated, welcoming. Not seedy at all. The perspiration gleaming on marked skin, the cries of pleasure and pain, the glitter of eyes in the dim light, the energy that pulsed in Club Release like its own power source .
    [Show full text]
  • Mistress Absolute Archive
    MISTRESS ABSOLUTE ARCHIVE (MAA) ©Bishopsgate Institute Catalogued by Stefan Dickers, January 2019 MAA Mistress Absolute Archive 2003-2019 Name of Creator: Mistress Absolute (fl 2003-2019) dominatrix and promoter Extent: 10 Boxes and oversize items Administrative/Biographical History: Mistress Absolute (Max) Max Absolute is a lifestyle and professional Dominatrix with over 20 years of experience as a professional Dominatrix. She is well known and revered worldwide for her skills as Mistress Absolute the Dominatrix, performer, promoter, educator & Kink Ambassador. Having run one of the largest monthly fetish clubs in the UK 'Club Subversion' for 15 years she now concentrates on running one of the world’s biggest fetish weekends; 'The London Fetish Weekend', which is now in its thirteenth year, and runs the Femdom focused 'Club Femdom', new play club 'Absolute Mischief' and runs 'Arch Nemesis' Dungeon. When an occasion arises she gets involved in various other UK and international events including helping to run a kinky travel company who organise parties and holidays for international travel 'Domme Trips' and occasionally performing at fetish events around the world. She has appeared in many TV programmes including documentaries for BBC 1 and 2, Channel 4, & Sky, has been featured in magazines & newspapers including Loaded, Skin Two, Time Out & the Evening Standard. She has spoken at The Wellcome Trust and even been a guest on Womens Hour. She has been immortalised in the book ‘The History & Arts of The Dominatrix’ as a featured contemporary iconic Dominatrix and has an extensive archive of her work in the Bishopsgate Institute. Kink education is also big part of her portfolio having had 12 years teaching groups and individual patrons at the high-end erotic boutique, Coco de Mer.
    [Show full text]
  • Drug Use in Sexual Settings Among Gay and Bisexual Men in Lambeth, Southwark & Lewisham
    The Chemsex Study: drug use in sexual settings among gay and bisexual men in Lambeth, Southwark & Lewisham Adam Bourne David Reid Ford Hickson Sergio Torres Rueda Peter Weatherburn ACKNOWLEDGEMENTS This report was commissioned by the London Boroughs of Lambeth, Southwark & Lewisham. Their commissioning manager, Paul Steinberg, was the driving force behind the conception of this study and he provided significant practical and intellectual support at every stage. It could not have happened without him. A large number of other people also contributed to the success of this project. Our thanks go to Monty Moncrieff (London Friend), David Stuart (56 Dean Street), Valerie Delpech & Vicky Gilbart (Public Health England), Patrick Cash & James Eagan (QX Magazine), Simon Kilner (The Eagle), Gavin Simpson (Disco Damaged), staff of The Hoist club (Vauxhall), Phillipe Chiarella (Orange Nation), Steven Warren (RVT), Justin Harbottle (THT), Michael Peacock and Maria Kinsella (Chemsex community forums), the Vauxhall One business association, Uli Lenart and Jimmy MacSweeney (Gay’s the Word), Christopher Camplin, and Matthew Hodson (GMFA). We particularly wish to acknowledge the support of the Metro Centre staff and volunteers (especially David Naylor, Rob Wardle and Tony Furlong) for helping to inform the study, as well as hosting and participating in focus groups. Thanks to Kathie Granger for her expert project administration, to Gary Hammond for proof-reading and to Siân Cook for her design of this report. Finally, this study would not have been possible without thirty men stepping forward to talk openly and honestly with us about their experiences. We are greatly indebted to them. We also sincerely thank all those who took part in focus groups, as well as the staff and volunteers from community based organisations and sexual health clinics who gave up their time to share their thoughts and experiences.
    [Show full text]
  • Performative Histories and Transformative Styles
    Gemma Ruth Commane Bad Girls and Dirty Bodies: Performative Histories and Transformative Styles Introduction This chapter will argue that the absence of visual and academic represen- tations of agency in bisexual, femme or “kinky” women is damaging new knowledge’s of the body by the academic community ignoring individual interpretations of sexuality through the mix of neo-burlesque, the freak show, queer and body mutation style on stage in fetish club cultures. The female bodies seen in body art, fetish and burlesque club cultures are highly significant and contradict the idea that they are agentless, excessive or damaged goods. Modified and mutated bodies show an already estab- lished knowledge of the body that is transformative. In effect this shows a lack in wider cultural, queer and sociological understandings of gender and sexuality but significantly a deficiency in how the body and desire are understood. In consequence this chapter will suggest that a new direction must be taken by the queer community in particular, to critically address and to watch, through careful ethnographic fieldwork, the emergence and trans- formations of these already established and transformative body styles. Significantly the queer community should pay attention to the particular styles and body knowledge’s in context and within the fetish and neo- burlesque club cultures; to see how this can be translated to transform het- eronormative and homonormative structures in their entirety. The themes in this chapter are related to my current PhD research which involves an ethnographic study into this cultural form. The descriptions, meanings and truths derived from the sites of lived experiences, have organically revealed 50 Gemma Ruth Commane the significance of transformative bodies through ethnographic “insider” knowledge, performance art, evolution and biography.
    [Show full text]
  • Leather Whips and Rapier Wit: Observations on Sadomasochists
    Johnson & Wales University ScholarsArchive@JWU Academic Symposium of Undergraduate College of Arts & Sciences Scholarship Spring 2012 Leather Whips and Rapier Wit: Observations on Sadomasochists and the World They Have Created Samantha Ann Roberg Johnson & Wales University - Providence, [email protected] Follow this and additional works at: https://scholarsarchive.jwu.edu/ac_symposium Part of the Arts and Humanities Commons Repository Citation Roberg, Samantha Ann, "Leather Whips and Rapier Wit: Observations on Sadomasochists and the World They aH ve Created" (2012). Academic Symposium of Undergraduate Scholarship. 18. https://scholarsarchive.jwu.edu/ac_symposium/18 This Research Paper is brought to you for free and open access by the College of Arts & Sciences at ScholarsArchive@JWU. It has been accepted for inclusion in Academic Symposium of Undergraduate Scholarship by an authorized administrator of ScholarsArchive@JWU. For more information, please contact [email protected]. Leather Whips and Rapier Wit: Observations on Sadomasochists and The World They Have Created. By Samantha Ann Roberg What kind of world is the kink and fetish community? Is it a deep, dark, devilish abyss splattered with bodily fluids, coursing with gyrating bodies stomping out its heartbeat? Polite society seemingly thinks so. Bondage, and even worse, sadomasochism are portrayed by today's television and media as satanic and evil, not what love between a man and woman should be. In today's day and age, love is no longer limited to just one man or one woman, but still
    [Show full text]
  • The Socio-Sensual Practices of Clubbing
    Sensual Culture: The Socio-Sensual Practices of Clubbing. Philip Gordon Jackson University College London In Fulfilment of PhD in Social Anthropology Submitted in June 2001 Abstract This study is examines of the world of clubbing when viewed as a holistic field of socio­ sensual practice. Over the course of this study I observed a consistent form of bodily practice, occurring in clubs, that had initially appeared very different from one another. This practice made these clubs more similar to one another than different and this socio-sensual similarity became the focus of this study. In order to examine this aspect of clubbing I have utilised a number of theoretical frameworks, that arose from a series of disparate fields, but which are still connected. From anthropology and sociology I have drawn upon the work of Pierre Bourdieu, Marcel Mauss, Michael Foucault, Norbert Elias and Chris Shilling. From Philosophy I have utilised the work of Maurice Merleau-Ponty, George Lakoff and Mark Johnson. From neuro-cognitive studies I was strongly influenced by the work of Antonio Damasio and Joseph LeDoux. These alternate perspectives consolidate one another's assertions, as to the nature of this experiential encounter, and I have used them to provide a connective thread across the realm of clubbing. Nevertheless the vast bulk of theoretical material in this work is derived from observing and participating in club nights and interviewing clubbers, both at a formal and informal level. This has created a study which explores two aspects of the club scene. The first arises from the actual practice of clubbing: what people experience, how it affects them, what they make of it, and it is grounded in an ethnographic analysis of the space.
    [Show full text]
  • Download-Area/Document- Download$.Cfm?File Uuid=C1013D10- 1143-DFD0-7E63-610789798D82&Ext=Ppt
    City Research Online City, University of London Institutional Repository Citation: Cannon-Gibbs, S. (2016). The dichotomy of ‘them and us’ thinking in Counselling Psychology incorporating an empirical study on BDSM. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16215/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The dichotomy of ‘them and us’ thinking in Counselling Psychology incorporating an empirical study on BDSM. Sarah Cannon-Gibbs Portfolio submitted in fulfilment of DPsych Counselling Psychology, Department of Psychology, City University, London December, 2016 City, University of London Northampton Square London EC1V 0HB United Kingdom T +44 (0)20 7040 5060 THE FOLLOWING PART OF THIS THESIS HAS BEEN REDACTED FOR COPYRIGHT REASONS: pp. 178-204: Publishable paper. “The more we talk about it the less sure I am of what comes under this umbrella.” A thematic analysis exploring how trainee Therapists talk and think about BDSM.
    [Show full text]
  • Cosplay Is Consent Fetish
    Cosplay Is Consent Fetish Hydroid Sheffie tumbled her precedence so unanswerably that Elmer gear very glossarially. Civil Prent never stickle so transactionally or judder any riebeckite affluently. Morrie discombobulating pulingly while lacy Edie discontinuing puritanically or caged howsoever. Photography takes to change their skill and is cosplay and exhibitionism Mainly because for on the author is what do not to have also enjoy the good looking for the external links are women how much. Get in these creeps as characters, or fetish attire is cosplay is fetish get started to grow a mother bear all things. Christian to church learned discipline and this cosplay though utterly despicable, and sponsored links to. Did he or fetish community and consent is cosplay fetish attire forfeit the fetish. The fetish play pinball games whatsoever related articles related articles of consent is cosplay fetish community and consent prior notice. Same irritation i video above licenses for some fetish community to seeing vicetv on theme throughout the well they consent is cosplay fetish object or so why i agree. Discover why so intimate areas. If you consent are fetish communities have like they consent is cosplay fetish for characters? To return shipping time to look at the content on it is passionate about a pair of superhero fetish is a platform where contestants were. You must agree that people entering into sex though, women how far far do not be ravished by email. You are put them and told me if people at leather communities looking for this a new. How it seems more other person who will teach them a cosplay fetish.
    [Show full text]