DOCSLIB.ORG

Stephen H. Warner Collection Joseph R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stephen H. Warner Collection Joseph R Special Collections and College Archives Finding All Finding Aids Aids 2003 MS-044: Stephen H. Warner Collection Joseph R. Tucker Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/findingaidsall Part of the European History Commons, International and Intercultural Communication Commons, Journalism Studies Commons, Military History Commons, Public History Commons, Social History Commons, Social Influence and Political Communication Commons, and the South and Southeast Asian Languages and Societies Commons Share feedback about the accessibility of this item. Tucker, Joseph R., "MS-044: Stephen H. Warner Collection" (2003). Special Collections and College Archives Finding Aids. Special Collection and College Archives, Musselman Library, Gettysburg College. This finding aid appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/findingaidsall/43 This open access finding aid is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. MS-044: Stephen H. Warner Collection Description In addition to hundreds of photographs and negatives, the collection contains letters, manuscript notebooks and notepads, drafts of ra ticles, and copies of feature stories printed in army publications written by Warner during his time in Southeast Asia. Other supporting materials in the collection include army publications on a variety of topics, including travel guides and cultural studies. Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on our website http://www.gettysburg.edu/special_collections/collections/. Keywords Vietnam War, Southeast Asia, war correspondence, war correspondent, war time reporter Disciplines European History | History | International and Intercultural Communication | Journalism Studies | Military History | Public History | Social History | Social Influence and Political Communication | South and Southeast Asian Languages and Societies This finding aid is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/findingaidsall/43 ________________________________________________________________________ Guide to the Stephen H. Warner Collection Gettysburg College, Musselman Library Special Collections & College Archives Processed by Joseph R. Tucker MS-044. Stephen H. Warner Collection Processed by Joseph R. Tucker, '03 Scope and Content Note: In addition to hundreds of photographs and negatives, the collection contains letters, manuscript notebooks and notepads, drafts of articles, and copies of feature stories printed in army publications written by Warner during his time in Southeast Asia. Other supporting materials in the collection include army publications on a variety of topics, including travel guides and cultural studies. For more information on Stephen and a view of some of his photographs, see our online exhibit Stephen H. Warner, 1946-1971: Words and Pictures from the Vietnam War. Series I. Letters (photocopies): March 1970 - February 1971. From Steve Warner to Mr. and Mrs. Harold Warner. Location where written provided, if available. 1-1 March 24, 1970. Long Binh. 8 pp. March 27, 1970. 6 pp. April 3, 1970. 2 pp. April 6, 1970. 2 pp. April 20, 1970. 2 pp. May 6, 1970. 4 pp. May 11, 1970. 4 pp. May 28, 1970. 2 pp. June 8, 1970. 2 pp. June 15, 1970. 2 pp. June 22, 1970. Cambodia, "at the remains of FSB Neil." 6 pp. July 2, 1970. 4 pp. July 4, 1970. 5 pp. July 24, 1970. 2 pp. July 31, 1970. 2 pp. August 8, 1970. 1 p. Includes 2 USARV press releases. August 10, 1970. 1 p. September 1, 1970. 3 pp. September 8, 1970. 2 pp. September 14, 1970. 2 pp. September 15, 1970. 1 p. September 24, 1970. 1p. October 30, 1970. 3 pp. November 4, 1970. 2 pp. November 4, 1970. 1 p. November 6, 1970. 2 pp. November 6, 1970. 2 pp. November 12, 1970. 2 pp. Includes 1 USARV press release. November 18, 1970. 3 pp. November 20, 1970. 2 pp. Includes 1 USARV news report and 2 press releases. December 5, 1970. 4 pp. Includes a December 8 letter from "Jim" in Kyoto, to the Warners. December 10, 1970. 1 p. December 22, 1970. 1 p. January 3, 1971. 2 pp. February 8, 1971. 1 p. Series II. Letters (transcriptions): March 1970 - February 1971. From Steve Warner to Mr. and Mrs. Harold Warner (same as above). 1-2 March 24, 1970. Long Binh. 1 p. March 27, 1970. 1 p. April 3, 1970. 2 pp. April 6, 1970. 2 pp. April 20, 1970. 1 p. May 6, 1970. 4 pp. May 11, 1970. 3 pp. May 28, 1970. 2 pp. June 8, 1970. 2 pp. June 15, 1970. 2 pp. June 22, 1970. 1 p. July 2, 1970. 2 pp. July 4, 1970. 5 pp. July 24, 1970. 3 pp. July 31, 1970. 3 pp. August 8, 1970. 1 p. August 10, 1970. 1 p. September 1, 1970. 4 pp. September 8, 1970. 2 pp. September 14, 1970. 2 pp. September 15, 1970. 1 p. September 24, 1970. 1p. October 30, 1970. 3 pp. November 4, 1970. 2 pp. November 4, 1970. 1 p. November 6, 1970. 2 pp. November 6, 1970. 1 p. November 12, 1970. 2 pp. November 18, 1970. 3 pp. November 20, 1970. 2 pp. December 5, 1970. 4 pp. December 10, 1970. 1 p. December 22, 1970. 1 p. January 3, 1971. 2 pp. February 8, 1971. 1 p. Series III. Notebooks: January 1970 - January 1971, undated. 7" x 10" spiral bound. Warner's own number system is used (written on the cover of each book). Location where written provided, if available. Each notebook is approximately 70 pages. 1-3 1. January 1970. 2. October 1970. 3. June 1970. 4. June 1970. 1-4 5. January 1971. 6. undated. 7. April 1970. 8. May 1970. 2-1 9. October 1970. 10. August 1970. 11. November 1970. 12. undated. 2-2 13. January 1970. 14. November 1970. 15. August 1970. 16. June 1970. 2-3 17. June 1970. 18. May 1970. FSB Neil, Cambodia. 19. May 1970. FSB Neil Cambodia. 20. September 1970 3-1 21. June 1970. 22. August 1970. 23. May 1970. 24. December 1970. 3-2 25. December 1970. 26. September 1970. Japan. 27. August 1970. Kham Duc. Includes forty infantry soldier interview forms. 4 ½" x 7" spiral bound. Warner's own number system is used (written on the cover of each book). Location where written provided if available. Each notebook is approximately 40 pages. 3-3 1. undated. 2. undated. 3. undated. 4. August 1970. 5. undated. 6. undated. 7. undated. 8. undated. 9. undated, blank. 10. May 1970. 11. May 22-28, 1970. 12. May 1-7, 1970. FSB Neil, Cambodia. 4-1 13. May 16-22, 1970. 14. April 27 - May 3, 1970. Dalat. 15. April 19 - May 4, 1970. Nah Trang. Includes 3 sketches by Warner. 16. April 22 - May 8, 1970. Dalat. 17. March 1970. 18. August 1970. Kham Duc. 19. May 1970. Phuc Vin. 20. undated. 21. 1-7 May 1970. FSB Neil, Cambodia. Series IV. Notebooks (transcriptions): January 1970 - January 1971, undated. 4-2 1. January 1970. 18 pp. 2. October 1970. 8 pp. 3. June 1970. 5 pp. 5. January 1971. 8 pp. 6. undated. 2 pp. 8. May 1970. 9 pp. 9. October 1970. 24 pp. 10. August 1970. 12 pp. 11. November 1970. 11pp. 13. January 1971. 16 pp. Series V. Notes & Drafts: March 1970 - January 1971. Series includes handwritten and typed notes, some provided with subject heading (listed immediately after date). Also, early rough drafts of press releases are included with Warner's corrections and notations. Letter drafts (no originals) to Warner's commanding officers, interview notes, and rosters for various Army divisions make up the remainder of the series. 4-3 March 3, 1970. handwritten notes. 1 p. March 4, 1970. handwritten notes. 3 pp. March 5, 1970. handwritten notes. 1 p. March 9, 1970. handwritten notes. 6 pp. March 10, 1970. handwritten notes. 1 p. March 12, 1970. handwritten notes. 1 p. March 14, 1970. handwritten notes. 1 p. March 30, 1970. handwritten notes. 1 p. March 31, 1971. handwritten notes. 1 p. 4-4 April 1, 1970. handwritten notes. 1 p. April 2, 1970. handwritten notes. 2 pp. April 3, 1970. handwritten notes. 2 pp. April 5, 1970. handwritten notes. 2 pp. April 13, 1970. handwritten notes. 1 p. April 14, 1970. handwritten notes. 1 p. April 27 - May 3, 1970. "High Heels & Helicopters," 2pp. "Vietnamese agriculture in Dalat," 6 pp. April 27, 1970. Research on Dalat regional agriculture practices, 8 pp. April 23, 1970. Individual troop interviews and quotes, 2 pp. April 23, 1970. "stock car engines," "security guard", and "vegetables," 1 p. each. April 19 - May 4, 1970. "First trip to Nah Trang," 5 pp. April 25, 1970. Drafts of "The Grunts at Headquarters," news release by Warner later renamed "The Hats at Headquarters. Five different drafts, copious notations. 4-5 May 6, 1970. Letter from "IS" to unknown recipient. May 9, 1970. 1 p. May 10, 1970. 1 p. May 11, 1970. 1 p. May 14-15, 1970. Rock Island East, Song Be. 10 pp. May 15, 1970. Draft of letter from Warner to unknown Army officer requesting permission to accompany US forces into Cambodia. May 16-22, 1970. 5 pp. May 22-23, 1970. 4 pp. 4-6 June 10, 1970. Interview notes with PFC James Sgambati. 1 p. June 13, 1970. Draft of letter to Capt. Cashman (1st Air Cav.) regarding Warner's work in Cambodia.
Load more

Recommended publications
  • Guide to the Stephen H. Warner Collection
    Guide to the Stephen H. Warner Collection Gettysburg College, Musselman Library Special Collections & College Archives Processed by Joseph R. Tucker Summer 2004 MS-044. Stephen H. Warner Collection (30 boxes, 8.1 cubic feet) Inclusive Dates: 1955-1971 Bulk Dates: 1970-1971 Processed by Joseph R. Tucker, '03 Summer 2004 Biography [Taken from the Stephen Warner Online Exhibit (2004-2018) at http://www.gettysburg.edu/special_collections/exhibits/warner/intro.dot] Stephen Warner attended Gettysburg College from 1964-1968, a relatively quiet period in the college's history. According to a sampling of the Gettysburgian from the 1964-1965 academic year, the student newspaper did occasionally mention United States involvement in southeast Asia. However, there were no indications of widespread student concern about this matter at that time. As a major in History, Steve Warner came to focus his interests on civil rights and social justice. His academic advisor, Roger Stemen, emeritus professor of History, described Warner as having been "radically intellectual, a non-collegiate type interested in the arts, history, and economics." Stephen Warner was perceived by those who knew him to be open-minded and considerate of others, but intense about those social and ethical matters that concerned him most. He was on the staff of the Gettysburgian and eventually became a Feature Editor. He was instrumental in establishing new campus organizations, including a human relations forum and the Ad Hoc Committee Against the Vietnam War. During his senior year he was inducted into the Phi Beta Kappa National Honor Society. He also was accepted to the Yale University Law School.
    [Show full text]
  • FISH Newsletter February 16
    Living is Easy with Eyes Closed (Spain 2014) DIRECTOR : David Trueba RUNNING TIME : 108mins RATING : M Synopsis: Set in Franco-era Spain, a free-spirited English teacher sets out to meet his idol John Lennon, who is filming on the other side of the country. Antonio wants to understand the lyric to the newly released Norwegian Wood. Review: Philippa Hawker Spanish filmmaker David Trueba came across the subject matter for his new film quite by accident. It wasn't just the tale of John Lennon's 1966 Spanish sojourn that intrigued him. It was the account of a teacher of English with a Beatles obsession who was determined to meet Lennon and ask him about his lyrics – lyrics that he used as a teaching aid in the classroom. Trueba read about this man in 2006, when the town of Almeria was celebrating the 40th anniversary of Lennon's presence; he had come there to take an acting role in a satirical comedy with director Richard Lester called How I Won The War. The other significant element in the project was a personal one. The novelist and filmmaker is the youngest of eight brothers; at the time Lennon was in Spain, Trueba's second brother was locked in a struggle with his father about the length of his hair. "He was trying to get his hair long, because he was a crazy fan of the Beatles and the Rolling Stones. And my father was a typical Spanish father of the time of Franco, very authoritarian. So he told him to cut his hair.
    [Show full text]
  • TBS GCSE MUSIC A4 Revison.Indd
    GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.
    [Show full text]
  • H6910 HOW I WON the WAR (GREAT BRITAIN, 1967) (Other Titles: Comment, J’Ai Gagne La Guerre)
    H6910 HOW I WON THE WAR (GREAT BRITAIN, 1967) (Other titles: Comment, j’ai gagne la guerre) Credits: director, Richard Lester ; writer, Charles Wood ; novel, Patrick Ryan. Cast: Michael Crawford, John Lennon, Roy Kinnear, Lee Montague. Summary: War/comedy set in North Africa and Europe during WWII. Lt. Ernest Goodbody (Crawford), a middle-aged British veteran of WWII reminisces about his triumphs in the British Army. His warm memories, however, belie the realities of a disastrous career leading one of the worst units in the British Army. According to Michael Lanning (below), Vietnam provided the motivation for this anti-war, anti-officer, anti-military film. Vietnam is mentioned at film’s end when one soldier asks another: “There’s a new war shaping up in Vietnam; do you think you’ll be in it?” The second soldier responds “No, I don’t like the director.” Armstrong, Marion. “Savage satire” Christian century 85 (Jan 24, 1968), p. 117-18. Billington, Michael. “Film that tilts at war films” Times (London) (Oct 18, 1967), p. 8. Braucourt, Guy. “Comment, j’ai gagne la guerre (How I won the war)” Cinema 126 (May 1968), p. 103-6. Britt, Gwenneth. “How I won the war” Films in review 18 (Nov 1967), p. 579-80. C., P. “How I won the war” Helix (Seattle) 3 (Feb 14, 1968), p. 8. Ciment, Michel. “How I won the war” Positif 95 (1968) Coleman, John. [How I won the war] New statesman 74 (Oct 20, 1967), p. 517. Corliss, Richard (see under Kozloff, Max) Crowther, Bosley. “How I won the war” New York times (Nov 9, 1967), p.
    [Show full text]
  • The British War Film, 1939-1980: Culture, History, and Genre
    The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples.
    [Show full text]
  • Ahdn Presse.Pdf
    John Lennon Paul McCartney George Harrison Ringo Starr THE BEATLES in A HARD DAY‘S NIGHT Von Richard Lester UK 1964 87 Minuten Dolby Digital Kinostart: 30.01.04 Polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.: +43-1-581 39 00-20 Fax.: +43-1-581 39 00-39 [email protected] http://verleih.polyfilm.at INHALT Besetzung Stab 1964 Kurzinhalt Pressenotiz Inhalt Uber die Produktion Interview mit Richard Lester Vor der Kamera Die Beatles im Film Wilfried Brambell (Großvater) Norman Rossington (Norm) John Junkin (Shake) Victor Spinefti (Fernsehregisseur) Hinter der Kamera Richard Lester (Regie) Walter Shenson (Produktion) Ein Zeitdokument: Artikel aus Life Magazine, 1964 Zitate von damals Noch mehr Zitate von damals The Beatles Anthology Amazon.de - Beatlemania und kein Ende Die Beatles von Hunter Davies BESETZUNG John JOHN LENNON Paul PAUL McCARTNEY George GEORGE HARRISON Ringo RINGO STARR Grossvater WILFRIED BRAMBELL Norm NORMAN ROSSINGTON Shake JOHN JUNKIN Fernsehregisseur VICTOR SPINETTI MiIIie ANNA QUAYLE Polizei-Inspektor DERICK GUYLER Mann im Zug RICHARD VERNON Hotelkellner EDWARD MALIN Fernseh-Produktionsleiter ROBIN RAY Fernseh-Choreograph LIONEL BLAIR Sekretärin ALISON SEEBOHM Junge DAVID JAXON STAB Regie RICHARD LESTER Produzent WALTER SHENSON Original-Drehbuch ALUN OWEN Original-Musik JOHN LENNON GEORGE MARTIN PAUL McCARTNEY Songs JOHN LENNON PAUL McCARTNEY Kamera GIBLERT TAYLOR Kostüme JULIE HARRIS Beatles‘-GarderObe DOUGIE MILLINGS & SON Schnift JOHN JYMPSON Kamera-Operator DEREK V. BROWNE Continuity RITA DAVISON Titel-Design ROBERT FREEMAN Haar-Stylistin BETTY GLASOW Regie-Assistenz JOHN D. MERRIMAN Maske JOHN OGORMAN Art Director RAY SIMM Associate Producer DENNIS ODELL Musik-Regie GEORGE MARTIN Kamera-Operator DEREK V.BROWNE Ton GORDON DANIEL Schnitt-Assistenz PAMELA TOMLING 1964: A HARD DAY‘S NIGHT wird gedreht.
    [Show full text]
  • A Hard Day's Night a FILM by RICHARD LESTER 50TH ANNIVERSARY RELEASE
    THE BEATLES A harD Day'S NIGHT A FILM BY RICHARD LESTER 50TH ANNIVERSARY RELEASE NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE NEW 5.1 SURROUND MIX PRODUCED BY GILES MARTIN UK – 1964 • RUnning time: 87 minUtes EXHIBITOR RelatiONS: PRESS CONtact: Janus Films Ryan Werner e: [email protected] e: [email protected] p: 212-756-8456 m: 917.254.7653 SYNOPSIS Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play wily, exuberant versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time. CAST John John Lennon Paul Paul McCartney George George Harrison Ringo Ringo Starr Grandfather Wilfrid Brambell Norm Norman Rossington Shake John Junkin TV director Victor Spinetti Man on train Richard Vernon Millie Anna Quayle Secretary Alison Seebohm Simon Marshall Kenneth Haigh Adrian Julian Holloway TV floor manager Robin Ray Choreographer Lionel Blair Charley David Janson Bearded man in pub Bob Godfrey Car thief John Bluthal Hotel waiter Eddie Malin Police sergeant Deryck Guyler Club manager Michael Trubshawe Blonde schoolgirl on train Pattie Boyd Brunette schoolgirl on train Prudence Bury CREW Director Richard Lester Producer Walter Shenson Writer Alun Owen Director Of Photography Gilbert Taylor, BSC Camera Operator Derek V.
    [Show full text]
  • SYNOPSES – 6Th Latin American and Spanish Film Week at Cinecenta
    SYNOPSES – 6th Latin American and Spanish Film Week at Cinecenta Tuesday Sept. 22: Huicholes: The Last Peyote Guardians [Huicholes. Los últimos guardianes del peyote] by Hernán Vilchez (Mexico, 2014) – 125 min. Huicholes: The Last Peyote Guardians is a story about the Wixarika People, one of the last living Pre-Hispanic cultures in Latin America, and their struggle to preserve Wirikuta, their sacred territory and the land where the peyote grows, the traditional plant that keeps the knowledge of this iconic culture of Mexico alive. However, this territory is in danger. In 2010 the Mexican government granted concessions to several mining companies to explore and exploit the area, a natural reserve of 140,000 hectares of desert and hills in the Mexican state of San Luis Potosí, rich in gold, silver and other valuable minerals. This visually stunning documentary explores the struggles and hopes of the Huicholes today. Wednesday Sept. 23: Big House [Casa grande] by Fellipe Barbosa (Brazil, 2014) – 115 min. Exploring issues of class privilege among Rio de Janeiro’s decadent elite, Big House depicts a teenage boy's struggle to escape his overprotective parents as they covertly spiral into bankruptcy. Both a coming-of-age film and a social commentary on Brazil’s social inequalities and uneven development, Big House tells a human story, in realist fashion, that captures dreams and anxieties shared by millions of people in today’s globalized economy. Thursday Sept. 24: Behaviour [Conducta] by Ernesto Daranas (Cuba, 2014) - 108 min. One of the most heralded Cuban films of the last decade, Conducta provides a sensitive, unembellished look at contemporary life in Cuba.
    [Show full text]
  • Music in the British War Film, 1945–1979
    A Bridge Too Far? Music in the British War Film, 1945 ‒1979 MERVYN COOKE In his 2014 book Projecting Britain at War , Jeremy Havardi identifies four aspects of the national character which have been constantly promoted in British films concerned with the Second World War: chivalrous stoicism (the ‘stiff upper lip’), understated humour in adversity, amateurish improvisation, and pride in the indomitability of the underdog. 1 As usual in accounts of the British war movie, however, Havardi does not assess the crucial role played by film scores – which include some of the most famous in British movie history, now firmly lodged in the national consciousness – in helping to delineate these characteristics, beyond a few fleeting mentions of ‘stirring’ musical themes. This label and ‘rousing’ have always been by far the most common catch-all epithets associated with overtly patriotic film scoring, and they are also used repeatedly in the brief allusions to music in another recent survey of Second World War films.2 The present essay offers an assessment of scoring practices in a range of British war films from 1945 to the end of the 1970s, by which time the combat film in particular had grown moribund. It concentrates on the development of a distinctive martial idiom borrowed not only from the military but also from coronation music (which, somewhat ironically, is markedly Teutonic in its Meistersinger -like uplifting rhetoric and even in certain specific harmonic details), and action capers conceived in a spirit of almost comic-book schoolboy 1 Jeremy Havardi, Projecting Britain at War: The National Character in British World War II Films (Jefferson, NC: McFarland & Company, Inc., 2014), 6‒7.
    [Show full text]
  • Newbev201608 FRONT
    General Admission: $8.00 Seniors / Children: $6.00 August 2016 Kiddee Matinees: $6.00 NEW Schedule: (323) 938-4038 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! July 31 & August 1 August 2 August 3 & 4 David Lean Double Feature August 5 & 6 Richard Lester Film Festival THE THREE DON “THE DRAGON” WILSON MUSKETEERS MICKEY ROONEY OLIVER REED • RAQUEL WELCH ELIZABETH TAYLOR RICHARD CHAMBERLAIN • MICHAEL YORK DONALD CRISP • ANGELA LANSBURY FRANK FINLAY • CHRISTOPHER LEE August 7 & 8 August 9 August 10 & 11 August 12 & 13 Richard Lester Film Festival ERIC ROBERTS MICKEY ROURKE Sharon Tate Double Feature SHARON TATE IN SHARON TATE ROMAN POLANSKI’S ACADEMY AWARD NOMINEE BEST FEATURE-LENGTH DOCUMENTARY August 14 & 15 Richard Lester Film Festival August 16 August 17 & 18 August 19 & 20 MALCOLM McDOWELL Fernando Di Leo Double Feature Rare comedy gems from director Andrew L. Stone! HENRY SILVA IN THE BOSS August 21 & 22 Richard Lester Film Festival August 23 August 24 & 25 August 26 & 27 Richard Lester Film Festival SEAN CONNERY RREDUXEDUX August 28 & 29 Richard Lester Film Festival August 30 ANTONIO BANDERAS Midnight Shows TThehe NNewew BBeverlyeverly PPRESENTSRESENTS A Friday & Saturday RRICHARDICHARD LLESTERESTER Kiddee Matinees FFILMILM FFESTIVALESTIVAL Saturdays & Sundays wwithith ddouble-featuresouble-features at 2:00pm tthroughouthroughout thethe mmonthonth See reverse for details All programs presented on 35mm fi lm! (unless noted as 16mm) All paired fi lms are double features - ticket admits you to both! Schedule subject to change GeneralGeneral Admission:Admission: $8.00$8.00 SeniorsSeniors // Children:Children: $6.00$6.00 JanuaryAugust 20162015 Now Kiddeeaccepting Matinees: credit cards! $6.00 NEW Schedule: (323)(323) 938-4038938-4038 BEVERLY cinema 7165 BEVERLY BLVD.
    [Show full text]
  • Infomail Nr. 718: LENNON-Helm Im Beatles Museum
    InfoMail Nr. 718: LENNON-Helm im Beatles Museum Freitag, 16. November 2007 (Datum dieser InfoMail) Hallo M.B.M., heute informieren wir Dich ueber ein neues Ausstellungsstueck im Beatles Museum: Ein neues Highlight im Beatles Museum ist der Soldatenhelm, den JOHN LENNON getragen hat, als er in dem Film WIE ICH DEN KRIEG GEWANN mitwirkte. Der Film wurde 1966 in der Lueneburger Heide und Spanien gedreht. Foto: der Film-Stahlhelm von John Lennon. Information: JOHN LENNON ist der erste BEATLE, der ohne die anderen BEATLES in einem Kinofilm mitwirkte: Am 18. Oktober 1967 hatte die satirische Antikriegskomödie mit dem Titel HOW I WON THE WAR Weltpremiere in London. (In Deutschland hieß der Film WIE ICH DEN KRIEG GEWANN). Einer der Hauptdarsteller in dem Film von Regisseur RICHARD LESTER war JOHN LENNON als MUSKETEER GRIPWEED. Der Film wurde ab September 1966 in Deutschland und Spanien gedreht; LENNON musste dafür seine Haare bis auf einen armeekonformen Rest kürzen. LENNON identifizierte sich vollkommen mit der Aussage des Films. Für seine Rolle bekommt der stark kurzsichtige John auch seine „National Health“-Brille („Krankenkassenbrille“), die seit den Dreharbeiten zu seinem Markenzeichen wurde. RICHARD LESTER sagte zu seinem Film: „Der Film zeigt eine echte, tief empfundene Einstellung zu seiner Zeit. Er wird weiterhin Bestand haben, weil er niemanden dogmatisch bekehren und die Gesellschaft nicht verändert will. Vielmehr vermittelt der Film eine unglaublich ernst gemeinte Haltung gegenüber der Glorifizierung des Krieges von seiten des Showbusiness, die Mitte der sechziger Jahre vorherrschend war.“ Die im Jahre 1966 mit der Produktion und der Ausstattung der RICHARD LESTER-Films HOW I WON THE WAR beauftragte Londoner Firma Petersham Pictures Ltd.
    [Show full text]
  • Heritage Auctions
    Heritage Auctions For Trusts and Estates Advisors Journal SECOND ISSUE // 2016 IN THE SPIRIT OF THE IN THIS OLYMPIC GAMES ISSUE: BY MEREDITH MEUWLY, ISA CAPP It’s time to start counting down until the XXXI Summer Olympiad, which will be held in Rio de Janeiro August 5th- 1-3 21st. Are you ready? I am! In The Spirit of the Olympic Games The Olympics will always hold a special place in my heart. In 1996, I was invited to dance in the Opening Ceremonies of 4-5 the Centennial Summer Olympics held in Atlanta. Yes, I was Western Art Treasure a giant pink butterfly, and I loved every minute of performing in the “Summertime” showcase, which told the tale of Atlanta 6-7 and the Old South before and after the American Civil War. I $53+ million in Coins and Currency remember that we all cried when Muhammad Ali lit the torch, Sold in January as it was such a special moment in that stadium with 83,000 athletes, world dignitaries, and fans in attendance. The 8 identity of who would light the torch was a huge secret, and Minting Mistakes even we performers had no idea until it happened. The Olympics, both Summer and Winter 9 Games, are a time when the Ian Dorin world comes together to compete. Miracles 10 can happen! Who All About Appraisals can forget the 1980 US Men’s Hockey 11 Team beating Beatlemania in 2016 Russia 4-3 on their way to winning 12 the gold medal Luxury Real Estate over Finland? And historical moments 13 are achieved in Valuations in the Vault the blink of an eye.
    [Show full text]