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Guide to the Stephen H. Warner Collection
Guide to the Stephen H. Warner Collection Gettysburg College, Musselman Library Special Collections & College Archives Processed by Joseph R. Tucker Summer 2004 MS-044. Stephen H. Warner Collection (30 boxes, 8.1 cubic feet) Inclusive Dates: 1955-1971 Bulk Dates: 1970-1971 Processed by Joseph R. Tucker, '03 Summer 2004 Biography [Taken from the Stephen Warner Online Exhibit (2004-2018) at http://www.gettysburg.edu/special_collections/exhibits/warner/intro.dot] Stephen Warner attended Gettysburg College from 1964-1968, a relatively quiet period in the college's history. According to a sampling of the Gettysburgian from the 1964-1965 academic year, the student newspaper did occasionally mention United States involvement in southeast Asia. However, there were no indications of widespread student concern about this matter at that time. As a major in History, Steve Warner came to focus his interests on civil rights and social justice. His academic advisor, Roger Stemen, emeritus professor of History, described Warner as having been "radically intellectual, a non-collegiate type interested in the arts, history, and economics." Stephen Warner was perceived by those who knew him to be open-minded and considerate of others, but intense about those social and ethical matters that concerned him most. He was on the staff of the Gettysburgian and eventually became a Feature Editor. He was instrumental in establishing new campus organizations, including a human relations forum and the Ad Hoc Committee Against the Vietnam War. During his senior year he was inducted into the Phi Beta Kappa National Honor Society. He also was accepted to the Yale University Law School. -
FISH Newsletter February 16
Living is Easy with Eyes Closed (Spain 2014) DIRECTOR : David Trueba RUNNING TIME : 108mins RATING : M Synopsis: Set in Franco-era Spain, a free-spirited English teacher sets out to meet his idol John Lennon, who is filming on the other side of the country. Antonio wants to understand the lyric to the newly released Norwegian Wood. Review: Philippa Hawker Spanish filmmaker David Trueba came across the subject matter for his new film quite by accident. It wasn't just the tale of John Lennon's 1966 Spanish sojourn that intrigued him. It was the account of a teacher of English with a Beatles obsession who was determined to meet Lennon and ask him about his lyrics – lyrics that he used as a teaching aid in the classroom. Trueba read about this man in 2006, when the town of Almeria was celebrating the 40th anniversary of Lennon's presence; he had come there to take an acting role in a satirical comedy with director Richard Lester called How I Won The War. The other significant element in the project was a personal one. The novelist and filmmaker is the youngest of eight brothers; at the time Lennon was in Spain, Trueba's second brother was locked in a struggle with his father about the length of his hair. "He was trying to get his hair long, because he was a crazy fan of the Beatles and the Rolling Stones. And my father was a typical Spanish father of the time of Franco, very authoritarian. So he told him to cut his hair. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
TBS GCSE MUSIC A4 Revison.Indd
GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification. -
H6910 HOW I WON the WAR (GREAT BRITAIN, 1967) (Other Titles: Comment, J’Ai Gagne La Guerre)
H6910 HOW I WON THE WAR (GREAT BRITAIN, 1967) (Other titles: Comment, j’ai gagne la guerre) Credits: director, Richard Lester ; writer, Charles Wood ; novel, Patrick Ryan. Cast: Michael Crawford, John Lennon, Roy Kinnear, Lee Montague. Summary: War/comedy set in North Africa and Europe during WWII. Lt. Ernest Goodbody (Crawford), a middle-aged British veteran of WWII reminisces about his triumphs in the British Army. His warm memories, however, belie the realities of a disastrous career leading one of the worst units in the British Army. According to Michael Lanning (below), Vietnam provided the motivation for this anti-war, anti-officer, anti-military film. Vietnam is mentioned at film’s end when one soldier asks another: “There’s a new war shaping up in Vietnam; do you think you’ll be in it?” The second soldier responds “No, I don’t like the director.” Armstrong, Marion. “Savage satire” Christian century 85 (Jan 24, 1968), p. 117-18. Billington, Michael. “Film that tilts at war films” Times (London) (Oct 18, 1967), p. 8. Braucourt, Guy. “Comment, j’ai gagne la guerre (How I won the war)” Cinema 126 (May 1968), p. 103-6. Britt, Gwenneth. “How I won the war” Films in review 18 (Nov 1967), p. 579-80. C., P. “How I won the war” Helix (Seattle) 3 (Feb 14, 1968), p. 8. Ciment, Michel. “How I won the war” Positif 95 (1968) Coleman, John. [How I won the war] New statesman 74 (Oct 20, 1967), p. 517. Corliss, Richard (see under Kozloff, Max) Crowther, Bosley. “How I won the war” New York times (Nov 9, 1967), p. -
Shakespeare on Audio (CD, Vinyl & Cassette)
Shakespeare on Audio (CD, Vinyl & Cassette) Historical Recordings & Anthologies Shakespeare recordings have been in evidence from the earliest days of the wax cylinder, through the short-playing 78 rpm shellac discs of the 1930s and the long-playing 33 1/3 rpm vinyl discs (LPs) and reel-to-reel tapes of the 1950s, to the widely available audio cassettes, compact discs (CDs), videotapes, and digital recordings of the present. Before Orson Welles’s innovative Mercury Text Records series issued by Columbia Records in 1938, no one had attempted to record full-length audio versions of Shakespeare. Previously only isolated passages from the plays had been available, performed by fabled stage actors such as E.H. Sothern and Julia Marlowe, Herbert Beerbohm-Tree, Ellen Terry and a few others and recorded between 1890 and the First World War. Between the wars, Hamlet’s “O what a rogue and peasant slave…” and “How all occasions do inform…” and Macbeth’s “Is this a dagger…?” were recorded on 78s by such stars as Henry Ainley and John Barrymore, and included with other famous soliloquies and educational intent on Johnston Forbes-Robertson’s two-disc How to Speak Shakespeare (Columbia, 1928). These recordings existed almost entirely for the purpose of preserving a famous actor’s reading of a set speech. The custom of recording speeches and brief duologues by great actors, although partly a matter of technology and packaging (a speech can fill one side of a 78 rpm disk), reflects a cultural reality as well, an attitude toward Shakespeare that sees his plays as predominantly a collection of purple passages and wise saws. -
Boxoffice Barometer (March 26, 1962)
“KING OF KINGS” (70mm Super Technirama Technicolor) Jeffrey Hunter, Siobhan McKenna, Hurt Hatfield, Ron Randell, Viveca Lindfors, Rita Gam, Carmen Sevilla, Brigid Bazlen, Harry Guardino, Rip Torn, Frank Thring, Guy Rolfe, with Maurice Marsac, Gregoire Aslan and Robert Ryan as John the Baptist, with thousands of extras. Presenting an epic story of the life and times of Jesus Christ. A Samuel Bronston Production. “THE FOUR HORSEMEN OF THE APOCALYPSE” ( CinemaScope-Color) Glenn Ford, Ingrid Thulin, Charles Boyer, Lee J. Cobb, Paul Henreid, Paul Lukas, Yvette Mimieux, Karl Boehm. Film ver- sion of the famed Vicente Blasco-Ibanez novel. A Julian Blaustein Production. V f “SWEET BIRD OF YOUTH” ( CinemaScope-Metrocolor) Paul Newman, Geraldine Page, Shirley Knight, Ed Begley, Rip Torn, Mildred “THE HORIZONTAL LIEUTENANT” Dunnock, Madeleine ( CinemaScope- Metrocolor) Sherwood. Film version of Jim Hutton, Paula Prentiss, Jack Carter, Jim the Tennessee Williams Backus, Charles McGraw, Myoshi Umeki. Comedy Broadway stage success. of a U.S. military “clean up” operation on a An Avon Production. Pacific island. A Euterpe Production. ' THROUGH IN 62 ! “MUTINY ON THE BOUNTY” ( Ultra Panavision- Metrocolor) Marlon Brando, Trevor Howard, Richard Harris, Hugh Griffith, Richard Hayden and Tarita. Spectacular sea adventure drama, based on trilogy of novels by Charles Nordoff and James Norman Hall. Filmed in the South Seas and on a replica of the great three masted sailing ship, HMS Bounty. An Areola Pictures Production. “A VERY PRIVATE AFFAIR” {Color) Brigitte Bardot and Marcello Mastroianni. Story of a French girl who achieves fame as a screen star. A Progefi- Cipra Production. “ALL FALL DOWN” Lva Marie Saint, Warren Beatty, Karl dalden, Lansbury, ! Angela Brandon deWilde. -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Stephen H. Warner Collection Joseph R
Special Collections and College Archives Finding All Finding Aids Aids 2003 MS-044: Stephen H. Warner Collection Joseph R. Tucker Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/findingaidsall Part of the European History Commons, International and Intercultural Communication Commons, Journalism Studies Commons, Military History Commons, Public History Commons, Social History Commons, Social Influence and Political Communication Commons, and the South and Southeast Asian Languages and Societies Commons Share feedback about the accessibility of this item. Tucker, Joseph R., "MS-044: Stephen H. Warner Collection" (2003). Special Collections and College Archives Finding Aids. Special Collection and College Archives, Musselman Library, Gettysburg College. This finding aid appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/findingaidsall/43 This open access finding aid is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. MS-044: Stephen H. Warner Collection Description In addition to hundreds of photographs and negatives, the collection contains letters, manuscript notebooks and notepads, drafts of ra ticles, and copies of feature stories printed in army publications written by Warner during his time in Southeast Asia. Other supporting materials in the collection include army publications on a variety of topics, including travel guides and cultural studies. Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. -
Representations of Men and Masculinity May Influence How Men Behave and Feel About Themselves and How This Process Contributes to Social Change for Men
University of Huddersfield Repository King, Martin S "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles" Original Citation King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/9054/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ “RUNNING LIKE BIG DAFT GIRLS.” A MULTI-METHOD STUDY OF REPRESENTATIONS OF AND REFLECTIONS ON MEN AND MASCULINITIES THROUGH “THE BEATLES.” MARTIN KING A Thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy. -
A Hard Day's Night a FILM by RICHARD LESTER 50TH ANNIVERSARY RELEASE
THE BEATLES A harD Day'S NIGHT A FILM BY RICHARD LESTER 50TH ANNIVERSARY RELEASE NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE NEW 5.1 SURROUND MIX PRODUCED BY GILES MARTIN UK – 1964 • RUnning time: 87 minUtes EXHIBITOR RelatiONS: PRESS CONtact: Janus Films Ryan Werner e: [email protected] e: [email protected] p: 212-756-8456 m: 917.254.7653 SYNOPSIS Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play wily, exuberant versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time. CAST John John Lennon Paul Paul McCartney George George Harrison Ringo Ringo Starr Grandfather Wilfrid Brambell Norm Norman Rossington Shake John Junkin TV director Victor Spinetti Man on train Richard Vernon Millie Anna Quayle Secretary Alison Seebohm Simon Marshall Kenneth Haigh Adrian Julian Holloway TV floor manager Robin Ray Choreographer Lionel Blair Charley David Janson Bearded man in pub Bob Godfrey Car thief John Bluthal Hotel waiter Eddie Malin Police sergeant Deryck Guyler Club manager Michael Trubshawe Blonde schoolgirl on train Pattie Boyd Brunette schoolgirl on train Prudence Bury CREW Director Richard Lester Producer Walter Shenson Writer Alun Owen Director Of Photography Gilbert Taylor, BSC Camera Operator Derek V.