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Godigital & Low Fidelity Press Release
GoDigital To Release Devon Gummersall Directed Dramedy “Low Fidelity” The Film Will Launch on Digital and Cable VOD August 6th GoDigital announced today the upcoming release of LOW FIDELITY, a relatable comedic drama about a group of old high school friends that reunite over a three-day Fourth of July celebration with their significant others in tow, for better or for worse. The latest project from actor, writer and first-time director Devon Gummersall – best known for his role as Brian Krakow on the cult hit My So Called Life – the film will be available for rental and purchase on iTunes and On Demand August 6. Appropriately described as The Big Chill meets American Pie, LOW FIDELITY is a playful and surprisingly genuine examination of the intimacy, love, heartbreak and dysfunction inherent in human relationships. Adding to its allure is the film’s stunning ensemble cast of beloved television talents, including Gale Harold (Queer as Folk), Meredith Monroe (Dawson’s Creek, Criminal Minds) and Peyton List (Mad Men, 90210). “For my feature directorial debut, I wanted to mold a story that examined the challenges of monogamy with humor, emotion, and truth,” said writer and director Devon Gummersall. “The end result is a reflection of the very talented writers and directors that I have been lucky enough to learn from along the way in my career in front of the camera.” “This is a film driven by a cherished cast and audience-beloved concept,” said GoDigital’s Marketing Manager Kailey Peterson. “We’re excited to bring this to audiences that have, without a doubt, been looking forward to the next chapter of both elements.” In anticipation of its wide release, LOW FIDELITY is currently available for pre-order on iTunes: http://bit.ly/12wmnBt. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC. -
2017 Music Business Attendee List As of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017
2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7Digital Amazon (cont’d) James Priestley Rosie de la Mare VP, Business Development Sr. Content Program Mgr. Jamie Ross Dave Dederer Head of Music Partnerships Head of Programming Kristin Durie All Media Supply Sr. Label Relations Mgr. Robbie Defreitas John Farrey VP Assoc. Label Relations Mgr. Todd Oenbrink Josh Fein Sales Dir. Sr. Mgr. Marketing & Acquisition Chris Graham Alliance Entertainment Sr. Artist Relations Mgr. Marc Bartlett Sean Hallarman Sr. VP, Sales & Marketing Music Editorial Mgr. Terri Borders Alex Luke Talent Aquisition Dir., Global Content Programming Jason Bright Nicole Lund VP, Walmart Account Exec. Sr. Label Relations Mgr. Ken Glaser Dan Minamide VP, Sales Assoc. Label Relations Mgr. Thuy Ngo Rob Morse VP, Marketing DIRECT2U Operations Mgr. Bruce Ogilvie Lisa Nicholas-Ritscher Chairman Content Editor, Media & Movies Laura Provenzano Aly Proctor Sr. VP, Purchasing & Marketing Music Vendor Mgr. Jeff Walker Ryan Redington CEO Dir., US Digital Music Jeff Reguilon Amazon Mgr., Content Programming Natasha Bishop Elizabeth Reynolds Music Sales Mgr. Brand Specialist, Music Nathan Brackett Jack Rutledge Sr. Editorial Mgr. Sr. Mgr., Catalog & Selection Jill Chapman Andrew Sexton Digital Media Operations Mgr. Label Relations Mgr. Cindy Charles Adam Steiner Head of Business Development Sr. Content Producer Anthony Coorey David Stuart Partner Marketing Mgr. Assoc. Label Relations Mgr. Mary Tastet Sr. Content Program Mgr. *speaker 1 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Laura Tulli Brian Pesaturo Music Marketing Mgr. -
Overview of the Canadian Feature Film Industry: 2012-2015
STUDY PREPARED FOR TELEFILM CANADA OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 By: Monique Lafontaine, Barrister & Solicitor Communications & Entertainment Lawyer March 31, 2015 Study prepared for Telefilm Canada, March 31, 2015 OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 5 A. INTRODUCTION 6 B. NEW PLATFORMS 8 C. CANADA’S AUDIOVISUAL PRODUCTION SECTOR 10 D. CANADIAN INDEPENDENT DISTRIBUTORS 11 E. NEW AGGREGATORS 12 F. NEW BUSINESS MODELS 14 G. THEATRICAL EXHIBITION INDUSTRY 16 H. BROADCASTING 19 I. CRTC 20 J. CONCLUSION This study was commissioned by Telefilm Canada. Its objective is to provide an overview of the Canadian feature film sector, including key players (buyers, distributors, aggregators and new platforms) as well as new business models over the last three years (2012-2015). Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Telefilm Canada. Telefilm Canada is in no way bound by the recommendations contained in this document.1 1. Please see Appendix A for methodology and list of stakeholders interviewed for this study. 2 Study prepared for Telefilm Canada, March 31, 2015 OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 EXECUTIVE SUMMARY CONSUMPTION OF AUDIOVISUAL CONTENT This study provides an – Canadians watch most audiovisual content on traditional television, although there has been a proliferation overview of the Canadian of new technologies and platforms. Canadians watch most feature films in the home, and most on linear feature film industry between television. 2012 and 2015. It focuses on production, distribution, – The average weekly number of hours of television viewing has remained relatively stable over the last exhibition, broadcasting and three years with a slight drop among younger viewers. -
VOD Study English Version.Pptx
New French and European film markets Digital: a new growth driver for intra-community circulation and export? March 2015 Contents ► Introduction ► Estimate of the potential international market for French films on digital video-on- demand platforms ► Economic sales models applied by rights holders ► Recommendations ► Appendices Page 2 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for internal use, cannot be treated separately from the contextual elements on which it is based and the oral commentary which accompanies it. Objectives of the study Objectives Scope of the study ► Analysis of the user habits for VOD and SVOD UK services Germany Italy Spain ► Estimate of the size of the market attainable by Poland French-initiated films on VOD and SVOD platforms worldwide ► Overview of the sales models practiced by United States rights holders China Japan Africa ► Recommendations Brazil Selection of countries based on their importance for French film sales and the penetration of VOD/SVOD services Page 3 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for internal use, cannot be treated separately from the contextual elements on which it is based and the oral commentary which accompanies it. Definitions used Subscription video-on-demand SVOD Transactional video-on-demand TVOD VOD Electronic Sell-Through EST “Over-The-Top” Method of content distribution OTT via fixed or mobile internet (VOD or SVOD) Page 4 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for -
Cmc 2019.Pdf
CREDITS The CMC 2019 Hispanic Market Guide was produced by the Culture Marketing Council: The Voice of Hispanic Marketing. EDITORIAL Managing Editor | Horacio Gavilán Associate Editor | Fulvia Lee Special thanks to Big Voice Communications Sales by HispanicAd.com THANKS TO OUR ADVERTISERS Alma Captura Group, Inc. Casanova//McCann CCOM Group, Inc. d expósito & Partners LLC Dieste GroupM Multicultural INFUSION Lopez Negrete Communications, Inc. Orcí PM3 Richards/Lerma SBS Telemundo Univision Copyright © 2019 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means sorted in any information storage and retrieval system without prior written permission of CMC. 2 CMC 2019 HISPANIC MARKET GUIDE TABLE OF CONTENTS INTRODUCTION 4 Demographics and Media 12 ABOUT CMC 26 CMC BOARD OF DIRECTORS 26 MARKETING & COMMUNICATIONS COMPANY MEMBERS 27 Company Listing by Specialty 99 Company Listing by Sector 101 MEDIA, RESEARCH & OTHER COMPANY MEMBERS 102 Digital and Internet Companies Magazines Radio, Television & Cable Networks Research Companies Representation Firms Other CMC 2019 HISPANIC MARKET GUIDE 3 INTRODUCTION segment will be a This seismic shift is having a great effect on the nation’s cultural landscape, creating a new mainstream target, meaning all marketers must be culturally fluent. Sources: U.S. Census/Pew Research and CMC 2018 Digital Lives Study 4 CMC 2019 HISPANIC MARKET GUIDE According to Kantar, our society is shifting from what was once perceived as WASP/“mainstream” and multicultural to polycultural being the mainstream. Because younger generations are more diverse, they are driving this national trend of cultural openness, not just as a passing interest of youth, but likely also later in life, according to Kantar. -
12 FILMMAKERS and 8 PROJECTS SELECTED for the FILM INDEPENDENT 2012 PRODUCING LAB
FOR IMMEDIATE RELEASE Contact: Greg Longstreet, Film Independent Email: [email protected] Tel: 310.432.1287 12 FILMMAKERS and 8 PROJECTS SELECTED FOR THE FILM INDEPENDENT 2012 PRODUCING LAB $25,000 SLOAN PRODUCERS GRANT AWARDED TO Producer Casey Fenton with Unmanned LOS ANGELES (October 22, 2012) — Film Independent is pleased to announce the filmmakers and projects selected for its 12th annual Producing Lab. Sponsored by the Alfred P. Sloan Foundation, the intensive five-week program offers promising producers a nurturing, creative environment as well as the resources and support needed to hone their skills, allowing them to move their current projects into production. Film Independent also announces the recipient of the 6th annual Sloan Producers Grant to Casey Fenton, who is participating in the Producing Lab with his feature film project Unmanned. Fenton will receive a $25,000 development grant from the Alfred P. Sloan Foundation, which seeks to create and develop new scripts and films about science and technology, and to see them into commercial production with national and international distribution. The grant was awarded on October 21, 2012 at the Film Independent Forum, presented by Indiewire. Unmanned is the story of a young Air Force drone operator who struggles to balance the stresses of going to war for the first time with the challenges of being a good father and husband, as he commutes each day between suburban family life and the war he fights by remote control. Last yearʼs winners were Brent Hoff and Malcom Pullinger with their feature film project El Diablo Rojo. “Weʼre thrilled to continue our relationship with the Alfred P. -
Matrix 3 Columns
Case 16-11596-KG Doc 2 Filed 07/01/16 Page 1 of 293 1 WORLD SYNC INC Case 16-11596-KG10 ITEMS LESS, Doc LLC 2 Filed 07/01/16 Page10 2ITEMS, of 293 LLC DEPT 781341 ATTN: LORI MCCREARY ATTN: LORI MCCREARY P.O. BOX 78000 1221 SECOND STREET 1221 SECOND STREET DETROIT, MI 48279-1341 SANTA MONICA, CA 90401 SANTA MONICA, CA 90401 10 ITEMS, LLC 11:24 DESIGN ADVERTISING 120DB FILMS LENDING LLC STROOCK & STROOCK & LAVEN LLP 323 CULVER BLVD 75 MILL RIVER ROAD 2029 CENTURY PARK EAST, SUITE 1800 PLAYA DEL REY, CA 90293 SOUTH SALEM, NY 10590 ATTN: ERIC F. HARBERT LOS ANGELES, CA 90067 123OLAP LLC 140 WEST 57TH STREET BUILDING 148845 CANADA INC. P.O. BOX 459 C/O JEFFREY MANAGEMENT CORP 3440 COTES DE NEIGES STE. 2 PLYMOUTH, CA 95669 200 WEST 57TH STREET MONTREAL, QC H3H 1T8 CANADA NEW YORK, NY 10019 15 MINUTES 1727 HUDSON HOSPITALITY LLC 17K ASL LLC 145 WEST 28TH STREET 6541 HOLLYWOOD BLVD ATTN: BRENT BAUM 12TH FLOOR LOS ANGELES, CA 90028 7444 WOODROW WILSON DRIVE NEW YORK, NY 10001 LOS ANGELES, CA 90046 17K ASL LLC 19 PRODUCTION LIMITED ("19") 1966 TOUR HOME MOVIES HOLMES WEINBERG PC 33 RANSOMES DOCK DBA 1966 TOUR HOME MOVIES 30765 PACIFIC COAST HIGHWAY, SUITE 411 33-37 PARKGATE ROAD 365 E. AVENUE DE LOS ATTN: HILLARY BIBICOFF LONDON SW11 4NP UNITED KINGDOM THOUSAND OAKS, CA 91360 MALIBU, CA 90565 2 LIVE MUSIC 20TH CENTURY FOX (US) 20TH CENTURY FOX (US) 1286 WOOSTER AVE ADDRESS UNAVAILABLE AT TIME OF FILING ADDRESS UNAVAILABLE AT TIME OF FILING AKRON, OH 44307 21 CLUB 219 PRODUCTIONS, INC. -
The 2011 Emergent Technologies Report
The 2011 Emergent Technologies Report by Douglas Atkinson Box Office Physical Audiovisual Media Digital Delivery Ebook Netflix 3D Piracy Cloud Computing Music The 2011 CVS Midwest Tape Emergent Technologies Report TABLE OF CONTENTS Introduction 03 Box Office 04 Physical Audiovisual Media 08 Digital Delivery 22 Ebook 35 Netflix 52 3D 59 Piracy 65 Cloud Computing 68 Music 70 Glossary 77 2 The 2011 CVS Midwest Tape Emergent Technologies Report Introduction “Thanks to higher ticket prices, and loads of costlier IMAX and 3D presentations, the North American box office will pass the $10b mark in 2010.”1 Talk about “damning with faint praise”; indeed, the opening line of this article perfectly exemplifies the ever-increasing predilection of many technology writers of blogs, posts, online and print articles to spin statistics to support a point of view to which they are already predisposed. This “stealth” editorializing in the guise of objectivity can take very subtle forms, as evidenced by the above quote, which is quickly followed by the hammer: “Attendance was actually down 5.36% last year, the biggest drop-off rate since 2005. In fact, despite the rosy box-office dollar figures, 2010 will turn out to be the second-least attended year of the early 21st century.”2 And probably the most profitable. But let’s not let facts stand in the way of our agenda; rather, we’ll leave out the ones we don’t like and include the ones we like – but devoid of context just in case those particular facts don’t support our point of view; for example, the fact that a massive recession is still gripping the United States might, just might, affect consumer discretionary spending on activities such as going to the movies, as would the rise to prominence of new media engines which are challenging the traditional entertainment platforms. -
Alece Inez Oxendine [email protected] | +
alece inez oxendine [email protected] | +1.919.824.1024 | http://www.aleceoxendine.com| in/aleceoxendine education columbia university in the city of new york winston-salem state university (magna cum laude) master’s of arts (m.a.), film studies bachelor’s of arts (b.a.), english and communications skills adaptable and fast learner, highly motivated self-starter, detailed oriented, experience working in small dedicated teams and with team members from all levels, both internally and externally, developed brand strategy, business development and legal affairs, excellent communication skills built over the course of 7 years, 5 years experience in a fast-paced environment, ability to juggle multiple goals at once, deadline driven, implementing agile project management tools to solve problems of the project management department, research and develop ideas for marketing goals, innovate creative marketing strategies to achieve sales goals, developed analytical skills in testing, proven track record of leadership at each organization, in-depth industry knowledge, competitive personality, passionate about the entertainment industry, and the film industry, future studio executive, proactive working style, self-motivated, proven effective verbal communications skills, love for indie film, digital distribution expert work experience senior manager, partner development at distribber / godigital, inc. | 2016—2017 •manage strategic relationships with existing svod, tvod, cable vod, ivod, and avod partners for the self-distribution company •seek -
TRANSMEDIA PLATFORMS a Creator’S Guide to Media and Entertainment
TRANSMEDIA PLATFORMS a creator’s guide to media and entertainment anne zeiser © Illustration by Brett Ryder A companion to Transmedia Marketing: From Film and TV to Games and Digital Media Contents _______________________________ Preface to Transmedia Marketing 4 Chapter 1 – Introduction – Transmedia Platforms 7 Transmedia Platforms Today 7 Finding Your Platforms 9 Chapter 2 – Film 10 History of Film 10 Film Industry Standards 13 Film Trends 19 Chapter 3 – Broadcast –Television and Radio 21 History of Television 21 Television Industry Standards 23 Television Trends 27 History of Radio 30 Radio Industry Standards 31 Radio Trends 34 Chapter 4 – Print – Books and Publications 36 History of Books 36 Book Industry Standards 38 Book Trends 41 History of Newspapers 42 Newspaper Industry Standards 43 Newspaper Trends 45 History of Magazines 46 Magazine Industry Standards 46 Magazine Trends 48 Chapter 5 – Games 49 History of Games 49 Game Industry Standards 51 Game Trends 58 ! 2! Chapter 6 – Digital Media – Internet and Mobile 61 Digital Media Overview 61 The Internet 63 Web Sites 64 Blogs, Pods, and Vlogs 66 Social Media 68 Mobile Apps 70 Digital Marketing and Awards 71 Key Social Media Sites and Apps 76 Facebook 77 Google+ 78 Twitter 80 YouTube 82 Tumblr 83 Instagram 83 LinkedIn 84 IMDb 85 Reddit 86 Snapchat 86 Shazam 87 Skype 87 Flickr 88 Pinterest 88 MySpace 88 Vine 89 Flipboard 89 Goodreads 90 Flixter 90 Raptr 90 Viggle 91 Beamly 91 Periscope 91 Meerkat 92 Chinese Platforms 92 Chapter 7 – Experiential Media 93 Theatrical Productions 93 Concerts 97 Exhibitions and Live Installations 98 Theme Parks 99 Toys 101 Chapter 8 – Conclusion – Transmedia Platforms 103 Shaping Your Transmedia Profile 103 Embracing the Transmedia Future 105 ! 3! Preface to Transmedia Marketing: From Film and TV to Games and Digital Media _______________________________ Over the past decade, I’ve had countless queries from anxious filmmakers and media makers seeking advice about setting up a Facebook page or a Twitter account. -
July 2017 M&A and Investment Summary
July 2017 M&A and Investment Summary Table of Contents 1 Overview of Monthly M&A and Investment Activity 3 2 Monthly M&A and Investment Activity by Industry Segment 8 3 Additional Monthly M&A and Investment Activity Data 41 4 About Petsky Prunier 56 Securities offered through Petsky Prunier Securities, LLC, member of FINRA. This M&A and Investment Summary has been prepared by and is being distributed in the United States by Petsky Prunier, a broker dealer registered with the U.S. SEC and a member of FINRA. 2 | M&A and Investment Summary July 2017 M&A and Investment Summary for All Segments Transaction Distribution . A total of 519 deals were announced in July 2017, of which 298 were worth $31.7 billion in aggregate reported value . Software was the most active segment with 192 deals announced — 123 of these transactions reported $8.6 billion in value . Marketing Technology was also active with 88 transactions announced, of which 56 were worth a reported $2.0 billion in value . Strategic buyers announced 219 deals (53 reported $15.3 billion in value) . VC/Growth Capital investors announced 266 transactions (234 reported $8.6 billion in value) . Private Equity investors announced 34 deals during the month (11 reported $7.8 billion in value) July 2017 BUYER/INVESTOR BREAKDOWN Transactions Reported Value Strategic Buyout Venture/Growth Capital # % $MM % # $MM # $MM # $MM Software 192 37% $8,573.4 27% 62 $5,023.3 12 $1,390.0 118 $2,160.2 Marketing Technology 88 17% 2,007.1 6% 26 283.7 6 508.8 56 1,214.6 Digital Media/Commerce 87 17% 8,281.1