2017 Music Business Attendee List As of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017

Total Page:16

File Type:pdf, Size:1020Kb

2017 Music Business Attendee List As of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7Digital Amazon (cont’d) James Priestley Rosie de la Mare VP, Business Development Sr. Content Program Mgr. Jamie Ross Dave Dederer Head of Music Partnerships Head of Programming Kristin Durie All Media Supply Sr. Label Relations Mgr. Robbie Defreitas John Farrey VP Assoc. Label Relations Mgr. Todd Oenbrink Josh Fein Sales Dir. Sr. Mgr. Marketing & Acquisition Chris Graham Alliance Entertainment Sr. Artist Relations Mgr. Marc Bartlett Sean Hallarman Sr. VP, Sales & Marketing Music Editorial Mgr. Terri Borders Alex Luke Talent Aquisition Dir., Global Content Programming Jason Bright Nicole Lund VP, Walmart Account Exec. Sr. Label Relations Mgr. Ken Glaser Dan Minamide VP, Sales Assoc. Label Relations Mgr. Thuy Ngo Rob Morse VP, Marketing DIRECT2U Operations Mgr. Bruce Ogilvie Lisa Nicholas-Ritscher Chairman Content Editor, Media & Movies Laura Provenzano Aly Proctor Sr. VP, Purchasing & Marketing Music Vendor Mgr. Jeff Walker Ryan Redington CEO Dir., US Digital Music Jeff Reguilon Amazon Mgr., Content Programming Natasha Bishop Elizabeth Reynolds Music Sales Mgr. Brand Specialist, Music Nathan Brackett Jack Rutledge Sr. Editorial Mgr. Sr. Mgr., Catalog & Selection Jill Chapman Andrew Sexton Digital Media Operations Mgr. Label Relations Mgr. Cindy Charles Adam Steiner Head of Business Development Sr. Content Producer Anthony Coorey David Stuart Partner Marketing Mgr. Assoc. Label Relations Mgr. Mary Tastet Sr. Content Program Mgr. *speaker 1 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Laura Tulli Brian Pesaturo Music Marketing Mgr. Label Relations Elan Wang Matthew Plotnik Head of Music Vendor Management Head, Music Marketing Cody Wescott Brandon Reese Brand Specialist, Music Technical Product Mgr. Taru Reilly AMPED Sr. Mgr., Analytics Pip Smith Steve Savoca Import Sales Mgr. Label Relations Dean Tabaac Neil Schield Content Acquisition, Label & Studios Marketing Dave Schwartz Apple Music Artist & Label Relations Dave Allen Sally Seitz Artist Relations Label Relations & Music Programming Sydney Alston Robert Whitham Music Marketing, Label relations Gina Bartoli David Yeager Music Marketing Lead Business Analysis & Strategy Ryan Christo Colin Young Technical Product Mgr. Sr. Mgr. Zack Cole Label Relations Baker & Taylor Leon D'Angio Sue Bryan Data Analyst Div. Merchandising Dir. Jill Harwell Aaron Dysart Sr. Ops. Mgr., Apple Music & News Music Buyer Kelsey Inch Steve Harkins Business Strategy VP, & GM Lauren Kasper Scott Henderson Independent Label Relations Dir., Branding & Marketing Ben Lawrence Emily Marsh Mgr., Business Ops. Retail Territory Mgr. Jay Liepis Kerry McCarthy Head, US Label & Artist Relations Account Mgr., Bryce Mclaughlin Ken Norton Mgr., Partner Data & Analytics Account Mgr., Independent Sales Gregory Mead Jim Ogletree Product Marketing Music Buyer Karen Park Joh Content Marketing *speaker 2 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES CD Baby DirectTou/Alliance Ent/ AMPED Jon Bahr* Joceylnn Pryor VP, Music Publishing Dir., Marketing Phil Bauer Director of Strategic Partnerships Down In The Valley Kevin Breuner* Scott Farrell VP, Marketing GM & Buyer Tracy Maddux Steve Williams CEO Store Mgr. & Buyer Chris Robley* Editor CD Baby’s DIY Musician Blog eBay Debra Landen Coalition of Independent Music Merchant Stores Chelsea Walsh Michael Bunnell Assoc. Merchant Media Pres. Andrea Paschal Google GM Zack Hasanov Partner Technology Mgr. Criminal Records / AIMS Luann Myers Grimey's New & Preloved Music Sales Assoc. Anna Lundy* Mgr. Darkside Records Justin Johnson HDtracks Owner Lisa Marks Sr. VP & General Counsel Deezer David Atkinson Microsoft Label Relations Dir. Pedro Gutierrez Dir., Entertainment Department of Record Stores Courtney Siedentopf Carrie Colliton Sr. Entertainment Category Mgr. Co-Founder of Record Store Day Shawn Stewart Michael Kurtz Entertainment Lead Pres. Music Millennium Dimple Records Terry Currier Dilyn Radakovitz Owner Owner & Buyer Napster Brian Ringer* Exec. VP, Ops. & CTO *speaker 3 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Newbury Comics Schoolkids Records Carl Mello Stephen Judge Dir., Entertainment Product Owner Merch&ising SoundCloud Pandora Joe Bognanno Chris Becherer Dir., Royalties VP, Product Megan West* Heather Ellis Dir., Client Relations Mgr., Music Services David Hampian Spotify Sr. Mgr., Music Makers Group Scott Burn Adam Parness* Sr. Metadata Curation Mgr. Head of Publisher Licensing & Relations Troy Carter* Glenn Peoples* Global Head, Creator Services Head of Music Insights & Analytics Tracy Chan Mike Spinella Product Dir. Sr. Dir., Original Content Gary Eggleton Adam Zabarsky Sr. Economist Group Product Lead, Creator Services Marni Greenberg Head of Product & Partner PlayStation Communications Christine Liberatore Rob Harvey Marketing Global Head of Artist & Label Services Carrie Surtees Jason Herskowitz Sr. Mgr. Product Copeland Isaacson primephonic Mgr., Artist & Label Services Jonathan Bradley JJ Italiano Chief Marketing Officer US Head of Major Label Relations Jennifer Harrington Xavier Jernigan Marketing & PR Mgr. Head of North America, Shows & Editorial ProStudioMasters Thomas Karlsson Oles Protsidym Content Infringement & Curation Team CEO Lead Tiffany Kumar Record Archive, Inc. Global Head of Songwiter Relations Alayna Alderman Jen Massett VP Head of Independents, North America Dick Storms Edwin McCarron Pres. Data Curator *speaker 4 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Spotify (cont’d) Vevo (cont’d) Laura Ohls Jennifer Tressler Mgr., Artist & Label Services Sr. Mgr., Music & Talent Will Page* Dir., Economics Waterloo Records & Video Inc. Jomar Perez John Kunz Analyst Pres. Dave Rocco Global Head of Artist Marketing We Got The Beats Dom Sanya Anthony Cicalese Alex von Reyn Owner Creative Partnerships Mark Williamson YouTube Global Head of Artist & Industry T. Jay Fowler* Partnerships Dir., Product Management Brian Hennigan Ticketmaster Global Head YouTube Pop-Up Spaces Justin Atkins Lance Podell Client Relations Mgr. Dir., Global Head - YouTube Spaces Jennifer Rosen Trans World Entertainment Head of Music Publishing Partnerships Katie Cocca Jamie Sanchez Music Buyer Mgr., Music Partnerships Ish Cuebas Gwen Shen VP Merchandising - Music Music Partner Mgr. Jodie Evans Kevin Wyatt VP of Marketing and Customer Product Specialist Experience Scott Hoffman Chief Merchandising Officer Dan Murray Music Buyer Vevo Parul Chokshi* Dir., Talent & Brand Marketing Rachel McEnerney Dir., Brand Solutions Roberto Santos* Dir., Research Adam Smith* Sr. VP, Nat'l Sales *speaker 5 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 CONTENT COMPANIES 6/8 Records, LLC. Atlantic Records Sinem Varoglu Julie Greenwald* Founder Chairman & COO Camille Hackney* ABKCO Exec. VP, of Brand Partnerships & Head Sara Dempsey of Global Brand Partnerships Council Assoc. Vice Pres. of Sales/Marketing (GBPC) Chris Martignago* ADA Dir., A&R Research David Orleans Steve Robertson* Pres. Sr. VP, A&R Eliah Seton Rich Wagner Pres., ADA Global Dir., Nat'l Sales Brandon Squar VP, Label Development & Strategy ATO Records Tina Warwick Stephanie Alexa Dir., National Sales & Marketing VP, Finance & Licensing Admin. Adarga Entertainment Group Average Joe's Entertainment Henry Alonzo Andrew Davis CEO Digital Marketing Alexandria Davila Jamie Reeder COO Digital Marketing Jamie Hart Nathan Thompson Publishing Administrator Dir., Digital Marketing Adukeh Music BBR Music Group Alexandra Adukeh Shaina Botwin Singer Songwriter Digital Marketing Mgr. Lori Adukeh Marisa Coffin Mgr. Marketing Mgr. Chelsey Flick AGD Entertainment Dir., Marketing Nathan Dohse Lynette Garbonola COO & Co-Founder VP, Digital JoJamie Hahr Alpha Pup Records VP, Marketing Jake Jenkins Addie Saloman Label Management Dir., Digital Kevin Moo Pres. *speaker 6 2017 Music Business Attendee List as of May 4, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 CONTENT COMPANIES Beggars Group Bright Antenna Records Louise "Rusty" Clarke Matt Aure VP, Sales Product Mgr. Simon Wheeler Harris Pittman Dir., Digital & New Business Project Coor. Big Enterprises Brooklyn Basement Records Kerry Hansen Blair Clark Pres. CEO Jennifer Witherell VP Burnside Distribution Bill McNally BIG Label/Aaron Watson VP, & Owner Tony Morreale Head Of Promotions Capitol Records Phillip Bailey Big Loud Mountain Sr. Dir., Label Sales Seth England* Cecille Crisostomo Partner Mgr., Label Sales David Miller Big Machine Label Group VP, Label Sales Stephen Brady* Josh Remsberg Strategic Research Analyst Sr. Dir., Label Sales Jimmy Chapin* Vince Szydlowski Dir., Int'l Sr. VP, Label Sales Nicole Csabai VP Revenue & Sales Caroline Records Dave Kelly Kelie Borowy Dir., Strategies & Research Mgr., Digital Sales & Marketing Mike Rittberg Scott Brand Chief Marketing Officer Mgr., Retail Sales & Marketing Ray Kurzeka Big Spark Music Group Dir., Commercial Development Dennis Kurtz Matt Sawin VP Sr. VP, Marketing & Commercial Development BMG Kos Weaver* Centricity Music Exec. VP Taylor Dempsey Digital Marketing Mgr. John Stokes Sr. Dir., Sales & Marketing *speaker 7 2017 Music Business Attendee
Recommended publications
  • Godigital & Low Fidelity Press Release
    GoDigital To Release Devon Gummersall Directed Dramedy “Low Fidelity” The Film Will Launch on Digital and Cable VOD August 6th GoDigital announced today the upcoming release of LOW FIDELITY, a relatable comedic drama about a group of old high school friends that reunite over a three-day Fourth of July celebration with their significant others in tow, for better or for worse. The latest project from actor, writer and first-time director Devon Gummersall – best known for his role as Brian Krakow on the cult hit My So Called Life – the film will be available for rental and purchase on iTunes and On Demand August 6. Appropriately described as The Big Chill meets American Pie, LOW FIDELITY is a playful and surprisingly genuine examination of the intimacy, love, heartbreak and dysfunction inherent in human relationships. Adding to its allure is the film’s stunning ensemble cast of beloved television talents, including Gale Harold (Queer as Folk), Meredith Monroe (Dawson’s Creek, Criminal Minds) and Peyton List (Mad Men, 90210). “For my feature directorial debut, I wanted to mold a story that examined the challenges of monogamy with humor, emotion, and truth,” said writer and director Devon Gummersall. “The end result is a reflection of the very talented writers and directors that I have been lucky enough to learn from along the way in my career in front of the camera.” “This is a film driven by a cherished cast and audience-beloved concept,” said GoDigital’s Marketing Manager Kailey Peterson. “We’re excited to bring this to audiences that have, without a doubt, been looking forward to the next chapter of both elements.” In anticipation of its wide release, LOW FIDELITY is currently available for pre-order on iTunes: http://bit.ly/12wmnBt.
    [Show full text]
  • 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
    2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC.
    [Show full text]
  • Overview of the Canadian Feature Film Industry: 2012-2015
    STUDY PREPARED FOR TELEFILM CANADA OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 By: Monique Lafontaine, Barrister & Solicitor Communications & Entertainment Lawyer March 31, 2015 Study prepared for Telefilm Canada, March 31, 2015 OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 5 A. INTRODUCTION 6 B. NEW PLATFORMS 8 C. CANADA’S AUDIOVISUAL PRODUCTION SECTOR 10 D. CANADIAN INDEPENDENT DISTRIBUTORS 11 E. NEW AGGREGATORS 12 F. NEW BUSINESS MODELS 14 G. THEATRICAL EXHIBITION INDUSTRY 16 H. BROADCASTING 19 I. CRTC 20 J. CONCLUSION This study was commissioned by Telefilm Canada. Its objective is to provide an overview of the Canadian feature film sector, including key players (buyers, distributors, aggregators and new platforms) as well as new business models over the last three years (2012-2015). Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Telefilm Canada. Telefilm Canada is in no way bound by the recommendations contained in this document.1 1. Please see Appendix A for methodology and list of stakeholders interviewed for this study. 2 Study prepared for Telefilm Canada, March 31, 2015 OVERVIEW OF THE CANADIAN FEATURE FILM INDUSTRY: 2012-2015 EXECUTIVE SUMMARY CONSUMPTION OF AUDIOVISUAL CONTENT This study provides an – Canadians watch most audiovisual content on traditional television, although there has been a proliferation overview of the Canadian of new technologies and platforms. Canadians watch most feature films in the home, and most on linear feature film industry between television. 2012 and 2015. It focuses on production, distribution, – The average weekly number of hours of television viewing has remained relatively stable over the last exhibition, broadcasting and three years with a slight drop among younger viewers.
    [Show full text]
  • VOD Study English Version.Pptx
    New French and European film markets Digital: a new growth driver for intra-community circulation and export? March 2015 Contents ► Introduction ► Estimate of the potential international market for French films on digital video-on- demand platforms ► Economic sales models applied by rights holders ► Recommendations ► Appendices Page 2 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for internal use, cannot be treated separately from the contextual elements on which it is based and the oral commentary which accompanies it. Objectives of the study Objectives Scope of the study ► Analysis of the user habits for VOD and SVOD UK services Germany Italy Spain ► Estimate of the size of the market attainable by Poland French-initiated films on VOD and SVOD platforms worldwide ► Overview of the sales models practiced by United States rights holders China Japan Africa ► Recommendations Brazil Selection of countries based on their importance for French film sales and the penetration of VOD/SVOD services Page 3 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for internal use, cannot be treated separately from the contextual elements on which it is based and the oral commentary which accompanies it. Definitions used Subscription video-on-demand SVOD Transactional video-on-demand TVOD VOD Electronic Sell-Through EST “Over-The-Top” Method of content distribution OTT via fixed or mobile internet (VOD or SVOD) Page 4 © 2015 Property of Ernst & Young Advisory This presentation, solely intended for
    [Show full text]
  • 12 FILMMAKERS and 8 PROJECTS SELECTED for the FILM INDEPENDENT 2012 PRODUCING LAB
    FOR IMMEDIATE RELEASE Contact: Greg Longstreet, Film Independent Email: [email protected] Tel: 310.432.1287 12 FILMMAKERS and 8 PROJECTS SELECTED FOR THE FILM INDEPENDENT 2012 PRODUCING LAB $25,000 SLOAN PRODUCERS GRANT AWARDED TO Producer Casey Fenton with Unmanned LOS ANGELES (October 22, 2012) — Film Independent is pleased to announce the filmmakers and projects selected for its 12th annual Producing Lab. Sponsored by the Alfred P. Sloan Foundation, the intensive five-week program offers promising producers a nurturing, creative environment as well as the resources and support needed to hone their skills, allowing them to move their current projects into production. Film Independent also announces the recipient of the 6th annual Sloan Producers Grant to Casey Fenton, who is participating in the Producing Lab with his feature film project Unmanned. Fenton will receive a $25,000 development grant from the Alfred P. Sloan Foundation, which seeks to create and develop new scripts and films about science and technology, and to see them into commercial production with national and international distribution. The grant was awarded on October 21, 2012 at the Film Independent Forum, presented by Indiewire. Unmanned is the story of a young Air Force drone operator who struggles to balance the stresses of going to war for the first time with the challenges of being a good father and husband, as he commutes each day between suburban family life and the war he fights by remote control. Last yearʼs winners were Brent Hoff and Malcom Pullinger with their feature film project El Diablo Rojo. “Weʼre thrilled to continue our relationship with the Alfred P.
    [Show full text]
  • Matrix 3 Columns
    Case 16-11596-KG Doc 2 Filed 07/01/16 Page 1 of 293 1 WORLD SYNC INC Case 16-11596-KG10 ITEMS LESS, Doc LLC 2 Filed 07/01/16 Page10 2ITEMS, of 293 LLC DEPT 781341 ATTN: LORI MCCREARY ATTN: LORI MCCREARY P.O. BOX 78000 1221 SECOND STREET 1221 SECOND STREET DETROIT, MI 48279-1341 SANTA MONICA, CA 90401 SANTA MONICA, CA 90401 10 ITEMS, LLC 11:24 DESIGN ADVERTISING 120DB FILMS LENDING LLC STROOCK & STROOCK & LAVEN LLP 323 CULVER BLVD 75 MILL RIVER ROAD 2029 CENTURY PARK EAST, SUITE 1800 PLAYA DEL REY, CA 90293 SOUTH SALEM, NY 10590 ATTN: ERIC F. HARBERT LOS ANGELES, CA 90067 123OLAP LLC 140 WEST 57TH STREET BUILDING 148845 CANADA INC. P.O. BOX 459 C/O JEFFREY MANAGEMENT CORP 3440 COTES DE NEIGES STE. 2 PLYMOUTH, CA 95669 200 WEST 57TH STREET MONTREAL, QC H3H 1T8 CANADA NEW YORK, NY 10019 15 MINUTES 1727 HUDSON HOSPITALITY LLC 17K ASL LLC 145 WEST 28TH STREET 6541 HOLLYWOOD BLVD ATTN: BRENT BAUM 12TH FLOOR LOS ANGELES, CA 90028 7444 WOODROW WILSON DRIVE NEW YORK, NY 10001 LOS ANGELES, CA 90046 17K ASL LLC 19 PRODUCTION LIMITED ("19") 1966 TOUR HOME MOVIES HOLMES WEINBERG PC 33 RANSOMES DOCK DBA 1966 TOUR HOME MOVIES 30765 PACIFIC COAST HIGHWAY, SUITE 411 33-37 PARKGATE ROAD 365 E. AVENUE DE LOS ATTN: HILLARY BIBICOFF LONDON SW11 4NP UNITED KINGDOM THOUSAND OAKS, CA 91360 MALIBU, CA 90565 2 LIVE MUSIC 20TH CENTURY FOX (US) 20TH CENTURY FOX (US) 1286 WOOSTER AVE ADDRESS UNAVAILABLE AT TIME OF FILING ADDRESS UNAVAILABLE AT TIME OF FILING AKRON, OH 44307 21 CLUB 219 PRODUCTIONS, INC.
    [Show full text]
  • Speaker Information
    Built to Scale: A Masterclass in What It Takes to Win in Entrepreneurship Saturday, Feb. 8, 2020 9:30 a.m. - 1:00 p.m. LMU Playa Vista Campus 12105 W. Waterfront Drive, Suite 200 Los Angeles, CA 90094 Speaker Information Daniel Abas, LMU ’01 CEO and Founder, BOOST Inc. Daniel Abas is a four-time founder and investor. He is recognized as an innovator and entrepreneur. Boost Inc., Abas' newest stealth startup, is an invisible e-commerce solution that enables transactions to occur everywhere using #hashtags. Boost powers transactions for hundreds of cutting edge brands including FootLocker, AEG (Lakers, Clippers, Kings) and RocNation. Abas launched the digital marketing agency and first digital brokerage GHOST in 2011. In 2005, he launched Red Butler (acquired 2019), one of the first digital virtual assistant services. Red Butler's technologies have powered numerous productivity and loyalty programs across several Fortune 500 companies. Combining 15 years of experience in technology, business development, e-commerce, marketing and global brand strategy, Abas continues to originate and deliver innovative solutions to cutting edge consumer and enterprise clients. Abas is also an advisory board member for the Fred Kiesner Center for Entrepreneurship at Loyola Marymount University. Celiena Adcock Vice President of Partner Marketing, Honey | Facebook Alum Celiena Adcock is responsible for elevating Honey’s presence in the industry, strategic partnerships and GTM strategy. Prior to Honey, Celiena was Industry Manager- Head of Streaming at Facebook, managing strategic partnerships with entertainment clients such as Netflix and Hulu. Prior to Facebook, Celiena spent more than a decade in brand management, holding various marketing roles at Unilever and Coors Brewing Company (now MillerCoors).
    [Show full text]
  • Alece Inez Oxendine [email protected] | +
    alece inez oxendine [email protected] | +1.919.824.1024 | http://www.aleceoxendine.com| in/aleceoxendine education columbia university in the city of new york winston-salem state university (magna cum laude) master’s of arts (m.a.), film studies bachelor’s of arts (b.a.), english and communications skills adaptable and fast learner, highly motivated self-starter, detailed oriented, experience working in small dedicated teams and with team members from all levels, both internally and externally, developed brand strategy, business development and legal affairs, excellent communication skills built over the course of 7 years, 5 years experience in a fast-paced environment, ability to juggle multiple goals at once, deadline driven, implementing agile project management tools to solve problems of the project management department, research and develop ideas for marketing goals, innovate creative marketing strategies to achieve sales goals, developed analytical skills in testing, proven track record of leadership at each organization, in-depth industry knowledge, competitive personality, passionate about the entertainment industry, and the film industry, future studio executive, proactive working style, self-motivated, proven effective verbal communications skills, love for indie film, digital distribution expert work experience senior manager, partner development at distribber / godigital, inc. | 2016—2017 •manage strategic relationships with existing svod, tvod, cable vod, ivod, and avod partners for the self-distribution company •seek
    [Show full text]
  • Solutions for the Internet Neutrality Argument
    Jason Peterson | Chairman | GoDigital Media Group godigitalmg.com | adshare.tv | cinqmusic.com | contentbridge.tv | godigital.com 233 Wilshire Blvd. | Suite 100 | Santa Monica, CA 90401 T 424.298.2996 | C 805.570.2046 | E [email protected] Solutions for the Internet Neutrality Argument Overview Internet Neutrality is the foremost issue facing the media industries. It is also a paramount issue in the economic growth or slide of nations. With the premise of national debt being that countries will inflate the debt away with productivity growth, the right internet regulations are critical to the continued success of every sovereign. Decades ago in the United States the policy decision was made to allow private enterprise to build its public network infrastructure. This is an important threshold decision because investors are motivated by a return on their investment. This is as opposed to the government funding nationwide public network infrastructure, in which case no one would have a property right in it. However, since it has been privately financed we must weigh private property rights against free speech. Under the Obama administration former Federal Communications Commission (“FCC”) Chairman Tom Wheeler promulgated comprehensive internet neutrality regulations classifying the internet under Title II of the Federal Communications Act of 1934 which enabled the internet to be regulated as a common carrier. This basically means all network providers must peer and not have any fast or slow lanes. Now under the Trump administration new FCC Chairman Ajit Pai appears to be rolling back Tom Wheelers mandates in favor of private enterprise regulating itself with regard to internet connectivity.
    [Show full text]
  • Section I: Introduction
    SECTION I: INTRODUCTION Six years ago, when we delivered our first Market Survey to German Films, what the French call the ‘chronologie des médias’ – the licensing regulations and tacit agreements which determine the release pattern of new films in different territories – were still pretty much in place. For big movies, the Hollywood studios controlled the flow of that pattern from red-carpet premiere through to broadcasting on terrestrial TV, as though operating a spigot: gatekeepers of the movie business, they doled out their product with an eye to squeezing every last drop from a film’s value chain. For distributors of independent, arthouse and foreign-language films, the process was much the same although the emphasis was different. Whereas the studios owned world rights and conducted their international release campaigns accordingly, arthouse distributors were, in most cases, restricted to operating in one territory. Over the past half-decade all this has changed, in ways that would have seemed unimaginable 20 years ago. The studios and the independent distributors have struggled to keep control of release patterns, inventing all kinds of devices such as the Virtual Print Fee to hold back the flood. They are still just about managing to do so, as indicated by the slow but steady growth in international box office revealed in the individual reports; some countries have bad years, but the general trend is still upwards. On the home entertainment front, however, the change has been much more visible, not unlike what happened to cinema circuits in the 1960s and 1970s. Then it was single-screen cinemas that began the decade as dream palaces and ended it as bingo halls or carpet warehouses.
    [Show full text]