Digital Dividend: 600 Mhz Band and Geographic Interleaved Spectrum a Response by MG ALBA
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Ofcom Review of ITV Public Service Broadcasting Requirements by Michael Moore MP and Jeremy Purvis MSP
Ofcom review of ITV public service broadcasting requirements By Michael Moore MP and Jeremy Purvis MSP Introduction This submission to the Ofcom review of ITV public service broadcasting requirements is made by Michael Moore, Member of Parliament for Berwickshire, Roxburgh and Selkirk, and Jeremy Purvis, Member of the Scottish Parliament for Tweeddale, Ettrick and Lauderdale. As constituency parliamentarians, we represent in total a region of some 110,000 people in the south of Scotland who, in the main, receive their channel 3 programmes from ITV Border, based in Carlisle. We believe there are serious issues affecting the future of regional public service broadcasting, which have now been brought into sharp focus by ITV plc’s plans to make severe cuts to the regional news operations including those of ITV Border. We set out below our concerns and our hopes for this review. Importance of ITV Border ITV Border, and its independent predecessor, Border Television plc, have provided regional news and other programming to the north of England and the south of Scotland for decades. The particular engineering challenges of broadcasting to a vast rural area with limited population have co-existed with the unique historic, cultural and political differences defined (but also sometimes blurred) by the border between Scotland and England. ITV Border has, over the years, risen to the challenge very successfully. There have, of course, been issues that have arisen over time relating to Scottish sport and other Scottish programmes, but, by and large, ITV Border has served our region well. As technology has developed over the years, innovations have been introduced which have allowed ITV Border to be central to the news agenda in the south of Scotland. -
Review of the Film Sector in Scotland Creative Scotland
Review of the Film Sector in Scotland Creative Scotland January 2014 This report was produced by: BOP Consulting (www.bop.co.uk) in partnership with: Whetstone Group (www.whetstonegroup.org) Jonathan Olsberg (www.o-spi.com) If you would like to know more about the report, please contact the project’s director, Barbara McKissack: Email: [email protected] Tel: 0207 253 2041 i Contents 4.6 Festivals ........................................................................................... 17 1. Executive Summary ............................................... 1 4.7 Archives ........................................................................................... 18 1.1 Introduction ....................................................................................... 1 4.8 Cultural impact of film ................................................................... 18 1.2 Watching film ..................................................................................... 1 4.9 Consultants’ assessment of the issues ..................................... 19 1.3 Learning about film .......................................................................... 1 1.4 Making film ........................................................................................ 2 5. Learning about film ............................................. 21 1.5 Earning from film – supporting enterprises and 5.1 Introduction .....................................................................................21 employment ...................................................................................... -
Annex 12 Models for Nations and Regions PSB Television
Ofcom Public Service Broadcasting Review Models for Nations and Regions PSB Television: A Focus on Scotland An Overview by Oliver & Ohlbaum Associates Ltd September 2008 DISCLAIMER This report has been produced by Oliver & Ohlbaum Associates Limited (“O&O”) for Ofcom as part of the ongoing Review of Public Service Broadcasting (the “PSB Review”, ”the Project”). While the information provided herein is believed to be accurate, O&O makes no representation or warranty, express or implied, as to the accuracy or completeness of such information. The information contained herein was prepared expressly for use herein and is based on certain assumptions and information available at the time this report was prepared. There is no representation, warranty or other assurance that any of the projections or estimates will be realised, and nothing contained within this report is or should be relied upon as a promise or representation as to the future. In furnishing this report, O&O reserves the right to amend or replace the report at any time and undertakes no obligation to provide the users with access to any additional information. O&O’s principal task has been to collect, analyse and present data on the market and its prospects under a number of potential scenarios. O&O has not been asked to verify the accuracy of the information it has received from whatever source. Although O&O has been asked to express its opinion on the market and business prospects, it has never been the users’ intention that O&O should be held legally liable for its judgements in this regard. -
Broadcasting in Transition
House of Commons Culture, Media and Sport Committee Broadcasting in transition Third Report of Session 2003–04 Report, together with formal minutes, oral and written evidence Ordered by The House of Commons to be printed 24 February 2004 HC 380 [incorporating HC101-i and HC132-i] Published on 4 March 2004 by authority of the House of Commons London: The Stationery Office Limited £15.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr Gerald Kaufman MP (Labour, Manchester Gorton) (Chairman) Mr Chris Bryant MP (Labour, Rhondda) Mr Frank Doran MP (Labour, Aberdeen Central) Michael Fabricant MP (Conservative, Lichfield) Mr Adrian Flook MP (Conservative, Taunton) Mr Charles Hendry MP (Conservative, Wealden) Alan Keen MP (Labour, Feltham and Heston) Rosemary McKenna MP (Labour, Cumbernauld and Kilsyth) Ms Debra Shipley (Labour, Stourbridge) John Thurso MP (Liberal Democrat, Caithness, Sutherland and Easter Ross) Derek Wyatt MP (Labour, Sittingbourne and Sheppey) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the Internet at http://www.parliament.uk/parliamentary_committees/culture__media_and_sport. cfm Committee staff The current staff of the Committee are Fergus Reid (Clerk), Olivia Davidson (Second Clerk), Grahame Danby (Inquiry Manager), Anita Fuki (Committee Assistant) and Louise Thomas (Secretary). -
The Economic Impact of the BBC in 2008/09
The Economic Impact of the BBC: 2008/09. A Report for the BBC This report has been prepared on the basis of the limitations set out in the engagement letter dated 11th September 2009 and the matters noted in the Important Notice From Deloitte on page 1. Deloitte LLP is authorised and regulated by the Financial Services Authority. Deloitte LLP is a limited liability partnership registered in England and Wales with registered number OC303675 and its registered office at 2 New Street Square, London, EC4A 3BZ, United Kingdom. Deloitte LLP is the United Kingdom member firm of Deloitte Touche Tohmatsu ('DTT'), a Swiss Verein whose member firms are separate and independent legal entities. Neither DTT nor any of its member firms has any liability for each other's acts or omissions. Services are provided by member firms or their subsidiaries and not by DTT. © 2010 Deloitte LLP BBC FOREWORD The BBC’s prime purpose is to provide quality programmes and content to inform, educate and entertain audiences and we will never lose sight of that. But it is also important to recognise that the BBC’s activities have a significant impact on the UK economy. The privilege of licence fee funding makes the BBC a major player in the UK’s creative industries and we have a responsibility to ensure that our investment in the economy works as a force for good – supporting jobs and businesses across the UK. This comprehensive study shows that the economic benefits of the BBC stretch far and wide, delivering real value to digital and creative businesses across the UK, which in turn spill over into the wider economy. -
Proposals for the Launch of a New BBC Scotland TV Channel SUBMISSION to OFCOM
Proposals for the launch of a new BBC Scotland TV channel SUBMISSION TO OFCOM November 2017 Proposals for the launch of a new BBC Scotland TV channel 1 Foreword 1 1.1 Why the BBC is developing a new channel for Scotland .................................................................... 1 1.2 The BBC’s proposals for a new channel for Scotland .......................................................................... 2 1.3 Regulatory approval – the public interest test ....................................................................................... 3 2 Introduction 5 3 Strategic context 8 3.1 Changing audience context .......................................................................................................................... 8 3.2 Changes in the political, social and cultural context ......................................................................... 10 3.3 Growing importance of the creative industries in Scotland............................................................. 11 4 The BBC’s proposals 14 4.1 The BBC’s initial proposals ........................................................................................................................ 14 4.2 Analysis undertaken to inform further development of the channel ........................................... 15 4.3 Final proposals for the new channel....................................................................................................... 28 4.4 Proposed changes to other BBC public services ................................................................................ -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ................................................................... -
A Study of the Evolution of Make/Buy Contracting for Uk Independent Television
A STUDY OF THE EVOLUTION OF MAKE/BUY CONTRACTING FOR UK INDEPENDENT TELEVISION (ITV): 1954-2001 Lynne Nikolychuk Submitted in Fulfilment of the Requirement of The Degree of Doctor of Philosophy Interdisciplinary Institute of Management London School of Economics and Political Science August 2005 UMI Number: U214955 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U214955 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 VjS*. F 5 0 1 « 1 - U- PREFACE The establishment of UK Commercial television and the ongoing programme supply make/buy arrangements of its main terrestrial operator ITV (Independent Television) has been studied as part of a broader social and business history pertaining to the emergence and development of both commercial and public service UK television broadcasting. Briggs (1970, 1995), Briggs and Spicer (1986), Briggs and Burke (2002) provide illuminating, general accounts of how socio-political concerns have interacted with economic interests in this industry. Descriptive accounts from industry insiders (Potter 1989,1990; Sendall 1982,1983) and others (Bonner & Aston 1998) richly supplement these academic business histories. -
BBC WEEK 13, 24 - 30 March 2012 Programme Information, Television & Radio BBC Scotland Press Office Bbc.Co.Uk/Mediacentre Bbc.Co.Uk/Iplayer
BBC WEEK 13, 24 - 30 March 2012 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/mediacentre bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 13 _____________________________________________________________________________________________________ MONDAY 26 MARCH High School, Prog 3/3 LAST IN SERIES BBC One Scotland Medical Matters, Prog 4/4 LAST IN SERIES BBC Radio Scotland TUESDAY 27 MARCH My Life in Five Songs, Prog 8/8 LAST IN SERIES BBC Radio Scotland WEDNESDAY 28 MARCH Watching Ourselves – 60 Years of Television in Scotland BBC One Scotland Edinburgh Stories, Prog 1/7 NEW BBC Two Scotland Soillse – The French Spiderman NEW BBC ALBA Cheats and Champions, Prog 1/1 NEW BBC Radio Scotland THURSDAY 29 MARCH The Beechgrove Garden NEW SERIES BBC Two Scotland Tales of the Unexplained, Prog 5/5 LAST IN SERIES BBC Radio Scotland FRIDAY 30 MARCH Landward NEW SERIES BBC Two Scotland PRO 12 Live Rugby – Glasgow Warriors V Cardiff Blues NEW BBC ALBA EDITORIAL 2012 / BBC WEEK 13 _____________________________________________________________________________________________________ BBC SCOTLAND CELEBRATES 60 YEARS OF TELEVISION IN SCOTLAND Greg Hemphill presents an entertaining and colourful celebration of 60 years of Scottish television including interviews with a host of Scottish stars from Robbie Coltrane to Kirsty Wark, Elaine C Smith to Brian Cox, Muriel Gray to David Hayman and Archie McPherson to Vivien Heilbron amongst many others. This brand new seven part series, Watching Ourselves – 60 Years of Television in Scotland, features footage across drama, sport, comedy, documentaries and investigative news and will transmit from Wednesday, March 28, at 7.30 pm on BBC One Scotland. -
Business Wire Catalog
UK/Ireland Media Distribution to key consumer and general media with coverage of newspapers, television, radio, news agencies, news portals and Web sites via PA Media, the national news agency of the UK and Ireland. UK/Ireland Media Asian Leader Barrow Advertiser Black Country Bugle UK/Ireland Media Asian Voice Barry and District News Blackburn Citizen Newspapers Associated Newspapers Basildon Recorder Blackpool and Fylde Citizen A & N Media Associated Newspapers Limited Basildon Yellow Advertiser Blackpool Reporter Aberdeen Citizen Atherstone Herald Basingstoke Extra Blairgowrie Advertiser Aberdeen Evening Express Athlone Voice Basingstoke Gazette Blythe and Forsbrook Times Abergavenny Chronicle Australian Times Basingstoke Observer Bo'ness Journal Abingdon Herald Avon Advertiser - Ringwood, Bath Chronicle Bognor Regis Guardian Accrington Observer Verwood & Fordingbridge Batley & Birstall News Bognor Regis Observer Addlestone and Byfleet Review Avon Advertiser - Salisbury & Battle Observer Bolsover Advertiser Aintree & Maghull Champion Amesbury Beaconsfield Advertiser Bolton Journal Airdrie and Coatbridge Avon Advertiser - Wimborne & Bearsden, Milngavie & Glasgow Bootle Times Advertiser Ferndown West Extra Border Telegraph Alcester Chronicle Ayr Advertiser Bebington and Bromborough Bordon Herald Aldershot News & Mail Ayrshire Post News Bordon Post Alfreton Chad Bala - Y Cyfnod Beccles and Bungay Journal Borehamwood and Elstree Times Alloa and Hillfoots Advertiser Ballycastle Chronicle Bedford Times and Citizen Boston Standard Alsager -
Scottish Government Yearbook 1989 SCOTLAND's TELEVISION: HALFWAY HOME? Ian Bell the PROSPECT of 1988'S European Year of Film
Scottish Government Yearbook 1989 SCOTLAND'S TELEVISION: HALFWAY HOME? Ian Bell THE PROSPECT of 1988's European Year of Film and Television had about as much impact on Scottish Television viewers as the average public information film. The underlying assumption of the year, that indigenous broadcasting is under threat from a flood of US product, is obvious (not to say ironic) enough to leave most of us cold. In Scotland we have had little enough broadcasting of our own over the years. Traditionally Scottish Television, Grampian, BBC Scotland and Border have been the out-stations of English metropolitan producers and the country subsists on a diet of 'foreign' TV, from London or the US. People who talk about the hegemony of US television tend to forget that the power of American producers has nothing to do with the size of their industry. Conversely, while Scotland supports TV stations it is regarded as being too small to sustain a TV service. We are, both literally and figuratively, a client state. Put it this way; in the late 20th century television is perhaps the single most powerful medium for the shaping and projection of national culture and identity-ifyouare not on TV you do not exist. Yet in the year to March 1987, Scottish Television supplied (or was allowed to supply) only 2.5 percent of the 3,492 hours of networked programmes shown on lTV while Grampian supplied 0. 7 percent. The figures for the BBC are little better. Scotland, with 10 percent of the UK population, earns only a 3.2 percent 'representation' at a time when our political distinctiveness has never been more marked. -
The Comedy Unit, and a BBC Scotland Television Series, River City (BBC, 2002-Date)
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Creative Industries Policy and Practice: A Study of BBC Scotland and Scottish Screen Lynne Alison Hibberd BA (Hons), MPhil Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow Faculty of Arts and Humanities Centre for Cultural Policy Research Department of Theatre Film and Television Studies December 2008 © Lynne Alison Hibberd 2008 2 Abstract This thesis examines creative industries policy in film and television in Scotland. It explores the impact that different approaches to creative industries policy have on creative practice in two media industries, BBC Scotland and Scottish Screen, and reflects on how each of these bodies articulates its role as a „national‟ institution. BBC Scotland is the Scottish branch of the UK‟s largest public service broadcaster, while Scottish Screen exists on a far smaller scale, to serve the screen industries in Scotland. The thesis examines the role of BBC Scotland in sustaining the creative economy and contributing to the cultural life of Scotland. The study of Scottish Screen examines a key early aim of the agency, that of establishing a national film studio. The work investigates the connections between UK and Scottish levels of creative industries policy in light of the debates over the future of public service broadcasting and the Scottish Executive‟s cultural policy framework. The study outlines how ideas of cultural creativity and its economic significance have developed, charts how these ideas have affected policy debate, and explores the extent to which devolution has affected film and television policy.