The Unspeakable Victorian: Thomas Carlyle, Ideology and Adaptation
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Publishers for the People: W. § R. Chambers — the Early Years, 1832-18S0
I I 71-17,976 COONEY, Sondra Miley, 1936- PUBLISHERS FOR THE PEOPLE: W. § R. CHAMBERS — THE EARLY YEARS, 1832-18S0. The Ohio State University, Ph.D., 1970 Language and Literature, general University Microfilms, A XEROXCompany , Ann Arbor, Michigan © Copyright by Sondra Miley Cooney 1971 PUBLISHERS FOR THE PEOPLE: W. & R. CHAMBERS THE EARLY YEARS, 1832-1850 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sondra Miley Cooney, B.A., A.M. The Ohio State University 1970 Approved by Adviser Department of English ACKNOWLEDGMENTS X wish to thank first those to whom I am indebted in Scotland. Had it not been for the assistance and co-operation of Mr. Antony S. Chambers, chairman of W. & R. Chambers Ltd, this study would never have become a reality. Not only did he initially give an unknown American permission to study the firm's archives, but he has subsequently provided whatever I needed to facilitate my research. Gracious and generous, he is a worthy descendent of the first Robert Chambers. All associated with the Chambers firm— directors and warehousemen alike— played an important part in my research, from answering technical queries to helping unearth records almost forgotten. Equally helpful in their own way were the librarians of the University of Edinburgh Library and the National Library of Scotland. Finally, the people of Edinburgh made a signif icant, albeit indirect, contribution. From them I learned something of what it means to a Scot to be a Scot. In this country I owe my greatest debt to my adviser, Professor Richard D. -
Introduction
Notes Introduction 1. R. Sindall, ‘The London Garotting Panics of 1856 and 1862’, Social History, 12 (1987), 351–9 (p. 351); and Shani D’Cruze, ‘Introduction: Unguarded Passions: Violence, History and the Everyday’, in Shani D’Cruze (ed.), Everyday Violence in Britain, 1850–1950, Gender and Class (Harlow: Longman/ Pearson, 2000), pp. 1–19 (p. 1). 2. Clive Emsley, Crime and Society in England, 1750–1900, rev. edn (London: Longman/Pearson, 2005), p. 42. 3. See Jan Bondeson, The London Monster: A Sanguinary Tale (Cambridge: University of Pennsylvania Press/Da Capo Press, 2002), p. 44 and Jennifer Westwood, The Lore of the Land: A Guide to England’s Legends from Spring- Heeled Jack to the Witches of Warboys (London: Penguin, 2005), p. 343. 4. Emsley, Crime and Society, p. 300. 5. Rob Sindall, Street Violence in the Nineteenth-Century: Media Panic or Real Danger? (Leicester University Press, 1990), p. 30. 6. Lynda Nead, Victorian Babylon: People, Streets and Images in Nineteenth-Century London (London: Yale University Press, 2000), p. 10. 7. Sindall, Street Violence, p. 7. By the ‘central class’, Sindall is referring to the middle classes. 8. Richard Sennett, The Conscience of the Eye: The Design and Social Life of Cities (London: Faber & Faber, 1991), p. xii. 9. Jerry White, London in the Twentieth Century: A City and its People (London: Vintage, 2008), p. 16. 10. William S. Gilbert, London Characters and the Humorous Side of London Life (c. 1871), http://www.victorianweb.org/books/mcdonnell/streets1.html, accessed 8 May 2010. 11. Sennett, Conscience of the Eye, p. -
Virginia Woolf's Carlylean Pilgrimages
Revisiting a Great Man’s House: Virginia Woolf’s Carlylean Pilgrimages MARIE LANIEL LTHOU G H MANY EARLY TWENTIETH -CENTURY WRITERS TEND TO disparage Thomas Carlyle’s moral earnestness, emphatic A hero-worship, and stern authoritarianism, most of them also feel strangely compelled to express ambivalent feelings of involuntary allegiance towards the Victorian sage. Enveloped in spiritual turmoil, Bertrand Russell found comfort by reading Carlyle’s account of his own religious crisis in Sartor Resartus (1833– 34) and felt obliged to acknowledge that he was oddly “moved by rhetoric which [he] could not accept. Carlyle’s ‘Everlasting No’ and ‘Everlasting Yea’ seemed to me very splendid, in spite of my thinking that at bottom they were nonsense” (27). Such remarks help to explain Carlyle’s curiously cloaked influence in the novels of the period, ranging from E. M. Forster’s A Room with a View (1908) to D. H. Lawrence’s Women in Love (1920). In these circumstances, it was perhaps inevitable that James Joyce should recognize the advent of Carlylean rhetoric as a momentous stage in the development of English prose writing by including a true-to-life, if slightly irreverent, impersonation of the Victorian prophet in the “Oxen of the Sun” chapter in Ulysses (1922). Of all modernist writers, Virginia Woolf (1882–1941) was perhaps the most reluctant to acknowledge any debt towards Carlyle. Throughout her life she was impervious to his egotistical rhetoric and critical of his authoritarian streak. In a letter to Margaret Llewelyn-Davies (23 January 1916), Woolf derides his oracular tone and dismisses his gloomy insights as the ravings of a misguided prophet: “I’ve been reading Carlyle’s Past and Present, and wondering whether all his rant has made a scrap CSA 24 2008 118 CARLYLE STUDIE S ANNUAL of difference practically” (Letters 2: 76). -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
The Carlyle Society
THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form. -
Ralph Waldo Emerson and Thomas Carlyle on Slavery
B093509 1 Examination Number: B093509 Title of work: Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Programme Name: MSc United States Literature Graduate School of Literatures, Languages & Cultures University of Edinburgh Word count: 15 000 Thomas Carlyle (1854) Ralph Waldo Emerson (1857) Source: archive.org/stream/pastandpresent06carlgoog#page/n10/mode/2up Source: ebooks.adelaide.edu.au/e/emerson/ralph_waldo/portrait.jpg B093509 2 Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Table of Contents Introduction 3 Chapter One: On Slavery and Labor: Racist Characterizations and 7 Economic Justifications Chapter Two On Democracy and Government: Ruling Elites and 21 Moral Diptychs Chapter Three On War and Abolition: Transoceanic Tensions and 35 Amicable Resolutions Conclusion 49 Bibliography 51 B093509 3 Introduction In his 1841 essay on “Friendship”, Ralph Waldo Emerson defined a “friend” as “a sort of paradox in nature” (348). Perhaps emulating that paradoxical essence, Emerson’s essay was pervaded with constant contradictions: while reiterating his belief in the “absolute insulation of man” (353), Emerson simultaneously depicted “friends” as those who “recognize the deep identity which beneath these disparities unites them” (“Friendship” 350). Relating back to the Platonic myth of recognition, by which one’s soul recognizes what it had previously seen and forgotten, Emerson defined a friend as that “Other” in which one is able to perceive oneself. As Johannes Voelz argued in Transcendental Resistance, “for Emerson, friendship … is a relationship from which we want to extract identity. Friendship is a relationship from which we seek recognition” (137). Indeed, Emerson was mostly concerned with what he called “high friendship” (“Friendship” 350) - an abstract ideality, which inevitably creates “a tension between potentiality and actuality” (Voelz 136). -
On the Rise and Progress of Popular Disaffection,” in Es- Says, Moral and Political, 2 Vols
Notes Introduction 1. Robert Southey, “On the Rise and Progress of Popular Disaffection,” in Es- says, Moral and Political, 2 vols. (1817; London: John Murray, 1832), II, 82. The identity of Junius remained a mystery, and even Edmund Burke was suspected. For an argument that he was Sir Philip Francis, see Alvar Ellegård, Who Was Junius? (The Hague, 1962). 2. Byron, “The Vision of Judgment” in Lord Byron: The Complete Poetical Works, ed. Jerome J. McGann and Barry Weller, 7 vols. (Oxford: Clarendon Press, 1980–92), VI, 309–45. 3. M. H. Abrams, Natural Supernaturalism: Tradition and Revolution in Ro- mantic Literature (New York: W. W. Norton, 1971), p. 13. 4. See Anne K. Mellor, English Romantic Irony (Cambridge: Harvard Univer- sity Press, 1980). 5. Jerome J. McGann, The Romantic Ideology: A Critical Investigation (Chicago and London: University of Chicago Press, 1983), pp. 23–24. 6. Jerome J. McGann, Towards a Literature of Knowledge (Oxford: Clarendon Press, 1989), p. 39. 7. McGann, Towards a Literature of Knowledge, p. 39. 8. McGann, “Literary Pragmatics and the Editorial Horizon,” in Devils and Angels: Textual Editing and Literary Theory, ed. Philip Cohen (Charlottesville and London: University Press of Virginia, 1991), pp. 1–21 (13). 9. Marilyn Butler, “Satire and the Images of Self in the Romantic Period: The Long Tradition of Hazlitt’s Liber Amoris,” in English Satire and the Satiric Tradition, ed. Claude Rawson (Oxford: Basil Blackwell, 1984), 209–25 (209). 10. Stuart Curran, Poetic Form and British Romanticism (New York and Oxford: Oxford University Press, 1986), pp. 12–13. 11. Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997). -
LM Findlay in the French Revolution: a History
L. M. Findlay "Maternity must forth": The Poetics and Politics of Gender in Carlyle's French Revolution In The French Revolution: A History ( 1837), Thomas Carlyle made a remarkable contribution to the history of discourse and to the legiti mation and dissemination of the idea of history qua discourse.' This work, born from the ashes of his own earlier manuscript, an irrecover able Ur-text leading us back to its equally irrecoverable 'origins' in French society at the end of the eighteenth century, represents a radical departure from the traditions of historical narrative.2 The enigmas of continuity I discontinuity conveyed so powerfully by the events of the Revolution and its aftermath are explored by Carlyle in ways that re-constitute political convulsion as the rending and repair of language as cultural fabric, or. to use terms more post-structuralist than Carlyl ean, as the process of rupture/suture in the rhetoric of temporality.3 The French Revolution, at once parodic and poetic, provisional and peremptory, announces itself as intertextual, epigraphic play, before paying tribute to the dialogic imagination in a series of dramatic and reflective periods which resonate throughout the poetry and prose of the Victorian period. In writing what Francis Jeffrey considered "undoubtedly the most poetical history the world has ever seen- and the most moral also,"4 Carlyle created an incurably reflexive idiom of astonishing modernity. And an important feature of this modernity indeed, a feature that provides a salutary reminder of the inevitably relative, historically mediated modernity of the discourse of periods earlier than our own - is the employment of countless versions of human gender to characterize and to contain the phenomenon of revolution. -
The Love Letters of Thomas Carlyle and Jane Welsh; Edited by Alexander
JANK WELSH AS A GIRL THE LOVE LETTERS OF THOMAS CARLYLE AND JANE WELSH EDITED BY ALEXANDER CARLYLE, M.A. WITH NUMEROUS ILLUSTRATIONS TWO IN COLOUR. TWO VOLUMES. VOL. I LONDON : JOHN LANE, THE BODLEY HEAD NEW YORK : JOHN LANE COMPANY. MCMIX Copyright in U.S.A., 1908 By JOHN LANE COMPANY . SECOND EDITION 4-4*3 V-l Set up and Electrotyped by . THE CAMBRIDGE UNIVERSITY PRESS, Mass., U.S.A. Printed by THE BALLANTYNE PRESS, Edinburgh PREFACE CARLYLE'S injunction against the publication of the Letters which passed between himself and Miss Welsh before their marriage having been already violated, it has seemed to me to be no longer prohibitive : the holy of holies having been sacrilegiously forced, dese- crated, and polluted, and its sacred relics defaced, besmirched, and held up to ridicule, any further intrusion therein for the purpose of cleansing and admitting the purifying air and light of heaven can now be attended, in the long run, by nothing but good results. If entrance into the sacred pre- cincts, with this object, be an act of sacrilege, it is at worst a very venial one ! Had there been no previous intrusion no infraction of Carlyle's inter- dict I need hardly say that nothing in the world or beneath it would have induced me to intrude therein. But what would have been rank sacri- lege at one time has now, in the altered circum- stances, become a pious duty. I offer no apology, therefore, for publishing these Letters, for in my judgment none is needed. I should rather be in- clined to apologise for not having performed so obvious a duty long ere now. -
08 North Italy 1816
1 BYRON’S CORRESPONDENCE AND JOURNALS 08: FROM NORTH ITALY, NOVEMBER 1816 Edited by Peter Cochran Work in progress, with frequent updates [indicated]. Letters not in the seventeen main files may be found in those containing the correspondences Byron / Annbella, Byron / Murray, Byron / Hobhouse, Byron / Moore, Byron / Scott, Byron / Kinnaird, Byron / The Shelleys , or Byron / Hoppner . UPDATED November 2010. Abbreviations B.: Byron; Mo: Moore; H.: Hobhouse; K.: Kinnaird; Mu.: Murray; Sh.: Shelley 1922: Lord Byron’s Correspondence Chiefly with Lady Melbourne, Mr Hobhouse, The Hon. Douglas Kinnaird, and P.B.Shelley (2 vols., John Murray 1922). BB: Byron’s Bulldog: The Letters of John Cam Hobhouse to Lord Byron, ed. Peter W.Graham (Columbus Ohio 1984) BLJ: Byron, George Gordon, Lord. Byron’s Letters and Journals . Ed. Leslie A. Marchand, 13 vols. London: John Murray 1973–94. Burnett: T.A.J. Burnett, The Rise and Fall of a Regency Dandy , John Murray, 1981. CSS: The Life and Correspondence of the Late Robert Southey , ed. C.C.Southey, Longman, Brown, Green and Longmans, 6 vols 1849-1850. J.W.W.: Selections from the letters of Robert Southey , Ed. John Wood Warter, 4 vols, Longman, Brown, Green, and Longmans, 1856. LJ: The Works of Lord Byron, Letters and Journals . Ed. R. E. Prothero, 6 vols. London: John Murray, 1899-1904. LJM: The Letters of John Murray to Lord Byron . Ed. Andrew Nicholson, Liverpool University Press, 2007. NLS: National Library of Scotland. Q: Byron: A Self-Portrait; Letters and Diaries 1798 to 1824 . Ed. Peter Quennell, 2 vols, John Murray, 1950. Ramos: The letters of Robert Southey to John May, 1797 to 1838. -
Family Experiments Middle-Class, Professional Families in Australia and New Zealand C
Family Experiments Middle-class, professional families in Australia and New Zealand c. 1880–1920 Family Experiments Middle-class, professional families in Australia and New Zealand c. 1880–1920 SHELLEY RICHARDSON Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Richardson, Shelley, author. Title: Family experiments : middle-class, professional families in Australia and New Zealand c 1880–1920 / Shelley Richardson. ISBN: 9781760460587 (paperback) 9781760460594 (ebook) Series: ANU lives series in biography. Subjects: Middle class families--Australia--Biography. Middle class families--New Zealand--Biography. Immigrant families--Australia--Biography. Immigrant families--New Zealand--Biography. Dewey Number: 306.85092 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. The ANU.Lives Series in Biography is an initiative of the National Centre of Biography at The Australian National University, ncb.anu.edu.au. Cover design and layout by ANU Press. Photograph adapted from: flic.kr/p/fkMKbm by Blue Mountains Local Studies. This edition © 2016 ANU Press Contents List of Illustrations . vii List of Abbreviations . ix Acknowledgements . xi Introduction . 1 Section One: Departures 1 . The Family and Mid-Victorian Idealism . 39 2 . The Family and Mid-Victorian Realities . 67 Section Two: Arrival and Establishment 3 . The Academic Evangelists . 93 4 . The Lawyers . 143 Section Three: Marriage and Aspirations: Colonial Families 5 . -
Robert Southey Poems Pdf
Robert southey poems pdf Continue For the chairman of the Australian Ballet, see Robert Southee (businessman). This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Robert Southee - news newspaper book scientist JSTOR (August 2018) (Learn, how and when to remove this template message) Robert SoutheyPortrait, c. 1795Born (1774-08-12)12 August 1774Bristole, EnglandDied21 March 1843 (1843-03-21) (age 68)London, EnglandOccupationPoet, historian, historian, historian, historian, historian, historian, historian, biographer, essayistLiter movementRoantisisspehit Fricker (1795-1838; her death)Carolina Ann Bowles (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (183 /ˈsaʊði/ or /ˈsʌði/; August 12, 1774 -March 21, 1843) was an English romantic poet and poet laureate from 1813 until his death. Like other lake poets, William Wordsworth and Samuel Taylor Coleridge, Southee began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics, notably Byron, accused him of siding with the institution for money and status. He is remembered as the author of the poem After Blenheim and the original version of Goldilocks and the Three Bears. Life Robert Southey, Sir Francis Chantrey, 1832, National Portrait Gallery, London Robert Southee was born in Wine Street, Bristol, Robert Southey and Margaret Hill. He was educated at Westminster School in London (where he was expelled for writing an article in The Flagellant, attributing the invention to the devil), and at Balliol College, Oxford.