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Paul Mccartney's
THE ULTIMATE HYBRID DRUMKIT FROM $ WIN YAMAHA VALUED OVER 5,700 • IMAGINE DRAGONS • JOEY JORDISON MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERJANUARY 2014 AFROBEAT 20DOUBLE BASS SECRETS PARADIDDLE PATTERNS MILES ARNTZEN ON TONY ALLEN CUSTOMIZE YOUR KIT WITH FOUND METAL ED SHAUGHNESSY 1929–2013 Paul McCartney’s Abe Laboriel Jr. BOOMY-LICIOUS MODERNDRUMMER.com + BENNY GREB ON DISCIPLINE + SETH RAUSCH OF LITTLE BIG TOWN + PEDRITO MARTINEZ PERCUSSION SENSATION + SIMMONS SD1000 E-KIT AND CRUSH ACRYLIC DRUMSET ON REVIEW paiste.com LEGENDARY SOUND FOR ROCK & BEYOND PAUL McCARTNEY PAUL ABE LABORIEL JR. ABE LABORIEL JR. «2002 cymbals are pure Rock n' Roll! They are punchy and shimmer like no other cymbals. The versatility is unmatched. Whether I'm recording or reaching the back of a stadium the sound is brilliant perfection! Long live 2002's!» 2002 SERIES The legendary cymbals that defined the sound of generations of drummers since the early days of Rock. The present 2002 is built on the foundation of the original classic cymbals and is expanded by modern sounds for today‘s popular music. 2002 cymbals are handcrafted from start to finish by highly skilled Swiss craftsmen. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND Member of the Pearl Export Owners Group Since 1982 Ray Luzier was nine when he first told his friends he owned Pearl Export, and he hasn’t slowed down since. Now the series that kick-started a thousand careers and revolutionized drums is back and ready to do it again. Pearl Export Series brings true high-end performance to the masses. Join the Pearl Export Owners Group. -
Hitchiker's Guide to the Galaxy
MUSIC: Cultural music Full makes its way to L.A. MOVIE: Ice Cube displays his multi talent in ‘XXX’ FASHION: Broke students EFFECTTitan Entertainment Guide can bargin shop in style Coachella 2005 Page 3 Hitchiker’s Guide to the Galaxy A zany trip to outer space Page 4 M a y 0 5, 2 0 0 5What’S Inside CONTENTS 02 News Briefs—The Buzz 03 Music—Coachella brings best of indie to festival Sex—Liven your relationship by doing it BY NIYAZ PIRANI outdoors Daily Titan Assistant News Editor 04 Movie—Adaption takes viewers to another galaxy The boys of Yellowcard have been hard at work on the follow-up ‘Interpreter’ translates into suspensful thriller to their debut record Ocean Avenue. Tanner clan kept us laughing Since January, singer Ryan Key 05 Movie—Sequel follows same action flick and bassist Pete Mosely have been formula in New York penning new songs YellowCard Music—Zion improves musical vision for the disc. The band will reunite in Orlando later this month to start 06 Run Run Run could do better the recording process … Legend- Hanks will become the band’s gui- bum, TheFutureEmbrace, on June Band not too shy about rocking ary UK band Gang of Four has a tarist and they will search for a 21. Among collaborations with Raggeton impacts L.A. music scene remix record in the works. Guests new bassist … Staind have set an former Pumpkins drummer Jimmy 07 Style Scout—Those on a budget can who will appear on the record in- Aug. 9 release date for their next Chamberlain, the disc will feature remain in style clude Futureheads, the Dandy War- album, Chapter V. -
Punk, Love and Marxism
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-11-2016 12:00 AM Bodies: Punk, Love and Marxism Kathryn Grant The University of Western Ontario Supervisor Dr. Christopher Keep The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kathryn Grant 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons, Other Music Commons, and the Theory and Criticism Commons Recommended Citation Grant, Kathryn, "Bodies: Punk, Love and Marxism" (2016). Electronic Thesis and Dissertation Repository. 3935. https://ir.lib.uwo.ca/etd/3935 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract: This thesis returns love to the purview of Marxism and punk, which had attempted to ban the interpersonal in respective critiques of abstractions. Love-as-sense—as it is figured by Marx— will be distinguished from the love-of-love-songs, and from commodity fetishism and alienation, which relate to this recuperated love qua perception or experience. As its musical output exhibited residue of free love’s failure, and cited sixties pop which characterized love as mutual ownership, American and British punk from 1976-80 will be analyzed for its interrogation of commodified love. An introductory chapter will define love as an aesthetic activity and organize theoretical and musical sources according to the prominence of the body. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
Rmc International Meetings.Pdf
1 International Meetings page 03 Global encounters page 04 Michael Beinhorn page 06 Patrick Wikstrøm page 10 Keith Harris page 13 Artist Talks and Masterclass at RMC page 18 Johan Haarberg page 20 Scott Cohen page 24 John Parish page 28 Dominic Murcott page 32 About RMC page 34 Editor: Thomas Borre Text contributions by: Henrik Sveidahl, Rasmus Rex, Jesper Bay, Morten Büchert, Jacob Anderskov, Henrik Marstal, Thomas Borre and Dominic Murcott Layout: Siegel Design Translation: Scandinavian Text Service Photo: Bjørn Bertheussen Print: NofoPrint A/S First edition: September 2015 Copies: 300 Copyright © 2015. All rights reserved. Text and photography contained herein may not be used or reproduced without the express written permission of RMC. The views and opinions expressed in the articles are those of the authors and do not necessarily reflect the official policy or position of RMC. 2 International Meetings Music is a global, artistic form of expression unfolding in all societies at all times. At The Rhythmic Music Conservatory (RMC) we feel it is important that our activities make an impression on the world. The Conservatory has a vision: we want to be among the leading educational institutions in the field of contemporary rhythmic music. The students receiving an education at the Conservatory and the knowledge being acquired through research and development must contribute to the field on an international level. This is a very ambitious goal for a relatively small, arts educational institution up here in the frozen North. However, it is one that we feel is realistic and in recent years we have been working towards that goal. -
Koncerterrytmisk Musikrock
musik musik rock koncerter rytmisk nu 4 2011 torsdag 8. december Fyens Stiftstidende Fyens Stiftstidende torsdag 8. december 2011 5 nu torsdag gade 5-7, Odense. ■ Hess is More: 21: Uteater, Jernbane- ■Sharin■Foo,■den■ Musikalsk Cafe: 16.15: Bolbro gade 21, Odense. kvindelige■halvdel■ Brugerhus, Stadionvej 50, Bolbro, Odense. Flash Back: 22: Arne B., Vestergade 10 A, Svendborg. Spiller også fredag Lucy Love: 20: Posten, Østre Stati- af■The■Raveonet- samme sted. onsvej 35, Odense. Thomas: 22: Air Pub, Kongensgade tes,■er■ofte■røget■i■ EstherOrkester: 20: Dexter, Vinde- 41, Odense. gade 65, Odense. damebladene,■mens■ Mad Dog Baba & The Tonebones: Stefan Pasborg Firebirds & Other Blues-Rock-kvintet. 22.30: Strand- Species: 20: Arne B., Vestergade 10 kollegaen■Sune■Rose■ lyst, Brogade 5, Svendborg. A, Svendborg. Wagner■har■stået■for■ Monrad og Rislund 2011 - Senilde- mente sjuskemikler: 20: Tobaksgaar- søndag de■seriøse■interviews den, Tobaksgaarden 7-11, Assens. Stig Rossen m. gæstestjerner: 16: Svendborg Idrætscenter, Ryttervej Symfoniorkestret er i julehumør. Robert: 21: Slotskroen, Nørregade 70, Svendborg. 54, Odense. ■■Det■ændres■nu,■ Basix julekoncert: 16: Magasinet, Julesang hvor■den■38-årige■ fredag Farvergården 19, Odense. Barney: 20: Air Pub, Kongensgade kvinde■som■coach■i■ 41, Odense. mandag med symfoniklang Able Gospel Choir: Julekoncert. 19: The Raveonettes& support: 21: Po- Odense Domkirke (Skt. Knuds Kirke), TV2-programmet■ sten, Østre Stationsvej 35, Odense. Odense: Julen skal hilses velkommen Klosterbakken 2, Odense. Souvenirs: Julekoncert. 21: To- med manér, og den spilles ind med en ”Voice”■får■spotlight■i■ Julekoncert. 19: baksgaarden, Tobaksgaarden 7-11, Simple Singers: Stige Kirke, Skippervej 11 A, Stige, koncert af Odense Symfoniorkester Assens. -
Master Thesis with Concentration I N Film and Audiovisu Al Aesthetics
UNIVERSITY OF COPENH AGEN FACULTY OF HUMANITIE S FILM AND MEDIA STUDI ES, 2013 CURRICULUM MASTER THESIS WITH CONCENTRATION I N FILM AND AUDIOVISU AL AESTHETICS ANALOG AND RETRO AESTHETICS IN THE DIGITAL ERA OF MUSIC VIDEOS AND THE ROLE OF NOSTALGIA Author: Irene Martinez Luna KU ID: ngs735 Supervisor: Lennard Højbjerg Name of department: Department of Media, Cognition and Communication Submitted on: September 2017 Number of characters: 130.679 Standard pages: 54,5 Audiovisual product link: https://vimeo.com/232330410 Password: masterthesis Download: https://www.dropbox.com/s/g7rwp4v8gtngobr/Collider%20_%20Just%20Started.mp4?dl=0 ABSTRACT This thesis investigates the recent trend of using analog and retro aesthetics in music videos in a context where the high definition digital aesthetic is the norm. The viewer experience of the feeling of nostalgia often associated with the analog and retro aesthetics is examined in depth. Finally, the thesis argues that use of analog and retro aesthetics and the associated nostalgia this evokes in the spectator can position and distinguish a music video in the market towards potential audiences. By using a theoretical analytical approach, the research proposes answers to the primary research question: What are the meanings and purposes of using analog and retro aesthetics in contemporary music videos and in which way are they related to nostalgia? Subsequent questions arising from the research explore the differences in the use of analog and retro aesthetics by mainstream or alternative bands. Specifically, a distinction is made between the use of the aesthetic merely to follow a trend as opposed to using the aesthetic to emphasizing the message behind the music video. -
BAM Presents Exposed: Songs for Unseen Warhol Films, a Multimedia Performance Event Created in Celebration of the Andy Warhol Museum’S 20Th Anniversary, Nov 6—8
BAM presents Exposed: Songs for Unseen Warhol Films, a multimedia performance event created in celebration of The Andy Warhol Museum’s 20th anniversary, Nov 6—8 Exposed features 15-never-before-seen Warhol films accompanied by original songs written and performed by five seminal songwriters including the project’s music curator Dean Wareham (Luna, Dean & Britta), Bradford Cox (Deerhunter, Atlas Sound), Eleanor Friedberger The Fiery Furnaces), Martin Rev (Suicide), and Tom Verlaine (Television) Bloomberg Philanthropies is the 2014-2015 Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival sponsor Exposed: Songs for Unseen Warhol Films The Andy Warhol Museum and Dean Wareham BAM Howard Gilman Opera House (30 Lafayette Ave) Nov 6—8 at 7:30pm Tickets start at $25 Brooklyn, NY/Sep 29, 2014—Created in celebration of The Andy Warhol Museum’s 20th anniversary, this multimedia performance event comprises 15 never-before-seen films captured by Andy Warhol between 1963 and 1966 with his original 16mm camera. Five songwriter-composers representing a musical trajectory from the 1970s until today perform scores to these rare Warhol selections—a combination of portraits and actualités (non-fiction films using footage from real life, but without a documentary’s narrative arc). The films feature such superstars and luminaries as Taylor Mead, Mary Woronov, Edie Sedgwick, Mario Montez, John Giorno, Marcel Duchamp, Marisol, Donovan, and Warhol himself. The evening’s composers and performers, selected by music curator Dean Wareham (Luna, Dean & Britta), who also performs, include punk icons Tom Verlaine (Television) and Martin Rev (Suicide), Bradford Cox (Deerhunter, Atlas Sound), and Eleanor Friedberger, formerly of The Fiery Furnaces. -
Kristin Kontrol Bio
Kristin Kontrol Bio Sometimes you have to rip it up and start again. It was a tough call for Dee Dee. Dum Dum Girls was her guise for the better part of a decade, an outlet through which she had crafted an instantly identifiable body of work. Demos made in a studio apartment on a nylon string guitar and posted to a Myspace page pricked the ears of Sub Pop. From there, Dee Dee assembled her group of badass, blackclad cadets and toured the world. Over the course of three albums, four EPs, and a bold brace of singles, Dum Dum Girls morphed from the girlgroupgonebad moves of debut album I Will Be (2010), to the plush noirpop of 2014’s Too True, with its motorik beats and svelte harmonies; a dark heart burning bright. But sometimes the project you pour your soul into ends up hemming you in. As her music evolved, Dee Dee found that she would be forever refracted through the prism of Dum Dum Girls’ early work: retroleaning female harmonies, a backdrop of lofi, fuzzedup guitars. At the top of 2015, she decided to shed her skin, ditching Dee Dee for her real name, Kristin, and adding Kontrol. It was a spontaneous idea – but it resonated with her. As Karen O once counseled her, it may be a leap into the unknown, but little risk means little reward. Her challenge was to start fresh, and go further back into her relationship with music. Her goal was to sweep all her loves together into one genreless experience. -
1 Saltlakeunderground
SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 263 •November 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Mike Cundick Managing Editor: [email protected] Jeanette D. Moses Jemie Sprankle Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Shauna Brennan Adam Dorobiala [email protected] Copy Editing Team: Jeanette D. Marketing: Ischa Buchanan, Jea- Moses, Rebecca Vernon, Ricky nette D. Moses, Jessica Davis, Billy Vigil, Esther Meroño, Liz Phillips, Katie Ditzig, Hailee Jacobson, Stephanie Panzer, Rio Connelly, Joe Maddock, Buschardt, Giselle Vickery, Veg Vollum, Alexander Ortega, Mary Enge, Kolbie Josh Dussere, Chrissy Hawkins, Emily Stonehocker, Cody Kirkland, Hannah Burkhart, Rachel Roller, Jeremy Riley. Christian. SLUG GAMES Coordinators: Mike Daily Calendar Coordinator: Brown, Jeanette D. Moses, Mike Reff, Jessica Davis Sean Zimmerman-Wall, Adam Doro- [email protected] biala, Jeremy Riley, Katie Panzer, Jake Social Networking Coordinator: Vivori, Brett Allen, Chris Proctor, Dave Katie Rubio Brewer, Billy Ditzig. Cover: Photograph by Nick Zinner, Distribution Manager: Eric Granato from the book Please Take Me Off the Distro: Eric Granato, Tommy Dolph, Guest List by Nick Zinner, Zachary Li- Tony Bassett, Joe Jewkes, Jesse pez & Stacy Wakefield. Reprinted with Hawlish, Nancy Burkhart, Adam Heath, permission of Akashic Books. Adam Okeefe, Manuel Aguilar, Chris Issue Design: Joshua Joye Proctor, David Frohlich, Mike Cundick. Design Interns: Adam Dorobiala, Office Interns: Jessica Davis, Jeremy Eric Sapp Riley, Chris Proctor. Ad Designers: Todd Powelson, Senior Staff Writers: Mike Brown, Kent Farrington, Sumerset Bivens, Mariah Mann-Mellus, James Orme, Jaleh Afshar, Lionel WIlliams, Christian Lance Saunders, Jeanette D. -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy -
Brooklyn Paper
Ratner loses a battle for control of an Atlantic Yards building: P.13 Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/14 pages • Vol. 30, No. 10 • Saturday, March 10, 2007 • FREE INCLUDING DUMBO Marty’s spending points to WRONG WAY City Hall SLOPERS: AVENUE PLAN STINKS By Dana Rubinstein The Brooklyn Paper Borough President Markowitz was pressed City vows to kill one-ways if locals object and pressed on last Tuesday night’s edition of HEARING IS SET FOR “Inside City Hall,” but he just wouldn’t say whether he was running for mayor. By Christie Rizk “I don’t want to say anything official tive reaction from the residents.” lights timed to a much more leisurely THURSDAY, MARCH 15 The Brooklyn Paper until I hear all the details, but [convert- Most people have been complaining pace, but hitting 30 miles per hour is But the Beep’s Community Board 6’s transportation com- campaign finance ing the avenues] sounds like a really about the prospect of more speeding virtually impossible because the lanes City officials backtracked a bit this mittee will be briefed on the city’s plan to disclosure forms in- dumb idea,” said Assemblywoman cars. If this proposal is implemented, are tighter and other drivers are fre- week from a bombshell proposal to Joan Millman (D-Cobble Hill). Sixth Avenue could become very much quently doing U-turns. turn Sixth and Seventh av- dicate that Mar- convert Seventh and Sixth avenues kowitz is already Park Slope had virtually unified like Eighth Avenue — where cars treat And that’s just how Denworth and enues in Park Slope into doing plenty of run- into one-way thoroughfares, saying around defeating this idea — a first step the one-way road like a highway, others like it.