Bärenreiter Music for Strings 2015/2016
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Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 234 1 Contents
Violin Viola da gamba Miscellaneous Chamber Violin Solo...... 4 Viola da gamba and Keyboard Ensembles ...... 53 Violin and Keyboard Instrument...... 35 Instrument...... 7 2 Violas da gamba...... 36 Ready to Play Series...... 57 2 Violins...... 19 Viola da gamba Quartet...... 36
2 Violins and Keyboard Combocom Series...... 58–59 Instrument...... 20 Double Bass...... 36 3 Violins and Keyboard Educational Works – Studies Instrument...... 21 Chamber Music Violin...... 60 4 Violins...... 21 String Duo...... 37 Viola...... 62 4 Violins and Keyboard Violin and Viola...... 37 Violoncello...... 63 Instrument...... 21 Violin and Violoncello...... 37 Double Bass...... 64 Viola and Violoncello...... 37 String Ensemble...... 65 Viola Violoncello and Double Bass.8.... 3 Christmas...... 65 Viola Solo...... 21 String Trio...... 38 Viola and Keyboard String Quartet...... 39 Bärenreiter’s Instrument...... 21 String Quintet...... 45 Concert Pieces...... 67 2 Violas...... 24 String Sextet...... 46 Piano Trio...... 47 Study Scores...... 68 Violoncello Violin, Violoncello and Piano ... 47 Violoncello Solo...... 24 Violin, Viola and Piano...... 50 Violoncello and Keyboard Piano Quartet...... 51 Facsimiles – Instrument...... 27 Piano Quintet ...... 52 English Books ...... 72 2 Violoncellos...... 35 4 Violoncellos...... 35 String Orchestra...... 46 Index by Composers...... 74
Abbreviations and Key to Symbols
Ed. Editor Performance material Bc / bc Basso continuo available on hire Ger German text Edition with fold-out pages Eng English text Bärenreiter Cz Czech text Best Edition Prize awarded Karl Vötterle GmbH & Co. KG Fr French text by the German Music International Department It Italian text Publishers Association P. O. Box 10 03 29 BA Bärenreiter Edition D-34003 Kassel · Germany H Bärenreiter Praha www.youtube.com/ HM Hortus Musicus Series BaerenreiterVerlag Content valid as of January 2015. ISBN International Standard www.facebook.com/ Errors excepted and delivery terms Book Number baerenreiter subject to change without notice. NMA Nagels Musik Archiv Series TP Study score www.baerenreiter.com Cover design with photograph Contents [email protected] Review by Edition Paavo Blåfield. Performance material E-Mail: [email protected] Printed in Germany ° available on sale www.blofield.de 6/1501/18 · SPA 234
2 Brahms, Johannes
“I like the digital age, but nothing compares to the original.”
3 V iolin
Violin Solo
Bach, Johann Sebastian (1685-1750) NEW 2015 Air from the Orchestral Suite BWV 1068 Arranged for solo violin by Roman Kim BA 5140 The famous Air from Bach’s Orchestral Suite BWV 1068 has undergone a great many arrangements, but until now no one has ventured to produce a contrapuntal version for unaccompanied violin. Roman Kim hit on a brilliant idea and came up with this arrangement, creating a YouTube hit with his own recording of it. From: Bach, Air from the Orchestral Suite BWV 1068 · BA 5140 l A bravura piece for solo violin
Violin Solos Bach, Johann Sebastian from the Sacred Vocal Works
(1685-1750) Violin solos from the Cantatas,
Masses, Passions and Oratorios. Three Sonatas and three Partitas With a second violin part for two BWV 1001-1006 for solo violin soloists. With fingering, bowing Urtext / Ed. G. Haußwald and comments on performance Revised edition by P. Wollny Urtext / Ed. M. Wulfhorst BA 5116 BA 6986
“For its clarity and lack of As an aid to the interpretation extraneous markings it remains of these violin solos, our richly the edition of choice for annotated collection with scholars and anyone who detailed fingering and articulation wishes to explore and play these marks offers not only the violin wonderful works as closely to their original intent as possible.” part but also the complete (Stringendo) vocal part for each movement.
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Gola, Zdenĕk (*1929) These simple pieces are each 16 measures in length and exploit various techniques, thus Violin Technique BA 9550 Volume 1 providing a wonderful addition to the solo violin repertoire. BA 9551 Volume 2 This edition offers a spacious The aim of these studies is to layout allowing plenty of room improve left-hand techniques, to add personal fingering and enabling the student to execute bowing. A historical introduction shifting positions with greater in English and German confidence. discusses the genesis of the works and traces their l With brief descriptions in influence on violin virtuosos. three languages A source description and (Cz/Ger/Eng) critical commentary round l Advanced level of difficulty out this unique edition. Ševčík, Otakar (1852-1934) Pintscher, Matthias NEW 2015 (*1971) School of Bowing Technique op. 2 Omaggio a Giovanni Paisiello Ed. J. Foltýn Two fantasies on thematic fragments from the string BA 9591 Book 1 quartets for violin solo (1991) BA 9592 Book 2 BA 7457 BA 9593 Book 3
Study III for Treatise on the Veil The School of Bowing Technique op. 2 deals with the elementary For violin solo (2007) BA 9322 technical demands of the right hand. Divided into three
Ševčík, Otakar sections, the tutor contains more than 4,000 systematically (1852-1934) NEW 2014 arranged bowing exercises in
School of Violin Technique op. 1 increasing order of difficulty. Ed. J. Foltýn This new edition of the School of Bowing Technique combines st Paganini, Niccolò BA 9552 Book 1: 1 Position the original six volumes in (1782-1840) BA 9553 Book 2: 2nd – 7th Position groups of two. BA 9554 Book 3: Changing 24 Capricci per Violino solo op. 1, Positions Ševčík, Otakar 24 Contradanze Inglesi per BA 9555 Book 4: Exercises in (1852-1934) Violino solo (First edition) Double Stops and NEW 2015 Urtext / Ed. D. Macchione Harmonics Changing Positions and BA 9424 Preparatory Scale Studies op. 8 Ševčík’s complete work covers Ed. J. Foltýn Bärenreiter’s scholarly-critical every area of violin technique, BA 9557 edition is based on the from the most elementary autograph and early prints level and special exercises This volume of exercises is from various European concerning individual technical devoted to changes of position publishers. The original problems right through to and preparatory studies for beaming and articulation have analytical studies of the been maintained, thereby scales over three octaves (in standard concertos. Today, 3rds, 6ths, octaves and 10ths). setting this new edition apart more than 130 years later, his from the many publications of Our new edition is based “Violin School” still numbers essentially on the original print, the last 200 years which th incorporated changes and among the most important issued in the early 20 century, emendations by famous teaching methods for violinists. and on sources from Ševčík’s violin virtuosos. In addition posthumous papers. to the daunting Caprices, this Jaroslav Foltýn, violin professor is the first time that the at Prague Conservatory l With methodological notes 24 Contradanze Inglesi for solo (like Ševčík at one time), by the editor (Cz/Eng/Ger) violin have been published. has provided an accurate methodological commentary. l Moderate level of difficulty
5 V iolin
Violin Solo Wulfhorst, Martin The Orchestral
Violinist’s Companion
Vol. 1: Training · Practicing and Sight-Reading · Basic Orchestral Technique · Bowing Technique and Sound Production Vol. 2: Left-Hand Technique · Pizzicato and Other Special Techniques · Rhythm and Ensemble Playing · Notation and Performance Practice · Repertoire and Style · Profession and Career · Resources
480 pages plus XXII pages (vol. 1) Telemann, Georg Philipp and IX pages (vol. 2). Preface. (1681-1767) English text, paperback, “Wulfhorst’s book should format 23 x 30 cm. be part of every string player’s Twelve Fantasias TWV 40: 14-25 Approx. 500 musical samples; reference library.” for violin without bass (1735) approx. 30 illustrations, (American String Teacher) Urtext / Ed. G. Haußwald diagrams, and tables. BA 2972 ISBN 978-3-7618-1758-2 “The book is so wide- This book is a guide to the art of ranging that it is essential playing the violin in a professional reading for all musicians.” orchestra. It is a workbook, (Arco) reference tool, and textbook for:
l “Perhaps the greatest Conservatory and college strength of this volume is the students who are preparing author’s ability to reduce the for an orchestral career most challenges to component parts …” (Podium Notes) l Audition candidates
l Orchestral players at the “Just about everything you beginning or at later stages need to know to be an orchestral in their careers violinist …” (Stringendo)
l String teachers, conductors,
and composers “… absolutely essential resource for both the fully l Classes at conservatories, fledged die-hard and the universities, and summer budding aspirant.” (Strings) Trojahn, Manfred programs. (*1949) “What Wulfhorst Excerpts from more than 340 works Ginevra‘s song assembled here deserves the by 87 composers are provided highest respect. ... expressly for violin solo (1995) with bowings, fingerings, BA 7793 recommended, not only to metronome markings, stylistic orchestral violinists.” suggestions, and tips for practicing. (Das Orchester) These excerpts represent a variety of genres: symphonic repertoire, operas, operettas, “An extremely useful guide ballets, and oratorios. that teaches students, assists professionals and makes them Additional resources available at reflect, and attracts the http://www.orch.info amateur.” (docenotas.com)
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Violin and Keyboard Instrument
Accolay, Jean Baptiste (1833–1900)
Concerto No. 1 in A min Bärenreiter’s Concert Pieces BA 8976 à page 67 From: Accolay, Concerto No. 1 in A min · BA 8976 Bach, Johann Sebastian (1685-1750) The Concertos Two Sonatas and a Fugue Six Sonatas for Violin for Violin and Orchestra BWV 1021, 1023, 1026 and obbligato Harpsichord Urtext / Ed. D. Kilian for violin and bc BWV 1014-1019 Urtext / Ed. P. Wollny Urtext / Ed. R. Gerber - Concerto in A min BWV 1041 Continuo realization by Revised edition by P. Wollny for Violin, Strings and Bc Z. Meniker Piano reduction BA 5167 Score with parts l Score with Urtext violin and BA 5189-90 ° viola da gamba parts and TP 269 Study score l With an Urtext violin part with an additional violin part and an additional violin part prepared with fingering, - Concerto in E maj BWV 1042 prepared with fingering, bowing and comments on for Violin, Strings and Bc bowing and performance performance practice by Piano reduction practice comments by Andrew Manze. BA 5190-90 ° Andrew Manze. TP 269 Study score l All alternative readings l With a separate unrealized included in musical text - Concerto in D min BWV 1043 figured bass continuo part as ossias. for Two Violins, Strings and Bc for viola da gamba. Piano reduction l Early versions of sonatas BWV 1018 and 1019. BA 5188-90 ° à page 20 l The publication includes the Fugue in G min BWV 1026 Each edition offers an easy to - Six Sonatas in two volumes and represents the first play keyboard reduction, an Volume 1: Sonatas in B min scholarly-critical edition of Urtext violin part, and a second BWV 1014, in A maj BWV 1015, this work which has long violin part prepared with in E maj BWV 1016 been considered spurious fingering, bowing and BA 5118 Score with parts but now has been firmly performance practice attributed to J. S. Bach. comments by Andrew Manze. Volume 2: Sonatas in C min These authoritative performing BWV 1017, in F min BWV 1018, editions bring together the in G maj BWV 1019 unparalleled scholarly critical BA 5119 Score with parts work of the New Bach Edition with Andrew Manze‘s mastery - Six Sonatas in one volume of Baroque violin playing. BA 5240 Score with parts
7 Violin
Violin and
Keyboard Instrument Beethoven, Ludwig van (1770-1827)
Romances for Violin and Orchestra op. 40 and op. 50 Urtext / Ed. J. Del Mar Piano reduction BA 9026-90 °
Beethoven’s Romances are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an Beethoven, Ludwig van unfinished form? The autograph (1770-1827) score contains little to no articulation or dynamics and Cadenzas to Beethoven's to the present day the work Beethoven, Ludwig van Violin Concerto op. 61 has existed only in highly (1770-1827) Ed. Martin Wulfhorst over-edited publications. BA 9020 Concerto in D maj for Bärenreiter’s new Urtext Violin and Orchestra op. 61 This compilation of cadenzas to edition of opp. 50 and 40 Urtext / Ed. J. Del Mar Beethoven’s beloved concerto offers the score to op. 50 Piano reduction contains cadenzas found in twice; the first score reflects BA 9019-90 ° various publications such as the state of Beethoven’s Critical commentary those by Auer and Joachim, but autograph with editorial BA 9019-40 goes much further providing markings clearly indicated, violinists with cadenzas by the second score has been The editor Jonathan Del Ferdinand David (the first Mar finally presents us with edited based on other works known cadenza to op. 61), by Beethoven from that period. Beethoven’s intended solo Louis Spohr, Eugen Ysaÿe, violin articulation, dynamics This manner of publishing Camille Saint-Saëns, Ferrucio remains true to the sources and slurring; there are even Busoni, Henri Vieuxtemps, note corrections in the solo and at the same time offers Jakob Dont and, for the first musicians a reliable part, not to mention over 100 time, a cadenza by Henryk corrections in the orchestral transparent score for Wieniawski. The majority of performances. material! To name a few these cadenzas are published examples of the many here for the first time since the In addition to the Urtext solo changes: two bars of the 19th century. bassoon part have been part, a second solo part with fingering and bowing by re-instated in movement 1, The cadenzas appear sorted by ambiguities in the flute part Detlef Hahn is also included styles and schools of playing in the piano reduction. have been corrected and with comments on additions made by various performance practice. editors and violin players over “This new edition is a must-buy for anyone thinking the years have been deleted. With a cadenza by For the first time we also now of studying or performing these Wieniawski available for pieces.” have clarity regarding the the first time meaning of Beethoven’s Solo (Arco, ESTA) and Tutti markings. With comments on With an Urtext solo violin performance practice part and a second violin part prepared with fingering and bowing by Detlef Hahn ° = Performance material “I recommend this edition available on sale for its pioneering scholarship and = Performance material comprehensiveness.” available on hire (American String Teacher)
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Berlioz, Hector (1803-1869)
Rêverie et caprice Urtext / Ed. H. Macdonald Version for violin and piano including an extra solo violin part for the orchestral version BA 5798-90 °
Rêverie et caprice is one of Berlioz’ most popular works and was performed by nearly every great violinist in the 19th century: Ferdinand David, Heinrich Wilhelm Ernst, Henri Wieniawski and Joseph Joachim.
Berwald, Franz (1796-1868)
Concerto in C-sharp min for Violin and Orchestra Urtext / Ed. F. Lindberg Piano reduction BA 4905-90
From: Brahms, Concerto in D maj · BA 9049-90
fingering and bowing by “If I had to choose, I would J. Joachim from his 1905 violin select the Bärenreiter. Not method but also an additional because of the extra cadenzas, brochure with cadenzas by nor because the presentation is Brahms’ contemporaries immaculate, to be expected with J. Joachim, C. Halir, H. Heermann, this publisher, but because of the Brahms, Johannes L. Auer and F. Busoni. In addition editorial Preface. Clive Brown (1833-1897) Clive Brown has provided an has provided an essay which enlightening preface on Romantic should be compulsory reading Concerto in D maj period performance practice as for every violin student (and for Violin and Orchestra op. 77 well as the history of the work teacher!) who dares approach With cadenzas by J. Joachim, and its sources. this work, or any other work by C. Halir, H. Heermann, L. Auer, Brahms, or any of his F. Busoni contemporaries for that matter. Urtext / Ed. C. Brown ... It is very rare to come across Piano reduction by the composer one edition of a masterpiece BA 9049-90 ° that is so crucial to our under- Critical commentary standing of it ... The Bärenreiter BA 9049-40 edition, because of Clive Brown‘s extraordinary contribution, is This publication contains not the finest publication I have ever only Brahms’ own piano had the privilege to review.” reduction, an Urtext violin part, (ESTA – News & Views) a second violin part with
9
Violin
Johannes Brahms The Works for Violin and Piano
Bärenreiter’s pioneering, Bärenreiter’s new Brahms scholarly-critical editions of complex also importantly Brahms’ works for violin and brings two neglected works piano, edited by a team of back into the players’ hands, musicologist performers, offer namely the splendid versions of today’s musicians not just a the op. 120 sonatas, originally reliable musical text based on written for viola or clarinet and all known sources, but also a piano. Brahms’ arrangements for comprehensive approach to violin and piano unaccountably the works, which aims to place disappeared from the standard them in their historical context repertoire early in the 20th and to elucidate the complex century. In these versions of meanings that the composer Brahms did not simply adjust expected his notation to convey the solo part for the violin, he to performers. made many alterations to the piano part, casting thought- The editions come not only provoking light on the clarinet Brahms, Johannes with an Urtext part freed from and viola versions. all editorial emendations, but (1833-1897) NEW 2015 also with an additional part Each edition contains an Works for Violin and Piano including fingering and bowing Urtext solo part as well as a based on the practices of second part with fingering Urtext / Eds. C. Brown, Joseph Joachim and his and performance markings. N. Peres Da Costa colleagues. These markings especially draw on publications Each edition offers a preface Sonata in G maj op. 78 of the sonatas edited by on performance practice BA 9431 Score with parts Joachim’s pupils Leopold Auer aspects pertaining to the and Ossip Schnirlin as well as respective works. Sonata in A maj op. 100 on those by Brahms’ associate BA 9432 Score with parts A separate text booklet Franz Kneisel. includes pioneering texts on
Sonata in D min op. 108 general issues of performance BA 9433 Score with parts practice in the 19th century as well as on specific issues Sonatas for Violin and Piano with regard to Johannes arranged by J. Brahms after Brahms’ chamber music. op. 120 Sonata in F min Sonata in E-flat maj BA 10911 Score with parts Scherzo in C min from the FAE-Sonata WoO postum BA 10908 Score with parts C. Brown, N. Peres Da Costa, K. Bennett Wadsworth Performing Practices in Johannes Brahms’ Chamber Music Text booklet in English / German Excerpt from: Brahms, Sonata in G maj op. 78 · BA 9431 BA 9600
10 Violin
Violin and
Keyboard Instrument
Chédeville, Nicolas (1705-1782) Il Pastor Fido (attributed to Antonio Vivaldi). Six Sonatas for violin (flute or oboe) and bc Urtext / Ed. F. M. Sardelli Revised edition HM 135 Score with parts
Corelli, Arcangelo From: Corelli, Sonatas, Volume I · BA 9455 (1653-1713)
Sonatas for Violin and performing edition. This Score with realization of Basso continuo, op. V realization is surprising in that the basso continuo by Urtext / Ed. Ch. Hogwood it contains full chords, sometimes Tonelli as well as Corelli’s Volume I: BA 9455 played by both hands. unrealized figured bass line Volume II: BA 9456 In addition, Bärenreiter’s new With a separate Urtext Arcangelo Corelli, the violin scholarly-critical edition includes violin part virtuoso of his time, published for the first time many violin embellishments. For the most With a separate unrealized his Sonatas for Violin and figured continuo part Basso continuo opus V in Rome part they have been found in in 1700. These sonatas are a handwritten documents by Each volume with compendium of violin playing Tartini, Geminiani, McGibbon, supplement including violin of his time and laid the Dubourg and Roger (from a embellishments re-print of the sonatas from groundwork for future violin Appendices in both compositions. c. 1710). These embellishments are presented in a separate volumes with source Over the years the sonatas have booklet which players can place descriptions and Critical been published in nearly 100 alongside Corelli’s original on Commentaries editions, all based on Corelli’s the music stand. Preludes for keyboard first edition which contains instrument by Tonelli in only the solo violin line above “This handsome the appendix of volume 2 an unrealized bass line. Today, Bärenreiter publication is all the sonatas are well known in that both the Baroque “As always, CH [Christopher numerous modern continuo aficionado and modern player Hogwood] has a fresh approach, realizations. However a could wish for …” (Strings) and manages to offer a variety realization from Corelli’s time of aspects of performance that by Antonio Tonelli also exists “… as user-friendly and should encourage violinists to and is presented here for the handsomely presented as one buy the sets – brilliantly good first time in a modern could wish …” (The Consort) value…” (Early Music Review)
11
V iolin
Violin and Dvořák, Antonín (1841-1904) Keyboard Instrument NEW 2014 Romantic Pieces op. 75 Dvořák, Antonín for Violin and Piano (1841-1904) Ed. by A. Pokorný, K. Šolc Violin part revised by J. Micka. Concerto in A min BA 9576 Score with part for Violin and Orchestra op. 53 H 1005 Piano reduction Composed in 1887, the Romantic
Mazurek in E min Pieces op. 75 were originally intended for two violins and for Violin and Orchestra op. 49, version for violin and piano. viola. Immediately after completing these four short Revised edition by J. Hanuš, K. Šolc pieces, Dvořák rewrote them H 1550 Score with part for violin with piano accompaniment and published the new version that very year. Handel, George Frideric (1685-1759) This new edition presents the musical text from the Complete Complete Works Edition of the Works of Antonín for Violin and Bc Dvořák with a new foreword by Urtext / Ed. T. Best David R. Beveridge. The violin BA 4226 Score with parts part contains fingering by Josef Micka. Sonata in G maj HWV 358 / Sonata in A maj HWV 361 / Sonata in F maj op. 57 Sonata in G min HWV 364 / for violin and piano Sonata in D maj HWV 371 / a H 2178 Score with part Sonata in D min HWV 359 / Sonata in G min HWV 368 / Sonatina in G maj op. 100 Sonata in F maj HWV 370 / for violin and piano. Sonata in A maj HWV 372 / Revised edition by A. Čubr, Sonata in E maj HWV 373 / J. Feld Allegro in C min HWV 408 / Romance in F min NEW 2015 H 1364 Score with part Andante in A min HWV 412
for Violin and Piano op. 11 l Urtext / Ed. J. Hájek Fiocco, Joseph-Hector Separate violin and basso BA 9571 Score with part (1703-1741) continuo parts To appear in the spring of 2015 Allegro for violin and piano l Basso continuo part with figures Originally written for violin and Bärenreiter's Concert Pieces orchestra between 1873 and BA 8977 à page 67 l Includes two movements not 1877, Dvořák’s Romance available in any other immediately followed his performing edition String Quartet in F minor (1873) and draws on the theme from Franck, César (1822-1890) l Preface (Eng/Ger) with its slow movement. NEW 2015 valuable information on the Sonata, Andantino quietoso, sources, their origins and Our edition is the first to avail genesis as well as itself of the recently rediscovered and Mélancolie for violin and piano performance practice autograph of Dvořák’s own comments version for violin and piano. Urtext / Ed. D. Woodfull-Harris Compared to the well-known With an introduction by G. Schütz “All violinists should buy piano reduction by J. Zubatý, it this volume, not only for its differs from the orchestral version BA 9425 Score with part In preparation completeness and clarity, but in several important respects because it is exceptionally good and is also one bar shorter. Our value for score and parts.” new edition, containing the (ESTA – News & Views) composer’s more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.
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Haydn, Joseph (1732-1809) Mendelssohn Bartholdy, Felix NEW 2014 (1809-1847) Concerto in C maj for Violin and Orchestra Concerto in E min Hob. VIIa:1 for Violin and Orchestra op. 64 Urtext (Henle) / Eds. Urtext / Ed. R. L. Todd H. Lohmann, G. Thomas Versions 1 and 2 BA 4678 ° Score BA 4678-90 Piano reduction - Piano reduction of version 2 (Henle) BA 9050-90 ° - Piano reduction of versions In this Concerto in C major the 1 & 2 soloist is accompanied purely BA 9050-92 °
by a string orchestra, a scoring TP 397 Study score which can be mastered easily, even by amateur ensembles. For the Bärenreiter Urtext Mendelssohn Bartholdy, Felix edition, the Mendelssohn (1809-1847) Continuing Bärenreiter’s specialist R. Larry Todd edited collaboration with the both the original version of the Sonatas for Violin and Piano Henle publishing company concerto as well as the later in the areas of large vocal Urtext / Ed. H. Hoshino version known today. The first BA 9066 Score with parts compositions, operas and version of the concerto symphonic works, the edition contains a shorter cadenza by of this violin concerto is based This publication is the first Mendelssohn, many solo violin ever Urtext edition of on the Henle Complete Edition, pitches in different octaves, Works of Joseph Haydn. Mendelssohn’s Sonatas for passages with different Violin and Piano. It includes the orchestral scoring and many early Sonata in F maj from 1820 surprises regarding articulation as well as the Sonata in F minor JanáČek, Leoš and dynamics. The later version (1854-1928) from 1823 which the 14 year old goes back to the first edition composer opens with an orchestral parts published in extended solo violin recitative. Works for Violin and Piano 1845 and the piano reduction Urtext / Eds. J. KrejČí, A. Němcová sanctioned by Mendelssohn. BA 9508 Score with part The edition also contains two The Bärenreiter Urtext edition versions of the Sonata in F maj offers the two versions of “This excellent edition from 1838 which the composer op. 64 back to back in score and began to revise in 1939. In the should stimulate interest in this parts together with facsimiles, beautiful, all-too-rarely heard end he reworked only a large an informative preface (Eng/ part of the first movement. work.” (Strings) Ger) describing the genesis of
the composition, and a The edition includes all completed Liszt, Franz detailed critical commentary. (1811-1886) Sonatas by Mendelssohn for this instrumentation. The Piano reductions each with Grand Duo concertant based works have a moderate degree an Urtext violin part and a on the romance “Le Marin” of difficulty similar to Franz second violin part prepared by Philippe Lafont R.-V. 462 / Schubert’s Sonatinas. Epithalam (Wedding Music) with fingering and bowing by M. Wulfhorst R.-V. 466 for piano and violin With an Urtext violin part as Ed. Z. Gárdonyi well as a second violin part “The editor, R. Larry Todd, an BA 19112 Score with part with fingering and bowing expert on Mendelssohn, is to be by Takeshi Kiriyama Martinů, Bohuslav congratulated on achieving what must have been a huge task, the (1890-1959) Monti, Vittorio creation of an exhaustive work (1868–1922) Intermezzo of reference, revelatory in its scope and detail which should Four compositions for violin Czardas be in every violinist’s library and piano. Revised edition by for violin and piano and on their music stand . As it V. Nopp, K. Šolc Bärenreiter's Concert Pieces is Bärenreiter’s presentation is H 5259 Score with part BA 8975 à page 67 flawless. I can’t wait for the next Sonatina for Violin and Piano student to ask if he may learn the
Revised edition by V. Nopp Mendelssohn Concerto .” H 2172 Score with part (ESTA – News & Views)
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Violin and Mozart, Wolfgang Amadeus other editions are presented with
Keyboard Instrument (1756-1791) the Urtext of the New Mozart Edition: Sonatas K. 6-9, Sonatas Single Movements for Violin K. 26-31, the Andante and and Orchestra K. 261, 269, 373 Allegretto in C maj K. 404 as well Mozart, Wolfgang Amadeus Urtext / Ed. C. H. Mahling as the three sonata fragments (1756-1791) With cadenzas and fermata K. 372, 403 and 402 completed embellishments by M. Wulfhorst by Maximilian Stadler. Complete Concertos Piano reduction for Violin and Orchestra BA 5379-90 ° - Volume I Urtext / Ed. C.-H. Mahling BA 5761 Score with parts Easy-to-play piano reductions Concerto in D maj for Violin and Orchestra K2. 271a (271i) - Volume II Violin solo parts with the Urtext / Ed. Chr.-H. Mahling, BA 5762 Score with parts Urtext of the New Mozart W. Plath Edition With cadenzas from Berlin and “These two volumes are far Additional violin solo parts Paris sources more than a standard reprint with fingering, bowing and Piano reduction of the original publication, performance comments by BA 5769-90 ° in that they contain updated M. Wulfhorst complementary text and brand Sinfonia concertante in E-flat new violin parts, with extensive Additional booklets with maj K. 364 (320d) for violin, performance indications. The cadenzas and transitions by viola and orchestra. With result is impressive, and should L. Auer, J. Joachim, S. Franko, original scordatura viola part have a widespread appeal E. Ysaÿe, J. D. Alard, Urtext / Ed. Chr. H. Mahling among scholars and performers M. Wulfhorst Piano reduction alike.” (The Consort) - Concerto in B-flat maj BA 4900-90 ° K. 207 (No. 1) TP 176 Study score Works for Violin and Piano Urtext. With cadenzas, fermata Urtext / Ed. E. Reeser embellishments and lead-ins Concertone in C maj K. 190 by J. D. Alard, M. Wulfhorst BA 5380-90 ° page 21 - Four Sonatas K. 6-9: Piano reduction Early Sonatas I BA 4755 Score with part BA 4863-90 ° TP 270 Study score - Six Sonatas K. 26-31:
Early Sonatas III - Concerto in D maj K. 211 (No. 2) BA 4757 Score with part Urtext. With cadenzas by L. Auer, M. Wulfhorst - The Mannheim, Paris, Piano reduction Salzburg Sonatas BA 4864-90 ° K. 301 (293a), 302 (293b), 303 TP 271 Study score (293c), 304 (300c), 305 (293d),
306 (300l), 296, 378 (317d) - Concerto in G maj K. 216 (No. 3) BA 4774 Score with part Urtext. With cadenzas by L. Auer, E. Ysaÿe, S. Franko, - Early Viennese Sonatas M. Wulfhorst. Piano reduction K. 379 (373a), 376 (374d), 377 BA 4865-90 ° TP 272 Study score (374e), 380 (374f), 404 (385d), 372, 403 (385c), 402 (385e) BA 4775 Score with part - Concerto in D maj K. 218 (No. 4) Complete Works for Violin Urtext. With cadenzas by and Piano in two volumes - Late Viennese Sonatas J. Joachim, L. Auer, M. Wulfhorst Urtext / Ed. E. Reeser Piano reduction K. 454, 481, 526, 547 BA 4776 Score with part BA 4866-90 ° With an Urtext violin part as TP 273 Study score well as a violin part prepared - Concerto in A maj K. 219 (No. 5) with fingering and bowing Urtext. With cadenzas by and important performance J. Joachim, S. Franko, practice tips by M. Wulfhorst. M. Wulfhorst Piano reduction This publication contains all BA 4712-90 ° the completed works by Mozart TP 20 Study score for Violin and Piano. Several works which are not found in
14 V iolin
Mozart, Wolfgang Amadeus The “Grande Sonate” for violin Popular Movie Hits (1756-1791) and piano is an early for violin and piano arrangement of a Mozart work Arranged by G. A. Speckert Grande Sonate for violin and of which no autograph exists. Ready to Play piano after the Clarinet The editor, Christopher BA 10605 à page 57 Quintet K. 581 Hogwood, weaves together the Anon. arrangement (1809) / patchwork of sources for the Ed. Ch. Hogwood quintet, justifying this BA 9162 Score with parts arrangement as a serious source for the work. With detailed preface and critical commentary.
Ravel, Maurice (1875-1937)
Tzigane Rhapsody for Violin and Orchestra Urtext / Ed. D. Woodfull-Harris Piano reduction, also version for violin and piano BA 8849-90 ° This Urtext edition presents the first scholarly-critical edition The version for piano and violin “All musicians who want of Ravel’s masterpiece. It is contains, besides the Urtext to know about Ravel or about published both in the orchestral part, a second violin part as a string playing should get hold version as well as in the facsimile with performance of this edition.” (Arco) composer’s earlier version for instructions stemming from violin and piano. All known Jelly D’Aranyi. D’Aranyi’s sources, including letters, have alterations and fingering reflect “Bärenreiter deserves every been drawn on for the new how Ravel must have heard violinist’s gratitude for offering edition; one of the available the work in rehearsals and this virtuoso classic in both the sources, consulted for the first performance and as such are a piano and orchestra version in time, is a copy of Tzigane document of early 20th century fastidious fashion.” (Strings) from the estate of Jelly D’Aranyi, performance practice. The the Hungarian violin virtuoso cooperation between Ravel who played the premiere and is and D’Aranyi is comparable to No distribution rights for France, the dedicatee of the work. This that of Brahms and Joachim Italy, Spain, and the USA; the copy is today part of a working on the Brahms violin edition will become available private collection. concerto. in Italy on 1 January 2016.
15 Violin
Violin and
Keyboard Instrument Each volume with score and
part, plus additional violin part
for the duet version
Rieding, Oskar BA 9668 Vol. 1 First Position
(1840–1918) BA 9669 Vol. 2 First Position
Concerto in B min op. 35 These two collections offer a Bärenreiter's Concert Pieces rich selection of recital pieces, BA 8971 Piano reduction either to complement the Early Start on the Violin method or to Concertino in play independently from it. As Hungarian Style op. 21 all the pieces are written in first Bärenreiter's Concert Pieces position, they can be used after BA 8973 Piano reduction just a few months of lessons.
Marcia op. 44, Rondo op. 22/3 The piano part may be played for violin and piano by the teacher or an advanced Bärenreiter's Concert Pieces student. As an alternative, the BA 8982 Piano reduction accompaniment can be played by a second violin. à page 67 All pieces written in first Sassmannshaus NEW 2015 position
Violin Recital Album With a second violin part for violin and piano for duet performance or two violins Available in freely accessible recordings on YouTube Eds. M. Lusk, Ch. Sassmannshaus, K. Sassmannshaus à page 61
Schubert, Franz
(1797-1828)
Complete Works
for Violin and Piano
Urtext / Ed. H. Wirth
Saint-Saëns, Camille - Fantasia in C maj D 934
(1835-1921) op. post. 159. Revised edition
BA 5620 Score with parts Havanaise
for Violin and Piano op. 83 Expanded edition with an
Urtext / Ed. Ch. Baur additional violin part based on
BA 9426 Score with part the first edition of 1850.
This first-ever critical edition of - Rondo in B min D 895 op. 70 Havanaise draws on both the BA 5618 Score with part - Three Sonatas D 384, 385, 408 composer’s autograph version for violin and piano as well as op. post. 137 Nos. 1-3 “Sonatinas” - Sonata in A maj D 574 BA 5606 Score with part the later orchestrated version. op. post. 162 Where the solo part of the BA 5605 Score with part Rondo in A maj orchestral version differs from for Violin and Orchestra D 438 the version for violin and piano, Urtext / Ed. M. Kube the variants are shown in the Piano reduction violin part as ossias. BA 5653-90 ° “This is certainly a The Rondo, dated 1816 is a one worthwhile edition, and one movement work containing which every pupil would be ° = Performance material lyrical as well as virtuoso solo advised to purchase.” (Arco) available on sale passages.
16 Violin
Suite in G min from “Der getreue Musikmeister” Seitz, Friedrich (1848–1918) for violin (oboe) and bc Ed. W. Lebermann Student Concerto in G maj HM 175 Score with part op. 13 Bärenreiter's Concert Pieces Three Concertos BA 8972 Piano reduction for Violin and Orchestra (A min, D maj, G min) TWV 51: Student Concerto a1, 51: D9, 51: g1 in G min op. 12 Urtext / Ed. S. Kross Bärenreiter's Concert Pieces BA 5876-90 Piano reduction BA 8985 Piano reduction “These three concertos are Student Concerto in D maj presented at the typical and op. 22 expected level of this publisher, Bärenreiter's Concert Pieces in other words excellent, ...” BA 8979 Piano reduction (ESTA – News & Views) à page 67 Telemann, Georg Philipp (1681-1767) Twelve Methodical Sonatas TWV 4: 41 Smetana, Bedřich Little Chamber Music Urtext / Ed. M. Seiffert (1824-1884) Six Partitas for violin (flute, oboe, recorder) and bc - Volume 1: Sonata in G min, From the Homeland / Ed. H. Ruf Sonata in A maj for violin (flute) Z domoviny HM 47 Score with part and bc Two duets for violin and piano BA 2241 Score with part Urtext / Eds. F. Bartoš, J. Plavec, Sonatas and Pieces from K. Šolc “Der getreue Musikmeister” - Volume 2: Sonata in E min, Violin part revised by I. Štraus for one melodic instrument Sonata in D maj for violin (flute) BA 9526 Score with part (violin, flute, oboe) and bc and bc Urtext / Ed. J. D. Degen BA 2242 Score with part “This fine urtext should HM 7 Score with part stimulate new interest in these - Volume 3: Sonata in A min, too rarely heard, ingratiating Sonatas for Violin and Sonata in G maj for violin (flute) pieces.” (Strings) Basso Continuo and bc from Essercizii musici BA 2243 Score with part Tango Classics TWV 41:F4 and TWV 41:A6 for violin and piano Urtext / Ed. K. Hofman - Volume 4: Sonata in B min, Arranged by G. A. Speckert BA 5880 Score with parts Sonata in C min for violin (flute) Ready to Play and bc BA 10614 à page 57 This edition comprises two solo BA 2244 Score with part sonatas with basso continuo taken from Telemann’s famous - Volume 5: Sonata in E maj, Tartini, Giuseppe Essercizii musici; a collection of Sonata in B-flat maj for violin (1692-1770) 24 sonatas including 12 solo (flute) and bc sonatas and 12 trio sonatas. BA 2245 Score with part Sonata in G min “Devil’s Trill” These were moulded after for violin and bc Corelli’s Sonata da Chiesa and - Volume 6: Sonata in D min, Urtext / Ed. A. Pavanello have four movements: Sonata in C maj for violin (flute) HM 278 Score with parts slow-fast-slow-fast. The sonatas and bc BA 2246 Score with part Of the many violin sonatas by long thought to stem from the Giuseppe Tartini, this late 1730s are now believed to have first been published by the Trojahn, Manfred remarkable work still forms (*1949) part of the essential repertoire. composer in approx. 1729. Until now however, it has not Danse been available in a scholarly First ever Urtext editions of these sonatas for violin and piano (1997) edition with critical report. BA 8278 Score with part Players will discover many Charming works of easy to surprises in the figured bass moderate technical difficulty Sonata I realization. It also contains, for violin and piano (1983) for the first time, a separate Straight forward, clear BA 7094 Score with part continuo part for violoncello. continuo realizations
17 Violin
Violin and
Keyboard Instrument Vivaldi’s twelve concertos op. 4, known as La Stravaganza, were written around 1714. They were Vitali, Tomaso Antonio first published by Roger & (1663-1745) La Cene in 1723 and appeared Chaconne in G min in two books, each with six for violin and bc concertos. Another edition of Urtext / Ed. D. Hellmann just six of the twelve concertos HM 100 Score with part followed in 1728, issued by the English publishing house Walsh. Vivaldi, Antonio Walsh’s edition included (1678-1741) concertos nos. 1, 2, and 4 from book one, nos. 9 and 11 from book Concerto in A min op. 3/6 two and a concerto not found in Bärenreiter’s Concert Pieces the Roger & La Cene first edition, BA 8974 Piano reduction namely a variant of the fourth à page 67 Vivaldi, Antonio concerto, RV 291. (1678-1741) Concerto in G maj NEW 2015 This new scholarly-critical op. 3/3 La Stravaganza op. 4 edition of La Stravaganza is Bärenreiter’s Concert Pieces 12 Concertos for Violin, the only complete edition BA 8980 Piano reduction Orchestra and Basso continuo presently available. In addition à page 67 Urtext / Eds. R. Mark, to the twelve concertos that have Ch. Hogwood come down to us in the Roger & La Cene edition, Bärenreiter’s Libro Primo edition includes both the Vivaldi, Antonio BA 7566 Score alternate version of the fourth (1678-1741) BA 7566-90 Piano reduction concerto (book one) as found in Libro Secondo the 1728 Walsh edition as well as an alternate version of the sixth BA 7567 Score BA 7567-90 Piano reduction concerto (book one) that survives in a set of manuscript parts. In preparation
Concerto I RV 383a Allegro Antonio Vivaldi Violino di concertino ° c
Violino primo c
Violino secondo c
Viola c { Organo e Violoncello The Four Seasons c n ¢ 7 for violino principale, 5 4 two violins, viola and bc ° n Urtext / Ed. Ch. Hogwood All four concertos n in one volume n Piano reduction BA 6994-90 ° n TP 399 Study score { OR n OR “... admirable in its clarity ¢ 7 § 6 5 Ä
and usefulness.” 8 ° n n n n (ESTA – News & Views) From: n Vivaldi, La Stravaganza op. 4 · BA 7566
n n n n n
OR n n n 18 n n n n { n n ¢ § 6 6 § 6 7 § 6 4
BA 7566 © 2014 by Bärenreiter-Verlag, Kassel Violin
2 Violins
Advanced Violin Duos
Arranged by V. Bodunov BA 10903 Score with 2 parts
Vladimir Bodunov’s challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in importance; the solo and accompaniment roles constantly alternate.
With works by Vivaldi, Bach, Mozart, Rossini and Strauss.
From: Advanced Violin Duos · BA 10903
Well-known slow movements, Mozart, “Adagio” (Clarinet melodies and arias have been Concerto) / Vivaldi, “Largo” arranged for two violins – with (The Four Seasons – Winter) / a passion for detail, but above Albinoni, “Adagio in G minor” / all with convincing musical Marcello, “Adagio in D minor” / results. The arrangements Puccini, “Nessun Dorma” from stand out for their high fidelity “Turandot” to the original works. Both players are of equal importance à page 57 and the melody with its expressive themes, moves frequently from one player to Berwald, Franz the other. Perfect for weddings, (1796-1868) Beautiful Adagios other special occasions, concerts, and even busking. Duo concertant in A maj 9 Pieces for two Violins for two violins Arranged by V. Bodunov Urtext / Ed. K. Hansell Ready to Play BA 8511 Score with parts BA 10615 2 Performance scores
19 Violin
Suk, Josef 2 Violins (1874-1935) 2 Violins and Keyboard Instrument Melody for two violins Ed. Z. Nouza H 7951 Albinoni, Tommaso (1671-1750) Telemann, Georg Philipp (1681-1767) Trio Sonata in B min op. 1/8 for two violins and bc Six Sonatas op. 2 TWV 40: Ed. S. Altner 101-106 for two violins HM 240 Score with parts (or two flutes) Urtext / Ed. G. Haußwald Bach, Johann Sebastian (1685-1750) - Volume 1: Sonatas No. 1 in G maj, No. 2 in E min, No. 3 in D maj Concerto in D min BWV 1043 BA 2979 Two scores for Two Violins, Strings and Bc Additional solo violin parts - Volume 2: Sonatas No. 4 in B prepared by Andrew Manze min, No. 5 in A maj, No. 6 in E maj Urtext / Ed. D. Kilian Folk for two Violins BA 2980 Two scores Piano reduction Arranged by G. A. Speckert Revised edition Ready to Play BA 5188-90 ° 10624 2 Performance scores Six Canonic Sonatas op. 5 TP 284 Study score TWV 40: 118-123 This collection contains many for two violins (or two flutes) The present publication includes well-known pieces from the Urtext / Ed. G. Haußwald the two solo violin parts as Anglo-American world which presented in the New Bach are catchy and of a dance-like - Volume 1: Sonatas No. 1 in G Edition, as well as two quality. Both violinists are of maj, No. 2 in G min, No. 3 in D maj additional parts with fingering equal importance and the BA 2981 Two scores and bowing by the baroque melody moves frequently from specialist Andrew Manze. one player to another. When - Volume 2: Sonatas No. 4 Furthermore Manze offers the player takes on the in D min, No. 5 in A maj, No. 6 players enlightened comments accompanying role, he in A min, Appendix: A round (Eng/Ger) on historical occasionally has to substitute in E min TWV Anh. 40: 103 performance practice dealing the guitar and plays arpeggios BA 2982 Two scores with how the instrument was and easy double stops. held, fingering, bowing, The melody part contains shifting, the use of open strings embellishments typical of the Three Duets in B-flat maj, and much more. style. D maj, G maj for two melodic instruments “Morning has Broken”, Handel, George Frideric (recorders, flutes, violas da (1685-1759) “All through the Night”, gamba, violins or oboes) from “Scarborough Fair”, “The Der getreue Musikmeister Foggy Dew”, “The Rolling of Trio Sonata in G min op. 2 Ed. J. D. Degen a for two violins the Stones”, “I’ll Fly Away” a.o. No. 5 HWV 390 HM 11 Performance score (flutes, descant recorders, oboes [oboe, violin]) and bc Urtext / Ed. S. Flesch Sassmannshaus, Egon and Kurt Violin Classics BA 4247 Score with parts The Sassmannshaus Tradition for two Violins Early Start on the Violin Arranged by V. Bodunov Three Trio Sonatas op. 5 The new violin method Ready to Play for two violins (flutes) and bc (English version) BA 10607 2 Performance scores Urtext / Ed. Flesch à page 57 BA 4228 Score with parts Violin Book 3: Elementary duets. Dances and other Sonatas No. 2 in D maj pieces in various keys HWV 397, No. 3 in E min HWV BA 9678 à page 60/61 398, No. 6 in F maj HWV 401 Violin Book 4: Duet playing in all positions BA 9679 à page 60/61
20 Violin / viola
Martinů, Bohuslav Bach, Johann Sebastian (1890-1959) 3 Violins and (1685-1750) Keyboard Instrument Concerto for Two Violins Concerto in E-flat maj and Orchestra (1950) for Viola, Strings and Bc BA 3842-90 Piano reduction Telemann, Georg Philipp Reconstructed from BWV 169, BA 3842 Study score (1681-1767) 49 and 1053. Ed. W. Fischer Piano reduction Duo concertant for Two Violins Sonata in B maj BA 5149-90 ° and Orchestra (1937) for three violins and bc BA 4317-90 Piano reduction Ed. A. Hoffmann HM 97 Score with parts Three Sonatas BWV 1027-1029 for viola (viola da gamba) and
harpsichord
Urtext / Ed. H. Eppstein 4 Violins BA 5186 Score with part
Telemann, Georg Philipp (1681-1767)
Concerto in D maj TWV 40: 202 for four Violins without Bc Ed. H. Engel HM 20 Score with parts
4 Violins and Keyboard Instrument
Mozart, Wolfgang Amadeus Vivaldi, Antonio (1756-1791) (1678-1741)
Concertone in C maj K. 190 Concerto No. 7 in F maj for Two Violins and Orchestra from “L’Estro Armonico” op. 3 Urtext / Ed. Chr. H. Mahling for four violins, strings and bc Piano reduction Ed. H. Vogt BA 5380-90 ° BA 3715 Piano reduction Bärenreiter’s NEW 2015 Viola Collection Complete Church Sonatas Concert Pieces for Viola and Urtext / Ed. M. E. Dounias Piano Ed. K. Sassmannshaus - Volume 1 Viola Solo BA 9697 Nine Sonatas K. 67-69, 144, 145, Viola part with enclosed piano 212, 224, 225 and 241 Pintscher, Matthias accompaniment for two violins, organ and (*1971) violoncello/double bass This edition presents 14 pieces BA 4731 Score with parts in nomine “Übermalung” covering a wide stylistic for viola solo (1999) spectrum. The works are - Volume 2 BA 7495 arranged in increasing order Five Sonatas K. 244, 245, 274 of difficulty, the cornerstones (271d), 328 (317c) and 336 (336d) being two works by Georg for two violins, organ and Viola and Goltermann; his technically violoncello/double bass simple Andante religioso and BA 4732 Score with parts Keyboard Instrument his demanding Adagio and Tarantella. Works by Kalliwoda, Ariosti, Attilio Fauré, Grieg, Dvořák, amongst (1666 - circa 1740) others, are also included.
Six Sonatas “Stockholm Sonatas” for viola (viola d’amore) and bc ° = Performance material First edition / Ed. G. Weiß available on sale - Volume 2: Sonatas in B-flat = Performance material maj, G min and A min available on hire HM 223
21 viola
Viola and
Keyboard Instrument
Berlioz, Hector (1803-1869)
Harold en Italie Symphony in four parts with solo viola. With performance suggestions by F. Lainé Urtext / Eds. P. Banks, H. Macdonald Piano reduction BA 5457-90 The first modern piano reduction of Berlioz’ central work for orchestra and viola Designed with additional music from the orchestral tutti for the solo viola for performances with piano Berlioz’ masterpiece based on the scholarly critical New Berlioz Edition
@ “At last university and conservatory students have a workable, realistic solution that more readily adds a beloved piece to the performing From: Fauré, 4 Mélodies · BA 6991 repertoire. Bravo!” (American String Teacher)
Fauré, Gabriel
Bärenreiter’s pioneering edition (1845-1924)
offers today’s musicians a
comprehensive approach to
Brahms’ works, which aims to
place them in their historical
context and to elucidate the
complex of meanings that the
composer expected his notation
to convey to performers.
The edition comes not only
with an Urtext part freed from
all editorial emendations, but
also with an additional part including fingering and bowing based on the practices of Brahms, Johannes contemporary players. (1833-1897) NEW 2015 C. Brown, N. Peres Da Costa, 4 Mélodies Sonatas for Viola and Piano K. Bennett Wadsworth op. 120 for viola and piano Performing Practices in Johannes Ed. M. Staudt. Arrangement Urtext / Eds. C. Brown, Brahms’ Chamber Music N. Peres Da Costa of the viola part by T. Remy- Text booklet in English/German Schumacher Sonata in F min BA 9600 Sonata in E-flat maj BA 6991 Score with part BA 10907 Score with parts
22 viola
Franck, César (1822-1890) NEW 2015 Sonata for Viola and Piano after the Violin Sonata Urtext / Ed. D. Woodfull-Harris With an introduction by G. Schütz BA 10918 Score with part In preparation
Furrer, Beat (*1954) a due for viola and piano (1997) BA 7490
From: Mozart, Concerto in A maj for Viola and Orchestra · BA 5336-90
Martinů, Bohuslav Schubert, Franz (1890-1959) (1797-1828)
Rhapsody-Concerto Sonata in A min “Arpeggione” for Viola and Orchestra (1952) D 821. Arranged for viola and Piano reduction by the piano after the Urtext composer by U. v. Wrochem BA 4316-90 BA 5683 Score with part BA 4316 Study score Seitz, Friedrich Mozart, Wolfgang Amadeus (1848-1918) (1756-1791) Student Concerto in D maj op. 22 Concerto in A maj Transposed to G maj and Jewish Prayer for Viola and Orchestra after arranged for viola and piano Works for Viola NEW 2015 the Clarinet Concerto K. 622 Bärenreiter’s Concert Pieces (Cello) and Organ Anon. arrangement (1802) / BA 8986 à page 67 Ed. S. Kalinowsky Ed. Ch. Hogwood BA 11216 Score with parts Piano reduction @ “This exemplary publication BA 5336-90, BA 4773 ° would serve well as an introduction Jewish Prayer comprises works to the concerto style.” of the Jewish late Romantic Sinfonia concertante (Stringendo) tradition including one of the in E-flat maj K. 364 (320d) repertoire classics for strings, for violin, viola and orchestra. Telemann, Georg Philipp Kol Nidrei by Max Bruch. This With original scordatura viola (1681-1767) edition also contains other part popular performance pieces Urtext / Ed. Chr. H. Mahling Concerto in G maj TWV 51: G 9 such as The Hebrew Melody Piano reduction for Viola and Orchestra op. 23 by Albert Kellermann, BA 4900-90 ° Urtext / Ed. W. Hirschmann Elohenu by Friedrich TP 176 Study score Revised edition Gernsheim, Sarabande op. 8 BA 5878-90 ° Piano reduction by Joseph Sulzer and Prière by Rieding, Oskar Fernand Halphen. These works (1840-1918) The Concerto in G major can be played by professionals (TWV 51: G 9) is not just as well as experienced Concerto in B min op. 35 Telemann’s only concerto for amateurs. Transposed to E min and the viola but one of the earliest arranged for viola and piano viola concertos in history. It Bärenreiter’s Concert Pieces belongs to the standard BA 8983 à page 67 repertoire of every violist and is also suited for less experienced players.
23 Viola / Violoncello
Cellists now have the possibility 2 Violas Violoncello Solo of rendering performances based on just one of the five sources as well as of combining Sassmannshaus, Egon and Kurt Bach, Johann Sebastian the sources in a mixed version. The Sassmannshaus Tradition (1685-1750) Early Start on the Viola (English version) “Bärenreiter has published a treasure here ...” (American String Teacher)
“… a very valuable edition that should be in the library of every thinking cellist.” (Strings)
“It is a very innovative publication, setting a new standard for performance studies for the next century.” (Bach Bibliography)
“This new edition is Six Suites a Violoncello Solo remarkable, historically as senza Basso BWV 1007-1012 accurate as perhaps an editor Scholarly critical performing can be using currently available Viola Book 3: Elementary duets. edition. materials, and provoking Dances and other pieces Slipcase with 7 volumes thought and interest in the in various keys (musical text in modern performer... A modern performer BA 9688 à page 62 engraving, text booklet, really should be aware, as far 5 facsimiles), 352 pages. as possible, of the composer’s Viola Book 4: Duet playing in all Critical report intentions as far as possible, positions “Best Edition 2000” and this edition is unsurpassed BA 9689 à page 62 Urtext / Eds. B. Schwemer, in helping to achieve this. This D. Woodfull-Harris is a must for any serious cellist.” BA 5215 (German) (Ensemble) BA 5216 (English) “This is definitively an This edition has made use of impeccable edition, which will all the five sources which have certainly soon become a come down to us. fundamental part of the library of any cellist...” The basis is the most reliable (Goldberg Magazine) of the sources, the manuscript copy in the hand of A. M. Bach. All variant readings from the four other sources are clearly laid out for performance.
Lesson Book “My Progress” 14.8 x 21 cm. 36 pages. BA 9670 Contains alternating pages with musical staves and regular A = A.M. Bach, B = J.P. Kellner, C & D = anonymous, E = Paris 1824? writing lines. Inserted is a page with 20 stickers in colour. From: Bach, Six Suites (from Suite VI) · BA 5216
24 Violoncello
Bach, Johann Sebastian (1685-1750)
Six Suites BWV 1007-1012 for violoncello solo Ed. A. Wenzinger BA 320
Six Suites BWV 1007-1012 ISBN 978-3-7618-1044-6 Facsimile edition page 72 Battanchon, Felix (1814-1893)
12 Etudes in the Thumb Position for Solo Violoncello op. 25 Ed. M. Rummel From: Gabrielli, The Complete Works for Violoncello · BA 10920 BA 9405 page 26 Duport, Jean-Louis (1749-1819) Grützmacher, Friedrich Popper, David (1832-1903) (1843-1913) 21 Etudes for Violoncello with an Accompaniment Technology of Violoncello Fifteen Easy Melodic-Harmonic of a 2nd Violoncello (ad lib.) Playing. Twenty-four Etudes Etudes for Violoncello with Score with part and text volume for Violoncello Solo op. 38 an Accompaniment of a 2nd Ed. M. Rummel Ed. M. Rummel Violoncello (ad lib.) op. 76 I / BA 6980 page 26 Score and text volume Ten Grand Etudes of Moderate BA 6997 page 26 Difficulty for Violoncello Solo op. 76 Krenek, Ernst BA 6979 page 26 (1900-1991)
High School of Violoncello Two Studies op. 184a/b Playing. Forty Etudes for for 1-4 violoncellos (1963) Solo Violoncello op. 73 BA 8050 BA 6978 page 26 Lee, Sebastian The 15 Easy Etudes are designed (1805-1877) for the first years of lessons and
lead to the 10 Grand Etudes. 40 Easy Etudes for Violoncello The 40 Etudes found in op. 73 with an Accompaniment of a focus on a wide range of 2nd Violoncello (ad lib.) op. 70 techniques found in the major BA 9401 page 26 works in the cello literature. Martin Rummel’s editions offer Merk, Joseph new bowing and fingering to Gabrielli, Domenico (1795-1852) reflect modern playing. (1659-1690) 20 Etudes for Violoncello op. 11 The 40 Etudes op. 73 also include à The Complete Works BA 9411 page 26 a German / English brochure for Violoncello containing technical tips and Urtext / Ed. B. Hoffmann Pintscher, Matthias information by Rummel as well as BA 10920 Score with parts (*1971) references to the cello literature where the individual techniques Ricercares 1 to 7 for solo Figura V / Assonanza are found. cello / Canon for 2 cellos / for violoncello solo (2000) Sonata in G major for cello and BA 7782 basso continuo (1st and 2nd version) / Sonata in A major for cello and basso continuo.
25 Every Cellist’s Studies
Edited by Martin Rummel Newly engraved and corrected Clear, reader-friendly layout With fingering and bowing for today's cellists With fold-out pages where players need them With optimal page turns
Battanchon, Felix Grützmacher, Friedrich Merk, Joseph (1814-1893) (1832-1903) (1795-1852)
12 Etudes in the Thumb Position Technology of Violoncello 20 Etudes for Violoncello op. 11 for Solo Violoncello op. 25 Playing. Twenty-four Etudes BA 9411 BA 9405 for Violoncello Solo op. 38 BA 6997 Score and text volume Only modern edition The French cellist Felix of these studies Battanchon was solo cellist With a brochure (Ger/Eng) Valuable performance tips in the Orchestra of the Grand including playing tips and (Ger/Eng) Opéra in Paris. Further details technical advice of his life have yet to be “This publication is a worthy researched, but what we do “This edition is gloriously know is that he composed addition to any cello library.” uncluttered. The print and (American String Teacher) about 40 works. The vast layout is intelligently arranged majority of his compositions to avoid awkward page turns, are “Salon” pieces for 1 to 3 and the inclusion of a ›technical Popper, David cellos. He also wrote several (1843-1913) collections of etudes. support‹ manual is helpful for highlighting the specific aims of each piece.” (The Strad) Fifteen Easy Melodic-Harmonic The 12 Etudes in the Thumb Etudes for Violoncello with Position are not only suitable an Accompaniment of a 2nd for players who are starting to Violoncello (ad lib.) op. 76 I / play in the thumb position but Lee, Sebastian Ten Grand Etudes of Moderate also for those who are more (1805-1877) Difficulty for Violoncello Solo advanced. op. 76 40 Easy Etudes for Violoncello BA 6979 Duport, Jean-Louis with an Accompaniment of a (1749-1819) 2nd Violoncello (ad lib.) op. 70 High School of Violoncello BA 9401 Playing. Forty Etudes for 21 Etudes for Violoncello Solo Violoncello op. 73 with an Accompaniment The editor has based his edition BA 6978 of a 2nd Violoncello (ad lib.) on the first edition of Sebastian Score with part and text volume Lee’s (1805-1887) etudes from First modern edition of these BA 6980 1855; he has sparingly added standard studies fingering, bow strokes and slurs With a separate score for indicating them editorially so With an additional brochure the ad libitum second cello players can immediately see the in German and English textural alterations. including playing tips and With a brochure (Ger/Eng) references to the cello including playing tips and literature where the individual technical advice techniques are found. 26 Violoncello
Violoncello and Keyboard Instrument
Bach, Johann Christoph Friedrich (1732-1795)
Sonata in G maj for violoncello and bc Ed. H. Ruf BA 3745
From: Bach, Concerto in A min · BA 5136-90
for two solo violins, strings and Bach, Johann Sebastian basso continuo. This edition, in (1685-1750) Bach, Johann Sebastian turn, is an arrangement of the (1685-1750) organ concerto and has been Three Sonatas for Violoncello NEW 2014 scored for violoncello solo, and Harpsichord after the Concerto in A min strings and basso continuo. Gamba Sonatas BWV 1027-1029 for Violoncello, Strings and It was commissioned for the Violoncello part prepared for Basso continuo after BWV 593 renowned cellist Sol Gabetta. performance by Claude Génetay Arranged by J. F. W. Schneider Urtext / Ed. H. Eppstein BA 5136-90 Piano reduction The composer and arranger BA 5210 Score with part Performance material available Joachim F. W. Schneider provides on demand an idiomatic arrangement and Bärenreiter's Cello Collection cellists will welcome this Concert Pieces for Cello and Piano Johann Sebastian Bach’s addition to their repertoire. Ed. Ch. Sassmannshaus BA 9695 famous Concerto for Organ “… an exceptional addition BWV 593 is an arrangement of à page 63 Antonio Vivaldi’s Concerto to the intermediate cello op. 3 no. 8 from L’Estro Armonico concerto repertoire.” (Strings)
27 Violoncello
Violoncello and Beethoven, Ludwig van
Keyboard Instrument (1770-1827)
Variations for Pianoforte and Violoncello WoO 45, Op. 66, WoO 46 Urtext / Ed. J. Del Mar BA 9028 Score with part
Beethoven’s three sets of cello
variations comprise the “Twelve
Variations on a Theme from
Händel’s Oratorio Judas
Maccabeus” (WoO 45), the
“Twelve Variations on the theme
Ein Mädchen oder Weibchen”
(op.66) from Mozart’s opera Die Zauberflöte and the “Seven Variations on the duet Bei Brahms, Johannes Männern, welche Liebe fühlen” (1833-1897) (WoO 46), also from NEW 2015 Beethoven, Ludwig van Die Zauberflöte. Works for Violoncello and (1770-1827) Piano These works have existed in Sonatas for Piano and Urtext / Eds. C. Brown, N. Peres many different editions, some Da Costa, K. Bennett Wadsworth Violoncello op. 5, Nos. 1 and 2, of which have from time to op. 69, op. 102, Nos. 1 and 2 time been (tacitly) reprinted “Best Edition 2005” Sonata in E min op. 38 with corrections to keep up to BA 9429 Score with parts Urtext / Ed. J. Del Mar date with the latest scholarship. BA 9012 Score with part and This new Bärenreiter Urtext critical commentary Sonata in F maj op. 99 edition, however, is the first to BA 9430 Score with parts give all Beethoven’s rhythms in “… five huge sonatas, the violoncello part correctly. important works, thoroughly Bärenreiter’s pioneering researched, impeccably edited, editions offer today’s musicians Beethoven’s autograph a comprehensive approach to re-explored and re-examined manuscript of op.66 is lost; the by Jonathan Del Mar, and the works, which aims to place critical commentary (English) them in their historical context beautifully printed with even includes a complete facsimile the page turns taken account and to elucidate the complex of the violoncello part from the of meanings that the composer of,…” (Piano, GB) only surviving source (the first expected his notation to edition), illustrating the various “Jonathan Del Mar has convey to performers. problems encountered in laboured heroically to present determining the best musical Bärenreiter’s new edition of the The edition comes not only text. complete sonatas for cello and with an Urtext part freed piano by Beethoven – and no from all editorial emendations, l With numerous corrections praise can do justice to this but also with an additional in the violoncello part towering achievement.” part including fingering and (Music Teacher) l Included in the critical bowing drawing on commentary is a complete performance markings by “Anyone who is serious facsimile of the violoncello Robert Hausmann (for whom about performing the part of op. 66, as it appeared Brahms wrote the Sonata in Beethoven Sonatas will want in the first edition F major), Hugo Becker, with this new edition.” (Strings) whom Brahms performed it, Boismortier, Joseph Bodin de and Julius Klengel who was “Cellists, pianists, and (1689-1755) also close to his circle. Beethoven-lovers everywhere have been eagerly awaiting an Sonata in D maj op. 50/3 C. Brown, N. Peres Da Costa, authoritative version of these for violoncello (bassoon or K. Bennett Wadsworth sonatas for far too long; now viola da gamba) and bc Performing Practices in we will have an edition that Ed. H. Ruf Johannes Brahms’ promises to remain THE standard BA 3963 Score with part Chamber Music text for the foreseeable future.” Text booklet in English/German (Steven Isserlis) BA 9600
28 Violoncello
Debussy, Claude (1862-1918)
Sonata for Violoncello and Piano Urtext / Eds. R. Back, D. Woodfull-Harris BA 9412 Score with part
This Urtext edition makes use of, for the first time, Debussy’s sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.
Bärenreiter’s Urtext edition comes with a detailed preface (Ger/Eng/Fr) elaborating not only on the genesis of the composition and its first performances but also providing performance From: Debussy, Sonata for Violoncello and Piano · BA 9412 practice information.
“… this edition is a must for Dvořák, Antonín all cellists. … Many thanks are Dvořák, Antonín (1841-1904) due to Bärenreiter and their (1841-1904) editors.” (Arco) Polonaise in A maj op. post. Concerto in B min (B 94) for violoncello and piano for Violoncello and Orchestra Fingering and bowing by “One should only use this op. 104 edition!” K. Storck BA 9045-90 ° BA 6965 Score with part (Schweizer Musikzeitung) à page 30 Silent Woods op. 68 No. 5 Concerto in B min for violoncello and piano for Violoncello and Orchestra H 1532 op. 104 Bärenreiter Facsimile ISBN 978-3-7618-1849-7 à page 72
° = Performance material available on sale
29 Violoncello
The greatest of all cello concertos
Dvořák, Antonín l With Dvořák’s original (1841-1904) piano reduction
Concerto in B min l With Feuermann's and for Violoncello and Orchestra Casals' alternatives to a op. 104 passage in the first Urtext / Ed. J. Del Mar movement Piano reduction by the composer BA 9045-90 ° “ …, by far the best [edition] we have ever had for Like every other great Dvořák’s masterpiece.” 19th-century solo concerto, (The Strad) Dvořák’s famous cello concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvořák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the orchestral parts are also in his writing.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 – Dvořák’s final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions.
l With Dvořák’s final and definitive version of the solo cello part
l With hundreds of corrections in the solo cello part as well as the orchestral parts
l With hitherto unknown details regarding the collaboration between Dvořák and Wihan
30 Violoncello
Violoncello and
Keyboard Instrument Elgar, Edward This first ever Urtext edition of (1857-1934) Elgar’s popular concerto, edited by Jonathan Del Mar, makes use
Dvořák, Antonín of all existing sources, restores
(1841-1904) the composer’s bowing and
fingering, corrects the often
Slavonic Dances in A maj falsely placed articulation and
op. 46/3 and G min op. 46/8 points out a wrong note in
for violoncello and piano the solo cello part. Ed. J. Chuchro
BA 6962 Score with part First ever critical edition
The Slavonic Dances – originally All existing sources composed for piano four-hands consulted
– number among Dvořák’s most With many color facsimile
popular works. Dvořák wrote pages in the critical
his cello and piano arrangement commentary (Eng), of the Slavonic Dance op. 46/8 information on sources
for a cello-playing friend of his. and performance history. The arrangement of op. 46/3 Concerto in E min for remained a fragment and was “Ownership of this fine, Violoncello and Orchestra op. 85 completed here on the basis of masterly authoritative and Piano reduction by the its fellow piece. elegantly printed edition, composer coupled with the fascinating Urtext / Ed. J. Del Mar Critical Commentary, must be Fauré, Gabriel BA 9040-90 ° (1845-1924) obligatory for all cellists!” TP 398 Study score (ESTA – News & Views) 4 Mélodies BA 9040-40 “I highly recommend this for violoncello and piano Critical commentary Ed. M. Staudt. Violoncello part purchase even if you own a well- prepared by T. Remy-Schneider No distribution rights worn copy of another edition.” BA 6990 Score with part for France. (American String Teacher)
Fesch, Willem de (1687-1757)
Sonata in D min op. 13/4 for violoncello and bc Ed. H. Ruf BA 3962 Score with part
Franck, César (1822-1890) NEW 2015 Sonata for Violoncello and Piano Urtext / Ed. D. Woodfull-Harris With an introduction by G. Schütz BA 10917 Score with part In preparation
31 Violoncello
Violoncello and Keyboard Instrument Lalo, édouard (1823-1892)
Gabrielli, Domenico Concerto in D min for (1659-1690) Violoncello and Orchestra “Best Edition 2007” The Complete Works Urtext / Ed. H. Macdonald for Violoncello Piano reduction by the Urtext / Ed. B. Hoffmann composer BA 10920 Score with parts BA 6999-90 ° à page 25 The autograph score of Lalo’s much played concerto is lost; Hummel, Johann Nepomuk The editor Hugh Macdonald, (1778-1837) has discovered that Lalo’s piano reduction was used as Sonata op. 104 a working score by Lalo for Pianoforte and Violoncello himself. He continued to make some orchestral passages to be Urtext / Ed. M. Kroll alterations to the work in the re-orchestrated to match up BA 10904 reduction even after the work with Lalo’s final alterations. In preparation was officially published. These changes provide for many corrections in the solo part as First ever critical edition we know it, but also call for JanáČek, Leoš (1854-1928)
Martinů, Bohuslav (1890-1959)
Sonata da camera for violoncello and chamber orchestra (1940) BA 4319-90 Piano reduction BA 4319 Study score
Sonata No. 3 for violoncello and piano Ed. A. Březina, cello part revised by M. Sedlák H 7893
Variations on a Slovakian Works for Violoncello and Piano Theme Urtext / Eds. J. Fukač, B. Havlík, Jewish Prayer for violoncello and piano (1959) NEW 2015 J. Zahrádka Works for Viola BA 3969 BA 9509 Score with part (Cello) and Organ Ed. S. Kalinowsky Mozart, Wolfgang Amadeus In the supplement of this BA 11216 Score with parts (1756-1791) edition an early version of A Tale is included. The source to Jewish Prayer comprises works Sonata in B-flat maj this version is a copy owned by of the Jewish late Romantic for violoncello (bassoon) and Antonín Váňa, one of the tradition including one of the piano according to K. 292 (196c) first interpreters of the repertoire classics for strings, or for two bass instruments K. composition. The early version Kol Nidrei by Max Bruch. This 292 (196c). Arranged by M. Töpel of A Tale offers a valuable and edition also contains other after the Urtext / Ed. D. Berke interesting alternative to popular performance pieces BA 6974 today’s known version with its such as The Hebrew Melody marked differences such as the op. 23 by Albert Kellermann, ° = Performance material considerably changed ending of Elohenu by Friedrich Gernsheim, available on sale the first movement and the Sarabande op. 8 by Joseph = Performance material original form of four Sulzer and Prière by Fernand available on hire movements. Halphen.
32 Violoncello
Picinetti, Felice Maria Rieding, Oskar (circa 1700) (1840-1918)
Sonata in C maj Concerto in B min op. 35 for violoncello and bc Transposed to D min and Ed. W. Upmeyer arranged for cello and piano BA 6963 Score with part Bärenreiter’s Concert Pieces BA 8984 à page 67 Felice Maria Picinetti is one of those composers who did not Saint-Saëns, Camille make a lasting mark on the (1835-1921) history of music. He is believed to have been active as a cellist Allegro Appassionato in Dresden around 1733. His in B min op. 43 cello sonata hints at a lively for violoncello and piano temperament and a solid Urtext / Ed. Ch. Baur training in the Baroque sonata BA 9047 Score with parts M. Edmondson. The solo parts da chiesa style. It affords are generously laid out with a cellists a welcome opportunity This is the first ever critical fold-out page. of performing Baroque music as edition of Saint-Saëns‘ popular a soloist instead of as a work. It includes readings from continuo player. Schoeck, Othmar the version for orchestra (1886-1957) rendered as ossias and contains Pintscher, Matthias an enlightening preface in English, (*1971) Sonata German and French. Two solo for violoncello and piano (1957) parts are included: an unmarked BA 3960 Reflections on Narcissus Urtext part and a second part for violoncello and orchestra with fingering and bowing by (2004/05) BA 7772 Study score
Popper, David (1843-1913)
Im Walde / In the Forest op. 50 Suite for violoncello and piano Ed. M. Rummel BA 6996 Score with parts First modern edition of the complete suite Two cello parts, one with Popper’s fingering and bowing and one modified for the modern cello Moderate degree of difficulty With performance tips by the editor (Ger/Eng)
“…here we have a scholarly, beautifully produced edition which includes an extensive preface on Popper's complicated personal life, his impressive career and also a comprehensive introduction, including the historical background to cello playing and detailed suggestions concerning the performance of these six pieces.” (ESTA – News & Views) From: Popper, In the Forest · BA 6996
33 Violoncello
Violoncello and Stamitz, Carl
Keyboard Instrument (1746-1801)
Concertos for Violoncello Schubert, Franz and Chamber Orchestra (1797-1828) Ed. W. Upmeyer
- Concerto No. 1 in G maj Sonata in A min “Arpeggione” HM 104-90 Piano reduction D 821. Version for violoncello HM 104 ° and piano. Based on the Urtext. Arrangement of the violoncello - Concerto No. 2 in A maj part by K. Storck BA 3711 Piano reduction BA 5685 Score with part BA 6091
Schumann, Robert - Concerto No. 3 in C maj (1810-1856) HM 105-90 Piano reduction HM 105 ° Fairy Tales op. 113 Transcription for violoncello and Telemann, Georg Philipp Vivaldi, Antonio piano by R. Hausmann (1852-1909) (1681-1767) (1678-1741) Ed. K. Storck HM 281 Score with part Sonata in D maj from Complete Sonatas “Der getreue Musikmeister” for violoncello and bc RV 39–47 Our version of the “Fairy Tales” for violoncello and bc Urtext / Ed. B. Hoffmann for cello and piano was written Ed. J. D. Degen Score with figured bass by Robert Hausmann, one of the HM 13 Score with part realization, violoncello part best-known cellists of the 19th and figured continuo part century. His arrangement is BA 6995 Score with parts note-worthy for its close proximity to the original. Even the By closely scrutinizing the use of dynamics and articulation source material, the editor has betrays a sensitive approach to arrived at interesting findings Schumann’s original which was that considerably differ from composed for viola or violin and earlier editions of these works. piano. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an Seitz, Friedrich edition probably made without (1848-1918) the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously Torelli, Giuseppe unknown source for Sonata (1658-1709) RV 44.
Sonata in G maj A detailed preface provides for violoncello and bc essential information on the Ed. F. Giegling sources and their assessment, HM 69 Score with part with a section on performance practice offering valuable Trojahn, Manfred suggestions on interpretation. (*1949) “This is certainly the Sonata II definitive edition of these Student Concerto in D maj for violoncello and piano (1983) works.” (Strings) op. 22 transposed to G maj and BA 7095 arranged for cello and piano “This edition is invaluable Bärenreiter’s Concert Pieces for all performers of the BA 8987 à page 67 Sonatas.” (Ensemble)
34 V ioloncello / Viola da gamba
Offenbach, Jacques Viola da gamba and 2 Violoncellos (1819-1880) Two Duets op. 52/2, 3 Keyboard Instrument Ed. K. Storck BA 6972 Abel, Karl Friedrich (1723-1787) Sassmannshaus, Egon and Kurt Corssen, Michael The Sassmannshaus Tradition Six Sonatas for viola da gamba (violin) and bc Early Start on the Cello Cello method for children 4 years - Volume 1 and older (English version) Sonatas in E min, D maj, G maj Volume 3 Ed. J. Bacher Elementary duets. Dances and HM 39 other pieces in various keys BA 8998 page 63 - Volume 2 Sonatas in C maj, A maj, A maj Volume 4 Ed. W. Woehl Duet playing in all positions HM 40 BA 8999 à page 63
Classic Hits for 2 Cellos Arranged by M. Edmondson 4 Violoncellos Ready to Play BA 10611 2 Performance scores page 57 Violoncello x 4 Well-known Pieces from the Popular themes from works 19th Century in Arrangements by Classical and Romantic for four Violoncellos composers have been arranged Arranged by D. Geller for two cellos, with added With fingering and bowing bowing and fingering. The pedagogic value of these easy - Book 2 arrangements lies primarily in BA 6967 Score with parts the equal treatment of both parts. Robert Schumann, “Am Kamin” [Scenes from With works by C. M. v. Weber, Childhood]; Frédéric Chopin, Bach, Johann Sebastian W. A. Mozart, F. Schubert, Prélude op. 28/6; Edvard Grieg, (1685-1750) L. v. Beethoven a.o. “Springtanz”; Frédéric Chopin, Prélude op. 28/5; Johannes Three Sonatas BWV 1027-1029 Brahms, Waltz op. 39/15 for viola da gamba (viola) and harpsichord Krenek, Ernst Urtext / Ed. H. Eppstein (1900-1991) BA 5186 Score with parts Dyophonie op. 241 Books on the Viol for two violoncellos (1988) Boismortier, Joseph Bodin de BA 7220 Ortiz, Diego (1689-1755) Trattado de Glosas Two Studies op. 184 a/b Sonata in D maj op. 50/3 for 1–4 violoncellos (1963) ISBN 978-3-7618-1594-6 page 73 for viola da gamba (violoncello BA 8050 or bassoon) and bc Ed. H. Ruf Mozart, Wolfgang Amadeus Otterstedt, Annette BA 3963 (1756-1791) The Viol ISBN 978-3-7618-1151-1 Sonata in B-flat maj page 74 for violoncello (bassoon) and piano according to K. 292 (196c) “In sum a ›Viol’s or for two bass instruments K. 292 (196c). Arranged by M. Töpel Monument‹ and highly after the Urtext / Ed. D. Berke recommended reading for all BA 6974 Score with parts ›lovers‹ of music.” (Goldberg)
35 V iola da gamba / Double Bass
2 Violas da gamba Viola da gamba Double Bass Quartet
Morley, Thomas (1557-1603) Bach, Johann Sebastian (1685-1750) Nine Fantasies for two violas da gamba (melodic instruments) The Art of Fugue BWV 1080 Ed. H. Diener Ed. N. Dolmetsch HM 136 Performance score - Version for viola da gamba quartet (a: descant gamba I, Telemann, Georg Philipp (1681-1767) d: tenor gamba II, e: viola, f: tenor gamba I)
Three Duets in B-flat maj, BA 2600 a, d, e, f TP 26 Score D maj, G maj for two melodic instruments (violas da gamba, recorders, flutes, violins or oboes) from Der getreue Musikmeister Bärenreiter's Double Bass Ed. J. D. Degen Collection HM 11 Performance score Concert Pieces for Double Bass and Piano Eds. J. P. Close, H. Sassmannshaus BA 9696 Double bass part and enclosed piano accompaniment The edition contains 19 concert pieces which are easy to rehearse yet sound effective from the Baroque, Classical and Romantic periods. In addition there are newly composed pieces by the Polish bass player Boguslaw Furtok (*1967). Easy to medium level of difficulty Beethoven, Adagio from the Sonatina for Mandoline and Harpsichord / J. S. Bach, Largo / Fauré, Après un rêve / Dancla, Polka / Tschaikowsky, Chanson triste / Fauré, Sicilienne / Saint-Saëns, The Swan, a. o. à page 64
Sassmannshaus, Holger Close, J. Peter
The Sassmannshaus Tradition Early Start on the Double Bass Bass method for children 6 years and older BA 9661 Volume 1 (Eng) BA 9662 Volume 2 (Eng/Ger) BA 9663 Volume 3 (Eng/Ger) From: Bärenreiter's Double Bass Collection · BA 9696 à page 65
36 Chamber music
Violin and Violoncello String Duo
Violin and Viola
Ravel, Maurice Mozart, Wolfgang Amadeus (1875-1937) (1756-1791) Sonata for Violin and Two Duos for Violin and Violoncello Classic Hits Violoncello after K. 423, 424 Urtext / Ed. D. Woodfull-Harris for Violin and Viola Anon. arrangement (1805) / With an introduction Arranged by V. Bodunov Ed. D. Berke by J. Appold Ready to Play BA 9164 Reference score BA 9417 2 Performance scores BA 10626 2 Performance scores and parts Bärenreiter’s scholarly-critical Dietrich Berke, editor of the edition, the first ever of this In these arrangements of New Mozart Edition and editor masterpiece, contains an intro- well-known melodies from the of the volume containing the duction on the history of the Baroque, Classical and Romantic duos, clearly shows the path work reflecting Ravel’s periods both players are of equal from the Mozart autograph to collaboration and rehearsals standing, the role of soloist and the anonymous arrangement with violinist Hélène Jourdan- accompanist changing and offers us a preface on the Morhange and cellist Maurice constantly. The arrangements duos and their place in Maréchal. stand out for their fidelity to the domestic music making at the original works. turn of the 19th century. Included in the appendix are the original fingerings by the J. S. Bach, Badinerie from performers. the Orchestral Suite No. 2 /
Mozart, Eine kleine Nachtmusik / No distribution rights for France Bizet, Habanera from Carmen / and Spain. Grieg, In the Hall of the
Mountain King from the Peer
Gynt Suite / Vivaldi, Winter from
The Four Seasons, a.o. The Roots of Jazz for Violin and Violoncello Arranged by G. A. Speckert Ready to Play Mozart, Wolfgang Amadeus (1756-1791) BA 10606 2 Performance scores à page 57 Duos for Violin and Viola K. 423, 424 Urtext / Ed. D. Berke BA 4772 Reference score Viola and Violoncello and parts Pintscher, Matthias Pintscher, Matthias Twelve Duets K. 487 for two (*1971) horns. Arranged for violin and (*1971) viola by W. Müller-Crailsheim Janusgesicht HM 115 Performance score Study I for treatise on the veil for viola and violoncello (2001) for violin and violoncello (2004) BA 8271 Performance score BA 8595
37 Chamber music
String Trio String Duo
Dvořák, Antonín Violoncello (1841-1904) and Double Bass
Rossini, Gioachino (1792-1868)
Duet for Violoncello and Double Bass Urtext / Ed. Ph. Gossett BA 10544 Score with parts
Composed in London near the end of 1824, the Duetto is one Dragonetti on matters dealing of Rossini's few chamber music with the instrument. works regularly performed today. Bärenreiter’s critical edition is It is a light and charming the only currently available composition yet requires publication which is based on experienced performers. Rossini’s autograph and not on the first edition. The work was often performed Terzetto in C maj op. 74 th in the 19 century by the double Urtext based on the Works for two violins and viola bass virtuoso Domenico of Gioachino Rossini Ed. J. Burghauser Dragonetti (called “Il drago” or BA 9543 Parts in slipcover “Paganini of the double bass”) First critical edition of the and we know that Rossini was work In 1887 Antonín Dvořák acquainted with and consulted “Highly recommended.” composed the Terzetto for two (Arco) violins and viola as occasional composition for amateurs.
Based on the Complete Edition of the Works of Antonín Dvořák, Vol. IV/4 Repertoire of medium difficulty
“This is a quality edition of a useful and charming piece for upper-string players …” (Stringendo)
“The edition is clean and unfettered, …” (Strings)
Krenek, Ernst (1900-1991)
Streichtrio in zwölf Stationen op. 237 (1985) for violin, viola and violoncello BA 7042 Score, parts in slipcover
MartinŮ, Bohuslav (1890-1959)
String Trio No. 1 (H. 136) Ed. E. Velická. First edition H 7965-22 Parts in slipcover H 7965 Study score
38 Chamber music
String Quartet
Bach, Johann Sebastian (1685-1750)
The Art of Fugue BWV 1080 Ed. H. Diener
- Version for string quartet (a: violin I, b: violin II, c: viola, d: violoncello) BA 2600 a,b,c,d TP 26 Score
Beethoven, Ludwig van (1770-1827) Mozart, Wolfgang Amadeus (1756-1791) String Quartets page 40 Debussy, Claude Divertimento in E-flat maj K. 563 Berwald, Franz (1862-1918) for violin, viola and violoncello (1796-1868) Urtext / Ed. D. Berke String Quartet BA 4844 Parts in slipcover String Quartets in G min, Urtext / Ed. D. Woodfull-Harris TP 319 Study score A min and E-flat maj BA 9414 Parts in slipcover Urtext / Eds. N. Castegren, TP 414 Study score Schubert, Franz L. Frydén, E. Lomnäs (1797-1828) BA 8513 Parts in slipcover Claude Debussy’s groundbreaking quartet has Complete String Trios Cowboy Songs for Strings never been edited using all for violin, viola and violoncello. Arranged by G. A. Speckert known sources; the Bärenreiter With all drafts and versions BA 8136 Score with five parts: scholarly-critical edition fills Urtext / Ed. W. Aderhold V I, V II, Va (V III), Vc this noticeable gap. BA 5609 Parts in slipcover Drawing on Debussy’s TP 306 Study score Home on the Range / sketches, autograph score Arkansas Traveler / Down in the and proofs corrected by the This edition includes both composer as well as printed versions of Schubert’s string Valley / Red River Valley / She’ll be comin’ round the editions and letters, this trio D 581 as well as all edition finally documents his drafts for string trio. mountain / The Yellow Rose of Texas / Oh my Darlin’ the genesis of this important chamber music work. page 66 Numerous engraving mistakes have been corrected and the differences between the first edition parts and score have been clarified. A critical commentary details all editorial decisions and an Schubert, Franz appendix lists the changes (1797-1828) made in the 1929 posthumous re-engraving of the score. Complete Chamber Music in 3 Volumes “Bärenreiter’s scholarly- Urtext. Study score edition critical edition leaves nothing ISBN 978-3-7618-1280-8 to be desired.” (Stringendo) Vol. 1: Chamber Music with Varied Instrumentation Vol. 2: Complete String Quartets Vol. 3: Chamber Music with Piano
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39 Chamber music
“... magnificent and mandatory”
Beethoven, Ludwig van (1770-1827)
String Quartets op. 18, 1-6 Urtext / Ed. J. Del Mar BA 9016 Parts in slipcover BA 9016-40 Critical commentary TP 916 Study score
String Quartets op. 59, 1-3 Urtext / Ed. J. Del Mar BA 9017 Parts in slipcover BA 9017-40 Critical commentary TP 917 Study score
“Del Mar, widely acclaimed Beethoven scholar, has published perhaps the most authoritative and complete urtext edition of the famous »Razumovsky« Beethoven string quartets.” String Quartets opp. 74, 95 Critical commentary (Eng) (American String Teacher) Urtext / Ed. J. Del Mar with facsimile pages BA 9018 Parts in slipcover “To sum up this edition in Meticulously laid out two words: magnificent and BA 9018-40 performance parts mandatory.” (Arco) Critical commentary Study scores include TP 918 Study score “Del Mar's editions of the historical introduction string quartets are essential (Ger/Eng) by Barry Cooper additions to the libraries of all serious string players.” (The Beethoven Journal)
40 Chamber music
String Quartet Dvořák, Antonín (1841-1904) NEW 2014 Dvořák, Antonín String Quartet No. 5 in F min (1841-1904) op. 9 Eds. J. Burghauser, A. Čubr Cypresses / Cypřiše Original preface by H 6663 Parts in slipcover J. Burghauser (Cz/Eng/Ger), H 2306 Study score updated and expanded by H. Schick
BA 9545 Parts in slipcover TP 535 Study score
String Quartet No. 7 in A min
op. 16 H 2849 Parts in slipcover
String Quartet No. 8 in E maj Fauré, Gabriel (1845-1924) op. 80 H 1834 Parts in slipcover String Quartet op. 121 Urtext / Ed. J. W. Sobaskie String Quartet No. 9 in D min op. 34 BA 7901 Parts in slipcover TP 412 Study score H 1481 Parts in slipcover Gabriel Fauré’s only string String Quartet No. 11 in C maj quartet which he composed in op. 61 1923-24 is the composer’s final String Quartet No. 1 H 1791 Parts in slipcover work and was written when he in A maj op. 2 was already extremely ill. Ed. J. Burghauser, A. Čubr He added dynamics and slurs BA 9539 Parts in slipcover only in some parts of the TP 539 Study score exposition of the first movement and then asked Dvořák did not return to his former pupil Jean Roger- working on op. 2 until 1887, Ducasse to complete the work. when he was revising his early Roger-Ducasse’s additions were works. He deleted sections however very extensive; he from this substantial quartet even altered and supplemented sparing only the Scherzo; the some of Fauré’s own markings other movements where all cut in the exposition. by up to a third. The work was finally premiered by orchestral Bärenreiter’s first ever musicians from the National scholarly- critical edition of the Theatre, but a printed edition quartet utilises all sources was not published until the including the composer’s letters middle of the 20th century. which provide valuable insights into the origins of the This new Bärenreiter edition composition. presents the main musical text from the Complete Edition of String Quartet No. 12 in F maj l First scholarly-critical edition 1989 which gives the work in “American” op. 96 of this work its final form, after Dvořák’s H 1594 Parts in slipcover revision. The edition is based l High-quality Urtext edition on the autograph and on based on the Complete hand-written parts. String Quartet No. 13 in G maj Works of Gabriel Fauré op. 106 NEW 2014 H 1732 Parts in slipcover String Quartet No. 2 “… editor James William in B-flat maj (B 17) Sobaskie has done an admirable Two Waltzes op. 54 No. 1 job …” (Notes) Eds. A. Pokorný, K. Šolc in A maj, No. 4 in D-flat maj BA 9540 Parts in slipcover H 2803 Parts in slipcover TP 540 Study score No distribution rights for the USA.
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Indian Chants for Strings Martinů, Bohuslav String Quartet Arranged by G. A. Speckert (1890-1959) BA 9402 Score with five parts: Fiddle Tunes V I, VII, Va (V III),Vc String Quartet No. 5 Eds. A. Březina, A. Klemens (Irish Music for Strings) H 7941-22 Parts in slipcover Arranged by G. A. Speckert “This would be at the top H 7941 Study score BA 8145 Score with five parts: of my list for something new, V I, V II, Va (V III), Vc different, and fun for young String Quartet No. 6 page 66 students in a group class.” Eds. A. Březina, I. štraus (Stringendo) Revised edition page 66 H 7968-22 Parts in slipcover
H 7968 Study score
Merry Christmas for Strings Arranged by G. A. Speckert BA 8140 Score with five parts: V I, V II, Va (V III), Vc page 66
Mexican Hat Dance for Strings Arranged by G. A. Speckert BA 8141 Score with five parts: V I, V II, Va (V III), Vc
page 66
Mozart, Wolfgang Amadeus (1756-1791) Janáček, Leoš Eine kleine Nachtmusik in G Franck, César (1854-1928) (1822-1890) maj K. 525 for string quartet Urtext / Ed. E. F. Schmid String Quartet No. 1 after BA 4700 Parts in slipcover String Quartet Tolstoy's “Kreutzer Sonata” TP 19 Study score Urtext / Ed. C. Strucken-Paland Urtext / Eds. L. Faltus, BA 9421 Parts in slipcover M. Štĕdroň TP 421 Study score BA 9520 Parts in slipcover TP 520 Study score César Franck's string quartet was completed and premiered “Bärenreiter has a reputation in 1890 shortly before the for high quality editions, and composer's death; he did not this volume does not disappoint: live to see the work published. accurate notes and markings, Now Bärenreiter presents the well laid out, and visually string quartet in a scholarly- attractive.” critical edition for the first time. (American String Teacher) This publication draws on the first edition, the engraver’s String Quartet No. 2 copy used for the first edition, “Intimate Letters” and the sketches with their Urtext / Eds. L. Faltus, many crossed out attempts M. Štĕdroň which contain an earlier version BA 9533 Parts in slipcover of the first movement as well TP 533 Study score The Ten Celebrated String as a copy of the autograph. Quartets Franck’s letters and a set of Krenek, Ernst in G maj K. 387, in D min K. 421, hand-written parts which he (1900-1991) in B-flat maj K. 458, in E-flat produced for Eugene Ysaÿe’s maj K. 428, in A maj K. 464, string quartet have also been Five Short Pieces for Strings in C maj K. 465, in D maj K. 499, taken into account. op. 116 (1948) for violin I, in D maj K. 575, in B-flat maj violin II, viola, violoncello K. 589, in F maj K. 590 l First Urtext edition of BA 6154 Study score, Parts ° Urtext / Ed. L. Finscher Franck’s masterwork BA 4750 Parts in slipcover TP 140 Study score
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Mozart, Wolfgang Amadeus (1756-1791) Ravel, Maurice (1875-1937) The Thirteen Early String Quartets String Quartet Urtext / Eds. K. H. Füssl, Urtext / Ed. J. Appold W. Plath, W. Rehm BA 9413 Parts in slipcover TP 413 Study score with - Volume 1: Quartets in G maj critical commentary K. 80, in D maj K. 155, in G maj K. 156, in C maj K. 157 No distribution rights BA 4847 Parts in slipcover for France, Italy and Spain; the edition will become - Volume 2: Quartets in F maj available in France and Italy K. 158, in B maj K. 159, on 1 January 2016. in E-flat maj K. 160 “For me very clearly one of BA 4848 Parts in slipcover the most important new editions this year.” (Ensemble) - Volume 3: Quartets in F maj K. 168, in A maj K. 169, in C maj “There is a wealth of “Bärenreiter's meticulously K. 170 information here about this clear parts are a pure pleasure BA 4849 Parts in slipcover captivating work. The parts to read.” (Strings) and score combined are not - Volume 4: Quartets in E-flat expensive and well worth this maj K. 171, in B-flat maj K. 172, excellent publication.” (Arco) in D min K. 173 BA 4850 Parts in slipcover
Three Divertimenti K. 136-138 (125a-c) for string quartet Urtext / Ed. K. H. Füssl BA 4860 Parts in slipcover TP 278 Study score
Pfitzner, Hans (1869-1949)
String Quartet in D min (1886). First edition Ed. H. Rectanus BA 19115 Parts in slipcover
Pintscher, Matthias (*1971)
Figura II / Frammento for string quartet (1997) BA 7486 Performance score
Figura IV / Passaggio for string quartet (1999) BA 7500 Performance score
4th String Quartet “Ritratto di Gesualdo” (1992) BA 7270 Score Four performance scores in slipcover
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- String Quartet in D min String Quartet “Death and the Maiden” D 810 Urtext / Ed. W. Aderhold Schubert, Franz BA 5613 Parts in slipcover (1797-1828) TP 301 Study score
Complete String Quartets - String Quartet in G maj D 887 op. post. 161 - String Quartets I Urtext / Ed. W. Aderhold Quartet in D maj D 94, Overture BA 5616 Parts in slipcover in C min D 8 A, Quartet in C maj TP 303 Study score D 46, Minuet in D maj D 86. Five Minuets and five German Complete Chamber Music in 3 Volumes page 39 Dances D 89 Urtext / Eds. M. Chusid, D. Finke-
Hecklinger, W. Aderhold BA 5625 Parts in slipcover
- String Quartets II Quartet in G min/B-flat maj Suk, Josef (1874-1935) D 18, Quartet in C maj D 32, NEW 2015 Quartet in B-flat maj D 36, Quartet in B-flat maj D 68 String Quartet No. 2 op. 31 Urtext / Ed. M. Chusid Urtext / Ed. Z. Nouza BA 5631 Parts in slipcover BA 9536 Parts in slipcover TP 536 Study score - String Quartets III Quartet in D maj D 74, Quartet The single-movement String in E-flat maj D 87 (op. post. Quartet No. 2 by Josef Suk was 125/1), Quartet in B-flat maj written at the height of his D 112 (op. 168), Quartet in G min compositional powers. D 173, Quartet in E maj D 353 Completed in 1911, this (op. post. 125/2), Quartet in C Smetana, Bedřich demanding work, with its min D 103, fragment of the first (1824-1884) complex harmonies and movement motivic structure, seemed Urtext / Ed. W. Aderhold String Quartet No. 1 avant-garde for its day: the BA 5636 Parts in slipover in E min “From my Life” Berlin première of November Urtext / Eds. F. Bartoš, J. Plavec, 1912 was accompanied by K. Šolc protests from the audience. BA 9516 Parts in slipcover Now Zdeněk Nouza is TP 516 Study score presenting the first scholarly- String Quartet No. 2 in D min critical edition of this piece. Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc l First Urtext edition BA 9517 Parts in slipcover TP 517 Study score
Suk, Josef Tango for Strings Ed. G. A. Speckert (1874-1935) BA 9415 Score with five parts String Quartet No. 1 VI, VII, Va (VIII), Vc in B-flat maj op. 11 7 original compositions to be Urtext / Ed. Z. Nouza performed either by string BA 9530 Parts in slipcover quartets or larger string TP 530 Study score ensembles. Suk re-wrote the fourth movement of his first string “The arrangements are very - String Quartet in A min quartet twenty years after its string-friendly, with an authentic “Rosamunde” D 804 op. 29, completion. Despite his use of tango feel, which make them String Quartet in C min the same thematic material, grateful to learn and particularly “Quartett-Satz” D 703 the new version differs so to perform.” (Music Teacher) Urtext / Ed. W. Aderhold substantially that this movement page 66 BA 5614 Parts in slipcover is frequently performed on its TP 304 Study score own. The later version of 1915 is included in this edition.
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Trojahn, Manfred (*1949)
Deux pièces brèves for string quartet (1973) BA 7058 Four performance scores
Fragmente für Antigone Six pieces for string quartet (1988) BA 7195 Performance score
Palinsesto for string quartet and soprano (1996) BA 7446 Score BA 7446-22 Parts in slipcover 3rd String Quartet (1983) Mozart, Wolfgang Amadeus Dvořák, Antonín (1756-1791) BA 7098 Performance score (1841-1904)
Complete String Quintets String Quintet in E-flat maj K. 174, 406, 515, 516, 593, 614 String Quintet op. 97 for two violins, two violas and for two violins, two violas and violoncello Dvořák, Antonín violoncello Urtext / Eds. E. Hess, E. F. Schmid (1841-1904) Ed. F. Bartoš BA 4771 Parts in slipcover BA 9542 Parts in slipcover TP 159 Study score Nocturne in B maj op. 40 TP 532 Study score for two violins, viola, violoncello Schubert, Franz and double bass The String Quintet in E-flat (1797-1828) H 6590 Score with parts major op. 97 (with two violas) is the third work Dvořák Ouverture in C min D 8 String Quintet in A min op. 1 composed during his stay in for two violins, two violas and for two violins, two violas and America. The use of particular violoncello violoncello melodic and rhythmic Urtext / Ed. M. Chusid H 6782-22 Parts in slipcover elements in his American BA 5637 Parts in slipcover compositions, as typically found in Afro-American NEW 2014 String Quintet gospels, strengthened the in G maj op. 77 for two violins, gathering conception viola, violoncello and double considering Dvořák to be the bass founder of an American Eds. F. Bartoš, A. Pokorný national style of music. BA 9577 Parts in slipcover TP 577 Study score Mozart, Wolfgang Amadeus Dvořák’s String Quintet in G (1756-1791) major op. 77 had five movements when it was Adagio and Fugue in C min premiered on 18 March 1876. for Strings K. 546 Its second movement was Urtext / Ed. W. Plath the Intermezzo from his String BA 5378 Score with parts: Quartet in E minor (1870). V I, V II, Va, Vc, Cb Later Dvořák removed this movement from the quintet, expanded it, and published it as a separate Notturno for String Quintet in C maj D 956 string orchestra op. 40. The op. post. 163 for two violins, Intermezzo is included in its viola and two violoncellos original version in the appendix Urtext / Ed. M. Chusid of the score. BA 5612 Parts in slipcover l Dvořák’s famous quintet TP 287 Study score with double bass
45 Chamber music
Dvořák, Antonín
String Sextet (1841-1904) String Orchestra
String Sextet in A maj op. 48 for two violins, two violas and Dvořák, Antonín (1841-1904) two violoncellos Eds. J. Burghauser, A. Čubr BA 9566 Parts in slipcover Serenade in E maj for Strings op. 22 The String Sextet in A major was Ed. R. Tait composed during the time when BA 10423 Antonín Dvořák was beginning to In preparation become famous. It was written in 1878 during his so-called Slavic period, when the composer was Elgar, Edward specifically enriching his music (1857-1934) with folk elements.
Mozart, Wolfgang Amadeus (1756-1791)
Brahms, Johannes (1833-1897)
Sextet in B-flat maj op. 18 for two violins, two violas and two violoncellos Urtext / Ed. Ch. Hogwood BA 9419 Parts in slipcover TP 419 Study score
Sextet in G maj op. 36 for two violins, two violas and two violoncellos Urtext / Ed. Ch. Hogwood Serenade for Strings op. 20 BA 9420 Parts in slipcover Urtext / Ed. Ch. Hogwood TP 420 Study score BA 9041 Score, string parts ° The Bärenreiter Urtext editions are the first scholarly-critical Grande Sestetto Concertante Modern editions of the editions of these much- for two violins, two violas and Serenade have always suffered performed works. Hogwood two violoncellos (1808) after from an enormous number of has taken all known sources the Sinfonia Concertante K. 364 inconsistencies between the into consideration including Ed. Ch. Hogwood score and parts and unclear the versions for piano two and BA 9504 Score divisi and unison passages. four hands which the composer BA 9504-22 Parts in slipcover The editor has clarified these wrote as well as a set of discrepancies, drawing on contemporary performing “Enterprising chamber Elgar’s version of the work for parts which offer variant piano four hands (the original readings and insights into players will welcome a masterwork in this guise with version) and the autograph performance practice during manuscript of the first Brahms’s lifetime. the orchestra parts cleverly embedded and well balanced, movement. The edition also The study scores include giving each the opportunity to contains a facsimile showing facsimile pages, a foreword revel in one of Mozart's most the original ending of the third (Ger/Eng), a critical beautiful works.” (Strings) movement as well as an commentary (Eng), and informative foreword (Ger/ information on the history of Schulhoff, Erwin Eng) and a critical commentary the compositions. (1894-1942) (Eng).
“Christopher Hogwood’s Sextet for two violins, two No distribution rights for pristine editions of these well- violas and two violoncellos France. loved works will delight (1920-24) chamber music aficionados.” Ed. M. Rische (Stringendo) BA 7488 Study score BA 7488-22 Parts in slipcover
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Mozart, Wolfgang Amadeus Fauré, Gabriel (1756-1791) Piano Trio (1845-1924)
Adagio and Fugue in C min for Strings K. 546 Violin, Violoncello Urtext / Ed. W. Plath and Piano BA 5378 Score with parts: V I, V II, Va, Vc, Cb Brahms, Johannes “Eine kleine Nachtmusik” (1833-1897) in G maj K. 525 for strings Trio op. 87 Urtext / Ed. E. Schmid Urtext / Ed. Ch. Hogwood BA 4701 ° Score BA 9436 Score with parts TP 19 Study score à page 48
Three Divertimenti for Strings Trio op. 101 K. 136-138 (125a-c) Urtext / Ed. Ch. Hogwood Urtext / Ed. K. H. Füssl BA 9437 à page 48 BA 4857 ° Score, string parts Trio op. 120 NEW 2014 Urtext / Ed. J. W. Sobaskie Piano Trio after BA 7902 Score with parts the Sextet in B-flat maj op. 18 Fantasia in F min for Strings arranged by Theodor Kirchner Gabriel Fauré’s piano trio, his (1799) after Ein Orgelstück (1823-1903) penultimate work, was für eine Uhr K. 608 Urtext / Ed. Ch. Hogwood composed in 1922-23 and Ed. Ch. Hogwood BA 9441 Score with parts published in June 1923. BA 9505 Score à page 48 BA 9505-22 Parts in slipcover Until now the composition has always presented musicians l Almost unknown music Dvořák, Antonín with considerable problems from Mozart’s final year (1841-1904) as the score offers conflicting Dumky / Dumkas op. 90 readings when compared with l Additional double bass part the separate string parts. provided to allow H 1551 Score with parts performances with chamber In preparation: Bärenreiter’s first ever critical orchestra Dumky / Dumkas op. 90 edition of this masterpiece Urtext / Ed. Ch. Flamm finally unites the parts with l With detailed preface, BA 9567 the score. All variants appear in critical report (Eng/Cz/Ger) the critical commentary to the and facsimiles Piano Trio in B-flat maj op. 21 corresponding complete edition H 1128 Score with parts volume of the Complete Works H 2584 Study score of Gabriel Fauré. Purcell, Henry (1659-1695) Piano Trio in G min op. 26 First scholarly-critical edition Eds. A. Pokorný, K. Šolc of this work Fantasias for strings BA 9538 Score with parts Ed. H. Just “These new urtext editions Piano Trio in F min op. 65 from Bärenreiter are a joy … - Book 1: Fantasias Nos. 1-7 Ed. F. Bartoš These are clear, uncluttered and 3 three-part fantasias BA 9564 Score with parts authoritative editions …, (violin, viola, violoncello) and The third of Dvořák’s piano trios beautifully printed on good 4 four-part fantasias was written in 1883 in Prague; a paper with strong binding, and (2 violins, viola, violoncello) revised version appeared in the are just what you need if you are NMA 58 ° Score, string parts autumn of 1883 published by going to play them.” (Arco) Simrock in Berlin based on the direct collaboration with the No distribution rights for the composer. The principal source USA. of this present edition, based on the Complete Edition of the Works of Antonín Dvořák, is this Simrock publication which ° = Performance material presents the final version of available on sale the work.
47 Chamber music
Piano Trios by Johannes Brahms
Trio op. 87 Trio op. 101 NEW 2014 Piano Trio NEW 2014
Urtext / Ed. Ch. Hogwood Urtext / Ed. Ch. Hogwood after the Sextet BA 9436 Score with parts BA 9437 Score with parts in B-flat maj op. 18
Bärenreiter’s scholarly-critical The foreword of this edition arranged by Theodor Kirchner edition of op. 87 is based on presents detailed information (1823-1903) the score and parts from the on contemporary performance Urtext / Ed. Ch. Hogwood first edition; where necessary practise; Hogwood has drawn BA 9441 Score with parts the editor also consulted the on the comments of Fanny autograph. The first edition Davis, a Brahms student, to shed Brahms’ contemporary and parts were engraved after the light on this. She describes how friend Theodor Kirchner arranged manuscript parts and not after Brahms played the trio with the composer’s String Sextet the score. Here the readings of Joseph Joachim and Robert op. 18 for piano trio. Simrock, the legato phrasing and the Hausmann at an informal reading Brahms’ publisher, issued it in dynamics more accurately (with Clara Schumann turning 1883. Brahms responded to the reflect the composer’s pages) in Baden Baden in c. 1895. arrangement of his sextet with intentions than in the first Davis’ descriptions have much to total enthusiasm and praise for edition score. do with articulation, dynamics the skills of his friend Kirchner. and tempo fluctuations. Christopher Hogwood’s scholarly-critical edition includes l Includes detailed an introduction which sheds light information on not just on the history of the performance practise arrangement and its validity in its of the day own right, but also on Kirchner and his relationship to Brahms.
From: op. 101 · BA 9437
48 Chamber music
Piano Trio Ravel, Maurice Violin, Violoncello and Piano (1875-1937)
Mozart, Wolfgang Amadeus Trio (1756-1791) Urtext / Ed. J. Appold BA 9418 Score with parts Complete Piano Trios Urtext / Eds. W. Plath, W. Rehm Maurice Ravel composed his BA 4787 Score with parts piano trio in 1914 and submitted his score to his publisher Bärenreiter’s Urtext edition of Durand with exact instructions Mozart’s Piano Trios contains on engraving the work. He not only the very latest then enlisted as a truck driver musicological findings, but on the Front in World War I. also works not found in other We know from a letter to a popular editions available friend that he included these today: the three single instructions because he movements known as K. 442 wanted to insure the trio for piano trio which Mozart would be engraved as written; Appold’s edition not only left as fragments and were he feared he might not return corrects the many engraver completed by Maximilian from the War. errors present in existing Stadler and first published in editions, it also reinstates for 1797 by André. Ravel was not involved with example the violin passages in the publication in 1915, neither movement II (Pantoum) which Six Sonatas K. 10-15 was he present at the premiere appear in other editions partly Early Sonatas II for keyboard of his famous trio. simplified or placed in the (harpsichord), violin (or flute) piano part. and violoncello The editions of Ravel’s classic Urtext / Eds. W. Plath, W. Rehm trio known today all stem from In an enlarged format BA 4756 Score with parts the first published edition. 25.5 cm x 32.5 cm Bärenreiter’s scholarly- critical edition goes back Pintscher, Matthias No distribution rights for to Ravel’s autograph copy (*1971) France and Spain; the edition sent to Durand. will become available in France svelto for violin, violoncello on 1 January 2016. and piano (2006) BA 9342 Score
Schubert, Franz (1797-1828)
Complete Piano Trios Urtext / Ed. A. Feil
Trios in B-flat maj D 28 and in E-flat maj D 897 op. post. 148 BA 5626 Score with parts
Trio in B-flat maj D 898 op. 99 BA 5607 Score with parts
Trio in E-flat maj D 929 op. 100 BA 5610 Score with parts
49 Chamber music
Piano Trio
Violin, Violoncello and Piano
Škroup, František Jan (1801-1862)
Trio in E-flat maj op. 27 for piano, clarinet (violin) and violoncello Urtext / Ed. M. Harlow BA 9521 Score with parts
Trio facile in F maj op. 28 for piano, flute (violin) and violoncello Urtext / Ed. M. Harlow BA 9522 Score with parts The Trios opp. 27 and 28 are being published here for the From: kroup, Trio in E-flat maj op. 27 · BA 9521 first time in Urtext editions. Both these pleasing compositions represent unknown repertoire of Czech chamber music from the period of the national revival Smetana, Bedřich Violin, Viola and Piano (1824-1884) movement. The Trio in E-flat major is stylistically reminiscent Trio in G min Mozart, Wolfgang Amadeus of Beethoven’s chamber music. for piano, violin and violoncello (1756-1791) As the title suggests, the Urtext / Eds. F. Bartoš, J. Plavec, Trio facile is an accessible piece K. Šolc Sinfonia concertante in E-flat in the Biedermeier style which BA 9518 Score with parts maj K. 364 (320d) for violin, was intended for music making viola and orchestra. With in the home and for lessons. Smetana took a keen interest in original scordatura viola part the interpretation and study of Urtext / Ed. Chr. H. Mahling With two alternative chamber music throughout his Piano reduction scorings by the composer, life. His own compositions were BA 4900-90 ° one for Piano Trio and one without exception unusual TP 176 Study score for Clarinet/Flute Trio works, which was already evident in the Piano Trio in Trio in E-flat maj K. 498 “I highly recommend both G min of 1855. He wrote this “Kegelstatt-Trio” for piano, these works, since they have in memory of his daughter clarinet (or violin) and viola flexible scorings and are Bedřiška who died before her Urtext / Eds. W. Plath, W. Rehm enjoyable additions to any 5th birthday. Smetana ended BA 5325 Score with parts chamber program.” the composition only three (American String Teacher) months after her death.
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Piano Quartet Fauré, Gabriel (1845-1924) Dvořák, Antonín (1841-1904) Quartet op. 15 for piano, violin, viola and violoncello Bagatelles op. 47 Urtext / Ed. D. Herlin for two violins, violoncello and BA 7903 Score with parts piano H 2271 Score with parts Quartet op. 45 for piano, violin, viola and violoncello Piano Quartet in D maj op. 23 Urtext / Ed. D. Herlin for piano, violin, viola BA 7904 Score with parts and violoncello H 2552 Score with parts “Accurate editions and excellent production values make these separate publications invaluable.” (Notes) First critical editions of these important chamber music works
Piano Quartet in E-flat maj op. 87 for piano, violin, viola and violoncello Eds. A. Pokorný, K. Šolc BA 9537 Score with parts
The second Piano Quartet in E-flat major op. 87 was composed in the summer of 1889 during a torrent of creativity: “My head is so full, if a human being could only write it all down straight away! […] It is unexpectedly easy and the melodies simply flow towards me. Thanks be to God!” These words could describe the quartet itself, a work with characteristic carefree tone and clear nationalistic colouring. The primary source for this publication was the first edition (1890).
From: Fauré, Piano Quartet op. 15 · BA 7903
51 Chamber music
Piano Quartet
Mozart, Wolfgang Amadeus (1756-1791)
Quartet in G min K. 478 for piano, violin, viola and From: Suk, Quartet in A min op. 1 · BA 9546 violoncello Urtext / Ed. H. Federhofer BA 4728 Score with parts
Quartet in E-flat maj K. 493 Piano Quintet for piano, violin, viola and violoncello Urtext / Ed. H. Federhofer Piano, 2 Violins, Viola, BA 4729 Score with parts and Violoncello
Dvořák, Antonín (1841-1904)
Piano Quintet in A maj op. 81
Ed. A. Čubr BA 9573 Score with parts
Suk, Josef Opus 81 has long been one of (1874-1935) Dvořák, Antonín the pieces of chamber music (1841-1904) most frequently played Quartet in A min op. 1 internationally. The present for piano, violin, viola Piano Quintet in A maj op. 5 edition is based on the and violoncello H 2783 Score with parts Complete Edition of the Works Urtext / Ed. Z. Nouza of Antonín Dvořák. BA 9546 Score with parts
“An excellent work and edition – buy!” (Stringendo)
52
Chamber music
Furrer, Beat Miscellaneous (*1954) Chamber Ensembles spur for piano and string quartet (1998) BA 7423 Score Bach, Johann Christian BA 7423-22 Five parts in (1735-1782) slipcover Quintet in D maj op. 11 No. 6 Mozart, Wolfgang Amadeus for flute (violin), oboe (violin), (1756-1791) violin, viola and bc Ed. R. Steglich Chamber Music Editions HM 249 of the Piano Concertos Quintet in D maj Piano reductions with string for flute, oboe, violin, parts Urtext / Ed. Chr. Wolff violoncello and obbligato harpsichord - Concerto in F maj K. 413 (No. 11) Ed. R. Ermeler Beethoven, Ludwig van BA 4875 HM 42 (1770-1827)
- Concerto in A maj K. 414 (No. 12) Bach, Johann Sebastian Concerto in C maj BA 4877 (1685-1750) for Pianoforte, Violin, Violoncello and Orchestra op. 56 - Concerto in C maj K. 415 (No. 13) Musical Offering BWV 1079 Urtext / Ed. C. Wolff “Triple Concerto” BA 4879 Urtext / Ed. J. Del Mar BA 9027-90 ° Piano reduction - Concerto in E- flat maj K. 449 (No. 14) Bärenreiter’s new Urtext BA 4871 edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly- discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, - Volume 2: Trio Sonata in C min with all necessary information for flute, violin and bc for directing the piece BA 5155 included in the solo piano part. TP 198 Study score Piano reduction with - Volume 3: Canons for flute, Schubert, Franz separate parts for all two violins, obbligato (1797-1828) three soloists harpsichord (piano) and bc Quintet in A maj “Trout BA 5156 Draws on three new Quintet” D 667 op. post. 114 TP 198 Study score sources for piano, violin, viola, violoncello and double bass Correction of many errors Urtext / Ed. A. Feil found in previous editions BA 5608 Score with parts “In fact, the recent urtext edition is a monument to the era of scholarship …” (Strings)
° = Performance material available on sale
53 Chamber music
Brahms, Johannes Miscellaneous Geminiani, Francesco (1833-1897) Chamber Ensembles (circa 1680-1762) Trio for Clarinet Sonata in E min Berwald, Franz (Viola), Violoncello and Piano for flute, violin (oboe) and bc (1796-1868) op. 114 Ed. H. Ruf Urtext / Ed. Ch. Hogwood HM 178 Septet for clarinet, bassoon, BA 9438 Score with parts horn, violin, viola, violoncello and double bass Brahms’ Clarinet Trio, Urtext / Ed. E. Eppstein composed in 1891, was BA 8514 Parts in slipcover inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio, Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.
Viola part included as an alternative to the clarinet Haydn, Joseph part (1732-1809)
The London Trios Hob. IV: 1-4 for two flutes and violoncello. Brahms, Johannes Ed. L. Balet (1833-1897) BA 6897 Parts in slipcover Trio for Violin, Horn (Viola or Violoncello) and Piano op. 40 Urtext / Ed. Ch. Hogwood BA 9435 Score with parts Brahms’ famous Horn Trio op. 40, composed in 1865 for the natural horn, is a work of considerable significance. Hogwood draws on a newly discovered source for this publication, a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio part of the Scherzo movement some twelve years earlier – in 1853 – and that it was originally intended for solo piano. This piano movement is printed in the appendix. This Urtext edition offers not only the standard instrumentation of violin, horn and piano but also the alternative scorings for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score. Includes alternative parts for violoncello and viola From: Haydn/Salomon, Symphony Quintetto Hob. I:94 · BA 4632
54 Chamber music
Martinů, Bohuslav Mozart, Wolfgang Amadeus Haydn, Joseph / (1890-1959) (1756-1791) (1732-1809) Salomon, Johann Peter Promenades Sonata in B-flat maj (1745-1815) for flute, violin and harpsichord for violoncello (bassoon) and (piano) (1940) piano according to K. 292 (196c) BA 3327 Score with parts or for two bass instruments Symphonies for flute, string c quartet and piano ad libitum K. 292 (196 ). Arranged by M. Töpel after the Urtext / Ed. Ch. Hogwood Ed. D. Berke
BA 6974
Sonata for flute, violin and piano (1936) BA 3326 Score with parts - Symphony Quintetto after Symphony Hob. I:94 “Surprise” in G maj BA 4632 Score with six parts Quartets K. 285, 285a, K. Anh. 171 (285b), K. 298 - Symphony Quintetto for flute, violin, viola and after Symphony Hob. I:97 violoncello in C maj Urtext / Ed. J. Pohanka BA 4635 Score with six parts BA 4405 Parts in slipcover TP 150 Study score
- Symphony Quintetto after Symphony Hob. I:101 Quartet in F maj K. 370 (368b) “The Clock” in D maj BA 4634 Score with six parts for oboe, violin, viola and violoncello Urtext / Ed. J. Pohanka “...An unmissable new arrangement of a well-loved BA 4867 Parts in slipcover masterpiece.” (PAN Magazine) TP 151 Study score Meyerbeer, Giacomo Quintet in A maj K. 581 - Symphony Quintetto (1791-1864) for clarinet, two violins, viola after Symphony Hob. I:104 and violoncello “London” in D maj Quintet for clarinet, two Urtext / Ed. E. F. Schmid BA 4633 Score with six parts violins, viola and violoncello. BA 4711 Parts in slipcover First edition TP 14 Study score “This is magnificent Urtext / Ed. D. Klöcker chamber music in a first-rate BA 8731 Score with parts publication. An exemplary and highly detailed preface by the editor tells readers all they need to know about the genesis and modern edition of this piece.” (Tibia, Hans-Martin Linde)
55 Chamber music
Miscellaneous Škroup, František Jan Telemann, Georg Philipp Chamber Ensembles (1801-1862) (1681-1767)
Trio in E-flat maj op. 27 Trio in F maj (Essercizii Musici) Pintscher, Matthias for piano, clarinet (violin) for treble recorder (flute, vio- (*1971) and violoncello lin), viola da gamba (viola, Urtext / Ed. M. Harlow violoncello) and bc Figura I for string quartet and BA 9521 Score with parts Ed. W. Upmeyer accordion (1998) NMA 131 BA 7491 Score BA 7491-22 Parts in slipcover Vivaldi, Antonio (1678-1741) Schönberg, Arnold (1874-1951)
Seven Canons for three to four instruments (winds and/or strings) Ed. M. Töpel BA 8056 Performance score (with additional parts: second instrument in F, third instrument in B-flat)
Trio facile in F maj op. 28 for piano, flute (violin) and violoncello Urtext / Ed. M. Harlow BA 9522 Score with parts Pastorale in A maj from à page 50 “Il pastor fido” op. 13/4 for violin (flute, oboe), obbligato violoncello and bc (organ, harpsichord) Ed. W. Upmeyer BA 6964 Score with parts
Zelenka, Jan Dismas (1679-1745)
Schubert, Franz
(1797-1828)
Octet in F maj op. post. 166
D 803 for clarinet, bassoon,
horn, two violins, viola,
violoncello, and double bass
Urtext / Ed. A. Feil Telemann, Georg Philipp BA 5617 Parts in slipcover (1681-1767) TP 302 Study score
Quartet in G maj TWV 43:G2 for flute, oboe, violin, violoncello and bc from Tafelmusik I Urtext / Ed. J. P. Hinnenthal Six Sonatas ZWV 181 BA 3534 Score with parts - Sonata III in B-flat maj for violin, oboe, bassoon and bc Ed. W. Reich, W. Horn Critical edition HM 273 Score with parts
56 Chamber music
The new series with popular pieces in easy but effective arrangements s Ready to Play Beautiful Adagios Do you want to make music 9 Pieces for two Violins without first having to read BA 10615 complicated notes and Christmas Hits practice difficult passages? for 2 Cellos
s BA 10612 Then Ready to Play is what you need! The pieces Classic Hits are easy to sight-read and still for Violin and Viola sound effective. BA 10626
s Classic Hits Ready to Play for 2 Cellos The editions in this series BA 10611 offer a varied instrumentation ranging from solo playing to Folk for two Violins collections of chamber music. BA 10624 Piano parts are always written in such a way that even Popular Movie Hits players with little experience for Violin and Piano can still enjoy music making. BA 10605 The Roots of Jazz The series will be continued. for Violin and Violoncello BA 10606
Tango Classics for Violin and Piano BA 10614
Violin Classics for two Violins BA 10607 57 Mel. I in Bb · Combocom · Tango 5
15 FineB f legato Mix and21 match your instruments “combocom” is Bärenreiter’s series of music for variable ensemble. Each volume contains a fullmf score for piano, keyboard or guitar, melody27 parts (in C, B-flat, and E-flat) and a part for bass instrument.D.C. al Ø-Ø “combocom” also offers suggestions for using percussion. It thus permits a wide range of instrumental combinations: if theC violin takes the top part, the saxophone can play the counter-melody and the cello33 the bass while the guitar strums the specified chords. Presto, the band is off and running! mf
But many other combinations42 are possible too, whether at home, at school, D.C. al Fine or in a “genuine” band, combo or buskers’ ensemble ... mp mf ABACA El Porteñito
Tango criollo Ángel Villoldo A Arr.: Jean Kleeb V = 66 Mel. I f
6
13 B mf
20 17 El Porteñito “... either one of these collections f mf Tango criollo would provide a treasure trove of useful A 27 Ángel Villoldo and refreshing material to enliven school V = 66 Arr.: Jean Kleeb Fine ensemble activity.” (Music Teacher) Mel. I (Flute) f f
Mel. II (Violin) BA 7669 © 2008 by Bärenreiter-Verlag, Kassel f Tango D A7 D Piano Jean Kleeb (Arr.) f 3 11 Arrangements for variable Bass instrumentation. Score with parts for melody I and II (C/B@/E@) and bass BA 7669 5 Suggestions for instruments to be used: l Melody I in C B7 E7 A D l Melody I in B@ l Melody I in E@ 3 l Melody II in C l Melody II in B@ l Melody II in E@ 10 l Bass Part l With Piano Part and Guitar Chords in the Score. El choclo / El Entreriano / A7 D B7 E7 Adiós muchachos! / Derecho viejo / El Porteñito / Bola prá frente / 3 Momentos a dois / A media luz / La guitarrita / Como se fosse um BA 7669 © 2008 by Bärenreiter-Verlag, Kassel tango / El día que me quieras 58 58 Arrangements for variable combinations
Balkan Djelem, Djelem / Ando Salonmusik Paul Hoorn (Arr.) Verdan / Romni / Doina - Hora - Bertold Breig (Arr.) 13 Arrangements for variable Sîrba / Užièko Kolo / Nane Cocha 6 Arrangements for variable instrumentation. Score with parts / Sare Patrya / Na Yanav Ko Dad instrumentation. Score with parts for melody I (C/B@/E@), guitar, M’ro Has and others for melody I and II (C/B@/E@), piano, piano and bass bass and guitar chords BA 6700 Irish BA 7666 Bertold Breig (Arr.) Salut d’amour / Spanischer Rumenje / Two Walachian 9 Arrangements for variable Tanz / Jalousie / Heinzelmännchens Dances / Danas maiko› ženiš svoga instrumentation. Score with parts Wachtparade / Barcarole / sina / Phirav mange korkoro / Opa for melody I (C, B@), melody II in C Die Fledermaus (Potpourri) cupa / Kustino Oro / Djurdjevdan (violin), C (flute), B@ and and others violoncello/bass Samba-Salsa-Son BA 7670 Jean Kleeb (Arr.) Blues 9 Arrangements for variable Berthold Kloss (Arr.) Sally Gardens / Roddy instrumentation. Score with parts 16 Arrangements for variable McCorley / Drowsy Maggie / for melody I and II (C/B@/E@), piano, instrumentation. Score with parts Oh Danny Boy / Slievenamon / bass and guitar chords for melody I (C/B@/E@), guitar I, Spancil Hill / The Town I Loved So BA 7662 guitar II and bass Well / Whiskey In The Jar / The BA 7668 Irish Washerwoman Goza mi mambo / Sambinha 1 / Mulher Rendeira / Tico-tico no fubá I Believe I’ll Dust My Broom / Kaffeehausmusik / Tango in B min / Tango in G min Southbound / Going Up The Country Bertold Breig (Arr.) and others / Backwater Blues / Lone Wolf / 7 Arrangements for variable Four Days Creep and others instrumentation. Score with parts Spirituals for melody I and II (C/B@/E@), piano, Graham Buckland (Arr.) bass and guitar chords 12 Arrangements for variable Django BA 7661 instrumentation. Score with parts Thomas König (Arr.) in C / B@ / E@ / F 11 Gypsy Swing Arrangements Ich bin von Kopf bis Fuß ... BA 6699 in the style of Django Reinhardt / Das Fräulein Gerda / Le Temps and Stéphane Grappelli. Score des Cerises / Zydeco – Cajun with parts for melody (C and B@), Ich steh’ mit Ruth gut / Rolf Schwarzien (Arr.) guitar I, guitar II and bass La Paloma / Humoreske / 15 Arrangements for variable BA 7665 Russischer Tango instrumentation. Score with parts for melody I and II (C/B@/E@), Zigani / All Of Me / I’ve Found Klezmer accordion, bass and percussion A New Baby / Lulu Swing / Fuli Henner Diederich (Arr.) BA 7667 Tschai / Honeysuckle Rose / 12 Arrangements for variable Ziganotschka / Fis Torza / Romano instrumentation. Score with parts Acadian Two Step / Les filles / Sweet Georgia Brown / Black Eyes for melody I and II (C and B@), du Canada / Lacassine Special / piano, bass and guitar chords Jolie blonde / Perodin Two Step Djelem BA 7660 / Crowley Two Step / Petits yeux Paul Hoorn (Arr.) noirs / Chère ici, chère là-bas / 11 Arrangements of Gypsy Songs Di Mesinke ojsgegebn / Don’t Mess With My Toot Toot and Dances. Score with parts for Di Tsimbl / Dos Lidl fun goldenem / Don’t Cry No More / Zydeco melody I and II (C and B@), bass Land / Frejlechs / Sherele / Jiddi- Boogaloo / Fais Do-Do / Lucille / and guitar chords scher Tanz / 7 Uhr 40 / Un as der Cryin‘ Squeezebox / Lees marins BA 7664 Rebbe lacht / Das Zitrönchen and de la Nouvelle France others 59 59 educational works – STUDIES
Violin Let’s got to the zoo / The kangaroo / The bear / For more than three decades The pony / The reindeer / Two Der kleine Paganini little donkeys / The crocodile / The Sassmannshaus Tradition Delightful Etudes The beavers / The elephant / has been the household name for violin and piano. The grasshopper / The ants / for excellence in beginner string Arranged by C. Bornemann The lion / The antilope / methods in German-speaking BA 8109 The seal / Our dear pupils countries. More than half a “I am sure this book will million students have fire the imagination of young successfully learned to play players.” (ESTA – News & Views) string instruments using these editions. The publication of the four violin books in 2008 in a fully adapted English version
has been a big success.
Sassmannshaus, Egon and Kurt
The Sassmannshaus Tradition Early Start on the Violin
The new violin method for children 4 years and older Cofalik, Antoni Twardowski, Romuald Violin Book 1 At the Zoo for Violin and Piano BA 9676 English edition 20 pages with 15 colour BA 9671 German edition illustrations and separate BA 9664 English edition piano part Cofalik, Antoni with Spanish text BA 8139 Rychlik, Józef H. supplement At the Circus for Violin and Piano BA 9666 English edition The well-known Polish violin 23 pages with 12 colour illustrations with French text teacher takes his young pupils and separate piano part supplement on an exciting walk through the BA 8126 zoo, depicting fifteen animals Violin Book 2 in simple but distinctive and The circus is coming / The BA 9677 English edition highly unusual character pieces. BA 9672 German edition When the teacher plays the equestrienne / Trapeze artists / The clown / The brisk bear / BA 9665 English edition enclosed piano accompaniment, with Spanish text the result is a wide range of Dwarf poodles / The illusionist / supplement sounds that guarantee fun in The wire dancers / The bored lessons and applause during tiger / The snake charmer / The BA 9667 English edition performances! dancing elephant / Doll's march with French text supplement
Violin Book 3: Elementary duets. Dances and other pieces in various keys BA 9678 English edition BA 9673 German edition
Violin Book 4: Duet playing in all positions BA 9679 English edition BA 9674 German edition
“The four volumes and the corresponding website provide a comprehensive, logically sequenced and easy to follow method for teachers and students of the violin.” (Stringendo) From: At the Circus for Violin and Piano · BA 8126 60 60 educational works – STUDIES
BÄRENREITER’S BÄRENREITER’S
Sassmannshaus Sassmannshaus SassmannshausTHE SASSMANNSHAUS TRADITION SassmannshausTHE SASSMANNSHAUS TRADITION
For more than three decades The Sassmannshaus Tradition has been one of the leading methods for violin, viola and cello in German-speaking countries. An easy start, Sassmannshaus, Egon and Kurt progression at a suitable rate and an appealing presentation are hallmarks of a The Sassmannshaus Tradition Sassmannshaus method. Sassmannshaus encourages children to learn while having Early Start on the Violin fun and provides a solid basis for a lifetime of string playing. The new violin method The principles of The Sassmannshaus Tradition for children 4 years and older are now applied to the double bass. Violin Book 1 • Students are introduced to a varied repertoire from BA 9676 English edition different eras including new original compositions BA 9671 German edition • Piano accompaniments are included for many pieces BA 9664 English edition • The numerous duets encourage ensemble playing with Spanish text NEW 2015 • Studies and scales help develop left-hand fluency supplement Sassmannshaus • Advanced techniques such as varied BA 9666 English edition Violin Recital Album or to play independently from bow strokes are introduced with French text for violin and piano it. As all the pieces are written supplement or two violins in first position, they can be used after just a few months Violin Book 2 Kinder brauchen ganz besonderes Unterrichtsmaterial, um ein Streichinstrument of lessons. BA 9677 English edition Eds. M. Lusk, spielerisch zu erlernen. In den Sassmannshaus-Streicherschulen sind die Lernschritte, BA 9672 German edition Ch. Sassmannshaus, die Größe des Notenbildes, Liedtexte und Illustrationen ganz auf den Entwicklungs- K. Sassmannshaus The piano part may be played BA 9665 English edition by the teacher or an advanced stand der Kinder ausgerichtet. Large print notes and texts with Spanish text student. As an alternative, the supplement as well as many colourful Each volume with score and Die Sassmannshaus-Schulen haben über Jahrzehnte hinweg bewiesen, dass mit ihnen illustrations are ideal for part, plus additional violin part accompaniment can be played BA 9667 English edition by a second violin. schnell erkennbare Erfolge und ein kontinuierliches Fortschreiten erreicht werden. with French text pre-school as well as school for the duet version supplement children. BA 9668 Vol. 1 First Position Dieser Band bietet: BA 9669 Vol. 2 First Position From the contents Note reading is emphasised of Volumes 1 and 2: • fortschreitendes, vielfältiges Repertoire Violin Book 3: Elementary from the first lesson, Nursery rhymes, folksongs, but duets. Dances and other pieces These two collections offer a • gemeinsames Musizieren encouraging ensemble also less well-known gems, as in various keys playing from the very rich selection of recital pieces, • Spielstücke mit Klavierstimme either to complement the well as original pieces by the BA 9678 English edition beginning. editors, all precisely tailored • erweitertes Lagenspiel BA 9673 German edition Early Start on the Violin method Songs and scales in to meet the needs of young Früher Anfang auf dem Kontrabass schafft eine students. Violin Book 4: Duet playing different positions are easily innige und dauerhafte Verbindung zwischen in all positions mastered within the first Schüler und Instrument. BA 9679 English edition year of playing to ensure All pieces written in first BA 9674 German edition that children are not position confined to first position playing. With a second violin part “The four volumes and the for duet performance corresponding website provide Advanced stringEARLY techniques START ON THE DOUBLE BASS a comprehensive, logically such as varied bow strokes Available in freely accessible sequenced and easy to follow and shifting are introduced recordings on YouTube method for teachers and students in a basicFRÜHER form. ANFANG AUF DEM KONTRABAS S of the violin.” (Stringendo) 12 1 · 1 VOLUME 3 / BAND 3 61 BA 9663 BÄRENREITER 61 ROH_DATEI BA9697
educational works – STUDIES
24 Viola Notturno II
Allegretto, ma un poco vivo Viola 6 8 Allegretto, ma un poco vivo mf 6 8 p leggiero Piano 6 8
5
A Bärenreiter’s 10 Viola Collection NEW 2015 sempre cresc. Concert Pieces A for Viola and Piano Ed. K. Sassmannshaus BA 9697 Viola part with enclosed piano accompaniment
This edition presents 14 pieces covering a wide stylistic 15 spectrum. The works are arranged in increasing order f of difficulty, the cornerstones being two works by Georg Eduard Goltermann; his technically simple Andante religioso and his demanding Adagio and Tarantella. Works by Kalliwoda, Fauré, Grieg, Dvořák, BA 9697 amongst others, are included. From: Bärenreiter's Viola Collection · BA 9697
Sassmannshaus, Egon and Kurt The Sassmannshaus Tradition Viola Book 3: Elementary Early Start on the Viola duets. Dances and other pieces The new viola method in various keys for children 4 years and older BA 9688 English edition BA 9683 German edition Viola Book 1 2014-04-24 18:29:32 BA9697_v11 BA 9686 English edition Viola Book 4: Duet playing BA 9681 German edition in all positions BA 9689 English edition Viola Book 2 BA 9684 German edition BA 9687 English edition BA 9682 German edition “This is outstanding teaching material at a very reasonable price.” (Music Teacher)
62 educational works – STUDIES
Violoncello
Sassmannshaus, Egon and Kurt Cofalik, Antoni Corssen, Michael Twardowski, Romuald The Sassmannshaus Tradition At the Zoo for Cello and Piano Bärenreiter's Cello Collection Early Start on the Cello BA 8124 Concert Pieces for Cello and Piano The new cello method for Ed. Ch. Sassmannshaus children 4 years and older Battanchon, Felix BA 9695 Score with part (1814-1893) Cello Book 1 A collection of works by BA 8996 English edition 12 Etudes in the Thumb Position Mendelssohn Bartholdy, BA 9691 German edition for Solo Violoncello op. 25 Goltermann, Klengel, Dvořák, BA 9405 page 26 Seitz, Fauré, Saint-Saëns. Cello Book 2 Duport, Jean-Louis BA 8997 English edition (1749-1819) BA 9692 German edition
21 Etudes for Violoncello Cello Book 3: Elementary duets. with an Accompaniment Dances and other pieces of a 2nd Violoncello (ad lib.) in various keys. Score with part and text volume
BA 8998 English edition BA 6980 page 26 BA 9693 German edition Grützmacher, Friedrich (1832-1903) Cello Book 4: Duet playing in all positions. Technology of Violoncello BA 8999 English edition Playing. Twenty-four Etudes BA 9694 German edition for Violoncello Solo op. 38 BA 6997 Score and text volume “This is a fabulous addition page 26 to one's pedagogical library. … Classic Hits for 2 Cellos I have thoroughly enjoyed using Arranged by M. Edmondson. these books as a supplement to Lee, Sebastian (1805-1877) Ready to Play my teaching and think that you BA 10611 Performance score will also find them a useful 40 Easy Etudes for Violoncello addition to your teaching with an Accompaniment of a “At the same time those library.” 2nd Violoncello (ad lib.) op. 70 famous tunes by Weber, (American String Teacher) BA 9401 page 26 Mozart, Schubert, Haydn and Schumann are learned, the young cellist is polishing his listening and ensemble skills. .... This volume is a most enjoyable and motivational adjunct to the students’ usual repertoire.” (Australian Music Teacher Magazine)
63 educational works – STUDIES
Violoncello Double Bass
Marton, Anna Bärenreiter's Double Bass (*1928) Collection
Einführung in die Daumenlage Concert Pieces for Double Bass and Piano New Perspectives in Thumb Position. 100 little exercises for Eds. J. P. Close, H. Sassmannshaus violoncello (German text only) BA 6608 BA 9696 Double bass part and enclosed piano “The volume covers all accompaniment the material clearly and straightforwardly. The exercises The edition contains 19 concert are varied and appealing both pieces which are easy to musically and rhythmically rehearse yet sound effective .... a valuable addition to the from the Baroque, Classical and teaching material for the cello.” Romantic periods. In addition (Schweizerische Musikzeitung) there are newly composed Arrangements of works by pieces by the Polish bass player Beethoven / J. S. Bach / Fauré / Boguslaw Furtok (*1967). Dancla / Tchaikovsky / Saint-Saëns a. o. Easy to medium level of difficulty
Einführung in das Lagenspiel New Perspectives in Position Playing. 125 little exercises for violoncello (German text only) BA 6649
Merk, Joseph (1795-1852) 20 Etudes for Violoncello op. 11 BA 9411 page 26
Popper, David (1843-1913) Fifteen Easy Melodic-Harmonic Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) op. 76 I / Ten Grand Etudes of Moderate Difficulty for Violoncello Solo op. 76 BA 6979 page 26 High School of Violoncello Playing. Forty Etudes for Solo Violoncello op. 73 BA 6978 page 26 From: Bärenreiter's Double Bass Collection · BA 9696 64 64 educational works – STUDIES
heilige Nacht / O Tannenbaum / String Ensemble O du fröhliche / Entre le bœuf et l’âne gris / What Child Is Sassmannshaus, Egon This? / Jingle Bells Spielbuch für Streicher Little pieces in preparation for orchestra playing – for children BA 9698 Performance score
Cowboy Songs for Strings BA 8136
Fiddle Tunes (Irish Music for Strings) BA 8145
Indian Chants for Strings BA 9402
Merry Christmas for Strings BA 8140 Merry Christmas for Strings Mexican Hat Dance for Strings Arranged by G. A. Speckert BA 8141 BA 8140 Score with five parts: V I, V II, Va (V III), Vc Tango for Strings BA 9415 Adeste Fideles / God Rest Ye Merry Gentlemen / Hark! The Sassmannshaus, Holger à page 66 Close, J. Peter Herald Angels Sing / Il est né, le divin enfant / Jingle Bells / The Sassmannshaus Tradition Christmas Les anges dans nos campagnes / Early Start on the Double Bass O du fröhliche / Stille Nacht / Bass method for children O Tannenbaum / We Wish You 6 years and older a Merry Christmas / What Child is This? Double Bass Book 1 BA 9661 English edition BA 9660 German edition Sassmannshaus, Egon
Double Bass Book 2 BA 9662 English/German edition
Double Bass Book 3
BA 9663 English/German
edition
Includes many bass duets and new original compositions by B. Furtok; vol. 3 with a 16 page insert with piano accompaniments Christmas Hits for 2 Cellos “These volumes have Arranged by B. Bocksch tremendous value to studio Ready to Play and classroom teachers. … BA 10612 Performance score This wonderful collection Weihnachtsspielbuch melds technique, musicality, We wish You a Merry Christmas pieces for two and pedagogy in a beautiful, Christmas / God Rest You Merry, violins, viola and violoncello easy-to-read package, inspiring Gentlemen / Hark! The Herald BA 9699 Performance score both young bassists and the Angels Sing / Il est né, le divin educators nurturing them.” Enfant! / Adeste fideles / Joy To (American String Teacher) The World / Les anges dans nos ✰ ✰ campagnes / Stille Nacht,
65 65 Easy arrangements for string ensemble by George A. Speckert
The easy arrangements are suitable for performance by string ensembles or string quartets. Each edition includes a score and five parts. The viola can be replaced by a third violin. Five parts included: VI, VII, Va (VIII), Vc
Cowboy Songs Indian Chants for Merry Christmas for Strings Strings for Strings BA 8136 BA 9402 BA 8140
Home on the Range / Sunrise Call / My Bark Adeste fideles / Arkansas Traveler / Down in Canoe / Thlah Hewe - Blue God rest ye merry gentlemen / the Valley / Red River Valley / Corn Dance / Ghost Dance Hark the Herold’s Angel Sing / She’ll be comin’ round the Song / The Ground Trembles Il est né, le divin entfant / mountain / The Yellow Rose / Tokala Olowan - Song of the Jingle Bells / Les anges dans nos of Texas / Oh my Darlin’ Fox / Snake Dance / campagnes / O du fröhliche / Medicine Song / Yei-be-chi Stille Nacht / O Tannenbaum / Dance / Return of the Runners We wish you a Merry Fiddle Tunes / Sun Down Song Christmas / What child is this? Irish Music for Strings BA 8145 “This would be at the top of my list for something new, Mexican Hat Dance A Lovely Lass / Nothing different, and fun for young for Strings Can Sadden Us / Quiet Sailing students in a group class.” BA 8141 Waters / The Green Glen / (Stringendo) The Foggy Dew / With Spirit La Perle de Mazatlan / La Cucaracha / Chiapanecas / Cielito Lindo / El Jarobe Papatio (Mexican Hat Dance) / La Llorona
Tango for Strings BA 9415
“The arrangements are very string-friendly, with an authentic tango feel, which make them grateful to learn and particularly to perform.” 66 (Music Teacher) From: Fiddle Tunes · BA 8145 Bärenreiter’s Concert Pieces is a series of the most popular concertos and concert pieces for young violinists, violists, and cellists
The works are edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus string method. His forewords introduce these little gems and include their technical requirements. The volumes form an ideal continuation of the Sassmannshaus string method and can partially be used in parallel from volume three onwards. Of course, they can supplement any other string method as well. The series gradually introduces more demanding repertoire to bridge the gap from methods to standard concert literature.
Violin and Piano Viola and Piano
Accolay, Jean Baptiste Rieding, Oskar Concerto No. 1 in A min Concerto in B min op. 35 BA 8976 Transposed to E min and arranged for viola Fiocco, Joseph-Hector BA 8983 Allegro in G maj BA 8977 Seitz, Friedrich Student Concerto in D maj op. 22 Monti, Vittorio Transposed to G maj and Czardas arranged for viola BA 8975 BA 8986
Rieding, Oskar Marcia op. 44, Cello and Piano Rondo op. 22/3 Student Concerto in G maj op. 13 BA 8982 Rieding, Oskar BA 8972 Concerto in B minor op. 35 Transposed to D min and Concerto in B min op. 35 Student Concerto in D maj op. 22 BA 8971 arranged for cello BA 8979 BA 8984 Concertino in Hungarian Style op. 21 BA 8973 Vivaldi, Antonio Seitz, Friedrich Concerto in G maj op. 3/3 Student Concerto Seitz, Friedrich BA 8980 in D maj op. 22 Student Concerto in G min op. 12 Transposed to G maj and BA 8985 Concerto in A min op. 3/6 arranged for cello BA 8974 BA 8987
Each edition consists of a string part and an enclosed piano accompaniment. The works are edited and marked with fingering and bowing by Kurt Sassmannhaus (violin/viola) and Christoph Sassmannshaus (cello).
67 Study scores
Brahms, Johannes Fauré, Gabriel Study Scores (1833-1897) (1845-1924)
String Quartet op. 121 Bach, Johann Sebastian Concerto in D maj for Violin and Orchestra op. 77 Urtext / Ed. J. W. Sobaskie (1685-1750) TP 412 Urtext / Ed. C. Brown Double Concerto in D min TP 949 No distribution rights for the USA. BWV 1043 for two violins, strings and bc Sextet in B-flat maj op. 18 Franck, César Urtext / Ed. D. Kilian for 2 violins, 2 violas and (1822-1890) TP 284 2 violoncellos Urtext / Ed. Ch. Hogwood String Quartet Musical Offering BWV 1079 TP 419 Urtext / Ed. C. Strucken-Paland TP 421 Urtext / Ed. C. Wolff TP 198 Sextet in G maj op. 36 Haydn, Joseph for 2 violins, 2 violas and (1732-1809) Violin Concertos in A min 2 violoncellos BWV 1041 and in E maj BWV 1042 Urtext / Ed. Ch. Hogwood Concerto No. 1 in C maj Urtext / Ed. D. Kilian TP 420 Study score for Violoncello and Orchestra TP 269 Hob. VIIb:1 Debussy, Claude Urtext / Ed. S. Gerlach (1862-1918) TP 291 Beethoven, Ludwig van (1770-1827) String Quartet Concerto No. 2 in D maj for Violoncello and Orchestra String Quartets op. 18, 1-6 Urtext / Ed. D. Woodfull-Harris TP 414 Hob. VIIb:2 Urtext / Ed. J. Del Mar Urtext / Ed. S. Gerlach TP 916 Dvořák, Antonín TP 292 (1841-1904) String Quartets op. 59, 1-3 Janáèek, Leoš
Urtext / Ed. J. Del Mar (1854-1928) TP 917 String Quartet No. 1 in A maj op. 2 String Quartet No. 1 String Quartets opp. 74, 95 Eds. J. Burghauser, A. Čubr after Tolstoy's “Kreutzer Sonata” Urtext / Ed. J. Del Mar TP 539 Urtext / Eds. L. Faltus, M. Štìdroò TP 918 TP 520 NEW 2014 String Quartet String Quartet No. 2 No. 2 in B-flat maj (B 17) “Intimate Letters” Eds. A. Pokorný, K. Šolc M. Štìdroò Urtext / Eds. L. Faltus, TP 540 TP 533
String Quartet NEW 2014 Mendelssohn Bartholdy, Felix No. 5 in F min op. 9 (1732-1809) TP 535 NEW 2014 Concerto in E min for Violin and Orchestra op. 64 String Quintet in G maj op. 77 Urtext / Ed. R. Larry Todd Eds. F. Bartoš, A. Pokorný TP 397 TP 577 The study score edited by the String Quintet in E-flat maj Mendelssohn scholar R. Larry op. 97 Todd contains the final “well Ed. F. Bartoš known” version.
TP 532 Mozart, Wolfgang Amadeus (1756-1791) Elgar, Edward Beethoven, Ludwig van (1857-1934) (1770-1827) Complete String Quintets K. 174, b 406 (516 ), 515, 516, 593, 614 Concerto in E min for Violoncello Urtext / Eds. E. Hess, E. F. Schmid Concerto in D maj and Orchestra op. 85 for Violin and Orchestra op. 61 Revision and introduction Urtext / Ed. J. Del Mar by M. H. Schmid Urtext / Ed. J. Del Mar TP 398 With an introduction by TP 159 B. Cooper No distribution rights TP 919 Format of the Study Scores: for France. 16.5 cm x 22.5 cm
68 “I like to think my music“ Iwill like to think be performedmy music will exactly asbe performed I intended.”exactly as I intended.”
69 Designed by DW Cre8tive and take off – media services
Designed by DW Cre8tive and take off – media services Study scores
Mozart, Wolfgang Amadeus Schubert, Franz (1756-1791) (1797-1828)
Eine kleine Nachtmusik K. 525 String Trios Urtext / Ed. E. F. Schmid Urtext / Ed. W. Aderhold TP 19 TP 306
Quartet in F maj K. 370 for oboe, String Quartet in A min violin, viola and violoncello “Rosamunde” D 804 op. 29, Urtext / Ed. J. Pohanka String Quartet in C min TP 151 “Quartett-Satz” D 703 Urtext / Ed. W. Aderhold Quartets K. 285, 285a, Anh. 171, TP 304 9,50 298 for flute, violin, viola and NEW 2014 String Quartet in D min violoncello “Death and the Maiden” D 810 Urtext / Ed. J. Pohanka Urtext / Ed. W. Aderhold TP 150 TP 301 Quintet in A maj K. 581 String Quartet in G maj for clarinet, two violins, viola Mozart, Wolfgang Amadeus op. post. 161 D 887 and violoncello (1756-1791) Urtext / Ed. W. Aderhold Urtext / Ed. E. F. Schmid Works for Violin and Orchestra TP 303 TP 14 K. 207, 211, 216, 218, 219, 261, 269 (261a), 373 String Quintet in C maj Quintet in E-flat maj K. 407 op. post. 163 D 956 for horn, violin, two violas and Urtext / Ed. Ch.-H. Mahling Urtext / Ed. M. Chusid bass (violoncello) TP 325 Urtext / Ed. E. F. Schmid TP 287 TP 13 Based on the Urtext of the Octet in F maj op. post 166 D 803 New Mozart Edition, this study Urtext / Ed. A. Feil Serenade in B-flat maj score unites the five violin TP 302 “Gran Partita” K. 361 (370a) concertos and the three single Urtext / Ed. D. N. Leeson, movements for violin from the Complete Chamber Music N. Zaslaw pen of Mozart in one thoroughly in 3 Volumes TP 312 8,50 reliable study score. A historical Urtext. Study score edition à String Quartet in C maj K. 465 for introduction (Ger/Eng) by ISBN 978-3-7618-1280-8 page 39 two violins, viola and violoncello G. Schütz provides valuable additional information. Smetana, Bedřich Urtext / Ed. L. Finscher (1824-1884) TP 146 String Quartets String Quintet in B-flat maj Violin Concertos Urtext / Ed. C.-H. Mahling Urtext / Eds. F. Bartoš, K. 174 for two violins, two violas J. Plavec, K. Šolc and violoncello - No. 3 in G maj K. 216 Urtext / Ed. E. Hess TP 272 7,– String Quartet No. 1 in E min TP 153 From my Life - No. 4 in D maj K. 218 TP 516 The Ten Celebrated String TP 273 7,– Quartets K. 387, 421, 428, 458, String Quartet No. 2 in D min - No. 5 in A maj K. 219 464, 465, 499, 575, 589, 590 TP 517 Urtext / Ed. L. Finscher TP 20 7,– TP 140 Suk, Josef Sinfonia concertante (1874-1935) The Thirteen Early String in E-flat maj K. 364 (320d) Quartets K. 80, 155-160, 168-173 for violin, viola and orchestra String Quartet No. 1 Urtext / Eds. K. H. Füssl, Urtext / Ed. C.-H. Mahling in B-flat maj op. 11 W. Plath, W. Rehm TP 176 Urtext / Ed. Z. Nouza TP 530 TP 318 Ravel, Maurice Three Divertimenti (1875-1937) String Quartet No. 2 op. 31 for strings K. 136-138 (125a-c) Urtext / Ed. Z. Nouza String Quartet Urtext / Ed. K. H. Füssl TP 536 Urtext / Ed. J. Appold TP 278 Study score with critical Vivaldi, Antonio Trios for Strings K. 563, K. 266 commentary (1678-1741) (271f), K. Anh. 66 (562e) TP 413 The Four Seasons Urtext / Ed. D. Berke Urtext / Ed. Ch. Hogwood TP 319 No distribution rights for France, Italy, and Spain. TP 399
70 “They said I was a musical genius. Only time will tell.”
71 facsimiles – english books
Bach, Johann Sebastian (1685-1750) The Techniques Six Suites for Violoncello Solo of Violin Playing BWV 1007-1012. The four sources in a photoreduced by Irvine Arditti and facsimile edition. Robert HP Platz Ed. Hans Eppstein. New Bach Edition, Volume VI/2. 3rd Edition (2001). 171 pages; paperback ISBN 978-3-7618-1044-6
Elgar, Edward (1857-1934)
Concerto in E min for Violoncello and Orchestra op. 85 Facsimile based on the autograph score at the Royal College of Dvoøák, Antonín Music, London MS 402. (Ger/Eng) (1841-1904) Edition in English and German. approx. 170 pages with DVD; Documenta musicologica II/36. paperback Concerto in B min for With an introduction by ISBN 978-3-7618-2267-8 Violoncello and Orchestra Jonathan Del Mar and a preface op. 104 by Steven Isserlis (2007). This publication takes into Bärenreiter Facsimile 164 pages; hardback account the virtuosity of a new ISBN 978-3-7618-1849-7 ISBN 978-3-7618-1928-9 generation of soloists. These are soloists who with their Facsimile of the autograph When asked what significance exceptional ability have score and the autograph piano the Cello Concerto had, Elgar succeeded in paving the way reduction in the Národní replied: “a person’s attitude for a greater understanding muzeum, Prague. The piano to life”. Today it is one of the of classical and contemporary reduction is presented in the most popular works in the cello music. appendix in black and white. repertoire. With a commentary by The chapters on bowing Jan Smaczny. True to the original, this facsimile techniques, vibrato, pizzicato, reproduces Elgar’s numerous glissando, flageolet, tablatures, Documenta Musicologica II/43. coloured corrections and rhythm and electronic sound 122+32 pages facsimile and additions; preparations for the production are illustrated with approx. 10 pages introduction printed version of the score and numerous musical examples (English/German/Czech), last minute corrections, no and diagrams. half-linen, hardback doubt reflecting his experience ISBN 978-3-7618-1849-7 in rehearsals, performances and Particularly helpful is the recordings. accompanying DVD, where In his commentary, Jan Smaczny Arditti demonstrates and comments on the history of The edition includes an explains the described the work’s composition and its introduction by Jonathan techniques. Chapters on the reception. He also points out Del Mar who has also prepared basics of violin technique and particularly interesting parts the Urtext edition of this work on Arditti’s personal in the manuscript and discusses as well as a preface by the experience with notable performance traditions which renowned cellist Steven Isserlis. th composers make the book developed during the 20 century. No distribution rights equally interesting for for France. non-violinists.
72 facsimiles – english books
Mozart, Wolfgang Amadeus (1756-1791) Eine kleine Nachtmusik K. 525 Facsimile of the autograph Handel, George Frideric With a commentary by (1685-1759) Wolfgang Rehm. Ortiz, Diego Documenta musicologica II/46. (circa 1510-1570) The Musick for the Royal 14 pages of facsimile Fireworks (individually trimmed) and Trattado de Glosas HWV 351. Concertos HWV 335a with an approx. 24-page Rome, 1553. Edition in Spanish, and 335b. British Library accompanying booklet Italian, English, German. Manuscript R.M. 20.g.7. (Eng/Ger); presented Edited by Annette Otterstedt. Facsimile. Edition in English in a silk-covered box Includes separate viol part and German. ISBN 978-3-7618-2282-1 (2003). 126 pages; hardback Documenta musicologica II/32. format: 24.8 x 33 cm Edited and supplied with an “Eine kleine NachtMusick” is ISBN 978-3-7618-1594-6 introduction by Christopher how Mozart entered the Hogwood (2004). Serenade in G major in his Diego Ortiz’s Trattado is a 96 pages; hardback personal catalogue of works on classic in the art of musical ISBN 978-3-7618-1666-0 10 August 1787. It was written ornamentation. Part 1 provides without any known incentive examples of every cadence This edition is rounded off with or commission during the time while part 2 discusses the a contemporary account of the that Mozart was composing interplay between viola da fireworks, décor and rockets “Don Giovanni”, a time when gamba and harpsichord, employed, thereby conveying he was celebrating his greatest including many pieces for this something of the majesty and success as an opera composer. combination of instruments as magnificence of the occasion. It illustrations. is also illustrated with various The manuscript was inaccessible This edition makes Ortiz’s engravings showing the to the public for almost half a standard work more accessible extravagant sets for the century, but eventually by choosing a synoptic layout: fireworks display. Bärenreiter received exclusive the original Spanish and Italian permission to produce a are printed on a double-page facsimile of Mozart’s original. spread along with translations into modern German and English. An introduction by Annette Otterstedt explains the Trattado and its origins, the Bärenreiter Notes various tunings, and questions regarding the instrument. l A student lesson book l A general note book A separate viol part has been l A gift included to ease performances with a keyboard instrument. For the first time, Ortiz’s Format: DIN A 6 text is now available to an (10.5 cm x 14.8 cm / international readership in the 4.1 inches x 5.8 inches) original and in translation at 32 pages · binding: stapled the same time. BA 8100 Mozart red
73 Facsimiles – English books / Index by Composers
A Facsimiles English Books Abel, Karl Friedrich 35 Accolay, Jean Baptiste 7, 67 Advanced Violin Duos 19
Albinoni, Tommaso 20
Arditti, Irvine 72
Ariosti, Attilio 21
B
Bach, Johann Christian 53
Bach, Johann Christoph Friedrich
27 Bach, Johann Sebastian 4, 7, 20, 21, 24, 25, 27, 35, 36, 39, 53, 68, 72 Wulfhorst, Martin Balkan 59 The Orchestral Violinist’s Companion Bärenreiter Notes 73 Bärenreiter’s Cello Collection 27, 63
Vol. 1: Training · Practicing and Bärenreiter’s Concert Pieces 67
Sight-Reading · Basic Orchestral Bärenreiter’s Double Bass Technique · Bowing Technique Collection 36, 64 and Sound Production Otterstedt, Annette Bärenreiter’s Viola Collection 21, 62 Vol. 2: Left-Hand Technique · Battanchon, Felix 25, 26, 63 The Viol Pizzicato and Other Special Beautiful Adagios 19, 57 History of an Instrument Techniques · Rhythm and Beethoven, Ludwig van Translated by Hans Reiners Ensemble Playing · Notation 8, 28, 39, 40, 53, 54, 68 and Performance Practice · English text Berlioz, Hector 9, 22 (2002). 294 pages; hard cover Repertoire and Style · Profession Berwald, Franz 9, 19, 39, 54 ISBN 978-3-7618-1151-1 and Career · Resources Blues 59 Annette Otterstedt takes into 480 pages plus XXII pages (vol. 1) Boismortier, Joseph Bodin de consideration the most recent and IX pages (vol. 2). Preface. 28, 35 results of research, which is English text, paperback, format 23 x 30 cm. Brahms, Johannes 3, 9, 10, 22, particularly obvious in the 28, 46, 47, 48, 54, 68 chapters on the early history Approx. 500 musical samples; approx. 30 illustrations, of the instrument, women C playing the viols, the practice diagrams, and tables. ISBN 978-3-7618-1758-2 of viol consort, transposition Chédeville, Nicolas 11 and pitch, and a chapter on the This book is a guide to the art 20th-century viol. Christmas Hits for 2 Cellos 57, 65 of playing the violin in a Classic Hits for 2 Cellos 35, 57, 63 professional orchestra. It is a Classic Hits for Violin and Viola This is not merely a standard workbook, reference tool, and 37, 57 work for viol players and textbook for: early music enthusiasts: it Close, J. Peter 36, 65 is as yet without equal as a l Conservatory and college Cofalik, Antoni 60, 63 brilliantly written, exemplary students who are preparing combocom 58, 59 introduction into the world of for an orchestral career Corelli, Arcangelo 11 an instrument. l Audition candidates at the Corssen, Michael 35, 63 “In sum a ›Viol’s beginning or at later stages Cowboy Songs for Strings Monument‹ and highly in their careers 39, 65, 66 recommended reading for all l ›lovers‹ of music.” String teachers, conductors, (Goldberg) and composers l Classes at conservatories, universities, and summer programs. à page 6
74 Index by Composers
D L S
Debussy, Claude 29, 39, 42, 68 Lalo, Edouard 32 Saint-Saëns, Camille 16, 33 Der kleine Paganini 60 Lee, Sebastian 25, 26, 63 Salomon, Johann Peter 55 Django 59 Lesson Book “My Progress” 24 Salonmusik 59 Djelem 59 Liszt, Franz 13 Samba-Salsa-Son 59 Duport, Jean-Louis 25, 26, 63 Sassmannshaus 16, 20, 24, 35, 36, Dvořák, Antonín 11, 12, 29, 30, 31, M 60, 62, 63, 65 38, 41, 45, 46, 47, 50, Sassmannshaus Violin Recital 51, 52, 68, 72 Martinů, Bohuslav Album 61 13, 21, 23, 32, 38, 42, 55 Schoeck, Othmar 33 E Marton, Anna 64 Schönberg, Arnold 56 Mendelssohn Bartholdy, Felix Schubert, Franz 16, 23, 34, 39, Elgar, Edward 31, 46, 68, 72 13, 68 44, 45, 49, 53, 56, 70 Merk, Joseph 25, 26, 64 F Schulhoff, Erwin 46 Merry Christmas for Strings Schumann, Robert 34 42, 65, 66 Fauré, Gabriel 22, 31, 41, 47, 51, 68 Seitz, Friedrich 17, 23, 34, 67 Mexican Hat Dance 42, 65, 66 Ševčík, Otakar 5 Fesch, Willem de 31 Meyerbeer, Giacomo 55 Fiddle Tunes (Irish Music for Škroup, František Jan 50, 56 Monti, Vittorio 13, 67 Smetana, Bedřich 17, 44, 50, 70 Strings) 42, 65, 66 Morley, Thomas 36 Fiocco, Joseph-Hector 12, 67 Speckert, George A. 66 Mozart, Wolfgang Amadeus Spirituals 59 Folk for two Violins 20, 57 14, 15, 21, 23, 32, 35, 37, Franck, César 12, 23, 31, 42, 68 Stamitz, Carl 34 39, 42, 43, 45, 46, 47, Suk, Josef 20, 44, 52, 70 Furrer, Beat 23, 53 49, 50, 52, 53, 55, 56, G 68, 70, 73 T
Gabrielli, Domenico 25, 32 O Tango 58 Geminiani, Francesco 54 Tango Classics 17, 57 Offenbach, Jacques 35 Tango for Strings 44, 65, 66 Gola, Zdenĕk 5 Ortiz, Diego 35, 73 Grützmacher, Friedrich 25, 26, 63 Tartini, Giuseppe 17 Otterstedt, Annette 35, 74 Telemann, Georg Philipp H P 6, 17, 20, 21, 23, 34, 36, 56 Hamel, Peter Michael Paganini, Niccolò 5 The Roots of Jazz 37, 57 12, 23, 31, 42, 68 Pfitzner, Hans 43 The Techniques of Violin Playing Handel, George Frideric 12, 20, 73 Picinetti, Felice Maria 33, 34 72 Haydn, Joseph 13, 54, 55, 68 Pintscher, Matthias 5, 21, 25, 33, Torelli, Giuseppe 34 Hummel, Johann Nepomuk 32 37, 43, 49, 56 Trojahn, Manfred 6, 17, 34, 45 Twardowski, Romuald 60, 63 I Platz, Robert HP 72 Popper, David 25, 26, 33, 64 V Indian Chants for Strings Popular Movie Hits 15, 57 42, 65, 66 Purcell, Henry 47 Violin Classics 20, 57 Irish 59 R Violoncello x 4 35 Vitali, Tomaso Antonio 18 J Ravel, Maurice 15, 37, 43, 49, 70 Vivaldi, Antonio 18, 21, 34, 56, Janáček, Leoš 12, 13, 32, 42, 68 Ready to Play 57 67, 70 Jewish Prayer 23, 32 Rieding, Oskar 16, 23, 33, 67 Rossini, Gioachino 38 W K Rychlik, Józef H. 60 Wulfhorst, Martin 6, 74
Kaffeehausmusik 59 Z Klezmer 59 Kloss, Berthold 57 Zelenka, Jan Dismas 56 Krenek, Ernst 25, 35, 38, 42 Zydeco - Cajun 59
75 Bärenreiter Music for Strings 2015/2016
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