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A New Zealand Journal of Poetry and Poetics Issue 7 March 2009
ka mate ka ora: a new zealand journal of poetry and poetics Issue 7 March 2009 Mahmoud Darwish 1941–2008 Ian Wedde The Palestinian poet Mahmoud Darwish died on Saturday 9 August 2008 of complications following heart surgery in Houston, Texas. News of his death quickly appeared on the front pages of all major newspapers in the Middle East. BBC World broadcast a substantial television news item and obituary on the weekend of his death, as did other major European television networks. Extensive international television coverage was provided by Al Jazeera on its many different language channels, as well as on social network sites such as YouTube. Le Monde carried a substantial obituary and eulogy by Pierre Assouline on the day of Darwish’s death, on its ‘la république des livres’ blog. A lengthy obituary was quickly published in The New York Times (Monday 11 August), whose pages had often carried reports on the poet’s activities and publications since 1978. The Guardian (Monday 11 August) published a detailed tribute by Peter Clark, the distinguished Arabist and editor; others to print substantial and timely accounts included Haaretz in Israel, and in the U.S.A. the Los Angeles Times and The Boston Globe among others (all on 10 August); The Australian, The Independent, and the Seattle Times published tributes on 11 August, as did The Times (14 August), and the Economist (21 August). The internet was flooded with emotional tributes, of which the South African activist Breyten Breytenbach’s in Pambazuka News was typical (‘Mahmoud is gone. The exile is over.’) . -
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015 The following listing of CMES- and Harvard-affiliated speakers was compiled from the MESA Program that was posted in September. Please note that there may have been updates since this time that we were unable to include. For the most current information on times and locations of these panels, visit: https://mesana.org/mymesa/meeting_program.php Pages i.-iii Harvard affiliate listing with session times Pages 9-50 MESA program with Harvard affiliate names highlighted Harvard Affiliate Listing with day(s)/time(s) of MESA sessions Harvard Faculty: . Bayoumi, Soha (Lecturer, History of Science) – Sun, 11-1 . Cammett, Melani (Professor of Government)—Sat, 5:30-7:30 pm; Mon, 5-7 . Dundar Akarca, Halit (Davis Center Visiting Professor)—Sun 8:30-10:30 . Fahmy, Khaled (Shawwaf Visiting Professor in Modern Middle East History)—Sat, 5:30-7:30 . Granara, William (CMES Director, Professor of Arabic, NELC) – Sun, 11-1 . Sullivan, Nevenka Korica (Senior Preceptor NELC, CASA Director)– Sun, 11-1 . Mottahedeh, Roy (Gurney Professor of History) – Sun, 2-4 . Ragab, Ahmed (HDS; Richard T. Watson Assistant Professor of Science and Religion) – Mon, 5-7 Harvard Students: . Agsar Alibhai, Ali (NELC) – Sun, 2-4; Mon, 11-1 . Andani, Khalil (Divinity, NELC) – Mon, 5-7 . Anderson, Paul (NELC) – Mon, 5-7 . Arslan, C. Ceyhun (NELC) – Sun, 4:30-6:30; Mon, 11-1 . Ben Ismail, Youssef (NELC) – Mon, 8:30-10:30 . Blecker, Allison (NELC) – Sun, 11-1 . Elston, Mary (NELC) – Mon, 8:30-10:30 . Gurbuzel, Aslihan (History/MES) – Sun, 11-1 . -
The New Cambridge Medieval History, Volume IV - C
Cambridge University Press 0521414113 - The New Cambridge Medieval History, Volume IV - c. 1024-c. 1198 Edited by David Luscombe and Jonathan Riley-Smith Index More information INDEX Aachen, 77, 396, 401, 402, 404, 405 Abul-Barakat al-Jarjara, 695, 700 Aaron, bishop of Cologne, 280 Acerra, counts of, 473 ‘Abbadids, kingdom of Seville, 157 Acre ‘Abbas ibn Tamim, 718 11th century, 702, 704, 705 ‘Abbasids 12th century Baghdad, 675, 685, 686, 687, 689, 702 1104 Latin conquest, 647 break-up of empire, 678, 680 1191 siege, 522, 663 and Byzantium, 696 and Ayyubids, 749 caliphate, before First Crusade, 1 fall to crusaders, 708 dynasty, 675, 677 fall to Saladin, 662, 663 response to Fatimid empire, 685–9 Fatimids, 728 abbeys, see monasteries and kingdom of Jerusalem, 654, 662, 664, abbots, 13, 530 667, 668, 669 ‘Abd Allah al-Ziri, king of Granada, 156, 169–70, Pisans, 664 180, 181, 183 trade, 727 ‘Abd al-Majid, 715 13th century, 749 ‘Abd al-Malik al-Muzaffar, 155, 158, 160, 163, 165 Adalasia of Sicily, 648 ‘Abd al-Mu’min, 487 Adalbero, bishop of Wurzburg,¨ 57 ‘Abd al-Rahman (Shanjul), 155, 156 Adalbero of Laon, 146, 151 ‘Abd al-Rahman III, 156, 159 Adalbert, archbishop of Mainz, 70, 71, 384–5, ‘Abd al-Rahman ibn Ilyas, 682 388, 400, 413, 414 Abelard of Conversano, 109, 110, 111, 115 Adalbert, bishop of Prague, 277, 279, 284, 288, Aberconwy, 599 312 Aberdeen, 590 Adalbert, bishop of Wolin, 283 Abergavenny, 205 Adalbert, king of Italy, 135 Abernethy agreement, 205 Adalgar, chancellor, 77 Aberteifi, 600 Adam of Bremen, 295 Abingdon, 201, 558 Adam of -
Heinermüller75 Explosion of a Memory
INTERNATIONALE HEINER MÜLLER GESELLSCHAFT HEINERMÜLLER75 EXPLOSION OF A MEMORY Berlin, 9., 10., 11. Januar 2004 HEINERMÜLLER75 EXPLOSIONOFAMEMORY 9. Januar HERZSTÜCK 10. Januar WENN SIE MIT FLEISCHERMESSERN DURCH EURE SCHLAFZIMMER GEHT 11. Januar DIE SONNE ZERGEHT AUF DER ZUNGE Akademie der Künste, Hanseatenweg 10, 10557 Berlin-Tiergarten Mit Unterstützung des Hauptstadtkulturfonds In Zusammenarbeit mit der Fakultät Darstellende Kunst der Universität der Künste, Berlin der Hochschule für Schauspielkunst „Ernst Busch“, Berlin dem Institut für Theaterwissenschaften an der Universität Leipzig Konzept, Leitung und Organisation Klaudia Ruschkowski und Wolfgang Storch Organisation für die Akademie der Künste Abteilung Darstellende Kunst Wir danken henschel SCHAUSPIEL für die Aufführungsrechte, dem Suhrkamp Verlag für die Abdruckrechte, der landwirtschaftlichen Fakultät der Humboldt-Universität Berlin für Zugmaschine und Anhänger, der PDS Brandenburg für den Lautsprecherwagen beim Zug der Studenten Medienpartner FrDie Ost-West-Wochenzeitungeitag EXPLOSIONOFAMEMORY BESTANDSAUFNAHME UND WEITERARBEIT Heiner Müllers Sprache ist Montage, ist Schichtung, Schnitt ohne Vermittlung. Sie bündelt verschiedene Erfahrungen in Figuren und Konstellationen, zielt auf das kollektive Moment, gewinnt daraus eine Energie, die den Mythen eignet, wird Provokation, Lust, getrieben von einem Rhythmus, der den anderen ergreift. Die Sprache erreicht den Grund, aus dem die Künste erwachsen, wird zum Argument gegen den Selbstlauf der Welt zwischen Korruption und Krieg. -
1 MA English Language & Literature Programme (CCSS) Syllabus
MA English Language & Literature Programme (CCSS) Syllabus (2017 admission onwards) Course List Core Courses I Semester ENG 1 C01 British Literature:14th Century to18 th Century 4 Credits ENG 1 C02 Indian Writing in English 4 Credits ENG 1 C03 History of English Language 4 Credits ENG 1 C04 Literary Criticism and Theory – Part I 4 Credits ENG 1 C05 Postcolonial Writings 4 Credits II Semester ENG 2 C06 Perspectives on Shakespeare 4 Credits ENG 2 C07 American Literature –I 4 Credits ENG 2 C08 Literary Criticism and Theory -2 4 Credits III Semester ENG 3 C09 Introduction to Linguistics 4 Credits ENG 3 C10 American Literature –II 4 Credits ENG 3 C11 British Literature: 19 th Century 4 Credits IV Semester ENG 4 C12 20 th Century British Literature: Pre-1940 4 Credits ENG 4 C13 20 th Century British Literature: Post-1940 4 Credits ENG 4 C14 Dissertation / Project 4 Credits Elective Courses II Semester ENG 2 E01 World Drama 4 Credits ENG 2 E02 Indian Writing in English Translation 4 Credits ENG 2 E03 Canadian Literature 4 Credits ENG 2 E04 Literature of the Marginalized 4 Credits ENG 2 E05 Advanced Writing skills 2 Credits ENG 2 E06 English Studies in India 2 Credits Page | 1 III Semester ENG 3 E07 Translation Theory & Practice 4 Credits ENG 3 E08 20 th Century Arabic Literature in English Translation 4 Credits ENG 3 E09 Introduction to Cultural Studies 4 Credits ENG 3 E10 Women’s Writing 4 Credits ENG 3 E11 Post 1980 Indian Writings in English 4 Credits ENG 3 E12 Translation for the Media 2 Credits ENG 3 E13 Introduction to Film Studies 2 Credits -
Reading the Story of Majnun Layla Through Qassim Haddad's Poem
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 6, Ver. 8 (June. 2017) PP 57-67 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Reading the Story of Majnun Layla through Qassim Haddad’s Poem Dzia Fauziah, Maman Lesmana Arabic Studies Program, Faculty of Humanities Universitas Indonesia Abstract: Majnun Layla is a popular classic story in the Middle East. It is said that this story inspired Shakespeare to write the story of Romeo and Juliet in Europe. The story spread to several cultures in the world and was rewritten in poetry, romance, drama and film genres. This paper aims to examine the story from the genre of modern poetry written by Qassim Haddad, a Bahrain poet. This research uses library data, both print and electronic, as research corpus and reference. The method used in this paper is the qualitative method, which prioritises words rather than numbers and emphasises quality over quantity. The data is presented in the form of analytical descriptive, starting from the description of its structure, until the analysis of its contents. In the analysis, semiotic structuralism is also used, which emphasises the text and its intrinsic elements. From the results of this study, it is found that there are not many images of the MajnunLayla’s love story revealed in the poem because of it is a monologue form and not a narrative, and there are many phrases that are less understandable because the poem is rich in figurative words and unclear connotations. This paper recommends the story to be inspired well, it should be written in the form of a diaphanous and easily digestible poem, rather than prismatic andcomplicated.It is expected to be written in the form of a free and prosaic poem, with simple typography and does not necessarily use too many enjambments. -
Postcolonial Syria and Lebanon
Post-colonial Syria and Lebanon POST-COLONIAL SYRIA AND LEBANON THE DECLINE OF ARAB NATIONALISM AND THE TRIUMPH OF THE STATE Youssef Chaitani Published in 2007 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Youssef Chaitani, 2007 The right of Youssef Chaitani to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The views expressed herein are those of the author and do not necessarily reflect the views of the United Nations. ISBN: 978 1 84511 294 3 Library of Middle East History 11 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Minion by Dexter Haven Associates Ltd, London Printed and bound in India by Replika Press Pvt. Ltd CONTENTS Acknowledgements vii Foreword ix Introduction 1 1The Syrian Arab Nationalists: Independence First 14 A. The Forging of a New Alliance 14 B. -
SHARJAH FILM PLATFORM SCREENING SCHEDULE 19–26 January 2019
SHARJAH FILM PLATFORM SCREENING SCHEDULE 19–26 January 2019 Programme 1 Friday, 18 January - 9:00 pm Mirage City Cinema Saturday, 26 January - 3:00 pm Sharjah Institute of Theatrical Arts Sharjah Film Platform annually awards Short Film Production Grants in support of film production in the UAE and internationally. Selected through an open call, this year’s grant winners are Abdulrahman Al Madani and Mohammed Al Hammadi, whose films Laymoon and Maryam, respectively, will be premiered at the festival. Al Madani and Al Hammadi will discuss their films after the screenings on opening night. Laymoon (2019) Director: Abdulrahman Al Madani United Arab Emirates Narrative | 16 min Arabic with English subtitles A neglected housewife’s constant attempts to regain her short-tempered husband’s interest in their marriage prove futile. Influenced by her best friend, she realises her efforts need to stretch beyond a wholesome meal. Abdulrahman Al Madani started making films in 2012, focusing particularly on social issues. His first documentary short, The Gamboo3a Revolution (2012), won awards from the Gulf Film Festival and the Abu Dhabi Film Festival, and he also directed the two short films Guilt (2013) and Nagafa (2014). He received a bachelor's degree in applied media studies from the Higher Colleges of Technology, Dubai (2014) and completed a one-year filmmaking diploma programme at the New York Film Academy Abu Dhabi (2015). His thesis film, Beshkara, received its world premiere at the Dubai International Film Festival the same year. Al Madani was born in 1992 in Dubai, where he currently lives and works. Maryam (2019) Director: Mohammed Al Hammadi United Arab Emirates Narrative | 22 min Arabic with English subtitles An ambitious young Emirati’s dream to pursue an acting career in New York is challenged by the sudden of her father and the opposition of her mother, who wants her to marry. -
PLAY GUIDE Inside
McGuire Proscenium Stage / Jan 11 – Feb 16, 2020 Noura by HEATHER RAFFO directed by TAIBI MAGAR PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to Noura • 5 THE PLAYWRIGHT About Heather Raffo •7 In Her Own Words • 8 After the Door Slams: An Interview With Heather Raffo •9 CULTURAL CONTEXT The Long Sweep of History: A Selected Timeline of the Land That Is Now Iraq • 12 What’s What: A Selected Glossary of Terms in Noura • 19 Iraq: Ripped From the Headlines • 22 Chaldean Christians • 24 Meet Cultural Consultant Shaymaa Hasan • 25 ADDITIONAL INFORMATION For Further Reading and Understanding • 27 Guthrie Theater Play Guide Copyright 2020 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Shaymaa Hasan, Daisuke Kawachi, Heather Raffo, Carla Steen Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 All rights reserved. With the exception of classroom use by BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic guthrietheater.org • Joseph Haj, artistic director or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie creates transformative theater experiences that ignite the imagination, The Guthrie Theater receives support from the National stir the heart, open the mind and build community through the illumination of our Endowment for the Arts. -
3 on Understanding Syrian Diasporic Identities Through a Selection Of
On Understanding Syrian Diasporic Identities through a Selection of Syrian Literary Works Ghada Alatrash Mount Royal University [email protected] Najat Abed Alsamad [email protected] Abstract As of late August 2018, a total of 58,600 Syrian refugees have arrived in Canada (Government of Canada, 2019). The Syrian Diaspora today is a complex topic that speaks to issues of dislocation, displacement, loss, exile, identity, a desire for belonging, and resilience. The aim of this paper is to offer a better understanding of the Syrian peoples who have become, within the past four years, part of our Canadian citizenry, local communities, and members of our schools and workforce. By engaging the voices of Syrians through their literary works, this essay seeks to challenge some of the ontological and epistemological underpinnings that have historically defined Syrians and to offer alternate ways in which we may better know and understand what it means to be Syrian today. Historically Syrians have written and spoken about exile in their literature, long before the the Syrian war began in March of 2011. To deliver a sense of Syrian identities, a selected number of pre-Syrian-war writers and poets are engaged in this essay, including Nizar Kabbani, Muhammad al-Maghut, Zakaria Tamer, Mamduh Adwan, Adonis and Nasib Arida; furthermore, to capture a glimpse of a post-war sentiment, the voice of Syrian novelist Najat Abdul Samad, whose work was written from within the national borders of a war- torn Syria, is brought into the discussion. Introduction “‘Syria has become the great tragedy of this century - a disgraceful humanitarian calamity with suffering and displacement unparalleled in recent history,’ said Antonio Guterres, head of the UN High Commission for Refugees” (Watt, Blair, & Sherlock, 2013). -
The Significance of Documents in the Codification of Modern and Contemporary Lebanese History Pjaee, 18(7) (2021)
THE SIGNIFICANCE OF DOCUMENTS IN THE CODIFICATION OF MODERN AND CONTEMPORARY LEBANESE HISTORY PJAEE, 18(7) (2021) THE SIGNIFICANCE OF DOCUMENTS IN THE CODIFICATION OF MODERN AND CONTEMPORARY LEBANESE HISTORY Instr. Bushra Ibrahim Salman (Ph.D.) Al-Rasheed University College. Instr. Bushra Ibrahim Salman (Ph.D.) , The Significance Of Documents In The Codification Of Modern And Contemporary Lebanese History , Palarch’s Journal Of Archaeology Of Egypt/Egyptology 18(7). ISSN 1567-214x. Keywords: Documents, Lebanon, modern history, contemporary history. Abstract: Historical documents occupy a pivotal and distinct space on which researchers, historians and who is involved in the field of historical documentation and writing, especially those who specialize in modern and contemporary Lebanese history rely, as they are familiar with relevant and significant documents of specific time periods.Furthermore, documents of all kinds are among the most focal sources of knowledge and the evidence for proving or denying a historical event. In addition, they play a prominent role with the aim of linking the past with the future. Therefore, modern and contemporary Lebanese history is rich in the availability of unpublished and even published documents that presented its historical events in a chronological and in-depth manner. Introduction: It is beyond dispute that historical documents are of great importance, whether political, administrative or legal, which makes them a rich sourceofsolid studies and the basis for scientific research in the field of writing and documenting modern and contemporary Lebanese history in particular. Thus, many countries of the world in the modern era have taken on the provision of centers for the preservation, tabulation, and indexing of documents along with the preparation of paper indexes for the classification of documents, as well as the introduction of technology in the field of documents preservation and archiving so as to facilitate the job of researchers and provide what they need. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program.