The American Legion [Volume 120, No. 3 (March 1986)]
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The American Legion [Volume 116, No. 5 (May 1984)]
one pair WHEN YOU PAIRS ORDER SHOES ANY FOR Yes! Wear them, try them, test one pair any way you wish before you decide to keep your order. Because Haband, the mail order people from Paterson, New Jersey, believe you can't tell a shoe by its cover! you must be sure they look as great, feel as great, and wear every bit as great as promised or pack them up and fire them back for full refund of the $29.95! HABAND RE-INVENTS THE SHOE!! No other product known to man can so immediately mpact your minute to minute personal comfort as your shoes! Yet who can afford the current outrageous $50 or $100 a pair? That's why Haband invented a whole New Factory Approach, just as cataclysmic as the reorganization of General Motors! You get a better product! Better Looks! and FAR MORE COMFORT! You get beautiful lustrous kid grained man-made uppers that, keep a soft natural lustre, & never need a shine! You get sure footed extra cushion crepe rubber heel & sole! Special built-in support shank in the arch! Long wear shape / holding heel counters. Loafers have built-in elastic gore. Oxfords have strong braided laces. In short, you get ALL YOU EVER WANTED in BEWARE THE RETURN OF INFLATION! Look Carefully and Act Fast! Shoe prices are at the edge of the springboard and on the way up! Do not miss this extraordinary chance RIGHT NOW to Haband 100% man-made ^\^\qc seize the LOWEST p 95 SHOE PRICE FOR executive Q hTs 5>Q THE REST S QUALITY SHOES V WtJ OF YOUR 4 for 39.50 ALL 5 for 08.95 LIFE! HABAND 265 IN. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Porgy and Bess Composer: George Gershwin Section of the Work to Be
Title: Porgy and Bess Composer: George Gershwin Section of the work to be studied: ‘Summertime’ Interpretation in performance 1: Leontyne Price, from 1:11 to 4:32, Porgy and Bess: High Performance, RCA Interpretation in performance 2: Billie Holiday, The Quintessential Billie Holiday, Vol. 2: 1936, Columbia, this recording is also available on a number of compilation CDs. Score: Summertime, single for voice and piano. Alfred Publishing. (AP.VS5985) The following notes are designed to inform discussion. They are not to be considered as representative of the VCAA or amuse. The notes are to be used as starting points. Paul Curtis 2009 Briefly: Gershwin completed the work in September 1935 following 20 months of work. The show opened on 30 September 1935 at Boston’s Colonial Theatre. The show opened in New York at the Alvin Theatre on 10 October. The show ran for only 124 shows at the Alvin. The critical reaction was mixed and the entire monetary investment was lost. Gershwin wrote the following defense of his work: It is true that I have written songs for Porgy and Bess. I am not ashamed at writing songs at any time so long as they are good songs. In Porgy and Bess I realized that I was writing an opera for the theatre and without songs it could be neither of the theatre nor entertaining from my viewpoint. But songs are entirely within the operatic tradition. Many of the most successful operas of the past have had songs….Of course, the songs in Porgy and Bess are only a part of the whole…I have used symphonic music to unify entire scenes. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963
A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963 Compiled and Edited by Stephen Coester '63 Dedicated to the Twenty-Eight Classmates Who Died in the Line of Duty ............ 3 Vietnam Stories ...................................................................................................... 4 SHOT DOWN OVER NORTH VIETNAM by Jon Harris ......................................... 4 THE VOLUNTEER by Ray Heins ......................................................................... 5 Air Raid in the Tonkin Gulf by Ray Heins ......................................................... 16 Lost over Vietnam by Dick Jones ......................................................................... 23 Through the Looking Glass by Dave Moore ........................................................ 27 Service In The Field Artillery by Steve Jacoby ..................................................... 32 A Vietnam story from Peter Quinton .................................................................... 64 Mike Cronin, Exemplary Graduate by Dick Nelson '64 ........................................ 66 SUNK by Ray Heins ............................................................................................. 72 TRIDENTS in the Vietnam War by A. Scott Wilson ............................................. 76 Tale of Cubi Point and Olongapo City by Dick Jones ........................................ 102 Ken Sanger's Rescue by Ken Sanger ................................................................ 106 -
Download Booklet
120762bk DorseyBros 14/2/05 8:43 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Available in the Naxos Jazz Legends and Nostalgia series … 8.120625* 8.120628 8.120632* 8.120681* 8.120697* 8.120746* * Not available in the USA NAXOS RADIO Over 70 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120762bk DorseyBros 14/2/05 8:43 PM Page 2 THE DORSEY BROTHERS Personnel Tracks 1, 3 & 4: Bunny Berigan, trumpet; Tracks 8-11: Manny Klein & unknown, trumpet; ‘Stop, Look and Listen’ Original 1932-1935 Recordings Tommy Dorsey, trombone; Jimmy Dorsey, Tommy Dorsey, Glenn Miller, trombones; clarinet, alto sax; Larry Binyon, tenor sax; Jimmy Dorsey, clarinet, alto sax; unknown, alto Whether you call them The Fabulous or The over to the newly formed American Decca label. Fulton McGrath, piano; Dick McDonough, sax; Larry Binyon (?), tenor sax; Fulton Battling Dorsey Brothers, Tommy (1905-1956) In the two knock-down drag-out years that guitar; Artie Bernstein, bass; Stan King, drums McGrath (?), piano; Dick McDonough, guitar; and Jimmy Dorsey (1904-1957) were major followed, the Dorseys produced some Track 2: Bunny Berigan, trumpet; Tommy Artie Bernstein (?), bass; Stan King or Ray influences on the development of jazz in the outstanding and exciting jazz, all the while Dorsey, trombone; Jimmy Dorsey, clarinet; McKinley, drums 1920s and ’30s. -
Grand Ballroom West)
This document is from the collections at the Dole Archives, University of Kansas http://dolearchives.ku.edu GOPAC SEMI-ANNUAL MEETING Wednesday, November 19 2:00 p.m. Sheraton Grand Hotel (Grand Ballroom West) You are scheduled to address the GOPAC meeting at 2:00 p.m. Lynn Byrd of GOPAC will meet you at the Sheraton Grand's front entrance and escort you to the Grand Ballroom West. You will be introduced by Newt Gingrich and your speech, including Q&A, should last no more than 25 minutes. The theme of the meeting is "a time to look back, a time to look forward" and GOPAC asks that you give an analysis of the elections and what the results mean to the Republican party and the country. (Attached is information on the Senate, House, Governor, and State Legislature elections.) There will be about 75-100 people (GOPAC Charter Members and guests) in the audience; no press or media has been invited. Speeches by Alexander Haig, Frank Fahrenkopf, Governor du Pont, Jack Kemp, Jeane Kirkpatrick, and Governor Kean will precede your remarks; Pat Robertson and Donald Rumsfeld are scheduled to speak after you. Expected to be in attendance at your luncheon speech are: Congressmen Dick Cheney, Joe DioGuardi, Robert Lagomarsino, and Tom Loeffler. Author Tom Clancy (Hunt for Red October/Red Storm Rising) is also expected to attend. GOPAC Background GOPAC was formed in 1978 and its purpose is to raise funds to elect state and local Republicans nationwide. This meeting is for Charter Members, who give or raise $10,000 a year for GOPAC. -
The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas the the Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas the Dave Oliphant
Oliphant: The Wisconsin Texas Jazz Nexus The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas The The Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas The Dave Oliphant The institution of slavery had, of course, divided the nation, and Chicago. Texas blacks had earlier followed the cattle trails and on opposite sides in the Civil War were the states of Wis- north, but, in the 1920s, they also felt the magnetic pull of consin and Texas, both of which sent troops into the bloody, entertainment worlds in Kansas City and Chicago that catered decisive battle of Gettysburg. Little could the brave men of the to musicians who could perform the new music called jazz that Wisconsin 6th who defended or the determined Rebels of the had begun to crop up from New Jersey to Los Angeles, beholden Texas Regiments who assaulted Cemetery Ridge have suspected to but superseding the guitar-accompanied country blues and that, one day, musicians of their two states would join to pro- the repetitive piano rags. The first jazz recordings had begun to duce the harmonies of jazz that have depended so often on the appear in 1917, and, by 1923, classic jazz ensembles had begun blues form that was native to the Lone Star State yet was loved performing in Kansas City, Chicago, and New York, led by such and played by men from such Wisconsin towns and cities as seminal figures as Bennie Moten, King Oliver, Fletcher Jack Teagarden, courtesy of CLASSICS RECORDS. Teagarden, Jack Fox Lake, Madison, Milwaukee, Waukesha, Brillion, Monroe, Henderson, and Duke Ellington. -
Service of Legislators 1838 – 2021
Historical Tables of the Iowa Legislature Service of Legislators 1838 – 2021 Information updated through the 2021 Regular Session. Home County column reflects all counties identified as the legislator’s home county during service. Legislative Service column indicates the chamber, assembly number, and session in which the legislator served. “TC” means Territorial Council; “TH” means Territorial House of Representatives; “S” means Senate; “H” means House of Representatives. “(1)” means first Regular Session and “(2)” means second Regular Session of a General Assembly. “X” means First Extraordinary Session; “XX” means Second Extraordinary Session. Name Home County Legislative Service Drengman O. Aaker Winneshiek H 19, 20 William Abbe Linn TC 7, 8 Ben C. Abben Jr. Lyon S 39, 40, 40X W. S. M. Abbott Dallas H 11 Ako Abdul-Samad Polk H 82(1), 82(2), 83(1), 83(2), 84(1), 84(2), 85(1), 85(2), 86(1), 86(2), 87(1), 87(2), 88(1), 88(2), 89(1) Leighton W. Abel Clayton H 54, 55 Alonzo Abernethy Fayette H 11 Lot Abraham Henry S 19, 20 Abraham G. Adams Des Moines H 12 Henry C. Adams Kossuth S 37, 38, 38X, 39, 40, 40X Henry L. Adams Fayette S 33, 34 Janet L. Adams Hamilton H 72(1), 72(1)X, 72(1)XX, 72(2), 73(1), 73(2), 74(1), 74(2), 74(2)X, 74(2)XX Andrew Addie Fayette H 23, 24 John V. Adkins O’Brien H 37, 38, 38X Service of Legislators 1838 – 2021 Name Home County Legislative Service Wallace G. Agnew Clarke H 21, 22 John H. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
The American Legion [Volume 142, No. 4 (April 1997)]
@@[D) /^mm ©(Q)y[MT[^Y April 1997 $2.50 Buick Salutes Y)ur Family At Buick, we're proud of oiif heritage as "The Great American Car." And we support The American Legion and The American Legion Auxiliary for the traditional American values you embrace. It's an honor to commit our resources to an organization that has, for nearly 80 years, contributed so much to communities, families and the American way of life. We, too, continue to build on our strengths and are especially proud to announce the all-new 1997 Park Avenue. It upholds Buick's uncompromising quality standards and provides you with an extraordinary automobile you'll be proud to call your own. For more information about the all-new Park Avenue call 1-800-4A-BU1CK. f IF;!®] BUICK Look for our newest family member: The all-new Park Avenue by Buick. THE AMERICA N Vol. 142, No. 4 The Magazine for a Strong America ARTICLES GO WITH YOUR GUT By Robert McGarvey If you've ever had a hunch, you can have more and better ones. THE MOST ARTFUL DODGER By Carl Erskine Fifty years ago, Jackie Robinson broke the color line. HOn/IEWARD ROUND By Phyllis Zauner A forgotten army of 250,000 homeless veterans gets some help. E O r E P U C AT MAKING THE GRADE ByLynnCrlner Much goes wrong In public schools, but some fixes are working. RAISING THE STANDARDS interview Secretary of Education Richard W. Riley grades our schools. DEGREES OF GUILT By Mark Rowh That "sheepskin" better not be Naugahyde. -
Occidentalwinter 2008
California Wildfires: An Oxy Couple’s Loss Susan Prager Steps Down: What’s Ahead OCCIDENTA WLINTER 2008 BREAKING IOWA OPEN Sen. Barack Obama ’83 makes strides among the Hawkeyes with the tireless support of Sara El-Amine ’07, Noah Glusenkamp ’07, and Brian McGrane ’06 OCCIDENTAL COLLEGE MAGAZINE VOLUME 30, NUMBER 1 WINTER 2008 DEPARTMENTS 2 2 CORRESPONDENCE More Occidental tales from days gone by, including the new “ Fang Queen” who was not to be (Siri Ingwersen-Holmes ’86). Also: New additions to the Oxy bookshelf. 10 FEATURES 10 FIRED UP, READY TO GO For Barack Obama ’83, the road to the White House begins in Iowa— and Brian McGrane ’06, Sara El-Amine ’07, and Noah Glusenkamp ’07 8 are among the true believers working in the heartland to make it happen. 14 THE WALKING WOUNDED 4 FROM THE QUAD In her photographs of freshly inked tattoos on Marines stationed in the What does Susan Prager’s stepping down Mojave Desert, art professor Mary Beth Heffernan documents the “grim mean for Occidental? An interim president, currency” on a soldier’s skin. a national search for her successor—and assurances that the College remains 18 THE SHADOWS KNOW “vibrant and healthy.” Also: Jazz Ensemble By trailing alumni and other professionals over a day’s work, the student coaches Henry Spurgeon ’79 and Patrick participants in Oxy’s Walk In My Shoes program often find vocational Olguin ’83; cross country champion Kevin nirvana—or eliminate potential careers. Chaves ’08 (pictured, above ) and other fall sports standouts; new trustees; and more. 22 IN THE COMPANY OF BEN Ben Coombs ’59 was a pioneer in the financial planning community 28 TIGERWIRE nearly 35 years ago.