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Bardaisan's Influence on Late Antique Christianity

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Bardaisan's Influence on Late Antique Christianity 6,27*2631&/2+ 73.&( 56).*4#2/ 8 '7*5-&3)65-2!-* 73.&(145.565*&1)23,.&43*44 BARDAISAN’S INFLUENC $#!)#)&* '()#). *)%$(( ! '+'+#).($$! !! %34>,=?4.70>006>?:0A,7@,?03:B?30?3:@23?:1,=/,4>,9:1 /0>>,B,>=0.04A0/-D7,?0=2090=,?4:9>:13=4>?4,9>%30,=?4 .70>3:B>?3,??30AA=A8F:7!3IEA8AG@FD;7E,$D=4,. /4,7:[email protected],=/,4>,94>?308,4949?0=7:.@?:=0C0=.4>0/ .:9>4/0=,[email protected]:?3?30=006,9/$D=4,.>;0,6492 worlds. Although later authors tended to denigrate Bardaisan’s A40B>:91,?0,9/1=00B477,>,9@9/@0.:8;=:84>0?30D90A0= ?3070>> /4/ 9:? 30>4?,?0 ?: -:==:B 1=007D 1=:8 34> .:209? ,9?4 /0?0=8494>?4.,=2@809?>,9/49?02=,?0?30849?:?304=:B9/4> courses. But Bardaisan’s influence, especially in the Syriac >;0,6492=024:9>0C?09/0/49?::?30=,=0,>,>B07734>499:A, ?4:9>49?30=0,78:1;:0?=D,9/8@>4.34>,>?=:9:84.,7.,7.@7, ?4:9>34>0?39:2=,;34./4>.:@=>0,9/34>,9?4,=.4:94?0;:708 4.> B0=0 ,77 ,;;=0.4,?0/ ,9/ ,/,;?0/ -D >@->0<@09? ,@?3:=> (34704?4>B07769:B9?3,?7,?0=3=4>?4,9>?09/0/?:8,7429 Bardaisan’s thought, and especially his cosmology, as tainted with 30=0>D?34>,=?4.701,A:=>,8:=09@,9.0/A40B,7:92>4/0?307,?0 ,9?4<@0=050.?4:9:1,=/,4>,9=@9>,9:?,-70.@==09?:1;:>4?4A0 =0.0;?4:9:134>499:A,?4A0.:9?=4-@?4:9>49?30=0,78>:1>.409.0 8@>4.,9/,;:7:20?4.> *F7%AEE7=7> 3D63;E3@ – 5A?BAE76@G?7DAGEIAD=EA@3I;673D D3KA8F:7A>A9;53>3@6B:;>AEAB:;53>FAB;5ED3@9;@98DA?5AE ?A>A9KFA7E5:3FA>A9K8DA?7F:@A9D3B:;5EGDH7KEFA3EFDA@ A?K .7FA8:;E>3D97 >;F7D3DKAGFBGF@AF:;@9:3E 477@BD7 E7DH76;@;FE7@F;D7FKE3H7F:7(KD;356;3>A9G7=@AI@3EF:7::6 :1?30,B>:1?30:@9?=40>, written down by Bardaisan’s disciple %:;>;B;@I:;5:3D63;E3@;EF:7?3;@;@F7D>A5GFAD ):7835F F:3FA@>KF:;EI3EBD7E7DH764K>3F7D97@7D3F;A@EA8:D;EF;3@E ;E3>D736K;@6;53F;H7A8;FE;?B35FGBA@F:7>3F73@F;CG75:GD5: Yet while Bardaisan’s reflections on free will and fate, as set 6AI@;@F:;E6;3>A9G77H;67@F>K:363>A@9FD3<75FADKA8;@8>G 7@57 GBA@ 4AF: (KD;35 3@6 D77=EB73=;@9 D7367DE GBA@ 5>AE7D;@EB75F;A@;F7?7D97EF:3FAF:7D3EB75FEA8:;EF735:;@9E 6;6EA3EI7>>):;E7EE3KI;>>:;9:>;9:FEA?73D73E;@I:;5: Bardaisan’s oeuvre shaped and challenged subsequent genera- F;A@EA8:D;EF;3@E *(*( ?7@F;A@E 6;3>A9G7E 5A?BAE76 4K 3D63;E3@ 393;@EF F:7 "3D5;A@;F7E3@6AF:7D:7D7F;5E3EI7>>3E36;3>A9G7 9,?030 76 (,')/):"$""(#@>0-4@>(0=60404=.30920>.34.3?0 E75A@676;F;A@(# 7D>;@ – – %'" 7JB>;5;F>KD787DEFA3::6:1:89:>ĸŴƍƉĪĪ ťŨƦƃ3@63::6:1D>?0=40> ŦĮĥƭ ƢƙƏ::6:1:89:>%'"!=:>0#01@?,?4:9>:7D738F7D5;F763E !#76I;F:@9>FD3@E>,")!!+#*' )) $;3=,48’s !=:>0 #01@?,?4:9> :1 ,94 ,=.4:9 ,9/ ,=/,4>,9 HA>E !A@6A@ – HA> B 3@6B – ::6:1D>?0=40>%'" D89>,2,49>?0=0>40> 76I;F:7D?3@FD3@E> ;3=,08/0> $D=0=>D8909.:9?=,3,0=0>0>($ – (KD–!AGH3;@ :7D738F7D5;F763EF7JF;@($ 58 7675= 73>EA@AF7EF:3F3D63;E3@5A?BAE76:K?@E –7675= – 3@63FD73F;E7A@F:7D7EGDD75F;A@D89>:94>4-4> – 76 I;F: 7D?3@ FD3@E> 0> 30474209 ;3=,08 /0> $D=0=> ,=849, 4>4-09, ($ – (KD – 0!AGH3;@ – 1 3D63;E3@ 3>EAIDAF7A@3EFDA@A?;53>EG4<75FE3@65A?BAE763FD73F;E7A@@6;3A@ F:7E7E7747>AI ):7::6:1?30,B>;EBD7E7DH76;@A@>KA@7?3@GE5D;BF!(KD 366 8A> 3– 3 63F76 4K ,D;9:F FA F:7 E7H7@F: 57@FGDK ,,'),?,7:2@0:1?30$D=4,.,9@>.=4;?>49?30=4?4>3@>0@8HA> 0!A@6A@ 1 ):;E?3@GE5D;BF5A@F3;@EH3D;AGEFD73F;E7EA8B:;>A EAB:;53>3@6E5;7@F;8;55A@F7@FE77;4;6 – Bardaisan’s@8>G7@57 !% Before addressing particular aspects of Bardaisan’s (4=6@92> 20>.34.3?0;FI;>>475A@H7@;7@FFAFD357:AIF:7?7?ADKA83D 63;E3@3E3B7DEA@I3EBD7E7DH76;@D77=!3F;@(KD;353@6 D34;5>;F7D3FGD7 >F:AG9::;EID;F;@9EI7D7>AEF:;ED7?7? 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