DOCSLIB.ORG

Manifestation of Real World Social Events on Twitter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Manifestation of Real World Social Events on Twitter Radboud University Master Thesis Computer Science Manifestation of real world social events on Twitter Author: M. Van de Voort Supervisor: dr. S. Verberne Second reader: prof. dr. T.M. Heskes August 13, 2014 2 ABSTRACT Situations in which many people come together can result in very interesting and positive, lively social events. Unfortunately, large events with many people involved also include risks, ranging from small injuries to death. It would be useful if social media could be used to monitor these events, and to predict unwanted situations and casualties. To be able to know in advance how an event will develop based on information on social media, a good understanding of the relation between the development of real world events and their manifestation online is needed. In this work, we study the relationship between real world events and their online manifestation. We create a model of both the real world event and its online manifestation. We compare these two models using data about five real world social events and Twitter data about them. We determine the correlation between the online and real world model. We find several weak to moderate correla- tions between online and real world characteristics of events. The intensity, readability and sentiment of the tweets are examples of variables in the online model that show a correlation with the real world and the weekends, school holidays and position of the moon are examples of real world variables which manifest themselves on Twitter. 3 4 Contents 1 Introduction 9 1.1 Research questions . 10 1.2 Methodology . 10 2 Related Work 13 2.1 Event detection in social media . 13 2.1.1 Twitter . 14 2.1.2 Event detection in social media other than Twitter . 15 2.2 Process of event detection . 15 2.2.1 Data pre-processing . 16 2.2.2 New event detection . 16 2.2.3 Event tracking and known event detection . 17 2.2.4 Event prediction . 18 2.2.5 Event summarizing . 19 3 Definition of events 21 3.1 Time and duration . 21 3.2 Place . 22 3.3 People involved . 23 3.4 Associated events . 24 3.5 Content . 24 4 Model of online and real-world social events 25 4.1 Model of real-world events . 25 4.1.1 Time . 25 4.1.2 Place . 26 4.1.3 People involved . 27 4.1.4 Associated events . 27 4.1.5 Content . 28 4.1.6 Context . 28 4.2 Model of online manifestation of events . 28 4.2.1 Notation . 28 4.2.2 Time and duration . 31 4.2.3 Place . 31 4.2.4 People . 33 4.2.5 Associated events . 36 4.2.6 Content . 36 4.3 Comparison between models . 39 5 CONTENTS CONTENTS 5 Dataset selection and preprocessing 41 5.1 Data selection and preprocessing . 41 5.2 Tweets . 42 5.3 The relations between users within the datasets . 45 6 Implementation of online and real world variables 49 6.1 Real world features . 49 6.1.1 Associated events . 49 6.1.2 Content . 50 6.1.3 Contextual events . 50 6.2 Online features . 53 6.2.1 Time . 53 6.2.2 Place . 53 6.2.3 People . 54 6.2.4 Content . 56 6.3 Comparison between the models . 61 7 Results and analysis 63 7.1 Relations between real world variables . 63 7.2 Relations between online variables . 64 7.2.1 Place related variables . 68 7.2.2 People related variables . 68 7.2.3 Content related variables . 69 7.2.4 Place and people related variables . 70 7.2.5 Place and content related variables . 70 7.2.6 People and content related variables . 71 7.3 Relations between online and real world variables . 71 7.3.1 Correlations between online place and real world variables . 71 7.3.2 Correlations between the relations between people online and the real world variables . 74 7.3.3 Correlations between the tweet content and the real world variables . 77 7.4 Discussion . 79 8 Conclusion 83 8.1 Future work . 84 Bibliography 85 List of Figures 91 List of Tables 93 Appendices 97 A Weather information 99 B Holidays 101 C Related events 103 6 CONTENTS CONTENTS D Content events 107 D.1 Program Dance Valley . 107 D.2 Program Sensation . 109 D.2.1 Program Pinkpop . 109 D.2.2 Programma Pukkelpop . 110 D.2.3 Programma Pukkelpop . 112 D.2.4 Programma Pukkelpop . 113 D.2.5 Programma Lowlands . 115 E Real World Variables 123 F Online place related variables 125 G Online people related variables 127 H Online content related variables 129 I Correlations real world variables 131 J Correlations online variables 143 K Average correlations online variables 149 L Correlations online and real world variables 157 M Average correlations real world and online variables (part 1) 171 N average correlations real world and online variables (part 2) 185 O Overview correlations real and online variables for individual datasets 199 7 CONTENTS CONTENTS 8 Chapter 1 Introduction Situations in which many people come together can result in very interesting and positive, lively social events. Unfortunately, large events with many people involved also include risks, ranging from small injuries to death[40, 59]. During the last years we have seen, for example, a collapsed tent at a pop festival1, a birthday party that got out of hand2, a Loveparade which got so crowded that people got hurt and even died3, new years eve parties that end in riots4, and soccer matches with violent supporters5. At all of these events many people were involved in or witnessed the event. The events started as a positive happening and ended in negative sentiment, with casualties, chaos, or even vandalism, fights and deaths. Knowing how events develop might help decreasing these risks or might accommodate early intervention and prevent escalation. To be able to monitor the event closely, we can use informa- tion that is available on social media: people that are involved in the event often publish all sorts of information on these media, including information about the event. Currently an average of 5,700 tweets per second is produced by Twitter users[76]. This data contains information about personal activities, social interactions, public opinion, news, developments in science and arts, regional information about weather, traffic, social activity and much more. Many people have the possibility to share information “on the road”. In the third quarter of 2013 72% of people in the Netherlands had a smart phone6. The percentage of people that use internet was 94% in the last year. The number of people that used mobile internet is 56% 7. This allows people to not only share information on social media after the fact, but to share the information “as it happens”. To be able to use the information people publish online during an event to predict future developments and to accurately anticipate unwanted situations, it is necessary to first understand how the online developments relate to the developments that happen in the real world. In this research we investigate the relation between the online world and the real world, within the scope of music festivals. We choose to first study the relation between medium to large scale music events without irregularities, to get a better understanding of how the real world and the online world relate to each other in a normal situation. We choose these events because we expect 1http://nos.nl/video/265456-tenten-omgewaaid-op-pukkelpop.html 2http://www.volkskrant.nl/vk/nl/2686/Binnenland/article/detail/3326464/2012/10/04/ Project-X-Haren-Niet-zo-janken-gewoon-feesten.dhtml 3http://www.volkskrant.nl/vk/nl/2664/Nieuws/archief/article/detail/1011559/2010/07/26/ 19-doden-en-342-gewonden-door-paniek-op-dancefeest.dhtml 4http://nos.nl/artikel/592166-100-mensen-gearresteerd-in-veen.html 5http://www.telegraaf.nl/feed/22365935/__Ook_rellen_bij_Euroborg__.html 6http://www.telecompaper.com/news/dutch-smartphone-penetration-hits-72-in-q3–973995 7http://www.cbs.nl/nl-NL/menu/themas/dossiers/eu/publicaties/archief/2013/2013-3851-wm.htm 9 that many young people visit these events and assume that these young people often use social media, providing us with enough information on social media about the event. In our research we limit our scope to Twitter. We hope our work will contribute to a better understanding of how messages online relate to occurrences in the real world. We think our results can contribute to the development of new techniques or the improvement of existing techniques that are able to predict developments in events that involve large crowds to prevent disturbances from happening and to allow detection of irregularities in an early state. 1.1 Research questions In this research, we look into the relation between large social events in the real world and compare them with what happens online in social media. Our assumption is that the development of the online manifestation of the real world event in social media is strongly related to the development of the event in the real world. Our research question is: How do developments of social events in the real world relate to messages about this event on Twitter? We divide this question into the following sub-questions: 1. Which characteristics of events can be used to describe the social events offline and their online manifestation? 2. How do the online and real world characteristics of events relate to each other? Which online characteristics represent real world developments of events most distinctively? 3. How can the relation between events and their online manifestation be used to predict the developments of events based on online information from social media? 1.2 Methodology We investigate the relation between the development of an event in the real world and the manifestation of this event in messages on Twitter in four steps: 1.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Karaoke Catalog Updated On: 24/04/2017 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 24/04/2017 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars All Of Me - John Legend Blue Ain't Your Color - Keith Urban Shape of You - Ed Sheeran Jackson - Johnny Cash 24K Magic - Bruno Mars EXPLICIT Tennessee Whiskey - Chris Stapleton Piano Man - Billy Joel Unchained Melody - The Righteous Brothers Sweet Caroline - Neil Diamond House Of The Rising Sun - The Animals I Want It That Way - Backstreet Boys Don't Stop Believing - Journey Black Velvet - Alannah Myles Sweet Home Alabama - Lynyrd Skynyrd Girl Crush - Little Big Town Before He Cheats - Carrie Underwood (Sittin' On) The Dock Of The Bay - Otis Redding Friends In Low Places - Garth Brooks My Way - Frank Sinatra Santeria - Sublime Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Killing Me Softly - The Fugees Bohemian Rhapsody - Queen Love on the Brain - Rihanna EXPLICIT He Stopped Loving Her Today - George Jones Can't Help Falling In Love - Elvis Presley Take Me Home, Country Roads - John Denver Wannabe - Spice Girls Folsom Prison Blues - Johnny Cash Can't Stop The Feeling - Trolls Love Shack - The B-52's Summer Nights - Grease Closer - The Chainsmokers I Will Survive - Gloria Gaynor Crazy - Patsy Cline Amarillo By Morning - George Strait A Whole New World - Aladdin Let It Go - Idina Menzel Wagon Wheel - Darius Rucker At Last - Etta James How Far I'll Go - Moana These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter My Girl - The Temptations Sweet Child O'Mine - Guns N' Roses Fly Me To The Moon
    [Show full text]
  • Abstract Resumen
    http://www.interferenceslitteraires.be ISSN : 2031 - 2790 Katarzyna PASZKIEWICZ « She Looks Like a Little Piece of Cake » : Sofia Coppola and the Commerce of Auteurism Abstract Sofia Coppola, one of the most discussed female directors in recent years, is clearly embedded in the « commerce of auteurism » (Corrigan 1991), as she actively participates in constructing her authorial image. Building on existing scholarship on the filmmaker as illustra- tive of the new critical paradigm in the studies of women’s film authorship, this article will look at the critical discourses surrounding her films to trace the various processes of authentication and de-authentication of Coppola as an auteur. In my exploration of Coppola’s authorial status – how it is produced in the interaction of these multiple agencies – I will focus specifically on the case of Marie Antoinette (2006). The film, which arguably explores the nature of female cele- brity in the early 21st century, was criticized because of its disregard for historical accuracy, its fascination with surfaces and materiality, and because it offers a highly stylized objectification of the female protagonist. In reference to these critical responses, I will delineate the manifold ways in which Coppola’s authorship is expressed within the realm of material objects and spectacle. This analysis is enriched through a comparison to Sally Potter’s Orlando (1992), which can also be understood as a self-conscious declaration of authorial agency in relation to image making. The web of the possible intertextual relations between both films and Virginia Woolf’s source novel, Orlando: A Biography (1928), points more broadly to the complex network of possibilities and constraints for female authorship, as well as suggesting a critical shift towards a postfeminist moment, informed by changing discourses on consumption and feminine agency.
    [Show full text]
  • Bibliography-Of-Texas-Speleology
    1. Anonymous. n.d. University of Texas Bulletin No. 4631, pp. 51. 2. Anonymous. 1992. Article on Pendejo Cave. Washington Post, 10 February 1992. 3. Anonymous. 1992. Article on bats. Science News, 8 February 1992. 4. Anonymous. 2000. National Geographic, 2000 (December). 5. Anonymous. n.d. Believe odd Texas caves is Confederate mine; big rock door may be clue to mystery. 6. Anonymous. n.d. The big dig. Fault Zone, 4:8. 7. Anonymous. n.d. Cannibals roam Texas cave. Georgetown (?). 8. Anonymous. n.d. Cavern under highway is plugged by road crew. Source unknown. 9. Anonymous. n.d. Caverns of Sonora: Better Interiors. Olde Mill Publ. Co., West Texas Educators Credit Union. 10. Anonymous. n.d. Crawling, swimming spelunkers discover new rooms of cave. Austin(?). Source unknown. 11. Anonymous. n.d. Discovery (of a sort) in Airmen's Cave. Fault Zone, 5:16. 12. Anonymous. n.d. Footnotes. Fault Zone, 5:13. 13. Anonymous. n.d. Help the blind... that is, the Texas blind salamander [Brochure]: Texas Nature Conservancy. 2 pp. 14. Anonymous. n.d. Honey Creek map. Fault Zone, 4:2. 15. Anonymous. n.d. The Langtry mini-project. Fault Zone, 5:3-5. 16. Anonymous. n.d. Neuville or Gunnels Cave. http:// www.shelbycountytexashistory.org/neuvillecave.htm [accessed 9 May 2008]. 17. Anonymous. n.d. Palo Duro Canyon State Scenic Park. Austin: Texas Parks and Wildlife Department. 2 pp. 18. Anonymous. n.d. Texas blind salamander (Typhlomolge rathbuni). Mississippi Underground Dispatch, 3(9):8. 19. Anonymous. n.d. The TSA at Cascade Caverns. Fault Zone, 4:1-3, 7-8.
    [Show full text]
  • Year Book 1924
    YEAR BOOK of the Seventh-day Adventist Denomination The Official Directories 1924 /a (Recons6,,_, Published by the REVIEW & HERALD PUBLISHING ASSOCIATION • TAKOMA PARK, WASHINGTON, D. C. Printed in the II. S A. Denominational Maps and Charts are Helpful to Evangelists and Workers The Law of God Chart Printed on a good quality of cloth, and readable at a good distance. Size, 36 x 52 inches. Price, $1.50. The Law as Taught by Roman Catholics Together with some assumptions made by the Papacy in declaring its right to change the Law of God. Printed on cloth, size, 36 x 46 inches. Price, $1.25. New Prophetic Chart This chart will be found a great help in explaining the prophecies of Daniel and the Revelation. Contains illus- trations of the Great Image of Daniel 2, the Beasts of Daniel 7, illustrations of the Sanctuary, the Three Woes, and the Three Angels' Messages of Revelation, etc. Printed in five colors on a fine quality of muslin, and comes in two sizes : 36 x 48 inches $2.00 48 x 72 inches 3.25 Seventh-day Adventist Missionary Map of the World A new map just printed, showing the extent of our work throughout the world by indicating the location of our sani- tariums, schools, publishing houses, mission stations, and other centers of influence throughout the world. This map should be on the walls of every church, sanitarium, college, academy, and other institutions. The map is 48 x 84 inches in size, and is printed in five colors. Price, $4, postage extra.
    [Show full text]
  • Sofia Coppola and the Significance of an Appealing Aesthetic
    SOFIA COPPOLA AND THE SIGNIFICANCE OF AN APPEALING AESTHETIC by LEILA OZERAN A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Leila Ozeran for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2016 Title: Sofia Coppola and the Significance of an Appealing Aesthetic Approved: r--~ ~ Professor Priscilla Pena Ovalle This thesis grew out of an interest in the films of female directors, producers, and writers and the substantially lower opportunities for such filmmakers in Hollywood and Independent film. The particular look and atmosphere which Sofia Coppola is able to compose in her five films is a point of interest and a viable course of study. This project uses her fifth and latest film, Bling Ring (2013), to showcase Coppola's merits as a filmmaker at the intersection of box office and critical appeal. I first describe the current filmmaking landscape in terms of gender. Using studies by Dr. Martha Lauzen from San Diego State University and the Geena Davis Institute on Gender in Media to illustrate the statistical lack of a female presence in creative film roles and also why it is important to have women represented in above-the-line positions. Then I used close readings of Bling Ring to analyze formal aspects of Sofia Coppola's filmmaking style namely her use of distinct color palettes, provocative soundtracks, car shots, and tableaus. Third and lastly I went on to describe the sociocultural aspects of Coppola's interpretation of the "Sling Ring." The way the film explores the relationships between characters, portrays parents as absent or misguided, and through film form shows the pervasiveness of celebrity culture, Sofia Coppola has given Bling Ring has a central ii message, substance, and meaning: glamorous contemporary celebrity culture can have dangerous consequences on unchecked youth.
    [Show full text]
  • Numero53.Pdf
    INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York.
    [Show full text]
  • Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
    Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’.
    [Show full text]
  • Jack Costello - in the Mix Volume 3 (Part 3) (Winter Spring Edition) Mixed by Jack Costello
    Jack Costello - In The Mix Volume 3 (Part 3) (Winter Spring Edition) Mixed by Jack Costello Style: Future House, Electro- & Progressive House BPM: 127 - 129 Tracks: 60 Playtime Total: 03:38:58 Recording Date: 01.05.2018 (C) & (P) by StereoFunk Studio in Assosiation with I’m in Love with the Deejay. For Promotion Only! Reproduction Or Other Commercial Use Of This Recording In Whole Or In Part Is Prohibited! Tracklist: Danny Avila - BRAH (Extended Mix) Mike Williams - Give It Up (Extended Mix) Kygo feat. The Night Game & Maja Francis - Kids In Love (Don Diablo Remix) Magnificence & Steff Da Campo - Out Of My Mind (Original Mix) Maximals - Don't Know Where (Extended Mix) Tujamo feat. Miranda Glory & Haris - Body Language (Steff Da Campo Extended Remix) Daddy's Groove & Ferdy - Latido (Extended Mix) Luca Perra & Thomas Feelman & Luciana - Caveman (Extended Mix) Capsalon - Bleep (Original Mix) Bingo Players and Goshfather - Everybody (Extended Mix) Breathe Carolina & Delayers - Long Live House Music (Original Mix) Dannic vs. Silvio Ecomo - In No Dip (Extended Mix) Abel Ramos - Revolution Drums (Thomas Newson Extended Edit) Firebeatz feat. Vertel - Till The Sun Comes Up (Orjan Nilsen Extended Remix) Timbo - Sorry I am a Fucking DJ (Original Mix) Hardwell & Quintino - Woest (Extended Mix) TJR & Reece Low feat. Fatman Scoop - Check This (Extended Mix) Armin van Buuren feat. Conrad Sewell - Sex, Love & Water (Extended Club Mix) Jay Hardway & MOTi feat. Babet - Wired (Extended Mix) Jewelz & Sparks feat. Pearl Andersson - All I See Is You (DJ Afrojack Extended Edit) Dash Berlin & DBSTF feat. Josie Nelson - Save Myself (Extended Club Mix) Mosimann - Babtoo (Extended Mix) Tom & Jame x We AM - Zone (Extended Mix) Futuristic Polar Bears & KEVU - Are Am Eye (Extended Mix) Thomas Gold - Take It Back (To The Oldschool) (Extended Mix) Ummet Ozcan - Krypton (Extended Mix) Cuebrick - Gargantua (Extended Mix) Nicky Romero & Florian Picasso - Only For Your Love (Extended Mix) The Chainsmokers - Sick Boy (Tony Junior Remix) Ravitez feat.
    [Show full text]
  • Fes Tiv Al Guide 2018
    popronde popronde popronde 2018 2018 2018 2018 2018 2018 2018 2018 FESTIVAL GUIDE 2018 FESTIVAL popronde popronde popronde VOORWOORD Krakkemikkige geluidssets, kapotte verster- kers, vier shows in een weekend, slaapgebrek en een laatste biertje dat misschien toch niet gedronken had moeten worden… Als je oud-Popronde-deelnemers spreekt hoor je ze vaak over deze onderwerpen spreken. Horror- verhalen. Of, toch niet… Want als het gesprek zich verder doorzet blijkt hoeveel ze hebben geleerd van die gebroken snaren, het busje dat ergens op de weg tussen Groningen en Middelburg besloot ermee op te houden en dat laatste biertje wat misschien beter toch niet gedronken had moeten worden… Tijdens mijn eerste jaar Popronde - inmiddels vijf jaar terug - zat ik in de auto met Tim, toen verantwoordelijk voor de social media, op de terugweg van Popronde Almere. Tim sprak toen de gevleugelde woorden: ‘fuck de TROS, de Popronde is de grootste familie van Ne- derland. In ieder geval de leukste!’ In die vijf jaar ben ik mij steeds meer gaan beseffen dat hij, met misschien een laatste biertje wat mis- schien beter toch niet gedronken had moeten worden op, gelijk had. In die vijf jaar heb ik er 3 Affiche_CHRIS_125x185mm_cmyk_AFAS_POPRONDE.indd 1 31/07/2018 12:01 namelijk een familie bijgekregen, bestaande uit coördinatoren, geluidstechnici en muzikanten. Toegegeven, het is niet de meest doorsnee familie, maar, zoals Jack Kerouac ooit in zijn magnum opus On The Road schreef: ‘The only people for me are the mad ones, the ones who are mad to live, mad to talk,
    [Show full text]
  • HACKING Cyber Activist CORY DOCTOROW’S HEAD
    foursquare’s JON CROWLEY | LARP-apalooza | quarter-eating BOXES O’ FUN the guidebook to modern geek culture exclusive interview HACKING cyber activist CORY DOCTOROW’S HEAD WOMEN WORTH 25 YOUR WONDER inside the secret world of CHINESE GAMBLING how to fight a CYBORGS and LEGO MASTERS BEAR September 2010 VIOLENT US $5.95 | Canada $7.95 GAMING PUZZLES and COMIX POWER of POO SEPT 2010 • PREMIERE ISSUE • handshakemag.com 64 71 78 85 64 71 78 85 CORY DOCTOROW WONDER WOMEN PAI GOW STICK JOCKEYS The co-editor of BoingBoing Jane McGonigal aims to save The casino game attracts a Somewhere between historical takes on commercial Goliaths the world with gaming. Jill following among superstitious reenactment and live action role- with blogs, embraces fatherhood, Thompson captivates comic cults Chinese gamblers but playing, the men and women of and remembers Alice in with Wonder Woman. Summer overwhelms newcomers. Ragnarok turn a Pennsylvania Wonderland. Glau attends casting calls for sci- Singaporean sports gambler Ali campground into an epic fi shows. These 25 gals rule with Kasim went to Foxwoods Casino battlefield. keyboards, comics, and brains. to take on the veterans. WOMAN: YO MOSTRO HANDSHAKE SEPT 2010 3 93 52 44 xx 100 58 36 ANORAK DEPARTMENTS ETC. essay level up beaker duct tape / page 100 .Com-patibility / page 31 Supreme Censorship / page 41 Saved by Shit / page 52 Ponzi Scheme Why finding love online is Violent video games head to Dependence on foreign oil, Bernie made off like a bandit. more common – and more the Supreme Court in October. global warming, and agricultural Now you can too.
    [Show full text]
  • 2019 Catalog
    2019 CATALOG Point Blank Music School 1215 Bates Avenue Los Angeles, CA 90029 (323) 282-7660 www.pointblanklosangeles.com This Catalog is effective from January 1 through December 31, 2019. Revised: November 20, 2019 Page 1 of 68 TABLE OF CONTENTS MISSION 4 OBJECTIVES 4 GENERAL INFORMATION 5 HISTORY AND OWNERSHIP 5 FACILITIES, EQUIPMENT, AND STUDIOS 5 HOURS 6 CLASS SCHEDULE 6 ACADEMIC CALENDAR 2019 6 ACADEMIC CALENDAR 2020 6 HOLIDAYS 7 APPROVALS 7 ADMISSIONS POLICIES AND PROCEDURES 8 POLICY 8 PROCEDURE 8 PROOF OF GRADUATION 8 ABILITY-TO-BENEFIT 8 NON-DISCRIMINATION 10 INTERNATIONAL STUDENTS AND ENGLISH LANGUAGE SERVICES 10 TRANSFER OF CREDIT 10 NOTICE CONCERNING TRANSFERABILITY OF CREDITS AND CREDENTIALS EARNED AT OUR INSTITUTION 10 ARTICULATION AGREEMENTS 10 PROGRAMS (RESIDENTIAL) 11 Music Production & Sound Design Master Diploma 13 Music Production & Sound Design Advanced Diploma 14 Music Production & Sound Design Diploma 15 Music Production Certificate 16 DJ/Producer Certificate 17 DJ/Producer Award 18 Complete DJ Award 19 Music Production & Composition Award 20 Sound Design & Mixing Award 21 Mixing & Mastering Award 22 Singing Award 23 Essential DJ Skills 24 Music Production 25 Music Composition 26 Sound Design 27 Art of Mixing 28 Audio Mastering 29 Creative Production & Remix 30 Music Business 31 Native Instruments Maschine 32 Singing 33 Advanced Singing 34 Weekend DJ 35 Ableton Production Weekend 36 Ableton Performance Weekend 37 Maschine Weekend 38 COURSE DESCRIPTIONS (RESIDENTIAL) 39 PROGRAMS (ONLINE) 42 Audio Mastering (Online)
    [Show full text]