DOCSLIB.ORG

End of Month

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
End of Month Newport News Tourism Development Office Fountain Plaza Two 700 Town Center Drive Suite 320 Newport News, VA 23606 757-926-1400 Toll Free 888-493-7386 Fax 757-926-1441 www.newport-news.org WHAT’S HAPPENING THIS WEEK FEBRUARY 5 - 11, 2016 PERFORMING ARTS SOUTHSIDE JOHNNY AND THE ASBURY JUKES WITH GARY U.S. BONDS Ferguson Center for the Arts February 5; 8 p.m. Southside Johnny and the Asbury Jukes first achieved prominence in the mid-’70s, emerging from the same New Jersey Shore music scene as his now legendary contemporary and friend Bruce Springsteen. Southside’s first three albums, I Don’t Want To Go Home, This Time It’s for Real and Hearts of Stone, were produced by band co-founder Steven Van Zandt (E Street Band), and largely featured songs written by Van Zandt and/or Springsteen. The Van Zandt-written I Don’t Want To Go Home became Southside’s signature song, an evocative mixture of horn- based melodic riffs and sentimental lyrics. In 1982 Rolling Stone Magazine voted Hearts of Stone among the top 100 albums of the ’70s and ’80s. With their classic blend of hard-core R&B and street-level rock, molten grooves, soulful guitar licks and blistering horn section, Johnny and his Jukes continue to put their unique stamp on the Jersey Shore sound! Gary U.S. Bonds launched his career at age 19 with a little hit called New Orleans and decades later is still as popular as ever. Touring with his group, the powerful Roadhouse Rockers, Gary performs his hits, some new songs, rockin’ R&B Blues and generally thrills audiences the world over. Don’t miss these two Rock ‘n’ Roll mainstay bands in concert for one-night-only! 1 Avenue of the Arts, 757-594-8752, www.fergusoncenter.org. MONTEREY JAZZ FESTIVAL ON TOUR Ferguson Center for the Arts February 11; 7:30 p.m. The Monterey Jazz Festival is the longest, continuously running jazz festival in the world (b. 1958). It is world-renowned for its artistic excellence, sophisticated informality and longstanding mission to create and support year-round jazz education and performance programs. This year’s lineup reflects Monterey’s “traditional-untraditionalist” attitude and jazz-with-a-purpose exuberance. Featuring leading critically acclaimed, Grammy-winning jazz artists, the band consists of performer, songwriter and vocalist Patti Austin, top-tier trumpeter Terence Blanchard, and saxophonist, bandleader and composer Ravi Coltrane. Anchoring the tour is a remarkable trio featuring Joe Sanders on Bass, Justin Brown on drums and MJF On Tour musical director Gerald Clayton. Embracing the past, present, and future of jazz, the Monterey Jazz Festival on Tour 2016 will perform an assortment of classic jazz repertoire and original compositions by band members. 1 Avenue of the Arts, 757-594-8752, www.fergusoncenter.org. SPECIAL EVENTS AT NEWPORT NEWS ATTRACTIONS GOLDEN BACCHUS WINE & FOOD FESTIVAL Virginia Living Museum February 5 Enjoy delicious samplings of fine wine, craft beer, local restaurant fare and an eclectic mix of live music and entertainment, all at the Virginia Living Museum’s 12th annual Bacchus Wine & Food Festival. This fundraiser has three times been voted "Best in the 757 Gold" for Event & Gala by Coastal Virginia Magazine. You don't want to miss this sell-out event. Over 21 of course. The main event is 7-10 p.m. Tickets are $60 by Jan. 31, $70 after. Restaurants include: Chef by Design, Colonial Heritage Golf Club, Cookie Text, Couture Cakes by Nika, Dry Sparkling, Harpoon Larry’s, Nawab Indian Cuisine, Nothing Bundt Cakes, Pearl 703, Schlesinger’s/Opus 9, Sinful Treats, Smoke BBQ Restaurant, Starbucks Coffee, The Catering Company, Trader Joes, Travinia Italian Kitchen, Tucanos, Whitley’s Peanut Factory, Whole Foods, Wild Side Café and Zoe’s Kitchen. 524 J. Clyde Morris Boulevard, 757-595-1900, www.thevlm.org. AFRICAN-AMERICAN HISTORY MONTH FILM FEST: THE TUSKEGEE AIRMEN Virginia War Museum February 6; 1 p.m. Starring Laurence Fishburne, Malcolm-Jamal Warner, Cuba Gooding Jr., and John Lithgow, this 1995 movie details the true story of how a group of African-American pilots overcame racist opposition to become one of the finest US fighter groups in World War II. Free with paid admission. 9285 Warwick Boulevard, 757-247-8523, www.warmuseum.org. COMMUNITY DAY The Mariners’ Museum February 6 Take the family on a voyage of exploration to The Mariners’ Museum. Admission is only $5 per person for residents of Hampton Roads and kids 3 and under are free during The Mariners’ Community Day. Explore the USS Monitor Center, handcrafted ship models, maritime paintings, rare figureheads, small craft from around the world and much more. 100 Museum Drive, 757-596-2222, www.marinersmuseum.org. FOLLOW THE DRINKING GOURD Virginia Living Museum February 6; 4:30 p.m. Celebrate Black History Month with this popular planetarium program at the Virginia Living Museum about the Underground Railroad and learn how the stars of the northern sky led slaves to freedom. This poignant and inspiring tale of one family’s desperate flight to freedom is based on the children’s book written and illustrated by Jeanette Winter. Shown on Saturdays at 4:30 p.m. Free, museum admission is not required and not included. 524 J. Clyde Morris Boulevard, 757-595-1900, www.thevlm.org. FREE ADMISSION WEEKEND Peninsula Fine Arts Center February 6 – 7 101 Museum Drive, 757-596-8175, www.pfac-va.org. BIRD WALK Newport News Park February 7; 7 a.m. The Hampton Roads Bird Club has monitored the bird population of Newport News Park since 1965. Join club volunteers in the Picnic Area I parking lot every first and third Sunday of the month for some early morning birding. Be prepared to car pool to several areas in the park. Beginners are welcome. Binoculars and field guides are recommended. 13560 Jefferson Avenue, 757-886-7912, www.nnparks.com. GAME DAY 5K – 10K City Center at Oyster Point February 7; 8 a.m. The 10K and 5K routes will circle through the Oyster Point business park and finish at the fountain plaza where the party will be waiting with Bud Light beer, Copa de Vino Wine, the mascot competition and the Chick-fil-A Family Fun Zone! There will also be a costume competition, come dressed up in your favorite team's gear and you could leave a winner! www.gameday10k.com. 25 MICS SPOKEN WORD & OPEN MIC Downing-Gross Cultural Arts Center February 9; 7 p.m. On the second Tuesday of each month, join local performers for a free open-mic night. Acoustic musicians, spoken word poets, comedians and other artists are invited to take the stage. 2410 Wickham Avenue, 757-247-8950, www.downinggross.org. NEWPORT NEWS RESTAURANT WEEK Various Restaurants Continuing through February 6 Celebrate our culinary cuisine in Newport News! Visit those hot spots you've always wanted to try and return to your neighborhood favorites you've loved for years. No matter where you choose to dine, you'll be a part of a community-wide celebration of the great restaurants and talented chefs who serve up fresh, delicious cuisine every day. For information call 757-886- 7777 or visit www.newportnewsrestaurantweek.com. AMERICAN SCRAP ARTIST: ASSEMBLAGES BY SAM HUNDLEY Peninsula Fine Arts Center Continuing through April 3 101 Museum Drive, 757-596-8175, www.pfac-va.org. EXPERIMENTS/MACHINES: PHOTOGRAPHS BY ROBERT SULKIN Peninsula Fine Arts Center Continuing through April 3 101 Museum Drive, 757-596-8175, www.pfac-va.org. RETOOLED: HIGHLIGHTS FROM THE HECHINGER COLLECTION Peninsula Fine Arts Center Continuing through May 1, 2016 101 Museum Drive, 757-596-8175, www.pfac-va.org. PLANETARIUM SHOWS Virginia Living Museum Continuing through May 6 Choose among three shows in the Virginia Living Museum’s Abbitt Planetarium. “Stars to Starfish” is a full dome show that compares the exploration of the universe with the exploration of the oceans. It is shown Wednesday through Sunday at 1:30 p.m. “Legends of the Night Sky: Perseus and Andromeda” is a retelling of the classic Greek legend. It is showing Saturday and Sunday at 12:30 p.m. A staff astronomer takes a tour of the current night sky in “Virginia Skies,” showing Saturday and Sunday at 2:30 p.m. The planetarium is open Wednesday through Sunday. Tickets are $4 plus museum admission. 524 J. Clyde Morris Boulevard, 757-595-1900, www.thevlm.org. BIG BUGS Virginia Living Museum Continuing through April 17 The Virginia Living Museum is really gonna BUG you in 2016 with BIG BUGS. This larger- than-life animatronic exhibit features six super-sized bugs: the Madagascan Sunset Moth, the Bombardier Beetle, Dragonfly, Stag Beetle, Orb-Web Spider and Say’s Firefly. There is also a caterpillar photo-op and a display of live bugs, all designed to showcase a bug’s life and why bugs are important. We need bugs just as much as they need us. They are very important to our ecosystem. The exhibit is created by Billings Productions, the creators of animatronic dinosaur exhibits. Also explore the fascinating world of invertebrates - insects, arachnids, and their kin - through beautiful color photographic banners by famed Harvard scientist/photographer Piotr Naskrecki. Naskrecki’s field research on insects has taken him to six continents, where he strives to promote appreciation and conservation of invertebrates by capturing both their beauty and roles as vital, often critically important members of the Earth’s ecosystems. “Bugs and Friends” live animal shows are presented on the weekend at noon, 1 and 2 p.m. Included with museum admission. Presented by National Exterminating Co., Inc.
Load more

Recommended publications
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Movie Museum JANUARY 2012 COMING ATTRACTIONS
    Movie Museum JANUARY 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! WATERBOYS PENGUINS IN THE SKY– CRADLE SONG 2 Hawaii Premieres! LATE BLOOMERS (2001-Japan) ASAHIYAMA ZOO aka Canción de cuna NOT WITHOUT YOU (2006-Switzerland) in Japanese with English (2008-Japan) (1994-Spain) aka Bu Neng Mei You Ni in Swiss German with English subtitles & in widescreen in Japanese with English in Spanish with English (2009-Taiwan) subtitles & in widescreen with Satoshi Tsumabuki, subtitles & in widescreen subtitles & in widescreen in Hakka/Mandarin w/English with Stephanie Glaser. Hiroshi Tamaki, Akifumi with Toshiyuki Nishida, 12:00 & 7:30pm only subtitles & in widescreen 12:00, 3:15 & 6:30pm only Miura, Naoto Takenaka, Yasuhi Nakamura, Ai Maeda, ---------------------------------- 12:00, 3:15 & 6:30pm only ---------------------------------- Koen Kondo, Kaori Manabe. Keiko Horiuchi, Zen Kajihara. I KNOW WHERE I'M ---------------------------------- NOT WITHOUT YOU GOING! (1945-British) LATE BLOOMERS aka Bu Neng Mei You Ni Directed and Co-written by Directed by with Wendy Hiller, Roger (2006-Switzerland) (2009-Taiwan) Shinobu Yaguchi. Masahiko Tsugawa. Livesey, Finlay Currie. in Swiss German with English in Hakka/Mandarin w/English Directed by Michael Powell subtitles & in widescreen subtitles & in widescreen 12:00, 1:45, 3:30, 5:15, 12:30, 2:30, 4:30, 6:30 and Emeric Pressburger. with Stephanie Glaser. 1:30, 4:45 & 8:00pm only 2:00, 3:45 & 5:30pm only 5 7:00 & 8:45pm 6 & 8:30pm 7 8 1:45, 5:00 & 8:15pm only 9 2 Hawaii Premieres! Martin Luther King Jr. Day Hawaii Premiere! Hawaii Premiere! MONEYBALL DISPATCH MONSIEUR BATIGNOLE THE LAST LIONS 2 Hawaii Premieres! (2011) THE FIRST GRADER (2011) (2002-France) in widescreen (2011-US/Botswana) in widescreen in French/German w/English in widescreen (2010-UK/US/Kenya) with Michael Bershad.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Saturday Church
    SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx.
    [Show full text]
  • Shakespeare from a Minority Point of View: Ted Lange's Othello
    American Studies in Scandinavia, 49:2 (2017), pp. 51-69. Published by the Nordic Association for American Studies (NAAS). Shakespeare from a Minority Point of View: Ted Lange’s Othello Seunghyun Hwang Kyonggi University, Suwon-Si, South Korea Abstract: Othello (1989) is a little-known independent film directed and produced by Ted Lange. Released at the end of the 1980s, a decade of mounting racial tension in the United States, the film offers an interpretation of Shakespeare from a minor- ity point of view. This examination of the director’s motives and directorial choices reveals the strategies employed by Lange to make Shakespeare relevant and more available to a non-traditional audience, especially to African-Americans. In addition, delving into the acceptance and distribution difficulties that Ted Lange faced gives insight into the issue of discriminatory assumptions related to applying a minority point of view to a traditionally highbrow domain. Keywords: Ted Lange, Othello, African-American, minority, discrimination Theater artists worldwide strive to find ways such as “erecting a historical space” or investigating “new theater practices” to “connect modern audi- ences, raised on film and TV,” to the works of Shakespeare.1 In the late 1980s Ted Lange developed a strategy to approach The Tragedy of Othello, the Moor of Venice from a minority point of view to make the play rele- vant and more available to a non-traditional audience, especially to African Americans. His efforts culminated in the 1989 independent film Othello. The rejection of the film by domestic distributors, which was based on film quality and discriminatory assumptions related to applying a minority point 1 Michael Kahn, “Shakespeare meets the 21st century”, The Washington Post, August 3, 2012, (Accessed September 25, 2016), https://www.washingtonpost.com/opinions/shakespeare-meets-the-21st-centu- ry/2012/08/03/ 2562cc6a-d4ed-11e1-829d-8eedd9e3ac96_story.html?utm_term=.011134b50524.
    [Show full text]
  • Jim Sturgess & Koji Yakusho to Star in “Defending The
    ! JIM STURGESS & KOJI YAKUSHO TO STAR IN “DEFENDING THE ENEMY” ! Los Angeles, CA, May 16, 2014– Producer Jonathan Sanger announced today Jim Sturgess & Koji Yakusho will star in the new feature film, “Defending the Enemy.” James Moll is attached to direct. Based on the book “A Trial of Generals,” the story follows the widely publicized war crimes trial of General Matsaharu Homma at the end of WWII. Accused of organizing the brutal death march in Bataan, Philippines, Homma‘s destiny appears doomed when General MacArthur assigns the neophyte defense attorney John Skeen to prepare his defense. Based on actual events, the story is not so much about a trial as it is about the nobility of two very different soldiers. Principal photography is set for August. Executive Producer, Ellen Wander, along with her company, Film Bridge International, is overseeing the financing and worldwide distribution for “Defending the Enemy.” ! The UK actor, Jim Sturgess had his breakthrough role as “Jude” in the feature film, “Across the Universe.” He soon followed played opposite Natalie Portman, Scarlett Johansson and Eric Bana in "The Other Boleyn Girl” and starred opposite Kevin Spacey and Laurence Fishburne in "21." Sturgess also received critical acclaim in the Ridley Scott’s award winning, “Heartless” and most recently starred with Geoffrey Rush in Giuseppe Tornatore’s “La migliore offerta” and opposite Patricia Arquette and Chloë Sevigny as a furniture salesman turned bank robber in the feature film, “Electric Slide.” ! Kôji Yakusho, one of Japan's most gifted and popular leading men, starred along side Brad Pitt and Cate Blanchett in Alejandro Inarritu’s “Babel.” Yakusho first gained international success with his portrayal of a struggling young executive trying to master ballroom dancing in the original Japanese version of “Shall We Dance?," The film went on to become one of the highest-grossing Japanese movies in the world.
    [Show full text]
  • January 2021 NICHOLS’ NOTES
    8400 Vamo Road • Sarasota, FL 34231 • (941) 966-5611 January 2021 NICHOLS’ NOTES We nally turned the page on 2020 and are entering 2021. This New Year, 2021, will hopefully be a much better one than last year. 2020 will not be forgotten for a very long time. Let’s look ahead at what 2021 has in store for Bay Village. • Late last year I signed a contract with ME&S for the construction of The Tides at Bay Village Memory Care Household. The rst of February should be the start date with this project. The fourteen unit household Bay Village should be completed by the end of the year. Eric Nichols................................................ President/CEO Jennifer Grimes......................... Chief Operating Officer • As I write this article, the rst vaccines for the Covid-19 Christina Wizba......................... Chief Financial Officer virus are arriving in Florida. At some point this year (I Ron Simon...................................... Dir. of Dining Services just do not know when), Bay Village will have the vaccine Marvin Lunsford............................... Dir. of Maintenance available for our residents. Bay Village will be working Laura Pitcher........................................... Dir. of Marketing with Walgreens pharmacy to roll out the vaccine on Shirley Laurence.......................... Dir. of Health Service our campus. Ann Aldrich............................ Dir. of Human Resources Larry Buczkowski........................... Dir. of Housekeeping • In the late rst quarter, the renovation drawings for Diana Caughron............... Dir. of Resident Enrichment Bay Village will be going to the county for permit. This Rev. Dr. Chuck Moffett...................................... Chaplain will take until mid to late summer for review and Mission Statement issuance of a permit. We will have to see how Covid-19 is doing at that time to access if work can begin on the Established on Christian principles, Bay Village campus renovations.
    [Show full text]
  • Amreeka Angels & Demons Antichrist Anvil! the Story
    McCann. Carol Sutton. Ron Flagge. Richard Zeringue. J. Omar Castro. Michael Beasley. Lance Nichols. Samantha Beaulieu. Sue Rock. Lindsay Soileau. Notes AMREEKA Nisreen Faour. Hiam Abbass. Alia Shawkat. Melkar Muallem. Yussef Abu Warda. Joseph Ziegler. Amer Hlehel. Selena Haddad. Jenna Kawar. Suheila Muallem. Brodie Sanderson. Andrew Sannie. Daniel Boiteau. Jeff Sutton. Miriam Smith. Glen Thomp - son. Mike O'Brien. Aaron Hughes. Craig Matthew Barkman.Adham Nuaman. Abed Abded El Latif. Tom Anniko. Bayan Shbib. Yacoub Ismail. Akram Malky. Baha' Salameh. Iman Aoun. Raeda Ghazala. Abdel Fatah Abu Srour. Hussein Nakhleh. Manal Hilaneh. Will Woytowich. Kristen Sawatzky. Ernie Pitts. Magally Zelaya. Bradley Sawatsky. Adri - ana O'Neil. Valarie Williams. Arne Macpherson. Jordan Power. ANGELS & DEMONS Tom Hanks. Ewan McGregor. Ayelet Zurer. Stellan Skarsgard. Pierfrancesco Favino. Nikolaj Lie Kaas. Armin Mueller-Stahl. Thure Lindhardt. David Pasquesi. Cosimo Fusco. Victor Alfieri. Franklin Amobi. Curt Lowens. Bob Yerkes. Marco Fiorini. Carmen Argenziano. Howard Mungo. Rance Howard. Steve Franken. Gino Conforti. Elya Baskin. Richard Rosetti. Silvano Marchetto. Thomas Morris. Jonas Fisch. August Fredrik. Ben Bela Boehm. Paul Schmitz. Jeff Boehm. Xavier J. Nathan. Steve Kehela. Ursula Brooks. Rashmi. Yan Cui. Fritz Michel. Maria Cristina Heller. Pascal Petardi. Yesenia Adame. Kristof Konrad. Masasa Moyo. Ed F. Martin. Cheryl Howard. Endre Hules. Norbert Weisser. Shelby Zemanek. Vanna Salviati. Raffaele DiBlasio. Todd Schneider. Roberto Donati. Rocco Passafaro. ANTICHRIST Willem Dafoe. Charlotte Gainsbourg. Storm Acheche Sahlstrom. ANVIL! THE STORY OF ANVIL ARMORED Matt Dillon. Jean Reno. Laurence Fishburne. Amaury Nolasco. Fred Ward. Milo Ven - timiglia. Skeet Ulrich. Columbus Short. Andre Jamal Kinney. Andrew Fiscella. Nick Jameson. Glenn Taranto. Lorna Raver.
    [Show full text]
  • It Seems Barely an Exaggeration to Say That Arab and Muslim Americans Are Constantly Talked About but Almost Never Heard From. T
    It seems barely an exaggeration to say that Arab and Muslim Americans are constantly talked about but almost never heard from. The problem is not that they lack representations but that they have too many. And these are all abstractions. Arabs and Muslims have become a foreign-policy issue, an argument on the domestic agenda, a law-enforcement priority, and a point of well-meaning concern. They appear as shadowy characters on terror television shows, have become objects of sociological inquiry, and get paraded around as puppets for public diplomacy…They are floating everywhere in the virtual landscape of the national imagination, as either villains of Islam or victims of Arab culture. — Moustafa Bayoumi, How Does it Feel to be a Problem1 36 Waleed F. Mahdi investigation of the historical trajectory of Hollywood's engagement with the Arab American cultural identity. INTRODUCTION Popular culture in the United States functions through sensational and rating­ based entertainment. It also promotes a hegemonic frame of reference for cultural citizenship and national belonging in the life of "cultural citizens.'" It serves as an ideological state apparatus, to echo French philosopher Louis Althusser, guiding citizens through an acculturation process that homogenizes their own subjectivity.' In this sense, this article defines cultural citizenship as a tool to sUbjectify minorities through the mediation of popular culture.4 In his scholarly reviews of Hollywood's history, Lary May emphasizes the cinema's role in enunciating cultural citizenship. Hollywood, he argues, has been a site of fury for debates around "good citizenship" because of its connection to "political power, cultural authority, and the very meaning of national identity."5 For decades, Hollywood has played a major role in Circulating a popular sense of American collective imagination and manufacturing sensational conceptions of cultural Otherness.
    [Show full text]
  • Live from Lincoln Center Celebrates 40Th Anniversary Season
    Date: July 22, 2014 Contact at TCA: Betsy Vorce 917-287-3122 [email protected] Contact at Lincoln Center: Eric M. Gewirtz 212-875-5049 [email protected] LIVE FROM LINCOLN CENTER CELEBRATES 40TH ANNIVERSARY SEASON Season Kicks Off with Broadcast of Sondheim’s Sweeney Todd Starring Bryn Terfel, Emma Thompson and the New York Philharmonic, September 26, and The Nance Starring Nathan Lane on October 10, As Part of PBS Arts Fall Festival FOR IMMEDIATE RELEASE — Live From Lincoln Center — the pioneering, award-winning performing arts series showcasing the best of the wide-ranging programming from the 30 iconic stages of the world’s largest performing arts center — today announced its 40th anniversary season on PBS. The milestone season launches with two major theatrical events as part of the annual PBS Arts Fall Festival. The opening broadcasts feature Stephen Sondheim’s iconic musical thriller Sweeney Todd: The Demon Barber of Fleet Street, starring Bryn Terfel, Emma Thompson and the New York Philharmonic on September 26, followed by The Nance starring Nathan Lane on October 10. Six-time Tony Award-winning actress and singer Audra McDonald will continue as host of Live From Lincoln Center for a third season, as well as play a featured role in Sweeney Todd. With its premiere broadcast in 1976, Live From Lincoln Center started a new chapter in performing arts broadcasting. Suddenly, arts lovers across the United States were given a front row seat to the world-class performances seen by audiences at Lincoln Center in New York, including classical music, opera, dance, jazz and theater, by some of the cultural greats from around the world, such as Leonard Bernstein, Yo-Yo Ma, George Balanchine, Renee Fleming, Luciano Pavarotti, Itzhak Perlman, Beverly Sills and Audra McDonald.
    [Show full text]
  • Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
    AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959).
    [Show full text]
  • Grace of Monaco
    GRACE OF MONACO A film by Olivier Dahan Written by Arash Amel Starring: Nicole Kidman TRT: 103 MIN. | U.K. | LANGUAGE: ENGLISH | COLOUR Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html At the peak of stardom, Grace Kelly left a successful career as a Hollywood actress to marry Prince Rainier of Monaco in 1956. Six years later, faced with a crisis that threatened Monaco and her marriage, famed director Alfred Hitchcock offers her the chance to return to Hollywood for the starring role in his next film “Marnie”. Grace is at a crossroad: choose the life she thought she always wanted, or embrace the role of the woman she has now become: Her Serene Highness, The Princess of Monaco. “The idea of my life as a fairy tale is itself a fairy tale.” – Grace Kelly An YRF ENTERTAINMENT FILM A STONE ANGELS FILM Directed by Olivier DAHAN Written by Arash AMEL Nicole KIDMAN GRACE of MONACO Tim ROTH Frank LANGELLA Paz VEGA Produced By Pierre-Ange LE POGAM Uday CHOPRA Arash AMEL IN ASSOCIATION WITH SILVER REEL and LOTUS ENTERTAINMENT WITH THE PARTICIPATION OF WALLONIA CO-PRODUCED BY TF1 FILMS PRODUCTION GAUMONT LUCKY RED OD SHOTS UFILM ABOUT THE STORY Set in 1962, six years after her celebrated “Wedding of the Century”, GRACE of MONACO is an intimate snapshot of a year in the life
    [Show full text]