Iheartmedia Annual Report 2020

Total Page:16

File Type:pdf, Size:1020Kb

Iheartmedia Annual Report 2020 iHeartMedia Annual Report 2020 Form 10-K (NASDAQ:IHRT) Published: February 27th, 2020 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-K [X] Annual report pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the fiscal year ended December 31, 2019, or [ ] Transition report pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the transition period from ________ to _________. Commission File Number 000-53354 IHEARTMEDIA, INC. (Exact name of registrant as specified in its charter) Delaware 26-0241222 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification No.) 20880 Stone Oak Parkway San Antonio, Texas 78258 (Address of principal executive offices) (Zip code) (210) 822-2828 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Class A Common Stock, par value $0.001 per share iHRT The Nasdaq Stock Market LLC Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. YES [ ] NO [X] Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Exchange Act. YES [ ] NO [X] Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. YES [X] NO [ ] Indicate by check mark whether the registrant has submitted electronically every Interactive Data File required to be submitted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or for such shorter period that the registrant was required to submit such files).YES [X] NO [ ] Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, a smaller reporting company, or an emerging growth company. See the definitions of “large accelerated filer,” “accelerated filer,” “smaller reporting company” and "emerging growth company" in Rule 12b-2 of the Exchange Act. Large accelerated filer [X] Accelerated filer [ ] Non-accelerated filer [ ] Smaller reporting company [ ] Emerging growth company [ ] If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or reviews financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. [ ] Indicate by check mark whether the registrant is a shell company (as defined in Exchange Act Rule 12b-2). YES [ ] NO [X] Indicate by check mark whether the registrant has filed all documents and reports required to be filed by Section 12, 13 or 15(d) of the Securities Exchange Act of 1934 subsequent to the distribution of securities under a plan confirmed by a court. YES [X] NO [ ] The aggregate market value of the Class A Common Stock held by non-affiliates of the registrant, based on the closing sales price of $15.05 on June 28, 2019, was approximately $854.9 million. On February 21, 2020, there were 58,538,442 outstanding shares of Class A common stock, 6,901,987 outstanding shares of Class B common stock, and 80,175,925 outstanding Special Warrants. DOCUMENTS INCORPORATED BY REFERENCE Portions of the registrant’s Definitive Proxy Statement for the registrant’s 2020 Annual Meeting of Stockholders to be filed with the Securities and Exchange Commission within 120 days after the end of the fiscal year ended December 31, 2019 are incorporated herein by reference in Part III of this Annual Report on Form 10-K. IHEARTMEDIA, INC. INDEX TO FORM 10-K Page Number PART I Item 1. Business 1 Item 1A. Risk Factors 13 Item 1B. Unresolved Staff Comments 22 Item 2. Properties 22 Item 3. Legal Proceedings 22 Item 4. Mine Safety Disclosures 23 PART II Item 5. Market for Registrant's Common Equity, Related Stockholder Matters and Issuer Purchases of Equity Securities 26 Item 6. Selected Financial Data 29 Item 7. Management's Discussion and Analysis of Financial Condition and Results of Operations 31 Item 7A. Quantitative and Qualitative Disclosures About Market Risk 55 Item 8. Financial Statements and Supplementary Data 56 Item 9. Changes in and Disagreements with Accountants on Accounting and Financial Disclosure 130 Item 9A. Controls and Procedures 130 Item 9B. Other Information 132 PART III Item 10. Directors, Executive Officers and Corporate Governance 133 Item 11. Executive Compensation 133 Item 12. Security Ownership of Certain Beneficial Owners and Management and Related Stockholder Matters 133 Item 13. Certain Relationships and Related Transactions, and Director Independence 133 Item 14. Principal Accounting Fees and Services 134 PART IV Item 15. Exhibits and Financial Statements Schedules 135 Item 16. Form 10-K Summary 141 Basis of Presentation As used in this Annual Report on Form 10-K (this “Form 10-K”), unless the context otherwise requires, references to: “we,” “us,” “our,” the “Company,” “iHeartMedia” and similar references refer to iHeartMedia, Inc. On March 14, 2018 (the “Petition Date”), the Company, iHeartCommunications, Inc. (“iHeartCommunications”) and certain of the Company’s direct and indirect domestic subsidiaries (collectively, the “Debtors”) filed voluntary petitions for relief (the “Chapter 11 Cases”) under Chapter 11 of the United States Bankruptcy Code. On May 1, 2019 (the “Effective Date”), the Company emerged from Chapter 11 of the Bankruptcy Code through (a) a series of transactions (the “Separation”) through which our former subsidiary, Clear Channel Outdoor Holdings, Inc. (“CCOH”), its parent Clear Channel Holdings, Inc. (“CCH”) and its subsidiaries (collectively with CCOH and CCH, the “Outdoor Group”) were separated from, and ceased to be controlled by, us and our subsidiaries (the “iHeart Group”), and (b) a series of transactions (the “Reorganization”) through which iHeartCommunications’ debt was reduced from approximately $16 billion to approximately $5.8 billion and a global compromise and settlement among holders of claims (“Claimholders”) in connection with the Chapter 11 Cases was effected (collectively, the “Plan of Reorganization”). All of the Company’s equity existing as of the Effective Date was canceled on such date and 56,861,941 shares of Class A common stock, 6,947,567 shares of Class B common stock, and 81,453,648 special warrants were issued on the Effective Date pursuant to our Plan of Reorganization. Upon the Company's emergence from the Chapter 11 Cases, the Company adopted fresh start accounting, which resulted in a new basis of accounting and the Company becoming a new entity for financial reporting purposes. As a result of the application of fresh start accounting and the effects of the implementation of the Plan of Reorganization, the consolidated financial statements after the Effective Date, are not comparable with the consolidated financial statements on or before that date. Refer to Note 3, Fresh Start Accounting, for additional information. References to “Successor” or “Successor Company” relate to the financial position and results of operations of the Company after the Effective Date. References to "Predecessor" or "Predecessor Company" refer to the financial position and results of operations of the Company on or before the Effective Date. PART I ITEM 1. BUSINESS Overview iHeartMedia is the number one audio media company in the U.S. based on consumer reach. Within the audio industry, companies operate in two primary sectors: • The ‘music collection’ sector, which essentially replaced downloads and CDs and • The radio-‘companionship’ sector, in which people regard their favorite broadcast radio personalities as trusted friends and companions on whom they rely to provide news on everything from entertainment and local content to points of view, information about new music and artists, weather, traffic and more. We operate in the second sector and have used our large scale and national reach in broadcast radio to build additional complementary platforms. We are now the only major multi‑platform audio media company, with each platform building on and extending our companionship relationship with the consumer. Our product strategy is ‘be where our listeners are with the products and services they expect from us’. Our reach now extends across more than 250 platforms and over 2,000 different connected devices-and that reach continues to grow. The platforms we lead in are: • Broadcast radio: We have a strong relationship with our consumers, and our broadcast radio audience is almost twice as large as that of the next largest commercial broadcast radio company, as measured by Nielsen. • Digital: Our iHeartRadio digital platform is the number one streaming broadcast radio platform-with five times the digital listening hours of the next largest commercial broadcast radio company, as measured by Triton. • Podcasts: We are the number one commercial podcast publisher-and we are two times the size of the next largest commercial podcaster as measured by downloads, according to Podtrac. • Social media: Our personalities, stations and brands have a social footprint that includes 215 million fans and followers as measured by Shareablee, which is nine times the size of the next largest commercial broadcast audio media company. This social footprint was at the heart of delivering 310 billion social media impressions for our 2019 iHeartRadio Music Awards and its associated activities. • Events: We have over 20,000 local live events per year and eight major nationally‑recognized tentpole events, which provide significant opportunities for consumer promotion, advertising and social amplification.
Recommended publications
  • SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives
    SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives Sam Benrubi, Stephen Smith To Form Cornerstone for Building SIRIUS' Ad Sales Team SIRIUS Committed to Building Ad Revenue on its Sports, Talk, Traffic, News, and Entertainment Channels NEW YORK - February 24, 2005 - SIRIUS Satellite Radio (NASDAQ: SIRI) today announced that it hired two of the radio industry's most respected and accomplished advertising executives, Sam Benrubi and Stephen Smith, to help build advertising revenue on its non-music channels. SIRIUS provides 65 channels of 100% commercial-free music; SIRIUS does offer commercial time to advertisers on its more than 55 talk, traffic, news, sports and entertainment channels. The appointments follow key programming announcements that enhance advertisers' ability to buy time on SIRIUS to reach a national audience. Recent programming announcements include this week's announcement that SIRIUS will be the new home of NASCAR in 2007; SIRIUS will sell all advertising time on its NASCAR channel and during the race broadcasts. "Sam and Steve are two of the best radio advertising sales executives in the country, with deep experience in broadcast advertising sales related to sports, Howard Stern, and other prominent talk show personalities," said Scott Greenstein, SIRIUS President of Entertainment and Sports. "Their appointments are an important part of the next step in the growth of SIRIUS, following our acquisition of significant programming assets that now allow SIRIUS promising advertising revenue possibilities. They will lead a team to build our advertising revenue stream to its fullest." Sam Benrubi, a senior nationwide advertising executive who has led network and local sales teams at Westwood One and Infinity Broadcasting, was named Senior Vice President, Advertising Sales.
    [Show full text]
  • Broadcastingesep29the Newsweekly of Broadcasting and Allied Arts
    Starting to write the rules for DBS Rewriting the script for PBS ur 49th Year 1980 BroadcastingESep29The newsweekly of broadcasting and allied arts It's hot and it spells success! Warner Bros. Televi lon Distributioñ A Warner Communications Company TIME -LIFE TELEVISION presents aillE LIFE MEATBALLS HARPER VALLEY P.T.A. 20 Major Movies Bill Murray, Harvey Atkin, Kate Lynch, Barbara Eden, Ronny Cox. Nanette Fabray, Russ Banham Louis Nye. Pat Paulsen BREAKING UP DEVILDOG: The Hound of Hell DIXIE DYNAMITE Lee Remick, Granville Van Dusen Richard Crenna, Yvette Mimieux, Victor Jory Warren Oates, Christopher George 6 MURDER BY NATURAL CAUSES NIGHT CREATURE OVERBOARD Hal Holbrook, Katharine Ross, Donald Pleasance, Nancy Kwan. Ross Hagen Cliff Robertson, Angie Dickinson Barry Bostwick, Richard Anderson STRANGER IN OUR HOUSE STREET KILLING TELL ME MY NAME Linda Blair, Lee Purcell, Jeremy Slate, Andy Griffith, Harry Guardino, Arthur Hill. Barbara Barrie, Barnard Hughes Carol Lawrence, Macdonald Carey Bradford Dillman CID STRANGERS: THE WILD GEESE phia Loren, Charlton Heston, Raf Vallone. The Story of a Mother and Daughter Richard Burton, Roger Moore. Richard Harris, nevieve Page Bette Davis, Gena Rowlands Stewart Granger E GLASS MENAGERIE GOOD GUYS WEAR BLACK THE GRASS IS ALWAYS GREENER OVER THE tharine Hepburn, Sam Waterston, Chuck Norris, James Franciscus SEPTIC TANK anna Miles, Michael Moriarty Dana Andrews, Jim Backus Carol Burnett, Charles Grodin, Alex Rocco, Linda Gray IBY SEE HOW SHE RUNS THE SILENT PARTNER per Laurie, Stuart Whitman, Roger Davis Joanne Woodward, John Considine, Elliott Gould, Christopher Plummer, Barnard Hughes Susannah York HOLLYWOOD'S BIGGEST STARS IN SYNDICATION'S MOST IMPORTANT NEW FEATURE GROUP MAJOR THEATRICALS TIME-LIFE TELEVISION AVERAGE FIRST RUN SYNDICATION DIVISION NETWORK SHARE TO DATE: 33 TIME -LIFE BUILDING NEW YORK, N.Y.
    [Show full text]
  • Experiments in the Performance of Participation and Democracy
    Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell
    [Show full text]
  • Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
    ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987.
    [Show full text]
  • Stations Monitored
    Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM
    [Show full text]
  • Radio Market Survey Population, Rankings & Information
    RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION SPRING 2019 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Rank ............................... 1 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Market ............................ 8 Total Survey Area Population ..................................................................................................................... 15 Television DMA Regions ............................................................................................................................. 21 These population estimates are based upon Census 2010 counts updated and projected to January 1, 2019, by Claritas, LLC. Additional markets may be added and the survey frequency of some markets may be changed during the year. All information contained herein reflects Spring 2019 Nielsen Audio market definitions. Copyright © 2019 The Nielsen Company (US), LLC. All rights reserved. Nielsen and the Nielsen logo are trademarks or registered trademarks of The Nielsen Company (US), LLC. COR-17-30094 RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION—SPRING 2019 MARKET SURVEY RANKINGS, FREQUENCY, TYPE AND POPULATION BY RANKING MKT METRO 12+ HISPANIC 12+ BLACK 12+ CODE RANK TYPE FREQ MARKET DST POPULATION POPULATION* POPULATION** 001 1 PPM 13 New York BH 16,458,200 4,080,900 2,782,200 003 2 PPM 13 Los Angeles BH 11,518,300 4,922,900 815,500 005 3 PPM 13 Chicago BH 7,978,400 1,660,100 1,344,800 009 4 PPM 13 San Francisco BH 6,770,200 1,484,800 445,100 024 5 PPM 13 Dallas-Ft. Worth BH 6,198,600 1,652,000 1,025,300 033 6 PPM 13 Houston-Galveston BH 5,906,700 2,040,900 1,035,600 015 7 PPM 13 Washington, DC BH 4,996,800 779,600 1,345,300 047 8 PPM 13 Atlanta BH 4,911,500 483,500 1,728,100 007 9 PPM 13 Philadelphia BH 4,622,400 411,700 960,400 013 10 PPM 13 Boston BH 4,337,000 478,400 349,700 429 11 PPM 13 Miami-Ft.
    [Show full text]
  • Emergency Pocket Guide
    PERSONAL EMERGENCY EMERGENCY CONTACT EMERGENCY CONTACT GO BAG CHECKLIST EMERGENCY CONTACT GO BAG CHECKLIST PREPAREDNESS NOTIFICATION INFORMATION INFORMATION PANEL APANEL A--44 CCSF Alert (Primary): During a Disaster: Q Water & non-perishable food CCSF Alert EMERGENCY Expect to receive an Emergency Notification from the Controller’s Office Q Basic first aid supplies •Text POCKET GUIDE • Text or DHR. If you do not receive a notification Q Prescription medications or cannot reach your supervisor within 12 •Email hours, you must try the following until you • Email Q Radio receive instructions: # • •VoiceVoice Controller’s Disaster Hotline: Q Flashlight Controller’s Disaster Hotline: 916-552-6928 (recorded information) Check with supervisor for current Q AM Radio: Batteries [for illustrative purposes only, adjust/recreate as needed][for illustrative purposes only, adjust/recreate as needed] emergency contact list APPENDIX B Radio: KCBS 740, KGO 810, KNBR 680 purposes only, adjust/recreate as needed] [for illustrative purposes only, adjust/recreate as needed] Call-down (Alternate): [for illustrative KCBS 740 AM, KGO 810 AM, Call-down Q Cash, small denominations Web: KNBR 680 AM Staff that I need to contact Status Status Staff Staff www.sfcontroller.org MessageMessage during an emergency: during an emergency: Q Sturdy shoes & change of clothes DirectorsDirectors Twitter:Web: @sfcontroller Supervisors Supervisors www.sfcontroller.org Email: Q Whistle ManagersManagers Twitter: @sfcontroller [email protected] Managers Managers Q Q Dust mask [email protected]: SupervisorsSupervisors [email protected] Directors Directors Message Remember to keep this pocket guide, Message For more information visit: Disaster Service StaffStaff StatusStatus Employees are responsible for maintaining contact info, & DSW ID badge with you.
    [Show full text]
  • WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020
    Page: 1/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 ENTERCOM Boston,MA IS AN EQUAL OPPORTUNITY EMPLOYER. Address: Contact Person/Title: 83 Leo Birmingham Parkway, Mark Hannon Brighton, MA - 02135 Reg. President/Market Manager Telephone Number: E-Mail Address: 617-746-1426 [email protected] I. VACANCY LIST See Section II, the "Master Recruitment Source List" ("MRSL") for recruitment source data Recruitment Sources ("RS") RS Referring Job Title Used to Fill Vacancy Hiree Account Executive 1-71, 74, 76, 78 76 Digital Project Manager 1-74, 76-77 74 Digital Project Manager 1-74, 76-77 73 Receptionist 1-59, 61-72, 75-76 76 Page: 2/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 II. MASTER RECRUITMENT SOURCE LIST ("MRSL") a. Agencies Notified by Outreach Source Entitled No. of Interviewees RS to Vacancy Referred by RS RS Information Number Notification? Over (Yes/No) Reporting Period Assumption College 500 Salisbury Street Worcester, Massachusetts 1609 1 Phone : 508-767-7227 N 0 Url : https://app.joinhandshake.com Shannon Curtis Manual Posting Bay State College 31 St James Ave Boston, Massachusetts 2116 2 Phone : 617-217-9301 N 0 Email : [email protected] Jeff Mason Bentley University 175 Forest Street Waltham, Massachusetts 2452 3 Phone : xxxxxxxxx Y 0 Email : [email protected] General Recruiting Berklee College of Music 921 Boylston Street Boston, Massachusetts 2215 4 Phone : 617-266-1400 N 0 Email : [email protected] Career Center Berkshire Community College 1350 West Street Pittsfield, Massachusetts 1201 5 Phone : 413-236-1637 N 0 Email : [email protected] Career Center Boston College 140 Commonwealth Ave Chestnut Hill, Massachusetts 2467 Phone : 617-552-4769 6 Url : https://bc-csm.symplicity.com/students/?signin_tab N 0 Employer Recruiting Manual Posting Prong 2 Ended Date: 10/28/2020 Page: 3/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 II.
    [Show full text]
  • Byliner Staff About Humility and Gratitude
    Join Us on September 2012 Newsletter of The Press Club of Cleveland From the President Rock Hall Panel Revisits WMMS’s Past and Ed Byers Speculates About Radio’s Future First off, it’s almost By Anastasia Pantsios, Cleveland SCENE Hall of Fame time and People who weren’t around or who were some full disclosure on too young to remember Cleveland in the Stuart Warner’s being ’70s and ’80s might wonder why anyone elected to the Hall of would make a fuss over a mundane “guy- Fame. zone” station like WMMS, with its bland As most of you know, commercial hard rock and its focus on Stuart has chaired The Press Club’s Hall sports and hot babes — appealing to a spe- of Fame committee for as long as I can cific group of males under 30. (L-R) WMMS’s staff; Walt Tiburski, Denny remember, which, in of itself, should In a special program, presented by The Sanders, Gaye Ramstrom, John Gorman, Billy qualify one for induction. But as we all Press Club of Cleveland and the Rock and Bass and moderator Jim Henke, curator, The know, Stuart’s journalism credentials are Roll Hall of Fame, five people who were Rock and Roll Hall of Fame and Museum. second to none. pivotal in creating the WMMS legend The instant we found out that Stuart’s spoke at the Rock Hall’s Foster Theatre Sanders, its evening air personality and name had been placed in nomination for about what made the station so dominant behind-the-scenes guide; John Gorman, the Hall, he not only stepped down as in Cleveland and so influential nationwide the hyper-competitive program direc- chairman, but departed the committee — and speculated on whether that influ- tor who took the station to the top of the altogether until after the election.
    [Show full text]
  • Impact Report 2014 Iheartmedia Communities ™ Impact Report 2014 Contents
    Impact Report 2014 iHeartMedia Communities ™ Impact Report 2014 Contents Company Overview 02 Executive Letter 04 Community Commitment 06 iHeartMedia 09 2014 Special Projects 12 National Radio Campaigns 30 Radiothons 102 Public Affairs Shows 116 Responding to Disasters 128 Wish Granting 132 Special Events and Fundraising 142 2014 Honorary Awards and Recognition 148 Music Development 160 Local Advisory Boards 174 On-Air Personalities 178 Station Highlights 196 Clear Channel Outdoor 240 Community Commitment 242 Protecting Our Communities 244 National Partners & Programs 248 Market Highlights 258 IMPACT REPORT 2014 | 1 Company Overview ABOUT IHEARTMEDIA, INC. iHeartMedia, Inc. is one of the leading global media and entertainment companies specializing in radio, digital, outdoor, mobile, live events, social and on-demand entertainment and information services for local communities and providing premier opportunities for advertisers. For more company information visit iHeartMedia.com. ABOUT IHEARTMEDIA With 245 million monthly listeners in the U.S., 97 million monthly digital uniques and 196 million monthly consumers of its Total Traffic and Weather Network, iHeartMedia has the largest reach of any radio or television outlet in America. It serves over 150 markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the No. 1 all-in-one digital audio service with over 500 million downloads; it reached its first 20 million registered users faster than any digital service in Internet history and reached 50 million users faster than any digital music service and even faster than Twitter, Facebook and Pinterest.
    [Show full text]
  • Radio, the Original Electronic Media, Is the Load-Bearing Wall in Audio’S House
    JUNE 2019 AUDIO TODAY 2019 HOW AMERICA LISTENS Copyright © 2019 The Nielsen Company (US), LLC. All Rights Reserved. I was on a flight recently and the seat-back tray table had an advertisement glued onto it. Can you believe it? I paid $600 to look at an ad for two hours. The fact of the matter is, as consumers, our eyeballs are maxed out. There are virtually no open spaces left to bolt a video screen, or paste yet another logo. As the media landscape continues to fragment and evolve, a new trend is emerging: AUDIO-based content is hip and decidedly in fashion. You’d have to be a hermit not to know that audio, in all its various forms, is increasingly winning the attention of American consumers. Podcasting, streaming and smart speakers are all shining new light on what’s being called “the other channel into the consumer’s mind.” BRAD KELLY, MANAGING DIRECTOR Some of this appeal can be attributed to a long and sustained legacy. AM/FM radio, the original electronic media, is the load-bearing wall in audio’s house. Broadcast radio’s NIELSEN AUDIO continued success and resiliency is due in large part to the enviable space it occupies in the automotive console. It’s free, ubiquitous, and at the fingertips of virtually every consumer on the road today. Add to that solid foundation all the new delivery platforms and limitless content being offered from streaming and podcasters, and it’s easy to understand why the sector is growing. Voice- activated assistants are becoming commonplace, which makes access to audio content seamless and easy.
    [Show full text]
  • Who Pays SX Q3 2019.Xlsx
    Who Pays SoundExchange: Q3 2019 Entity Name License Type AMBIANCERADIO.COM BES Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES F45 Training Incorporated BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It's Never 2 Late BES Jukeboxy BES MANAGEDMEDIA.COM BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES Music Maestro BES Music Performance Rights Agency, Inc. BES MUZAK.COM BES NEXTUNE.COM BES Play More Music International BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Startle International Inc. BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio #1 Gospel Hip Hop Webcasting 102.7 FM KPGZ-lp Webcasting 411OUT LLC Webcasting 630 Inc Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting AD VENTURE MARKETING DBA TOWN TALK RADIO Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting africana55radio.com Webcasting AGM Bakersfield Webcasting Agm California - San Luis Obispo Webcasting AGM Nevada, LLC Webcasting Agm Santa Maria, L.P. Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting
    [Show full text]