Sans Titre-1

Total Page:16

File Type:pdf, Size:1020Kb

Sans Titre-1 JURY DE LA COMPÉTITION INTERNATIONALE JURY DE LA COMPÉTITION FRANÇAISE Président du Jury Président du Jury Apichatpong Weerasethakul Jean Echenoz JURYS Patricio Guzmán Nathalie Richard Angela Schanelec Dunja Bialas Tahani Rached Hala Alabdalla Yakoub Enrico Ghezzi Jérôme Beaujour JURY DU PRIX PREMIER ET DU PRIX SON JURY DU GNCR Président du Jury Président du Jury Manoushak Fashahi Marianne K. Roméo Ulrike Kasper Luigi Magri Michèle Sylvander Jean-Pierre Castagna Gilles Laurent Patrice Nezan JURY DU PRIX DES MÉDIATHÈQUES JURY PRIX MARSEILLE ESPÉRANCE Jean-Guy Arlabosse /BM de Suresnes Armand Zirekian Souad Abderrezak Sylvie Morata /BM de Martigues Laurent Garabedian Rania Allali Sandrine Sogne /BM de Nîmes Thi-Lan Cerf Marie Sinanoglou Anouk Paille /BM de Poitiers Christine Fillette James Woody Agnès Bougueliane /BM de la Haute-Marne Hélène Obadia GRAND PRIX DE LA COMPÉTITION INTERNATIONALE Attribué par le Jury de la Compétition Internationale. PRIX PRIX GEORGES DE BEAUREGARD INTERNATIONAL Attribué à un film de la Compétition Internationale GRAND PRIX DE LA COMPÉTITION FRANÇAISE Attribué par le jury de la Compétition Française. PRIX GEORGES DE BEAUREGARD NATIONAL Attribué à un film de la Compétition Française doté par la Fondation Ecureuil. PRIX PREMIER Attribué par le jury Premier et Son à un premier film présent dans la Compétition Internationale, la Compétition Française et les Écrans Parallèles, et doté par le Conseil Régional de Provence Alpes Côte d’Azur. PRIX SON Attribué par le jury Premier et Son, en association avec le Groupe de Recherche et d’Improvisation Musicales (GRIM), doté par la Société des Auteurs Compositeurs Editeurs de Musique (SACEM). PRIX DES MÉDIATHÈQUES Attribué par les bibliothécaires de l’image de cinq médiathèques de France, à un film issu d’une nouvelle sélection, au travers du prisme de la transversalité culturelle mise au service de toutes les formes de trans- mission. Le Prix est doté par la société CVS. PRIX DU GROUPEMENT NATIONAL DES CINÉMAS DE RECHERCHE (GNCR) Attribué à un film de la Compétition Française sous la forme d’un soutien pour sa distribution en France : édition d’un document et programmation dans les salles du Groupement. PRIX MARSEILLE ESPÉRANCE Attribué par le Jury Marseille Espérance à l’un des films de la Compétition Internationale, MERCREDI 4 JUILLET TNM LA CRIÉE / GRANDE SALLE 10:00 12:15 14:45 17:45 20:30 RÉTROSPECTIVE PRESTO ! RUE SANTA FÉ 163’ CARTE BLANCHE À CÉRÉMONIE OUVERTURE PEDRO COSTA PEDRO COSTA PRESTO, PERFECT SOUND 6’ Carmen Castillo LOVE CONQUERS ALL OÙ GÎT VOTRE SOURIRE Manon de Boer >> Carmen Castillo, célèbre THE NIGHT OF THE DEMON 90’ ENFOUI ? 104’ militante dans la lutte contre 95’ SUFFERING AND Pinochet, retourne au Chili Jacques Tourneur Tan Chui-Mui SMILING 65’ après son exil contraint, pour Première Française Dan Ollman tenter d’éclairer les choix >> Une jeune femme quitte d’une existence soumise à sa campagne malaise pour la cause. rejoindre la ville où elle fait la rencontre d’un jeune homme aux promesses troubles. TNM LA CRIÉE / PETITE SALLE 11:30 15:30 17:45 20:30 FILMER, DIT-ELLE PRESTO ! DE SON PRESTO ! KURZ DAVOR IS ES NÖMADAK TX 86’ APPARTEMENT 70’ DAS SEIN UND DAS NICHTS PASSIERT (PEU AVANT) 73’ Raùl de la Fuente Jean-Claude Rousseau 10’ Anja Salomonowitz Première Mondiale Bady Minck >> Jean-Claude Rousseau, chez lui, dit Bérénice de Jean SCARPIA Racine, tout en vaquant à 45’ ses affaires. Jean-Francois Jung LES VARIÉTÉS 10:30 12:30 14:30 17:45 FILMER, DIT-ELLE FILMER, DIT-ELLE RÉTROSPECTIVE PRESTO ! SANS TITRE, 11 LE CAMION 80’ PEDRO COSTA PIXINGUINHA E A VELHA MARS 2005 23’ Marguerite Duras NO QUARTO DA VANDA GUARDA DO SAMBA 10’ Latifa Echakch (DANS LA CHAMBRE DE Thomaz Farkas et IMAGO MUNIDI. DAS VANDA) 170’ Ricardo Dias GÜLTIGE, SAGBARE UND MACHBARE VERÄNDERN AU FIL DU SON, UN PORTRAIT 37’ DE YANN PARANTHOËN 52’ Lisl Ponger Pilar Arcilar ZIMMER, GESPRÄCHE 28’ Première Mondiale Dora Garcia BMVR ALCAZAR 14:30 LES SENTIERS PAUL 8‘ Cécile Rousset EN RÂCHÂCHANT 7’ Jean-Marie Straub et Danièle Huillet LE PAIN ET LA RUE 10’ Abbas Kiarostami LE GOÛT DES OLIVES 22’ Anne Lacour Première Mondiale LUX 3’ Carole Sionnet légende des symboles : compétition internationale compétition française écrans parallèles tables rondes CATALOGUE DE LA 18ÈME ÉDITION DU FIDMARSEILLE Retrouvez dans le catalogue : résumés de tous les films, biographies des jurys, entretien inédit avec Pedro Costa, textes d’Emmanuel Burdeau, Jacques Rancière, Gilles Grand. Offert avec le PASS FESTIVAL ou vendu à 10 euros. JEUDI 5 JUILLET TNM LA CRIÉE / GRANDE SALLE 10:00 11:45 14:15 16:15 19:30 22:00 TENTATIVE DE SON RÉTROSPECTIVE PEDRO HO 151’ PRESTO ! AUTOHYSTORIA 92’ D’ÉPUISEMENT APPARTEMENT 70’ COSTA Gaëlle Vu Binh Giang OPERA JAWA 120’ Raya Martin D’UN LIEU Jean-Claude Rousseau O SANGUE 98’ Première Mondiale Garin Nugroho Première Française PARISIEN 73’ Première Mondiale >> Quand la recherche >> Un morceau de l’his- de ses ascendances ren- toire philippine, hallucinée Jean-Christian Riff >> Jean-Claude Rousseau, Première Mondiale chez lui, dit Bérénice de contre les dimensions aujourd’hui – ou, com- >> Dialogue cinématogra- Jean Racine, tout en va- d’un pays inconnu, le ment un jeune cinéaste phique avec le livre épo- quant à ses affaires. Vietnam. philippin tente d’écrire nyme de George Perec. au présent l’épopée de son pays. TNM LA CRIÉE / PETITE SALLE 10:00 11:45 13:15 14:45 16:15 17:30 19:00 20:30 PRESTO ! TRABALHO HARUKI GAJOK MOSTRAME FILMER, DIT-ELLE PROFIT MOTIVE CNC / FRANCE MARC RIBOT, ESCRAVO 51’ YUKIMURA & CHOSANGHWA (MONTRE-MOI) BLACK SEA AND THE CULTURE CONCERT Nikola Chesnais NANA-CHAN 38’ (PORTRAIT DE 47’ FILES 34’ WHISPERING SABRINA SOLO 30’ Première Mondiale Xavier Brillat MA FAMILLE) Anneleen Ursula Biemann WIND 57’ Marie Dumora Anaïs Prosaïc >> Une enquête est Première Mondiale 67’ Hermans John Gianvito Lu par Sophie Quinton. menée dans une ex- >> Au Japon. Le bon- Kim Young-Jo Première Mondiale CONTAINED Première Internationale BUILDING ploitation au Brésil, dage, entre cérémonie Première Mondiale >> Une interrogation MOBILITY 21’ >> Visite guidée, A BROKEN qui emploie ces nou- et actualisation du rap- >> Le réalisateur, sur les traces dou- Ursula Biemann mais muette, des MOUSETRAP 63’ veaux serfs, les ‘tra- port amoureux. alerté par des pro- loureuses laissées lieux de mémoire de Jem Cohen vailleurs esclaves’. blèmes capillaires, par les disparitions EUROPLEX 20’ la lutte politique aux CÈNE 31’ part à la recherche orchestrées par la Ursula Biemann Etats-Unis. Andy Guerif d’un père inconnu. dictature en Argen- tine. JOURNAL N°1 21’ Première Mondiale Hito Steyerl >> Un tableau, ça se Première Internationale fabrique. Dont acte. Quand les personna- >> Interrogation sur ges sont les artisans l’Histoire, ses modes de leur image. de représentation et sa perception. LES VARIÉTÉS 10:30 12:30 15:00 18:45 20:30 22:30 PRESTO ! CARTE BLANCHE THE PERVERT’S GUIDE SEANCE SPÉCIALE RÉTROSPECTIVE FILMER, DIT-ELLE CASA VERDI – PEDRO COSTA TO CINEMA 150’ CONSEIL RÉGIONAL PEDRO COSTA ANA ALATI TAHMOL LE BAISER DE TOSCA 87’ BILLIE HOLIDAY CHANTE Sophie Fiennes PACA OÙ GÎT VOTRE SOURIRE AZOUHOUR ILA (JE SUIS Daniel Schmid «FINE AND MELLOW» 7’ Première Française work in progress ENFOUI ? 104’ CELLE QUI PORTE LES Programme CBS >> Le psychanalyste et phi- D’ARUSHA À ARUSHA FLEURS VERS SA «The sound of jazz» losophe Slavoj Zizek com- Christophe Gargot TOMBE)110’ mente, extraits à l’appui, Hala Alabdalla et DALLE NUBE ALLA Ammar AlBeik RESISTENZA 104’ de larges pans de l’histoire Jean-Marie Straub et du cinéma. Danièle Huillet CRDP 12H00 14:30 16:30 18:15 20:15 22:15 SÉANCE SPÉCIALE CMCA PRESTO ! LES SENTIERS TABLE RONDE FILMER, DIT-ELLE FILMER, DIT-ELLE GAMBIT 107’ DAVID, MOFETT AND LA ROUTE AVEC LES SENTIERS SANS TITRE, PASOLINI Sabine Gisiger ORNETTE 24’ ELLES 83’ 11 MARS 2005 23’ PA* PALESTINE 51’ Dick Fontaine Anne-Sophie Birot Latifa Echakch Ayreen Anastas IGOR STRAVINSKY, IMAGO MUNIDI. DAS COMPOSER 53’ GÜLTIGE, SAGBARE UND Janos Darvas MACHBARE VERÄNDERN 37’ Lisl Ponger ZIMMER, GESPRÄCHE 28’ Dora Garcia AGORA DES SCIENCES BMVR ALCAZAR 15:00 17:00 14:30 TABLE RONDE RENCONTRE LES SENTIERS PROFESSIONNELLE REVOLVER VUES DES JEUNES LUMIÈRES 60’ Collectif composé par Nathalie Bourgeois VENDREDI 6 JUILLET TNM LA CRIÉE / GRANDE SALLE 10:00 11:15 13:15 15:00 18:00 20:00 22:45 GAJOK MOSTRAME THE HALFMOON RÉTROSPECTIVE YVES - 1ERE PARTIE THE PERVERT’S CARTE BLANCHE À CHOSANGHWA (MONTRE-MOI) FILES 87’ PEDRO COSTA 82’ GUIDE TO CINEMA PEDRO COSTA (PORTRAIT DE 47’ Philip Scheffner NO QUARTO DA Olivier Zabat 150’ BEAUTY#2 66’ Anneleen Première VANDA Première Mondiale Sophie Fiennes Andy Warhol MA FAMILLE) (DANS LA CHAMBRE Hermans Internationale >> Portrait d’Yves, Première Française 67’ DE VANDA) 170’ Kim Young-Jo Première Mondiale >> Exhumée aujour- handicapé mental, >> Le psychanalyste Première Mondiale >> Une interrogation d’hui, la voix d’un sol- dans son quotidien. et philosophe Slavoj >> Le réalisateur, sur les traces dou- dat des Indes enrôlé Zizek commente, alerté par des pro- loureuses laissées par l’armée françai- extraits à l’appui, de blèmes capillaires, par les disparitions se, puis fait prison- larges pans de l’his- part à la recherche orchestrées par la nier par l’allemande, toire du cinéma. d’un père inconnu. dictature en Argen- et enregistrée en tine. 1916, nous mène à travers les méan- dres des représenta- tions coloniales. TNM LA CRIÉE / PETITE SALLE 10:00 11:15 13:30 15:00 17:30 20:00 22:00 1937 44’ FILMER, DIT-ELLE DES INDES À LA FILMER, DIT-ELLE FILMER, DIT-ELLE PRESTO
Recommended publications
  • Michel GALABRU Philippe CAUBÈRE Reliaient
    salle popesco MICHEL PHILIPPE GALABRU CAUBÈRE A partir du 21 septembre du mardi au samedi à 19h matinée dimanche 17h prix des places de 25 à 45 euros JULES& MARCEL (hors frais de réservations) d’après la correspondance de Jules RAIMU et Marcel PAGNOL Un spectacle créé au festival avec Jean-Pierre BERNARD de la correspondance de Grignan adaptation Pierre TRÉ-HARDY Cohen/Cosmos © Photo Serge Mise en espace Jean-Pierre BERNARD LOCATION 0 892 222 333* / FNAC 0 892 68 36 22* 19h MAGASINS FNAC - www.fnac.com / RÉSATHÉÂTRE 0 892 707 705* CONTACT PRESSE : Pierre Cordier, assisté de Guillaume Andreu CARREFOUR, AGENCES ET POINTS DE VENTE HABITUELS Tél. 01 43 26 20 22 - Fax : 01 43 29 54 59 - [email protected] /mn RCS PARIS B 572 123 792 - Licence 750 2656 - Saison 2010 - Photo Serge Cohen/Cosmos B 572 123 792 - Licence 750 2656 Saison 2010 Photo Serge RCS PARIS € www.theatremarigny.fr *0,34 JULES& MARCEL« Il est fâcheux d’être fâchés » Note d’intention Origine du spectacle Le spectacle « Mon cher Jules, il faut que tu sois bougrement fâché avec moi pour ne pas répondre à une lettre injurieuse qui n’avait d’autre but que Il s’agit d’une lecture de lettres échangées entre l’écrivain Michel Galabru, Nicolas Pagnol (petit fils de Marcel Pagnol) de commencer une dispute…». Ces correspondances entre Raimu et Marcel Pagnol tissent ainsi la toile de leur éternelle amitié, mêlée de mauvaise foi tru- Marcel Pagnol et Raimu, son ami et acteur fétiche. Le et Isabelle Nohain Raimu (petite fille de Raimu) étaient culente, de fâcheries épiques, d’admiration réciproque, de pudeur, d’humour, de souvenirs, de secrets… et de savoureuses envolées, drôles, fraîches et vives thème central est « le Cinéma », passion qui a relié ces venus assister, en août 2006, à une adaptation de la trilo- comme l’eau des sources de leur Provence.
    [Show full text]
  • Using Multimedia to Teach French Language and Culture APPROVED
    Copyright by Florence Marie Lemoine 2012 The Report Committee for Florence Marie Lemoine Certifies that this is the approved version of the following report: Using Multimedia to Teach French Language and Culture APPROVED BY SUPERVISING COMMITTEE: Supervisor: Carl Blyth Elaine Horwitz Using Multimedia to Teach French Language and Culture by Florence Marie Lemoine, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To all French learners, may you have fun along the process of learning this language! Acknowledgements I would like to thank all of you who have made this career switch to French teaching possible, in particular my professors at UT - Dr. Blyth, Dr. Horwitz, Dr. Sardegna, Dr. Pulido, Dr. Schallert, and Dr. Tissières - and all my friends in Foreign Language Education. I also wish to thank my husband Roland and my two sons Théo and Marius for their help and support during the past two years. v Abstract Using Multimedia to Teach French Language and Culture Florence Marie Lemoine, M.A. The University of Texas at Austin, 2012 Supervisor: Carl Blyth In order for the study of French to survive in American higher education, it will be necessary to adopt a pedagogy that motivates learners as well as teaches them both language and culture. I argue that the judicious use of visual materials (film, video and graphic novels) is ideal for this undertaking. I further assert—based upon numerous sources from fields such as Second Language Acquisition, cognitive psychology, anthropology and sociolinguistics--that language and culture are inseparable, and that visual materials provide the necessary context to facilitate the teaching of both.
    [Show full text]
  • MARIUS by Marcel Pagnol (1931) Directed by Alexander Korda
    PRESS PACK CANNES CLASSICS OFFICIAL SELECTION 2015 MARIUS by Marcel Pagnol (1931) Directed by Alexander Korda Thursday 21 May 2015 at 5pm, Buñuel Theatre Raimu and Pierre Fresnay in Marius by Marcel Pagnol (1931). Directed by Alexander Korda. Film restored in 2015 by the Compagnie Méditerranéenne de Films - MPC and La Cinémathèque Française , with the support of the CNC , the Franco-American Cultural Fund (DGA-MPA-SACEM- WGAW), the backing of ARTE France Unité Cinéma and the Archives Audiovisuelles de Monaco, and the participation of SOGEDA Monaco. The restoration was supervised by Nicolas Pagnol , and Hervé Pichard (La Cinémathèque Française). The work was carried out by DIGIMAGE. Colour grading by Guillaume Schiffman , director of photography. Fanny by Marcel Pagnol (Directed by Marc Allégret, 1932) and César by Marcel Pagnol (1936), which complete Marcel Pagnol's Marseilles trilogy, were also restored in 2015. "All Marseilles, the Marseilles of everyday life, the Marseilles of sunshine and good humour, is here... The whole of the city expresses itself, and a whole race speaks and lives. " René Bizet, Pour vous , 15 October 1931 SOGEDA Monaco LA CINÉMATHÈQUE FRANÇAISE CONTACTS Jean-Christophe Mikhaïloff Elodie Dufour Director of Communications, Press Officer External Relations and Development +33 (0)1 71 19 33 65 +33 (0)1 71 1933 14 - +33 (0)6 23 91 46 27 +33 (0)6 86 83 65 00 [email protected] [email protected] Before restoration After restoration Marius by Marcel Pagnol (1931). Directed by Alexander Korda. 2 The restoration of the Marseilles trilogy begins with Marius "Towards 1925, when I felt as if I was exiled in Paris, I realised that I loved Marseilles and I wanted to express this love by writing a Marseilles play.
    [Show full text]
  • Spring 2019 Film Calendar
    National Gallery of Art Film Spring 19 I Am Cuba p27 Special Events 11 A Cuba Compendium 25 Janie Geiser 29 Walt Whitman Bicentennial 31 The Arboretum Cycle of Nathaniel Dorsky 33 Roberto Rossellini: The War Trilogy 37 Reinventing Realism: New Cinema from Romania 41 Spring 2019 offers digital restorations of classic titles, special events including a live performance by Alloy Orchestra, and several series of archival and contem- porary films from around the world. In conjunction with the exhibition The Life of Animals in Japanese Art, the Gallery presents Japanese documentaries on animals, including several screenings of the city symphony Tokyo Waka. Film series include A Cuba Compendium, surveying how Cuba has been and continues to be portrayed and examined through film, including an in-person discussion with Cuban directors Rodrigo and Sebastián Barriuso; a celebra- tion of Walt Whitman on the occasion of his bicen- tennial; recent restorations of Roberto Rossellini’s classic War Trilogy; and New Cinema from Romania, a series showcasing seven feature length films made since 2017. Other events include an artist’s talk by Los Angeles-based artist Janie Geiser, followed by a program of her recent short films; a presentation of Nathaniel Dorsky’s 16mm silent The Arboretum Cycle; the Washington premieres of Gray House and The Image Book; a program of films on and about motherhood to celebrate Mother’s Day; the recently re-released Mystery of Picasso; and more. 2Tokyo Waka p17 3 April 6 Sat 2:00 La Religieuse p11 7 Sun 4:00 Rosenwald p12 13 Sat 12:30 A Cuba Compendium: Tania Libre p25 2:30 A Cuba Compendium: Coco Fusco: Recent Videos p26 14 Sun 4:00 Gray House p12 20 Sat 2:00 A Cuba Compendium: Cuba: Battle of the 10,000,000 p26 4:00 A Cuba Compendium: I Am Cuba p27 21 Sun 2:00 The Mystery of Picasso p13 4:30 The Mystery of Picasso p13 27 Sat 2:30 A Cuba Compendium: The Translator p27 Films are shown in the East Building Auditorium, in original formats whenever possible.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • French Film Series to Conclude with Works from Final Period of the Classic Tradition
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 #42 FOR IMMEDIATE RELEASE FRENCH FILM SERIES TO CONCLUDE WITH WORKS FROM FINAL PERIOD OF THE CLASSIC TRADITION In its final months, REDISCOVERING FRENCH FILM PART II, The Museum of Modern Art's comprehensive survey of French film history, will screen classics from the 1940s and • 50s, then pause to look back at the very beginnings of the long tradition of French filmmaking. The schedule for August begins with a look at the French cinema at the time of the Occupation and features two rare films of the liberation: Le Six Juin a l'Aube, a documentary made by the great feature film director Jean Gremillon, and Rene Clement's La Bataille du Rail. Also scheduled in August are two of the most striking French films noirs of the postwar period, Clouzot's Quai des Qrfevres and Yves All^gret's De'dee d'An vers, Simone Signoret's star-making vehicle. In September, the schedule will focus on the films of the 1950s, during the last flowering of the classic tradition before the tumult of the New Wave. Among the highlights are two film adaptations of Emile Zola's scathing social fiction—Julien Duvivier's Pot-Bouille and Marcel Carne*' s updated Therese Raquin—plus La Marie du Port, a rarely seen Carrie vehicle for France's most durable male star, Jean Gabin. Many of the most prominent French films of the '50s retreated into an acid-tinged nostalgia for the past; such resplendent examples of this tendency as Max Ophuls's La Ronde and Le Plaisir, Rene Clair's Les Grandes Manoeuvres and Les Belles-de-Nuit, and Jean Renoir's French Can-can are scheduled.
    [Show full text]
  • Omaggio a Marcel Pagnol Homage to Marcel Pagnol
    OMAGGIO A MARCEL PAGNOL HOMAGE TO MARCEL PAGNOL In collaborazione con Nicolas Pagnol (Compagnie Mediterranéenne de Films) e Bruno Despas (Vision Global) Il restauro dei film di Marcel Pagnol è stato reso possibile dalla collab- The restoration of Marcel Pagnol’s films is made in partnership with orazione con la Compagnie Méditerranéenne de Films, che detiene i the Compagnie Méditerranéenne de Films, which holds the rights to diritti dei lavori del regista, e con Vision Globale, la più importante Pagnol’s works, and Vision Globale, Quebec’s leading film restoration società del Quebec nel settore del restauro, che ha sviluppato il soft- company with its software GeneSys. The restoration materials used ware GeneSys. Per il restauro sono stati utilizzati interpositivi stampati were interpositives wet-gate printed from the original nitrate negatives, sotto liquido dai negativi originali su supporto nitrato, a cui è seguita scanned at 2K resolution. One of the challenges of this type of restora- una scansione a 2K. Grazie a questa metodologia di restauro si cerca tion is recreating what the viewer’s initial experience might have been di ricreare quella che può essere stata l’esperienza dello spettatore without an “original” image reference. After repeated testing of the alla prima visione, pur senza avere a disposizione la fonte “originale”. calibration of the Digital Intermediate chain and extensive work on the Dopo numerosi test sull’intermediato digitale e sui parametri per lo black-and-white development settings, Vision Globale was able to sviluppo in bianco e nero, Vision Globale ha raggiunto uno standard di achieve a contrast and density that were approved by Nicolas Pagnol, contrasto e densità fotografiche approvate da Nicolas Pagnol, promo- who spearheaded the project and is intimately familiar with his grand- tore del progetto e profondo conoscitore del lavoro del nonno.
    [Show full text]
  • 1 Adapting Pagnol and Provence. Jeremy Strong Abstract This Chapter Examines Marcel Pagnol's Novel L'eau Des Collines
    Adapting Pagnol and Provence. Jeremy Strong Abstract This chapter examines Marcel Pagnol’s novel L’eau des collines (comprising Jean de Florette and Manon des Sources: 1962) and their film adaptations (Dir. Claude Berri, 1986). It places particular emphasis on the construction of the adaptations as a major French cultural event and as constitutive of what would come to be termed ‘heritage cinema’. The role of the films – in particular their lush cinematography and representation of the Provencal countryside – in the subsequent explosion of tourist interest and second-home ownership in Provence will also be discussed. Drawing on texts as diverse as Peter Mayle’s A Year in Provence (1989) and the critical literature of Travel and Tourism Studies, the chapter examines the role of books and their screen adaptations in shaping attitudes to places and people. Keywords: Adaptation, Provence, Tourism, Travel, Adaptation Tourism, Psychogeography, Marcel Pagnol, Peter Mayle. Introduction It is nearly impossible to commence this chapter without remarking upon the coincidence that Marcel Pagnol’s birth in 1895 in Aubagne, Provence, was in the same year that his countrymen Auguste and Louis Lumière held the first public screenings of their cinematograph in Paris. Yet Brett Bowles reminds readers that this pleasing accident of chronology was not necessarily ‘a sign that Pagnol’s fate was somehow cosmically intertwined with cinema’ (Bowles, 2012a. 10). Bowles indicates that while Pagnol’s family history did not readily suggest a nascent facility for any particular art-form, including the newest, what was to prove remarkable was his success across several media and roles.
    [Show full text]
  • Based on the Writings by Marcel Pagnol Adapted and Directed by Daniel Auteuil
    presents MARIUS and FANNY Based on the writings by Marcel Pagnol Adapted and Directed by Daniel Auteuil A Kino Lorber Release Kino Lorber, Inc. 333 West 39th St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 MARIUS SYNOPSIS “Marius” takes place in Marseilles’ Old Port, at the La Marine Bar, owned by César and his son Marius. Marius’ biggest dream is to embark on one of the boats passing by his dad’s bar and to set off to a faraway land. Fanny, a young and pretty seafood peddler, has secretly been in love with Marius since her childhood; Marius, never admitting it, has always loved Fanny. One day, a sailor drops by La Marine and offers him a job on an exploratory ship. Trying to hold him off and to make him jealous, Fanny confesses his love to him and provokes a fight between Marius and one of César’s old friends, Panisse, a boat merchant, who despite his old age, has been courting Fanny for a while. Torn between the call of the sea and his love for her, Marius abandons his dream to be with Fanny who gives herself to him. As César and Honorine, Fanny’s mother, are getting ready for the wedding, Marius changes his mind, drawn back to the call of the sea. Sacrificing her love, Fanny convinces Marius to embark on his journey, leaving her behind. Devastated but holding back her tears, she hides Marius’ decision to his father.
    [Show full text]
  • Integrating Reading with Multiple Intelligences
    INTEGRATING READING WITH MULTIPLE INTELLIGENCES Reading Unit for Grade 12 Core French, University Preparation, FSF 4U This additional resource for Core French provides a teaching model designed to engage the students' Multiple Intelligences throughout the study of the play, Fanny, by Marcel Pagnol. This unit is designed to meet the expectations of the course FSF4U of the Ontario Curriculum, Grades 11 and 12, French As a Second Language - Core, Extended, and Immersion French, 2000 document. Unit Description In this unit, students examine the play Fanny and its key elements, including the historical and cultural context of the story. The teaching and learning methodologies build students’ strategies for reading. The activities - learning, assessment and evaluation - engage Multiple Intelligences and promote Cooperative Learning. In the final task, a simulation activity, students become santonniers who create a model for the santons collection of the museum Le Petit Monde de Marcel Pagnol. The model represents a scene from the play Fanny, and incorporates elements of culture researched in the pre-reading stage. Unit Planning Model This unit, designed on an expectations-based planning model, follows a three-step process for planning that is outlined in the introduction of the Handbook. The unit lists only the expectations for the reading strand that the learning activities meet. However, because the reading process naturally integrates oral communication, reading and writing, curriculum expectations from the other strands are met throughout
    [Show full text]
  • Movie Museum JULY 2018 COMING ATTRACTIONS
    Movie Museum JULY 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! 2 Hawaii Premieres! LA BELLE ÉQUIPE LINDA LINDA LINDA STILL WALKING WILD BILL ME AND MY SISTER (2005-Japan) aka Aruitemo aruitemo (2011-UK) (1936-France) Japanese w/Eng subtitles ws aka Les soeurs fâchées French w/Eng subtitles (2008-Japan) Eng subtitles & in widescreen (2004-France) with Doona Bae, Yuu Kashii Japanese w/Eng subtitles ws newly restored version b&w 11:00am, 2:45 & 6:30pm with Charlie Creed-Miles French w/Eng subtitles ws with Jean Gabin with Hiroshi Abe Directed by Dexter Fletcher with Catherine Frot ---------------------------------- Director: Hirokazu Koreeda Directed by Julien Duvivier Hawaii Premiere! 11:45am, 3:30, 5:15, 7:00pm 11:45am, 3:15 & 6:45pm 12:30, 4:45 & 6:45pm 11am, 1, 3, 5 & 7pm ---------------------------------- ---------------------------------- ME AND MY SISTER ---------------------------------- ---------------------------------- aka Les soeurs fâchées LA BELLE ÉQUIPE WILD BILL NAÏS (2004-France) 9-MONTH STRETCH (1936-France) (2011-UK) (1945-France) French w/Eng subtitles ws (2013-France) French w/Eng subtitles Eng subtitles & in widescreen French w/Eng subtitles b&w with Isabelle Huppert, French w/Eng subtitles ws newly restored version b&w with Charlie Creed-Miles with Fernandel, Henri Poupon Catherine Frot with Sandrine Kiberlain with Jean Gabin Directed by Dexter Fletcher 2:30 & 8:45pm 1:00, 4:45 & 8:30pm 9pm only 1:30 & 8:45pm 1:30, 5:00 & 8:30pm 5 6 7 8 9 Hawaii Premiere! 2 Hawaii
    [Show full text]