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Transferware Database of Patterns and Sources
Transferware Database of Patterns and Sources Pattern #4864 Pattern Name: Roman #01 Center Pattern Border Alternate Names: Greek Pattern, Kirk Series Category: Literature and the Performing Arts / Mythology Border: Miscellaneous / Classical themes / Decorative panels Additional Information: Plate, 9.5 inches. Two sections of the border are shown. Priestman2001, pp. 114-119, identifies a series of patterns on tablewares that Minton was producing by 1810, based on the engravings of Thomas Kirk that had been used to illustrate a catalogue of the collection of ancient Greek, Roman and Etruscan vases that had been put together by the British diplomat Sir William Hamilton in the latter half of the 18thC. Minton called them the Roman patterns, though the characters portrayed were not all Roman nor were the vases from which the drawings were taken all of Roman origin. The patterns have also been referred to as the Kirk series, after the artist and engraver. The pattern shown here is based on plate 54 in Kirk1804. The pattern and the source print are illustrated on p. 117 of Priestman2001, but no indication is given of what the scene represents. A circular cartouche containing various freemasonry symbols has been added to the central design, suggesting that the plate may have been part of a special order from Freemasons' Lodge. See also CoyshHenrywood1989, pp120-121, for a description of this series (here named Kirk series)and illustrations, including one of this pattern. Moore2010, pp. 120-121, illustrates the Kirk drawing and one from Tischbein, pl. 9, Vol. I in connection with a Spode pattern called 'Apollo Seated on a Winged Chair". -
Phase Two Phase
Phase One 2012 2013 2014 2015 Phase Two 2016 2017 2018 2019 2020 BB B SU B BB NU BB BB Further Thoughts on Earthy Materials B MA RD Abaration Topographies of the Obsolete Receipt of Funding from Material Memory: Kunsthaus Hamburg Initial visit to Spode by KHiB staff discussion Visningsrommet USF in Bergen BB Plymouth College of Art Norwegian Artistic …When People Get to the The Post-Industrial with the British Ceramic Biennial BB End There’s Always the Brick Landscape as site for Cont(R)act earth Research Council BB Launch of website Gråsten, Denmark Creative Practice BB First Central China International BB NT topographies.khib.no Newcastle University BB Ceramics Biennale, Putting It at Stake SH BB Factory, Neil Brownsword Developing A Research Inquiry Partner Institution visits Henan Museum RIAN Design Museum, Sweden BB BB B Research Group meetings in all institutions Blås & Knåda, Stockholm into the Haptic Use of Clay as a Dancing in the Boardroom Cause and Effect Many a Slip Obsolescence and Renewal Project blog launch to map out sites for Phase Two National Centre for Craft and Design, Therapeutic Assistant Presentation of project to Museum of Contemporary Art, Marsden Woo, London NT SH m2 Gallery, London internal KHiB staff Sleaford 4th International Conference for Research BB MA NU NT RD SH Detroit Returns group in Gestalt Psychotherapy, Santiago, Chile NT SH BB MA NU NT RD SH Residency 6 NT NT SH AirSpace Gallery, Digging through Dirt: Archaeology re-turning Residency 2 Topographies of the Obsolete BB Retreat Stoke-on-Trent Topographies of the Obsolete Past, Present, Precious and Unwanted BB Participant artist reflections and discussion BB published Stoke-on-Trent BB SU B with selected artists and students. -
WHITE IRONSTONE NOTES VOLUME 3 No
WHITE IRONSTONE NOTES VOLUME 3 No. 2 FALL 1996 By Bev & Ernie Dieringer three sons, probably Joseph, The famous architect Mies van was the master designer of the der Rohe said, “God is in the superb body shapes that won a details.” God must have been in prize at the Crystal Palace rare form in the guise of the Exhibition in 1851. master carver who designed the Jewett said in his 1883 book handles and finials for the The Ceramic Art of Great Mayer Brothers’ Classic Gothic Britain, “Joseph died prema- registered in 1847. On page 44 turely through excessive study in Wetherbee’s collector’s guide, and application of his art. He there is an overview of the and his brothers introduced Mayer’s Gothic. However, we many improvements in the man- are going to indulge ourselves ufacture of pottery, including a and perhaps explain in words stoneware of highly vitreous and pictures, why we lovingly quality. This stoneware was collect this shape. capable of whithstanding varia- On this page, photos show tions of temperature which details of handles on the under- occurred in the brewing of tea.” trays of three T. J. & J. Mayer For this profile we couldn’t soup tureens. Top: Classic find enough of any one T. J. & J. Octagon. Middle: Mayer’s Mayer body shape, so we chose Long Octagon. Bottom: Prize a group of four shapes, includ- Bloom. ing the two beautiful octagon Elijah Mayer, patriarch of a dinner set shapes, the Classic famous family of master potters, Gothic tea and bath sets and worked in the last quarter of the Prize Bloom. -
General and Collectables Tuesday 20 July 2010 10:00
General and Collectables Tuesday 20 July 2010 10:00 Frank Marshall & Co Marshall House Church Hill Knutsford WA16 6DH Frank Marshall & Co (General and Collectables) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 12 A large decorative terracotta cylinder form umbrella/stick stand Two boxes of assorted hard back books predominantly on vase horse racing Estimate: £20.00 - £40.00 Estimate: £20.00 - £40.00 Lot: 2 Lot: 13 A 19th century copper and brass coaching horn A cased Riosa mother of pearl effect cased accordion Estimate: £10.00 - £15.00 Estimate: £30.00 - £50.00 Lot: 3 Lot: 14 A three section collapsible walking stick with brass handle A collection of assorted boxed and loose collectors cars to Estimate: £5.00 - £10.00 include Dinky, Matchbox, Lledo, Solido etc Estimate: £20.00 - £40.00 Lot: 4 A 20th century quarter section wooden walking stick with Lot: 15 bulbous handle, length 85cm A mixed lot of Oriental sundries to include coffee service, Estimate: £40.00 - £60.00 sundry ornaments, also a Caithness Prima Ballerina Sugar Plum paperweight no.Z54292, boxed etc Estimate: £10.00 - £20.00 Lot: 5 A Border Fine Arts figure of a golden retriever lying on a cushion, also a Royal Tudorware chintz pattern ginger jar, Lot: 16 Alfred Meakin Rosa pattern dish, floral decorated jug, Victorian L W Daniels; framed poster entitled 'Derbyshire', also, Kenneth cut glass celery vase etc Steel; advertising poster entitled 'Constable Country', these Estimate: £20.00 - £40.00 posters were displayed in the now closed railway museum 'Dinting Glossop' -
1 the Willow Pattern
The East India Company at Home, 1757-1857 – UCL History The Willow Pattern: Dunham Massey By Francesca D’Antonio Please note that this case study was first published on blogs.ucl.ac.uk/eicah in June 2014. For citation advice, visit: http://blogs.uc.ac.uk/eicah/usingthewebsite. Unlike other ‘objects studies’ featured in the East India Company At Home 1757-1857 project, this case study will focus on a specific ceramic ware pattern rather than a particular item associated with the East India Company (EIC). With particular attention to the contents of Dunham Massey, Greater Manchester, I focus here on the Willow Pattern, a type of blue and white ‘Chinese style’ design, which was created in 1790 at the Caughley Factory in Shropshire. The large-scale production of ceramic wares featuring the same design became possible only in the late eighteenth century after John Sadler and Guy Green patented their method of transfer printing for commercial use in 1756. Willow Pattern wares became increasingly popular in the early nineteenth century, allowing large groups of people access to this design. Despite imitating Chinese wares so that they recalled Chinese hard-stone porcelain body and cobalt blue decorations, these wares remained distinct from them, often attracting lower values and esteem. Although unfashionable now, they should not be merely dismissed as poor imitations by contemporary scholars, but rather need to be recognized for their complexities. To explore and reveal the contradictions and intricacies held within Willow Pattern wares, this case study asks two simple questions. First, what did Willow Pattern wares mean in nineteenth-century Britain? Second, did EIC families—who, as a group, enjoyed privileged access to Chinese porcelain—engage with these imitative wares and if so, how, why and what might their interactions reveal about the household objects? As other scholars have shown, EIC officials’ cultural understandings of China often developed from engagements with the materials they imported, as well as discussions of and visits to China. -
N C C Newc Coun Counc Jo Castle Ncil a Cil St Oint C E-Und Nd S Tatem
Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council Statement of Community Involvement Joint Consultation Report July 2015 Table of Contents Introduction Page 3 Regulations Page 3 Consultation Page 3 How was the consultation on Page 3 the Draft Joint SCI undertaken and who was consulted Main issues raised in Page 7 consultation responses on Draft Joint SCI Main changes made to the Page 8 Draft Joint SCI Appendices Page 12 Appendix 1 Copy of Joint Page 12 Press Release Appendix 2 Summary list of Page 14 who was consulted on the Draft SCI Appendix 3 Draft SCI Page 31 Consultation Response Form Appendix 4 Table of Page 36 Representations, officer response and proposed changes 2 Introduction This Joint Consultation Report sets out how the consultation on the Draft Newcastle-under- Lyme Borough Council and Stoke-on-Trent City Council Statement of Community Involvement (SCI) was undertaken, who was consulted, a summary of main issues raised in the consultation responses and a summary of how these issues have been considered. The SCI was adopted by Newcastle-under-Lyme Borough Council on the 15th July 2015 and by Stoke-on-Trent City Council on the 9th July 2015. Prior to adoption, Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council respective committees and Cabinets have considered the documents. Newcastle-under- Lyme Borough Council’s Planning Committee considered a report on the consultation responses and suggested changes to the SCI on the 3RD June 2015 and recommended a grammatical change at paragraph 2.9 (replacing the word which with who) and this was reported to DMPG on the 9th June 2015. -
Stoke-On-Trent (Uk) Policy Brief #4 • Liveability
STOKE-ON-TRENT (UK) POLICY BRIEF #4 • LIVEABILITY EXECUTIVE SUMMARY This policy brief showcases a successful initiative to improve urban liveability in a shrinking city through repurposing its historical heritage. It shows how old industrial buildings could be used to accommodate new creative arts entrepreneurs and host high profile cultural events. The brief focusses on Spode Works, a 10-acre bone china pottery and homewares production site located in Stoke-on-Trent – a medium-size polycentric industrial city in central England1, coping with population loss. Building on local knowledge and stakeholders’ experiences of using the Spode site after the factory’s closure in 2009, this brief demonstrates how a shrinking city can challenge a negative stereotype, raise its profile, and improve attractiveness by generating new creative arts and culture dynamics from within the effectively repurposed old industrial assets. The key lesson learnt is that to enhance liveability one should not drive it down to specific concerns like housing, jobs, or leisure. Urban liveability is about the dynamism and wider significance of a place. These qualities can be improved by a visionary local authority, enthusiastic civil society, and risk-taking private sector partners, all committed to urban regeneration and raising the city profile through the development of local creative capacity for impactful events and knowledge exchange. INTRODUCTION Over the last two decades, Stoke-on-Trent actors have undertaken a series of initiatives aimed at making the city more attractive and liveable, including improvements in the social and private sector housing provision, tourist infrastructure developments, and civic-led creative arts projects. The local art and culture community and other stakeholders have acknowledged the city’s untapped potential for creativity and innovation. -
Newsletter 49
CARLTON WARE NEWSLETTER #49 From Ian Harwood & Jerome Wilson June 2010 It has been quite a few months now since we published our last Newsletter and much has happened since then. On January 1 of this year, when we could see that we had a few days break in the winter weather, we hit the road south out of Calgary, on our way to Florida! We had a house rented for January 15, so we had 2 weeks to get there. Our plan was to drive south as fast as we could, to get below the snow belt, and then turn east and drive across the U.S.A., stopping here and there on the way – for antique shopping, of course! Our fast drive south, out of the winter weather, did not give us time for any shopping. Our first day’s drive got us out of Canada and into Montana and a stop for the night in Great Falls. The second day we crossed into Idaho and then into Utah and stopped for the second night in Ogden. The third day saw us drive south of the snow line in southern Utah, briefly cross into the top corner of Arizona and then into Nevada, where we stopped for a couple of days on the Las Vegas strip. You can always find a cheap, first class room in Vegas – just find an hotel that isn’t holding a convention and the best rooms can be had for as little as $45 a night. We stayed at Bally’s, right in the middle of it all. -
Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child Plate Image of Man with a Tray of Pies and a Young Boy
Leatherdale | 1 Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child plate Image of man with a tray of pies and a young boy. 2019-040-0003 Diameter: 20 cm “Simple Simon Met a Pieman” is printed in a banner above. The alphabet is printed around the raised edge. Child plate Image of a boy wearing a blue hat, jacket, pants, and 2019-040-0004 Diameter: 19.3 cm socks. He is holding a horn and sitting on a fence. There is a cow in the background. “Little Boy Blue” is printed underneath. The alphabet is printed around the raised edge. Baby plate Image of a man standing beside reeds with a mallard 2019-040-0005 Diameter: 19 cm duck on the other side. Underneath is “There was a Little Man.” The alphabet is printed around the raised edge. Baby plate Image of “Hey Diddle Diddle” nursery rhyme. There 2019-040-0006 Diameter: 17.5 cm is a cat playing a fiddle, a cow jumping over the moon, a dog laughing, and a dish running holding hands and running with a spoon. Royal Winton Grimwades, England stamp Baby plate Image of a bird shooting another bird in a tree with an 2019-040-0007 Diameter: 16.6 cm arrow. Both birds are wearing suits, ties, and hats. “Who killed cock robin? “I” said the sparrow” is printed on the bottom. James Kent Ltd. Made in England Stamp. Baby plate Image of a boy playing a bugle. Boy dressed in blue 2019-040-0008 Diameter: 19.9 cm jacket, pants, shoes, and hat. -
July 2016 Newsletter
San Francisco Ceramic Circle An Affiliate of the Fine Arts Museums of San Francisco July 2016 P.O. Box 15163, San Francisco, CA 94115-0163 www.patricianantiques.com/sfcc.html SFCC SUMMER SOCIAL: Saturday, August 6 (SFCC Annual Membership Meeting, Sunday, September 18: see next page) SFCC member Michael Sack has a remarkable collection of 19th-century British transferware with scenes of southern and southwestern Asia, and their source prints. This summer his collection will go on view at the San Francisco Airport Museum in the International Terminal (exhibit cases to the right of the check-in counters). Michael will conduct a walk-through tour of the exhibition at 11:00 a.m., Saturday, August 6. SFCC will sponsor a reception from 12:00 to 2:00 in a private space at the Airport. Both events will be free to SFCC members and their guests. The SFO Museum has promised to comp our parking. Many thanks to Sarah Bishop for making the arrangements! Factory of Josiah Spode, Stoke-on-Trent Soup tureen, ‘Caramanian Series,’ introduced c. 1809 Lead-glazed earthenware with underglaze printing Collection of Michael Sack William Watts (1752-1851) after Luigi Mayer (1755-1803) Sarcophagus Near Castel Rosso, from Sir Robert Ainslie, Views in Turkey in Europe and Asia, 1801 and later Hand-colored engraving Collection of Michael Sack SFCC ANNUAL MEMBERSHIP MEETING: Sunday, September 18 We traditionally held the SFCC Annual Membership Meeting, a.k.a. Pot Night, on Thursdays. This year we will move to 4:00 – 7:00 p.m. on Sunday, September 18, to see if that fits more people’s schedules. -
American Ceramic Circle Tour to England June 14Th to 21St, 2016
American Ceramic Circle Tour to England June 14th to 21st, 2016 Special Opportunities Join Patricia Halfpenny, English ceramics expert and Curator Emerita Ceramics & Glass at Winterthur Museum, on a week-long tour to Staffordshire and London Meet private collectors of pottery and porcelain – mostly from British manufacturers but also from continental and Far Eastern makers -- who will lead study sessions in their homes Partake in handling sessions of reserve collections at The Potteries Museum & Art Gallery, Brighton Museum & Art Gallery, and the Victoria & Albert Museum Learn about traditional processes of production with experts at Burleigh, the oldest working Victorian pottery, and Gladstone Pottery Museum, where we will tour the factory and learn what life was like in a Victorian factory Enjoy a wine and cheese reception, with tour and demonstration, at Spode Visitor Center hosted by Paul Wood, former managing director of Royal Worcester Spode and now chair of the Spode Trust. The year 2016 is the 200th anniversary of the Blue Italian pattern and there will be a special exhibition in newly opened galleries. Tour the museum and archives at Wedgwood Museum and look at the recently expanded manufacturing facility for high-end wares Attend the Prestige Ceramic Fair in London, perhaps the best opportunity to see and purchase ceramics from dealers and specialists of 18th- and 19th-century pottery and porcelain Dine at the members-only Potters Club in Stoke-on-Trent, and at a gastronomic restaurant known for its ‘theater of food’ presentation Stay three nights at the top-rated Best Western Manor House Hotel in Alsager, on the Staffordshire-Cheshire border; and four nights at The Rembrandt Hotel in London, located opposite the Victoria & Albert Museum Tour Program Monday, June 13th Depart the U.S. -
Bamfords Auctioneers & Valuers
Bamfords Auctioneers & Valuers The Derby Auction House Chequers Road Derby VICTORIAN, EDWARDIAN AND GENERAL SALE PART 2 Derbyshire DE21 6EN Started Jul 19, 2017 10:30am BST United Kingdom Lot Description 1000 A Hinks patent oil lamp with plated Corinthian column supporting clear cut glass font, later converted to electricity An early 19th Century substantial Named-View Derby campana vase, painted with a view in Wales, green ground, gilt snake handles, 1001 C.1825 (faults) Condition Report: Heavily damaged and poorly restored throughout, large cracks throughout An 18th century Pearlware blue and white bowl, painted with a child riding an Ox with others watching, pagoda, landscape, unmarked, 1002 29.5cm diam, c.1790 1003 A Japanese Pottery figure samurai warrior, green robes, long beard; another Geisha girl (2) 1004 A Japanese shaped circular plate, painted in underglaze blue with flowering peonies, 30cm diam, Miji period A large Royal Dux type model of an Indian elephant, standing with curled trunk, glazed in bronze green and gold tones, 44cm high, 1005 impressed marks (faults) 1006 A Moorcroft triangular ashtray, hibiscus on yellow ground A Victorian oversized Brandy balloon glass, engraved grape and vine Condition Report: A small 1mm chip to inner ring, light surface 1007 scratches throughout, 25cm high 1008 A Royal Worcester snuffer, as a Japanese girl 1009 A 19th century porcelain dog, Boxer 1010 A pair of large green glass bowls on stands 1011 A Goebel glass model Cockerel, painted decoration, engraved marks A late 19th century Staffordshire