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January to March 2018
SOUTHERN CERAMIC GROUP NEWSLETTER www.southernceramicgroup.co.uk/ Email : [email protected] Contents Editorial • Group & Members News Welcome to the January/March edition of the SCG Newsletter. The • What’s On newsletter is published electronically quarterly to members of the South- • Hey Clay ern Ceramic Group and is more widely distributed to associated pottery • Clay Group groups. • AGM • Glaze Group Meeting Notes We always welcome your contributions to the newsletter from events to • Members Profile technical articles to profiles. This edition is a great example of the varied • Demonstrations interests of the group, we hope you enjoy the newsletter and will consider • SCG Committee contributing in the future. Keith Menear Group & Members News New Members A very warm welcome to new members: Gael Emmett from Chichester Francheska Pattisson of Winchester Trish Marshall also from Chichester Nigel Hobbs from Bordon Membership is now 152 Next Committee Meeting. The committee meets every few months or so and our next meeting will be on Next meeting. 5th March 2018, 7.15 pm at Neil’s house. "Hilston House" Hambledon Road, Denmead, Waterlooville, Hampshire PO7 6HB . If you have anything you would like to bring to our attention please contact Sandie Dixon [email protected] or any other member of the committee. 1 SOUTHERN CERAMIC GROUP NEWSLETTER What’s On Su Cloud Ceramics. Workshops January-June 2018. The beginning of a new year and the perfect time to start a new project. Is your garden in need of a focal point? I have some new workshops on offer and some old favourites, which I hope will inspire you to come and create, in my purpose built ceramic studio. -
The Heritage Within
Aleksandar Pantić CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN MA Thesis in Cultural Heritage Studies: Academic Research, Policy, Management. Central European University Budapest May 2018. CEU eTD Collection CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Cultural Heritage Studies: Academic Research, Policy, Management. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner CEU eTD Collection ____________________________________________ Examiner Budapest May 2018. CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Cultural Heritage Studies: Academic Research, Policy, Management. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2018. CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, -
HO060710 Sale
For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others. -
Philippa H Deeley Ltd Catalogue 21 May 2016
Philippa H Deeley Ltd Catalogue 21 May 2016 1 A Victorian Staffordshire pottery flatback figural 16 A Staffordshire pottery flatback group of a seated group of Queen Victoria and King Victor lion with a Greek warrior on his back and a boy Emmanuel II of Sardinia, c1860, titled 'Queen and beside him with a bow, 39cm high £30.00 - £50.00 King of Sardinia', to the base, 34.5cm high £50.00 - 17 A Victorian Staffordshire pottery flatback figure of £60.00 the Prince of Wales with a dog, titled to the base, 2 A Victorian Staffordshire pottery figure of Will 37cm high £30.00 - £40.00 Watch, the notorious smuggler and privateer, 18 A Victorian Staffordshire flatback group of a girl on holding a pistol in each hand, titled to the base, a pony, 22cm high and another Staffordshire 32.5cm high £40.00 - £60.00 flatback group of a lady riding in a carriage behind 3 A Victorian Staffordshire pottery flatback figural a rearing horse, 22.5cm high £40.00 - £60.00 group of King John signing the Magna Carta in a 19 A Stafforshire pottery flatback pocket watch stand tent flanked by two children, 30.5cm high £50.00 - in the form of three Scottish ladies dancing, 27cm £70.00 high and two smaller groups of two Scottish girls 4 A Victorian Staffordshire pottery figure of Queen dancing, 14.5cm high and a drummer boy, his Victoria seated upon her throne, 19cm high, and a sweetheart and a rabbit, 16cm high £30.00 - smaller figure of Prince Albert in a similar pose, £40.00 13.5cm high £50.00 - £70.00 20 Three Staffordshire pottery flatback pastille 5 A pair of Staffordshire -
2 Day On-Line Auction Antiques & Fine
2 DAY ON-LINE AUCTION ANTIQUES & FINE ART THURS 15TH & FRI 16th OCTOBER @ 10am Catalogue £2 C A T A L O G U E of the 2 day sale of ANTIQUES, COLLECTABLES & FINE ART on behalf of Executors and Private Vendors at Truro Sale Room, Newquay Road, Truro, Cornwall TR1 1RH on Thursday 15th & Friday 16th October 2020 at 10am CONDITIONS OF SALE 1. Commission at the rate of 15% plus VAT will be charged to purchasers on each item. 2. None of the Lots are subject to VAT. 3. Payment Terms - Payment by cash or debit card only. Credit cards not accepted. 4. All goods to be paid for on the sale day and no goods may be removed until a receipted account has been obtained from the sale office. 5. All lots are the responsibility of the purchaser from the fall of the hammer. 6. This catalogue is prepared for the benefit only of purchasers and no guarantee is given or implied in respect of any lot. Purchasers are deemed to have satisfied themselves as to the quantity, quality and description of each lot before bidding. 7. All electrical goods have been tested for their electrical safety. This test in no way implies any guarantee or warranty in respect of the working order of these items but merely is a test in respect of their electrical safety. 8. All items are to be removed on the day of sale unless other arrangements are made with the Auctioneers. 9. Other conditions of sale as displayed and announced at the time of sale. -
The Two Ages of Poole Pottery with Price Guide by Roland Head
Ceramics The Two Ages of Poole Pottery With Price Guide by Roland Head The company finally succumbed in December 2006, ending a period and both Stablers contributed greatly to a revived interest in ceramic of more than 130 years of production at the quayside in Poole. This sculpture at Poole. They created a wide range of sculptural ceramics demise seems to have had little, if any, effect on the secondary Poole and also several specially-commissioned architectural wares, such market, which remains in good health. Decorative wares produced as the Rugby School War Memorial. Of particular interest are the between 1924 and 1970 are most in demand. Most fall into two sculpted ceramic figures designed by Harold and Phoebe Stabler distinctly different categories. from around 1910 until the early 1930s. Very successful, they were produced in press-moulded form by Poole with some also being Poole Studio Ware made under license by Royal Doulton and Royal Worcester. Today, In 1958, Poole recruited Robert Jefferson as its chief designer. His good examples of these figures are fairly rare and routinely fetch work led to the introduction of new designs and techniques, and in hundreds of pounds each. The subject matter for these figures varies 1961, to the expansion and relaunch of the Poole Studio. Its output widely, with both animals and people popular choices. of boldly-painted and largely-abstract designs was formalised into the Delphis and Aegean ranges. It is the early, pre-Delphis studio Vases and Other Decorative Wares pieces that are most collectable, in particular those pieces by Tony Early decorative wares used a red earthenware body and were Morris, an artist who worked alongside Jefferson in developing the decorated with a hand-painted pattern on clear glaze over white slip. -
General and Collectables Tuesday 20 July 2010 10:00
General and Collectables Tuesday 20 July 2010 10:00 Frank Marshall & Co Marshall House Church Hill Knutsford WA16 6DH Frank Marshall & Co (General and Collectables) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 12 A large decorative terracotta cylinder form umbrella/stick stand Two boxes of assorted hard back books predominantly on vase horse racing Estimate: £20.00 - £40.00 Estimate: £20.00 - £40.00 Lot: 2 Lot: 13 A 19th century copper and brass coaching horn A cased Riosa mother of pearl effect cased accordion Estimate: £10.00 - £15.00 Estimate: £30.00 - £50.00 Lot: 3 Lot: 14 A three section collapsible walking stick with brass handle A collection of assorted boxed and loose collectors cars to Estimate: £5.00 - £10.00 include Dinky, Matchbox, Lledo, Solido etc Estimate: £20.00 - £40.00 Lot: 4 A 20th century quarter section wooden walking stick with Lot: 15 bulbous handle, length 85cm A mixed lot of Oriental sundries to include coffee service, Estimate: £40.00 - £60.00 sundry ornaments, also a Caithness Prima Ballerina Sugar Plum paperweight no.Z54292, boxed etc Estimate: £10.00 - £20.00 Lot: 5 A Border Fine Arts figure of a golden retriever lying on a cushion, also a Royal Tudorware chintz pattern ginger jar, Lot: 16 Alfred Meakin Rosa pattern dish, floral decorated jug, Victorian L W Daniels; framed poster entitled 'Derbyshire', also, Kenneth cut glass celery vase etc Steel; advertising poster entitled 'Constable Country', these Estimate: £20.00 - £40.00 posters were displayed in the now closed railway museum 'Dinting Glossop' -
Newsletter 49
CARLTON WARE NEWSLETTER #49 From Ian Harwood & Jerome Wilson June 2010 It has been quite a few months now since we published our last Newsletter and much has happened since then. On January 1 of this year, when we could see that we had a few days break in the winter weather, we hit the road south out of Calgary, on our way to Florida! We had a house rented for January 15, so we had 2 weeks to get there. Our plan was to drive south as fast as we could, to get below the snow belt, and then turn east and drive across the U.S.A., stopping here and there on the way – for antique shopping, of course! Our fast drive south, out of the winter weather, did not give us time for any shopping. Our first day’s drive got us out of Canada and into Montana and a stop for the night in Great Falls. The second day we crossed into Idaho and then into Utah and stopped for the second night in Ogden. The third day saw us drive south of the snow line in southern Utah, briefly cross into the top corner of Arizona and then into Nevada, where we stopped for a couple of days on the Las Vegas strip. You can always find a cheap, first class room in Vegas – just find an hotel that isn’t holding a convention and the best rooms can be had for as little as $45 a night. We stayed at Bally’s, right in the middle of it all. -
The Employment of Matter: Pottery of the Omega Workshops
Julian Stair The Employment of Matter: Pottery of the Omega Workshops Among professional artists there is … a vague idea that a man can still remain a gentleman if he paints bad pictures, but must forfeit the conven- tional right to his Esquire if he makes good pots or serviceable furniture., Pottery design in Britain at the beginning of the twentieth century was consid- ered to be in a perilous state, caught between the tail end of the Arts and Crafts movement – the ‘unornamental “ornaments” with which thoughtless people crowd their living rooms’* – and the unchecked might, or ‘decadence’,- of Stoke-on-Trent.. Christopher Dresser’s striking ceramic designs for Minton and the Linthorpe Art Pottery in the ,//0s had rarely escaped a stifling his- toricism; William de Morgan finally gave up potting to write novels in ,10+; and only a few small independent firms such as the Ruskin Pottery, which specialised in flamboyantly glazed vases in imitation of late Chinese porcelain, continued production (fig. ,., p. */). Despite the success of the Arts and Crafts movement in revitalising handicraft, pottery did not enjoy the success of other disciplines. As Alan Crawford writes, ‘pottery and weaving … before the war had been somehow less spectacular than the movement’s furniture and metalwork’.2 Although capable of embodying the immediacy of handwork, the transformation of the artist-craftsman’s sensibility into clay proved elusive. In this context, why did Roger Fry encourage the Omega Workshops to venture into the unfashionable and technically challenging -
Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child Plate Image of Man with a Tray of Pies and a Young Boy
Leatherdale | 1 Marion Leatherdale Donation Name Description Catalogue Number Measurements Estimated Value Child plate Image of man with a tray of pies and a young boy. 2019-040-0003 Diameter: 20 cm “Simple Simon Met a Pieman” is printed in a banner above. The alphabet is printed around the raised edge. Child plate Image of a boy wearing a blue hat, jacket, pants, and 2019-040-0004 Diameter: 19.3 cm socks. He is holding a horn and sitting on a fence. There is a cow in the background. “Little Boy Blue” is printed underneath. The alphabet is printed around the raised edge. Baby plate Image of a man standing beside reeds with a mallard 2019-040-0005 Diameter: 19 cm duck on the other side. Underneath is “There was a Little Man.” The alphabet is printed around the raised edge. Baby plate Image of “Hey Diddle Diddle” nursery rhyme. There 2019-040-0006 Diameter: 17.5 cm is a cat playing a fiddle, a cow jumping over the moon, a dog laughing, and a dish running holding hands and running with a spoon. Royal Winton Grimwades, England stamp Baby plate Image of a bird shooting another bird in a tree with an 2019-040-0007 Diameter: 16.6 cm arrow. Both birds are wearing suits, ties, and hats. “Who killed cock robin? “I” said the sparrow” is printed on the bottom. James Kent Ltd. Made in England Stamp. Baby plate Image of a boy playing a bugle. Boy dressed in blue 2019-040-0008 Diameter: 19.9 cm jacket, pants, shoes, and hat. -
ICRC Bloomsbury in Dorset
Bloomsbury in Dorset: Manufacturing Modernisms at Poole Pottery 1914-1939 James King Abstract This essay evaluates the pursuit by Poole Pottery (the firm was called Carter, Stabler and Adams during most of the time period discussed here) of a variety of modernist aesthetics from 1914 to 1939 and argues that Poole's incorporation of various types of modernist fine art into its wares owes a great deal to its association with the Omega Workshops in the 1910s. Poole's involvement from about 1914 to after 1916 with Roger Fry, Vanessa Bell and Duncan Grant may be well documented1, but this essay speculates that Poole's indebtedness to the Omega Workshops and its adherence to Post- Impressionism is more pervasive and longer lasting than previously argued. More specifically, it also argues, that in the instance of Poole's most celebrated designer, Truda Carter, the Bloomsbury influence was transformative: when she arrived at Poole, she refined the work of James Radley Young, who had worked directly with the Omega Workshops. His geometrically inspired designs did not ultimately suit her, and she achieved her own distinct look by incorporating high modernist and post-impressionist design in her wares. In using the term high modernist, I am referring to pottery that deliberately incorporates borrowings from cubism and vorticism as design elements; I use the term Post-Impressionist to refer to design elements that specifically utilize naturalist elements while at the same time exaggerating them to push them in the direction of abstraction. KEY WORDS: Truda Carter, modernism, Post-Impressionist design, Poole Pottery ‘A More or Less Experiment’ Poole stood apart from its competitors because of its location in Dorset, far removed from the Potteries in Staffordshire. -
News from ACGA
June 2017 Volume 65, Issue 6 In This Issue President's Message - Bill Geisinger CUSTOMER MAILING LISTS June 2017 ACGA Corporate Sponsor ACGA has Palo Alto Clay and Glass killed its last Festival tree. New Sales Process. This newsletter is our last Member News printed newsletter. Minutes CGAF Members will Stack of plates by Geisinger now receive our EXHIBITIONS monthly news online. You can read it on your phone, pad, computer, or print and read on paper. It will be your choice how you want to learn OPPORTUNITIES about ACGA activities and our member news! You will receive an email with the newsletter from our editor, Bonita Cohn (thought a FORUM shout out here is good) or go to http://www.acga.net/ and you will find a link to a PDF SUBMISSIONS version that you can print. You can do it! CALENDAR ask not what your organization can do for you, ... ask what you can do for your organization June 14: Next Board Meeting: Wed, 7:00-8:45 PM at the SF ACGA is in need of your help. We need to identify people who can Presidio Public Library, 3150 donate one hour a month to share the work that makes ACGA Sacramento St., San Francisco. important to its members and our community. We have several areas that need help each month. (planning, membership, website, June 10 - reception for Glass directory, exhibitions, finance) No experience is necessary. Currents. Rchmond Art Ctr We are also looking to fill two spaces in our board of directors. These June 13 - August 19: Glass positions would require working together once a month on the Second Currents open to public.