Cheltenham Modern Living 7th March 2019 covers.qxp_Layout 1 26/02/2019 11:42 Page 1 MALLAMS Mallams 1788 Modern Living MODERN LIVING THURSDAY 7TH MARCH 2019 CHELTENHAM

7th March 2019 www.mallams.co.uk CHELTENHAM Cheltenham Modern Living 7th March 2019 covers.qxp_Layout 1 26/02/2019 11:42 Page 2 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 1

Mallams 1788

Modern Living

Thursday Viewing 7th March 2019 Tuesday 5th March 9am - 7pm at 11am Wednesday 6th March 9am - 5pm

Auction Enquiries Mallams Condition Reports & Images Grosvenor Galleries [email protected] 26 Grosvenor Street Cheltenham GL52 2SG Conditions of sale This auction is subject to Important Contact Notices, Conditions of Sale and Darren Ball Reserves. [email protected] Condition Reports Bids Please note that there are no condition 01242 235712 reports printed in the catalogue or on any 01242 241943 (Fax) website listing. To bid via the internet please go to They are available on request from the www.the-saleroom.com office or by email Or to view the catalogue online go to [email protected] www.mallams.co.uk

Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 2

Droite de Suite

Important Notices: and in addition to the buyer’s premium. The Changes to the Droite de Suite or Artist’s Artist’s Resale right is not subject to VAT. The Resale Rights charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. Pictures produced by European Artists can For items selling above this figure the fee is be subject to the Droite de Suite or Artist’s calculated on a sliding scale. These charges Resale Right which took effect in the United are paid to the Design and Artist’s Copyright Kingdom on the 14th February 2006. Under Society (DACS). No additional fees or handling this legislation Mallams is required to collect costs are retained by Mallams. a royalty payment for works by living artists For more information visit www.dacs.org.uk. which sell for more than 1000 Euros. This now also applies to works by artists who have died Please be aware of this extra charge and within the last seventy years. It is calculated on especially the recent changes if you intend the Rate of Exchange at the European Central to bid for any works which might fall into the Bank on the date of sale. It is charged to the above category. buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms ‘Follower of ’ … in our opinion the work is A work catalogued with the full name of the executed in the named artist’s style. artist in our opinion, is or is probably a work ‘Manner of ’ … in our opinion the work is by that artist, however intending buyers executed in the named artist’s style but is of a are respectfully reminded to fully satisfy considerably later date. themselves prior to bidding as the catalogue ‘School (together with place or country and description does NOT represent a certificate of date)’ … in our opinion the work was executed authenticity. in that location at that time. Other wise the following terms are used: ‘After’ … in our opinion the work is a copy of a ‘Attributed to’ … in our opinion the work is known painting by the named artist. probably by the artist named in whole or in ‘Signed’ … in our opinion the signature is by the part. hand of the artist stated. ‘Circle of ’ … in our opinion the work is by an ‘Bears signature’ … in our opinion there is an artist influenced by the named artist and of the element of doubt over the signature or it has period. been added by another hand. Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 3

Mallams 788

Order of Sale Modern Living Thursday 7th March 2019 at 11am

Furniture 1-126

Photographs, Prints & Paintings 127-245

Ceramics 246-364

Glass 365-394

Silver, Works of Art and Collectables 395-439

Condition Reports and Images: cheltenham@mallams .co.uk

Important notice: Buyer’s premium 27% inclusive of VAT on each lot Credit card fees where applicable are 2.28% inclusive of VAT Condition Reports: Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault. Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 4 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 5

Furniture 1-126 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:38 Page 6

1 George Montague Ellwood for Bath Cabinet Makers Oak sideboard, Arts & Crafts circa 1900 two drawers and cupboard to front with hammered copper square handles 152cm x 64cm, 132cm high £200-300 (plus 27%BP*)

1 2 Arts and Crafts Magazine rack brass panels embossed with flowers on a wooden base 32cm high £30-50 (plus 27%BP*)

3 Arts and Crafts Spinning chair heart cut out decoration and octagonal carved legs 88cm high £80-120 (plus 27%BP*)

2 3 4 Liberty & Co Oak three-tier ‘Sedley’ bookcase, Arts and Crafts period pegged shelves and cut out trefoil decoration 97cm high £150-200 (plus 27%BP*)

5 Arts and Crafts Liberty style oak four-tier bookcase heart cut out decoration 85cm high £40-60 (plus 27%BP*)

4 5

6 Arts and Crafts Liberty style high chair slatted back 96cm high £40-60 (plus 27%BP*)

7 Arts & Crafts Liberty style stick stand turned supports and metal tray to base 75cm high £50-100 (plus 27%BP*)

6 7

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8 Arts & Crafts Liberty style footstool arched supports with heart cut outs 75cm high £40-60 (plus 27%BP*)

9 Liberty & Co Stained oak “Chaucer” bureau, c1900-10 fitted interior over a single drawer, gallery finished with heart cut outs trade label to inside 8 9 118cm high £150-250 (plus 27%BP*)

10 Arts & Crafts Two seater chair spindle back, floral upholstery to seat 104cm across, 91cm high £100-150 (plus 27%BP*)

11 Arts & Crafts Walnut side table turned splayed legs, crossed supports 51cm x 40cm, 68cm high £40-80 (plus 27%BP*) 10 11

12 Arts & Crafts Oak side table square top over turned legs, stained finish 35cm x 35cm, 47cm high £40-80 (plus 27%BP*)

13 Arts & Crafts Metal side table hammered and embossed decoration, round top over single shelf. 50cm across, 63cm high £100-150 (plus 27%BP*) 12 13

14 Arts & Crafts Oak drop leaf table, c1910 simple pierced decoration 71cm high, 85cm wide £100-150 (plus 27%BP*)

15 Glasgow School Mahogany occasional table, Arts & Crafts period stylized top and pierced cut outs 71cm high, 41cm wide £100-150 (plus 27%BP*)

14 15

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16 Arts & Crafts Oak three tier table 73cm high, 59cm wide £50-100 (plus 27%BP*)

17 Arts & Crafts Walnut occasional table 16 17 square top on tapering legs 85cm high, 50cm wide £100-150 (plus 27%BP*)

18 Arts & Crafts Book rest, c1910 80cm across £80-120 (plus 27%BP*)

19 Arts & Crafts Side table, c1890 18 19 cut out decoration, lyre sided 53cm x 53cm, 68cm high £100-200 (plus 27%BP*)

20 Attributed to Gebrüder Thonet for ZPM Radomsko Bentwood Swivel Chair, early 20th Century cane seat and iron supports 80cm high £60-120 (plus 27%BP*)

20 21 Attributed to J. S. Henry Ltd Mahogany chair back inlaid with an Art Nouveau motif 106cm high £200-300 (plus 27%BP*)

22 Art Nouveau Three fold screen, late Victorian fabric and glass panels 160cm high £100-200 (plus 27%BP*) 21

22

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23 Reynolds of Ludlow Pair of oak chairs cut out decoration and green upholstery factory stamp to base 108cm high £50-100 (plus 27%BP*)

24 Early/Mid 20th Century Ash bureau fitted compartment over two drawers and tapered legs 23 24 76cm x 42cm, 100cm high £50-100 (plus 27%BP*)

25 Liberty & Co Stained oak card table four leaf top, turned legs, cross braced 66cm x 66cm, 76cm high £150-200 (plus 27%BP*)

26 Reynolds of Ludlow Yew coffee table tapered legs makers label to underside approx 100cm across 25 26 £80-120 (plus 27%BP*)

27 Liberty & Co Style Oak side table inlaid top and supports, cut out details 76cm x 50cm, 70cm high £50-100 (plus 27%BP*)

28 Liberty & Co Style Oak mirror carved and cut out decoration 60cm x 73cm £30-60 (plus 27%BP*)

27 28

29 Neville Neal Set of four oak chairs ladder back, rush seats makers mark to leg 40cm x 40cm, 96cm high £100-200 (plus 27%BP*)

30 Cotswold School Oak side table pegged joints, carved finish to edges 36cm x 36cm, 52cm high £40-60 (plus 27%BP*)

29 30

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31 Cotswold School Oak side table single drawer with dovetail joints, cup handle 35cm x 35cm, 70cm high £100-150 (plus 27%BP*)

32 Liberty & Co Oak side table octagonal top over turned legs, pegged joints 56cm x 56cm, 72cm high 31 32 £100-200 (plus 27%BP*)

33 Liberty & Co Monks bench lidded compartment, folding top, cut-outs to each side 90cm x 48cm, 74cm high £150-200 (plus 27%BP*)

34 Nigel Griffiths Set of four oak chairs pegged joints, rush seat, carved details 43cm x 40cm. 104cm high £100-200 (plus 27%BP*)

33 34

35 Nigel Griffiths Oak coffer carved panels, handle to each side, foliate shaped iron work hinges 96cm x 37cm, 48cm high £100-200 (plus 27%BP*)

36 Betty Joel (1894-1985) Trunk teak with dovetail joints, raised on feet with inset ball castors 11cm x 50cm, 50cm high

Provenance: Commissioned by Vere Ponsonby, 9th Earl of Bessborough, for Stansted Park. Purchased at Sotheby’s house sale, contents of Stansted Park, 5th October 1999 35 36 £150-200 (plus 27%BP*)

37 Vienna Secession style Pair of painted wooden stands three platforms over a single shelf 122cm high £100-200 (plus 27%BP*)

38 Lloyd Loom Armchair, c1930 woven fibre, bentwood supports original factory label to underside 97cm high £100-200 (plus 27%BP*)

37 38

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39 Thonet Bentwood coat rack with stick stand original metal tray 210cm high £150-250 (plus 27%BP*)

40 Country house Pine bookcase six shelves, carved details 106cm x 18cm, 182cm high 39 40 £80-120 (plus 27%BP*)

41 Country House Green painted estate cupboard shelves to inside 122cm x 43cm, 213cm high £100-200 (plus 27%BP*)

42 Country house large white painted cupboard two panelled doors 197cm x 63cm, 108cm high 41 42 Provenance: Madresfield Court, Malvern £50-200 (plus 27%BP*)

43 Gustav Stickley, Stickley Brothers “815” oak display cabinet five glass shelves, glass panels to each side, raised feet, two lights to inside makers marks to back 97cm x 38cm. 200cm high £1000-2000 (plus 27%BP*)

44 44 1930s Two wooden “Dumb Waiter” ashtrays figural, hand painted tallest 86cm high £50-100 (plus 27%BP*)

45 Harry Davoll Walnut drop-leaf dining table, 1946 oval top over tapered legs makers mark to underside 150cm x 120cm, 73cm high £150-250 (plus 27%BP*)

43 45

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46 Attributed to E.A. Taylor for Whylie & Lochhead, Glasgow Set of eight oak dining chairs, c1900 two carvers, floral upholstered seats 43cm x 43cm, 106cm high £300-400 (plus 27%BP*)

46

47 French Fruitwood day bed, c1900 rush seat on stretcher supports, loose button squab cushion 197cm across £100-150 (plus 27%BP*)

48 Neville Neal Ash rocking chair turned supports, rush seat stamped “Neville Neal” to upright 103cm high £150-250 (plus 27%BP*)

47 48

49 Hugh Birkett (1919-2002) Shelving wall unit, six shelves, carved details 133cm x 77cm x 17cm deep

Provenance: Given to Geoffrey Alpe by Hugh Birkett, thence by descent £300-400 (plus 27%BP*)

50 Albert “Eagleman” Jeffray 50 (Mouseman School) Four oak chairs leather upholstered seats 45cm x 40cm, 87cm high £300-400 (plus 27%BP*)

51 Maple & Co Limed oak bookcase, c1920 four shelves, raised feet 76cm x 30cm, 92cm high £200-300 (plus 27%BP*)

49

51

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52 Attributed to Romney Green Oak sideboard, c1920 two cupboards and three central drawers, pegged and dovetail joints 39cm x 121cm, 85cm high £300-400 (plus 27%BP*)

53 Cotswold School Walnut and burr tray, c1920 inlaid to centre 52 53 60cm across £80-120 (plus 27%BP*)

54 Gustav Siegel (1861-1931) for J&J Kohn Rocking chair, circa 1910 Bentwood, beech and mahogany part label 96cm high, 54cm wide £200-300 (plus 27%BP*)

55 Luke Hughes (British, 1957) ‘The Notery’ oak standing writing desk 54 55 the fall front revealing pigeon holes, over slender supports with ‘x’ shape stretchers 121cm high, 70cm wide £100-200 (plus 27%BP*)

56 Arts & Crafts Oak and copper plant stand barrel construction on three legs finished with carved scrolling decoration 113cm high £250-500 (plus 27%BP*)

56 57 57 Cotswold school Oak side table single drawer, carved legs, cup handle 59cm x 39cm, 72cm high £50-100 (plus 27%BP*)

58 Thonet style Two bentwood rocking chairs, early 20th Century cane seats 110cm high £80-120 (plus 27%BP*)

58 58

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59 Heals Oak wardrobe two sections, panelled doors 153cm x 52cm, 177cm high £200-400 (plus 27%BP*)

60 Heals Oak side table, c1920s 59 60 circular top on crossed braced legs 61cm across, 46cm high £60-120 (plus 27%BP*)

61 Heals Oak chest of drawers four double panelled drawers raised over turned legs 84cm x 48cm, 108cm high £150-250 (plus 27%BP*)

62 Heals 62 Teak coffee table, mid 20th Century hardwood veneer to top makers label to base 106cm x 50cm, 46cm high £60-120 (plus 27%BP*)

63 Heals Oak octagonal book table limed finish, two shelves to each side 50cm x 50cm, 52cm high £50-100 (plus 27%BP*) 61

63 64 Heals Nest of tables limed finish inset makers label to underside largest, 41cm x 30cm, 46cm high £100-150 (plus 27%BP*)

65 Heals Oak occasional table two tier, square pattern to legs 61cm across £60-80 (plus 27%BP*)

64 65

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66 Heals Octagonal book table two shelves to each side, raised feet 50cm x 50cm, 52cm high £80-150 (plus 27%BP*)

67 Heals Oak armchair bentwood arms and supports, green upholstered seat 52cm x 43cm, 80cm high £60-100 (plus 27%BP*) 66 67

68 Heals “St Ives” oak dressing chest, c1895 Guild of Handicraft metalwork, mirror to top makers mark to top drawer 53cm x 107cm, 78cm high (top of chest) £1000-2000 (plus 27%BP*)

69 Heals “St Ives” oak chest of drawers, c1895 Guild of Handicraft metalwork, two small drawers over two large makers mark to top drawer 92cm x 53cm, 83cm high £600-800 (plus 27%BP*) 68 69

70 Heals “Yewden” oak wardrobe, c1900 three sections, panelled doors, brass fittings

See Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939 by Oliver S. Heal £600-800 (plus 27%BP*)

71 Heals Mahogany refectory table, c1910 squared legs and feet 180cm x 76cm, 76cm high £300-400 (plus 27%BP*)

70 71

72 Heals/Parker Knoll Oak recliner chair, c1930 Harris Tweed upholstered cushions with leather piping 78cm x 57cm, 78cm high £300-400 (plus 27%BP*)

73 Heals Oak table lamp faceted form 17cm across

See Heals a Book of Bedroom Furniture Catalogue, c1930 £80-120 (plus 27%BP*)

72 73

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74 Gordon Russell Sideboard, mid 20th Century two cupboards with three central drawers makers label to back 141cm x 49cm, 86cm high £150-250 (plus 27%BP*)

75 Gordon Russell 74 75 Side table round plank top on tapered legs makers label to underside 62cm across, 53cm high £60-120 (plus 27%BP*)

76 Gordon Russell Sideboard, mid 20th Century two cupboards and three drawers factory stamp to back 140cm across £50-100 (plus 27%BP*)

76 77 77 Gordon Russell Set of four light oak chairs, c1950 with green upholstery factory stamp to frames 85cm high £100-150 (plus 27%BP*)

78 Contemporary Folding steel side table top embossed with an organic pattern 62cm high £40-80 (plus 27%BP*)

78 79 79 Mid 20th Century Pair of side tables, Lady Clare Venetian scenes to tops, tapered legs makers label to underside 40cm high £60-80 (plus 27%BP*)

80 Italian School Set of four chairs, mid 20th Century chrome frame with leather upholstered seats each 86cm high £150-250 (plus 27%BP*)

80

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81 Industrial Swivel top stool red painted wooden seat on hairpin legs 57cm high £50-100 (plus 27%BP*)

82 Industrial Pair of swivel top stools 81 82 leather seats on chrome legs 56cm high £60-120 (plus 27%BP*)

83 Roneo Paris Filing Cabinet, mid 20th Century four drawers with push lock makers label to top 131cm high, top 62cm x 40cm £150-200 (plus 27%BP*)

84 Texaco French enamel sign adapted to a 83 84 table, c1930-1940 vintage cast metal base with casters 107cm across, 77cm high £600-800 (plus 27%BP*)

85 After Bertoia Set of four metal seats chrome, black and brown leather pads 77cm high £250-300 (plus 27%BP*)

86 Ercol 85 86 Coffee table, mid 20th Century makers label to underside 44cm across £60-120 (plus 27%BP*)

87 Joseph Cicchellil for Reilly Wolfe Two “Circle” chairs, mid 20th Century metal work, leather upholstered seats 76cm high £100-200 (plus 27%BP*)

87

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88 Hugh Birkett (1919-2002) Yew and elm display cabinet, 1983 wall mounted with arched glazed front, sitting on bracket signed and dated 89cm x 35cm, 115cm high

Provenance: Given to Geoffrey Alpe by Hugh Birkett, thence by descent £300-500 (plus 27%BP*)

89 89 Barbara Barry for Baker Furniture, USA Side table, 20th Century black painted wood, glass top over hand painted gilt decoration markers labels to underside 71cm high £250-350 (plus 27%BP*)

90 Svante Schoblom for Overman Sweden Pair of plastic stacking chairs hand painted 88 factory mark to base 74cm high £60-120 (plus 27%BP*)

90

91 Philippe Starck Pair of “Aleph” tub chairs bent plywood back on chrome legs factory mark and retail label to base (Pesch Wohnen, Koeln) each 80cm high £100-200 (plus 27%BP*)

92 Plia Castelli Nine folding chairs chrome frames, smoked plastic seats and backs 40cm x 40cm, 74cm high £300-400 (plus 27%BP*)

91 92

93 Arkana Six side tables tulip form, white painted metal makers marks to underside 52cm high £200-300 (plus 27%BP*)

94 Contemporary Table lamp metal and plastic construction 47cm high £30-50 (plus 27%BP*)

93 94

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95 Vico Magistretti for Habitat, Set of four chairs, c1960 rush seats 49cm x 45cm, 75cm high £80-120 (plus 27%BP*)

96 Philippe Starck for Kartell Italy Four ‘Eros’ chairs transparent plastic seats supported 95 96 by aluminium tapering bases factory marks to base each 80cm high £200-300 (plus 27%BP*)

97 Philippe Starck for Kartell Italy Four ‘Eros’ chairs transparent plastic seats supported by aluminium tapering bases each with factory mark to base 80cm high £200-300 (plus 27%BP*)

97 98 98 Attributed to Merrow Associates Nest of three tables chrome and glass, cylindrical legs with square supports largest 46cm high £150-250 (plus 27%BP*)

99 Mid 20th Century Pair of coffee tables glass and nickel plated brass, double braced legs with brass supports 76cm across £150-250 (plus 27%BP*)

99 100 100 Mid 20th Century Wooden filing cabinet brass fittings 130cm high £60-120 (plus 27%BP*)

101 Gae Aulenti for Tavolo Con Ruote Glass coffee table on four industrial castors 120cm x 120cm £300-500 (plus 27%BP*)

101

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101a Fritz Hansen Six chairs designed by Arne Jacobsen, mid 20th Century black painted wood over metal legs makers labels to underside 46cm x 46cm, 74cm high (6) £150-250 (plus 27%BP*)

101a 102 102 Art Nouveau Oak wood mirror carved floral and organic decoration 41cm x 30cm £40-60 (plus 27%BP*)

103 Large Afghan rug Red ground, multiple borders 360cm x 252cm £200-300 (plus 27%BP*)

103 104 In the manner of Charles F. A. Voysey Pair of brass firedogs 30cm high £60-120 (plus 27%BP*)

105 Wrought iron chandelier Five lights, finished with trefoil cut outs 50cm high £50-100 (plus 27%BP*)

104 105 106 Wrought iron chandelier Six lights, finished with scrolling decoration and foliate details 67cm across £60-120 (plus 27%BP*)

107 Tiffany & Co style Stained glass lamp shade, early 20th century gilt cast metal base 55cm high £60-120 (plus 27%BP*)

106 107

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108 Orivit Dressing table mirror, Art Nouveau period floral decoration to frame factory stamp to back 31cm high £100-150 (plus 27%BP*)

109 Arts & Crafts Tiffany style glass lamp shade 108 109 green, purple and blue colourway 27cm across £20-40 (plus 27%BP*)

110 Art Deco Two figural lamps each depicting a posing nude on a marble base 60cm and 40cm high £120-180 (plus 27%BP*)

111 Mid 20th Century Pair of wall lights each in the form of flowering plants 33cm high 110 111 £40-60 (plus 27%BP*)

112 1930s Lamp base yellow mirrored finish, metal fittings 53cm high with fittings £50-100 (plus 27%BP*)

113 Heals style Standard lamp, c1930 octagonal base and stem 160cm high £60-120 (plus 27%BP*) 112 113

114 Art Deco Style Metalwork standard lamp linear and circular form 155cm high £60-120 (plus 27%BP*)

115 Oak carved circular mirror 54cm and a cane waste basket (2) £60-120 (plus 27%BP*)

114 115

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116 Arts & Crafts Folding book stand heart shaped ends 27cm across £30-60 (plus 27%BP*)

117 Edward Miller & Co, USA Table lamp, early 20th Century 116 hand painted rural scenes to the glass shade, metal work finished with flower motifs 53cm high £300-600 (plus 27%BP*)

118 Barbara Barry for Baker Furniture, USA Large mirror, 20th Century dark wood frame, finished with bevelled and gilt details makers label to back 112cm x 112cm £250-350 (plus 27%BP*) 117

118

119 Industrial Pair of ribbed glass pendant lamps two sections with metal fittings 40cm high £100-200 (plus 27%BP*)

120 Vintage Three opaque glass ceiling lights curved form 36cm across £80-120 (plus 27%BP*)

119 120

121 JRO Globus, Munich Illuminated glass globe, 1961 metal and wood stand 41cm high £30-60 (plus 27%BP*)

122 Mid 20th Century Desk lamp, c1950 black painted metal, brass details 34cm high £40-60 (plus 27%BP*)

121 122

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123 Nic Harrison (Cornish, 20th Century) Pair of stoneware lamps bands of deep blue glazed linear patterns potters mark to underside 26cm high £60-120 (plus 27%BP*)

124 Mid 20th Century Pair of adjustable spot lights chrome wall mount and stem, black painted metal shade 30cm across 123 124 £40-80 (plus 27%BP*)

125 Mid 20th Century Pair of wall lights metal base, white painted shades shade 17cm high £40-60 (plus 27%BP*)

126 Fase, Madrid “Falux” adjustable table Lamp, c1960 cast metal shade and rotating base, chrome and beech stem factory label to base 46cm high £200-300 (plus 27%BP*) 125 126

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Photographs, Prints & Paintings 127-245 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:39 Page 25

127 Erwin Blumenfeld (American- German, 1897-1969) “Untitled Nude”, New York c-print from the original 1949 transparency produced by Eyestorm gallery, London, c2000 inscription to margin, “65/500” to verso 40cm x 30cm

Provenance: Gifted by Yorick Blumenfeld to the late Ronald Higgins, diplomat and Observer journalist. £250-500 (plus 27%BP*)

128 Erwin Blumenfeld (American- German, 1897-1969) “Steps of the theater of orange”, c1950 original Gelatin silver print title, monogram and “53” to verso 34cm x 27cm

Provenance: Gifted by Yorick 127 Blumenfeld to the late Ronald Higgins, diplomat and Observer journalist. £1000-1500 (plus 27%BP*) 128

129 Clive Arrowsmith (b.1949) Paul McCartney, 1982 photographic print taken for ‘Pipes of Peace’ album publicity photograph signed and inscribed ‘For Peter’ 41cm x 31cm £60-90 (plus 27%BP*)

130 Trevor Ray Hart (b.1967) George Best at The Phene Arms photographic print signed and dated 40cm x 30cm £60-90 (plus 27%BP*)

129 130

131 After David Hockney San Francisco Opera poster, 1982 photographic print 99cm x 86cm £100-200 (plus 27%BP*)

132 After Irving Penn (British, 1917-2009) Exhibition poster, National Portrait Gallery, 2010 framed and glazed, 81cm x 62cm £30-40 (plus 27%BP*)

131 132

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133 Musical posters Three “The Lucky Star” productions, and four others similar, including a Royal Opera, Covent Garden 1897 programme, late 19th/early 20th Century Lithographic prints each framed and glazed, 55cm x 41cm (7) £150-200 (plus 27%BP*)

134 After Georges Braque (French, 1882-1963) 133 134 Exhibition Poster, 1963 lithograph framed and glazed 59cm x 40cm £30-60 (plus 27%BP*)

135 After Leonard Baskin (1922- 2000) “Sitting Bull, Custer Battlefield” poster, c1970 offset lithograph unframed, 74cm x 99cm £40-60 (plus 27%BP*)

136 Dudley Hardy for Gilbert and Sullivan/D’Oyly Carte Advertisement poster for the production of Yeomen of the Guard, c1930s lithograph 135 136 framed and glazed 80cm x 53cm £80-120 (plus 27%BP*)

137 20th Century Collection of reproduction prints and pictures including works after Andy Warhol and Peter Blake unframed (14) £100-200 (plus 27%BP*)

138 Abstract composition Triptych, Mid 20th Century style hand coloured aquatint title and edition to margin, 18/99 framed and glazed, 114cm x 76cm £100-200 (plus 27%BP*) 137 138

139 Robert Oscar Lenkiewicz (1941-2002) Nude study print signature and edition to margin, 243/375 framed and glazed 117cm x 75cm £200-300 (plus 27%BP*)

140 After John Piper (British, 1903-1992) Cathedral view photographic print framed and glazed, 86cm x 66cm £60-120 (plus 27%BP*)

139 140

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141 After John Piper (British, 1903-1992) Castle view photographic print framed and glazed, 51cm x 43cm £40-60 (plus 27%BP*)

142 Frederic G. Cooper (British, 1918) “America’s Tribute to Britain” lithographic poster artist printed monogram to lower right framed and glazed, 76cm x 52cm 141 142 £100-200 (plus 27%BP*)

143 Robert Hindel (British, 20th Century) “Turn Turn Turn” lithographic print signature and edition to margin, 151/500 framed and glazed, 53cm x 44cm £40-60 (plus 27%BP*)

144 John Platt (British, 20th Century) River scene woodblock in colours signature and edition to margin, 16/150 framed and glazed, 52cm x 41cm 143 144 £50-100 (plus 27%BP*)

145 Elsie Marian Henderson “Iris and Water lilies” 1933 linocut title, signature and edition to margin, 3/22 framed and glazed, 58cm x 49cm £80-100 (plus 27%BP*)

146 Phil Greenwood (British, 1943) “Border Country”, 1980 aquatint in colours signature, title and edition to margin, 207/350 framed and glazed, 67cm x 54cm £40-80 (plus 27%BP*) 145 146

147 Olivier Raab (1955) Interior scene lithograph in colours signature and edition to margin, 90/225 framed and glazed, 70cm x 80cm £60-120 (plus 27%BP*)

148 Frank Downton (British, 1936) Circular and linear composition cut vinyl on board signed to verso 57cm x 57cm £40-80 (plus 27%BP*)

147 148

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149 John Copley (British, 1875-1950) Rural scene etching signature to margin framed and glazed, 43cm x 36cm £50-100 (plus 27%BP*)

150 William Lee Hankey (British, 1869-1952) Street scene with workers etching signature to margin 149 150 framed, 53cm x 50cm £50-100 (plus 27%BP*)

151 Abstract portrait Batique print on fabric indistinct signature to lower right 71cm x 55cm £50-80 (plus 27%BP*)

152 Braaq (1951-1997) Pair of street scenes print in colours signature and edition to margin, each 144/750 framed and glazed, 46cm x 41cm (2) £150-200 (plus 27%BP*) 151 152

153 Keith Dormand (British, 20th Century) “MG TC” 1980 lithograph signature and edition to margin, 134/200 framed and glazed, 67cm x 57cm £30-50 (plus 27%BP*)

154 Peter Brown (British, 20th Century) Bath street scene print framed and glazed, 60cm x 49cm £30-50 (plus 27%BP*)

153 154

155 Valerie Thornton (British 1931-1991) “Aachen”, 1982 aquatint in colours signature, date and edition to margin, 30/70 framed and glazed, 57cm x 40cm £80-120 (plus 27%BP*)

156 Phil Greenwood (1943) “Lake Shore” aquatint in colours title, signature and edition to margin, 171/180 framed and glazed, 47cm x 45cm £40-80 (plus 27%BP*)

155 156

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157 Graham Evernden (British, 1947) “The Dart” aquatint in colours title, signature and edition to margin, 87/200 framed and glazed, 66cm x 53cm £60-120 (plus 27%BP*)

158 Kathleen Caddick (British, 1937) “Evening Shadows” print 157 158 title, signature and edition to margin, 243/250 framed and glazed, 62cm x 55cm £40-60 (plus 27%BP*)

159 Kathleen Caddick (British, 1937) “Apple Orchid Farm” print title, signature and edition to margin, 160/250 framed and glazed, 53cm x 46cm £40-60 (plus 27%BP*)

160 Kathleen Caddick (British, 1937) 159 160 “Woodland Track” print title, signature and edition to margin, 116/250 framed and glazed, 51cm x 44cm £40-60 (plus 27%BP*)

161 Phil Greenwood (British, 1943) “Meadow Clocks” Aquatint in colours title, signature and edition to margin, 38/295 framed and glazed, 69cm x 61cm £60-120 (plus 27%BP*)

162 Richard Beer (British, 161 162 1928-2017) “Noto I” Aquatint in colours title, signature and edition to margin, 21/100 framed and glazed, 80cm x 64cm £60-80 (plus 27%BP*)

163 Richard Beer (British, 1928-2017) “St Edmund King and Martyr” Aquatint in colours title, signature and edition to margin, 66/75 framed and glazed, 85cm x 63cm £60-80 (plus 27%BP*)

163

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164 Bob Sanders (British, 1945) “Buttermere Pines” screen print signature, title and edition to margin, 33/330 framed and glazed, 69cm x 59cm £30-50 (plus 27%BP*)

164 165 165 Derrick Greaves (British, 1927-2002) Three abstract studies, 1970 lithographic prints each with signature and date to margin framed, approx 100cm x 75cm (3) £100-200 (plus 27%BP*)

166 Frederick Landseer Griggs (British, 1876-1938) “The Minster” etching signature to margin framed and glazed, 54cm x 39cm (2)

See included, Harold J.L. Wright and Campbell Dodgson - The Etched 166 Work Of F.L. Griggs £400-800 (plus 27%BP*)

166a Vittorio Rappini (1877-1939) "In the Harem" and "The Fortune Teller" gouache on paper each signed framed and glazed, 58cm x 38cm £1200-1800 (plus 27%BP*)

166a 166a 167 William Orpen (1878-1931) “The Draughtsman and His Model”, 1910 lithograph signature title and date to margin framed and glazed, 37cm x 32cm £100-200 (plus 27%BP*)

168 Kaoru Kawano (1916-1965) Study of an owl woodblock signature, date and edition to margin (1950, 5/20) framed and glazed, 78cm x 62cm £120-180 (plus 27%BP*)

167 168

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169 After David Hockney “The Hypnotist” lithographic print framed and glazed, 47cm x 39cm £80-120 (plus 27%BP*)

170 After L. S. Lowry (British, 1887-1976) “On the Sands, Berwick on Tweed” colloype published by Ganymed Press 66cm x 58cm £100-200 (plus 27%BP*) 169 170

171 After Rabindranath Tagore (1861-1941) Portrait of a woman, c1960 collotype print published by Ganymed Press 63cm x 50cm £100-200 (plus 27%BP*)

172 After Rabindranath Tagore (1861-1941) Abstract study, c1960s collotype print published by Ganymed Press 38cm x 34cm £100-200 (plus 27%BP*) 171 172

173 Ernst Fuchs (1930-2015) Untitled etching signature to margin 37cm x 28cm £40-60 (plus 27%BP*)

174 Edward Wadsworth (1889-1949) Colnaghi’s exhibition catalogue, 1974 28.5cm x 22cm £40-60 (plus 27%BP*)

173 174

175 Joy Brand (British, 20th Century) “Frosty Morning” and “Falling Leaves”, c1970 linocut/screen print signature, title, and date to margins framed and glazed, 71cm x 49cm (2) £50-100 (plus 27%BP*)

176 Still life of fruit, 20th Century Lithograph indistinct signature to margin framed and glazed, 80cm x 69cm £30-60 (plus 27%BP*)

175 176

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177 Simon Palmer (British, 1956) “Small farmer and the large farm worker”, lithograph signature and edition to margin, 37/350 framed and glazed, 85cm x 65cm £100-200 (plus 27%BP*)

178 Karl Lagerfeld (1938) “The Glory of Water” limited edition photographic print signature and edition to margin, 36/300 177 178 38cm x 28cm, image 20cm x 15cm £200-300 (plus 27%BP*)

179 Valerie Thornton (British, 1931-1991) “Cloister, Santo Domingo de Silos” aquatint signature, date and edition to margin, 1978, 5/50 framed and glazed, 83cm x 61cm £60-100 (plus 27%BP*)

180 Valerie Thornton (British, 1931-1991) “Moissac” and “Santo Domingo de Silos” aquatint’s each with signature, date and 179 180 edition to margin (1976/77, 6/50 artists proof) framed and glazed, 58cm x 41cm £60-100 (plus 27%BP*)

181 Maggie Jensen (20th Century) “Old Woman” woodblock signature, title and edition to margin, 6/12 framed and glazed, 50cm x 28cm £20-40 (plus 27%BP*)

182 Tina Wilkinson (20th Century) “Condemned Houses”, 1976 aquatint date, signature and title to margin framed and glazed, 42cm x 40cm £20-40 (plus 27%BP*) 181 182

183 Douglas Owen Portway (British, 1922-1993) “Girl with pink” etching signature and edition to margin, 42/50 framed and glazed, 46cm x 40cm £80-120 (plus 27%BP*)

184 “Monotype” Print, artists proof, 1990 title, indistinct signature and date to margin framed and glazed, 63cm x 57cm £40-60 (plus 27%BP*)

183 184

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185 Giulio Bagnoli (1927-1978) Hillside Village, 1968 oil on canvas signed and dated lower left framed, 116cm x 96cm £100-200 (plus 27%BP*)

186 Jean Baynham (British, 20th Century) “Threads that Speak” watercolour/drawing signed lower right 185 186 framed and glazed, 53cm x 43cm £100-200 (plus 27%BP*)

187 Jean Baynham (British, 20th Century) Abstract composition acrylic on canvas signed lower right 101cm x 76cm £80-120 (plus 27%BP*)

188 John Henderson (Scottish, 1860-1924) Moorland landscape with stream oil on canvas signed lower right framed, 70cm x 54cm 187 188 £500-1000 (plus 27%BP*)

189 Noel Gibson (20th Century) Interior scene oil on canvas signed lower left framed and glazed, 67cm x 56cm £100-200 (plus 27%BP*)

190 After Lafiette Reclining nude oil on canvas framed, 128cm x 99cm £100-150 (plus 27%BP*)

189 190

191 Richard A. Wills (British, 1939) Woodland landscape watercolours signed lower right framed and glazed, 91cm x 66cm £80-120 (plus 27%BP*)

192 Richard A. Wills (British, 1939) Foundry scene watercolours signed lower right framed and glazed, 86cm x 69cm £80-120 (plus 27%BP*)

191 192

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193 Richard A. Wills (British, 1939) Foundry scene watercolours signed lower right framed and glazed, 86cm x 69cm £80-120 (plus 27%BP*)

194 Richard A. Wills (British, 1939) Foundry scene watercolours signed lower right 193 194 framed and glazed, 86cm x 69cm £80-120 (plus 27%BP*)

195 Abstract panoramic view Oil on board signed lower right “Conway-Jones” framed, 74cm x 21cm £40-60 (plus 27%BP*)

196 Sergey Minyaev (1953) Harbour scene oil on board signed lower right framed, 94cm x 74cm £300-400 (plus 27%BP*)

195 196

197 Elena Petrova Still life of wild flowers and fruit, 1971 oil on canvas signed lower left framed, 59cm x 40cm £150-300 (plus 27%BP*)

198 Roy Spencer (1918-2006) “Garden at Ghent” signed lower right oils on canvas 43.2cm x 71.1cm £60-100 (plus 27%BP*)

197 198

199 Stanley Orchart (1920-2005) “Hitchin”, Hertfordshire signed lower right oils on board 23.8cm x 28.8cm £70-100 (plus 27%BP*)

200 Francis Coudrill (1914-1989) “Farouk in the Souk”, c1948 watercolour 29.5cm x 24.5cm

Provenance: Wenlock Fine Art £100-200 (plus 27%BP*)

199 200

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201 Gwenny Griffiths (British, 1867-1954) Landscape, 1934 oil on board Artists inscription to verso framed, 52cm x 43cm £100-150 (plus 27%BP*)

202 Dora Clarke (1895-1989) Portrait of a Nubian woman 201 202 drawing signed lower right framed and glazed, 57cm x 43cm £80-120 (plus 27%BP*)

203 Mary Yates (Rydal, 1891-1974) Autumn landscape pastels signature and monogram to lower right framed and glazed, 51cm x 43cm £100-150 (plus 27%BP*)

203 204 204 Balinese Folktale scene painting on cloth Inscription to verso, “M. Dana, Petula, Ubud, Bali” framed, 81cm x 66cm £80-120 (plus 27%BP*)

205 Jeffrey Pratt (British, 1940) Landscape with tree oil on canvas signed lower right framed, 116cm x 96cm £600-800 (plus 27%BP*)

205

206 Still life of pears, contemporary Oil on canvas signed “N C” to lower left framed 42cm x 37cm £80-120 (plus 27%BP*)

207 Still life of fruit, contemporary Oil on canvas signed “N C” to lower left framed 42cm x 42cm £80-120 (plus 27%BP*)

206 207

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208 Paul Hedley (British, 20th Century) Study of a woman pastels signature to lower left framed and glazed, 74cm x 57cm £80-120 (plus 27%BP*)

209 Paul Hedley (British, 20th Century) Study of a woman pastels 208 209 signature to lower left framed and glazed, 74cm x 57cm £80-120 (plus 27%BP*)

210 Paul Hedley (British, 20th Century) Study of a woman pastels signature to lower left framed and glazed, 68cm x 56cm £80-120 (plus 27%BP*)

211 Béla Kadar (1877-1956) Musician playing the double bass oil on canvas signed to lower right black painted frame, 86cm x 63cm 210 211 £500-800 (plus 27%BP*)

212 Robert Jennison (British, 1933) Two rural studies drawings in pencil each signed lower right largest, framed, 50cm x 30cm £20-40 (plus 27%BP*)

213 Neil Dallas Brown (British, 1938-2003) “Fly Angel” pencil on paper signed lower right framed and glazed, 31cm x 31cm £60-80 (plus 27%BP*)

212 213

214 Original poster design “Underwear” acrylic on paper indistinct signature to lower right framed and glazed, 95cm x 73cm £40-80 (plus 27%BP*)

215 Katharine Dove (British, 20th Century) “Horse Play”, 2013 oil on canvas signature and title to verso 91cm x 91cm £50-100 (plus 27%BP*)

214 215

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216 P.J. Crook (British, 1945) “Hot Shot/Cueing up”, 2000 acrylic on board and frame signature and inscription to verso 61cm x 43cm £1000-2000 (plus 27%BP*)

217 Abstract landscape, 1975 Watercolours indistinct signature and date to lower right framed and glazed, 89cm x 70cm 216 £40-80 (plus 27%BP*)

218 Neal Lindskog “Blossom with Bullfinch” oil on canvas signed lower left framed, 87cm x 37cm £40-60 (plus 27%BP*)

219 Steven Hubbard (London, 1954) “Procession”, 2009 marquetry within a gilt and hand painted frame 60cm x 44cm 217 218

After graduating from Gloucester College of Art Steven Hubbard taught part-time for a period while devoting himself to his own work, developing first a distinguished practice as a portrait painter working mostly to commission and, subsequently, moving on to evolve his own distinctive genre combining painting with craft. Recent exhibitions of his work including The Tregony Gallery, Cornwall, David Simon Contemporary in Bath and The Zillah Bell Gallery in North Yorkshire. £800-1200 (plus 27%BP*)

220 Lucy Loveheart (20th Century) “Sara and Tom Walking into the 219 Sun” and “Aries, Leo” each watercolours framed and glazed, 80cm x 70cm and 68cm x 44cm (2) £50-100 (plus 27%BP*)

221 John Austen (1886-1948) Four illustrations, 1924 drawing/water colours one signed and dated each framed and glazed, largest 36cm x 34cm (4) £100-200 (plus 27%BP*)

220 221

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222 Deborah Jones (British, 1921-2012) Still life of toys oil on canvas signed lower left framed, 68cm x 62cm £150-200 (plus 27%BP*)

222 223 223 Mary Wondrausch (British, 1923-2016) Still life acrylic on paper signed lower right framed and glazed, 50cm x 40cm £80-120 (plus 27%BP*)

224 Kate Batwell (British, 19th/20th Century) A map of the Royal Borough of Kensington, 1934 with calligraphy extract from Faulkners History of Kensington, 1705, ink on paper framed and glazed, 68cm x 42cm 224 £50-100 (plus 27%BP*)

225 20th Century Study of a bride and groom charcoal indistinct signature to lower left framed and glazed, 151cm x 151cm £100-200 (plus 27%BP*)

226 20th Century Study of three ladies shopping 225 226 Charcoal indistinct signature to lower left framed and glazed, 144cm x 132cm £100-200 (plus 27%BP*)

227 Michelle Carlton Smith (British, 20th Century) Large study of flowers oil on canvas signed to lower left framed, 150cm x 181cm £100-200 (plus 27%BP*)

227

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228 Rory Morrell (British, 1944) “Godrevy Bay” oil on canvas signed lower right, inscription to verso framed, 78cm x 78cm £200-300 (plus 27%BP*)

228

229 Rory Morrell (British, 1944) “Pirnmill Arran” oil on canvas signed lower right, inscription to verso framed, 82cm x 82cm £200-300 (plus 27%BP*)

230 Maria Rizzi (20th Century) Pair of abstract studies pen and ink gallery labels to verso framed and glazed, 45cm x 39cm £30-60 (plus 27%BP*)

229

231 Study of a reclining figure pen and ink indistinct signature to lower right framed and glazed, 62cm x 46cm £30-50 (plus 27%BP*)

230 231

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232 Peter Kuhfeld (b.1952) In the studio oils on board signed upper left 20cm x 44cm £300-400 (plus 27%BP*)

232

233 Peter Kuhfeld (b.1952) Reclining nude on blue oils on board signed upper right 19cm x 22.5cm £200-300 (plus 27%BP*)

234 Olive F. Openshaw (fl.1930-1970) Chariot pen and ink 9.5cm x 9cm £40-60 (plus 27%BP*)

233

235 Olive F. Openshaw (fl.1930-1970) Victoria plums pencil on paper 25cm x 18cm £50-100 (plus 27%BP*)

236 Olive F. Openshaw (fl.1930-1970) Alderley Edge, 1936 watercolour, pencil and ink signature to lower right 234 235 28cm x 36cm £60-120 (plus 27%BP*)

237 Elizabeth Cramp (British, 20th Century) Interior scene Watercolours signature to lower left framed and glazed, 98cm x 77cm £50-100 (plus 27%BP*)

236 237

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238 Elizabeth Cramp (British, 20th Century) Interior scene with child watercolours signature to lower left framed and glazed, 93cm x 74cm £50-100 (plus 27%BP*)

239 Barry Broadie (British, 20th Century) Rural landscape with Bull, 1973 watercolour/drawing signature and date to lower right farmed and glazed, 104cm x 83cm 238 239 £50-100 (plus 27%BP*)

240 Richard Robbins (British, 1927-2009) Hampstead Ponds oil on canvas signed lower right framed, 114cm x 114cm £150-250 (plus 27%BP*)

241 John Lawrence (British, 20th Century) Abstract study, and street scene (unknown artist) oil on canvas framed, 30cm 18cm and 45cm x 35cm 240 241 (2) £40-60 (plus 27%BP*)

242 Attributed to Charles Keeping (British, 1924-1988) Boy and hooded figure ink on paper unsigned, annotated “wow symbol” and “half page” framed and glazed, 44cm x 39cm £200-300 (plus 27%BP*)

243 Philip Jones (1933-2008) ‘Red Painting I’, 1967 oil on paper signed and dated 24cm x 33cm £150-250 (plus 27%BP*) 242 243

244 David Carr (1915-1968) Engine study, c1959 charcoal and watercolour 21cm x 24.5cm £60-80 (plus 27%BP*)

245 Carey Marks (20th Century) “Holding a Jewel to the Sun to See How Brightly it Shines”, 1989 acrylic on paper title, signature and date to margin framed and glazed, 63cm x 49cm £40-60 (plus 27%BP*)

244 245

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Ceramics 246-364 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:40 Page 43

246 Vivienne Foley (British, 20th Century) Porcelain “Chrysalis” sculptural forms, 2006 white slip potters impressed marks to base tallest, 32cm high

Vivienne Foley is a leading maker of classical and sculptural porcelains. With a long career and an international following she has exhibited 35 solo exhibitions including the V&A. Her work is in the permanent collections of the National Museum of Ireland, the Ulster Museum, and several UK museums. As a master thrower all 246 247 her work is wheel based and constructed and finished with a monochrome palette of her own unique glazes. Recently, to coincide with her move from London to Cheltenham, she has cast a series of bronzes from her original sculptural porcelains, bringing her work forward to an exciting new dimension. £250-350 (plus 27%BP*)

247 Vivienne Foley (British, 20th Century) Porcelain ‘Calix #1’ vase magnesia glaze potters impressed marks to base 41cm high £300-400 (plus 27%BP*)

248

248 Vivienne Foley (British, 20th Century) Bronze sculpture form with conical terminals limestone base 37cm across £2000-3000 (plus 27%BP*)

249 Jim Malone (British, 1946) Large stoneware bowl incised decoration, cream glazed potters marks to underside 34cm across £100-200 (plus 27%BP*)

250 Jim Malone (British, 1946) Stoneware bowl incised decoration, celadon glaze potters marks to base 249 250 21cm across £100-200 (plus 27%BP*)

251 Jim Malone (British, 1946) Stoneware vase faceted form, Nuka glaze potters marks to underside 20cm high £100-150 (plus 27%BP*)

252 Jim Malone (British, 1946) Stoneware jug incised pattern, muted green glaze potters marks to bottom 11cm high £50-100 (plus 27%BP*)

251 252

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253 St Ives Pottery Stoneware bowl salt glaze to inside potters mark to base 20cm across £30-60 (plus 27%BP*)

254 Ray Finch (British,1914-2012) for Winchcombe Pottery Small bowl incised decoration, orange and pale blue glaze potters mark to base 253 254 10cm across £30-60 (plus 27%BP*)

255 Attributed to Trevor Corser (British, 1938-2015) for St Ives Pottery Small porcelain vase incised linear decoration, celadon glaze impressed studio mark to base 10cm high £40-80 (plus 27%BP*)

256 Henry Hammond (British, 1914-1986) Stoneware vase white dip glaze impressed potters mark to base 255 256 12cm high £70-100 (plus 27%BP*)

257 William Bill Marshall (British, 1923-2007) Stoneware tea bowl incised decoration, pale glaze to interior potters mark to base 13cm across £100-200 (plus 27%BP*)

258 David Leach (British, 1911-2005) for Lowerdown Pottery Small vase green glaze with iron speckles potters mark to base 9cm high £80-120 (plus 27%BP*) 257 258

259 Bernard Forrester (British, 1908-1990) Small vase white dip glaze painted potters marks to base 9cm high £30-40 (plus 27%BP*)

260 Robert Tinnyunt (British, 1940) Small jug foliate decoration, white glaze potters mark to base 5cm high £20-30 (plus 27%BP*)

259 260

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261 Sandy Brown (British, 1946) Terracotta bowl black painted pattern on a white ground 11cm across £20-30 (plus 27%BP*)

262 Ruth King (British, 1955) Deep bowl salt glazed potters stamp to base 16cm high £50-100 (plus 27%BP*) 261 262

263 Royal Doulton Stoneware vase, 1879 ribbed neck, incised decoration, finished with painted flowers on a green glaze factory stamp, CL stamp and CFM mark to base 25cm high £80-120 (plus 27%BP*)

264 Phil Rogers (British, 1951) Charger ash glaze, incised fish decoration impressed potter’s seal to base 35cm across £60-100 (plus 27%BP*) 263 264

265 Phoenix Ware Pair of twin handled pottery vases decorated with peacocks 33cm high £60-120 (plus 27%BP*)

266 Art Nouveau Style Vase black glaze with inset pewter and opaline panels 20cm £40-60 (plus 27%BP*)

265 266 267 Moorcroft “Pomegranate” vase baluster form, tube lined and painted decoration impressed factory marks and faint signature to base 22.5cm high £100-200 (plus 27%BP*)

268 Piero Fornasetti (Milan, 1913-1988) Six “Greca” cups and saucers black and gilt classical decoration factory marks to base saucer 14cm across £80-120 (plus 27%BP*)

267 268

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269 Philip Jolley (British, 1956) Stoneware vase stained clay with geometric pattern impressed potters mark to base 37cm across £40-60 (plus 27%BP*)

270 Zsolnay Figure of a girl green lustre glazed factory mark to base 8cm high £60-80 (plus 27%BP*) 269 270

271 Porches Pottery Two large pottery dishes bird and rabbit design, pink and blue colour ways potters painted marks to base 35cm and 30cm across (2) £80-120 (plus 27%BP*)

272 John Maltby (British, 1936) Four lidded soup bowls and saucers white mottled glaze potters mark to underside saucer, 15cm across (4) £50-100 (plus 27%BP*) 271 272

273 Rye Pottery Model duck and two pigs hand painted decoration studio mark to base duck, 26cm across (3) £60-80 (plus 27%BP*)

274 Studio Pottery Bottle vase by David James White (1934-201), shallow bowl signed “Morely”, together with a bowl and shallow dish (4) £40-80 (plus 27%BP*)

273 274

275 Studio Pottery Two Toff Milway jugs, Winchcombe pottery tenmoku dish, Anne Whittlesey tenmoku bowl and a Paul Barron jug each with potters mark bowl, 28cm across (5) £80-120 (plus 27%BP*)

276 Ruskin Pottery Vase, 1911 green mottled glaze stamp and date to base 10cm high £40-80 (plus 27%BP*)

275 276

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277 Peter Sparrey (British, 1967) Vase green and yellow raku glaze potters stamp to base 12 cm high £40-60 (plus 27%BP*)

278 Attributed to Aldo Londi for Bitossi Ceramiche “Riminu Blu” ceramic bull blue glazed, stamped decoration potters mark to base 33cm across 277 278 £150-200 (plus 27%BP*)

279 Bitossi Ceramiche Four ceramic animals blue glazed, stamp decoration each with painted numbers/stamps to underside each approximately 18cm across £150-200 (plus 27%BP*)

280 Bitossi Ceramiche Pottery chamberstick blue glaze, incised decoration 18cm high £40-60 (plus 27%BP*) 279 280

281 Clarice Cliff Small “Fantasque” milk jug hand painted floral decoration factory marks to base 6cm high £100-200 (plus 27%BP*)

282 Clarice Cliff Small “Bizarre” milk jug hand painted floral decoration factory marks to base 6cm high £80-120 (plus 27%BP*)

281 282

283 Royal Worcester “Lazy Days” Charger Art Deco style landscape factory marks and edition to base, “250th Anniversary”, 98/250 41cm across £40-60 (plus 27%BP*)

284 In the Manner of Richard Batterham Stoneware teapot faceted body, pale green glaze glazed over potters mark to base 20cm high £60-120 (plus 27%BP*)

283 284

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285 Alan Ward (British, 20th Century) Deep bowl ribbed form, brushwork decoration on a green glaze potters painted mark to base 16cm high £30-60 (plus 27%BP*)

286 Studio Pottery Set of five salt glazed bowls and four other larger stoneware bowls some with potters marks 285 286 largest, 23cm across (9) £60-120 (plus 27%BP*)

287 Studio Pottery Two large Slip ware dishes abstract decoration largest, 33cm across £40-80 (plus 27%BP*)

288 Studio Pottery Stoneware teapot and Winchcombe Pottery lidded pot, John Jelfs vase, Eddie Hopkins jug each with potters mark teapot, 23cm high (4) £50-100 (plus 27%BP*) 287 288

289 Studio Pottery Collection of jugs including Ray Finch, Aylesford Pottery, Nina Davies each with potters mark (5) £50-100 (plus 27%BP*)

290 Studio Pottery Vase and Jug by Alan Brough, four stoneware vases each with potters mark jug, 21cm high (6) £50-100 (plus 27%BP*)

289 290

291 Bryan Newman (British, 1935) Stoneware dish painted with tiger and cub potters mark and signature to base 32cm across £80-120 (plus 27%BP*)

292 Poole Pottery Two dishes, vase and four pots floral designs on a white glaze, dish with map design each with factory mark to base dish, 23cm across (7) £80-120 (plus 27%BP*)

291 292

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293 Studio Pottery Winchcombe slipware dish studio mark to base plus two stoneware jugs (3) £40-60 (plus 27%BP*)

294 Studio Pottery Large bowl by Rodney Billington, a stoneware vase attributed to Barbara Cass, a stoneware vase and a slip ware dish bowl 34cm across (4) 293 294 £40-80 (plus 27%BP*)

295 Studio Pottery Large stoneware bowl Tenmoku glaze painted "JC" mark to base 46cm across £30-60 (plus 27%BP*)

296 Diana Worthy (British, 1945) for Crich Pottery Lidded pot, jug and two bowls each decorated with an abstract patterns potters mark to base Large bowl, 24cm across £80-120 (plus 27%BP*) 295 296

297 Bernard Rooke (British, 1938) Stoneware vase incised abstract pattern potters mark to bottom, 20cm high £30-40 (plus 27%BP*)

298 Sheila Fournier (1930-2001) Small pottery bowl octagonal form, blue mottled glaze potters mark to base together with two vases of a similar style, unidentified potters bowl, 9cm across (3) £40-60 (plus 27%BP*)

297 298

299 John Solly (British, 1928-2004) Pottery dish linear pattern, white glaze potters mark to base together with a lidded jar, in the manner of Richard Batterham and bowl by Jane Cox dish, 19cm across (3) £40-80 (plus 27%BP*)

300 Studio Pottery Vessel, mug, pot and small vase mug 10cm high (4) £30-40 (plus 27%BP*)

299 300

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301 Susie Cooper for Crown Works Burslem “Silver Fern” coffee set, six servings pattern 776, mint, cream black colour way, finished with silver details factory marks to base pot, 20cm high £150-200 (plus 27%BP*)

302 Sigvard Bernadotte, for Thomas (Germany) Coffee set, four servings, mid 20th Century 301 302 simplistic linear design, blue colour way pot, 23cm high £50-100 (plus 27%BP*)

303 Phoenix Ware Pair of pottery vases peacock decoration 37cm high £60-120 (plus 27%BP*)

304 James Dewdney for Brannam Pottery Pottery vase, 1901 twisted handles, incised peacock and flower decoration incised initials, date and factory mark to base 45cm high 303 304 £100-200 (plus 27%BP*)

305 Michael & Barbara Hawkins for Port Isaac Studio Pedestal bowl incised decoration of fruits, lustre glaze potters mark to foot 20cm across £30-50 (plus 27%BP*)

306 David Lloyd Jones (British 1928-1994) Pair of coffee cups and saucers mottled glaze, hand painted fruit decoration together with six plates, each with potters stamp to underside (10) 305 306 £100-150 (plus 27%BP*)

307 Peter Dick for Coxwold Pottery (British, 1936-2012) Stoneware charger brown and black glazed potters mark to base 37cm across £60-80 (plus 27%BP*)

308 Moorcroft Five “Wisteria” plates tube lined and painted decoration impressed factory marks and faint signature to base 16.5cm across £400-600 (plus 27%BP*)

307 308

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309 Poole Pottery Three vases decorated with bands of flowers and birds each with manufacturer’s marks tallest 27cm high (3) £50-80 (plus 27%BP*)

310 Poole Pottery Pair of hors d’oeuvre dishes printed manufacturer’s marks 35cm across (2) £40-80 (plus 27%BP*) 309 310

311 Richard Ginori, Italy Two cups and saucers decorated with horse riders manufacturer’s marks saucers 11cm across £40-80 (plus 27%BP*)

312 Allan Caiger Smith for Aldermaston Pottery Vase blue and green colour way potters mark to base 15cm high £30-40 (plus 27%BP*) 311 312

313 Carter Stabler Adams for Poole Pottery Vase pale blue salt glaze potters mark to base 16cm high £30-60 (plus 27%BP*)

314 Studio Pottery Slipware dish floral pattern, black and brown glaze 37cm across £30-50 (plus 27%BP*)

313 314

315 Robert Tinnyunt (British, 1940) Large dish floral design, white mottled glaze potters mark to base 29cm across £40-80 (plus 27%BP*)

316 Studio Pottery Large vase incised abstract patterns, multi coloured glaze incised “A L” monogram to base 43cm high £50-100 (plus 27%BP*)

315 316

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317 Crich Pottery Vase and pebble decorated with abstract landscapes vase with incised “D” to base 33cm high £50-100 (plus 27%BP*)

318 Jennie Hale (British, 20th Century) Model of a flamingo pink raku glaze signed to base 52cm high 317 318 £100-150 (plus 27%BP*)

319 Janet Hamer (British, 20th Century) Model of an aquatic bird red white and black lustre glaze potters mark to inside 34cm across £60-80 (plus 27%BP*)

320 Paul Jenkins (British, 20th Century) Two model pigs Raku glaze each with potters marks to base largest 23cm across (2) £40-60 (plus 27%BP*) 319 320

321 Paul Jenkins (British, 20th Century) Three Model Saddleback pigs Raku glaze each with potters marks to base largest 36cm across (3) £80-120 (plus 27%BP*)

322 Studio Pottery Model bull by Lawson Ernest Rudge and cow Raku glaze, cow marked “60” signature to bull approximately 33cm across (2) 321 322 £40-60 (plus 27%BP*)

323 Blandine Anderson (British, 20th Century) Model of swimming dolphins base decorated with waves and fish potters stamp to base 33cm high £40-60 (plus 27%BP*)

324 Studio Pottery Stoneware sculpture figural form, volcanic glaze 57cm high £80-120 (plus 27%BP*)

323 324

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325 Studio Pottery Model swan raku glaze 30cm across £40-80 (plus 27%BP*)

326 Studio Pottery Tall stoneware vase each side decorated with an abstract landscape 51cm high £50-100 (plus 27%BP*) 325 326

327 Studio Pottery Large stoneware dish decorated with a peacock “B B” potters mark to base 38cm across £20-40 (plus 27%BP*)

328 Nils Thorsson and Johanne Gerber for Royal Copenhagen Small vase and dish fish and bird decoration each with factory and potters mark to base vase 13cm high (2) £40-60 (plus 27%BP*) 327 328

329 Danuta Le Hénaff (French, 20th Century) Model horse incised foliate decoration signature and label to underside 31cm across £20-40 (plus 27%BP*)

330 Studio Pottery Two stoneware vases each with textured finish largest 45cm across (2) £40-80 (plus 27%BP*)

329 330

331 Peter Cosentino (British, 20th Century) Three stoneware sculptures mushroom forms, mottled glazes each with potters mark to base tallest, 16cm high £30-60 (plus 27%BP*)

332 Studio Pottery Large stoneware sculpture mushroom form, deep red glaze 58cm high £40-60 (plus 27%BP*)

331 332

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333 Studio Pottery Ceramic sculpture naturalistic form, circular incised pattern, red glaze 26cm high £30-40 (plus 27%BP*)

334 Studio Pottery Collection of miniature vases various glazes and designs many with potters marks largest 11cm high 333 334 (16) £50-100 (plus 27%BP*)

335 Seth Cardew (1934-2016) Small pot red and yellow mottled glaze potters mark to base 7cm high £30-50 (plus 27%BP*)

336 Studio Pottery Five pots, vase and bowl many with potters marks (7) £40-80 (plus 27%BP*)

335 336

337 Andrew Hazelden for Aldermaston Pottery Two Mugs tin-glazed potters monogram to bases tallest, 14cm cm high (2) £20-30 (plus 27%BP*)

338 Studio Pottery Three lidded pots by Diana Barraclough, model fountain and two vessels fountain, 25cm across (6) £30-60 (plus 27%BP*) 337 338

339 Carole Scott (20th Century) Stoneware jug embossed and moulded decoration 16cm high £30-50 (plus 27%BP*)

340 Studio Pottery Two tiles, bowl and dish the tiles decorated with boats dish 28cm across (4) £30-60 (plus 27%BP*)

339 340

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341 Studio Pottery Collection of ceramic animals bull, fish and others bull 16cm across (17) £20-40 (plus 27%BP*)

342 James Campbell (British, 1942) Pottery sculpture of buildings deep blue glaze, inscription to front potters marks to base 57cm high £80-120 (plus 27%BP*)

341 342

343 Lorna Whitmarsh for Poole Pottery Vase, thrown by Alan White circular patterns over an orange mottled glaze ink inscription and studio mark to base, 29cm high £30-60 (plus 27%BP*)

344 Carter Stabler Adams Poole Pottery Three vases flower and linear banded decoration stamps and potters marks to bases tallest 16cm high (3) £60-120 (plus 27%BP*) 343 344

345 Carter Stabler Adams Poole Pottery Candlestick, cup, plate and two pots flower and linear banded decoration stamps and potters marks to bases tallest 8cm high (5) £60-120 (plus 27%BP*)

346 Carter Stabler Adams Poole Pottery Jar, bowl, and two pots flower, geometric and linear banded decoration stamps and potters marks to bases tallest 10cm high (4) £60-120 (plus 27%BP*) 345 346

347 Clarice Cliff Conical sugar caster painted flower motif makers mark to base 14cm high £50-100 (plus 27%BP*)

348 Carter Stabler Adams Poole Pottery Bowl, pot, and two vases monochrome glazes and simplistic decoration stamps and potters marks to bases tallest 14cm high (4) £60-80 (plus 27%BP*)

347 348

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349 Carter Stabler Adams Poole Pottery Two vases flower and linear banded decoration stamps and potters marks to bases tallest 17cm high (2) £50-100 (plus 27%BP*)

350 Carter Stabler Adams Poole 349 350 Pottery Four vases flower, geometric and linear banded decoration stamps and potters marks to bases tallest 13cm high (4) £40-80 (plus 27%BP*)

351 Björn Wiinblad (Danish, 1918-2006) for Rosenthal Blue and white ceramic Jug in the form of a head, floral decoration artist and factory mark to base 14cm high £40-80 (plus 27%BP*)

351 352

352 Studio Pottery Lidded pot and large dish, c1970 each decorated with abstract patterns indistinct signature to base of dish dish 46cm across £30-60 (plus 27%BP*)

353 Studio Pottery Including a large stoneware vase, sculpture and other works vase, 35cm high (10) £50-100 (plus 27%BP*)

353 354

354 Art Nouveau Panel of twelve ceramic tiles each decorated with floral designs 62cm x 47cm £40-60 (plus 27%BP*)

355 Reginald Wells (British, 1877-1951) Vase mottled blue glaze incised “SOON” mark to base 23cm high £150-250 (plus 27%BP*)

355

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356 Sarah Walton (British, 1945) Bowl ash glaze, faceted form impressed potters mark to base 17cm across £80-120 (plus 27%BP*)

356 357

357 Sarah Walton (British, 1945) Large Bowl salt glaze, incised details impressed potters mark to base 26cm across £80-120 (plus 27%BP*)

358 David Leach (British, 1911-2005) for Lowerdown Pottery Large stoneware dish incised decoration to rim, pale blue crackle glaze to centre, black glaze to underside impressed “DL” mark to base 42cm across £300-500 (plus 27%BP*)

359 Attributed to David Leach 358 (British, 1911-2005) Large vase mottled tenmoku over iron brown glaze 22cm high £80-120 (plus 27%BP*)

360 Attributed to David Leach (British, 1911-2005) Deep sided bowl mottled tenmoku over iron brown glaze 11cm high £30-50 (plus 27%BP*)

359 360 361 Winchcombe Pottery Lidded pot incised wave decoration, rust coloured glaze potters marks base 16cm high £30-50 (plus 27%BP*)

362 Dartington Pottery Large lidded pot black glaze potters mark to base 32cm high £50-100 (plus 27%BP*)

361 362

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363 Ray Finch (1914-2012) Winchcombe Pottery Large bowl poured glaze, blue Nuka decoration potters mark to base 33cm across £100-150 (plus 27%BP*)

363

364 Nicholas Hilliard for Axminster Pottery Large vase black floral decoration on a blue ground potters mark to base 29cm high £40-60 (plus 27%BP*)

364

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Glass 365-394 Cheltenham Modern Living 7th March 2019 pages.qxp_Layout 1 26/02/2019 11:41 Page 60

365 Murano Glass Vase faceted form, red and yellow colour way 26cm high £50-100 (plus 27%BP*)

366 Murano Glass dish orange and yellow colour way 16cm across £30-60 (plus 27%BP*) 365 366

367 Murano Glass bowl green, pulled form, bubble pattern 19cm across £30-60 (plus 27%BP*)

368 Art Glass Bowl, possibly Venetian pulled decoration, finished with inset metal foil 24cm across £40-80 (plus 27%BP*)

367 368 369 Rene Lalique “Misti” Perfume bottle butterfly pattern Moulded “R.LALIQUE” signature to base 8cm across £100-200 (plus 27%BP*)

370 Renee Lalique “Portes-menu” glass menu holder decorated with a basket of fruit inscribed “R. Lalique” to base 5cm across £50-100 (plus 27%BP*)

369 370 371 Rene Lalique Liquor glass engraved patterns in the Art Deco style “R LALIQUE” to base plus a small dish decorated with flowers glass 7.5cm high (2) £30-60 (plus 27%BP*)

372 Rene Lalique Glass paperweight depicting a fallow deer inscribed ‘Lalique, France’ to base 8cm high £40-80 (plus 27%BP*)

371 372

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373 Rene Lalique Glass paperweight depicting a Bison inscribed ‘Lalique, France’ to base 10cm high £50-100 (plus 27%BP*)

374 Maltese style art glass Vase, ashtray and two abstract forms vase 18cm across (4) £40-80 (plus 27%BP*)

373 374

375 Art Glass Vicke Lindstrand for Kosta, “fish”, inscription to base, 16cm across Holmegaard, bowl, inscription to base, 13cm across Baccarat dish, factory mark to base, 21cm across (3) £80-120 (plus 27%BP*)

376 René Lalique Glass “Poissons” bowl opalescent and clear glass, the underside decorated with moulded fish 21cm across £250-350 (plus 27%BP*) 375 376

377 René Lalique Glass “Poissons” bowl Opalescent and clear glass, the underside decorated with moulded fish moulded mark “R LALIQUE FRANCE” to base 28cm across £250-350 (plus 27%BP*)

378 René Lalique Glass “Poissons” dish Opalescent and clear glass, the underside decorated with moulded fish 31cm across £250-350 (plus 27%BP*) 377 378

379 Sevres France Glass lamp base twisted form Factory mark to base 24cm high £30-40 (plus 27%BP*)

380 French Art Glass Sevres bird paper weight and horse of similar style factory marks to bases tallest, 13cm high (2) £30-50 (plus 27%BP*)

379 380

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381 Orrefors, Sweden Craftsman label and mark to base 12cm high £30-50 (plus 27%BP*)

382 Lalique, France “Nogent” Compote four birds to the base engraved mark to the underside 14cm across £150-180 (plus 27%BP*) 381 382

383 Daum, France Orange glass dish, contemporary flower form with original box, engraved to base 26cm across £100-200 (plus 27%BP*)

384 Mid 20th Century Six shot glasses faceted form 9.5cm high £20-40 (plus 27%BP*)

383 384

385 Anna Ehrner for Kosta Boda Two ‘Atoll’ green glass vases each with stamp to base plus original label 19cm and 8cm high £50-100 (plus 27%BP*)

386 Mid 20th Century Large turquoise glass vase pulled and incised decoration 30cm high £20-40 (plus 27%BP*) 385 386

387 Venetian Decanter and pair of goblets, c1900 twisted form, blue details decanter, 32cm high (3) £150-200 (plus 27%BP*)

388 Geoffrey Baxter for Whitefriars Orange glass “TV” Vase 17cm high £100-150 (plus 27%BP*)

387 388

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389 Kyllikki Salmenhaara (Finnish, 1915-1979) for Kauklahti Glassworks (Riihimäen Lasi Oy) “Graal” glass vase, c1940 painted with an aquatic scene, blue, green and gold colour way “KS” monogram within design, engraved studio marks to base 15cm high

Kyllikki Salmenhaara became best known for her work with ceramics after leaving Kauklahti Glassworks in 1946 £600-800 (plus 27%BP*)

389

390 Anna Ehrner for Kosta Boda “Atoll hurricane” glass bowl cloudy pattern factory label to side 18cm across £30-60 (plus 27%BP*)

391 Jane Charles (British, 20th Century) 390 391 Glass perfume bottle engraved signature to base 18cm high plus small vase and sent bottle, unknown artists (3) £40-80 (plus 27%BP*)

392 Murano Glass vase fluid form, clear and yellow case over pink 28cm high £50-100 (plus 27%BP*)

392 393 393 Art Glass, French Large vase painted red and white to inside 34cm high £30-40 (plus 27%BP*)

394 Geoffrey Baxter for Whitefriars “Knobbly” Vase finished with black streaks 20cm high £50-60 (plus 27%BP*)

394

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Silver, Works of Art & Collectables 395-439

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395 Georg Jensen Silver Brooch shell form hallmarks and stamp to back “328” 52mm across £100-150 (plus 27%BP*)

395

396 Tiffany & Co Sterling silver table mirror, early 20th Century embossed with floral and ribbon design, stand with heart cut outs factory marks to back 30cm x 24cm £1000-2000 (plus 27%BP*)

397 James Deakin & Sons Silver plate coffee pot, Arts & Crafts period hallmarks to base 19cm high £100-200 (plus 27%BP*) 396 (detail) 396

398 William Suckling Ltd A cased set of six silver coffee spoons Birmingham 1924, 60g £50-70 (plus 27%BP*)

399 Robert Welch 1929-2000 Suite of cutlery - sea drift in stainless steel, twelve place 397 398 setting, with two serving spoons £200-300 (plus 27%BP*)

400 Robert Welch 1929-2000 Silver condiment set, salt cellar, mustard pot and pepper grinder with two matching spoons London 1976 £500-700 (plus 27%BP*)

399 400

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401 Henry Wigfull for Lee & Wigfull Silver three piece tea set Sheffield 1908-1909, 571g £200-300 (plus 27%BP*)

401

402 Continental school Pair of white metal vessels stamped 925, 480g £150-200 (plus 27%BP*)

403 Robert Welch 1929-2000 Silver goblet Birmingham 1969, 186g £100-150 (plus 27%BP*)

402 403

404 AT Cannon Ltd Silver goblet with gilt interior Birmingham 1973, 105g £50-80 (plus 27%BP*)

405 Liberty and Co Three piece silver tea set hallmarks to base, Birmingham, 1918 teapot 19cm across £200-300 (plus 27%BP*) 404 405

406 In the Manner of Christopher Dresser W.W. Harrison silver plate jug handle and lid with enamel details markers marks to base 17cm high £100-200 (plus 27%BP*)

406

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407 Jaeger Silk scarf, Vintage logo design in pink colour way twelve others, various designs, silk/polyester (13) £50-100 (plus 27%BP*)

408 Liberty of London Three silk scarfs, vintage paisley in a lilac colour way, Art 407 408 Nouveau design in an orange and blue colour way, birds and flower pattern in a pink and orange colour way each with makers label (3) £60-100 (plus 27%BP*)

409 Karin Swildens for Hermes, Paris “Coccinelles” Silk Scarf, vintage ladybug design on a yellow ground title and makers mark to borders £50-100 (plus 27%BP*)

409 410

410 Henri D’Origny for Hermes, Paris Silk Scarf, vintage foliate design on a white ground within a blue border printed signature and makers mark to border £50-100 (plus 27%BP*)

411 Giant fossilized half clam shell 74cm across £300-500 (plus 27%BP*)

412 Art Deco 411 Car mascots Plane and Jaguar together with lettering plane, 14cm high (2) £40-80 (plus 27%BP*)

413 Nagaoka Seisakusho (Japan) 4x5 ultra light field camera with Schneider-Kreuznach Symmar 105mm 5.6 lens wooden construction with brass fittings, including lens caps £150-250 (plus 27%BP*)

412 413

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414 Mamiya (Japan) Medium-format RB67 Pro S camera 250mm f/4.5 lens, 120 Roll film holder and prism finder together with accessories including third party flash and light meter £150-250 (plus 27%BP*)

415 Linhof (Germany) Kardan Super Colour 4x5 Camera (Large format) Schneider Linhof Symmar-S 150mm F5.6 Lens and Symmar-S 210mm f/5.6 lens 414 415 (3) £300-500 (plus 27%BP*)

416 Lyons’ Cakes Vintage enamel sign 100cm x 60cm £60-120 (plus 27%BP*)

417 Stansfield’s Tobacco Vintage enamel sign 91cm x 46cm £60-120 (plus 27%BP*)

418 R Jennings (British, 1952) Thirty original fashion illustrations, contemporary 416 417 pen and ink inscription and signature to each 30cm x 21cm Roz Jennings trained and graduated in fashion at Newcastle Polytechnic (now the University of Northumbria) in the 1970’s. After moving to London, Roz worked as a fashion illustrator at Rowes of Bond St, and, most notably, Laura Ashley in Sloane Street. In 2008 Laura Ashley Home Store produced a fashion illustrations calendar featuring nine of Roz’s original drawings. £50-80 (plus 27%BP*)

419 R Jennings (British, 1952) Thirty original fashion illustrations, contemporary pen and ink inscription and signature to each 30cm x 21cm 418 419 £50-80 (plus 27%BP*)

420 R Jennings (British, 1952) Thirty original fashion illustrations, contemporary pen and ink inscription and signature to each 30cm x 21cm £50-80 (plus 27%BP*)

421 Vintage Small crocodile skin and leather suitcase lined with red striped fabric 36cm x 26cm, 18cm deep £60-120 (plus 27%BP*)

420 421

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422 Roy Whitmore Steel sculpture of an eagle, 1989 welded construction, on hardwood plinth signature and date to plaque 73cm high £80-120 (plus 27%BP*)

423 Goldscheider Terracotta bust, 19th/20th Century 422 hand painted factory marks and sculptures inscribed signature to the base, “III” inscribed to inside 61cm high £300-500 (plus 27%BP*)

424 Arts & Crafts Pair of pewter vases hammered finish 17cm high £60-120 (plus 27%BP*)

425 Kayserzinn 424 423 Pair of copper vases, Art Nouveau flower decorated panels factory stamps to base 23cm high £50-100 (plus 27%BP*)

426 Early 20th Century Bronze figural stand a nude holding a glass bowl “British Made Applied Arts” stamp to base 60cm high £40-60 (plus 27%BP*)

425 426 427 Robuste Odin (1964) Metalwork sculpture bag with Syrian relief inscribed signature to verso 37cm across £80-100 (plus 27%BP*)

428 Art Deco French bronze sculpture of a gazelle marble base inscribed Limousin base 55cm across £60-120 (plus 27%BP*)

427 428

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429 Art Deco Bronze sculpture of a dancing women finished with a rust coloured patina, red marble base 45cm high £200-400 (plus 27%BP*)

430 Kayserzinn 429 Pewter jardiniere, Art Nouveau flower design factory stamps to base 23cm across £40-60 (plus 27%BP*)

431 Early 20th Century Bronze plaques portraits and classical scenes largest, 23cm across £50-100 (plus 27%BP*)

432 Attributed to Christopher 430 431 Dresser for Benham & Froud Copper kettle brass handle and tripod feet 22cm high £100-200 (plus 27%BP*)

433 Three wooden sculptures Hand carved in the tribal Style the mother and child monogrammed “D T H” tallest, 51cm high £50-100 (plus 27%BP*)

434 Liberty 432 433 Tudric pewter basket factory marks to base 24cm across plus a Haugrud pewter lidded box 17.5 cm across (2) £50-100 (plus 27%BP*)

435 Art Nouveau Copper lidded jug floral relief decoration makers mark to base “JS&S” 21cm high £40-80 (plus 27%BP*)

434 435

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436 John Pearson (Newlyn school) Arts and Crafts copper jardiniere, embossed with a repeating design of sail ships and fish inscribed “J. P. 1903, 3008” to base 26cm across, 21cm high £500-1000 (plus 27%BP*)

436

437 Sculpture Two Resin elephants depicting an adult and baby largest 75cm across (2) £100-150 (plus 27%BP*)

438 John Piper (1903-1992) for David Whitehead Ltd ‘Tombs Church monument’ 1954 screen printed cotton textile 42cm x 33cm £150-250 (plus 27%BP*) 437

439 John Piper (1903-1992) for A. Sanderson & Sons ‘Glyders’, designed in 1959 screen printed ‘Sanderlin’ textile 50cm x 41cm £150-250 (plus 27%BP*)

438 439

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BUYERS TERMS & CONDITIONS

DEFINITIONS WARRANTY OF TITLE AND AVAILABILITY In these Conditions: The seller warrants to the auctioneer and you that the seller is the true owner of the property (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate. consigned or is properly authorised by the true owner to consign it for sale and is able to (b) “deliberate forgery” means an imitation made with the intention of deceiving as to transfer good and marketable title to the property free from any third party claims. authorship, origin, date, age, period, culture or source but which is unequivocally AGENCY described in the catalogue as being the work of a particular creator and which at the date The auctioneer normally acts as agent only and disclaims any responsibility for default by of the sale had a value materially less than it would have had if it had been in accordance sellers or buyers. with the description. TERMS OF SALE (c) “hammer price” means the level of bidding reached (at or above any reserve) when the The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in auctioneer brings down the hammer. their entirety and on the Terms of Consignment as notified to the consignor at the time of the (d) “terms of consignment” means the stipulated terms and rates of commission on which entry of the Lot. Mallams accepts instructions from sellers or their agents. DESCRIPTIONS AND CONDITION (e) “total amount due” means the hammer price in respect of the lot sold together with any (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out premium, Value Added Tax chargeable and any additional charges payable by a defaulting exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to buyer under these Conditions. view and inspect before any sale and they (and any independent experts on their behalf) (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot must satisfy themselves as to the accuracy of any description applied to a lot. Prospective sold less commission at the stated rate, Value Added Tax chargeable and any other buyers also bid on the understanding that, inevitably, representations or statements by us amounts due to us by the seller in whatever capacity and however arising. as to authorship, genuineness, origin, date, age, provenance, condition or estimated (g) “You”, “Your”, etc. refer to the buyer as identified in BIDDING PROCEDURES AND THE selling price involve matters of opinion. We undertake that any such opinion shall be BUYER. honestly and reasonably held and accept liability for opinions given negligently or (h) The singular includes the plural and vice versa as appropriate. fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or BIDDING PROCEDURES AND THE BUYER agents nor the seller accept liability for the correctness of such opinions and all (a) Bidders are required to register their particulars before bidding and to satisfy any security conditions and warranties, whether relating to description, condition or quality of lots, arrangements before entering the auction room to view or bid; express, implied or statutory, are hereby excluded. This Condition is subject to the next (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the following Condition concerning deliberate forgeries and applies save as provided for in buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s paragraph 6 “information to buyers”. absolute discretion by reoffering the Lot during the course of the auction or otherwise. (2) Please note that condition reports are not printed in the catalogue or on our website The auctioneer shall act reasonably in exercising this discretion. however we are happy to provide them when requested subject to our terms and (c) Bidders shall be deemed to act as principals. conditions of sale. The absence of any reference to condition in any description does not (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any imply the lot is without fault. reserve and the right to refuse any bid is also reserved. (3) Private treaty sales made under these Conditions are deemed to be sales by auction for INCREMENTS purposes of consumer legislation. Bidding increments shall be at the auctioneer’s sole discretion. FORGERIES THE PURCHASE PRICE Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as The buyer shall pay the hammer price together with a premium thereon of 22.5%. This defined) may be returned to us by you within 21 days of the auction provided it is in the premium is subject to VAT at the rate imposed by law. same condition as when bought, and is accompanied by particulars identifying it from the VALUE ADDED TAX (VAT) relevant catalogue description and a written statement of defects. If we are satisfied from the Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the for the Lot including any buyer’s premium provided that (1) if the catalogue description date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” reflected the accepted view of scholars and experts as at the date of sale or (2) you for a brief explanation of the VAT position). personally are not able to transfer a good and marketable title to us, you shall have no rights PAYMENT under this condition. The right of return provided by this Condition is additional to any right (1) Immediately a Lot is sold you will: or remedy provided by law or by these Conditions of Sale. (a) give to us, if requested, proof of identity, and GENERAL (b) pay to us the total amount due in cash or in such other way as is agreed by us. 1. We shall have the right at our discretion, to refuse admission to our premises or You may pay for purchases in a number of ways: Bank Transfer, Cheque, Debit card, Cash attendance at our auctions by any person. and Credit card to a maximum of £2000.00 (plus 2.28% VAT inc. on Business and Non-EEA (1) any right to compensation for losses liabilities and expenses incurred in respect of and as cards). a result of any breach of these Conditions and any exclusions provided by them shall be (2) Any payments by you to us may be applied by us towards any sums owing from you to us available to the seller and/or the auctioneer as appropriate. on any account whatever without regard to any directions of you or your agent, whether (2) Such rights and exclusions shall extend to and be deemed to be for the benefit of express or implied. employees and agents of the seller and/or the auctioneer who may themselves enforce TITLE AND COLLECTION OF PURCHASES them. (1) The ownership of any Lots purchased shall not pass to you until you have made payment 2. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or in full to us of the total amount due. Swiftmail in which case it shall be deemed to have been received by the addressee 48 (2) You shall at your own risk and expense take away any lots that you have purchased and hours after posting. paid for not later than 3 working days following the day of the auction or upon the 3. Special terms may be used in catalogue descriptions of particular classes of items in which clearance of any cheque used for payment after which you shall be responsible for any case the descriptions must be interpreted in accordance with any glossary appearing at the removal, storage and insurance charges. commencement of the catalogue. (3) No purchase can be claimed or removed until it has been paid for. 4. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES terms of these Conditions or of the Terms of Consignment shall affect the position at the (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if relevant time only and in respect of that particular concession only; in all other respects there is any other breach of these Conditions, we, as agent for the seller and on our own these Conditions shall be construed as having full force and effect. behalf, shall at our absolute discretion and without prejudice to any other rights we may 5. English law applies to the interpretation of these Conditions. have, be entitled to exercise one or more of the following rights and remedies: ENDANGERED SPECIES LAWS (a) to proceed against you for damages for breach of contract; Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; etc.), whether it dates from the 18th/19th Century or the 1930’s, requires re-export permits for (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for bidders outside the EU (CITES). Some countries also require import permits as well and all any resulting deficiency in the total amount due (after crediting any part payment and permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys adding any resale costs). Any surplus so arising shall belong to the seller; a lot that comes within this field and then import/export licences cannot be arranged. Certain (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at countries, particularly the USA, have their own Endangered Species Act (USESA) and our premises or elsewhere; possession or being involved in a commercial transaction with any item on this list can be an (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the offence for a US resident. Therefore, it is the potential buyer’s responsibility to check Federal extent it remains unpaid for more than 3 working days after the sale; regulations before bidding for a lot, which comes under these or similar regulations. (f) to retain that or any other Lot sold to you until you pay the total amount due; Please note no license is required to sell or advertise within the EU if items are pre- 1947. (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions ONLINE BIDDING before any such bids shall be accepted; Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards bidders who cannot attend the sale. In completing the bidder registration on the settlement of the total amount due and to exercise a lien (that is a right to retain www.thesaleroom.com and providing your credit card details and unless alternative possession of) any of your property in our possession for any purpose until the debt due arrangements are agreed with Mallams Fine Art Auctioneers, you: is satisfied. 1. Authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies part or full payment, including all fees, for items successfully purchased in the auction via only so far as is reasonable to make appropriate recovery in respect of breach of these the-saleroom.com, and conditions. 2. Confirm that you are authorised to provide these credit card details to Mallams Fine Art THIRD PARTY LIABILITY Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers All members of the public on our premises are there at their own risk and must note the lay- are entitled to ship the goods to the card holder name and card holder address provided in out of the accommodation and security arrangements. Accordingly neither the auctioneer nor fulfilment of the sale. Please note that any lots purchased via thesaleroom.com live our employees or agents shall incur liability for death or personal injury (except as required auction service will be subject to an additional 4.95% commission charge + VAT at the by law by reason of our negligence) or similarly for the safety of the property of persons rate imposed on the hammer price. visiting prior to or at a sale. COMMISSION AND TELEPHONE BIDS DATA PROTECTION Whilst prospective buyers are strongly advised to attend the auction and are always Personal data obtained about you will be used in accordance to our Privacy Policy. A copy of responsible for any decision to bid for a particular Lot and shall be assumed to have carefully our Privacy Policy can be found on our website www.mallams.co.uk or requested by post inspected and satisfied themselves as to its condition we will if so instructed clearly and in from our Data Officer, Catherine Leach at Bocardo House, St Michael’s Street, Oxford, writing execute bids on their behalf or by telephone. Neither the auctioneer nor our OX1 2EB, or by Email from [email protected]. employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. Cheltenham Modern Living 7th March 2019 covers.qxp_Layout 1 26/02/2019 11:42 Page 2 Cheltenham Modern Living 7th March 2019 covers.qxp_Layout 1 26/02/2019 11:42 Page 1 MALLAMS Mallams 1788 Modern Living MODERN LIVING THURSDAY 7TH MARCH 2019 CHELTENHAM

7th March 2019 www.mallams.co.uk CHELTENHAM