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Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��������������������������, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ����������������������������ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance. -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
Givens Playbills
Givens Collection Playbills/Programs Box 1 Abbott, George: The Pajama Game. Lunt-Fontanne Theatre. 1974. Aiken, G.L.: Uncle Tom’s Cabin. The Alvin Theatre, New York. 1933. Ailey, Alvin: The Alvin Ailey American Dance Theatre. Souvenir Book Publishers Inc., New York. Anderson, Maxwell: Lost in the Stars. The Playwrights’ Company, New York. 19450. Baker, Josephine. Josephine Baker and Her International Revue. Baldwin, James: • The Amen Corner. Los Angeles. 1964 • The Amen Corner. Ethel Barrymore Theatre. 1965. • Blues for Mister Charlie. Anta Theatre, New York. 1964. Ballets Africains. New York. Belafonte, Harry. Belafonte at the Palace. A Belafonte Enterprises, Inc. Production. 1959. The Biggest Show of ’51. Souvenir program with signatures. Blake, Eubie: Eubie! Ambassador Theatre, New York. 1979. Broadway Answers Selma. Majestic Theatre, New York. Brown, William F.: The Wiz. Majestic Theatre, New York. 1974. Bullins, Ed • The Electronic Nigger and Others. The American Palace Theatre, New York. 1968. • House Party (2 copies). The American Palace Theatre, New York. 1973. Café Society Downtown. New York. Carnegie Hall (Charlie Parker Memorial Concert). New York. 1955. D’Usseau, Arnaud & Gow, James: Deep are the Roots. The Fulton Theatre, New York. 1946. Davis, Ossie • Purlie Victorious. The Longacre Theatre. 1962. • Purlie. 1970. Duberman, Martin B.: In White America. Sheridan Square Playhouse, New York. Dunham, Katherine • The Playbill for the Martin Beck Theatre. Cabin in the Sky. New York. 1940. • Program for Katherine Dunham and her company in a tropical revue. Martin Beck Theatre, New York. 1943. • S. Hurok presents Katherine Dunham and her Company in Tropical Revue with Bobby Capo Dowdy Quartet. -
PROGRAM SCHEDULE June 3Rd – 14Th, 2019
PROGRAM SCHEDULE June 3rd – 14th, 2019 Pearl Studios 500 Eighth Avenue, 3rd floor (Between 35th & 36th streets) as of 6/19/2019 (Subject to Change) Monday, June 3rd, 2019 American Theatre Wing’s SpringboardNYC WELCOME AND ORIENTATION With: HEATHER A. HITCHENS, PRESIDENT & CEO OF THE AMERICAN THEATRE WING 10:00AM – 1:30PM MEGAN KOLB, DIRECTOR OF PROGRAMS OF ATW (Studio 312) ALICIA VNENCAK, PROGRAM ASSOCIATE OF ATW MELISSA CABRERO, PROGRAM ASSISTANT OF ATW MAURICE BENSMIHEN, PRODUCTION ASSISTANT OF SBNYC 1:30PM – 3:00PM LUNCH BREAK / TRAVEL BACK TO PEARL STUDIOS COMMERCIAL CASTING AND THE VOICEOVER 3:00PM – 5:00PM (Studio 314) Workshop Leader: MARLA WEBER-GREEN COMMERCIAL VOICEOVERS, STEWART TALENT 5:00PM - 5:30PM FIRST DAY WRAP UP (Studio 314) FIRST NIGHT GATHERING AT PLAYWRIGHT CELTIC PUB A chance to mingle with your fellow Springboarders. 5:30PM – 8:00PM (Playwright Celtic Pub) 732 8th Ave, between 45th and 46th Streets 8:00PM END OF DAY 1: MONDAY, JUNE 3rd as of 6/19/2019 (Subject to Change) Tuesday, June 4th, 2019 American Theatre Wing’s SpringboardNYC 9:00AM – 10:00AM GROUP DISCUSSION (Studio 314) MEET THE ARTIST 10:00AM – 11:30AM (Studio 314) Guest: LATANYA RICHARDSON JACKSON TONY AWARD NOMINATED ACTOR & ATW BOARD MEMBER 11:30AM – 1:00PM LUNCH BREAK / TRAVEL BACK TO PEARL STUDIOS MUSICAL THEATRE GENERAL PERFORMANCE AUDITION WORKSHOP: THE AUDITION WORKSHOP: EQUITY PRINCIPAL AUDITION WORKING FROM SIDES Workshop Leaders: 1:00PM – 4:00PM Workshop Leader: CARA REICHEL GP (Studio 312) DAVID ALPERT ARTISTIC DIRECTOR, PROSPECT THEATER MT -
Elizabeth A. Schor Collection, 1909-1995, Undated
Archives & Special Collections UA1983.25, UA1995.20 Elizabeth A. Schor Collection Dates: 1909-1995, Undated Creator: Schor, Elizabeth Extent: 15 linear feet Level of description: Folder Processor & date: Matthew Norgard, June 2017 Administration Information Restrictions: None Copyright: Consult archivist for information Citation: Loyola University Chicago. Archives & Special Collections. Elizabeth A. Schor Collection, 1909-1995, Undated. Box #, Folder #. Provenance: The collection was donated by Elizabeth A. Schor in 1983 and 1995. Separations: None See Also: Melville Steinfels, Martin J. Svaglic, PhD, papers, Carrigan Collection, McEnany collection, Autograph Collection, Kunis Collection, Stagebill Collection, Geary Collection, Anderson Collection, Biographical Sketch Elizabeth A. Schor was a staff member at the Cudahy Library at Loyola University Chicago before retiring. Scope and Content The Elizabeth A. Schor Collection consists of 15 linear feet spanning the years 1909- 1995 and includes playbills, catalogues, newspapers, pamphlets, and an advertisement for a ticket office, art shows, and films. Playbills are from theatres from around the world but the majority of the collection comes from Chicago and New York. Other playbills are from Venice, London, Mexico City and Canada. Languages found in the collection include English, Spanish, and Italian. Series are arranged alphabetically by city and venue. The performances are then arranged within the venues chronologically and finally alphabetically if a venue hosted multiple productions within a given year. Series Series 1: Chicago and Illinois 1909-1995, Undated. Boxes 1-13 This series contains playbills and a theatre guide from musicals, plays and symphony performances from Chicago and other cities in Illinois. Cities include Evanston, Peoria, Lake Forest, Arlington Heights, and Lincolnshire. -
The Inventory of the Ernest Truex Collection #1852
The Inventory of the Ernest Truex Collection #1852 Howard Gotlieb Archival Research Center Truex, Ernest 1889-1973 June 1986 Inventory Except for correspondence much of the materials in this archive are print items or photographs related to ET=s long career as an actor, beginning when he was 5 in 1894 and continuing until the 1960's. The collection is most complete in relation to ET=s career as an actor on stage, including his three years, 1926-1928, in the London theater. ET was an active member of the Lambs Club which he joined in 1910 and with which he was long affiliated. Materials on the Club=s annual AGambols@ reflect his strong interest in these productions. Correspondence is in large part family letters and expressions of sympathy to ET=s widow at his death in 1973. Some materials on his film roles and work in radio and television are also included. 1 Truex, Ernest June, 1986 Outline of Inventory I. MATERIALS RELATED TO PLAYS, MUSICALS, OTHER DRAMATIC PERFORMANCES A. PLAYS, MUSICALS, 1895-1965 B. OTHER DRAMATIC PERFORMANCES, 1924- 1932 II. MATERIALS RELATED TO FILMS III. MATERIALS RELATED TO RADIO, TELEVISION IV. SCRAPBOOKS V. BY ET A. MANUSCRIPTS B. PRINT MATERIALS VI. ABOUT ET AND FAMILY A. MANUSCRIPTS B PRINT MATERIALS C. ET=S SONS PHILIP AND JAMES VII. MENTION ET, 1926-1951 VIII. CORRESPONDENCE A. FAMILY B. BUSINESS C. PERSONAL AND PROFESSIONAL D. CONDOLENCES AT ET=S DEATH 2 IX. PHOTOGRAPHS, SKETCHES, etc. A. FAMILY B. ET: c1899-c1903 C. ET: c1904-c1920 D. ET: c1926-1973 E. -
Richard Walton Tully's the Bird of Paradise and the Dynamics Of
TULLY’S THE BIRD OF PARADISE /1 Selling the Bird: Richard Walton Tully’s The Bird of Paradise and the Dynamics of Theatrical Commodification Christopher B. Balme Theatre historians have long been aware of a glaring dichotomy between theatre’s cultural impact in a given period and its subsequent canonization in texts and productions. As Laurence Senelick has recently pointed out, the canon of anthologized dramatic texts has little or no room for plays by August von Kotzebue, Voltaire’s Mahomet, Aiken’s dramatization of Uncle Tom’s Cabin, or “perennial crowd pleasers like Charley’s Aunt or The Odd Couple.”1 This continuing state of selective amnesia cannot be justified simply by reference to criteria of literary quality, as theatre historians have long since liberated themselves from such dictates. Despite acknowl- edgment of the nonliterary aspects of theatre and the growing body of research into popular theatre and performance, there still remains a lingering suspicion of the long- run hit play and its attendant processes of commodification. The subject of this essay is a largely forgotten long-run play that had considerable impact on US culture in the first half of the twentieth century. Richard Walton Tully’s romantic drama The Bird of Paradise is a perfect example of a serious-minded, commercially successful play that has been erased from our disciplinary memory. Yet it intersects with and reflects many discourses and texts that continue to have influence. The play is set in Hawaii in the early 1890s, the period in which the US annexed the islands and disempowered the native queen and indigenous Hawaiians. -
Incidental Music for Three Plays: LAURETTE
Incidental Music for Three Plays: LAURETTE - RASHOMON - DEATH OF A SALESMAN Incidental music in straight plays has been a regular Laurette isn’t documented, but it’s probably not much of a “Arthur Miller has written a superb drama. From every occurrence on Broadway, with many top composers stretch to assume that Robert Mulligan, with whom he had point of view Death of a Salesman, which was acted at done the film The Rat Race, may have recommended him the Morosco last evening, is rich and memorable drama. creating the scores. From the Golden Age, that to Mr. Pakula. The resulting eighteen minutes of inciden- It is so simple in style and so inevitable in theme that it would include Alex North for Death of a Salesman, tal music is pure Elmer, some of it prefiguring the delicate scarcely seems like a thing that has been written and The Innocents, and a production of Richard III, colors that he would use for his masterpiece, To Kill a acted. For Mr. Miller has looked with compassion into Vernon Duke for Time Remembered, Laurence Mockingbird. The music is scored for a small ensemble the hearts of some ordinary Americans and quietly trans- Rosenthal for Rashoman, Stephen Sondheim for that never sounds small because Bernstein knew exactly ferred their hope and anguish to the theatre. Under Elia how to write for small ensembles. This wasn’t slumming Kazan’s masterly direction, Lee J. Cobb gives a heroic Invitation to a March and The Enclave, Paul Bowles for Mr. Bernstein – he obviously took the same care that performance, and every member of the cast plays like a for The Glass Menagerie, to name only a handful. -
Anthony Pearson
ANTHONY PEARSON LIGHTING DESIGNER ADDRESS EDUCATION 425 CENTRAL PARK WEST #5D NATIONAL INSTITUTE OF DRAMATIC ART NEW YORK, NY 10025 SYDNEY, AUSTRALIA CELL: +1 (646) 465 0003 BACHELOR OF DRAMATIC ART IN TECHNICAL PRODUCTION [email protected] GRADUATED IN MAY 2004 LIGHTING DESIGN TH TH APOLLO 11 50 ANNIVERSARY WASHINGTON MONUMENT – WASHINGTON DC PROJECTION BY 59 PRODUCTIONS FREER SACKLER GALLERY RE-OPENING SMITHSONIAN – WASHINGTON DC PROJECTION BY 59 PRODUCTIONS BOEING 100 YEAR ANNIVERSARY BOEING FIELD – SEATTLE PROJECTION BY 59 PRODUCTIONS TUG OF WAR, PART 1 CHICAGO SHAKESPEARE – CHICAGO DIRECTOR BARBARA GAINES AH WILDERNESS! ASOLO REPERTORY THEATRE – SARASOTA, FL DIRECTOR GREG LEAMING ANYTHING GOES NETWORKS US TOUR – 2014 DIRECTOR SUSAN STROMAN DRAMA DESK AWARDS NEW YORK – 2014 PRODUCED BY JOEY PARNES OTHER DESERT CITIES ASOLO REPERTORY THEATRE – SARASOTA, FL DIRECTOR GREG LEAMING MY BRILLIANT DIVORCE ASOLO REPERTORY THEATRE – SARASOTA, FL DIRECTOR MICHAEL EDWARDS HAMLET, PRINCE OF CUBA ASOLO REPERTORY THEATRE – SARASOTA & MIAMI, FL DIRECTOR MICHAEL EDWARDS CELTIC FYRE BUSCH GARDENS WILLIAMSBURG (2010-2012) DIRECTOR PHIL RAYBOURN PANDORA’S BOX ST CLEMENTS THEATRE - NEW YORK MUSIC THEATRE FESTIVAL DIRECTOR GARY HALVORSON HIGH SCHOOL MUSICAL THEATRE OF THE STARS TOUR – 2009 DIRECTOR NORB JOERDER RENT ASIA TOUR – 2005 DIRECTOR EVAN ENSIGN SEVENTEEN ATYP – SYDNEY, AUSTRALIA DIRECTOR TIMOTHY JONES STRANGERS IN BETWEEN GRIFFIN THEATRE COMPANY – SYDNEY, AUSTRALIA DIRECTOR DAVID BERTHOLD GODSPELL ZENITH THEATRE – SYDNEY, AUSTRALIA DIRECTOR