Autumn Journal, Bottai's Journal, and the Relevance
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CONCLUSION AUTUMN JOURNAL, BOTTAI’S JOURNAL, AND THE RELEVANCE OF ROME The final week of September 1938 was an ideal time during which to keep a journal. On Friday, 23 September 1938, Giuseppe Bottai recorded his conversation with Mussolini, coming at the conclusion of an important day in the mission of Fascist ‘Romanità’. While the Mostra Augustea della Romanità had officially closed, publications would continue to issue forth from its exhibit hall, and the Ara Pacis stood renewed, reassembled, and refashioned as a showpiece of both modern and ancient art styles. A Jewish architect, Vittorio Ballio Morpurgo, had designed the glass and concrete shell that encased this ultimate shrine to Romanness, and such collaborations, between artists and the government, would continue, at least on paper. In a few weeks, on 10 November, Mussolini would give permission to Giuseppe Terragni, whose Sarfatti Monument he could not under- stand, to build a ‘Danteum’ on the Via dell’Impero, across from the Basilica of Maxentius and Constantine. As a recent study of the pro- posed monument (which was never built) makes clear, it was not designed to be a celebration of Dante himself, but rather of the poet’s ‘allegory of the resurrection of the Roman Empire.’1 The sur- viving watercolors, sketches, models, and narrative explanations from this failed project are, however, vivid testimony of the priorities of the Fascist regime and of the ‘rabid Romanist’, in Schumacher’s phrase, who controlled it. Reflecting these priorities, on Tuesday, 27 September, four days after the dedication of the Ara Pacis, Minister Bottai delivered an address to the Istituto di Studi Romani, the speech that might have been the seed of his treatise on the Roman and Fascist ‘Corporazioni’. While his Diario does not record an entry for this date, Bottai con- tinued to comment, throughout the week, on the maneuvers within the Grand Council of Fascism, with frank reflections on his fellow 1 Schumacher 1993, 36–39. 216 conclusion Gerarchs and even on the Duce, himself.2 However, another man was keeping a journal, of a sort, during this eventful week. While not at the center of any of Europe’s regimes, the classics lecturer and poet Louis MacNeice also recorded his thoughts and reflections during the autumn of 1938. These musings, in the form of a 96-page poem in 24 sections, would be published the following year under the title Autumn Journal.3 The work would be his masterpiece, and many modern teachers of Greco-Roman civilization are familiar with at least one of its passages, beginning:4 The Glory that was Greece: put it in a syllabus, grade it Page by page To train the mind or even to point a moral For the present age: But the poem is far more than a meditation on ‘the trimmers at Delphi and the dummies at Sparta’, et al. It is also literally a ‘jour- nal’ of the thoughts of a sensitive and intelligent man regarding some of the most important events in contemporary European history. Nevertheless, it remains a ‘journal’ filtered through his own experi- ences as a teacher of the classics, in a week when the classics did not seem to matter very much at all. The week began on Friday, 23 September, with the news that Chancellor Hitler had delivered an ultimatum to Prime Minister Chamberlain, to the effect that the government of Czechoslovakia would have to agree to a military occupation of (and expulsion of all non-Germans from) the Sudeten- land by 1 October. And the week would end, early in the morning of Friday, 30 September, with the signing of the Munich Agreement, one that would guarantee ‘peace for our time’ but would also con- sign the Czech people to Hitler’s invasion force, as scheduled, on Saturday the 1st. Mussolini was in attendance at Munich, and he played a key role, having proposed the conference in the first place 2 His entry for 23 September, after describing his conversation with Mussolini at the Ara Pacis, comments on Italo Balbo’s reaction to the ‘Jewish question’ and notes a small joke, ‘E l’altra, di Malaparte a Mussolini: “Che fate, Curzio?” “Eccellenza, sempre pronto: ai suoi ordini e ai suoi disordini!”’ (Bottai [1982], 135). 3 Despite the lag-time between Autumn 1938 and the book’s appearance in May 1939, MacNeice insisted, in a Note, that the poem was literally a ‘Journal’. In his estimation, ‘I was writing it from August 1938 until the New Year and have not altered any passages relating to public events in the light of what happened after the time of writing’ (MacNeice 1939, 7). 4 MacNeice 1939, 38–39..