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The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
Film Screenings at the Old Fire Station, 84 Mayton Street, N7 6QT
iU3A Classic Film Group 2017-18 Winter Programme: January-March 2018: "Classic Curios" All film screenings at The Old Fire Station, 84 Mayton Street, N7 6QT Plot Summaries and Reviews courtesy of The Internet Movie Database Date/Time: Tuesday, 9th January 10.30 and 14.00; Wednesday, 10th January 13.30 Title: The Night of The Hunter (USA, 1955, 89 minutes, English HOH Subtitles) Director and Cast: Charles Laughton; Robert Mitcham, Shelley Winters, Lillian Gish Plot Summary: A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real father hid $10,000 that he'd stolen in a robbery. Reviews: "Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry."(San Francisco Chronicle) "It’s the most haunted and dreamlike of all American films, a gothic backwoods ramble with the Devil at its heels." (Time out London) "An enduring masterpiece - dark, deep, beautiful, aglow."(Chicago Reader) Date: Tuesday, 23rd January 10.30 and 14.00; No Wednesday, 24th Jan screening Title: La Muerte de Un Burócrata /Death of A Bureaucrat (Cuba, 1966, 85 minutes, Spanish with English Subtitles) Director and Cast: Tomás Gutiérrez Alea; Salvador Wood, Silvia Planas, Manuel Estanillo Plot Summary: A young man attempts to fight the system in an entertaining account of the tyranny of red tape and of bureaucracy run amok. Reviews: "A mucho funny black comedy about the horrors of institutionalized red tape. It plays as an homage to silent screen comics such as Buster Keaton and Harold Lloyd, the more recent ones such as Laurel and Hardy, and all those who, in one way or another, have taken part in the film industry since the days of Lumiére." (Ozu's World Moview Reviews) "Gutiérrez Alea's pitch-black satire is witty, sarcastic and eternally relevant." (filmreporter.de) Date: Tuesday, 6th February 10.30 and 14.00; Wednesday, 7th February 13.30 Title: Leave Her To Heaven (USA, 1945, 105 minutes, English HOH subtitles) Director and Cast: John M. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Sexo, Amor Y Cine Por Salvador Sainz Introducción
Sexo, amor y cine por Salvador Sainz Introducción: En la última secuencia de El dormilón (The Sleeper, 1973), Woody Allen, desengañado por la evolución polí tica de una hipotética sociedad futura, le decí a escéptico a Diane Keaton: “Yo sólo creo en el sexo y en la muerte” . Evidentemente la desconcertante evolución social y polí tica de la última década del siglo XX parecen confirmar tal aseveración. Todos los principios é ticos del filósofo alemá n Hegel (1770-1831) que a lo largo de un siglo engendraron movimientos tan dispares como el anarquismo libertario, el comunismo autoritario y el fascismo se han desmoronado como un juego de naipes dejando un importante vací o ideológico que ha sumido en el estupor colectivo a nuestra desorientada generación. Si el siglo XIX fue el siglo de las esperanzas el XX ha sido el de los desengaños. Las creencias má s firmes y má s sólidas se han hundido en su propia rigidez. Por otra parte la serie interminable de crisis económica, polí tica y social de nuestra civilización parece no tener fin. Ante tanta decepción sólo dos principios han permanecido inalterables: el amor y la muerte. Eros y Tá natos, los polos opuestos de un mundo cada vez má s neurótico y vací o. De Tánatos tenemos sobrados ejemplos a cada cual má s siniestro: odio, intolerancia, guerras civiles, nacionalismo exacerbado, xenofobia, racismo, conservadurismo a ultranza, intransigencia, fanatismo… El Sé ptimo Arte ha captado esa evolución social con unas pelí culas cada vez má s violentas, con espectaculares efectos especiales que no nos dejan perder detalle de los aspectos má s sombrí os de nuestro entorno. -
Debbie Reynolds & Singin' in the Rain at WHBF 2013
Meet Legendary Actress, Comedienne, Singer, and Dancer And Join Us for a Very Special Park Stage Screening of Singin' in the Rain to Celebrate Reynolds' New Memoir, Unsinkable Including a Park Stage In-Conversation at 5:30 p.m., Book Soup In-Booth Signing at 6:15 p.m., followed by an Open-to the-Public Park Stage Screening at 7:00 p.m. For more information on schedule and start times, please visit WHBF.org for updates. About Debbie Reynolds and Unsinkable The definitive memoir by legendary actress and performer Debbie Reynolds—an entertaining and moving story of enduring friendships and unbreakable family bonds, of hitting bottom and rising to the top again—that offers a unique and deeply personal perspective on Hollywood and its elite, from the glory days of MGM to the present. In the closing pages of her 1988 autobiography Debbie: My Life , Debbie Reynolds wrote about finding her "brave, loyal, and loving" new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she writes, "When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012. To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride." Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades. -
Ava Advocate Membership Please Donate! Follow Usfollow Us
Ava Advocate Membership The Ava Advocate membership program is designed to help finance the continued operation of the Ava Gardner Museum. With quarterly email newsletters to members, the museum will share information about events and new exhibits, as well as facts about the actress, her life, career, and loves. For a small annual fee, you can help us continue to preserve and share the Ava Gardner Collection for years to come. Become an Ava Advocate today and receive free admission for 12 months as well as 15% off gift shop purchases! Call the museum or go online to purchase your membership. Individual $36.00 Couple $45.00 F amily $60.00 Please Donate! As a non-profit museum, it’s only with the support of Ava’s fans that we can continue to honor and share her legacy. Please call us or donate online: ava-gardner-museum. myshopify.com/products/donations Follow Us Facebook: AvaGardner Twitter: @AvaMuseum Instagram: AvaGardnerOfficial The Ava Gardner Museum is Ava Gardner Museum 325 E. Market Street located in Historic Downtown Smithfield, NC 27577 Smithfield, just one mile Tel: 919-934-5830 [email protected] Smithfield, NC - I-95, Exit 95 from I-95, Exit 95. www.avagardner.org www.avagardner.org New exhibits, special events, and guest speakers are presented throughout Visit the Museum the year, giving Helpful Information Ava Gardner was born on December 24, visitors reasons to • Groups: If you have a group of 10 or more 1922, just seven miles east of Smithfield in a return again and transportation, the museum will provide a crossroads community called Grabtown. -
Lfl FARANDULA
“Somebody Up There Like» las numerosas escenas de guerra Me” o sea literamente “Alguien aérea en este interesantísimo allá arriba me quiere” a pesar de film. este asombroso título, esta bio- grafía del boxeador Rocky. Gra- Ronald Colman, una de las más ciano, es una película superior distinguidas estrellas británicas en todos sentidos. El guión de MHOMMHOOO»Lfl FARANDULA*****•***•**( que trabajan en Hollywood, Ernest Lehman es una sensitiva filma una de las más importan- mezcla de tosquedad y ternura y tes partes de la película: “La tiene gran parte de comicidad. Histeria de la Humanidad,” pro- ducto del Director Productor y ANN BLYTH la estrella NOTICIERO DE LOS es ESTUDIOS Escritor Alien. Sir Irwin Cedric que Warner Bros., ha colocado ~ . a —Negocio de Pijamas”), que rración de los hechos históri- Hardwicke, que también es otro '1 IK—’v, jmk ' J la cabeza del elenco de la pelícu- filma la Warner Bros., con DO- cos. que han enriquecido la his- de los más distinguidos actores .7 la cuyo libreto es la historia de RIS DAY y JOHN RAITT, las toria portentosa de la humanidad, británicos que trabajan en la la cantante de canciones popula- estrellas que comparten honorea estando en este caso representa- Meca dpi Cine, contribuye con su res de los Estados Unidos, Misa estelares con MISS HANEY. dos los personajes históricos, por sin igual talento a hacer de este Helen MORGAN. ANN BLYTH, estrellas de gran nombre histrió- film una joya del arte dramático trabaja en este film que produce Hemos oido de fuente fidedig- cada en celuloide. Esta producción es- la nico-dramático en uno do Warner Bors., bajo el título: na, que DEAN MARTIN rechazó los casos. -
Ava Gardner – a Star of the Silver Screen
Ava Gardner – a Star of the Silver Screen Presented by William Markham Her Early Life Born 24 December 1922 Ava Lavinia Gardner in Grabtown, North Carolina Youngest of 7 children Lived on a Tobacco farm then a boarding house Money tight – not “Dirt Poor” At 18, her photo caught attention of MGM Earlier films one line bits or little better First notable film, The Killers, 1946 Photo that got Ava discovered Cover of Time Magazine 1951 Bit parts before she was famous 1941 Fancy Answers Girl at recital 1942 We do it because Girl at party 1943 Du Barry was a lady Perfume Girl 1944 Music for Millions Musician Some of her famous movies 1946 1951 1952 1953 1954 1959 1963 1964 1974 Marriages Mickey Rooney 1942 to 1943 Artie Shaw 1945 to 1946 Frank Sinatra 1951 to 1957 Some of her other romances Howard Hughes Robert Taylor George C Scott Robert Mitchum George C Scott Other Films Robert Taylor Robert Mitchum Lori Martin – National Velvet What Ava said about some actors: “The trouble was Frank and I were too much alike. My sister said that I was Frank in drag”. Frank Sinatra “Till death do us part would have been a whole lot sooner if we had tied the knot”. Howard Hughes “Bogie hated learning lines. He knew every trick in the book to mess up a scene and get a retake if he felt a scene was not going his way”. Humphrey Bogart “When he was loaded, he was terrifying. He would beat the hell out of me and have no idea the next morning what he had done”. -
LCCC Thematic List
LONDON CIGARETTE CARD COMPANY LIMITED Last Updated: 17th September 2021 Sutton Road, Somerton, Somerset TA11 6QP, England. Website: www.londoncigcard.co.uk Telephone: 01458 273452 Fax: 01458 273515 E-Mail: [email protected] Please tick items required. Prices, which include VAT (UK tax), are for very good condition unless otherwise stated. Orders for cards and albums dispatched to outside the United Kingdom will have 15% deducted. Size abbreviations: EL = Extra Large; LT = Large Trade (Size 89 x 64mm); L = Large; M = Medium; K = Miniature. Please see our catalogue for details of our stocks of 17,000 different series. 24-hour credit/debit card ordering 01458 273452. Why not sign up to our Free Newsletter giving you up to date special offers and Discounts not to mention new additions to stock and information on our current auctions. To sign up enter your e-mail address below and tick here _____ Please Note: Orders are sent post free to UK addresses, but for orders under £25.00 (or £15.00 for LCCC's Card Collectors Club members) please add a handling fee of £2.00. Overseas postage will be charged at cost with no handling fee. Please send items marked on enclosed pages. I enclose remittance of £ or we can accept Visa, Mastercard, Maestro, Visa Delta, Electron, JCB & American Express, credit/debit cards. Please quote Credit/Debit Expiry Valid From CVC Number Card Number...................................................................... Date .................... (if stated).................... (last 3 on back) .................. Name -
The Wooster Voice (Wooster, OH), 1951-10-19
The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 10-19-1951 The oW oster Voice (Wooster, OH), 1951-10-19 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1951-10-19" (1951). The Voice: 1951-1960. 15. https://openworks.wooster.edu/voice1951-1960/15 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. Hoot Mon! Fish Fry Saturday Published By the Students of the College of Woosler LXVI Volume WOOSTER, OHIO, FRIDAY, OCTOBER 19. 1951 Number 5 Compton Pinch Hits flj a 2 For Oppenheimer booster m a u w u u M In Symposium National attention will be fo- 1 Gala Weekend Features cused on Wooster next week end when a five-ma- n symposium on Royalty, "Twentieth Century Concepts of Varied Program Homecoming festivities on Man" will be held in Memorial the Wooster campus will gather momentum tonight and tomorrow as Chapel. hundreds of alumni and visitors return for a weekend packed with special events in their honor. Many departments and organizations, including Robert Oppenheimer has been the sections and local clubs, Dr. J. have planned a variety of entertainment features to welcome the forced to cancel his engagement to crowd. -
Pandora-Eve-Ava: Albert Lewin's Making of a “Secret
PANDORA-EVE-AVA: ALBERT LEWIN’S MAKING OF A “SECRET GODDESS” Almut-Barbara Renger Introduction The myth of the primordial woman, the artificially fabricated Pandora, first related in the early Greek poetry of Hesiod, has proven extremely influential in the European history of culture, ideas, literature, and art from antiquity to the present day. Not only did the mythical figure itself undergo numerous refunctionalizations, but, in a striking manner, partic- ular elements of the narrative in the Theogony (Theogonia) and in Works and Days (Opera et dies) – for example, the jar, which would later be con- ceived as a box – also took on a life of their own and found their place in ever new cultural contexts. Having been drawn out from the “plot” (in the Aristotelian sense of μῦθος), these elements formed separate strands of reception that at times interfered with each other and at other times diverged. In the twentieth century such myth-elements also developed a distinc- tive dynamic of their own in film. Albert Lewin’s Pandora and the Flying Dutchman (1951) offers a particularly original conception of the Pandora myth by interweaving its elements with the legend of the Flying Dutch- man and plotting it into a story that takes place around 1930.1 It is the story of a young American woman, Pandora Reynolds, “bold and beautiful, desired by every man who met her” – so goes the original trailer of 1951, which opens with some introductory remarks about glamour by Hedda Hopper.2 Lewin’s intermingling of the Pandora myth and the Dutch legend in a love story of the 1950s is in many ways bold and original.