DOCSLIB.ORG

Download Lot Listing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Lot Listing ® Wednesday, February 10, 2020 DOYLE.COM ® TIMED AUCTION Wednesday, February 10, 2020 at 10am Eastern EXHIBITION Saturday, February 6, Noon – 5pm Sunday, February 7, Noon – 5pm Monday, February 8, Noon – 5pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on 1-29-21 Please see addendum for any changes The most up to date information is available on DOYLE.com Sale Info View Lots and Place Bids Doyle New York 1 6 Philippe Alfieri Nicole Blanchard American, 1921-2009 French, b. 1943 The Clown Champs Elysees, Arc de Triomphe Signed Alfieri (lr) Signed Nicole Blanchard. (lr); signed Nicole Oil on canvas Blanchard. and inscribed as titled on the reverse 30 x 40 inches Oil on canvas C 19 3/4 x 24 inches $800-1,200 Provenance: Sale, Doyle, New York, July 17, 2003, lot 9 2 C Yolande Ardissone $800-1,200 French, b. 1927 Butte Montmartre Signed Ardissone (ll); inscribed as titled on the 7 stretcher Robert Cleminson Oil on canvas British, 1864-1903 15 x 18 inches Fox (After Landseer) C Signed R. Cleminson (ll) $800-1,200 Oil on canvas 12 x 20 1/8 inches C The Estates of Harvey and Ruth Spear 3 $800-1,200 Yolande Ardissone French, b. 1927 Floral Still Life 8 Signed Ardissone (lr) Martha Diamond Oil on canvas American, b. 1944 25 1/2 x 19 3/4 inches Three Roofs Signed Martha Diamond on the reverse Provenance: Oil on board Jack Tuchman Gallery 11 7/8 x 18 inches C $800-1,200 Provenance: Robert Miller Gallery, New York Sale, Doyle, July 30, 1997, lot 21 4 C Arnold Belkin $200-300 Canadian, 1930-1992 A Donde Ir?, 1958 Signed Arnold Belkin and dated 1958 (lr); signed 9 Arnold Belkin, dated Mexico Sept. 1958 and Robert Louis Raymond Duflos inscribed as titled on the reverse French, 1898-? Charcoal and colored pencil on paper Reclining Nude 30 x 27 5/8 inches Signed Robert Duflos (lr) Oil on canvas Provenance: 15 x 24 inches Galeria Tuso, Mexico C C $600-800 $700-900 10 5 Marcel Dyf Ellen Black French, 1899-1985 American, 20th Century Nature Morte a la Mandoline , circa 1950 Potter's Reject Signed Dyf (lr) Signed Ellen Black (cr), variously inscribed; Oil on canvas inscribed as titled on the reverse 32 x 25 7/8 inches (81.3 x 65.7 cm) Watercolor on paper 30 1/2 x 22 1/4 inches Provenance: Private collection, New York, acquired in 1959 Provenance: Galerie Internationale, New York Madame Claudine Dyf has confirmed the Thence by descent to the current owner authenticity of this work. It is registered in the C Archives under HST SBD N° ID 5274. $400-600 This painting is accompanied by a letter of authenticity from Marcel Dyf dated 15 Janvier 1959 and stamped DUPLICATA. C $2,000-3,000 Sale Date - 02/10/2021 Page 1 Doyle New York 11 15 Dietz Edzard Oswald Eichinger German/French, 1893-1963 German, b. 1915 Danseuse avec Fleurs, circa 1936 Still Life with Horn and Still Life with Guitar: Two Signed D. Edzard (ll) Each signed O. Eichinger (ll) Oil on canvas Oil on panel 22 1/2 x 15 1/2 inches Each 10 1/2 x 13 1/4 inches Provenance: Provenance: The Collection of Dr. H. Oelze, Amsterdam Wally Findlay Galleries, Palm Beach Sale, Sotheby's Amsterdam, April 22, 2009, lot C 154 $400-600 Literature: Gerd Muehsam, D. Edzard, H. Bittner and 16 Joe Eula Company, New York, 1948, plate no. 6 American, 1925-2004 The authenticity of this work has been confirmed Poppy Signed Eula (lr) by Christine Edzard Goodwin. Watercolor on paper C The Estate of Leon Amar, Palm Beach $1,500-2,500 15 x 22 1/4 inches C $800-1,200 12 Dietz Edzard German/French, 1893-1963 17 Joe Eula Still Life with Flowers, Music Sheet and Flute American, 1925-2004 Signed D Edzard (ll); inscribed Bonzac. 6/28. on Poppy, 1994 the reverse Oil on panel Signed Eula (ll) and dated 94 (lr) Watercolor on paper 8 1/2 x 13 inches 19 x 24 inches Provenance: C $800-1,200 Sale, Dorotheum, Vienna, Jan. 26, 2010, lot 22 C The Estate of Leon Amar, Palm Beach $600-800 18 Joe Eula American, 1925-2004 13 Sunflower in a Vase, 1987 Dietz Edzard German/French, 1893-1963 Signed and dated Eula 87 (lr) Watercolor on paper Harlequin in Venice, circa 1958 29 3/4 x 22 inches Signed D Edzard (ll); inscribed as titled on the stretcher C $800-1,200 Oil on canvas 18 1/4 x 24 1/4 inches Provenance: Wally Findlay Galleries, Palm Beach, Acquired from the above in 2004 19 C The Estate of Leon Amar, Palm Beach Yitzhak Frenkel-Frenel $1,800-2,200 Ukrainian/Israeli, 1899-1991 Landscape with Figures Signed Frenel (ll) 14 Oil on canvas Dietz Edzard 7 3/8 x 9 3/8 inches German/French, 1893-1963 C Cancan Dancer, circa 1944 $400-600 Signed D Edzard (lr); inscribed 494 on the reverse Oil on canvas 20 16 1/2 x 13 1/8 inches Francois Gall French, 1912-1987 Provenance: Mother and Child N.P. Trent Antiques, West Palm Beach Signed F. Gall and inscribed Paris (ll) Acquired from the above in 2002 Oil on Masonite 6 1/4 x 8 5/8 inches The authenticity of this work has been confirmed C by Christine Edzard Goodwin. $600-800 C The Estate of Leon Amar, Palm Beach $1,200-1,800 Sale Date - 02/10/2021 Page 2 Doyle New York 21 26 Francois Gall Charles Martin Hardie French, 1912-1987 Scottish, 1858-1916 At the Beach An Angler, 1892 Signed F. Gall (ll) Initialed CMH and dated 92 (ll) Oil on canvas Oil on canvas 8 5/8 x 10 3/4 inches 21 x 14 inches C C $800-1,200 $600-800 22 Francois Gall French, 1912-1987 Mother and Child in the Park Signed F. Gall (ll); inscribed F. GALL on the 27 reverse Peter Hayward Oil on canvas American, 1905-1993 8 3/4 x 10 5/8 inches Seascape, 1956 C Signed Peter Hayward (ll); signed Peter $800-1,200 Hayward and dated 1956 on the reverse Oil on canvas 23 18 x 40 1/8 inches Lucien Genin C French, 1894-1953 $800-1,200 (i) Grand Boulevard Signed Luciengenin (lr) 28 Gouache on paper Michel Henry 8 x 10 inches French, 1928-2016 Mer et Cristal (ii) Bridge on the Seine Signed Michel Henry (lr); inscribed as titled on Signed Luciengenin (ll) the stretcher Watercolor and gouache on paper Oil on canvas 7 5/8 x 9 1/2 inches 32 x 39 1/2 inches C $400-600 Provenance: Wally Findlay Galleries, New York 24 Purchased from the above in 1977 by the current Gilbert Guillery owner American, b. 1906 C (i) Strolling Along Washington Square Park $1,000-1,500 Signed and dated Gilbert Guillery '76 (lr) Oil on canvasboard 29 20 x 16 inches Jules Rene Herve French, 1887-1981 (ii) Salvation Army Intermission Signed and dated Gilbert Guillery '76 (ll) Signed Jules R Herve (ll) Oil on canvasboard Oil on canvas 16 x 20 inches 8 x 10 1/8 inches C Provenance for first: $800-1,200 Sale, Doyle, Oct. 13, 1993, lot 49 C $400-600 30 Gregory Stewart Hull American, b. 1950 25 Still Life with Basket, 1980 Marek Halter Signed Hull and dated 80 (ur); inscribed WF German, b. 1936 78528, #225 and as titled on the reverse (i) Figures on Red Oil on canvas Signed Marek Halter (ll) 24 x 36 inches Oil on canvas 23 1/2 x 31 5/8 inches Provenance: Wally Findlay Galleries (ii) Landscape with Figures C Signed Marek Halter (lr) $800-1,200 Oil on canvas 18 x 21 5/8 inches C Estate of Marjory H. Cohen $500-800 Sale Date - 02/10/2021 Page 3 Doyle New York 31 36 Gaston d'Illiers Benjamin Kopman French, 1877-1932 American, 1887-1965 Bucking Percheron In the Studio, 1965 Signed G. d'Illiers and inscribed France Signed Kopman and dated '65 (ll) Bronze with a brown patina Oil on canvas Height 4 1/2 inches 50 x 35 inches C Provenance: $800-1,200 Twin Oaks Plantation C Property of a New York Collector $800-1,200 32 Gaston d'Illiers 37 French, 1877-1932 Benjamin Kopman American, 1887-1965 (i) Trotting Horse Signed d'Illiers and inscribed France at the the Woman Reading in a Chair, 1938 base Signed Kopman and dated '38 (ul) Bronze with a brown patina Gouache on paper Height 4 7/8 inches 25 1/2 x 19 3/4 inches (ii) Prince C signed d'Illiers and inscribed France and as titled $200-300 on the base Bronze with a brown patina 4 1/4 inches Provenance: 38 Twin Oaks Plantation Benjamin Kopman C Property of a New York Collector American, 1887-1965 $800-1,200 Sunset, 1962 Signed Kopman and dated '62 (lr); inscribed as titled on the stretcher 33 Oil on canvas Max Jacob 22 x 28 inches French, 1876-1944 C (i) Wild Animal Trainer $500-700 Signed Max Jacob (lr) Gouache on paper Sight 12 x 15 3/4 inches 39 Pinchus Kremegne (ii) Acrobat in Circus Ring Russian, 1890-1981 Signed Max Jacob (lr) Landscape Watercolor on paper Signed Kremegne (ll) Oil on canvas 11 1/2 x 14 3/4 inches C Estate of Susan Pines 21 1/2 x 28 3/4 inches $1,000-1,500 C $1,000-1,500 34 Bob Kane 40 American, 1915-1998 Paul Emile Lecomte Conductor, 1968 French, 1877-1950 Signed Kane and dated 68 (ul); signed Bob Kane Village Market, Spain and inscribed as titled on the stretcher Signed Paul Emile Lecomte (ll) Oil on canvas Oil on canvas 60 x 36 inches 15 x 18 1/8 inches (38.1 x 46 cm) C Property from a Private Collection, Greenwich, Provenance: Connecticut Galerie Internationale, New York $500-700 Thence by descent to the current owner C $500-700 35 Benjamin Kopman American, 1887-1965 Man Reading Signed Kopman (ll) Oil on canvas 23 x 21 inches C $500-700 Sale Date - 02/10/2021 Page 4 Doyle New York 41 45 Jean Raffy Le Persan Melvin Miller French, 1920-1998 American, b.
Load more

Recommended publications
  • John Smith Main Street USA, CA 90210
    2908 W Bay To Bay Blvd. Tampa, FL 33629-8113 800-335-0513 APPRAISAL REPORT FOR John Smith Main Street USA, CA 90210 CLIENT ID: Clone of:440 PASSWORD: 1234 PURPOSE: Replacement Value New Introduction INTENDED USE: Insurance Coverage REPORT DATE: July 19, 2020 DATE OF INSPECTION: January 01, 2020 EFFECTIVE DATE OF VALUATION: January 11, 2020 Clone of:440 Replacement Value All Inclusive January 11, 2020 Page 2 of 269 Table of Contents TITLE PAGE ..................................................................................................................................1 TRANSMITTAL PAGE .................................................................................................................3 SCOPE OF WORK .........................................................................................................................4 PURPOSE .......................................................................................................................................5 PROCEDURES .............................................................................................................................. 6 CERTIFICATION AND LIMITING CONDITIONS ....................................................................7 DEFINITIONS OF VALUE ...........................................................................................................9 APPROACHES TO VALUE ........................................................................................................11 LINE-ITEM APPRAISALS ........................................................................................................
    [Show full text]
  • Departman of Training and Research Compiled By: Abdolhossein Ghasemnejad Translated By: Roozbeh Zhuleh in HIS NAME
    Departman of Training and Research Compiled by: Abdolhossein Ghasemnejad Translated by: Roozbeh Zhuleh IN HIS NAME Heritage, Environment Bijar1 (Bidjar) is a small city located on top of the Zagros mountains in western Iran, at the elevation of 1940 meters. Its neighbors include and Zanjan province (from northeastern border), the city of Takaab in west Azerbaijan (from northwest side), the city of Ghorveh (from south), a small part of Hamedan province (from east), Sanandaj Tourism and Divan darreh (from west). (Image No.1No.1) 3 Bijar Rugs Bijar Contents Heritage, Environment and Tourism 3 Kurdistan Handicrafts 6 History of rug weaving 7 Designs of Bijar Rugs 7 Patterns of Bijar Rugs 8 Technical characteristics 10 Colors 10 Ingredients 11 Size 11 Image No.1: Iran (Up) and Bijar (Bottom) 1. Latitude: 35° 52› 24.86›› N Longitude: 47° 35› 55.63›› E and go south. They had gone so far to the The moment you arrive and take your first point where they found the source of the river steps in the city, you’d feel the enchantment of (which is located near Bijar) and decided to the bluest of skies and the whitest of clouds. take residence there. Due to that, the place was The cold breeze upon your skin and the shin- named after its residents. Gradually “Gaduz” ing touches of the Sun bring you a sense of changed to “Garus”. Some people believe that joy like no other. a group of people called Garus, of the nomads, (Image No.2/3/4) chose the area in which Bijar is located today and since they were the dominant group of that area, they named it after themselves.
    [Show full text]
  • (Iowa City, Iowa), 1940-06-07
    • Jbnmy Foxx II Partly Cloudy lOW A: Cloody, abower. ~d OIonte Homer In Ninth For Bosox Trlumllh 001 hi IOU~ lociay; ralr, ! omewha. ~r 10 wesl. See story on Pare 4 1- lova City'. Morning New'paper 5 j::L£ :;:s ~ = FrvE CENTS IOWA CITY, IOWA F'R1DA Y, J_UNE 7. 1940 VOLUME XL N MBER 212 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • GERMAN DRIVE "NACH PARIS" IS LAUNCHED •• Savage German Offen ive Along Bomb A gaIn Somme~ Aisne Break Throl1 o h French Launch Counterallack and Take T.ract:le~ Foothold iu World War Contt'Sted Nazi Warplanes Raid England Flood Scare Chemin.Des·Dam . Eases as Walers S-Roy PARIS. June &-(AP)-Stubbornly fighting French, C schOOl For Second Time in 24 Hour pread F artlzer thrown back on their right and their left by a savage Ger­ man offensive along the Somme and Aisne, launched coun­ No One Kmerl, No Seriou~ Damage Rcportrrl WEST POINT, Neb., June 6 terattacks at dusk tonight .and the struggle wa reported con tinuing through the night. high (AP)-Revised esUmates tonight As Alarms Sound iFrom, Northeast ot llood waters coming down The Fren ch counteratt.ack was launched on their right or To Southeast Tip Plum creek lead observers to be­ east flank where the German infantry, prec ded by mass 9 lieve no great difficulties will be of tanks and s upported by artillery, had pu. hed south from 011 the LONDON J 7 (F · ) AP encpuntered w hen the crest the Ailette river in the Soissons ector and tak n foothold • une - rlday -( ) - Bombs weI' drop· reaches West Point, probably yoU g) in the World war contested ridg of Chemin-D s·Dam ju never re- t ped near a Lincolnshire town in northeastern England today ~ome time tomorrow morning, north of the Aisne.
    [Show full text]
  • Josie Dizon Henson Paintings
    PDF Compressor Pro Résumé JOSIE DIZON HENSON Born in Angeles City, then a small town in the heart of Pampanga, Josefina Dizon Henson, or Josie for short, always knew she would spend her life as an artist. She grew up in a household filled with music and art as her mother, Ines Sadie Henson-Dizon was a piano student of Sister Baptista Battig before she married Vicente Alvarez Dizon in 1929. She learned her art from the guidance of her elder brother Dan, who learned the rudiments of drawing from their father, the late Professor Vicente Alvarez Dizon of the University of the Philippines. Professor Dizon earned his Diploma in Art from the Yale University School of Fine Arts in 1936. In 1939, at the historic International Competition on Contemporary Art of 79 Nations at the Golden Gate Exposition in San Francisco, California his painting titled “After the Day’s Toil” won First Place by popular vote. The entry of Spain by Salvador Dali won second place, and the entry of the United States by Robert Philipp placed third. The French Impressionist Maurice Utrillo also had an entry but did not win. “After the Day’s Toil” After high school, Josie enrolled at the University of Santo Tomas in Manila for a course in Fine Arts. Among her professors were National Artist Victorio Edades in Art History, Galo B. Ocampo in Design and Color, Antonio Garcia Llamas in Portraiture, Virgina Ty-Navarro in Freehand Drawing, Antonio Celis in Still-Life Painting, Diosdado Lorenzo in Landscape Painting and Professor Jose Monti in Sculpture.
    [Show full text]
  • SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
    SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939).
    [Show full text]
  • Fine Paintings
    FINE PAINTINGS Tuesday,Tuesday, OctoberOctober 15, 2019 NEW YORK FINE PAINTINGS AUCTION Tuesday, October 15, 2019 at 10am EXHIBITION Friday, October 11, 10am – 5pm Saturday, October 12, 10am – 5pm Sunday, October 13, Noon – 5pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalog: $10 The Marian Sulzberger Heiskell & Andrew Heiskell Collection Doyle is honored to present The Marian Sulzberger INCLUDING PROPERTY FROM THE ESTATES OF Heiskell and Andrew Heiskell Collection in select Claire Chasanoff auctions throughout the Fall season. A civic leader David Follett and philanthropist, Marian championed outdoor James and Mary Freeborn community spaces across New York and led a The Marian Sulzberger Heiskell and nonprofit organization responsible for restoring Andrew Heiskell Collection the 42nd Street theatres. She was instrumental in Leonore Hodorowski the 1972 campaign to create the Gateway National A New York Estate Recreation Area, a 26,000-acre park with scattered beaches and wildlife refuges around the entrance to A Palm Beach Heiress the New York-New Jersey harbor. A Park Avenue Estate For 34 years, she worked as a Director of INCLUDING PROPERTY FROM The New York Times, where her grandfather, A Connecticut Private Collection father, husband, brother, nephew and grand-nephew Gertrude D. Davis Trust served as successive publishers. Her work at the The Metropolitan Museum of Art newspaper focused on educational projects. Two New York Gentlemen In 1965, Marian married Andrew Heiskell, A Palm Beach Collector the Chairman of Time Inc., whose philanthropies A Prominent Philadelphia Collector included the New York Public Library. A South Carolina Collector Property from The Marian Sulzberger Heiskell and Andrew Heiskell Collection in the October 15 auction comprises a pair of gouaches by French artist Ernest Pierre Guérin (lot 20).
    [Show full text]
  • Faces of the League Portraits from the Permanent Collection
    THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York.
    [Show full text]
  • Kurds and Kurdistan in the View of British Travellers in the Nineteenth Century
    Kurds and Kurdistan in the View of British Travellers in the Nineteenth Century Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Qadir Muhammad Muhammad School of History, Politics & International Relations University of Leicester 2017 Abstract Qadir Muhammad Muhammad This thesis is the first critical study of British travel writing on Kurdistan in the nineteenth century based upon travellers‟ accounts and unpublished reports of diplomats. The principal aim is to identify which aspects of Kurdish society and culture were highlighted by the British and to analyse what factors influenced British representations of the region and its people. The travellers‟ emphasis upon Kurdish culture and the Kurds‟ tribal culture, for example, is discussed in terms of contemporary interest in enlightenment sociology and the emergence of anthropology. A second key aim is to establish how far the British understood Kurds from their perspective on people in the East, whether they saw them as part of a homogeneous group of people, and the extent to which they recognised Kurds as culturally, socially, politically, and geographically. Finally, this thesis examines the importance of the Kurdish regions to the British imperial agenda. This research has made some important findings: firstly, it has confirmed that the British travellers were inclined to represent the Kurds as different from the other Muslim societies and therefore complicates our understanding of British views of the Ottoman and Persian empires in the nineteenth century. It shows that although the British depicted the Kurds as barbarous and quarrelsome, their accounts of Kurdistan did not fit a straightforward „Orientalist‟ model, particularly with regard to their observations on Kurdish women and the decline of the nomadic lifestyle.
    [Show full text]
  • Dynamics of Social Exclusion Thesis
    BHADOHI CARPET INDUSTRY: DYNAMICS OF SOCIAL EXCLUSION THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of Philosophy IN SOCIOLOGY BY ASFIYA KARIMI UNDER THE SUPERVISION OF PROF. ABDUL MATIN DEPARTMENT OF SOCIOLOGY ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2016 The work is dedicated to my Loving MOM and DAD who always encourage me to follow my dreams Acknowledgement It’s been a long road, of journey there are so many people to whom thanks I extend. First and foremost is a well-deserved thanks to my supervisor Prof. Abdul Matin Chairperson of the department of Sociology. He not only like a mentor but as a critic has crystallized me. He had involved me in several activities that helped me in shaping my personality. I can never forget his care and affection. I had been in a real pinch! Great mentorship, so approachable, good advice is his game. His debt on me will never be paid. I am extremely grateful to the UGC, for granting me the fellowship that really helped me to devote my energies fully into research work. It is a pleasure to express my gratitude wholeheartedly to the Library of Indian Institute of Economic Growth and Ratan Tata Library in Delhi University and Central library of BHU and JNU for allowing me to access their resources. I wish to thanks the staff of Maulana Azad Library of AMU for their cooperative assistance during my studies. I would also like to thank Ibne Hasan our seminar librarian of Sociology for providing the required material and also the seminar library of Commerce, History and Economics department of AMU for providing me the required material during my research work.
    [Show full text]
  • Of Silk, Wool and Cotton
    OF SILK, WOOL AND COTTON F INE C ARPETSAND T EXTILE A RT VOL . 2 OF SILK, WOOL AND COTTON F INE C ARPETSAND T EXTILE A RT Specializing in Antique and Decorative carpets and textiles C ONTENTS Introduction p.9 A n a t o l i a p.10 The Caucasus p.26 P e r s i a p.58 Central Asia p.96 A NATOLIA STEPPED NICHE PRAYER RUG, CENTRAL ANATOLIA. Early 19th century. This rug displays all the necessary attributes of design, wool quality and structure to place it in the Karapinar district. An engaging ambiguity is established between the proportions of the arches and the striking yellow ground. Eight-pointed stars float in the field giving balance to the whole composition. 173 x 108 cm. 7 KARAPINAR RUNNER. KONYA, CENTRAL ANATOLIA. MINIMALIST RUG, EASTERN ANATOLIA. First quarter of the 19th century. ca.1850 or earlier. A breathtaking proportion for a well A serene empty salmon field occupies the drawn design. This unusual piece is whole piece, except for a simple zig-zag characterized by fascinating contrasts. border. 486 x 141 cm. 260 x 90 cm. 9 LADIK PRAYER RUG, CENTRAL ANATOLIA. Late 18th century. This unmistakable group of carpets comes from a place of the same name, that lies northwest of Konya. Most pile works of Ladik are prayer rugs with a specific layout. The layout consists of a Mihrab, or prayer niche, and invariably a row of tulips. Tulips and other floral embellishments show the influence of the Ottoman court. The tulip was the symbol of the decadent Ottoman court in the 18th century (the “lale devri” period).
    [Show full text]
  • Id Title Publisher Year Subtitle Dep Isbn1 Isbn2
    ID TITLE PUBLISHER YEAR SUBTITLE DEP ISBN1 ISBN2 BOOK NR AUTHOR 1 The women's warpath ucla fowler museum of 1996 Iban ritual fabrics from borneo 15 0-930741-50-1 0-930741-51-x SEA0001 Traude Gavin cultural history 2 Textile traditions of Los Angeles county 1977 15 0-87587-083-x SEA0002 Mary Hunt Kahlenberg Indonesia museum of art 3 Indonesische Textilien Deutsches Textilmuseum 1984 Wege zu Göttern und Ahnen 15 3-923158-05-X SEA0003 Brigitte Khan Majlis Krefeld 4 Walk in splendor ucla fowler museum of 1999 ceremonial dress and the 15 0-930741-72-2 0-930741-73-0 SEA0004 T.Abdullah cultural history Minangkabau 5 Geometrie d'Oriente sillabe, Livorno 1999 Stefano Bardini e il tappeto 5 88 -8347- 010-9 GEN0029 Alberto Boralevi Oriental Geometries antico Stefano Bardini and the Antique Carpet 6 Her-ontdekking van Lamandart 1994 17 90-5276-009-8 90-5276-008-X SNA0001 Brommer,De Precolumbiaans Textiel Bolle,Hughes,Pollet,Sorbe r,Verhecken 7 Eeuwen van weven Nederlands 1992 Bij de Hopi- en Navajo- indianen 17 90-7096217-9 SNA0002 Helena Gelijns, Fred van Textielmuseum Tilburg Oss 8 Bolivian Indian Textiles dover publications, inc. 1981 Traditional Designs and 17 0-486-24118-1 SNA0003 Tamara E.Wasserman, Costumes Jonathan S.Hill 9 3000 jaar weven in de Andes Gemeentemuseum 1988 textiel uit Peru en Bolivia 17 90 68322 14 1 SNA0004 Brommer, Lugtigheid, Helmond Roelofs, Mook-Andreae 10 Coptic Textiles The friends of the Benaki 1971 22 Mag0019 Benaki Museum Museum,Athens 11 Coptic Fabrics Adam Biro 1990 14 2-87660-084-6 CPC0002 Marie Helene Rutschowscaya
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent.
    [Show full text]