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Michael Kammen Cornell University
The Arts and Public Contestation in American History Presentation for a Symposium at Princeton University’s Center for Arts and Cultural Policy Studies. Oct. 11, 2002 By Michael Kammen Cornell University My purpose in this paper is two-fold. I have attempted to develop a tentative and informal typology of the diverse stimuli and provocations for public conflict in the United States concerning art or “the arts,” very broadly defined. Doing so has involved the compilation of a list of almost eighty contested “episodes” ranging from 1842 to the present and then trying to discern patterns with particular regard for chronology and phasing. I am, after all, a historian by vocation, and consequently the rhythms of periodicity and change seem quite important to me. On the “humanistic side” I have opted to provide mini-narratives for an exemplary selection of these episodes in an effort to illustrate the broad and diverse range of conflicts that have arisen. I have deliberately avoided offering accounts of those conflicts most likely to be familiar to the greatest number of auditors, such as photographs by Robert Mapplethorpe (“The Perfect Moment”) in 1989-91, “The West as America” (1991), and “The Last Act” (the Enola Gay controversy in 1995-96). The case studies I have selected are likely to be familiar to some of you but perhaps not all. In any event, taken together they are certainly representative of the historical diversity of art- related provocations and the kinds that have been most persistent. An approximate “sequence of emergence,” as I see it, acknowledging some important exceptions and deviations, might move along the following lines. -
John Smith Main Street USA, CA 90210
2908 W Bay To Bay Blvd. Tampa, FL 33629-8113 800-335-0513 APPRAISAL REPORT FOR John Smith Main Street USA, CA 90210 CLIENT ID: Clone of:440 PASSWORD: 1234 PURPOSE: Replacement Value New Introduction INTENDED USE: Insurance Coverage REPORT DATE: July 19, 2020 DATE OF INSPECTION: January 01, 2020 EFFECTIVE DATE OF VALUATION: January 11, 2020 Clone of:440 Replacement Value All Inclusive January 11, 2020 Page 2 of 269 Table of Contents TITLE PAGE ..................................................................................................................................1 TRANSMITTAL PAGE .................................................................................................................3 SCOPE OF WORK .........................................................................................................................4 PURPOSE .......................................................................................................................................5 PROCEDURES .............................................................................................................................. 6 CERTIFICATION AND LIMITING CONDITIONS ....................................................................7 DEFINITIONS OF VALUE ...........................................................................................................9 APPROACHES TO VALUE ........................................................................................................11 LINE-ITEM APPRAISALS ........................................................................................................ -
(Iowa City, Iowa), 1940-06-07
• Jbnmy Foxx II Partly Cloudy lOW A: Cloody, abower. ~d OIonte Homer In Ninth For Bosox Trlumllh 001 hi IOU~ lociay; ralr, ! omewha. ~r 10 wesl. See story on Pare 4 1- lova City'. Morning New'paper 5 j::L£ :;:s ~ = FrvE CENTS IOWA CITY, IOWA F'R1DA Y, J_UNE 7. 1940 VOLUME XL N MBER 212 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • GERMAN DRIVE "NACH PARIS" IS LAUNCHED •• Savage German Offen ive Along Bomb A gaIn Somme~ Aisne Break Throl1 o h French Launch Counterallack and Take T.ract:le~ Foothold iu World War Contt'Sted Nazi Warplanes Raid England Flood Scare Chemin.Des·Dam . Eases as Walers S-Roy PARIS. June &-(AP)-Stubbornly fighting French, C schOOl For Second Time in 24 Hour pread F artlzer thrown back on their right and their left by a savage Ger man offensive along the Somme and Aisne, launched coun No One Kmerl, No Seriou~ Damage Rcportrrl WEST POINT, Neb., June 6 terattacks at dusk tonight .and the struggle wa reported con tinuing through the night. high (AP)-Revised esUmates tonight As Alarms Sound iFrom, Northeast ot llood waters coming down The Fren ch counteratt.ack was launched on their right or To Southeast Tip Plum creek lead observers to be east flank where the German infantry, prec ded by mass 9 lieve no great difficulties will be of tanks and s upported by artillery, had pu. hed south from 011 the LONDON J 7 (F · ) AP encpuntered w hen the crest the Ailette river in the Soissons ector and tak n foothold • une - rlday -( ) - Bombs weI' drop· reaches West Point, probably yoU g) in the World war contested ridg of Chemin-D s·Dam ju never re- t ped near a Lincolnshire town in northeastern England today ~ome time tomorrow morning, north of the Aisne. -
Josie Dizon Henson Paintings
PDF Compressor Pro Résumé JOSIE DIZON HENSON Born in Angeles City, then a small town in the heart of Pampanga, Josefina Dizon Henson, or Josie for short, always knew she would spend her life as an artist. She grew up in a household filled with music and art as her mother, Ines Sadie Henson-Dizon was a piano student of Sister Baptista Battig before she married Vicente Alvarez Dizon in 1929. She learned her art from the guidance of her elder brother Dan, who learned the rudiments of drawing from their father, the late Professor Vicente Alvarez Dizon of the University of the Philippines. Professor Dizon earned his Diploma in Art from the Yale University School of Fine Arts in 1936. In 1939, at the historic International Competition on Contemporary Art of 79 Nations at the Golden Gate Exposition in San Francisco, California his painting titled “After the Day’s Toil” won First Place by popular vote. The entry of Spain by Salvador Dali won second place, and the entry of the United States by Robert Philipp placed third. The French Impressionist Maurice Utrillo also had an entry but did not win. “After the Day’s Toil” After high school, Josie enrolled at the University of Santo Tomas in Manila for a course in Fine Arts. Among her professors were National Artist Victorio Edades in Art History, Galo B. Ocampo in Design and Color, Antonio Garcia Llamas in Portraiture, Virgina Ty-Navarro in Freehand Drawing, Antonio Celis in Still-Life Painting, Diosdado Lorenzo in Landscape Painting and Professor Jose Monti in Sculpture. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939). -
Fine Paintings
FINE PAINTINGS Tuesday,Tuesday, OctoberOctober 15, 2019 NEW YORK FINE PAINTINGS AUCTION Tuesday, October 15, 2019 at 10am EXHIBITION Friday, October 11, 10am – 5pm Saturday, October 12, 10am – 5pm Sunday, October 13, Noon – 5pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalog: $10 The Marian Sulzberger Heiskell & Andrew Heiskell Collection Doyle is honored to present The Marian Sulzberger INCLUDING PROPERTY FROM THE ESTATES OF Heiskell and Andrew Heiskell Collection in select Claire Chasanoff auctions throughout the Fall season. A civic leader David Follett and philanthropist, Marian championed outdoor James and Mary Freeborn community spaces across New York and led a The Marian Sulzberger Heiskell and nonprofit organization responsible for restoring Andrew Heiskell Collection the 42nd Street theatres. She was instrumental in Leonore Hodorowski the 1972 campaign to create the Gateway National A New York Estate Recreation Area, a 26,000-acre park with scattered beaches and wildlife refuges around the entrance to A Palm Beach Heiress the New York-New Jersey harbor. A Park Avenue Estate For 34 years, she worked as a Director of INCLUDING PROPERTY FROM The New York Times, where her grandfather, A Connecticut Private Collection father, husband, brother, nephew and grand-nephew Gertrude D. Davis Trust served as successive publishers. Her work at the The Metropolitan Museum of Art newspaper focused on educational projects. Two New York Gentlemen In 1965, Marian married Andrew Heiskell, A Palm Beach Collector the Chairman of Time Inc., whose philanthropies A Prominent Philadelphia Collector included the New York Public Library. A South Carolina Collector Property from The Marian Sulzberger Heiskell and Andrew Heiskell Collection in the October 15 auction comprises a pair of gouaches by French artist Ernest Pierre Guérin (lot 20). -
Download Issue (PDF)
Vol. 2 No. 2 wfimaqartr f l / l I l U X l U l I Winter 1977-78 ‘ARTISTS IN RESIDENCE': The First Five Years Five years ago, the A.I.R. feminist co-op gallery opened its doors, determined to make its own, individual mark on the art world. The first co-op organized out of the women artists' movement, it continues to set high standards of service and commitment to women's art by Corinne Robins page 4 EXORCISM, PROTEST, REBIRTH: Modes ot Feminist Expression in France Part I: French Women Artists Today by Gloria Feman Orenstein.............................................................page 8 SERAPHINE DE SENLIS With no formal art training, she embarked on a new vocation as visionary painter. Labelled mentally ill in her own time, she is finally receiving recognition in France for her awakening of 'female creativity' by Charlotte Calmis ..................................................................... p a g e 12 A.I.R.'S FIFTH ANNIVERSARY 1 ^ ^ INTERVIEW WITH JOAN SEMMEL W omanart interviews the controversial contemporary artist and author, curator of the recent "Contemporary Women: Consciousness and Content" at the Brooklyn Museum by Ellen L u b e ll.................................................................................page 14 TOWARD A NEW HUMANISM: Conversations with Women Artists Interviews with a cross-section of artists reveal their opinions on current questions and problems, and how these indicate movement toward a continuum of human values by Katherine Hoffman ................................................................... pa g e 22 GALLERY REVIEWS ..........................................................................page 30 WOMAN* ART»WORLD News items of interest ................................................................... page 42 FRENCH WOMEN ARTISTS REPORTS Lectures and panel discussions accompany "Women Artists: 1550-1950" and "Contemporary Women" at the Brooklyn Museum; Women Artists in H o lla n d ...............................................................page 43 Cover: A.I.R. -
American Art Today: Contemporary Landscape the Art Museum at Florida International University Frost Art Museum the Patricia and Phillip Frost Art Museum
Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 2-18-1989 American Art Today: Contemporary Landscape The Art Museum at Florida International University Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Recommended Citation Frost Art Museum, The Art Museum at Florida International University, "American Art Today: Contemporary Landscape" (1989). Frost Art Museum Catalogs. 11. https://digitalcommons.fiu.edu/frostcatalogs/11 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. RIGHT: COVER: Howard Kanovitz Louisa Matthiasdottir Full Moon Doors, 1984 Sheep with Landscape, 1986 Acrylic on canvas/wood construction Oil on canvas 47 x 60" 108 x ;4 x 15" Courtesy of Robert Schoelkopf Gallery, NY Courtesy of Marlborough Gallery, NY American Art Today: Contemporary Landscape January 13 - February 18, 1989 Essay by Jed Perl Organized by Dahlia Morgan for The Art Museum at Florida International University University Park, Miami, Florida 33199 (305) 554-2890 Exhibiting Artists Carol Anthony Howard Kanovitz Robert Berlind Leonard Koscianski John Bowman Louisa Matthiasdottir Roger Brown Charles Moser Gretna Campbell Grover Mouton James Cook Archie Rand James M. Couper Paul Resika Richard Crozier Susan Shatter -
Faces of the League Portraits from the Permanent Collection
THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York. -
NPS Commemorates Anniversary of the WWII Battle of Saipan
Arrowhead Summer 2004 • Vol. 11 • No. 3 fhe Newsletter of the Employees & Alumni Association of the National Park Service Published By Eastern National MARSH-BILLING S- ROCKEFELLER NHP NPS Commemorates Anniversary aurance S. Rockefeller, 94, a of the WWII Battle of Saipan Lchampion of American conserva tion and national parks, died July 11 merican Memorial Park, a park of 1944 led the way to secure Guam in "William Manchester, noted historian in his home in New York City. Mr. A located in the Commonwealth of July and to move up the island chain to and author who wrote his memoir of this Rockefeller was the fourth child of the Northern Mariana Islands (CNMI) Iwo Jima. It also led to the creation of part of the war in the Pacific...suggested John D. Rockefeller, Jr. and Abby North Field on adjacent Tinian Island that most soldiers during the war didn't Greene Aldrich. John D. Rockefeller, and managed by the National Park Ser Jr. was an enthusiastic supporter of vice, hosted the 60th Commemoration where the B-29s, Enola Gay and Bock's know where they were in the Pacific," park-building and historic preserva of the Liberation of Saipan, June 12 Car, took off with their payload of Jarvis said. "The National Park Service tion. The Great Smoky Mountains, through 17. Partners in the commemo bombs for Hiroshima and Nagasaki. wants to correct that with future genera Shenandoah, Grand Teton, Acadia ration were the government of the American Memorial Park in Garapan, tions knowing the significance these and Redwood national parks are tes CNMI and the Arizona Memorial Saipan, was the site for returning VFW islands played in the fight for freedom." timony to his generosity. -
Mayor's Awards for Excellence in the Arts Past Recipients
Mayor’s Awards for Excellence in the Arts Past Recipients 2018/2019 Charles MacKay, Former General Director of the Santa Fe Opera 2018 marked Charles MacKay’s 10th and final season as General Director of The Santa Fe Opera and the culmination of his extraordinary 50-year career, a trajectory that took him from orchestra “pit boy” to impresario. Charles started his career at The Santa Fe Opera in 1968, working in several administrative and artistic capacities until 1978 when he went to work for the Spoleto Festival USA and Festival of Two Worlds. In 1985 he became Executive Director, then General Director of Opera Theatre of Saint Louis until returning in 2008 to The Santa Fe Opera as General Director. Only the third General Director in Santa Fe Opera history, Charles leaves The Santa Fe Opera an important legacy to build upon, including improved infrastructure and enhanced front-of-house facilities; administrative buildings, beautiful grounds, Information Technology, and rehearsal facilities; increased net assets from $61 to $120 million, and an increased operating budget from $17 million to $24 million. He oversaw the strengthening of education and community programs serving over 50,000 people annually. All in all, Charles passed on an institution whose annual economic impact to the region is approximately $250 million. Myra Krien, International Performer, Choreographer, and Educator Marie Romero Cash was born into a Santa Fe family of sculptors, tinsmiths, retablo painters, and colcha stitchers. Her parents, National Endowment for the Arts fellowship recipients Emilio and Senaida Romero helped revive the traditions of hammered-tin work and stitchery. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent.