Thursday July 18, 2019 ®

Total Page:16

File Type:pdf, Size:1020Kb

Thursday July 18, 2019 ® ® THURSDAY JULY 18, 2019 ® AUCTION Thursday, July 18, 2019 at 10am EXHIBITION Friday, July 12, 10am – 5pm Monday, July 15, 10am – 6pm Tuesday, July 16, 10am – 5pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com 6 11 PAINTINGS Laurence Biddle Walter Clark English, 1888-1968 American, 1848-1917 1 Floral Still Life, 1929 Autumn Pastorale Along the Bronx River, Rodolfo Abularach Signed Laurence Biddle and dated 29 (lc); circa 1900 Guatemalan, b. 1933 signed Laurence Biddle, dated 1929, Signed Walter Clark (lr) INCLUDING PROPERTY FROM THE ESTATES OF CONTENTS Untitled, 1966 inscribed 151 and Primulas / Geraniums / Oil on canvas Frances “Peggy” Brooks Paintings 1-85 Signed Abularach and dated 66 (lr) Wallflowers / Primroses / Seillas on a label 20 x 24 inches Joan Dollard Prints 86-99 Ink on paper on the backing board and inscribed No 151 Sight 28 3/4 x 22 inches in the artists catalogue on a separate label Provenance: Nancy Friday Furniture & Decorations 100-344 C Estate of a Gentleman, Park Avenue and Oil on panel Raydon Gallery, New York Arleen S. Gamza Silver & Silver Plate 345-369 Southampton, New York 12 x 18 inches C Property of a Palm Beach Collector $800-1,200 A Gentleman, Park Avenue and Southampton, New York Furniture & Decorations 370-379 $200-400 C $800-1,200 Barbara Grodd Chandeliers & Lighting 380-388 2 12 Lili Israel Furniture & Decorations 389-466 Carol Anthony 7 Continental School 19th/20th Century Bonnie Jacobson Carpets & Rugs 467-481 American, b. 1943 Marcelo Bonevardi Private Edition: Inner Room Table I, 1983 Argentine, 1929-1994 At the Edge of the Woods Linda Lee Johnson Signed Carol Anthony and dated 83 (ll), The Mechanics of Angels, 1975 Remnants of a signature (lr) Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation inscribed Private Edition (lr) Signed Bonevardi and dated 75 (lr); Oil on board 9 1/8 x 7 inches A Lady Craypas and enamel on gessoed Masonite inscribed as titled (ll) 15 x 18 inches Watercolor and charcoal on paper C A Long Island Lady $600-900 Provenance: Sight 20 x 14 inches Peter Mayer C Estate of a Gentleman, Park Avenue and Maxwell Davidson Gallery, New York 13 A New York Art Historian Glossary I C Estate of Bonnie Jacobson Southampton, New York $200-400 Continental School Ruth Schapira Conditions of Sale II $800-1,200 19th Century James W. Smith Terms of Guarantee IV Garden Party 3 8 Information on Sales & Use Tax V Oil on canvas Carol Anthony Manolis Calliyannis 20 x 24 inches Buying at Doyle VI American, b. 1943 Greek, b. 1923 Le Soleil I, 1957 C Selling at Doyle VIII Blue Sky Series, (triptych), 1978 $700-900 Each signed Carol Anthony and dated 1978 (lr) Signed Manolis Calliyannis (lr); Auction Schedule IX inscribed 25F / Manolis Calliyannis / Crayon and enamel on paper 14 Company Directory X Each 18 3/4 x 23 3/4 inches Le Soileil I / 10 / 1957 on the reverse INCLUDING PROPERTY FROM Oil on canvas Matthew Ridley Corbet A Private Monarch Beach, CA Collector Absentee Bid Form XII Provenance: 32 x 25 3/4 inches British, 1850-1902 Pastoral Landscape, Italy A New York City Townhouse designed by Miles Redd Monique Knowlton Gallery, New York C C $800-1,200 Signed MR Corbet (ll) A New York Connoisseur $800-1,200 Oil on panel 6 1/4 x 15 1/4 inches A Palm Beach Collector 9 A Prominent Philadelphia Collection 4 Moshe Elazar Castel Provenance: Piero Aversa Israeli/American, 1909-1992 The Fine Art Society, London American, 1928-1990 Untitled (from Kabbalistic Series), 1965 C The Beginning of the Rainbow, 1987 Signed Castel (lr), signed Castel and $700-900 Signed Piero Aversa and dated ‘87 (lr); dated 1965 on the reverse inscribed by Piero Aversa, dated K. W 1987, Oil and basalt on canvas 15 and inscribed as titled on the stretcher 28 3/4 x 24 inches Amee Davis Oil on canvas C American, 1893-1972 23 7/8 x 35 7/8 inches $2,000-3,000 Road to the Sea C Property from the Estate of Nancy Friday Signed Amee Davis (lr) $300-500 10 Oil on canvas John Wesley Chumley 25 x 30 inches 5 American, 1928-1984 C Estate of James W. Smith Robert Berlind Refuge, 1971 $400-600 American, b. 1938 Signed Chumley (lr) Lightspill, 1982 Tempera on board 16 Signed Berlind and dated ‘82 (ll) 25 1/2 x 40 inches John Dearman Acrylic on paper British, 1776-1857 26 1/4 x 40 inches Provenance: Hirschl & Adler Galleries, New York Landscape with Cattle, 1846 Provenance: Signed John Dearman and dated 1846 (ll) Ruth Siegel Ltd., New York Exhibited: Oil on canvas Shreveport, Louisiana, The R.W. Norton Art 16 x 23 inches C $800-1,200 Gallery, John Chumley’s Rural America, Oct. 1- Nov. 5, 1972 Provenance: C Property of a Private Collector, Long Island William Rodman and Co., Belfast, Ireland $1,200-1,800 C From a Private Monarch Beach, California Collector $1,200-1,800 VIEW THE ILLUSTRATED CATALOG AND BID ONLINE AT DOYLE.COM 5 17 22 28 33 39 44 Gilbert Desir European School Paul Georges Juhani Harri Bernard de Hoog Vytautas Kasiulis Haitian, 20th Century 19th Century Landscape with Shadowy Shed, 1960 Finnish, 1939-2003 Dutch, 1867-1943 Lithuanian, 1918-1995 Village Two Ladies with their Dogs, 1866 Signed Georges and dated 1960 on the Oaxaca Ritual The Happy Mother Violinists Signed Gilbert Desir and inscribed Haiti (lc) Signed indistinctly and dated 1866 (lr) reverse; inscribed JH.61.260 and 66.2013 Signed Harri (lr); inscribed Harri and as Signed Bernard de Hoog (ll) Signed Kasiulis (ll) Oil on Masonite Oil on canvas on the stretcher titled on the stretcher; further inscribed 55 Oil on canvas Oil on canvas 12 x 36 inches 48 x 34 inches Oil on canvas on the reverse 29 1/2 x 23 inches 9 1/2 x 13 inches C C 20 1/2 x 27 1/2 inches Oil on canvas Unframed $800-1,200 $2,000-4,000 42 x 50 inches Provenance: C Provenance: C Laura A. Clubb, Kaw City, OK $1,000-1,500 18 23 Ex-coll. Hirshhorn Museum, Washington, D.C. $800-1,200 By gift to the Philbrook Art Center (now the [Sale] Stair Galleries, Hudson, NY, Philbrook Museum of Art), Tulsa, OK, 1947 Circle of Alfred de Dreux European School 45 Le Baiser a Plein Galop 19th/20th Century Jul. 13, 2013, lot 256 34 Private Collection, New York C C Milan Kunc Inscribed Alfred de Dreux (ll) Fisher Folk on the Beach and James Harrington Czech, b. 1944 Oil on canvas Mussel Gatherers: Two $500-700 American, b. 1929 $1,500-2,500 Nude with Pears, 1984 24 1/2 x 29 1/8 inches (60 x 74 cm) Signed indistinctly (ll and lr, respectively) Autumn Palette Signed M. Kunc and dated 84. (lr) Watercolor on paper 29 Signed Jas Harrington (ll) 40 Ink and oil stick on paper Provenance: Sight of each 7 1/4 x 17 5/8 inches German School Oil on canvas Arturo Irureta 11 x 16 5/8 inches Sotheby’s London, May 3, 1967, lot 54 C Estate of James W. Smith 19th Century 16 x 24 inches Argentinian, 20th Century C Estate of a Gentleman, Park Avenue and (as Alfred de Dreux) $400-600 Mountain Lake Street at Night, 1976 Southampton, New York Dobiaschofsky, Bern, May 16, 2014, lot 400 Signed indistictly ... Neubert (lr) Provenance: Signed A. Irureta (lr); signed Arturo Irureta $600-900 Private collection, Los Angeles 24 Oil on canvas Seraphim Gallery, Englewood, New Jersey and dated 1976 on the reverse C 25 3/4 x 35 inches C Oil on board 46 $800-1,200 Fabio Fabbi C $800-1,200 19 1/2 x 23 1/2 inches Italian, 1861-1946 Henri Lebasque (i) Harem Dancers: Two $800-1,200 French, 1865-1937 19 35 Provenance: Each signed F. Fabbi (lr) Galeria Zurbaran, Buenos Aires Spanish Woman Frederick Dielman Each watercolor on paper 30 Katherine Ann Hartley Signed Lebasque (lr) American, 1847-1935 American, b. 1959 C 19 1/8 x 13 3/8 inches Nahum Gilboa $500-700 Watercolor and pencil on paper The Betrothal (ii) Dancer with a Tambourine Bulgarian/Israeli, 1917-1976 Still Life with Melon 13 1/2 x 8 1/4 inches Signed with initials F. D. (lr); City on a Hilltop Initialed AH (lr) Signed F. Fabbi (lr) 41 C Property of a Lady inscribed Frederick Dielman on the stretcher Watercolor on paper Signed Nahum Gilboa (lr) Oil on board $600-1,000 Oil on canvas Oil on canvas 10 x 14 inches Lesley (Elizabeth) Jackson 9 3/8 x 6 7/8 inches American, 1866-1958 20 x 30 inches C 20 1/2 x 24 inches C 47 C $500-700 The Dome at the Capitol, Washington, D.C. Provenance: $2,500-3,500 Signed Lesley Jackson (lr) Charles Henri Joseph Leickert $1,500-2,500 Belgian, 1818-1907 [Sale] Sotheby’s Arcade, New York, 36 Gouache on paper April 5, 1995, lot 159 25 11 3/4 x 9 7/8 inches Windmills Along a River 31 Jules Rene Herve Signed Ch Leickert (ll) C French School French, 1887-1981 C $800-1,200 19th/20th Century Alvaro Guevara $1,200-1,800 Oil on canvas Bouquet of Flowers Chilean, 1894-1951 Le Jardin des Tuileries (Louvre) 11 3/4 x 18 1/4 inches Maruja, 1943 Signed Jules R.
Recommended publications
  • Michael Kammen Cornell University
    The Arts and Public Contestation in American History Presentation for a Symposium at Princeton University’s Center for Arts and Cultural Policy Studies. Oct. 11, 2002 By Michael Kammen Cornell University My purpose in this paper is two-fold. I have attempted to develop a tentative and informal typology of the diverse stimuli and provocations for public conflict in the United States concerning art or “the arts,” very broadly defined. Doing so has involved the compilation of a list of almost eighty contested “episodes” ranging from 1842 to the present and then trying to discern patterns with particular regard for chronology and phasing. I am, after all, a historian by vocation, and consequently the rhythms of periodicity and change seem quite important to me. On the “humanistic side” I have opted to provide mini-narratives for an exemplary selection of these episodes in an effort to illustrate the broad and diverse range of conflicts that have arisen. I have deliberately avoided offering accounts of those conflicts most likely to be familiar to the greatest number of auditors, such as photographs by Robert Mapplethorpe (“The Perfect Moment”) in 1989-91, “The West as America” (1991), and “The Last Act” (the Enola Gay controversy in 1995-96). The case studies I have selected are likely to be familiar to some of you but perhaps not all. In any event, taken together they are certainly representative of the historical diversity of art- related provocations and the kinds that have been most persistent. An approximate “sequence of emergence,” as I see it, acknowledging some important exceptions and deviations, might move along the following lines.
    [Show full text]
  • John Smith Main Street USA, CA 90210
    2908 W Bay To Bay Blvd. Tampa, FL 33629-8113 800-335-0513 APPRAISAL REPORT FOR John Smith Main Street USA, CA 90210 CLIENT ID: Clone of:440 PASSWORD: 1234 PURPOSE: Replacement Value New Introduction INTENDED USE: Insurance Coverage REPORT DATE: July 19, 2020 DATE OF INSPECTION: January 01, 2020 EFFECTIVE DATE OF VALUATION: January 11, 2020 Clone of:440 Replacement Value All Inclusive January 11, 2020 Page 2 of 269 Table of Contents TITLE PAGE ..................................................................................................................................1 TRANSMITTAL PAGE .................................................................................................................3 SCOPE OF WORK .........................................................................................................................4 PURPOSE .......................................................................................................................................5 PROCEDURES .............................................................................................................................. 6 CERTIFICATION AND LIMITING CONDITIONS ....................................................................7 DEFINITIONS OF VALUE ...........................................................................................................9 APPROACHES TO VALUE ........................................................................................................11 LINE-ITEM APPRAISALS ........................................................................................................
    [Show full text]
  • (Iowa City, Iowa), 1940-06-07
    • Jbnmy Foxx II Partly Cloudy lOW A: Cloody, abower. ~d OIonte Homer In Ninth For Bosox Trlumllh 001 hi IOU~ lociay; ralr, ! omewha. ~r 10 wesl. See story on Pare 4 1- lova City'. Morning New'paper 5 j::L£ :;:s ~ = FrvE CENTS IOWA CITY, IOWA F'R1DA Y, J_UNE 7. 1940 VOLUME XL N MBER 212 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • GERMAN DRIVE "NACH PARIS" IS LAUNCHED •• Savage German Offen ive Along Bomb A gaIn Somme~ Aisne Break Throl1 o h French Launch Counterallack and Take T.ract:le~ Foothold iu World War Contt'Sted Nazi Warplanes Raid England Flood Scare Chemin.Des·Dam . Eases as Walers S-Roy PARIS. June &-(AP)-Stubbornly fighting French, C schOOl For Second Time in 24 Hour pread F artlzer thrown back on their right and their left by a savage Ger­ man offensive along the Somme and Aisne, launched coun­ No One Kmerl, No Seriou~ Damage Rcportrrl WEST POINT, Neb., June 6 terattacks at dusk tonight .and the struggle wa reported con tinuing through the night. high (AP)-Revised esUmates tonight As Alarms Sound iFrom, Northeast ot llood waters coming down The Fren ch counteratt.ack was launched on their right or To Southeast Tip Plum creek lead observers to be­ east flank where the German infantry, prec ded by mass 9 lieve no great difficulties will be of tanks and s upported by artillery, had pu. hed south from 011 the LONDON J 7 (F · ) AP encpuntered w hen the crest the Ailette river in the Soissons ector and tak n foothold • une - rlday -( ) - Bombs weI' drop· reaches West Point, probably yoU g) in the World war contested ridg of Chemin-D s·Dam ju never re- t ped near a Lincolnshire town in northeastern England today ~ome time tomorrow morning, north of the Aisne.
    [Show full text]
  • Josie Dizon Henson Paintings
    PDF Compressor Pro Résumé JOSIE DIZON HENSON Born in Angeles City, then a small town in the heart of Pampanga, Josefina Dizon Henson, or Josie for short, always knew she would spend her life as an artist. She grew up in a household filled with music and art as her mother, Ines Sadie Henson-Dizon was a piano student of Sister Baptista Battig before she married Vicente Alvarez Dizon in 1929. She learned her art from the guidance of her elder brother Dan, who learned the rudiments of drawing from their father, the late Professor Vicente Alvarez Dizon of the University of the Philippines. Professor Dizon earned his Diploma in Art from the Yale University School of Fine Arts in 1936. In 1939, at the historic International Competition on Contemporary Art of 79 Nations at the Golden Gate Exposition in San Francisco, California his painting titled “After the Day’s Toil” won First Place by popular vote. The entry of Spain by Salvador Dali won second place, and the entry of the United States by Robert Philipp placed third. The French Impressionist Maurice Utrillo also had an entry but did not win. “After the Day’s Toil” After high school, Josie enrolled at the University of Santo Tomas in Manila for a course in Fine Arts. Among her professors were National Artist Victorio Edades in Art History, Galo B. Ocampo in Design and Color, Antonio Garcia Llamas in Portraiture, Virgina Ty-Navarro in Freehand Drawing, Antonio Celis in Still-Life Painting, Diosdado Lorenzo in Landscape Painting and Professor Jose Monti in Sculpture.
    [Show full text]
  • SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
    SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939).
    [Show full text]
  • Fine Paintings
    FINE PAINTINGS Tuesday,Tuesday, OctoberOctober 15, 2019 NEW YORK FINE PAINTINGS AUCTION Tuesday, October 15, 2019 at 10am EXHIBITION Friday, October 11, 10am – 5pm Saturday, October 12, 10am – 5pm Sunday, October 13, Noon – 5pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalog: $10 The Marian Sulzberger Heiskell & Andrew Heiskell Collection Doyle is honored to present The Marian Sulzberger INCLUDING PROPERTY FROM THE ESTATES OF Heiskell and Andrew Heiskell Collection in select Claire Chasanoff auctions throughout the Fall season. A civic leader David Follett and philanthropist, Marian championed outdoor James and Mary Freeborn community spaces across New York and led a The Marian Sulzberger Heiskell and nonprofit organization responsible for restoring Andrew Heiskell Collection the 42nd Street theatres. She was instrumental in Leonore Hodorowski the 1972 campaign to create the Gateway National A New York Estate Recreation Area, a 26,000-acre park with scattered beaches and wildlife refuges around the entrance to A Palm Beach Heiress the New York-New Jersey harbor. A Park Avenue Estate For 34 years, she worked as a Director of INCLUDING PROPERTY FROM The New York Times, where her grandfather, A Connecticut Private Collection father, husband, brother, nephew and grand-nephew Gertrude D. Davis Trust served as successive publishers. Her work at the The Metropolitan Museum of Art newspaper focused on educational projects. Two New York Gentlemen In 1965, Marian married Andrew Heiskell, A Palm Beach Collector the Chairman of Time Inc., whose philanthropies A Prominent Philadelphia Collector included the New York Public Library. A South Carolina Collector Property from The Marian Sulzberger Heiskell and Andrew Heiskell Collection in the October 15 auction comprises a pair of gouaches by French artist Ernest Pierre Guérin (lot 20).
    [Show full text]
  • Download Issue (PDF)
    Vol. 2 No. 2 wfimaqartr f l / l I l U X l U l I Winter 1977-78 ‘ARTISTS IN RESIDENCE': The First Five Years Five years ago, the A.I.R. feminist co-op gallery opened its doors, determined to make its own, individual mark on the art world. The first co-op organized out of the women artists' movement, it continues to set high standards of service and commitment to women's art by Corinne Robins page 4 EXORCISM, PROTEST, REBIRTH: Modes ot Feminist Expression in France Part I: French Women Artists Today by Gloria Feman Orenstein.............................................................page 8 SERAPHINE DE SENLIS With no formal art training, she embarked on a new vocation as visionary painter. Labelled mentally ill in her own time, she is finally receiving recognition in France for her awakening of 'female creativity' by Charlotte Calmis ..................................................................... p a g e 12 A.I.R.'S FIFTH ANNIVERSARY 1 ^ ^ INTERVIEW WITH JOAN SEMMEL W omanart interviews the controversial contemporary artist and author, curator of the recent "Contemporary Women: Consciousness and Content" at the Brooklyn Museum by Ellen L u b e ll.................................................................................page 14 TOWARD A NEW HUMANISM: Conversations with Women Artists Interviews with a cross-section of artists reveal their opinions on current questions and problems, and how these indicate movement toward a continuum of human values by Katherine Hoffman ................................................................... pa g e 22 GALLERY REVIEWS ..........................................................................page 30 WOMAN* ART»WORLD News items of interest ................................................................... page 42 FRENCH WOMEN ARTISTS REPORTS Lectures and panel discussions accompany "Women Artists: 1550-1950" and "Contemporary Women" at the Brooklyn Museum; Women Artists in H o lla n d ...............................................................page 43 Cover: A.I.R.
    [Show full text]
  • American Art Today: Contemporary Landscape the Art Museum at Florida International University Frost Art Museum the Patricia and Phillip Frost Art Museum
    Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 2-18-1989 American Art Today: Contemporary Landscape The Art Museum at Florida International University Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Recommended Citation Frost Art Museum, The Art Museum at Florida International University, "American Art Today: Contemporary Landscape" (1989). Frost Art Museum Catalogs. 11. https://digitalcommons.fiu.edu/frostcatalogs/11 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. RIGHT: COVER: Howard Kanovitz Louisa Matthiasdottir Full Moon Doors, 1984 Sheep with Landscape, 1986 Acrylic on canvas/wood construction Oil on canvas 47 x 60" 108 x ;4 x 15" Courtesy of Robert Schoelkopf Gallery, NY Courtesy of Marlborough Gallery, NY American Art Today: Contemporary Landscape January 13 - February 18, 1989 Essay by Jed Perl Organized by Dahlia Morgan for The Art Museum at Florida International University University Park, Miami, Florida 33199 (305) 554-2890 Exhibiting Artists Carol Anthony Howard Kanovitz Robert Berlind Leonard Koscianski John Bowman Louisa Matthiasdottir Roger Brown Charles Moser Gretna Campbell Grover Mouton James Cook Archie Rand James M. Couper Paul Resika Richard Crozier Susan Shatter
    [Show full text]
  • Faces of the League Portraits from the Permanent Collection
    THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York.
    [Show full text]
  • NPS Commemorates Anniversary of the WWII Battle of Saipan
    Arrowhead Summer 2004 • Vol. 11 • No. 3 fhe Newsletter of the Employees & Alumni Association of the National Park Service Published By Eastern National MARSH-BILLING S- ROCKEFELLER NHP NPS Commemorates Anniversary aurance S. Rockefeller, 94, a of the WWII Battle of Saipan Lchampion of American conserva­ tion and national parks, died July 11 merican Memorial Park, a park of 1944 led the way to secure Guam in "William Manchester, noted historian in his home in New York City. Mr. A located in the Commonwealth of July and to move up the island chain to and author who wrote his memoir of this Rockefeller was the fourth child of the Northern Mariana Islands (CNMI) Iwo Jima. It also led to the creation of part of the war in the Pacific...suggested John D. Rockefeller, Jr. and Abby North Field on adjacent Tinian Island that most soldiers during the war didn't Greene Aldrich. John D. Rockefeller, and managed by the National Park Ser­ Jr. was an enthusiastic supporter of vice, hosted the 60th Commemoration where the B-29s, Enola Gay and Bock's know where they were in the Pacific," park-building and historic preserva­ of the Liberation of Saipan, June 12 Car, took off with their payload of Jarvis said. "The National Park Service tion. The Great Smoky Mountains, through 17. Partners in the commemo­ bombs for Hiroshima and Nagasaki. wants to correct that with future genera­ Shenandoah, Grand Teton, Acadia ration were the government of the American Memorial Park in Garapan, tions knowing the significance these and Redwood national parks are tes­ CNMI and the Arizona Memorial Saipan, was the site for returning VFW islands played in the fight for freedom." timony to his generosity.
    [Show full text]
  • Mayor's Awards for Excellence in the Arts Past Recipients
    Mayor’s Awards for Excellence in the Arts Past Recipients 2018/2019 Charles MacKay, Former General Director of the Santa Fe Opera 2018 marked Charles MacKay’s 10th and final season as General Director of The Santa Fe Opera and the culmination of his extraordinary 50-year career, a trajectory that took him from orchestra “pit boy” to impresario. Charles started his career at The Santa Fe Opera in 1968, working in several administrative and artistic capacities until 1978 when he went to work for the Spoleto Festival USA and Festival of Two Worlds. In 1985 he became Executive Director, then General Director of Opera Theatre of Saint Louis until returning in 2008 to The Santa Fe Opera as General Director. Only the third General Director in Santa Fe Opera history, Charles leaves The Santa Fe Opera an important legacy to build upon, including improved infrastructure and enhanced front-of-house facilities; administrative buildings, beautiful grounds, Information Technology, and rehearsal facilities; increased net assets from $61 to $120 million, and an increased operating budget from $17 million to $24 million. He oversaw the strengthening of education and community programs serving over 50,000 people annually. All in all, Charles passed on an institution whose annual economic impact to the region is approximately $250 million. Myra Krien, International Performer, Choreographer, and Educator Marie Romero Cash was born into a Santa Fe family of sculptors, tinsmiths, retablo painters, and colcha stitchers. Her parents, National Endowment for the Arts fellowship recipients Emilio and Senaida Romero helped revive the traditions of hammered-tin work and stitchery.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent.
    [Show full text]