DOCSLIB.ORG

2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD of TRUSTEES COMMITTEE W

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD of TRUSTEES COMMITTEE W NATIONAL GALLERY OF ART 2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD OF TRUSTEES COMMITTEE W. Russell G. Byers Jr. (as of 30 September 2011) Victoria P. Sant Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Robert W. Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher John Wilmerding Aaron I. Fleischman Juliet C. Folger FINANCE COMMITTEE Marina K. French Mitchell P. Rales Lenore Greenberg Chairman Rose Ellen Greene Timothy F. Geithner Richard C. Hedreen Secretary of the Treasury Helen Henderson Frederick W. Beinecke John Wilmerding Victoria P. Sant Benjamin R. Jacobs Chairman President Sharon P. Rockefeller Sheila C. Johnson Victoria P. Sant Betsy K. Karel John Wilmerding Linda H. Kaufman Mark J. Kington AUDIT COMMITTEE Robert L. Kirk Frederick W. Beinecke Jo Carole Lauder Chairman Leonard A. Lauder Timothy F. Geithner Secretary of the Treasury LaSalle D. Leffall Jr. Mitchell P. Rales Robert B. Menschel Harvey S. Shipley Miller Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant Diane A. Nixon John Wilmerding John G. Pappajohn Sally E. Pingree TRUSTEES EMERITI Diana C. Prince Roger W. Sant Robert F. Erburu B. Francis Saul II John C. Fontaine Thomas A. Saunders III Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Albert H. Small David O. Maxwell Michelle Smith Ruth Carter Stevenson Benjamin F. Stapleton Sharon P. Rockefeller John G. Roberts Jr. Luther M. Stovall Chief Justice of the EXECUTIVE OFFICERS Ladislaus von Hoffmann United States Victoria P. Sant President Alice L. Walton William L. Walton Earl A. Powell III Director Walter L. Weisman Franklin Kelly John R. West Deputy Director and Chief Curator Andrea Woodner Elizabeth Cropper Dean, Center for Advanced Study in the Visual Arts HONORARY TRUSTEES’ Darrell R. Willson COUNCIL Administrator (as of 30 September 2011) William W. McClure Edwin L. Cox Hillary Rodham Clinton Timothy F. Geithner Treasurer Secretary of State Secretary of the Treasury Robert F. Erburu Elizabeth A. Croog Secretary and General Counsel John C. Fontaine Joseph J. Krakora Julian Ganz, Jr. Executive Officer, Development and Alexander M. Laughlin External Affairs David O. Maxwell Ruth Carter Stevenson TRUSTEES’ COUNCIL John C. Whitehead (as of 30 September 2011) James T. Dyke Chairman William H. Ahmanson G. Wayne Clough Max N. Berry Secretary of the Smithsonian Institution NATIONAL GALLERY OF ART Washington, D.C. 4 PRESIDENT’S FOREWORD Fiscal year 2011 marked the beginning of con- the Patrons’ Permanent Fund to the exhibi- struction for major repairs to the marble façade tion The Pre-Raphaelite Lens: British of the National Gallery of Art’s East Building. Photography and Painting, 1848–1875. The This project represents the best of what the Gallery’s photography program especially Gallery can achieve with vital support from flourished thanks in no small part to Mel’s the federal government: an enduring commit- enthusiastic support. We also were saddened ment to providing the American people with by the death of Stephen A. Hahn, who will access to great artistic achievements. long be remembered for his numerous con- Open during construction, the Gallery tributions to the visual arts and to the welcomed more than 4.6 million visitors to its museum community in particular. He made East and West Buildings and Sculpture an enormous difference at the Gallery in Garden, where they had the opportunity to enhancing the nation’s collection of modern engage with and deepen their understanding art with his superb Dubuffet collection. of great works of art. Our special exhibitions The trustees and staff also mourned the loss in particular offered visitors insight into some of two staff members: Ross Merrill, the of the world’s most renowned artists, includ- Gallery’s chief of conservation from 1983 to ing Paul Gauguin in the exhibition Gauguin: 2009, and David E. Rust, curator of French, Maker of Myth and Andy Warhol with Warhol: British, and Spanish painting from 1961 to Headlines. Other exhibitions, like Venice: 1983, who also gave the Gallery several Canaletto and His Rivals; Lewis Baltz: Prototypes/ important works on paper to expand the Ronde de Nuit; Gabriel Metsu, 1629–1667; and nation’s holdings of graphic art. The Gothic Spirit of John Taylor Arms, exposed My fellow trustees and I are grateful for visitors to lesser-known artists. The success of the critical support received from private these special exhibitions complemented donors this year. We would especially like achievements in crucial behind-the-scenes to thank Juliet and Lee Folger for their gener- activities such as conservation, educational ous gift for the acquisition of Amsterdam Harbor programming, and scholarly research. Scene by Reinier Nooms, called Zeeman, The Gallery continues to rely on the strong through the Lee and Juliet Folger Fund. public-private partnership that has sustained it We are also grateful to those individuals who since its founding. On behalf of the trustees made significant commitments for the special and staff, I extend our appreciation to the exhibitions and art acquisition programs this President and the Congress for their commit- year: Estate of Mrs. Charles (Florian) Carr, ment to provide the annual funding needed to Helen Porter and James T. Dyke, Greg and keep the Gallery open to the public free of Candy Fazakerley, Ladislaus and Beatrix von charge 363 days a year. Their unfailing sup- Hoffmann, and The Honorable Alfred H. port continues to be matched by the generous Moses and Ms. Fern M. Schad. We also would individuals, foundations, and corporations like to thank The Getty Foundation, who underwrite the museum’s privately the Samuel H. Kress Foundation, and funded programmatic needs. The Andrew W. Mellon Foundation for The Trustees’ Council plays a critical role as their enduring support of the Gallery’s schol- a national advisory body to the Board of arly mission. Their grants for areas such as Trustees. We were pleased to welcome a new conservation, provenance research, and the member to the Council in 2011, Diana Bracco Center for Advanced Study in the Visual Arts of Milan, Italy, as well as several returning have promoted serious art scholarship, members: Calvin Cafritz, Greg Fazakerley, and we are grateful to these foundations Linda Kaufman, LaSalle Leffall, Diane for their generosity. Nixon, and Roger Sant. We are grateful to The Gallery has received support from cor- all of our Trustees’ Council members for porations for special exhibitions since the their dedicated service to this institution. 1940s. The Gallery is grateful to two generous The Gallery lost a close friend this past year and loyal sponsors of its special exhibition in Melvin Cohen, the late and longtime mem- program. Bank of America and its Bank of ber of the Trustees’ Council. His generosity America Foundation continued its support touched this institution in many ways, from with its sponsorship of Gauguin: Maker of 5 Myth. In the past five years, Bank of America Collectors Committee members for their has sponsored three major global exhibitions ongoing generosity. and will continue its dedication to the Gallery This year also marked the twenty-fifth with sponsorship of the 2012 exhibition Roy anniversary of The Circle, during which Lichtenstein. The Fondazione Bracco and time the annual giving program has Bracco SpA, an international leader in diag- raised more than $46 million, providing nostic imaging, sponsored Venice: Canaletto unrestricted support for Gallery programs and His Rivals. Bracco was also the supporter including acquisitions, exhibitions, scholarly of the exhibition Bellini, Giorgione, Titian, and research, and educational programs. Starting the Renaissance of Venetian Painting in 2006. We with Paul Mellon as its first member, The are grateful to these companies for their con- Circle now counts close to 1,100 members, tinuing support. some of whom have been involved for more The trustees also extend their gratitude than twenty years. What began with initial to the Anna-Maria and Stephen Kellen giving levels set at $1,000; $2,000; and $4,000 Foundation and the Terra Foundation has grown into levels of $1,000; $2,500; for American Art for their extraordinary $5,000; $10,000; and $20,000. Our newest commitment to the Gallery’s international level of participation, the Tower Project, pro- exhibition program. We are also appreciative vides support for modern and contemporary of the following donors’ dedication to our exhibitions in the East Building’s Tower special exhibition programs: the Ryna and Gallery. The trustees extend their gratitude Melvin Cohen Family Foundation and to our Circle co-chairs, Greg Fazakerley and Marcella and Neil Cohen; the Marshall B. Diana Prince, for their dedication to this Coyne Foundation; Sally Engelhard Pingree important constituency and to all Circle and The Charles Engelhard Foundation; members for their generous support. the Aaron I. Fleischman Foundation; Numerous donors helped to secure the Hata Stichting; STIFTUNG RATJEN, Gallery’s future by including the museum in Liechtenstein; and the Trellis Fund. We are their testamentary plans this year. We were also grateful to the governments of Portugal, delighted to recognize them as members of Belgium, and Spain for their generous The Legacy Circle, which honors those who support for the exhibition The Invention of have made bequests, charitable gift annuities, Glory: Afonso V and the Pastrana Tapestries. charitable lead and remainder trusts, and other This year we were delighted to celebrate planned gifts to benefit the Gallery in the the fifth anniversary of The Exhibition longterm. The trustees are grateful for our Circle, the newest and highest membership Legacy Circle members’ enduring support. category of The Circle, which was created to The Gallery presents great works of art for provide support for the Gallery’s exhibition all to learn from and enjoy.
Load more

Recommended publications
  • Automated Meme Magic: an Exploration Into the Implementations and Imaginings of Bots on Reddit”
    1 “Automated Meme Magic: An Exploration into the Implementations and Imaginings of Bots on Reddit” Jonathan Murthy | [email protected] | 2018 2 Table of Contents Acknowledgments......................................................................................................................................3 Abstract......................................................................................................................................................4 1.2 Research Questions.........................................................................................................................6 1.2.1 Why Reddit..............................................................................................................................7 1.2.2 Bots..........................................................................................................................................9 1.3 Outline...........................................................................................................................................10 2 Bot Research.........................................................................................................................................11 2.1. Functional Bots.............................................................................................................................13 2.2 Harmful Bots.................................................................................................................................14 2.2.1 The Rise of Socialbots...........................................................................................................16
    [Show full text]
  • AN ANALYTICAL STUDY of P. A. RENOIRS' PAINTINGS Iwasttr of Fint Girt
    AN ANALYTICAL STUDY OF P. A. RENOIRS' PAINTINGS DISSERTATION SU8(N4ITTED IN PARTIAL FULFILMENT OF THE REQUIfJIMENTS FOR THE AWARD OF THE DEGREE OF iWasttr of fint girt (M. F. A.) SABIRA SULTANA '^tj^^^ Under the supervision of 0\AeM'TCVXIIK. Prof. ASifl^ M. RIZVI Dr. (Mrs) SIRTAJ RlZVl S'foervisor Co-Supei visor DEPARTMENT OF FINE ART ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1997 Z>J 'Z^ i^^ DS28S5 dedicated to- (H^ 'Parnate ALIGARH MUSLIM UNIVERSITY CHAIRMAN DEPARTMENT OF FINE ARTS ALIGARH—202 002 (U.P.), INDIA Dated TO WHOM IT MAY CONCERN This is to certify that Sabera Sultana of Master of Fine Art (M.F.A.) has completed her dissertation entitled "AN ANALYTICAL STUDY OF P.A. RENOIR'S PAINTINGS" under the supervision of Prof. Ashfaq M. Rizvi and co-supervision of Dr. (Mrs.) Sirtaj Rizvi. To the best of my knowledge and belief the work is based on the investigations made, data collected and analysed by her and it has- not been submitted in any other university or Institution for any degree. Mrs. SEEMA JAVED Chairperson m4^ &(Mi/H>e& of Ins^tifHUion/, ^^ui'lc/aace' cm^ eri<>ouruae/riefity: A^ teacAer^ and Me^^ertHs^^r^ o^tAcsy (/Mser{xUlafi/ ^rof. £^fH]^ariimyrio/ar^ tAo las/y UCM^ accuiemto &e^£lan&. ^Co Aasy a€€n/ kuid e/KHc^ tO' ^^M^^ me/ c/arin^ tA& ^r€^b<ir<itlan/ of tAosy c/c&&erla6iafi/ and Aasy cAecAe<l (Ao contents' aMd^yormM/atlan&^ arf^U/ed at in/ t/ie/surn^. 0A. Sirta^ ^tlzai/ ^o-Su^benn&o^ of tAcs/ dissertation/ Au&^^UM</e^m^o If^fi^^ oft/us dissertation/, ^anv l>eAo/den/ to tAem/ IhotA^Jrom tAe/ dee^ o^nu^ l^eut^.
    [Show full text]
  • Organizations
    Long Distance Friends Is Fundraising in the United States the Right Move? - A Five-Point Checklist By Gisela Keller Translation of a German article that appeared in Stiftung und Sponsoring in October 2006 The candles on the elegant Park Avenue dinner table cast a soft glow on the influential guests engaged in conversation as Ortrud Westheider, the Art Director of the Hamburg-based Bucerius Kunst Forum, hosts a recent “Friendraising Dinner” in New York. She seeks to raise visibility and financial support from individuals, collectors, foundations and companies for her American Art from 1800 – 1950 project. Three years ago when the Museum embarked on finding U.S. donors for their exhibition trilogy that will open in Hamburg, Vienna und Zurich starting in 2008 the term “Friendraising Dinner” was pretty novel. That’s different today. In light of diminishing state support overseas for arts, culture, science and education the strong U.S. culture of philanthropy increasingly attracts international nonprofit leaders’ attention. “When talking with German clients I notice that interest in international fundraising is rising. Yet, nonprofit management tends to be oblivious to the fact that it is relatively simple to create the technical and legal framework that will allow them to qualify for US donations - and to attain tax exemption for U.S. donations,” comments Steffen Lang, Relationship Manager at Deutsche Bank Private Wealth Management in New York. Tax exemption is a prerequisite for fundraising in the United States. International organizations have a couple of options: It can be advisable to set up a Donor-Advised Fund via an organization such as the King Baudouin Foundation United States or Charities Aid.
    [Show full text]
  • Janet Cardiff & George Bures Miller
    JANET CARDIFF & G. B. MILLER page 61 JANET CARDIFF & GEORGE BURES MILLER Live & work in Grindrod, Canada Janet Cardiff Born in 1957, Brussels, Canada George Bures Miller Born in 1960, Vegreville, Canada AWARDS 2021 Honorary degrees, NSCAD (Nova ScoOa College of Art & Design) University, Halifax, Canada 2011 Käthe Kollwitz Prize, Akademie der Künste, Berlin, Germany 2004 Kunstpreis der Stadt Jena 2003 Gershon Iskowitz Prize 2001 Benesse Prize, 49th Venice Biennale, Venice, Italy Biennale di Venezia Special Award, 49th Venice Biennale, Venice, Italy 2000 DAAD Grant & Residency, Berlin, Germany SELECTED INDIVIDUAL EXHIBITIONS 2019 Janet Cardiff & George Bures Miller, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico 2018-2019 Janet Cardiff & Geroge Bures Miller: The Instrument of Troubled Dreams, Oude Kerk, Amsterdam, The Netherlands 2018 Janet Cardiff & George Bures Miller: The Poetry Machine and other works, Fraenkel Gallery, FRAENKELGALLERY.COM [email protected] JANET CARDIFF & G. B. MILLER page 62 San Francisco, CA FOREST… for a thousand years, UC Santa Cruz Arboretum and Botanic Garden, Santa Cruz, CA Janet Cardiff & George Bures Miller: Two Works, SCAD Art Museum, Savannah, GA 2017-18 Janet Cardiff & George Bures Miller, 21st Century Museum of Contemporary Art, Kanazawa, Japan 2017 Janet Cardiff: The Forty Part Motet, Switch House at Tate Modern, London, England; Nelson Atkins Museum of Art, Kansas City, MO; Mobile Museum of Art, Mobile, AL; Auckland Castle, Durham, England; TRAFO Center for Contemporary Art, Szczecin, Poland
    [Show full text]
  • HNA April 11 Cover-Final.Indd
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 28, No. 1 April 2011 Jacob Cats (1741-1799), Summer Landscape, pen and brown ink and wash, 270-359 mm. Hamburger Kunsthalle. Photo: Christoph Irrgang Exhibited in “Bruegel, Rembrandt & Co. Niederländische Zeichnungen 1450-1850”, June 17 – September 11, 2011, on the occasion of the publication of Annemarie Stefes, Niederländische Zeichnungen 1450-1850, Kupferstichkabinett der Hamburger Kunsthalle (see under New Titles) HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Contents Dagmar Eichberger (2008–2012) HNA News ............................................................................1 Wayne Franits (2009–2013) Matt Kavaler (2008–2012) Personalia ............................................................................... 2 Henry Luttikhuizen (2009 and 2010–2014) Exhibitions
    [Show full text]
  • <R2PX] 2^]Rtstb <XRWXVP]
    M V 7>DB4>540AC7)Get a chic blueprint with no carbon footprint | 8]bXST A PUBLICATION OF | P L A N Y O U R N I G H T A T W W W. E X P R E S S N I G H T O U T. C O M | OCTOBER 3-5, 2008 | -- 5A44++ Weekend C74A>03F0AA8>AB --;Pbc]XVWc½bSTQPcTT]STSPUcTa C74A43B:8=B4G?42C0C>D675867C8=?78;;Hk ! 4g_aTbb½STPS[X]T5X]SX]ST_cW R^eTaPVTPcfPbWX]Vc^]_^bcR^\ <R2PX] 2^]RTSTb CHRIS O’MEARA/AP Evan Longoria hit two home runs in the Rays’ win. <XRWXVP] APhbA^[[)Longoria powers Losing ground, Republican Tampa to first playoff win | # writes off battleground state F0B78=6C>=k Republican presidential can- ATbRdT4UU^ac) Push to get didate John McCain conceded battleground Michigan to the Democrats on Thursday, GOP bailout passed gains steam | " officials said, a major retreat as he struggles to regain his footing in a campaign increas- 5^bbTcc2[dTb) Wreckage of ingly dominated by economic issues. These officials said McCain was pulling adventurer’s plane found | # staff and advertising out of the economically distressed Midwestern state. With 17 elec- 4=C4AC08=<4=C toral votes, Michigan voted for Democrat John Kerry in 2004, but Republicans had poured money into an effort to try to place it in their column this year. ?[PhX]V=XRT) The decision allows McCain’s resources Michael Cera acts to be sent to Ohio, Wisconsin, Florida and other more competitive states. But it also sweetly awk- means Obama can shift money to other ward ..
    [Show full text]
  • Greek Sculpture and the Four Elements Art
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Sculpture and the Four Elements Art 7-1-2000 Greek Sculpture and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgs Part of the History of Art, Architecture, and Archaeology Commons Benson, J.L., "Greek Sculpture and the Four Elements [full text, not including figures]" (2000). Greek Sculpture and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgs/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Sculpture and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire About this book This is one part of the first comprehensive study of the development of Greek sculpture and painting with the aim of enriching the usual stylistic-sociological approaches through a serious, disciplined consideration of the basic Greek scientific orientation to the world. This world view, known as the Four Elements Theory, came to specific formulation at the same time as the perfected contrapposto of Polykleitos and a concern with the four root colors in painting (Polygnotos). All these factors are found to be intimately intertwined, for, at this stage of human culture, the spheres of science and art were not so drastically differentiated as in our era. The world of the four elements involved the concepts of polarity and complementarism at every level.
    [Show full text]
  • Wikimedia with Liam Wyatt
    Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values.
    [Show full text]
  • ANNUAL REPORT Report for the Fiscal Year July 1, 2018–June 30, 2019
    ANNUAL REPORT Report for the fiscal year July 1, 2018–June 30, 2019 1 ANNUAL REPORT Report for the fiscal year July 1, 2018– June 30, 2019 CONTENTS Director’s Foreword..........................................................3 Milestones ................................................................5 Acquisitions ...............................................................6 Notable Library Acquisitions .................... .............................8 Exhibitions ............................................................... 9 Loans ...................................................................12 Clark Fellows .............................................................14 Scholarly Programs ........................................................15 Publications ..............................................................18 Library ..................................................................19 Education ............................................................... 20 Member Events .......................................................... 21 Public Programs ...........................................................24 New Employee List .........................................................34 Financial Report .......................................................... 35 DIRECTOR’S FOREWORD The Clark Art Institute stands with its historic beauty, welcoming visitors to Williamstown and demonstrating its ability to expand and grow as an institution. This year was marked with some exceptional special exhibitions, exciting
    [Show full text]
  • The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
    The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam .................................................................................................................
    [Show full text]
  • View Map of Healing Garden Artwork
    Mark Ackerman • Nicolas Africano • Yaacov Agam • Jonathan Agger • Anni Albers • Josef Albers • Lita Albuquerque • Pierre Alechinsky • Peter Alexander • Elray Alkristy • Otmar Alt • John Altoon • Amos Amit • Othello Anderson • Michael Ansell • Karel Appel • Shusaku Arakawa • Cynthia Archer • Ardison Phillips • Jim Arkatov • Arman • Robert Arneson • Charles Arnoldi • Lisa Aronzon • Fred Arundel • Tadashi Asoma • Chet Atkins • Mario Avanti • Judith Azur • Olle Baertling • Claude Baillargeon • Richard Baker • Micha Bar-Am • Lynda Barckert • Lionel Barrymore • Frank Barsotti • Frank Beatty • David Marc Belkin • Gerald Belkin • Larry Bell • Mark Bellog • Lynda Benglis • Billy Al Bengston • Fletcher Benton • Dimitrie Berea • Don Berger • Joseph Bergler, The Younger • Elizabeth V. Blackadder • Lucienne Bloch • Karl Blossfeldt • Howard Bond • John Robert Borgstahl • Jonathan Borofsky • Richard Bosman • Paul Brach • Matthew Brady • Charles Bragg • Warren Brandt • Bettina Brendel • Ernest Briggs • Charlie Brown • Christopher Brown • James Paul Brown • Jerry Burchman • Hans Burkhardt • Bob Burley • Sakti Burman • Jerry Byrd • Alexander Calder • Jo Ann Callis • Tom Carr • Stuart Caswell • Marc Chagall • Judy Chicago • Christo • Clutie • Jodi Cobb • Jean Cocteau • Bruce Cohen • Larry Cohen • Chuck Connelly ARTIST • Greg / WORKConstantine • Ron Cooper • Greg Copeland • Amy Cordova • Sam Coronado • Steven Cortright • Robert Cottingham • Arnold Crane • Barbara Crane • Jeff Crisman • Chris Cross • Yvonne Cross • Ford Crull • Woody Crumbo • William Crutchfield
    [Show full text]
  • DIPINTI ANTICHI E DEL XIX SECOLO 30 MAGGIO 2018 GE251-2 Wannenesgroup.Com Lotto 701
    DIPINTI ANTICHI E DEL XIX SECOLO XIX DEL E ANTICHI DIPINTI 30 MAGGIO 2018 DIPINTI ANTICHI GE251-2 E DEL XIX SECOLO GENOVA, 30 MAGGIO 2018 wannenesgroup.com lotto 701 1 DIPINTI ANTICHI E DEL XIX SECOLO GENOVA, 30 MAGGIO 2018 OLD MASTER AND 19TH CENTURY PAINTINGS GENOA, 30 MAY 2018 ASTA " AUCTION ESPOSIZIONE " VIEWING Genova Genova Palazzo del Melograno Palazzo del Melograno Piazza Campetto, 2 Piazza Campetto, 2 MERCOLEDÌ 30 MAGGIO Wednesday 15 May VENERDÌ 25 MAGGIO ore 10-13 14-18 Prima Tornata Friday 25 May ore 14 lotti 501 - 699 10am to 1pm - 2 to 6pm First Session at 2pm lots 501 - 699 SABATO 26 MAGGIO ore 10-13 14-18 Seconda Tornata Saturday 26 May ore 17.30 lotti 700 - 843 10am to 1pm - 2 to 6pm Second Session at 5.30pm lots 700 - 843 DOMENICA 27 MAGGIO ore 10-13 14-18 Terza Tornata Sunday 27 May ore 21 lotti 844 - 928 10am to 1pm - 2 to 6pm Third Session at 9pm lots 844 - 928 LUNEDÌ 28 MAGGIO I lotti contrassegnati con il simbolo "*" al momento della stampa sono sta- ore 10-13 14-18 ti identificati come contenenti materiali organici che possono essere sot- toposti a restrizioni per l'importazione o l'esportazione. Chi fosse interessato Monday 28 May è pregato di mettersi in contatto con i nostri uffici prima dell'asta. I lotti contrassegnati con il simbolo "§" sono soggetti a questo impor- 10am to 1pm - 2 to 6pm tante avviso riguardo l'importazione negli Stati Uniti. Wannenes Art Auctions non può garantire la consegna degli orologi Co- rum, Rolex, Piaget o Franck Muller negli Stati Uniti perché le leggi ameri- cane impongono importanti restrizioni all'importazione di orologi di marca Corum, Rolex, Piaget o Franck Muller.
    [Show full text]