2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD of TRUSTEES COMMITTEE W

NATIONAL GALLERY OF ART 2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD OF TRUSTEES COMMITTEE W. Russell G. Byers Jr. (as of 30 September 2011) Victoria P. Sant Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Robert W. Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher John Wilmerding Aaron I. Fleischman Juliet C. Folger FINANCE COMMITTEE Marina K. French Mitchell P. Rales Lenore Greenberg Chairman Rose Ellen Greene Timothy F. Geithner Richard C. Hedreen Secretary of the Treasury Helen Henderson Frederick W. Beinecke John Wilmerding Victoria P. Sant Benjamin R. Jacobs Chairman President Sharon P. Rockefeller Sheila C. Johnson Victoria P. Sant Betsy K. Karel John Wilmerding Linda H. Kaufman Mark J. Kington AUDIT COMMITTEE Robert L. Kirk Frederick W. Beinecke Jo Carole Lauder Chairman Leonard A. Lauder Timothy F. Geithner Secretary of the Treasury LaSalle D. Leffall Jr. Mitchell P. Rales Robert B. Menschel Harvey S. Shipley Miller Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant Diane A. Nixon John Wilmerding John G. Pappajohn Sally E. Pingree TRUSTEES EMERITI Diana C. Prince Roger W. Sant Robert F. Erburu B. Francis Saul II John C. Fontaine Thomas A. Saunders III Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Albert H. Small David O. Maxwell Michelle Smith Ruth Carter Stevenson Benjamin F. Stapleton Sharon P. Rockefeller John G. Roberts Jr. Luther M. Stovall Chief Justice of the EXECUTIVE OFFICERS Ladislaus von Hoffmann United States Victoria P. Sant President Alice L. Walton William L. Walton Earl A. Powell III Director Walter L. Weisman Franklin Kelly John R. West Deputy Director and Chief Curator Andrea Woodner Elizabeth Cropper Dean, Center for Advanced Study in the Visual Arts HONORARY TRUSTEES’ Darrell R. Willson COUNCIL Administrator (as of 30 September 2011) William W. McClure Edwin L. Cox Hillary Rodham Clinton Timothy F. Geithner Treasurer Secretary of State Secretary of the Treasury Robert F. Erburu Elizabeth A. Croog Secretary and General Counsel John C. Fontaine Joseph J. Krakora Julian Ganz, Jr. Executive Officer, Development and Alexander M. Laughlin External Affairs David O. Maxwell Ruth Carter Stevenson TRUSTEES’ COUNCIL John C. Whitehead (as of 30 September 2011) James T. Dyke Chairman William H. Ahmanson G. Wayne Clough Max N. Berry Secretary of the Smithsonian Institution

NATIONAL GALLERY OF ART

Washington, D.C.

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PRESIDENT’S FOREWORD

Fiscal year 2011 marked the beginning of con- the Patrons’ Permanent Fund to the exhibi- struction for major repairs to the marble façade tion The Pre-Raphaelite Lens: British of the National Gallery of Art’s East Building. Photography and Painting, 1848–1875. The This project represents the best of what the Gallery’s photography program especially Gallery can achieve with vital support from flourished thanks in no small part to Mel’s the federal government: an enduring commit- enthusiastic support. We also were saddened ment to providing the American people with by the death of Stephen A. Hahn, who will access to great artistic achievements. long be remembered for his numerous con- Open during construction, the Gallery tributions to the visual arts and to the welcomed more than 4.6 million visitors to its museum community in particular. He made East and West Buildings and Sculpture an enormous difference at the Gallery in Garden, where they had the opportunity to enhancing the nation’s collection of modern engage with and deepen their understanding art with his superb Dubuffet collection. of great works of art. Our special exhibitions The trustees and staff also mourned the loss in particular offered visitors insight into some of two staff members: Ross Merrill, the of the world’s most renowned artists, includ- Gallery’s chief of conservation from 1983 to ing Paul Gauguin in the exhibition Gauguin: 2009, and David E. Rust, curator of French, Maker of Myth and Andy Warhol with Warhol: British, and Spanish painting from 1961 to Headlines. Other exhibitions, like Venice: 1983, who also gave the Gallery several Canaletto and His Rivals; Lewis Baltz: Prototypes/ important works on paper to expand the Ronde de Nuit; Gabriel Metsu, 1629–1667; and nation’s holdings of graphic art. The Gothic Spirit of John Taylor Arms, exposed My fellow trustees and I are grateful for visitors to lesser-known artists. The success of the critical support received from private these special exhibitions complemented donors this year. We would especially like achievements in crucial behind-the-scenes to thank Juliet and Lee Folger for their gener- activities such as conservation, educational ous gift for the acquisition of Amsterdam Harbor programming, and scholarly research. Scene by Reinier Nooms, called Zeeman, The Gallery continues to rely on the strong through the Lee and Juliet Folger Fund. public-private partnership that has sustained it We are also grateful to those individuals who since its founding. On behalf of the trustees made significant commitments for the special and staff, I extend our appreciation to the exhibitions and art acquisition programs this President and the Congress for their commit- year: Estate of Mrs. Charles (Florian) Carr, ment to provide the annual funding needed to Helen Porter and James T. Dyke, Greg and keep the Gallery open to the public free of Candy Fazakerley, Ladislaus and Beatrix von charge 363 days a year. Their unfailing sup- Hoffmann, and The Honorable Alfred H. port continues to be matched by the generous Moses and Ms. Fern M. Schad. We also would individuals, foundations, and corporations like to thank The Getty Foundation, who underwrite the museum’s privately the Samuel H. Kress Foundation, and funded programmatic needs. The Andrew W. Mellon Foundation for The Trustees’ Council plays a critical role as their enduring support of the Gallery’s schol- a national advisory body to the Board of arly mission. Their grants for areas such as Trustees. We were pleased to welcome a new conservation, provenance research, and the member to the Council in 2011, Diana Bracco Center for Advanced Study in the Visual Arts of Milan, Italy, as well as several returning have promoted serious art scholarship, members: Calvin Cafritz, Greg Fazakerley, and we are grateful to these foundations Linda Kaufman, LaSalle Leffall, Diane for their generosity. Nixon, and Roger Sant. We are grateful to The Gallery has received support from cor- all of our Trustees’ Council members for porations for special exhibitions since the their dedicated service to this institution. 1940s. The Gallery is grateful to two generous The Gallery lost a close friend this past year and loyal sponsors of its special exhibition in Melvin Cohen, the late and longtime mem- program. Bank of America and its Bank of ber of the Trustees’ Council. His generosity America Foundation continued its support touched this institution in many ways, from with its sponsorship of Gauguin: Maker of 5

Myth. In the past five years, Bank of America Collectors Committee members for their has sponsored three major global exhibitions ongoing generosity. and will continue its dedication to the Gallery This year also marked the twenty-fifth with sponsorship of the 2012 exhibition Roy anniversary of The Circle, during which Lichtenstein. The Fondazione Bracco and time the annual giving program has Bracco SpA, an international leader in diag- raised more than $46 million, providing nostic imaging, sponsored Venice: Canaletto unrestricted support for Gallery programs and His Rivals. Bracco was also the supporter including acquisitions, exhibitions, scholarly of the exhibition Bellini, Giorgione, Titian, and research, and educational programs. Starting the Renaissance of Venetian Painting in 2006. We with Paul Mellon as its first member, The are grateful to these companies for their con- Circle now counts close to 1,100 members, tinuing support. some of whom have been involved for more The trustees also extend their gratitude than twenty years. What began with initial to the Anna-Maria and Stephen Kellen giving levels set at $1,000; $2,000; and $4,000 Foundation and the Terra Foundation has grown into levels of $1,000; $2,500; for American Art for their extraordinary $5,000; $10,000; and $20,000. Our newest commitment to the Gallery’s international level of participation, the Tower Project, pro- exhibition program. We are also appreciative vides support for modern and contemporary of the following donors’ dedication to our exhibitions in the East Building’s Tower special exhibition programs: the Ryna and Gallery. The trustees extend their gratitude Melvin Cohen Family Foundation and to our Circle co-chairs, Greg Fazakerley and Marcella and Neil Cohen; the Marshall B. Diana Prince, for their dedication to this Coyne Foundation; Sally Engelhard Pingree important constituency and to all Circle and The Charles Engelhard Foundation; members for their generous support. the Aaron I. Fleischman Foundation; Numerous donors helped to secure the Hata Stichting; STIFTUNG RATJEN, Gallery’s future by including the museum in Liechtenstein; and the Trellis Fund. We are their testamentary plans this year. We were also grateful to the governments of Portugal, delighted to recognize them as members of Belgium, and Spain for their generous The Legacy Circle, which honors those who support for the exhibition The Invention of have made bequests, charitable gift annuities, Glory: Afonso V and the Pastrana Tapestries. charitable lead and remainder trusts, and other This year we were delighted to celebrate planned gifts to benefit the Gallery in the the fifth anniversary of The Exhibition longterm. The trustees are grateful for our Circle, the newest and highest membership Legacy Circle members’ enduring support. category of The Circle, which was created to The Gallery presents great works of art for provide support for the Gallery’s exhibition all to learn from and enjoy. The trustees are program. In this short time, it has provided honored to help fulfill the Gallery’s mission of more than $4.5 million, sponsoring a total service to the nation, and we are grateful to of thirteen exhibitions, including Gauguin: the staff and volunteers whose hard work Maker of Myth, In the Tower: Nam June Paik, helps to accomplish this goal. With the stead- and Warhol: Headlines. My fellow trustees fast support of the federal government and and I are grateful for our Exhibition Circle private donors, the Gallery will remain an members’ dedication to this vital aspect of the exciting place to see wonderful examples of Gallery’s programs. our artistic heritage. The Collectors Committee continues to enhance the Gallery’s modern and contempo- rary collection. At their annual meeting in March, Committee members voted to acquire two important works: Great America by Kerry Victoria P. Sant James Marshall and Knight’s Heritage by Anne Truitt. The Board is grateful to the Committee’s co-chairs, Barry Berkus and Denise Saul, for their leadership and to all 6

Director’s Statement

The National Gallery of Art was created in Benefactors. The Gallery acquired two 1937 for the people of the United States of works by American artist Thomas Moran: America by a joint resolution of Congress, The Juniata, Evening, 1864, purchased with accepting the gift of financier and art col- funds from Max and Heidi Berry and Ann lector Andrew W. Mellon. During fiscal and Mark Kington and The Kington year 2011, the Gallery continued its quest Foundation, and Green River Cliffs, Wyoming, to serve the United States in a national role 1881, a gift of the Milligan and Thomson by preserving, collecting, exhibiting, and Families. Since hosting the 1997 Moran fostering the understanding of works of retrospective, we have actively searched for art, at the highest possible museum and superior examples of Moran’s work. The scholarly standards. Juniata, Evening, unknown to us at the time Through a combination of federal and of the retrospective, is the most important private funds we are able to realize Mr. and most beautiful of Moran’s early land- Mellon’s vision. We are grateful to the scapes to surface in decades. Green River President and the Congress for the crucial Cliffs, Wyoming is the Gallery’s first grand support through federal funds for the panoramic view of the American West. upkeep, administrative expenses, and costs The Collectors Committee’s annual of operations, including the protection and selections brought the Gallery two impor- care of the works of art given to the nation. tant works by significant American artists: Federal support enables undertakings the powerful painting Great America, 1994, such as the East Building Exterior Stone by Kerry James Marshall and the break- Repairs project. This year construction through piece Knight’s Heritage, 1963, by began with the removal of stone panels. Anne Truitt. We are very grateful to the Mock-ups of the stone re-installation were Collectors Committee, which enables the done off the building to test the new Gallery to continually enhance its holdings anchors and on the building to test the of contemporary art. Thanks to the gener- entire system in place. Work in the area of osity of Victoria and Roger Sant, the the main entrance has begun, and turnover Gallery acquired the first sculpture by of the main entrance is expected at the end Henri Matisse to enter the collection, the of 2012. The entire project will be com- bronze Figure Decorative, 1908. plete, with art re-installed and the site An ambitious schedule of twenty-one restored, by spring of 2014. special exhibitions included Gauguin: Maker We continue to make progress on the of Myth. Paul Gauguin’s use of stories and Master Facilities Plan with the complete myth throughout his career continues to renovation of the northeast quadrant of the mesmerize audiences worldwide. Visitors West Building. Main Floor galleries were to this exhibition saw why he was one of complete, and work is progressing in the the most important artists behind European Ground Floor spaces for conservation, the modernism. This fascinating reappraisal of registrar, and imaging and visual services. his career would not have been possible Design is underway for the third sub-phase without the generosity of lenders, both of this large project, which will convert public and private, from around the world. swing spaces in the southeast quadrant of One of the oldest surviving gondolas the building to permanent uses. In addi- from Venice was on view on the mezzanine tion, we are currently updating the Master of the East Building to complement the Facilities Plan for the East Building and exhibition Venice: Canaletto and His Rivals. Connecting Link. Once owned by American painter Thomas The paintings and works of sculpture Moran, the nineteenth-century gondola given by Mr. Mellon have formed a nucleus was on loan from the Mariners’ Museum, of high quality around which the collec- Newport News, Virginia. tions have grown. This year, many For the exhibition In the Tower: Nam June individuals, foundations, and corporations Paik, curators took full advantage of the continued in the tradition begun by vaulting, self-contained space of the I. M. Pei- the Gallery’s founder and the Founding designed Tower Gallery. Drawn from Paik’s 7

estate as well as an important recent addi- recorded in a variety of languages. The tion, this focus exhibition explored some of Children’s Audio Tour highlights fifty Paik’s most dynamic yet meditative work. paintings in the West Building. These We were thrilled to be able to present our audio tours allow visitors to enjoy the first exhibition on the artist and grateful to Gallery at their own pace, select works of his estate for its generous loans. interest as they go, and decide the length of Gabriel Metsu, 1629–1667 included four- time they spend with each object. teen paintings never before seen in this We were excited to welcome our new country. Metsu, one of the leading Dutch curator and head of the department of old painters of the seventeenth century, was a master prints, Jonathan Bober. He brings gifted visual storyteller who infused his to the Gallery a tradition of scholarship— narrative paintings with suspense, drama, demonstrated in numerous exhibitions and emotion. We were pleased to present and publications, especially on old master the first retrospective on Metsu in the and modern prints and drawings— United States and grateful to the lenders, as well as a history of imaginative and both public and private. prodigious acquisitions. The astonishing dexterity and passion for Informative tours, varied exhibitions, and detail of American printmaker John Taylor significant acquisitions all enable us Arms was revealed in The Gothic Spirit of to realize our mission of serving a growing John Taylor Arms. While some American public. More than 4.6 million people artists of the period advocated a gritty real- visited the Gallery this year. Another ism and others explored the possibilities 15.6 million people experienced the Gallery offered by modernist abstraction, Arms through website offerings. I join with Board paid homage to the past. It was a delight to President Victoria Sant in thanking the present these works from our collection entire staff who, enabled by federal, indi- paired with promised gifts and other works vidual, corporate, and volunteer support, on loan. work tirelessly to make the National Gallery We were honored to be the first U.S. of Art a fulfillment of Mr. Mellon’s dream museum to offer the once-in-a-lifetime of an art gallery for the nation. opportunity to see the Pastrana Tapestries together in The Invention of Glory: Afonso V and the Pastrana Tapestries. Exquisite and monumental, these tapestries depict one of the events that would lead to the European Earl A. Powell III voyages of exploration across the Atlantic. Andy Warhol continues to inform our culture in limitless ways through a variety of media. We were proud to offer Warhol: Headlines, a scholarly, visually compelling exhibition and catalogue of one of the world’s most famous and influential artists, providing new information and insights to all visitors, from Warhol specialists to the general public. In addition to presenting these spectacu- lar exhibitions complete with related films, publications, concerts, lectures, and family programs, the Gallery constantly works to make its collections accessible to the public. Two audio tours were produced and offered free of charge for the first time in the Gallery’s history. The Director’s Tour for adults features insights into the collections

Thomas Mor an, Green River Cliffs, Wyoming, Gift of the Milligan and Thomson Families 10

COLLECTING

PAINTINGS Two exceptional paintings by Thomas Moran, one of the most celebrated land- scape painters of the nineteenth century, entered the collection during the fiscal year. The first, The Juniata, Evening, was completed following a railroad excursion Moran and his brothers took to central Pennsylvania during the summer of 1864. Prior to his first journey to the American West in 1871, Moran produced a remarkable series of Pennsylvania landscapes that clearly reflect his admiration for the work of English artist J. M. W. Turner. As a young artist learning his craft, Moran frequently sketched in the forests surrounding Philadelphia, his home. In July 1864 he ventured further, traveling to central Pennsylvania where the Juniata, a major tributary of the Susquehanna, flowed through lush meadows and steep sandstone cliffs. The Juniata, Evening is filled with closely observed detail: grazing sheep, farm dwellings, a lone traveler, and most remarkably, a foreground vignette of an artist at work. With palette in hand and color box open on the ground, the artist (possibly Moran) is shown working on a landscape that duplicates the scene before the viewer. George Frederick Tyler, a Philadelphia banker and railroad executive, purchased The Juniata, Evening from the artist in September 1864. Privately owned ever since, the painting had never been exhibited publicly until placed on view in the American galleries at the Gallery following its acquisition with generous funds provided by Max and Heidi Berry and Ann and Mark Kington. Seven years after completing The Juniata, Evening, Moran traveled to the far reaches of the western frontier and found the subject that would change the course of his career. Early in 1871 he had been hired to illustrate a magazine article describing a wondrous region called Yellowstone. Before reaching Yellowstone, Moran stepped off the train in Green River, Wyoming, and was captivated by the bands of color that centuries of wind and water had revealed in the cliffs towering above the dusty railroad town. He went on to join F. V. Hayden’s expedition to Yellowstone and complete the watercolors that would later play a key role in the Congressional decision to set aside Yellowstone as America’s first national park. Over the years, however, the subject Moran returned to repeatedly was the western Henri Matisse, Figure Decorative, Gift of Victoria and Roger Sant 12 Collecting

 Reinier Nooms, landscape he saw first—the magnificent cliffs of that facilitated the unloading or repair of called Zeeman, Green River. cargo ships and naval vessels. Nooms painted this Amsterdam Harbor Scene, Green River was a bustling railroad town in scene from the northeastern shore of one of The Lee and Juliet 1871, yet no sign of civilization appears in these islands, most of which was owned by the Folger Fund Moran’s paintings. Instead, the dazzling colors of powerful Bicker family of Amsterdam. The the sculpted cliffs and an equally colorful band of Huis te Swieten, the warship owned by the city’s Indians are the focus. Ten years after his first trip Admiralty seen on the right, was named after the west, Moran completed Green River Cliffs, country estate of a member of the family. The Wyoming, the most stunning of all his Green man-of-war, built in 1653, served as the flagship River paintings. The Gallery is enormously of Michiel de Ruyter, one of Holland’s greatest grateful to the Milligan and Thomson families naval heroes, on three expeditions in the 1650s. for the gift of one of Moran’s greatest paintings This beautifully preserved painting demonstrates and the first panoramic landscape of the Nooms’ outstanding ability to capture atmo- American West to enter the collection. spheric perspective, as well as his skills as The Gallery acquired Amsterdam Harbor Scene a draftsman in his carefully rendered ships and by Reinier Nooms, called Zeeman, thanks to rigging. The visual references suggest that one the continued largesse of The Lee and Juliet of the Bickers commissioned the painting to Folger Fund. Set against passing storm clouds, celebrate the family’s worldly successes. this striking work by one of the most renowned The Gallery was delighted to acquire Black masters of Dutch marine painting depicts a Rocks at Trouville by nineteenth-century French section of Amsterdam’s lively harbor in the IJ master Gustave Courbet, thanks to the Chester estuary at the height of the Dutch mercantile Dale Fund. Born in the landlocked region empire. The harbor contained rows of breakers, of the Doubs in the eastern part of France wooden piers, and a number of artificial islands abutting the Swiss Alps, Courbet painted the NATIONAL GALLERY OF ART 13

rocky outcroppings, steep canyons, and flowing Through the Collectors Committee, the rivers of this dramatic topography. In the 1860s, Gallery was able to acquire Great America, he immersed himself, artistically and literally, in 1994, by Kerry James Marshall, a major mid- the sea to the north along the Channel Coast, career painter whose work combines a painting alongside Eugène Boudin, James technical mastery of anatomy and transpar- McNeill Whistler, and Claude Monet, and ency with a deep interest in African American swimming daily. Mesmerized by the mercurial life and history. Born in Birmingham and coastal conditions of weather and light, he com- raised in Watts, Marshall was a witness to the pleted an inspired series of marine paintings stark civil rights struggle. In this first work by in their reduced compositions and unique in Marshall to enter the collection, the tunnel to their exuberant paint surfaces. a Great America amusement park is recast as Black Rocks at Trouville is an extraordinary the Middle Passage of slaves from Africa to the example from the marine series, rare both in its Americas. Marshall’s trademark dark-black expressive palette and its remarkable condition. figures raise questions of caricature and racial The sunset sky is sculpted from a variety of pride, while his theme suspends dignity and brushes as well as a palette knife, on top of a dark irony in a precarious balance. ground which breaks through to the surface. A strip of turquoise marks the horizon, and in the SCULPTURE Firmly establishing Henri foreground Courbet has carved out several rocks Matisse alongside Pablo Picasso as one of the and suggested wet sand with horizontal smears of great sculptor-painters of the twentieth century, the knife. Courbet’s motifs and employment of Figure Decorative, 1908, is the first sculpture by color and facture deeply impressed the genera- Matisse to enter the collection. In this bronze, tion of young artists who would become known Matisse offers a modern take on the iconography as the Impressionists, and positioned the genre of of Venus while responding to the confrontational landscape as the site for ambitious avant-garde primitivism of Picasso’s Demoiselles d’Avignon, practice for the next half century. which he had recently seen in the artist’s studio.

 Gustave Courbet, The Black Rocks at Trouville, Chester Dale Fund 14 Collecting

 Kerry James Marshall, Great America, Gift of the Collectors Committee

With her pursed lips and elastic, buoyant limbs, work is one of several given to the Gallery by she appears to harbor a vital secret. It is the gift the family of Ken Hakuta, Paik’s nephew and of Victoria and Roger Sant. artistic executor. Knight’s Heritage, 1963, is a pivotal sculpture by Anne Truitt, an artist who spent most DRAWINGS A major gift of six old master of her career in Washington, D.C., working drawings was offered by Dian Woodner from at a personal and geographical tangent to the the distinguished collection formed by her father, minimal art of New York and Los Angeles. The Ian Woodner. This gift included two Italian piece consists of a simple wooden box fabricated Renaissance works, a rare sheet of figure studies to the artist’s careful instructions, but its intui- from the 1470s by the Paduan artist Francesco tive division into three unequal parts and Squarcione, and a handsome drawing by Perino its subtly chosen and brushed colors bespeak a del Vaga from his series on Alexander the Great, lyrical, poetic sensibility. Purchased through the 1540s. An important addition to the Gallery’s Collectors Committee, it joins three later collection of Netherlandish drawings is the sculptures by Truitt already in the collection. fantasy mountain landscape with waterfalls by Nam June Paik’s Cosmos was conceived in Roelandt Savery, executed about 1606 in black 1963 as one of his first pieces to use television and colored chalks. Two eighteenth-century as an artistic medium and executed with tech- drawings are a complex and colorful rendering nical assistance in 2003. Two early, round TV of the portico of the Pantheon in Rome by tubes hooked up to a camera show views of the Giovanni Battista Piranesi and the bravura Bust surrounding room in alternation with a swirl- of an Old Man by Jean-Baptiste Greuze in red, ing pattern. All equipment is exposed, providing black, and white chalks. The Woodner gift also a metaphor for Paik’s laying bare of mass media included an unusually large portrait drawing and twisting its operations to replace passive by Jean-Auguste-Dominique Ingres, executed reception with interactive experience. The in 1857. NATIONAL GALLERY OF ART 15

A major addition to the Gallery’s collection of Dutch drawings was Bouquet of Spring Flowers in a Terracotta Vase by Jan van Huysum, made in the 1720s, purchased with funds donated by the Pepita Milmore Memorial Fund, the Ahmanson Foundation, the Glickfield Family Foundation, and Linda H. Kaufman. An important acquisition, funded by Alexander M. and Judith W. Laughlin, was the dramatically large and vibrant watercolor of the Grand Waterfalls at Terni by the Swiss landscapist Franz Kaisermann. Among notable German drawings acquired this year is Eduard Julius Friedrich Bendemann’s delicate and tender portrait of a girl crowned with flowers on her deathbed, still in its elaborate leather folding case. Helen Porter and James T. Dyke continued their generous support of the Gallery with the gift of a trio of French nineteenth-century draw- ings: an early romantic pastel study of a lakeside abbey at dusk from about 1831 by Paul Huet, a sunset scene with the pristine clarity of a water- color on blue paper by Jean Achille Benouville, and a tranquil view of the French countryside by Jean-Paul Flandrin, the first work by this Ingres protégé to enter the Gallery’s collection. A bequest from Evelyn Stefansson Nef brought more than thirty twentieth-century drawings to the collection, representing artists ranging from Edouard Vuillard to Alex Katz. The most cel- ebrated is Picasso’s Young Woman Seated in an Armchair, 1921–1922, his earliest portrait of the famous American expatriate beauty Sara Murphy. The gift also included two  Jan van Huysum, dozen Marc Chagall drawings and water- Bouquet of Spring Flowers colors—many in books personally dedicated in a Terracotta Vase, Pepita by the artist to Ms. Nef and her late husband, Milmore Memorial, The John Nef. Ahmanson Foundation, Foremost among gifts of American drawings Glickfield Family was George Bellows’ Ghost of Sergeant Pelly, Foundation, Linda H. 1918, donated by Alexandra and Michael N. Kaufman and Buffy and Altman. Joanna Steichen generously bequeathed William Cafritz Funds twenty works by her late husband, Edward Steichen, centering on The Oochens, c. 1922, a  Edward Steichen, set of fifteen tempera paintings on paper made Madame X and Johnny to illustrate a children’s book but encapsulating Marine, also Known as the best in modernist abstraction. Sailor John the Painter, A powerful drawing by the German artist Gift of Joanna T. Steichen Hanna Nagel, An Elegant Young Man Glancing to the Side, 1928, was the first work by this Neue Sachlichkeit artist to enter the collection. Likewise representing firsts are two works by American artist James Castle, a collage pur- chased with Collectors Committee funds and an ink drawing donated by The James Castle Collection and Archive. 16 Collecting

MZ’s major engraving The Martyrdom of Saint Catherine, c. 1500. Significant illustrated books acquired during the year included Giacomo Filippo Foresti’s De plurimis claris selectisque Mulieribus [On Famous Women], 1497, the first collected biographies of mythological and historical figures which includes realistic portraits of contemporary women; the German Renaissance publication of Johann Geiler von Kaisersberg’s treatises with a riveting woodcut portrait by Hans Wechtlin, donated by William J. Wyer; a copy of Spicilegium Anatomicum, 1670, the Dutch anatomist Theodor Kerckring’s description of the development of fetal bones with thirty-nine etched and engraved plates by Abraham Blooteling; and Lex Regia, 1709, with nineteen etched and engraved calig- raphic illustrations by Andreas Reinhardt after designs by Claus à Möinichen. Other noteworthy acquisitions of old master prints included proofs of three of Jost Amman’s four Elements, 1568; Jean de Saint-Igny’s Self- Portrait, c. 1610; Louis-Marin Bonnet’s Reveil de Venus, 1769; and three volumes of refined neo- classical architectural ornament by Giocondo Albertolli, all purchased through the Ailsa Mellon Bruce Fund. The purchase of Cesare Roberti’s rare Holy Family with Saint John the Baptist and Pietro Testa’s grand allegory Liceo della Pittura were funded by Bert Freidus. An anonymous gift brought Conrad Meyer’s The Four Seasons, 1649, to the collection. Among important nineteenth-century European prints, Thomas Shotter Boys’ Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, Etc., 1839, was acquired in a complete set, in its original figured binding, through the  Albrecht Dürer, The Hakuta Family donated a group of fourteen William B. O’Neal Fund. Among outstanding Saint Jerome Penitent in drawings by Nam June Paik from 1975 to 2005, American acquisitions was Fanny Palmer’s the Wilderness, Joan and ranging from quirky depictions of televised dramatic night scene “Wooding Up” on the David Maxwell, Pepita events to a large and colorful drawing filled Mississippi, published in 1863 by Currier & Ives Milmore Memorial, with animated televisions topped with rabbit- and purchased by the Gallery with funding and The Ahmanson ear antennae. from Donald and the late Nancy de Laski. Liane Foundation Funds Atlas gave a rare lifetime printing of Camille PRINTS AND ILLUSTRATED BOOKS Pissarro’s radically experimental etching Woman The most important acquisition of the year was on the Road, 1879. Théo van Rysselberghe’s Loïe Albrecht Dürer’s Saint Jerome Penitent in the Fuller, 1893, and Henri Rivière’s Poster for Le Wilderness, c. 1496, an engraving remarkable in Chat Noir, 1894, were given by friends in the searching naturalism of its landscape setting, memory of Martin Atlas. A superb impression the urgent feeling of Jerome, and the astonishing of Rodolphe Bresdin’s masterpiece The Good virtuosity of the artist. Acquired through Joan Samaritan, 1861, along with a rare proof of and David Maxwell, Pepita Milmore Memorial, Odilon Redon’s Haunting, 1893, were bequeathed and The Ahmanson Foundation Funds, it is the by David Becker. Through the Gail and earliest and finest impression of this work in Benjamin Jacobs Fund, the Gallery was able to an American collection. The Gallery also added acquire Max Klinger’s Dramen, 1883, in a set the finest impression in America of the Master that had belonged to his principal patron Georg NATIONAL GALLERY OF ART 17

Hirzel. The Epstein Family Collection donated Two important postwar print acquisitions two drawings and three prints by Edvard included Louise Bourgeois’ extremely rare and Munch, notably the color aquatint Female Nude groundbreaking surreal set of nine engravings, in an Interior, 1896. He Disappeared into Complete Silence, 1947, made A bequest from Evelyn Stefansson Nef possible by Dian Woodner. Nelson Blitz funded included more than forty-five twentieth- a uniquely complete set of seven state proofs by century prints, the highlight being a set of Picasso, crucial to demonstrate the development Picasso’s fourteen Saltimbanques etchings and of his reduction-manner linocut The Dejuner sur drypoints. Major additions to the Gallery’s l’Herbe (after Manet), 1962. German expressionist holdings were Otto Lange’s Churchgoer with a Light, c. 1917, a mono- PHOTOGRAPHS The Gallery acquired type-wiped woodcut purchased with funds more than 200 photographs this year. An excep- donated by Joan and David Maxwell, and a tional gift was the donation of forty-five  William Henry Fox monotype-colored proof of Lovis Corinth’s Fall photographs by American modernist Harry Talbot, A Scene in of Man, 1919. Kleine Dada Soirée, 1922, by Kurt Callahan, given by the Callahan family. York: York Minster from Schwitters and Theo van Doesburg is an adver- Ranging from early works made in Detroit in Lop Lane, Edward J. tisement and program for a series of Dada the 1940s, to portraits of his wife, Eleanor, Lenkin Fund, Melvin events. Thomas A. Cox added nine works by from the 1940s through the 1950s, to his last and Thelma Lenkin John Taylor Arms in recognition of the Gallery’s vivid color photographs of the 1980s and 1990s, Fund, and Stephen Arms exhibition. the group was selected by Callahan himself. G. Stein Fund 18 Collecting

The Gallery now has one of the finest and most Eileen and Michael Cohen gave thirty- comprehensive collections of Callahan’s work in nine photographs by twenty-eight artists, the world. including Vito Acconci’s Passes, 1971; Gordon Gary S. Davis gave thirty-five photographs Matta-Clark’s Anarchitecture: World Trade by the American beat author Allen Ginsberg, Towers, 1974; Bruce Nauman’s Self-Portrait as including works from the early 1950s through Fountain, 1966; and Dennis Oppenheim’s the late 1980s. The gift is particularly rich in Reading Position for Second Degree Burn, 1970. portraits of his photographic mentors, such as Together with photographs acquired earlier Robert Frank and Berenice Abbott, his close from the Cohens, this gift enhances holdings friend William Burroughs, and his companion of work by conceptual, performance, and arte Peter Orlovsky. povera artists. Fifty-three photographs by the social docu- Other important acquisitions include mentary photographer Milton Rogovin, were William Henry Fox Talbot’s A Scene in York:  Fr ancis Picabia, donated by Pierre Cremieux and Denise York Minster from Lop Lane, 1845, purchased Front cover of 391, Jarvinen. This gift includes several examples with funds donated by Edward J. Lenkin, no. 3 (Barcelona, 1917), from his series of the residents of the Lower West Melvin and Thelma Lenkin, and Stephen G. David K. E. Bruce Side of Buffalo, as well as his Working People Stein, and Charles Clifford’s Puerta de Santa Fund, National Gallery series. These are the first works by Rogovin to Cruz, Toledo, 1860, and Linnaeus Tripe’s of Art Library enter the collection. Amerapoora: Palace of the White Elephant and Amerapoora: Another part of the Balcony of Kyoung No. 86, 1855, purchased with the New Century Fund. The Vital Projects Fund enabled the Gallery to acquire Statue of Clovis, Church of Sainte-Clotilde, Paris, 1856, a salted paper print by Charles Marville; Baalbeck, 1859, an albumen print by Louis De Clercq; Wild Life on a Tidal Water, 1890, an album of thirty photogravures by Peter Henry Emerson; and Self-Portrait, 1898–1899, a platinum print by Alfred Stieglitz. In addition, the Gallery acquired Marville’s Portrait of Charles Delahaye, c. 1855, with funds donated by Diana and Mallory Walker; William Henry Jackson’s Central City, Colorado, c. 1881, with funds from the Amon G. Carter Foundation Fund and Buffy and William Cafritz Fund; and Frederick Evans’ York Minster, North Transept: “In Sure and Certain Hope,” 1902, with funds provided by Carolyn Brody and the Milmore Memorial Fund. The R. K. Mellon Family Foundation enabled the Gallery to acquire its first work by Clara E. Sipprell, Sixth Avenue, New York, 1920s, and Germaine Krull’s André Malraux, 1933. The Charina Foundation enabled the Gallery to acquire Philip-Lorca diCorcia’s Head # 22, 2001, the first work by this artist to enter the collection, and Nicholas Nixon’s View East from Pi Alley, Boston, 2008, while funds from Robert and Elizabeth Fisher made it possible for the Gallery to acquire Nixon’s The Brown Sisters, Truro, Massachusetts, 2010. The Veverka Family Foundation provided funds for the acquisition of Edward Burtynsky’s Silver Lake Operations #16, Lake Lefroy, Western Australia, 2007, and Mary and Dan Solomon NATIONAL GALLERY OF ART 19

gave the Gallery Aaron Siskind’s Martha’s Vineyard 12, 1953, and a study for Robert Heinecken’s portfolio Are You Rea, c. 1969. Norman and Carolyn K. Carr donated Weegee’s Bowery Entertainers, 1944, and Drunk Tank, 1950. Katy Grannan’s Anonymous, San Francisco, 2009, was purchased with funds donated by Betsy Karel, and Idris Khan’s The Creation, was purchased with funds from the Collectors Committee.

RARE BOOKS AND IMAGES Support from endowments and generous donations enabled the Library to acquire seventy-four titles for the rare book collection. The David K. E. Bruce Fund continued to provide essential support for developing important aspects of the collection’s subject concentrations. Sixty titles dating from the early sixteenth century to the early twentieth century were added, including three issues of the Dada journal 391 published between 1917 and 1924. Seven titles were acquired thanks to the J. Paul Getty Fund in honor of Franklin D. Murphy, including Emblemes, ou Deuises chresti- ennes by Georgette de Montenay (La Rochelle, 1620), the first French emblem book to include engravings, among the first written by a woman, and one of the first published for a Protestant readership. The hundred engravings are from the original edition of 1567, of which only one copy, now in the Royal Library in Copenhagen, survives. The Grega and Leo A. Daly III Fund for Architectural Books enabled the purchase of 1862); and S. Russell Forbes’ Ancient Sculptures:  Juan Laurent, Interior six titles, including Architects Remembrancer, The Masterpieces of Greek Art in the Museums of of the Great Mosque or or, Surveyors Pocket Companion (c. 1740), a two- Rome (Rome, 1890?). The department also pur- Cathedral at Córdoba, volume manuscript prepared by joiner and chased a reproductive print by Cornelis van Department of Image surveyor James Horne, as well as Metropolitana Dalen of Cornelis Jonson van Ceulen’s Portrait of Collections, National di Milano (Milan, 1824), presented to Archduke Anna Maria van Schurman. Gallery of Art Library Rainer of Austria with binding by Luigi Among the individual photographs are a Lodigiano and thirty-six engravings. group of anonymous mid-nineteenth-century The Philip Conisbee Fund supported salted paper prints of English architecture; the the purchase of Scènes de la vie privée et pub- Metropolitan Cathedral of Mexico City by lique des animaux by P. J. Stahl (Paris, 1842), Lorenzo Becerril, 1885; a sculpture by Picasso featuring nearly 200 wood engravings by photographed by Brassai, c. 1930; a large group J. J. Grandville. of photographs and negatives of artists’ portraits The image collections were enriched with by Lida Moser taken between 1950 and 1980; many notable additions. Among the albums, an anonymous platinum portrait of Gertrude the most significant purchases were a folio of Kasebier, c. 1900; a pair of cased daguerreo- albumen photographs by Marville from 1860; types of the Crystal Palace exhibition in two albums of photographs by Juan Laurent Sydenham, 1854; a stereo daguerreotype of the from the 1870s; Georg Humann’s Die Kunstwerke 1855 Paris Exposition Universelle; and der Münsterkirche zu Essen (Düsseldorf, 1904); Balthazar Korab’s photograph of Georgia Musée d’Anvers by Théophile Thoré (Brussels, O’Keeffe in her studio, 1965.

22

EXHIBITING

The Gallery offered the public an impressive twenty-one special exhibitions this year. Seven exhibitions—From Impressionism to Modernism: The Chester Dale Collection; In the Tower: Mark Rothko; American Modernism: The Shein Collection; German Master Drawings from the National Gallery of Art, 1580–1900; German Master Drawings from the Wolfgang Ratjen Collection, 1580–1900; Edvard Munch: Master Prints; and Arcimboldo, 1526– 1593: Nature and Fantasy—continued from the previous year. The year began with an examination of the relationship between photography and painting in The Pre-Raphaellite Lens: British Photography and Painting, 1848–1875. Thematic sections on landscape, portraiture, literary and historical narratives, and modern-life subjects, displayed photographs and paintings as well as watercolors and large volumes in five galleries to chronicle the roles photography and Pre-Raphaelite art played in changing concepts of vision and truth in representation. Photographers looked to Pre- Raphaelite subject matter and visual strategies in order to legitimize photography’s status as a fine art. Like painters, photographers wrestled with the question of how to observe and represent the natural world and the human face and figure. A fully illustrated catalogue accompanied the exhibition, and the Gallery’s website high- lighted the innovative techniques that distinguish photography of the period. Larger Than Life: Ter Brugghen’s “Saint Sebastian Tended by Irene” displayed Hendrick Ter Brugghen’s seventeenth-century masterwork from the Allen Memorial Art Museum of Oberlin College alongside the Gallery’s Bagpipe Player, two of the Dutch artist’s most luminous and lyrical paintings. Although these works belong to different genres, they reveal the sure fluidity of brush, exquisite color harmonies, and sophisticated compositional orchestration for which Ter Brugghen is renowned. Venice: Canaletto and His Rivals celebrated the city of Venice through a rich variety of Venetian views, known as vedute, with some twenty masterworks by Canaletto and more than thirty by rivals including Michele Marieschi, Francesco Guardi, and Bernardo Bellotto. Responding to an art market fueled largely by the Grand Tour, these gifted painters depicted the famous monuments and vistas of Venice in different moods and seasons. The Capitoline Venus 24 Exhibiting

 The Pre-Raphaelite On loan from the Mariners’ Museum in insights into life in eighteenth-century Venice. Lens: British Photog- Newport News, Virginia, a rare nineteenth- Gauguin: Maker of Myth met visitors with the raphy and Painting, century gondola, once owned by American artist vivid colors and exotic depictions of faraway 1848–1875 Thomas Moran, was installed at the entrance to lands. Organized by Tate Modern, London, in the exhibition. Within the exhibition, a didactic association with the Gallery, the exhibition room displayed two eighteenth-century camera brought together nearly 120 works in the first obscuras, one possibly owned by Canaletto, and major look at the artist’s oeuvre in the United three modern camera obscuras that gave visitors States since the Gallery’s blockbuster retrospec- a view of the East Building atrium. A documen- tive of 1988–1989, The Art of Paul Gauguin. tary film on Canaletto, produced by the National Organized thematically, the exhibition Gallery, London, and re-edited for an American examined the artist’s use of religious and audience, was shown. An audio tour offered mythological symbols to tell stories as well as the

 Venice: Canaletto and His Rivals NATIONAL GALLERY OF ART 25

reinvention or appropriation of narratives and simplest, most dynamic works. Each morning  Gauguin: Maker myths drawn both from his European cultural a candle was lit and a video camera followed of Myth heritage and Maori legend. its progress, casting its flickering, magnified, The ultimate traveler, Paul Gauguin (1848– processed image onto the walls in a myriad of 1903) sailed in the South Pacific and lived projections. The unique, twenty-five-feet-high in Peru, Paris, Martinique, and Tahiti, among triangular volume of the gallery allowed for other places. The exhibition featured iconic monumental candle images. In the Tower: Nam self-portraits, genre pictures, still lifes, and June Paik also highlighted an important recent landscapes, on loan from around the world— acquisition, Untitled (Red Hand), 1967, a gift of the ranging from scenes of religious life near the Hakuta Family. A film about the artist and an artist’s colony of Pont-Aven in Brittany to the illustrated brochure accompanied the exhibition. exotic canvases depicting the flora and fauna of On view in the West Building, Lewis Baltz: the islands of French Polynesia to the sumptuous Prototypes/Ronde de Nuit featured works showing images of the islands of the South Seas. the transformation of the American landscape A fully illustrated catalogue and brochure into an unending terrain of anonymous com- accompanied the exhibition. An award-winning mercial architecture. From 1967 through the documentary produced by the Gallery was made early 1970s, Californian artist Lewis Baltz (born possible by the HRH Foundation. Narrated by 1945) made a series of photographs that focused Willem Dafoe, the film was screened during the on the sides of warehouse sheds, stucco walls, exhibition and broadcast on WETA and other empty billboards, and other geometric forms PBS affiliates. An audio tour offered commen- found in the postwar suburban landscape. He tary by the exhibition curators and an expert on titled these works Prototypes, referencing both Polynesian and Maori culture. the industrially made model structures scattered The third installation of the In the Tower across California and the modern culture that series focusing on developments in art from generated them. midcentury to the present featured the work In this first exhibition dedicated to the series, of Nam June Paik (1932–2006). Born in Korea some fifty Prototypes were on view along with and trained in Japan and Germany in aesthetics works by Donald Judd and Richard Serra—key and music, Paik settled in New York in 1964 and participants in the avant-garde dialogue that quickly became a pioneer in the integration inspired Baltz. The exhibition also included of art with technology and performance. The Ronde de Nuit (Night Watch), 1991–1992, a centerpiece of the exhibition was One Candle, twelve-panel color tableau of surveillance sites Candle Projection, 1988–2000, one of the artist’s and the people who work in them. Dramatically 26 Exhibiting

 In the Tower: Nam June Paik

different in scale and appearance from the depict materials with an unerring truth to Prototypes, Ronde de Nuit reveals Baltz’s con- nature. Featuring some thirty-five paintings, tinuing preoccupation with manufactured this exhibition was the first monographic environments and how they are used to show of Metsu’s work ever mounted in the control contemporary society. A fully illus- United States. A fully illustrated catalogue and trated catalogue accompanied the exhibition. a brochure accompanied the exhibition. The Gallery examined the work of one of the Italian Master Drawings from the Wolfgang most important Dutch genre painters of the Ratjen Collection, 1525–1835 celebrated a selec- mid-seventeenth century in Gabriel Metsu, tion of sixty-five superb drawings assembled 1629–1667. Although his career was relatively by the European private collector Wolfgang short, Gabriel Metsu enjoyed great success as a Ratjen (1943–1997). The splendors of Italian genre painter and with his religious scenes, still draftsmanship from the late Renaissance to lifes, and portraits. Metsu’s ability to capture the height of the neoclassical movement were ordinary moments of life with freshness and showcased in this exhibition, which featured spontaneity was matched only by his ability to works by many of the most important artists of

 Gabriel Metsu, 1629–1667 NATIONAL GALLERY OF ART 27

the period, from Giulio Romano to Giovanni of the Declaration of Independence that has been  Italian Master Domenico Tiepolo. Outstanding Venetian accepted into the popular consciousness. The Dr awings from the examples included Canaletto’s elegant render- Stone facsimile was on view in the West Building Wolfgang R atjen ing of the Giovedì Grasso festival, perhaps his near American artist Gilbert Stuart’s portraits of Collection, 1525–1835 finest surviving drawing. A fully illustrated Adams and Thomas Jefferson. catalogue accompanied the exhibition. This year, the Gallery also had the rare oppor- The Gothic Spirit of John Taylor Arms examined tunity to exhibit one of the best-preserved the work of an American printmaker who took sculptures to survive from Roman antiquity, attention to detail to a new level. John Taylor The Capitoline Venus. On loan to the United Arms (1887–1953) believed in the uplifting States for the first time, The Capitoline Venus quality of Gothic art and the power of close derives from the celebrated Aphrodite of Cnidos, observation, skillfully transcribed. Not all of his created by renowned classical Greek sculptor prints depict Gothic subjects, but all reflect the Praxiteles around 360 BC. Unearthed in Rome spirit of an artist whose intense devotion to in the 1670s, The Capitoline Venus was given to craftsmanship echoed that associated with medi- the Capitoline Museum by Pope Benedict XIV eval artisans. This exhibition presented selected in 1752. It was seized by Napoleon Bonaparte examples from the artist’s entire career, from his after his invasion of Italy and taken to Paris early New York works to his finest images of in 1797. The sculpture was returned in 1816 European cathedrals. Some sixty prints, copper- and quickly became a highlight for travelers in plates, and drawings were on view, drawn Europe. At the Gallery, the sculpture rested primarily from the Gallery’s collection as well as on a high pedestal surrounded by the grand from other lenders both private and public. columns of the Rotunda of the West Building. Thanks to the generosity of collector David An illustrated brochure explained the origins M. Rubenstein, the Gallery had the opportunity and history of the sculpture. to display one of the rare surviving copies A New Look: Samuel F. B. Morse’s “Gallery of of the Stone facsimile of the Declaration of the Louvre” was a focus exhibition featuring the Independence. Secretary of State John Quincy newly conserved Gallery of the Louvre, on view in Adams commissioned Washington engraver the West Building. Known primarily for his role William J. Stone to create a facsimile version on in the development of the electromagnetic tele- parchment, complete with signatures, to become graph, Samuel F. B. Morse began his career as a the official representation of the treasured painter. On loan from the Terra Foundation document. More than three years of work went for American Art, Gallery of the Louvre depicts into the creation of the copperplate. It is this masterpieces from the Lourve’s collection engraving, two hundred copies of which were “re-installed” in its grand Salon Carré for distributed to surviving signers, government individuals to study, sketch, and copy. Morse officials, and others, which provided the image depicted himself in front, leaning over his 28 Exhibiting

 The Gothic Spirit of John Taylor Arms

daughter as she sketches, and included friend and Spanish government listed them as cultural author James Fenimore Cooper with his wife patrimony to be safeguarded during the and daughter. Executed in Paris and New York, Spanish Civil War. An illustrated timeline the Gallery of the Louvre was intended to inspire highlighted major fifteenth-century events and inform American audiences. An illustrated pertinent to the tapestries. booklet provided a key to the works of art in the Text panels within the exhibition provided Louvre that Morse depicted in his painting. English translations of the inscriptions on the For the first time in the United States some tapestries, summaries of the battles depicted, of the finest surviving Gothic tapestries were and illustrations of key details in the visually exhibited in The Invention of Glory: Afonso V complex compositions. Three tapestries and the Pastrana Tapestries. The recently restored depicting battles in Asilah were installed in tapestries commemorate the conquest of two one large room. A curved wall in a second cities in Morocco by the King of Portugal, room was designed to hold The Conquest of Afonso V (1432–1481). Since the seventeenth Tangiers, the only tapestry to have traveled century the tapestries have been the property previously to the United States for the 1991 of the Collegiate Church of Our Lady of the Gallery exhibition Circa 1492: Art in the Age Assumption in Pastrana, Spain. Because of of Exploration. A fully illustrated catalogue their quality and historical significance, the accompanied the exhibition.

 The Invention of Glory: Afonso V and the Pastrana Tapestries NATIONAL GALLERY OF ART 29

The fiscal year closed with Warhol: Headlines McNeill Whistler’s Symphony in White, No. 1:  Warhol: Headlines which brought together works based largely on The White Girl featured in The Cult of Beauty: headlines from the tabloid news. An indisput- The Aesthetic Movement in Britain, 1860–1900 at ably influential artist, Andy Warhol (1928–1987) the Victoria and Albert Museum, London, and had a lifelong obsession with the sensational the Musée d’Orsay, Paris. side of contemporary news media. Examples of Gallery works featured in museum anniver- his source materials were presented for compar- sary exhibitions included Johannes Vermeer’s ison, revealing Warhol’s role as both editor and Woman Holding a Balance, a highlight of Vermeer author. The headline motif was traced through in Munich—King Max I Joseph of Bavaria as a about eighty works representing the full range Collector of Old Masters celebrating the Alte of its treatment in Warhol’s practice—from Pinakothek 175th anniversary; Georgia paintings, drawings, prints, photography, and O’Keeffe’s Jack-in-Pulpit-No. 2 on view in the sculpture to film, video, and television. A 25th Year Anniversary Exhibition at the National major, yet previously unexplored theme of Museum of Women in the Arts, Washington, Warhol’s career, the headline encompasses D.C.; and Thomas Gainsborough’s Mrs. Richard many of his key subjects, including celebrity, Brinsley Sheridan as part of the exhibition mark- death, disaster, and current events. A fully illus- ing the bicentenary year of the Dulwich Picture trated catalogue and audio tour accompanied Gallery, London. the exhibition. An exhibition Web feature Fifty nineteenth-century French paintings encouraged visitors to compare Warhol’s including The Dancer by Auguste Renoir, The sources with the works of art they inspired. Railway by Edouard Manet, and Boy in a Red The Gallery administered the loans of 516 Waistcoat by Paul Cézanne were on loan for works of art to 201 sites during fiscal year 2011. Impressionist and Post-Impressionist Masterpieces Among notable loans were eight works lent to from the National Gallery of Art at the Museum of Jan Gossaert’s Renaissance at the Metropolitan Fine Arts, Houston. An additional six paintings Museum of Art, New York, and the National and twenty-seven works on paper joined the Gallery, London; works by Sandro Botticelli, exhibition when it traveled to The National Art Leone Battista Alberti, and Andrea del Center, Tokyo, and the Kyoto Municipal Verrocchio for The Portrait in Renaissance Italy: Museum of Art. From Masaccio to Bellini at the Bode Museum in Twenty-one photographs by André Kertész Berlin; and René Magritte’s La condition humaine were seen in a Kertész exhibition at the Galerie seen in René Magritte: The Pleasure Principal at Nationale du Jeu de Paume, Paris; the Tate Liverpool. Significant paintings included Fotomuseum Winterthur; the Martin-Gropius- Claude Monet’s Woman with a Parasol—Madame Bau, Berlin; and the Hungarian National Monet and Her Son and four other paintings Museum, Budapest. Three prints by Rembrandt loaned to the Monet exhibition at the Galeries van Rijn were lent to Rembrandt and the Face of nationales du Grand Palais in Paris and James Jesus at the Philadelphia Museum of Art.

Declaration of Independence: The Stone Copy was on view in the West Building American galleries alongside Gilbert Stuart’s George Washington. 32

EDUCATING

The education division reached one million Gallery visitors this year through on-site tours, lectures, symposia, workshops, internships, and self-guided materials. An initiative making free audio tours of the permanent collection available in a wide array of languages led to an unprecedented increase in use by families, adults, and visitors from abroad. Another sixty- five million people were reached worldwide through the website, through distance learning resources including online interactives, curricu- lum lessons, and loan DVDs, through printed materials distributed within school systems, and through television broadcasts. More than 65,000 on-site adult visitors enjoyed a spectrum of programs. Eighty-four auditorium events presented live engagements with scholars, artists, collectors, and critics. In conjunction with the exhibition of Samuel F. B. Morse’s Gallery of the Louvre, historian and author David McCullough spoke about the allure of Paris for mid-nineteenth century Americans. Art historian Michael Fried delivered the Sydney J. Freedberg Lecture in Italian art, Thoughts on the Caravaggisti. Artists Ann Hamilton and Jenny Holzer discussed their work in the Diamonstein- Spielvogel Lecture series. Panel discussions included The Role of Art in Cultural Diplomacy with art historian Robert Storr and artists Odili Donald Odita, Joel Shapiro, and Carrie Mae Weems, and Nam June Paik, a conversation with experts about the artist’s combination of technol- ogy and performance. International Study Days brought museum and academic scholars together to discuss issues raised in the exhibitions The Pre- Raphaelite Lens: British Photography and Painting, 1848–1875; American Modernism: The Shein Collection; and Venice: Canaletto and His Rivals. An international group of education professionals met at the Gallery for the conference “Educating for Today and Tomorrow.” Gallery talks by staff lecturers and volunteer docents served more than 40,000 visitors and included a new program entitled “Twelve at Twelve,” a series of twelve-minute talks offered at noon and focused primarily on recent acquisitions. Art information volunteers began a pilot program, moving into the galleries from five information desks with maps and guides to answer questions. Monthly tours offered in American Sign Language with voice interpretation joined Picture This, a tour for sight-impaired visitors, to make the collection accessible to a broader audience. Educator Elizabeth Diament leads an exploration of Sir Anthony van Dyck’s Queen Henrietta Maria with Sir Jeffrey Hudson. 34 Educating

teaching packets, classroom activity books, image CDs, feature-length DVDs, and videos. Web-based lesson plans offered through educa- tion resource programs online were culled this year to ensure standards of image quality, Web functionality, ease of use, and current scholar- ship. The newest addition, a series of the seven most popular online interactives for children, is now available in CD form for teachers without a classroom Internet connection. New to the website are seventy podcasts of lecture programs; Time Travel, a series of fifty animated videos on individual Gallery paintings for chil- dren generously funded by the MSST Foundation; as well as features on photographer Chim and frames in the Gallery’s collection.

CONCERTS AND FILMS Forty-nine concerts were presented in the Gallery’s sixty-ninth season of weekly concerts, which ran from September 2010 through June 2011. The concerts were supported by funds bequeathed to the Gallery by William Nelson Cromwell and F. Lammot Belin, with generous additional support from the Royal Norwegian Embassy, the Billy Rose Foundation, the Richard B. and Sarah J. Marsten Charitable Remainder Unitrust, and the Gottesman Fund in memory of Milton M. Gottesman. Additional assistance came from The Netherlands Cultural Services, the Randy Hostetler Living Room Music Fund, La Maison Française at the Embassy of France, the French-American Cultural Foundation, and Électricité de France. Highlights of the season included the world  Il Gattopardo, 1963, School tours and programs for teens brought premiere of Max and Moritz: A Cartoon Opera in Luchino Visconti, almost 35,000 young people to the museum. For Seven Pranks by Norwegian composer Gisle Courtesy of Photofest Art Around the Corner, the acclaimed multiple- Kverndokk, presented in honor of Edvard Munch: visit program offered in association with District Master Prints; the Washington premiere of Louis of Columbia public elementary schools, the Andriessen’s monumental oratorio De materie; Gallery produced a short film featuring students and two world-famous baroque ensembles, Red and teachers in the galleries, looking closely, Priest and the Venice Baroque Orchestra, per- sketching, and talking about art. Posted on the forming music of Antonio Vivaldi in honor of website, the film captures the power of the Venice: Canaletto and His Rivals. model outreach program. It will also be used for Other exhibitions acknowledged in concert donor development. One of many offerings for included From Impressionism to Modernism: The families throughout the year, “Drawn into Chester Dale Collection (various ensembles playing Nature” was a workshop on Georgia O’Keeffe’s music by George Gershwin, Gabriel Fauré, Scott Jack-in-the-Pulpit series that combined time Joplin, Darius Milhaud, and Maurice Ravel); in the galleries with an artist-led activity in The Pre-Raphaelite Lens: British Photography and the Education Studio drawing inspiration from Painting, 1843–1875 (New York Chamber seashells and flowers. Soloists playing music by Frederick Delius Through free-loan educational programs and Arthur Sullivan); American Modernism: The and the website, the Gallery reaches those who Shein Collection (pianist Terry Waldo playing cannot come to Washington. This year, almost early American jazz); Gauguin: Maker of Myth thirty million viewers experienced some aspect (French pianists playing music by Claude of the Gallery’s collections or exhibitions through Debussy, Reynaldo Hahn, and other French NATIONAL GALLERY OF ART 35

contemporaries of Paul Gauguin); and Gabriel Avant-garde programs were devoted to artists Metsu, 1629–1667 (soprano Anne-Marieke Evers Jean-Marie Straub, Danièle Huillet, and Harun and the Texas Children’s Choir singing music Farocki. “Iris Barry and American Modernism,” by Constantijn Huygens, Jan Sweelinck, Adriaen an afternoon of short avant-garde works Valerius, and Jacob van Eijk). In all, twenty- organized in conjunction with the American three of the season’s concerts had a connection modernism symposium, recreated a landmark with a Gallery exhibition or the collection. film exhibition held at the Wadsworth Each of the Gallery’s resident ensembles made Athenaeum in 1934. Production designer a significant contribution to the season. The Patrizia von Brandenstein gave the annual Gallery Orchestra accompanied music for silent Vaidya film lecture, “Film Design: Translating films, played a Norwegian-American New Year Words into Images.” Concert to culminate the festival “Norway Series included “Stories from a Russian Comes to Washington,” and performed music by Province, Remembering Risorgimento,” and a Mannheim School composers in honor of German twenty-film retrospective “Neorealismo 1941– Master Drawings from the Wolfgang Ratjen Collection, 1954: Days of Glory,” organized in association 1580–1900. The Gallery Chamber Players played with Cineteca Nazionale, the Italian national Renaissance music in honor of Arcimboldo, 1526– film archive. “American Originals Now” fea- 1593: Nature and Fantasy. The Gallery Vocal tured American video and film artists including Ensemble sang music of Johann Sebastian Bach Kevin Jerome Everson, Jem Cohen, and Lynne in the annual Christmas Concert; medieval music Sachs, who came to the Gallery to discuss their in honor of the 1,000th anniversary of the Badia recent works and works-in-progress. For di Cava Monastery near Naples, Italy; and Italian “Richard Dindo: Artists, Writers, Rebels,” the baroque music in honor of Venice: Canaletto and noted Swiss documentarian came to the Gallery. His Rivals. The Gallery Piano Trio, Wind “A Season of Rohmer” presented a retrospective Quintet, and String Quartet played music by of the famed French director. “Color, ‘Scope: Bach and Wolfgang Amadeus Mozart in the Recent Restorations from the 1950s” featured a Gottesman Fund concert, and the Gallery New series of thirty-five millimeter studio vault prints Music Ensemble presented a concert of music from Fox, Paramount, and Universal including written and arranged for performance in the the premiere of a new print of Joahua Logan’s West Building Rotunda on the occasion of the 1956 Picnic. Gallery’s seventieth anniversary. On the occasion of the 100th anniversary The Gallery celebrated Hispanic Heritage of the death of Gustav Mahler, the Gallery Month with a piano recital by Carlos Rodriguez, presented Luchino Visconti’s Death in Venice, and African American History Month with overlapping with the exhibition Venice: Canaletto concerts by violist Marcus Thompson and and His Rivals. pianist William Chapman Nyaho. Gallery con- The Gallery continued its tradition of mount- certs honored Women’s History Month with a ing a seasonal preservation festival devoted to performance by cellist Tanya Anisimova and restored cinematic rarities from international pianist Lydia Frumkin. film archives with three programs: “From Vault Gallery concerts were the subject of nineteen to Screen: New Preservation from France,” reviews and three photo previews in Washington- “Recovered Treasure: UCLA’s Festival of area media. Preservation,” and “This Other Eden: Ireland The Gallery’s film program featured a broad and Film,” organized in association with the Irish range of screenings and events exploring the Film Institute with support from Culture Ireland. moving image arts. The series “Figures in a A fiftieth anniversary tribute to the Filmmakers Landscape: Nature and Narrative in Norway” Cooperative included works by many artists, included works from the silent period through among them Jonas Mekas and Ken Jacobs, both contemporary video art. Several interesting of whom were present. ciné-concerts with live accompaniment to the silent cinema were presented including the RESOURCES FOR SCHOLARLY RESEARCH Danish film Häxan—Witchcraft through the Ages, The Library added 5,545 books and 1,375 auc- Dennis James’ performance on theater organ to tion catalogs to its holdings and welcomed accompany King Vidor’s La Bohème, and Julien 3,126 visitors. Reference librarians answered Duvivier’s film Poil de carotte, for which the 23,332 queries and provided 967 orientations to ensemble L’Octuor de France performed their staff, fellows, and local researchers. More than original score. 5,000 digital scans from rare materials were 36 Educating

provided for scholarly use by authors and for 525 postcards sent by artists to Dorothy and publications by the Archives of American Art, Herbert Vogel were created to improve usabil- the Isabella Stewart Gardiner Museum, the ity and protect fragile originals. Corcoran Gallery of Art, the Phillips Gallery Archives holdings increased with Collection, universities, and private presses. the addition of nearly 8,000 original digital The Library shared 6,474 titles with university documents and images, 175 cubic feet of tradi- and museum libraries in the United States and tional office files, and more than 4,000 sheets of Canada through its interlibrary loan program. architectural drawings. This year the program expanded to include The user interface for the archives description loans to countries in Scandinavia and the far and database was redesigned, and the major project near East. to incorporate legacy finding aids passed its The department of image collections midpoint with the import of some 20,000 acquired more than 61,600 images, including folder-level records. 47,623 photographs, negatives, transparencies, Archives staff assisted more than 275 research- and images in microform, twelve CD-ROMs, ers interested in the history and development of sixteen rare photographic albums, nearly 1,400 the Gallery. A series of lectures and an article on rare postcards, and more than 12,500 digital Gallery history in the NGA Bulletin celebrated files. The department’s holdings total more the Gallery’s seventieth anniversary. than thirteen million images, making the Work on a Kress Collection history and Gallery one of the largest art and architecture conservation database reached its midpoint, image repositories in the world. Image special- funded by a three-year grant from the Samuel ists answered 1,278 reference inquiries and H. Kress Foundation. provided 333 orientations in addition to assist- Robert Newlin donated slides of the 1971 ing Gallery staff and Center for Advanced Study East Building groundbreaking ceremony. An in the Visual Arts fellows. oral history interview was conducted with In addition to Gallery staff, several individuals donors William and Abigail Gerdts. made significant donations to the collection. Lida Moser donated her architectural photo- IMAGING AND VISUAL SERVICES graphs and negatives. Pat Clopper donated The division of imaging and visual services six Italian reproductive prints. The estate of created high-resolution, color-accurate mas- Livingston and Catharina Baart Biddle donated ter digital files for 259 acquisitions. Digital a large collection of rare postcards. Charles photography was completed for eight works Schwartz gave one of his camera obscura pho- on the Web Collection Highlights list. tographs of New York architecture. The Technical imaging in support of 165 conser- Courtauld Institute of Art, the Frick Art vation treatments was provided. Reference Library, the Modern Art Museum in Publication-quality images were provided for Fort Worth, and Art Services International also Warhol: Headlines, Antico: The Golden Age of donated photographic material. Renaissance Bronzes, Shock of the News, and George With support from the Alvord Foundation, Bellows (1882–1925). Completed photography the Kiplinger Foundation, Mr. Albert Small, for the online Dutch systematic catalog included and Mr. B. Francis Saul II, the department studio photography for sixty-six Dutch paint- began a project with architectural historian ings. Images were provided for the Spring and James Goode and photographer Bruce White to Fall issues of the NGA Bulletin. document historic residences in the Washington, More than 17,000 high-quality digital D.C. area. images were added to the Gallery’s website. Substantial additions to the Gallery’s digital Produced through the Rapid Capture imaging archival repository were made this year, project funded by the Samuel H. Kress including more than 35,000 pages of pre-1970 Foundation, these images include European exhibition records. Searchable copies of early prints and drawings and photographs (up to Gallery press releases also were added to thirty-five inches wide). Now eighty percent reproduction-quality copies of the Gallery’s complete, the project has photographed more most important early photographs, including than 30,000 collection objects since it began in newly discovered images of Paul Mellon, 2009. The addition of rapid capture images Jacqueline Kennedy, Chester Dale, and Samuel brings the number of website images to more and Rush Kress. Digital copies of more than than 24,000. NATIONAL GALLERY OF ART 37

CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

The Center for Advanced Study in the Don Quixote Effect: Pictorial Fiction and Visual Arts, founded in 1979, sponsors the Aesthetic Borders in Murillo and Beyond.” study of the visual arts in each of its four The sixtieth A. W. Mellon Lectures in the program areas: fellowships, publications, Fine Arts were delivered by Mary Beard of scholarly meetings, and research. the University of Cambridge on “The During its thirty-first academic year, the Twelve Caesars: Images of Power from Center welcomed fellows from France, Ancient Rome to Salvador Dalí.” Helen Germany, Italy, Spain, Belgium, Switzerland, Vendler’s A. W. Mellon Lectures, the fifty- the United Kingdom, and the United States. sixth in the series, and Mary Miller’s, the The topics of their research ranged from fifty-ninth in the series, were made available votive panel paintings in Renaissance Italy to as podcasts (www.nga.gov/podcasts/mellon). the lives of ancient Maya sculptures, from The Center is working to make the Mellon scenes of Arcadia to images of the Passion, Lectures more widely available this way, and from a social history of the London square to plans to include images to the extent possi- the historiography of Leonardo da Vinci, and ble. The Moment of Caravaggio, based on from the topographical imaging of Udaipur, Michael Fried’s A. W. Mellon Lectures, the India, and its environs to the sculpture of fifty-first in the series, appeared in print. Isa Genzken and Thomas Hirschhorn. Edited, revised, and fully illustrated versions In the program of publications, two vol- of the Mellon Lectures will continue to be umes in the series Studies in the History of published in the Bollingen Series by Art appeared. The first, Romare Bearden, Princeton University Press, according to the American Modernist (volume 71), was edited wishes of Paul and Mary Mellon. by Ruth Fine and Jacqueline Francis. It The Center’s ongoing research projects includes essays delivered at the 2003 sym- are designed to provide primary research posium of the same name, which coincided materials and tools. Dean Elizabeth Cropper with the exhibition The Art of Romare continued her work on the critical edition Bearden. The publication was marked by a and translation of Carlo Cesare Malvasia’s lecture by noted Bearden scholar Mary Felsina pittrice (Bologna, 1678). Keywords in Schmidt Campbell, dean, Tisch School of American Landscape Design, directed by the Arts, New York University. The second Associate Dean Therese O’Malley, and pub- publication, Art and the Early Photographic lished in 2010 jointly by Yale University Album (volume 77), was edited by Stephen Press and the Gallery, was awarded the 2011 Bann, and gathers papers presented at a John Brinckerhoff Jackson Book Prize from symposium held in 2007. the Foundation for Landscape Studies. The In the program of special meetings, the volume also received a 2011 Council on Center cosponsored, with University of Botanical and Horticultural Libraries Award Maryland, the forty-first Middle Atlantic for a Significant Work in Botanical or Symposium in the History of Art. This Horticultural Literature. year’s biennial Wyeth conference, supported With the support of a Digital Resources by the Wyeth Foundation for American Art, Grant from the Samuel H. Kress Foundation, was dedicated to the topic “Landscape in Associate Dean Peter M. Lukehart traveled to American Art, 1940–2000.” Europe and throughout the United States to Victor I. Stoichita, the Center’s eighth present his digital humanities project, “The Edmond J. Safra Visiting Professor, initiated History of the Accademia di San Luca, c. two events during his residency this spring; a 1590–1635: Documents from the Archivio di two-day Robert H. Smith Colloquy on the Stato di Roma” (www.nga.gov/casva/accademia). subject of the Gallery’s painting Two Women at For more on the Center’s programs, see a Window by Bartolomé Esteban Murillo and a the annual report, Center 31, available lecture for the scholarly public entitled “The online at www.nga.gov/resources/casva.shtm.

The False Color Multispectral Infrared Reflectogram reveals an underdrawing of the Virgin Mary in this detail from The Annunciation by Jan van Eyck. 40

PRESERVING

Painting conservators completed seventeen major treatments, forty minor treatments, seventeen major examinations, and forty-five minor exami- nations, as well as the inspections of sixty-nine paintings in fifteen galleries. Through treatment, three exquisite fifteenth- century Italian Renaissance paintings—Giovanni di Paolo’s The Annunciation and Expulsion from Paradise, Fra Carnevale’s The Annunciation, and Fra Filippo Lippi and Workshop’s The Nativity— and Titian’s Venus with a Mirror regained a luminescence and depth not seen for years. Treatments allowed renewed appreciation of Albrecht Dürer’s sparkling Madonna and Child, the beautiful seventeenth-century painting Isabella Brant by Sir Anthony van Dyck, and Willem van de Velde’s curious “pen painting” Dutch Ships near the Coast. A new acquisition, Jean François de Troy’s The Abduction of Europa and its companion, Cupid and Psyche, re-acquired colorful vibrancy following their treatment, as did Gustave Caillebotte’s Skiffs. Thomas Gainsborough’s Georgiana, Duchess of Devonshire and Gilbert Stuart’s John Jay revealed brilliant brush work as a result of the removal of the dis- colored old varnish. Rembrandt Peale’s Rubens Peale with a Geranium, George Bellows’ Club Night, Stuart Davis’ Multiple Views, Mark Rothko’s Hierarchical Birds, and Ellsworth Kelly’s Tiger, a cross section of American painting, round out a chronological listing of the year’s fascinating major treatments. Painting conservators provided editorial suggestions for the online second edition of the Dutch Paintings systematic catalogue; and completed the technical notes for the volume on thirteenth- and fourteenth-century Italian Paintings. Work continued on technical notes for the sixteenth-century Italian, nineteenth- century French, and Early American Modern systematic catalogues. Object conservators completed eight major treatments, 129 minor treatments, forty-nine major exams, and 1,650 minor exams. Among these was the treatment of the uniquely carved Head of a Woman by Amedeo Modigliani that involved replacing weak and unsightly fills and securing a mount. The Nativity, a marble relief by Domenico Gagini, was returned to view fol- lowing treatment to correct old repairs and discolored overpaint. Damage to Rachel Whiteread’s Ghost, a plaster cast of the space of an entire parlor, was repaired and inpainted. In Mellon Fellow Im Chan tests a print by Mary Cassatt before treatment. 42 Preserving

and re-housing 5,300 American prints from the David and Reba Williams collection. In addition, paper conservators tackled several delicate treatments including two pastel draw- ings by Edgar Degas. Losses in the paper support of Degas’ Madame Dietz-Monnin were filled with toned paper to make them less visually distracting, and prominent scratches through the pastel in Girl Drying Herself were inpainted. Conservators compensated numer- ous paper and media losses in William Henry Johnson’s rare and colorful screen-print Blind Singer. A color etching by Mary Cassatt and a large photogravure by Charles Nègre were treated to reduce overall discoloration and localized staining. Paper conservators and technicians completed thirty major treatments, 275 minor treatments, 516 simple treatments, and 791 examinations for exhibition, loan, and collection maintenance. The photograph conservation department completed twenty-seven major treatments, sixty-nine minor treatments, and 575 examina- tions of condition for exhibitions, loans, acquisition, and donor development. Mel Bochner’s silver gelatin print Surface Dis/Tension  Shelley Sturman, head preparation for the renovation of the East was treated in preparation for the exhibition of object conservation, Building exterior, six outdoor sculptures were Light Years: Conceptual Art and the Photograph, removes thick layers removed, treated, and relocated. Temporary hous- 1965–1977 at the Art Institute of Chicago. The of discolored surface ings were constructed to protect three works that treatment involved extensive reduction of stains coatings from Henri could not be moved. The monumental sculpture and surface soil, and compensation and inpaint- Matisse’s masterful Moondog by Tony Smith was re-installed in the ing of numerous substantial losses. The majority bronze Figure Decorative. Sculpture Garden following a major repainting of conservation treatment activity was in using paint produced in collaboration with the preparation for the Gallery exhibitions Harry Army Research Laboratory. Callahan at 100 and I Spy: Photography and the Every sculpture was assessed in a Gallery- Theater of the Street 1938–2010. The department wide effort to ensure the utmost safety and also assisted with planning and installation of the security in the mounting system for each. Old exhibitions The Pre-Raphaelite Lens: British and inadequate mounts were replaced with Photography and Painting, 1848–1875 and Lewis newly fabricated and more suitable mounts. Baltz: Prototypes/Ronde de Nuit, the installations The publication of the systematic catalogue Modern Lab: There is nothing to see here and Modern Edgar Degas Sculpture, co-authored by an art his- Lab: The Found Alphabet, and the Library Image torian and two Gallery object conservators Collection exhibition The Solemnity of Shadows: with contributions from the scientific research Juan Laurent’s Vision of Spain. department, concluded more than twenty years With generous support from the Andrew W. of collaborative effort. Mellon Foundation, the department added a The Robert H. Smith-funded Renaissance senior and an assistant photograph conservator to Bronze Project continued with research con- the staff. In addition, a scientist devoted to the ducted for the exhibition Antico: The Golden research of photographic materials was appointed Age of Renaissance Bronzes, including technical within the scientific research department. The analyses of more than fifty bronzes. New photograph conservators and scientists are insights into Antico’s materials and techniques collaborating with Gallery curators and partner were included in the catalogue essay, wall pan- institutions to advance scholarship related to the els, and website feature. manufacture, chemistry, characterization, and The paper conservation department com- conservation of platinum and palladium prints pleted a major preservation project treating and closely related processes. NATIONAL GALLERY OF ART 43

The textile conservator examined Nam June luminescent aggregates in model systems. Paik’s Ommah with Gallery scientists to ensure Study of the degradation of paint layers due to that light emitted by the LCD monitor would the formation of zinc soaps continued. not damage the silk robe hanging inches from it. Funding received from the National Science An extensive survey of the condition of textiles Foundation allowed for collaborative research in the collection continued this year. Considerable with The George Washington University to work was required for the installation of three develop instrumentation for mapping and char- sixteenth-century Flemish tapestries: The Return acterizing paint media in situ. Preliminary from the Hunt, The Procession to Calvary, and Christ results included identification and mapping and the Woman Taken in Adultery. of egg yolk, egg glair, and gum Arabic in a Matting-framing specialists prepared mats fifteenth-century miniature. for 1,143 artworks, framed and unframed 995 Research continued on gels for cleaning works artworks, created 133 exhibition mounts, assisted of art in collaboration with Georgetown with installing sixty-five artworks, prepared University and the reactions at the wet-dry inter- special housings for 201 artworks, and con- face in works on paper in collaboration with the structed or repaired 350 frames. Special framing Centre de Recherche sur la Conservation des was designed and constructed for the display of Collections in Paris. The study of novel consoli- oversized, oil-stick prints by Richard Serra. A dants for fragile and delaminating paint large, double-sided work by Pablo Picasso was begun in collaboration with the Museum required particular consideration to accommo- of Modern Art, New York; the Universities of date the oil painting on one side of the board and Turin and Milan-Bicocca, Italy; and the National the gouache drawing on the other. Institute of Standards and Technology. The department of loans and exhibitions Research staff collaborated with data process- conservation played an important role in the ing to develop a software application to support examination, transport, handling, and installa- and manage conservation processes, documenta- tion of 1,578 objects brought to the Gallery for tion, and related scientific data. Funded by the the special exhibitions program. These objects Andrew W. Mellon Foundation, this initiative is ranged from wooden shoes for Gauguin: Maker of being led by the Gallery in partnership with the Myth to large tapestries in The Invention of Glory: Indianapolis Museum of Art, the Metropolitan Alonso V and the Pastrana Tapestries. Conservators Museum of Art, National Gallery of Denmark,  Mellon Fellow in also constructed twenty-one micro-climate Yale University, the Denver Art Museum, and Object Conservation packages for paintings from the collection, the Courtauld Institute. Marie Stewart examines including Edgar Degas’ The Loge, on loan to Staff of the conservation division were active in the polychrome surface of Pavia, Italy, and Johannes Vermeer’s A Lady research areas. They contributed to symposia, the late fifteenth-century Writing, on loan to three venues in Japan. Frame technical studies, and educational programs and German altarpiece conservation continued at an active pace as did authored a number of publications. The Holy Kinship. several ambitious projects including the recre- ation of an elaborate frame for Paolo di Giovanni Fei’s Presentation of the Virgin. Major technical studies of paintings by Gallery scientists included works by Willem van Aelst in collaboration with the Museum of Fine Arts, Houston, and Dürer’s Madonna and Child. Faded lakes in Auguste Renoir’s A Girl with a Watering Can were studied using micro-spectrophotome- try, and materials used by Paul Cézanne were compared with period sample books. Novel reflectance imaging techniques were used to map and identify pigments in Carlo Crivelli’s Madonna and Child Enthroned with Donor and Lorenzo Monaco’s Praying Prophet. Imaging spectroscopy was used to map and identify cadmium pigments in Study for “Le Tournesol (The Sunflower)” by Edward Steichen. Research into the effect of driers on the curing of oil paint revealed formation of

2011 REVIEW 46

treasurer’s report

In fiscal year 2011, the National Gallery of Art maintained its strong financial position during a period of continued weakness and volatility in the U.S. and international economies. This was achieved through conservative management of its funds and with the continued strong support of Congress and the Administration. We are especially grateful to Congress for providing the funds required to complete the emergency repair of the marble façade of the iconic thirty-three-year-old East Building designed by architect I. M. Pei. This multi-year repair project began in fiscal 2010 and will see the removal of 16,200 marble panels from the façade of the East Building and their reinstallation with a new support structure. The federal commitment to operate and maintain the Gallery originates in the 1937 Joint Resolution of Congress that accepted Andrew W. Mellon’s unprecedented gift to the nation of his art collection, the funds needed to construct the West Building, and an endowment fund. The Joint Resolution pledged that the United States would provide funds for the upkeep, administrative expenses, and costs of operations, including the protection and care of the works of art given to the nation, so that the Gallery would at all times be properly maintained and remain open to the public free of charge.

operating results For fiscal year 2011, the Gallery reported a net operating surplus of $7.1 million compared to an $8.4 million operating surplus in the prior year. This $1.3 million decrease from the prior year consists of a decrease in both operating support and revenue of $0.4 million, and an increase in operating expenses of $0.9 million.

Operating Support and Revenue Fiscal year 2011 operating support and revenue totaled $148.6 million compared to $149.1 million in fiscal 2010. While total operating support and revenue decreased by only $0.4 million compared to the prior year, revenue from gifts and grants declined by $6.7 million due to a significant estate gift received in fiscal 2010. This decrease was largely offset by a $3.0 million increase in federal operating support, an increase in royalties and other income of $2.7 million, and an increase in shop sales of $0.5 million. Investment returns designated for support of operations under the Gallery’s endowment spending policy remained level with the prior year.

Operating Expenses Operating expenses in fiscal 2011 totaled $141.6 million compared to $140.7 million in fiscal 2010. Operating expenses remained relatively unchanged both in total and by program activity compared to the prior year.

NON-OPERATING RESULTS Total non-operating activity in fiscal 2011 resulted in an increase in net assets of $18.6 million compared to an increase of $81.1 million in the prior year, a year-over-year decrease of $62.5 million.

Non-operating Support and Revenue Non-operating private support, including gifts, grants, and changes in the value of investments decreased in 2011 by $69.0 million compared to the prior year. The largest component of this decrease relates to the Gallery’s investment return in excess of the amount designated for operations. The Gallery’s investment portfolio earned a total return of 1.2 percent in fiscal 2011 compared to a 9.7 percent return in fiscal 2010. The Gallery’s investment portfolio enjoyed double digit gains until the final quarter when sovereign debt crises became acute in Europe and conditions in the U.S. economy worsened. The Gallery’s private equity and venture capital holdings contributed positively to the overall performance of the portfolio for the year. Total non-operating federal support of $44.6 million for building renovations in fiscal 2011 represents a reduction of $8.3 million for Master Facilities Plan projects from the prior year. 47

Congress and the Administration reduced funding of Master Facilities Plan projects in fiscal 2011 to partially offset their generous appropriations in fiscal 2010 and 2011 for the $82.2 million emergency East Building façade repair project. As stated above, 16,200 marble panels will be removed from the façade of the East Building and reinstalled with a new support structure. Non-operating gifts and grants totaled $5.0 million, a decrease of $4.7 million from the prior year mainly due to smaller gifts for art purchases.

Non-operating Expenses Non-operating expenses excluding acquisitions of works of art totaled $11.8 million, reflecting a small increase of $0.3 million over the prior year. Acquisitions of works of art were $7.9 million in fiscal 2011 compared to $14.6 million in the prior year.

CAPITAL EXPENDITURES In fiscal 2011, the remaining funding required to complete the East Building Stone Repair project was appropriated by Congress, and the Gallery continued construction of this critical repair without interruption. Construction is expected to be completed by the end of calendar 2013, with demobilization and site restoration occurring in early 2014.

FINANCIAL POSITION The Gallery’s FY 2011 ASSETS financial position improved in fiscal year 2011 with net assets increasing by $25.6 million or Investments 63% 3.0 percent. Assets increased by $24.8 million, and liabilities decreased by $0.8 million. Fixed Assets, net 23% The increase in assets consists of a $24.4 mil- Other Assets 3% lion increase in cash and equivalents and a $26.0 million increase in fixed assets, offset by a Cash & Equivalents 11% $20.0 million reduction in investments. Other assets decreased by $5.6 million.

The auditor’s report and the Gallery’s statements of financial position, activities, and cash flows for the years ending September 30, 2011 and 2010, are presented on the following pages.

William W. McClure Treasurer 48

report of independent auditors

TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART

In our opinion, the accompanying statements of financial position and the related statements of activities and cash flows, present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) at September 30, 2011, and the changes in its net assets and its cash flows for the year then ended, in conformity with accounting principles generally accepted in the United States of America. These financial statements are the responsibility of the Gallery’s management. Our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized compartive information has been derived from the Gallery’s 2010 financial statements and in our report dated November 15, 2010 we expressed an unqualified opinion on those financial statements. We conducted our audit of these statements in accordance with auditing standards generally accepted in the United States of America and contained in Government Auditing Standards, issued by the Comptroller General of the United States. These standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion. In accordance with Government Auditing Standards, we have also issued our report dated November 14, 2011, on our consideration of the Gallery’s internal control over finan- cial reporting and on our tests of its compliance with certain provisions of laws, regulations, contracts, and other matters. The purpose of that report is to describe the scope of our testing of internal control over financial reporting and compliance and the results of that testing, and not to provide an opinion on the internal control over financial reporting or on compliance. That report is an integral part of an audit performed in accordance with Government Auditing Standards and should be considered in assessing the results of our audit.

November 14, 2011 49

financial statements

STATEMENTS OF FINANCIAL POSITION September 30, 2011 and 2010 with summarized financial information as of September 30, 2010 (in thousands) TOTAL ASSETS PRIVATE FUNDS FEDERAL FUNDS 2011 2010 Cash and cash equivalents $ 8,612 $ 98,114 $ 106,726 $ 82,252 Accounts receivable, net 905 – 905 629 Pledges receivable, net 6,991 – 6,991 10,979 Investments 610,462 – 610,462 630,488 Trusts held by others 10,535 – 10,535 12,665 Inventory and other assets 5,040 – 5,040 4,765 Fixed assets, net 57,820 166,758 224,578 198,607 Art collections – – – – Total assets $ 700,365 $ 264,872 $ 965,237 $ 940,385

LIABILITIES AND NET ASSETS LIABILITIES: Accounts payable and accrued expenses $ 10,726 $ 41,795 $ 52,521 $ 45,561 Capital lease obligation – 1,330 1,330 1,532 Contractual obligations 7,874 – 7,874 15,800 Asset retirement obligation – 19,989 19,989 19,612 Total liabilities 18,600 63,114 81,714 82,505

NET ASSETS: Unrestricted 204,218 132,027 336,245 310,406 Temporarily restricted 113,210 69,731 182,941 177,077 Permanently restricted 364,337 – 364,337 370,397 Total net assets 681,765 201,758 883,523 857,880

Total liabilities and net assets $ 700,365 $ 264,872 $ 965,237 $ 940,385

The accompanying notes are an integral part of these financial statements. 50 FINANCIAL STATEMENTS

STATEMENTS OF ACTIVITIES for the years ended September 30, 2011 and 2010 with summarized financial information for the year ended September 30, 2010 (in thousands)

UNRESTRICTED TOTAL

PRIVATE FEDERAL TEMPORARILY PERMANENTLY OPERATING FUNDS FUNDS TOTAL RESTRICTED RESTRICTED 2011 2010

SUPPORT AND REVENUE: U.S. Government appropriation $ – $ 106,807 $ 106,807 $ 6,934 $ – $ 113,741 $ 110,755 Gifts and grants 2,896 – 2,896 5,797 – 8,693 15,431 Gallery shop sales, net 7,599 – 7,599 – – 7,599 7,072 Investment return designated for operations 2,654 – 2,654 11,714 – 14,368 14,283 Royalties and other income 4,233 – 4,233 – – 4,233 1,523 17,382 106,807 124,189 24,445 – 148,634 149,064 Net assets released from restrictions to fund operating expenses 16,922 6,622 23,544 (23,544) – – – Total support and revenue 34,304 113,429 147,733 901 – 148,634 149,064

OPERATING EXPENSES: Collections 3,235 35,308 38,543 – – 38,543 38,791 Special exhibitions 3,567 14,987 18,554 – – 18,554 18,150 Education, gallery shops, and public programs 15,263 27,348 42,611 – – 42,611 42,152 Editorial and photography 2,137 3,277 5,414 – – 5,414 5,681 General and administrative 6,045 25,778 31,823 – – 31,823 31,171 Development 3,043 1,571 4,614 – – 4,614 4,734 Total expenses 33,290 108,269 141,559 – – 141,559 140,679 Increase in net assets from operating activities 1,014 5,160 6,174 901 – 7,075 8,385

NON-OPERATING U.S. Government appropriation – – – 44,570 – 44,570 52,856 Non-operating gifts and grants – – – 4,118 860 4,978 9,723 Provision for bad debts – – – (25) – (25) (500) Changes in value of trusts held by others (669) – (669) (10) (380) (1,059) (273) Investment return in excess of amount designated for operations (2,222) – (2,222) (8,037) – (10,259) 44,887 Acquisition of works of art (7,873) – (7,873) – – (7,873) (14,603) Depreciation and amortization (3,327) (7,825) (11,152) – – (11,152) (10,155) Asset retirement obligation expense – (612) (612) – – (612) (847) Reclassifications of net asset balances 1,829 – 1,829 4,711 (6,540) – – Net assets released from restrictions to fund non-operating expenses 8,308 32,056 40,364 (40,364) – – – (Decrease) increase in net assets from non-operating activities (3,954) 23,619 19,665 4,963 (6,060) 18,568 81,088 (Decrease) increase in net assets (2,940) 28,779 25,839 5,864 (6,060) 25,643 89,473 Net assets at beginning of the year 207,158 103,248 310,406 177,077 370,397 857,880 768,407 Net assets at end of the year $ 204,218 $ 132,027 $ 336,245 $ 182,941 $ 364,337 $ 883,523 $ 857,880

The accompanying notes are an integral part of these financial statements. NATIONAL GALLERY OF ART 51

STATEMENTS OF CASH FLOWS for the years ended September 30, 2011 and 2010 with summarized financial information as of September 30, 2010 (in thousands)

TOTAL

CASH FLOWS FROM OPERATING ACTIVITIES: PRIVATE FUNDS FEDERAL FUNDS 2011 2010 (Decrease) increase in net assets $ (15,962) $ 41,605 $ 25,643 $ 89,473 Adjustments to reconcile (decrease) increase in net assets to net cash provided by operating activities: Depreciation and amortization 3,327 7,825 11,152 10,155 Amortization of discount on pledges receivable (250) – (250) (390) Amortization of discount on contractual obligations 399 – 399 725 Provision for bad debts 25 – 25 500 Contributions and net investment income for permanently restricted investments (995) – (995) (6,292) U.S. Government appropriations for renovation projects – (44,570) (44,570) (56,259) Gifts and grants for art acquisitions and capital projects (7,434) – (7,434) (8,636) Acquisitions of works of art 7,459 – 7,459 14,614 Realized gains on sale of investments (17,706) – (17,706) (21,863) Unrealized losses (gains) on investments 17,638 – 17,638 (34,106) Decrease (increase) in value of trusts held by others 2,130 – 2,130 (1,458) (Increase) decrease in accounts receivable, net (276) – (276) 747 Decrease in pledges receivable, net 4,213 – 4,213 6,029 (Increase) decrease in inventory and other assets (298) 23 (275) 432 (Decrease) increase in accounts payable and accrued expenses (279) 5,239 4,960 4,610 Decrease in contractual obligations – – – (200) Increase in asset retirement obligation – 612 612 847 Asset retirement remediation payment – (235) (235) (981) Net cash (used in) provided by operating activities (8,009) 10,499 2,490 (2,053)

CASH FLOWS FROM INVESTING ACTIVITIES: Purchase of investments (227,533) – (227,533) (59,880) Proceeds from sale of investments 247,627 – 247,627 69,371 Acquisitions of works of art (7,459) – (7,459) (14,614) Purchase of fixed assets (215) (34,908) (35,123) (13,098) Collection of notes receivable – – – 650 Net cash provided by (used in) investing activities 12,420 (34,908) (22,488) (17,571)

CASH FLOWS FROM FINANCING ACTIVITIES: Contributions and net investment income for permanently restricted investments 995 – 995 6,292 U.S. Government appropriation for renovation projects – 44,570 44,570 56,259 Gifts and grants for art acquisitions and capital projects 7,434 – 7,434 8,636 Principal payment on capital lease obligation – (202) (202) (184) Payments on contractual obligations (8,325) – (8,325) (18,413) Net cash provided by financing activities 104 44,368 44,472 52,590 Net increase in cash and cash equivalents 4,515 19,959 24,474 32,966 Cash and cash equivalents, at beginning of year 4,097 78,155 82,252 49,286

Cash and cash equivalents, at end of year $ 8,612 $ 98,114 $ 106,726 $ 82,252

The accompanying notes are an integral part of these financial statements. 52 FINANCIAL STATEMENTS

STATEMENTS OF CASH FLOWS for the years ended September 30, 2011 and 2010 with summarized financial information as of September 30, 2010 (in thousands)

TOTAL

SUPPLEMENTAL DISCLOSURE OF CASH FLOW INFORMATION: PRIVATE FUNDS FEDERAL FUNDS 2011 2010

Cash paid during the year for: Art acquisitions under contractual obligations $ 8,325 $ – $ 8,325 $ 18,413 Interest on capital lease $ – $ 140 $ 140 $ 157 Income taxes $ 245 $ – $ 245 $ –

SUPPLEMENTAL DISCLOSURE OF NON-CASH INFORMATION: Donated investment securities $ 1,078 $ – $ 1,078 $ 1,350 Fixed asset additions included in accounts payable $ – $ 3,567 $ 3,567 $ 1,568

The accompanying notes are an integral part of these financial statements. 53

NOTES (in thousands)

1. oRGANIZATION from federal sources are referred to herein Unrestricted net assets include “one- as “federal,” while all other monies, related year” federal appropriations and all other The National Gallery of Art (the activities, and balances are referred to resources, which are not subject to donor- Gallery) was created in 1937 for the peo- herein as “private.” All identified inter- imposed stipulations. One-year federal ple of the United States of America by a fund transactions have been eliminated appropriations which are not obligated or joint resolution of Congress, accepting from the financial statements. expended are retained by the Gallery in the gift of financier and art collector accordance with federal guidelines. At the Andrew W. Mellon. MEASURE OF OPERATIONS discretion of the Gallery’s Board of The Gallery serves the United States in The Gallery includes in its measure of oper- Trustees, private funds which are not a national role by preserving, collecting, ations all federal and private support and expended for operating activities may be exhibiting, and encouraging the under- revenue and expenses that are integral to its set aside in designated reserves and ear- standing by the American public of core program services: collections; special marked to cover future program costs or original, great works of art. This mission exhibitions; education, Gallery shops, and other contingencies. and standard of excellence is central to public programs; and editorial and photog- The Gallery has recognized for U.S. every activity of the Gallery, from caring raphy. The measure of operations excludes Generally Accepted Accounting Principles for and strengthening the collection to certain non-operating activities such as non- (GAAP) reporting purposes liabilities for presenting special exhibitions and organiz- operating gifts and grants, investment return federal employee benefits and the asset ing public programs. in excess of amounts designated for opera- retirement obligation. These future funded A substantial portion of the Gallery’s tions, acquisitions of works of art, and expenses are funded by U.S. government operations is funded from annual federal depreciation expense. appropriations only when the expense is appropriations. Since its founding, federal The Gallery’s Board of Trustees desig- incurred at a date still to be determined in funds ensure the operation and mainte- nates only a portion of the Gallery’s the future. nance and the protection and care of the cumulative investment return for support of Temporarily restricted net assets carry nation’s art collection enabling the Gallery current operations; the remainder is retained specific donor-imposed stipulations on the to remain open 363 days a year at no to support operations of future years and to expenditure or other use of the contribut- charge to visitors. The Gallery also receives offset potential market declines. The amount ed funds. In addition, the Gallery’s federal appropriations for the repair and designated which is computed under the “no-year” federal appropriations for special restoration of its facilities. spending policy is used to support current exhibitions and for the repair, renovation, In addition to federal appropriations, operations (see Note 5). and restoration of its buildings are classified the Gallery receives private donations and as temporarily restricted net assets. earns income from investments. Private SUMMARIZED FINANCIAL INFORMATION Temporary restrictions may expire by donations from individuals, foundations, The financial statements include certain the passage of time or as a result of fulfill- and corporations have provided support summarized prior-year information in ment of the donor’s stipulations. For gifts for art acquisitions and conservation, schol- total only, but not by net asset class. Such restricted for capital additions, net assets arly and scientific research, exhibitions, and information does not include sufficient are released when capital expenditures education outreach programs. detail to constitute a presentation in con- are incurred. formity with accounting principles Permanently restricted net assets have 2. SUMMARY OF SIGNIFICANT generally accepted in the United States of donor-imposed stipulations that require ACCOUNTING POLICIES America. Accordingly, such information that the corpus of the gifts be retained should be read in conjunction with the permanently. In some cases, the donor has GENERAL Gallery’s financial statements for the year also permanently restricted the use of The Gallery receives annual appropria- ended September 30, 2010 from which the excess income and any realized or unreal- tions to cover its core programs and summarized information was derived. ized gains attributable to the corpus. renovation of its buildings as part of the budget approved annually by Congress NET ASSETS CASH AND CASH EQUIVALENTS and signed by the President. This is sup- The Gallery’s net assets, support and reve- Cash and cash equivalents include interest- plemented with income from endowments nue, expenses, gains, and losses are classified bearing demand deposits and appropriated designated for current operating expendi- based on the existence or absence of amounts yet to be disbursed remaining on tures as well as gifts and grants designated donor-imposed restrictions. Accordingly, deposit with the U.S. Treasury. The Gallery by donors for other specific expenditures. net assets of the Gallery are classified and considers all highly liquid investments with All monies, related activities, and balances reported as follows: an original maturity of three months at the 54 NOTES

date of purchase or less to be cash equiva- reflected in the statement of activities (see The Gallery’s collections are main- lents, except where such cash equivalents Notes 5 and 17). tained for public exhibition, education, are held as part of a longterm investment and research in furtherance of public strategy (see Note 5). TRUSTS HELD BY OTHERS service, rather than for financial gain. The Gallery has been named as beneficiary The Gallery acquires its art collections PLEDGES RECEIVABLE in several irrevocable charitable trusts held through purchase or by donation-in-kind. Unconditional promises to contribute to by third parties. The Gallery’s share of these Only current year purchases made from the Gallery in the future (pledges receiv- trusts is recorded at current fair value. specifically designated funds, not donations- able) are recorded at the fair value of future Income distributions from these trusts are in-kind, are reflected in the statement of cash flows, after providing an allowance for recorded as investment income and chang- activities. The Gallery does not deaccession uncollectibility. For unconditional promises es in the value of these trusts are recorded any of its permanent collections. to give recognized prior to October 1, as “changes in the value of trusts held by 2008, a risk-free rate of return at the date of others” in the statement of activities. ACCRUED LEAVE the gift was used. For unconditional prom- Annual leave is accrued as it is earned by ises to give recognized on or after October DEFERRED CHARGES AND employees and is included in personnel 1, 2008, a discount rate approximating the OTHER ASSETS compensation and benefit costs. An current market rate is used. Conditional The Gallery defers recognition of private unfunded liability as of the date of the promises to give are recognized as income expenses incurred in connection with financial statements is recognized for when the conditions stipulated by the future special exhibitions and other activi- earned but unused annual leave by federal donor are substantially met. ties until the period in which the exhibition employees since this annual leave will be or activity occurs. Other assets largely rep- paid from future federal appropriations INVESTMENTS resent a private asset contribution to the when the leave is used by employees. The Investments are generally reported at fair Gallery which is recorded at fair value at amount accrued is based upon current pay value. Common and preferred stocks and the date of the gift. of the employees. mutual funds are valued using readily Publications inventory is carried at the determinable market prices. Alternative lower of cost or market. Cost is deter- EMPLOYEE BENEFITS investments are reported at the estimated mined using the average cost method. The Federal Accounting Standards Advisory fair value as provided by the investment Board issued Statement of Federal Financial managers. The Gallery reviews and evalu- FIXED ASSETS Accounting Standards No. 5 (SFFAS No. 5), ates valuation methods and assumptions The land occupied by the Gallery’s build- “Accounting for Liabilities of the Federal Govern- the investment managers use in determin- ings was appropriated and reserved by the ment,” which requires employing agencies to ing the fair value. For investments valued Congress of the United States for that pur- recognize the cost of pensions and other based on manager reported net asset values, pose. No value has been assigned in the retirement benefits during their employees’ the Gallery applies procedures to assess the accompanying financial statements. active years of service. The pension expense valuation including comparing perfor- Buildings are recorded at cost and depreci- recognized in the Gallery’s financial state- mance to relevant market indices and ated on a straight-line basis over the ments is equal to the current service cost for verifying the underlying asset values to estimated useful life of fifty years. Building the Gallery’s employees for the accounting quoted market prices. Due to the uncer- improvements, equipment, furniture, and period less the amount contributed by the tainty of valuation of these alternative computer software are also recorded at cost employees. The measurement of the pension investments, their values may differ from and depreciated on a straight-line basis service cost requires the use of an actuarial values that would have been used had a over the estimated useful lives ranging cost method and assumptions with factors ready market for the investments existed. from five to twenty-five years. Upon retire- applied by the Gallery. These factors are Purchases and sales of securities are ment of fixed assets, the related cost and supplied by the Office of Personnel Manage- reflected on a trade-date basis. Gains and accumulated depreciation are removed ment (OPM), the agency that administers the losses on sales of securities are based on from the accounts (see Note 7). plan. The excess of the recognized pension average historical value (cost of securities if expense over the amount contributed by purchased or the fair market value at the ART COLLECTIONS the Gallery represents the amount being date of gift if received by donation). The Gallery’s art collections focus upon financed directly through the Civil Service Dividend and interest income is recorded European and American paintings, sculp- Retirement and Disability Fund adminis- when earned on an accrual basis. In accor- ture, and works on paper. In conformity tered by OPM. This amount is considered dance with the policy of stating investments with accounting policies generally fol- imputed financing by the Gallery. at fair value, the net change in unrealized lowed by art museums, the value of art All permanent employees of the Gallery, appreciation or depreciation for the year is has been excluded from the statement of both federal and non-federal, hired subsequent financial position. to January 1, 1984 participate in both the NATIONAL GALLERY OF ART 55

Social Security Retirement System and ability to access as of the reporting date. Val- and other operating costs have been allocated the Federal Employees’ Retirement System uation adjustments and block discounts are among program and supporting services. (FERS). Employees hired prior to January 1, not applied to Level 1 securities. Since valu- Included under the Collections catego- 1984 had the option of remaining under the ations are based on quoted prices that are ry are the costs of the care and display of the Civil Service Retirement System (CSRS) or readily and regularly available in an active Gallery’s collections. Special exhibition ex- electing FERS. All employees have the market, valuation of these securities does penses include travel, transportation of items, option to make tax-deferred contributions to not entail a significant degree of judgment. and other services necessary for the display a Thrift Savings Plan and, in some instances, Level 2 - Valuations based on quoted of special exhibitions. Education, Gallery receive a matching portion from the Gallery. prices in markets that are not active or for shops, and public programs includes the cost The Gallery funds all retirement contribu- which all significant inputs are observ- of providing a wide array of lectures, tours, tions on a current basis, and accordingly able, either directly or indirectly as of the films, music, symposia, and academic pro- there are no unfunded retirement costs reporting date. grams to the general public, in addition to (see Note 14). Level 3 - Valuations based on inputs Gallery shops cost of goods sold and ex- SFFAS No. 5 also requires that the Gal- that are unobservable and significant to penses. Editorial and photography expenses lery recognize a current-period expense the overall fair value measurement as of include the costs to produce the many pub- for the future cost of post-retirement health the reporting date. The determination of lications produced by the Gallery. General benefits and life insurance for its employees fair value for these financial instruments and administrative expenses include costs while they are still working. The Gallery requires one or more inputs subject to signif- for executive management, financial admin- accounts for this expense in its financial icant management judgment or estimation. istration, human resources, and legal services. statements in a manner similar to that used As of September 30, 2011 and 2010, Development expenses include those costs for pension expense, with the exception the carrying value of the Gallery’s cash, associated with individual and corporate that employees and the Gallery do not cash equivalents, and balances with U.S. gifts and grants, annual appeals, and other make current contributions to fund these Treasury, receivables, deferred charges, and fundraising efforts. future benefits. other assets, loan to the U.S. Treasury, and accounts payable and accrued expenses ESTIMATES IMPUTED FINANCING SOURCES approximate their fair values because of the The preparation of the financial statements, In certain cases, the operating costs of the terms and relatively short maturity of these in conformity with generally accepted Gallery are paid out of funds appropriated assets and liabilities. accounting principles, requires manage- to other Federal agencies. As an example, ment to make estimates and assumptions the law requires certain costs of retire- CONTRIBUTED SERVICES AND that affect the reported amounts of assets ment programs to be paid by OPM and DONATED ASSETS and liabilities, disclosures of contingencies certain legal judgments against the Gal- The Gallery has volunteers who provide at the date of the financial statements, and the lery to be paid from the Judgment Fund assistance in various departments. Such con- reported amounts of support, revenue, and maintained by Treasury. Costs that are tributed services do not meet the criteria for expenses during the reporting period. Actu- identifiable to the Gallery and directly recognition of contributed services con- al results could differ from these estimates. attributable to the Gallery’s operations are tained in ASC Topic 958, “Not-for-Profit En- paid by these Federal agencies. tities,” and accordingly, are not reflected in RECLASSIFICATIONS the accompanying financial statements. Certain prior year balances have been FAIR VALUE MEASUREMENTS Donated assets, which do not become reclassified to conform to current year Accounting Standards Codification (ASC) part of the Gallery’s art collections, are presentation. Topic 820, “Fair Value Measurement and Dis- recorded at their fair value at the date of the The following changes to the State- closures,” defines fair value as the exit price gift. The Gallery does not imply time re- ment of Activities were made to enhance that would be received to sell an asset or strictions for gifts of long-lived assets. As a the presentation of operating and non- paid to transfer a liability in the principal or result, in the absence of donor-imposed operating results: most advantageous market in an orderly restrictions, gifts of long-lived assets are Federal “no-year” funding (appropria- transaction between market participants on reported as unrestricted revenue. tions) related to leases were reclassified as the measurement date. The standard estab- operating to match lease expenses. lishes a fair value hierarchy that prioritizes FUNCTIONAL ALLOCATION OF EXPENSES Certain non-cash items (including the inputs to valuation techniques used to The cost of providing various programs and depreciation) which are attributable to measure fair value (see Note 17). The hier- other activities summarized on a functional non-operating activities were reclassified archy consists of three broad levels: basis is shown in Note 12. Certain costs from operating to non-operating. Level 1 - Valuations based on unadjusted including depreciation, utilities, building quoted prices in active markets for identical maintenance, security, information systems, assets or liabilities that the Gallery has the 56 NOTES

REVISION

During the year ended September 30, 2011, the Gallery revised the presentation of the 2010 statement of cash flows to properly reflect payments for art purchases made under contractual obligations as financing activities.

The September 30, 2010, statement of cash flows has been revised as follows:

SEPTEMBER 30, 2010 SEPTEMBER 30, 2010 AS REPORTED ADJUSTMENT AS REVISED Cash Flows from Operating Activities: Acquisitions of works of art $ 33,627 $ 19,013 $ 14,614 Net cash provided by (used in) operating activities $ 16,960 $ 19,013 $ (2,053) Cash Flows from Investing Activities: Acquisitions of works of art $ (33,627) $ 19,013 $ (14,614) Net cash provided by (used in) investing activities $ (36,584) $ 19,013 $ (17,571)

RECENTLY ISSUED ACCOUNTING PRONOUNCEMENTS In January 2010, the FASB issued Accounting Standards Update No. 2010-06, “Improving Disclosures about Fair Value Measurements.” This amends ASC Topic 820 to require additional disclosures. The guidance requires entities to disclose transfers of assets in and out of Level 1 and 2 of the fair value hierarchy, and the reasons for those transfers. In addition, the guidance requires the separate presentation of purchases and sales in the Level 3 Asset reconciliation. Adoption of this update did not have a material impact on the Gallery’s financial statements.

3. Accounts receivable, net As of September 30, 2011 and 2010, accounts receivable consisted of the following:

2011 2010 Accrued investment income $ 339 $ 389 Special exhibition and other program receivables 551 235 Other 57 54 Subtotal 947 678 Less: allowances (42) (49) Total $ 905 $ 629

4. PleDGES RECEIVABLE, NET As of September 30, 2011 and 2010, pledges receivable consisted of the following:

2011 2010 Due in one year or less $ 5,274 $ 7,643 Due between one year and five years 1,975 4,032 Due in more than five years 100 200 Subtotal 7,349 11,875 Less: discounts of $208 and $446 and allowances of $150 and $450 respectively (358) (896) Total $ 6,991 $ 10,979

As of September 30, 2011 and 2010, $373 and $768 of the pledge receivable balance was receivable from related parties. The Gallery has received conditional promises to give $0 and $1,758 as of September 30, 2011 and 2010, respectively. NATIONAL GALLERY OF ART 57

5. INVESTMENTS

As of September 30, 2011 and 2010, the fair value of investments consisted of the following:

2011 2010 Loan to the U.S. Treasury $ 5,000 $ 5,000 Common and preferred stocks 71,813 78,480 Mutual funds 116,050 147,330 Alternative investments 417,599 399,678 Total $ 610,462 $ 630,488

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000 permanent loan to the U.S. Treasury. This loan bears interest at the higher of 4.00% or 0.25% below the average monthly rate for long-term funds paid by the U.S. Treasury (4.00% during fiscal year 2011). Interest income on this loan was $203 and $204 for the fiscal years ended September 30, 2011 and 2010, respectively. Investments in common and preferred stocks and mutual funds, limited partnerships and limited liability companies consist of the Gallery’s ownership interest in externally managed investment funds, which invest in market-traded equity and fixed income securities. Alternative investments also include the Gallery’s ownership interest in externally managed private equity, venture capital, multi- asset class, and hedge funds which are organized as limited partnerships. The following schedule summarizes the investment return and its classification in the statement of activities for the years ended September 30, 2011 and 2010:

TEMPORARILY PERMANENTLY 2011 2010 UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL Dividends and interest (net of expenses of $3,540 and $3,127, respectively) $ 166 $ 3,939 $ – $ 4,105 $ 3,205 Net investment appreciation 266 (262) – 4 55,965 432 3,677 4,109 59,170 Appropriated for operations (2,654) (11,714) – (14,368) (14,283) Investment return in excess of amount designated for operations $ (2,222) $ (8,037) $ – $ (10,259) $ 44,887

6. INVENTORY AND OTHER ASSETS

As of September 30, 2011 and 2010, net publications inventory consisted of the following:

2011 2010 Retail $ 1,558 $ 1,229 Work-in-process 175 141 Consignment 248 228 Subtotal 1,981 1,598 Less: allowance for obsolescence (382) (384) Subtotal Inventory 1,599 1,214 Other Assets 3,441 3,551 Total $ 5,040 $ 4,765

Other assets include real and personal property with an estimated fair value of $2,820 net of estimated selling costs in accordance with ASC Topic 360 “Property, Plant and Equipment.” 58 NOTES

7. FIXED ASSETS, NET

As of September 30, 2011 and 2010, net fixed assets consisted of the following:

2011 2010 PRIVATE FUNDS FEDERAL FUNDS TOTAL TOTAL Buildings and improvements $ 156,310 $ 145,493 $ 301,803 $ 301,499 Equipment 4,616 56,840 61,456 56,302 Construction-in-progress 1,117 47,704 48,821 17,157 Equipment under capital lease – 2,962 2,962 2,962 Subtotal 162,043 252,999 415,042 377,920 Less: accumulated depreciation and amortization (104,223) (86,241) (190,464) (179,313) Total $ 57,820 $ 166,758 $ 224,578 $ 198,607

8. Accounts payable and accrued expenses As of September 30, 2011 and 2010, accounts payable and accrued expenses consisted of the following:

2011 2010 PRIVATE FUNDS FEDERAL FUNDS TOTAL TOTAL Accounts payable and accrued expenses $ 505 $ 7,915 $ 8,420 $ 4,250 Employee benefits 5,841 17,609 23,450 23,220 Other accrued liabilities 4,380 4,121 8,501 6,465 Due to federal government – 12,150 12,150 11,626 Total $ 10,726 $ 41,795 $ 52,521 $ 45,561

9. Contractual obligations

The Gallery in 2007 entered into a number of contractual obligations with various parties for the acquisition of art for its collection. These contractual obligations are unsecured, non-interest bearing and require annual payments. As of September 30, 2011 and 2010, contractual obligations consisted of the following:

2011 2010 Contractual obligations $ 7,950 $ 16,275 Less: discounts on contractual obligations (76) (475) Total $ 7,874 $ 15,800

The final payments for these contractual obligations will be made during the year ending September 30, 2012. The annual discount amortization recognized on these contractual obligations has been recognized as art purchases.

NATIONAL GALLERY OF ART 59

10. U.S. Government appropriations

The Gallery’s U.S. Government appropriation revenue recognized in fiscal year 2011 is reconciled to the U.S. Government appropriations received as follows:

OPERATING RENOVATION TOTAL U.S. Government appropriation revenue recognized $ 110,186 $ 48,125 $ 158,311 Unexpended obligations 8,320 – 8,320 Amounts expended from prior year’s appropriations (7,982) – (7,982) Total U.S. Government appropriations $ 110,524 $ 48,125 $ 158,649

The Gallery’s U.S. Government appropriation in fiscal year 2011 is reconciled to the federal expenses for fiscal year 2011 as follows:

OPERATING RENOVATION TOTAL Total U.S. Government appropriations $ 110,524 $ 48,125 $ 158,649 Appropriations not expended in prior years 4 57,748 57,752 Appropriations available 110,528 105,873 216,401 Less appropriations: Unexpended (8,320) (70,287) (78,607) Accrued liabilities – (2,244) (2,244) Capitalized for GAAP purposes (768) (31,523) (32,291) Appropriations expensed 101,440 1,819 103,259 Add expenses recognized for GAAP purposes Expenses not funded by appropriations (90) (304) (394) Amounts expended from prior year’s appropriations 3,292 2,112 5,404 Total federal expenses $ 104,642 $ 3,627 $ 108,269

11. Net assets released from restrictions

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2011 2010 OPERATING NON-OPERATING TOTAL TOTAL Acquisition of art $ – $ 8,131 $ 8,131 $ 21,852 Collections 2,206 – 2,206 2,075 Special exhibitions 3,853 – 3,853 2,361 Education and public programs 4,548 – 4,548 4,585 Editorial and photography 203 – 203 203 Capital projects – 177 177 517 Operations 6,112 – 6,112 6,395 Subtotal private funds 16,922 8,308 25,230 37,988 Special exhibitions 3,395 – 3,395 3,427 Capital projects – 32,056 32,056 11,132 Operations 3,227 – 3,227 3,228 Subtotal federal funds 6,622 32,056 38,678 17,787 Total $ 23,544 $ 40,364 $ 63,908 $ 55,775 60 NOTES

12. Functional Classification of Expenses

Expenses by functional classification for fiscal years 2011 and 2010 are shown below:

2011 2010 PRIVATE FEDERAL TOTAL TOTAL Total operating expenses from the Statement of Activities $ 33,290 $ 108,269 $ 141,559 $ 140,679 Expenses included in the non-operating section of the Statement of Activities: Depreciation and amortization 3,327 7,825 11,152 10,155 Asset retirement obligation expense – 612 612 847 Total $ 36,617 $ 116,706 $ 153,323 $ 151,681 PROGRAM EXPENSES: Collections 4,599 38,628 43,227 43,187 Special exhibitions 4,093 16,220 20,313 19,829 Education, gallery shops, and public programs 16,188 29,671 45,859 45,210 Editorial and photography 2,170 3,379 5,549 5,804 Subtotal program expenses 27,050 87,898 114,948 114,030 SUPPORTING SERVICES: General and administration 6,489 27,126 33,615 32,787 Development 3,078 1,682 4,760 4,864 Subtotal supporting services 9,567 28,808 38,375 37,651 Total $ 36,617 $ 116,706 $ 153,323 $ 151,681

13. Endowments and Net Asset Classifications

The Gallery’s endowment consists of sixty-six individual funds established for a variety of purposes. The endowment includes both donor-restricted endowment funds and funds designated by the Board of Trustees to function as endowments. As required by GAAP, net assets associated with endowment funds, including funds designated by the Board of Trustees to function as endowments, are classified and reported based on the existence or absence of donor-imposed restrictions. The Gallery’s Board of Trustees has resolved to be guided by the standards in the Uniform Prudent Management of Institutional Funds Act (UPMIFA), as enacted by the District of Columbia on January 23, 2008, in the management, investment, and expenditure of Gallery endowment funds although it is not required to do so as a matter of law. The Board has interpreted the UPMIFA as allowing the Gallery to appropriate for expenditure or accumulate so much of an endowment fund as the Gallery determines is prudent for the uses, purposes, and duration for which the endowment fund is established, subject to the intent of the donor as expressed in the gift instrument. Unless stated otherwise in the gift instrument, the assets in an endowment fund shall be donor- restricted assets until appropriated for expenditure by the Gallery. As a result of this interpretation, the Gallery has not changed the way permanently restricted net assets are classified. The Gallery continues to classify as permanently restricted net assets (a) the original value of gifts donated to the permanent endowment, (b) the original value of subsequent gifts to the permanent endowment, and (c) accumulations to the permanent endowment made in accordance with the direction of the applicable donor gift instrument at the time the accumulation is added to the fund. The remaining portion of the donor-restricted endowment fund that is not classified as permanently restricted net assets is classified as temporarily restricted net assets until those amounts are appropriated for expenditure by the Gallery in a manner consistent with the standard of prudence prescribed by UPMIFA. In accordance with UPMIFA, the Gallery considers the following factors when making a determination to appropriate or accumulate donor-restricted funds:

The duration and preservation of the fund The expected total return from income and The purposes of the Gallery and the the appreciation of investments donor-restricted endowment fund Other resources of the Gallery General economic conditions The investment policies of the Gallery The possible effect of inflation and deflation NATIONAL GALLERY OF ART 61

Endowment net assets were comprised of the following as of September 30, 2011 and 2010:

2011 2010 DONOR-RESTRICTED BOARD-DESIGNATED DONOR-RESTRICTED BOARD-DESIGNATED ENDOWMENT FUNDS ENDOWMENT FUNDS ENDOWMENT FUNDS ENDOWMENT FUNDS Unrestricted $ (31,497) $ 18,537 $ (31,494) $ 16,527 Temporarily restricted 37,657 – 41,870 – Permanently restricted 364,337 – 370,397 – Total funds $ 370,497 $ 18,537 $ 380,773 $ 16,527

The following table summarizes the change in the endowment funds during the years ended September 30, 2011 and 2010:

TEMPORARILY PERMANENTLY 2011 2010 UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL Endowment net assets as of October 1 $ (14,967) $ 41,870 $ 370,397 $ 397,300 $ 364,928 Investment return: Investment income 132 3,490 – 3,622 2,170 Net appreciation (depreciation) (125) 151 (380) (354) 35,118 Total investment return 7 3,641 (380) 3,268 37,288 Contributions – 114 860 974 9,974 Appropriation of endowment assets for expenditures (275) (7,378) (6,540) (14,193) (12,686) Other – – – – – Reclassifications 2,275 (590) – 1,685 (2,204) Endowment net assets as of September 30 $ (12,960) $ 37,657 $ 364,337 $ 389,034 $ 397,300

From time to time, the fair value of assets associated with individual donor-restricted endowment funds may fall below the level that the donor requires the Gallery to retain as a fund of perpetual duration. Deficiencies of this nature that are reported in unre- stricted net assets were $31,497 and $31,596 as of September 30, 2011 and 2010, respectively. These deficiencies were the result of unfavorable market fluctuations that occurred after the investment of new contributions and continued appropriation for certain programs that was deemed prudent by the Gallery. Subsequent gains that restore the fair value of the assets of the endowment fund to the required level will be classified as an increase in unrestricted net assets. The Gallery has adopted investment and spending policies for endowment assets that are intended to provide a predictable stream of funding for programs while maintaining the purchasing power of the endowment. Under the investment policy, as approved by the Board of Trustees, the endowment assets are invested in a manner that reduces risk through diversification while obtaining a competi- tive rate of return. To satisfy its long-term rate-of-return, the Gallery relies on a total return strategy in which investment returns are achieved through both capital appreciation (realized and unrealized) and current yields (interest and dividends). The Gallery targets diversified asset allocation that utilizes fixed income and equity-based investments to achieve its long-term objectives within prudent risk constraints. The Gallery’s spending policy is based on an annual endowment spending rate of 5.00% of the average fair value of endowment investments at the end of the previous three-and-one quarter years. This spending rate constitutes the Board’s annual appropriation for spending endowment earnings to support both the purchase of art and support of operations. 62 NOTES

The following table summarizes the purpose of the net asset restrictions during the years ended September 30, 2011 and 2010:

TEMPORARILY PERMANENTLY 2011 2010 UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL Acquisition of art $ 31,800 $ 25,966 $ 72,737 $ 130,503 $ 129,692 Collections (4,330) 6,388 34,226 36,284 37,761 Special exhibitions 12,321 11,658 31,402 55,381 53,573 Education and public programs 11,723 34,107 81,924 127,754 131,579 Editorial and photography 12,468 539 3,498 16,505 19,120 Capital projects 15,764 – – 15,764 16,050 Operations 66,653 34,551 140,550 241,754 249,020 Subtotal private funds 146,399 113,209 364,337 623,945 636,795 Special exhibitions and renovation funds – 69,732 – 69,732 56,905 Subtotal federal funds – 69,732 – 69,732 56,905 Subtotal net assets subject to restrictions 146,399 182,941 364,337 693,677 693,700 Fixed assets, net 223,248 – – 223,248 197,075 Future funded federal expenses recognized (33,402) – – (33,402) (32,895) Subtotal net assets not subject to restrictions 189,846 – – 189,846 164,180 Net assets as of September 30 $ 336,245 $ 182,941 $ 364,337 $ 883,523 $ 857,880

14. Employee benefits

Total pension expense recognized in the Gallery’s financial statements was $7,319 and $7,035 for the years ended September 30, 2011 and 2010, respectively. These amounts do not include pension expense financed by OPM and imputed to the Gallery of $2,730 and $3,153 respectively. To the extent that Gallery employees are covered by the thrift savings component of FERS, the Gallery’s payments to the plan are recorded as operating expenses. The Gallery’s costs associated with the thrift savings component of FERS for the years ended September 30, 2011 and 2010, were $2,276 and $2,214, respectively. In addition, the Gallery makes matching contributions for all employees who are eligible for current health and life insurance benefits. The Gallery’s contributions for active employees are recognized as operating expenses. During fiscal years 2011 and 2010, the Gallery contributed $5,472 and $5,159, respectively. Using the cost factors supplied by OPM, the Gallery has not recognized as an expense in its financial statements the future cost of post-retirement health benefits and life insurance for its employees. These costs amounted to approximately $ 6,077 and $6,071 during fiscal years 2011 and 2010 respectively, and are financed by OPM and imputed to the Gallery. The Gallery has a commitment to certain key employees whereby the Gallery will pay those employees a specified amount at a future point in time. The cost of these benefits is accrued over the key employees’ future years of service to the Gallery. The cost of these benefits for fiscal years 2011 and 2010 total $303 and $387, respectively, and is recognized as an expense in the statement of activities and as a liability included in accounts payable and accrued expenses in the accompanying statement of financial position.

15. Income taxes

The Gallery is a nonprofit organization exempt from federal income taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code. ASC Topic 740-10-25, “Income Taxes Recognition” requires that a tax position be recognized or derecognized based on a more- likely-than-not threshold. This applies to positions taken or expected to be taken in a tax return. The Gallery does not believe its financial statements include any uncertain tax positions. NATIONAL GALLERY OF ART 63

16. Lease commitments

During fiscal year 2002, the Gallery entered into a capital lease obligation in connection with the installation of equipment. The Gallery has also entered into several operating leases for warehouse and office space, which continue through January 31, 2018. The terms of these operating leases include additional rent for operating expenses, real estate taxes, utilities, and maintenance. Future minimum lease payments under these leases for the fiscal years ended September 30 are as follows:

2011 CAPITAL LEASE OPERATING LEASES 2012 $ 342 $ 3,763 2013 343 1,767 2014 343 889 2015 344 911 2016 345 933 Thereafter – 2,179 Total minimum lease payments 1,717 $ 10,442 Less: amount representing interest (387) Present value of minimum capital lease payments $ 1,330

Rental expense was approximately $4,787 and $4,800 for the years ended September 30, 2011 and 2010, respectively.

17. Fair Value Measurements

The following tables summarize the fair value measurement as of September 30, 2011 and 2010, for financial assets by pricing observability levels:

PRICES IN ACTIVE OTHER OBSERVABLE UNOBSERVABLE MARKETS FOR IDENTICAL INPUTS INPUTS FAIR VALUE ASSETS (LEVEL 1) (LEVEL 2) (LEVEL 3) AT 9/30/11 Common and preferred stocks $ 71,813 $ – $ – $ 71,813 Mutual funds—equity 43,225 – – 43,225 Mutual funds—fixed income 72,825 – – 72,825 Public equity funds – 178,838 – 178,838 Hedge funds – – 137,741 137,741 Multi-asset class fund – – 43,940 43,940 Private equity funds – – 40,166 40,166 Venture capital funds – – 16,914 16,914 Trust held by others – – 7,989 7,989 Assets measured at fair value on a recurring basis 187,863 178,838 246,750 613,451 Trust held by others – – 2,546 2,546 Assets measured at fair value on a non-recurring basis – – 2,546 2,546 Total assets measured at fair value $ 187,863 $ 178,838 $ 249,296 $ 615,997 64 NOTES

PRICES IN ACTIVE OTHER OBSERVABLE UNOBSERVABLE MARKETS FOR IDENTICAL INPUTS INPUTS FAIR VALUE ASSETS (LEVEL 1) (LEVEL 2) (LEVEL 3) AT 9/30/10 Common and preferred stocks $ 78,480 $ – $ – $ 78,480 Mutual funds—equity 43,765 – – 43,765 Mutual funds—fixed income 103,565 – – 103,565 Public equity funds – 204,440 – 204,440 Hedge funds – – 112,690 112,690 Multi-asset class fund – – 42,587 42,587 Private equity funds – – 29,148 29,148 Venture capital funds – – 10,813 10,813 Trust held by others – – 10,119 10,119 Assets measured at fair value on a recurring basis 225,810 204,440 205,357 635,607 Trust held by others – – 2,546 2,546 Assets measured at fair value on a non-recurring basis – – 2,546 2,546 Total assets measured at fair value $ 225,810 $ 204,440 $ 207,903 $ 638,153

Most investments classified in Levels 2 and 3 consist of shares or units in investment funds as opposed to direct interests in the funds underlying holdings, which may be marketable. Because the net asset value reported for each fund is used as a practical expedient to estimate the fair value of the Gallery’s interest therein, its classification in Level 2 or 3 is based on the Gallery’s ability to redeem its interest at or near the date of the statement of financial position. If the investment can be redeemed in less than 120 days the in- vestment is classified in Level 2. The classification in the fair value is not necessarily an indication of the risks, liquidity, or degree of difficulty in estimating the fair value of each of the investments underlying assets and liabilities. In general for Level 3 investments, the Gallery utilizes the investment manager of the asset to provide a valuation estimate based on previously disclosed techniques and processes which have been reviewed for propriety and consistency with consideration given to asset type and investment strategy. Management makes best estimates based on information available. The following estimates and as- sumptions were used to determine the fair value of each class of financial instruments listed above:

FAIR VALUE MEASURED ON A RECURRING BASIS Alternative Investments - Investments include but are not limited to separately held accounts in hedge funds and limited part- nership holdings. These assets which are grouped by investment objective consist of both publicly traded and privately-held securities, diversified globally. In the case of the private equity and venture capital investments there are limited options to transfer or withdraw from these funds prior to their termination. The portfolio holdings of underlying funds in partnerships may not be disclosed; therefore, the Gallery relies on the investment manager to provide a valuation estimate. Inputs to the val- uation are unobservable and therefore included in Level 3. The Gallery’s investments in private equity, venture capital, and real estate are generally valued based on the most current net asset value (NAV) adjusted for cash flows when the reported NAV is not at the measurement date. This amount represents the best estimate of fair value of these investments at September 30, 2011. Trusts Held by Others - Assets managed under trust agreements from donors where the Gallery is the beneficiary of the income are categorized as Level 3. These trusts are managed by external parties and are for the most part invested in cash equivalents, mutual funds, and publicly traded equities.

FAIR VALUE MEASURED ON A NON-RECURRING BASIS Trusts Held by Others - One trust is invested in real property based on property valuations that involve significant judgment and estimation. NATIONAL GALLERY OF ART 65

The following table summarizes the changes in Level 3 assets, measured at fair value on a recurring basis, as of September 30, 2011:

Year ended September 30, 2011 TRUST HEDGE MULTI-ASSET PRIVATE EQUITY VENTURE HELD BY FUNDS CLASS FUNDS CAPITAL FUNDS OTHERS Fair value of Level 3 assets at September 30, 2010 $ 112,690 $ 42,587 $ 29,148 $ 10,813 $ 10,119 (Expenses) net of dividends and interest (627) (57) (336) (380) – Realized gains 4,777 1,869 4,133 1,156 – Net unrealized (losses) gains (5,958) 1,808 3,506 3,655 (390) Proceeds from sales, redemptions, and distributions (34,141) (2,267) (5,030) (871) (1,758) Purchase of investments 61,000 – 8,745 2,541 18 Fair value of Level 3 assets at September 30, 2011 $ 137,741 $ 43,940 $ 40,166 $ 16,914 $ 7,989

The following table summarizes the changes in Level 3 assets, measured at fair value on a recurring basis, as of September 30, 2010:

Year ended September 30, 2010 TRUST HEDGE MULTI-ASSET PRIVATE EQUITY VENTURE HELD BY FUNDS CLASS FUNDS CAPITAL FUNDS OTHERS Fair value of Level 3 assets at September 30, 2009 $ 108,934 $ 40,468 $ 22,027 $ 8,545 $ 8,661 (Expenses) net of dividends and interest (599) (263) (465) (466) – Realized gains (losses) 1,800 (298) 947 457 – Net unrealized gains 5,655 4,799 2,223 689 1,458 Proceeds from sales, redemptions, and distributions (3,100) (2,119) (1,153) (401) – Purchase of investments – – 5,569 1,989 – Fair value of Level 3 assets at September 30, 2010 $ 112,690 $ 42,587 $ 29,148 $ 10,813 $ 10,119

Realized and unrealized gains/(losses) for Level 3 assets included in changes in net assets for the years ended September 30, 2011 and 2010, are reported as follows:

2011 2010 Total gains (losses) $ 14,556 $ 17,730 Change in unrealized gains (losses) relating to assets still held at reporting date $ 2,621 $ 14,824

The fair values of the following investments have been estimated using the net asset value per share of the investments as of September 30, 2011:

REDEMPTION REDEMPTION FAIR VALUE COMMITMENTS FREQUENCY NOTICE PERIOD Public equity funds (a) $ 178,838 $ – Daily to Quarterly 6–120 days Hedge funds (b) 137,741 – 1 to 3 years 90–95days Multi-asset class fund (c) 43,940 – Annually 365 days Private equity funds (d) 40,166 22,717 n/a n/a Venture capital funds (e) 16,914 4,691 n/a n/a Trust held by others 7,989 – n/a n/a $ 425,588 $ 27,408 66 NOTES

The fair values of the following investments have been estimated using the net asset value per share of the investments as of September 30, 2010:

REDEMPTION REDEMPTION FAIR VALUE COMMITMENTS FREQUENCY NOTICE PERIOD Public equity funds (a) $ 204,440 $ – Monthly to Quarterly 15 – 120 days Hedge funds (b) 112,690 – 1–3 years 60–95 days Multi-asset class fund (c) 42,587 – Annually 365 days Private equity funds (d) 29,148 31,362 n/a n/a Venture capital funds (e) 10,813 7,332 n/a n/a Trust held by others 10,119 – n/a n/a $ 409,797 $ 38,694

(a) Public equity funds consist of investments in limited liability partnerships and limited liability corporations that invest in publicly traded stocks of domestic and international companies. (b) Hedge funds includes investments in hedge funds, one of which (representing 41% of this category) invests both long and short primarily in U.S. and international common stocks, and the other two (representing 59% of this category) pursue multiple strategies to diversify risks and reduce volatility. (c) Multi-asset fund is invested in all asset classes, including publicly traded U.S. and international stocks, fixed income, cash equivalents, private equity, venture capital, hedge funds, real estate, and natural resources. (d) Private equity funds include funds that invest directly in private U.S. and international companies or conduct buyouts of public companies resulting in the delisting of public equity, as well as two funds which invest in U.S. and international real estate. These assets are invested through limited partnerships which have stated terms of typically eight to twelve years. The remaining terms of the Gallery’s private equity investments range from three to seven years. These investments can never be redeemed. Instead, distributions are received through the liquidation of the underlying assets of the fund. (e) Venture capital funds include several funds that invest in early stage, high-potential, growth start-up U.S. and international companies. These assets are invested through limited partnerships which have stated terms of typically eight to twelve years. The remaining terms of the Gallery’s venture capital investments range from three to seven years. These investments can never be redeemed. Instead, distributions are received through the liquidation of the underlying assets of the fund.

18.Subsequent Events

The Gallery has performed an evaluation of subsequent events through November 14, 2011, which is the date the financial statements were available to be issued, noting no events that affect the financial statements as of September 30, 2011. 67

ACQUISITIONS

PAINTINGS Truitt, Anne, American, 1921–2004 collage, 2011.6.1, Gift of the Collectors Dunoyer de Segonzac, André, French, >Parva XII, 1977, acrylic on wood, Committee 1884–1974 Courbet, Gustave, French, 1819–1877 2011.5.1, Gift of Margot Wells Backas >Untitled (P ! D), probably 1930s, blue >Country Scene, pen and black ink with >The Black Rocks at Trouville, >Knight’s Heritage, 1963, acrylic on ink on light brown paper, 2011.63.1, wash, 2011.60.6, The John U. and Evelyn 1865/1866, oil on canvas, 2011.51.1, wood, 2011.19.1, Gift of the Gift of The James Castle Collection S. Nef Collection Collectors Committee and Archive Chester Dale Fund Flandrin, Jean-Paul, French, 1811–1902 Johnson, Lester, American, 1919–2010 Chagall, Marc, Russian, 1887–1985 >Sunlit Trees in a Valley near Lacoux, 1840, DECORATIVE ART >Dark Portrait, c. 1960, oil on canvas, >Purim, 1917, gouache black chalk heightened with white chalk 2011.39.1, Gift of Beth and >Small Composition for John, 1957, on blue paper, with vertical strips added George Meredith Chagall, Marc, Russian, 1887–1985 watercolor with black ink at left and right edges, 2011.59.1, Gift of >Untitled, 1969, stone and glass mosaic >Birthday Celebration Drawing, 1972, Helen Porter and James T. Dyke Marshall, Kerry James, American, (10 panels), 2011.60.104.1–10, The John pen and blue ink on printed card born 1955 Florentine 16th century U. and Evelyn S. Nef Collection >Birthday Celebration Drawing, 1972, >Great America, 1994, acrylic and collage >The Visitation, c. 1520, black chalk, pen and blue ink on printed card on canvas, 2011.20.1, Gift of the heightened with white, on purple MEDIA ART >Wedding Announcement, 1964, Collectors Committee prepared paper, 2011.38.1, Ailsa brown ink and red and blue crayon Mellon Bruce Fund Moran, Thomas, American, 1837–1926 Paik, Nam June, American, born South on printed card >The Juniata, Evening, 1864, oil on Förster, Heinrich von, German, Korea, 1932–2006 >Menu with a Drawing of a Queen, canvas, 2010.107.1, Gift of Max and 1832–1889 >Cosmos, 1963–2003, two-channel video 1970, brown ink on printed menu card Heidi Berry and Ann and Mark Kington/ >The Music Room of Archduchess installation with manipulated 1940s-era >Birthday Menu with a Drawing of an The Kington Foundation Margarete, Princess of Saxony, in Schloss CRT tubes and closed circuit camera Angel, 1973, crayon on menu >Green River Cliffs, Wyoming, 1881, oil on Ambras, 1870s, watercolor and gouache, feed, 2011.61.1, Gift of the Hakuta >The Crucifixion, 1973, color crayon on canvas, 2011.2.1, Gift of the Milligan and 2011.88.1, William B. O’Neal Fund Family title-page of bound volume Thomson Families >Zenith/Self-Portrait/Hand and Face, >An Artist-Angel at the Easel, 1968, pen Fries, Ernst, German, 1801–1833 Nooms, Reinier, called Zeeman, Dutch, 2005, one-channel video with one and ink on title-page of bound volume >Berchtesgaden with the Watzmann 1624–1664 thirteen-inch monitor, 2011.61.2, Gift of >Self-Portrait at the Easel with a Dove and Peak in the Distance, 1822, watercolor >Amsterdam Harbor Scene, c. 1658, oil on the Hakuta Family Bouquets, 1971, watercolor and color over graphite, 2011.52.1, Ailsa Mellon canvas, 2011.3.1, The Lee and Juliet crayon on title-page of bound volume Bruce Fund DRAWINGS >Bouquet of Flowers, 1951, watercolor on Folger Fund Frink, Elisabeth, Dame, British, title-page of bound volume Ramos, Mel, American, born 1935 1930–1993 >Self-Portrait with a Seeing-Eye Heart, >Wild Girl, 1963, oil on canvas, Adam, Franz, German, 1815–1886 >An Eagle, 1966, watercolor, 2011.60.68, 1974, pen and ink on title-page of 2010.118.1, Gift of Abrams Family >A Mounted Cavalry Officer Seen from The John U. and Evelyn S. Nef Collection bound volume Collection Behind, 1850s, oil paint on brown oiled >The Artist Presenting a Bouquet of Glume, Johann Gottlieb, German, paper, 2010.130.1, Ailsa Mellon Bruce Seitz, William Chapin, American, Flowers, 1973, black crayon and pastel 1711–1778 Fund 1914–1974 on title-page of bound volume >Young Woman Sewing with a Dog Resting >Wall of Remorse, 1952, mixed media on Beichling, Karl Heinrich, German, >Lovers with Flowers in a Night Sky, on Her Lap, 1750s(?), red chalk, paper on canvas 1803–1876 1968, color crayon on title-page of 2011.12.1, William B. O’Neal Fund >Ruins of the Oybin Monastery in Winter, >Figures Flying Through Space with bound volume Graf I, Urs, Circle of, Swiss, c. 1830, watercolor, 2011.29.2, William B. Minerals and Cubes, 1945, oil on canvas >Self-Portrait at the Easel, 1968, felt-tip c. 1485–1527/1529 O’Neal Fund >Cubist Portrait of a Woman, 1946, pen on title-page of bound volume, >A Soldier Walking with a Camp Follower, oil on canvas Bellows, George, American, 1882–1925 2011.60.10, 24, 33, 34, 64, 73, 74, 1523, pen and black ink, 2011.11.1, >Crab and Shell with Shoe, 1947, oil on >Ghost of Sergeant Pelly, 1918, charcoal, 87– 92, 94, 100, The John U. and Ailsa Mellon Bruce Fund canvas, 2011.10.1–4, Gift of Irma Seitz gray wash, and graphite with brush and Evelyn S. Nef Collection Greuze, Jean-Baptiste, French, black ink, 2011.65.1, Gift of Alexandra Troy, Jean François de, French, Cristall, Joshua, British, 1768–1847 1725–1805 and Michael N. Altman 1679–1752 >Young Woman in a Kerchief and Cloak at >Bust of an Old Man, probably 1763, red, >The Abduction of Europa, 1716, oil on Bendemann, Eduard Julius Friedrich, Hastings, 1807, watercolor, 2011.56.1, black, and white chalks with stumping canvas, 2010.115.1, Chester Dale Fund German, 1811–1889 Ailsa Mellon Bruce Fund and erasure on light brown paper, Zox, Larry, American, 1937–2006 >A Girl on Her Deathbed with a Crown of Doyen, Gabriel François, French, 2011.42.3, Woodner Collection, Gift of >Decorah (Single Gemini Series), Flowers, 1882, black and white chalk on 1726–1806 Dian Woodner brown paper, in original leather folding 1968, acrylic on canvas, 2011.40.1, >Brutus Condemning His Sons to Death, c. Grosz, George, German, 1893–1959 frame, 2011.29.1, William B. O’Neal Gift of Sha King Zox 1760, black chalk and white chalk >In the Drawing Room (The Art Critics), Fund with stumping, 2010.128.1, Ailsa pen and black ink, 2011.60.49, The John SCULPTURE Benouville, Jean Achille, French, 1815– Mellon Bruce Fund U. and Evelyn S. Nef Collection 1891 Dufy, Raoul, French, 1877–1953 Hirzel, Hermann, German, 1864–1939 Matisse, Henri, French, 1869–1954 >Sunset from a Rocky Coastline, 1842, >Circus, watercolor >A Winter Landscape within a Jugendstil >Figure Decorative, 1908, bronze, 2011.9.1, watercolor with pen and brown ink and >Blue Train, watercolor Border, 1902, pen and black ink, with Gift of Victoria and Roger Sant touches of white gouache over graphite >Landscape, watercolor corrections in white gouache, on two on blue-gray paper, 2011.58.1, Helen Storrs, John, American, 1885–1956 >Longchamps, watercolor joined sheets of card, 2011.37.1, Ailsa Porter and James T. Dyke Fund >Auto Tower, Industrial Forms (part B), c. >Morocco, watercolor, 2011.60.19‒–23, The Mellon Bruce Fund 1922, cast and painted concrete, Castle, James, American, 1899–1977 John U. and Evelyn S. Nef Collection 2011.1.1, Gift of Deborah and Ed Shein >Untitled (Purse ! Discusses), 1937 or later, 68 ACQUISITIONS

Huber, Jakob Wilhelm, Swiss, 1787–1871 Le Corbusier, French, 1887–1965 >The Handsome Barber, watercolor with c. 1922, tempera and ink over graphite >A Fortress in a Mountain Landscape >Abstraction, pastel and crayon, pen and ink on paperboard at Sunrise, 1810, gouache with pen 2011.60.13, The John U. and Evelyn S. >A Girl, pastel >The Pink-Faced Politician, also known as and black ink, 2011.34.2, Ailsa Mellon Nef Collection >A Reclining Woman, pastel, 2011.60.1–3, The-Man-Who, on a National Holiday, Bruce Fund c. 1922, tempera and ink over graphite Léger, Fernand, French, 1881–1955 7, 40, 72, The John U. and Evelyn S. Nef on paperboard Huber, Johann Caspar, Swiss, 1752–1827 >Abstraction, 1945, watercolor and Collection >Khor, the President of the Oochen Republic >A Stand of Birch Trees, brown and gray gouache on buff paper, 2011.60.12, The Perino del Vaga, Italian, 1501–1547 Walking Through the Green Fields of wash with pen and brown ink over black John U. and Evelyn S. Nef Collection >Alexander Consecrating the Altars for the Earth, c. 1922, tempera and ink over chalk on blue paper, 2011.36.1, Ailsa Twelve Olympian Gods, 1545/1547, pen Lory, Matthias Gabriel fils, French, graphite on paperboard Mellon Bruce Fund and brown ink with gray wash over black 1784–1864 >Thinkrates, the Philosopher, Wrapped in chalk, 2011.42.1, Woodner Collection, Huet, Paul, French, 1803–1869 >The Château d’Eze, near Nice, 1841/1843, Thought, c. 1922, tempera and ink over Gift of Dian Woodner >An Abbey by a Wooded Lake at Twilight, watercolor, 2010.122.7, Anonymous Gift graphite and colored pencil on c. 1831, pastel, 2011.44.1, Helen Porter Meyer, Conrad, Swiss, 1618–1689 Picasso, Pablo, Spanish, 1881–1973 paperboard and James T. Dyke Fund >An Allegory of Poverty and Wealth, pen and >A Young Woman Seated in an Armchair, >Khor, in His House on Top of the World, Huysum, Jan van, Dutch, 1682–1749 brown ink with gray wash, 2010.122.1, 1921–1922, brush and gray ink with white c. 1922, tempera and ink over graphite >Bouquet of Spring Flowers in a Terracotta Anonymous Gift gouache and black ink on paper washed on paperboard , 1720s, oiled charcoal and watercolor, light blue, 2011.60.43, The John U. and >The Colossal Deep Sea Ludicrocerous Vase Miss, Mary, American, born 1944 2011.74.1, Pepita Milmore Memorial, The Evelyn S. Nef Collection Lies in Wait for the Little Gee Whiz, >Veiled Landscape, 1979, pen and black ink Ahmanson Foundation, Glickfield Family c. 1922, tempera and ink over graphite over graphite with collage on artificial Pinelli, Bartolomeo, Italian, 1781–1835 Foundation, Linda H. Kaufman and Buffy on paperboard vellum, 2011.16.1, Gift of >La Compagnia dei sacconi al Colosseo, and William Cafritz Funds >The Cinnamon Bun B’Ar Stalking the Harry Grubert 1829, watercolor over black chalk Dish of Fruit Bush, c. 1922, tempera and Ingres, Jean-Auguste-Dominique, and graphite, 2011.50.1, Ailsa Mellon Munch, Edvard, Norwegian, 1863–1944, ink over graphite on paperboard French, 1780–1867 Bruce Fund >Female Half-Figure Sketch of a Woman, >The Radio Gull Carried Khor’s Messages >Mademoiselle Mary de Borderieux(?), Piranesi, Giovanni Battista, Italian, 1920/1923, pen and black ink All Over the World with the Speed of 1857, graphite and watercolor with white 1720–1778 >Shoreline Sketch, 1920/1923, purple Light, c. 1922, tempera and ink over heightening, 2011.42.6, Woodner >The Portico of the Pantheon, 1750s and crayon, 2011.84.3, 4, The Epstein graphite on paperboard Collection, Gift of Dian Woodner early 1760s, pen and dark brown ink with Family Collection >The-Lugubrious-Mysterious-Midnight- Italian 17th Century gray and gray-brown wash over red Nagel, Hanna, German, 1907–1975 Hour-Phantom-Green-Cheese-Moon, chalk, on three pieces of paper glued >God the Father with Angels, pen and >An Elegant Young Man Glancing to c. 1922, tempera and ink over graphite brown ink with brown wash, 2011.86.2, together, 2011.42.5, Woodner the Side, 1928, lithographic crayon, on paperboard Gift of Jane Tarleton Smith Moore Collection, Gift of Dian Woodner graphite, and brush and black ink, on >The Peeping Gagaboo Hides in a Cave, Jegli II, Hans, Swiss, 1580–1643 artist’s mount, 2011.35.1, William B. Richter, Adrian Ludwig, German, c. 1922, tempera and ink over graphite >A Donor with a Coat of Arms, 1603, O’Neal Fund 1803–1884 and colored pencil on paperboard pen and ink with wash, 2011.90.1, >The Sabine Hills and Rocca Santo Stefano >The Pie-Faced Squilk and Her Pink- Paik, Nam June, American, born South Katharine Shepard Fund Seen from Civitella, c. 1824, graphite, Nosed Neighbor, c. 1922, tempera and ink Korea, 1932–2006 2011.91.2, Ailsa Mellon Bruce Fund over graphite on paperboard John, Augustus, Welsh, 1878–1961 >Untitled (TV Ghosts), 2005, >The-Duck-Who-Would-Rather-Talk-with- >Bust of a Young Woman, c. 1900, colored marker Savery, Roelandt, Dutch, 1576–1639 His-Reflection-in-the-Pond-than-with- red chalk >Untitled (Earth), 2000, pastel >Mountainous Landscape with Castles and Anybody-Else, c. 1922, tempera and ink >A Standing Draped Woman, 1907–1910, >Untitled (Earth), 2000, pastel Waterfalls, c. 1606, black, ocher, red, and over graphite on paperboard graphite, 2011.60.75–76, The John U. >Untitled (Rain), 2001, pastel blue chalks, with traces of white >The Golden Meadowlark Flies Over the and Evelyn S. Nef Collection >Untitled (Zen TV), 1977, brush heightening on gray-green paper, Green Fields, c. 1922, tempera and ink and black ink 2011.42.2, Woodner Collection, Gift of Kaisermann, Franz, Swiss, 1765–1833 over graphite on paperboard >Untitled, 1975, black ball-point pen Dian Woodner >The Grand Waterfalls at Terni, 1790s, >Rabbit (Le Tournesol), c. 1920, tempera, on graph paper Signac, Paul, French, 1863–1935 watercolor and gouache, 2011.54.1, metallic paint, and graphite on >Untitled, 1975, black ball-point pen >Petit Andelys, watercolor over black chalk Purchased as the Gift of Alexander M. paperboard on graph paper >St Tropez, 1906, watercolor and gouache and Judith W. Laughlin >Study for “The Radio Gull”, c. 1960, >Untitled, 1975, black ball-point pen over black chalk Katz, Alex, American, born 1927 graphite and tempera on canvas board on graph paper >La Rochelle, watercolor over black chalk, >Evie, 1974, graphite, 2011.60.38, The >Study for “The Radio Gull”, c. 1960, >Untitled, 1975, black ball-point pen 2011.60.15, 16, 63, The John U. and John U. and Evelyn S. Nef Collection graphite on canvas board on graph paper Evelyn S. Nef Collection >Study for “Toppenheim”, c. 1960, Krüger, Anton, German, 1795–1857 >Untitled (Buddha), 1982, pastel and Squarcione, Francesco, Italian, graphite and colored pencil on folded >Aussicht aus meinem Fenster, via valfonda in pen and black ink 1397–1468 tracing paper Florenz, 1821, graphite, 2011.53.1, Ailsa >Untitled (TVS), 1982, pen and black ink >Six Standing Men and Ten Battling >Study for “The Radio Gull”, c. 1960, Mellon Bruce Fund >Untitled (TVS), 1978, pen and black ink Nudes, 1470s, pen and ink on prepared graphite on tracing paper, 2011.85.1–20, >Untitled, 1978, pastel Kügelgen, Wilhelm von, German, paper, 2011.42.4, Woodner Collection, Gift of Joanna T. Steichen >Untitled (TV Static), 1982, pen and 1802–1867 Gift of Dian Woodner black ink Taylor, Al, American, 1948–1999 >Agnes von Felsen, c. 1822, graphite, >Untitled (Manipulated TV), 1996, pastel Steichen, Edward, American, 1879–1973 >Fairly Mean/Mean Fairly, 1995, ink 2011.34.1, Ailsa Mellon Bruce Fund and pen and black ink, 2011.61.5 –18, >Mushton Shlushley, The Lyric Poet and and graphite, 2011.8.1, Gift of the Law, David, Scottish, 1831–1901 Gift of the Hakuta Family Aestheticurean, c. 1922, tempera and ink Collectors Committee >The Giudecca Canal with Shipping near over graphite on paperboard Pascin, Jules, French, 1885–1930 Vallotton, Félix, Swiss, 1865–1925 the Chiesa dei Gesuati, 1880s, watercolor >The Pup-Who-Sacrificed-a-Piece-of-His- >Two Nudes, black crayon on buff paper >Grands Chasseurs—Le Cerf est prêt, 1903, over graphite, 2011.33.1, Ailsa Head-So-He’d-Have-a-Tail-to-Wag, >Havana, watercolor and graphite black crayon and brush over graphite, Mellon Bruce Fund c. 1922, tempera and ink over graphite >Nannies with a Child, watercolor and 2010.122.2, Anonymous Gift and colored pencil on paperboard black chalk >Madame X and Johnny Marine, also Vuillard, Edouard, French, 1868–1940 Known as Sailor John the Painter, >A Vase of Flowers, graphite, 2011.60.47, The John U. and Evelyn S. Nef Collection NATIONAL GALLERY OF ART 69

PRINTS Merrill C. and Dalia S. Berman in >Abdullah Discovered before Him..., 1948, A Ceiling with an Angel Carrying a honor of Judith Brodie color lithograph Bouquet, 1968 Ademollo, Luigi, Italian, 1764–1849 Biard the Younger, Pierre, French, >The Yellow Sun, 1968, color lithograph >Chagall: Lithographe II (France, 1963), >The Ashes of Trajan Carried in a 1592–1661 [artist’s proof] bound volume with eleven lithographs, Triumphal Procession, etching and aquatint >Venus with the Graces and Putti, >The Clown and the Flute I, 1970, one lithographic cover, and one drawing >The Body of Hadrian Laying in State next 1620s, etching, 2011.73.1, Ailsa Mellon color lithograph in felt-tip pen on title-page titled, Self- to His Mausoleum, etching and aquatint, Bruce Fund >A Woman with a Basket of Fruit, 1972, Portrait in Profile, 1968 color lithograph [artist’s proof] >Chagall: Lithographe (France, 1960), 2010.133.1, 2, Ailsa Mellon Bruce Fund Blooteling, Abraham, Dutch, 1640–1690, >The Little Harlequins, Paris, 1962, bound volume with twelve lithographs and Theodor Kerckring (author), Dutch, Albertolli, Giocondo (author and color lithograph and one drawing in felt-tip pen on title- 1640–1693 designer), Italian, 1742–1839 >The Artist at the Village I, 1972, page titled, Self-Portrait, 1968, >Spicilegium Anatomicum, >Ornamenti diversi, (Milan, 1782) color lithograph 2011.60.25–32, 78–83, 86, 93, 95–99, 102, (Amsterdam,1670), bound volume with >Alcune decorazioni di nobili sale ed altri >Country Idyll, 1972, color lithograph The John U. and Evelyn S. Nef Collection one engraved title, one engraved half- ornamenti, (Milan, 1787) [artist’s proof] title, and thirty-nine etched and Conner, Bruce, American, 1933–2008 >Miscellanea per i giovani studioso del >Chagall: Lithographs IV (New York, 1974), engraved illustrations, 2011.55.1.a, >Applause, 1966, offset lithograph, disegno, (Milan, 1796), three bound bound volume with one lithograph William B. O’Neal Fund 2011.93.25, Gift of Eileen and volumes, with sixty-six engraved (Boston, 1963), >The Jerusalem Windows Michael Cohen illustrations, three engraved titles, and two Bonnet, Louis-Marin, French, 1736–1793 bound volume with two lithographs engraved dedications by Giacomo >Le Réveil de Venus (after François and one drawing in blue felt-tip pen Corinth, Lovis, German, 1858–1925 Mercoli, Swiss, b. 1745, Giuseppe Longhi, Boucher), 1769, pastel manner printed in on title-page titled, Self-Portrait with >The Fall of Man, 1919, color woodcut Italian, 1766–1831, Raffaele Albertolli, black, red, blue, white, and yellow-brown Signature, 1968 [unique artist’s proof in monotype Swiss, 1770–1812, and Andrea de on blue paper, 2010.125.1, Ailsa Mellon >Vitraux pour Jerusalem (Monte Carlo, wiped colors], 2010.129.1, Ailsa Mellon Bernardis, Italian, 1760–1837, after Bruce Fund 1968), portfolio of seven original Bruce Fund Giocondo Albertolli, 2011.81.1.1–3, lithographs and one drawing in brush Bourgeois, Louise, French-American, Dietrich, Christian Wilhelm Ernst, Ailsa Mellon Bruce Fund and ink with pastel titled, born France, 1911–2010 An Angel with German, 1712–1774 Albright, Ivan Le Lorraine, American, >He Disappeared into Complete Silence, the Tablets of the Law >Nymphs Bathing in a Cave, 1741, (France, 1972), bound 1897–1983 1947, suite of nine engravings with text, >Derriere le Miroir etching, 2011.83.1, Purchased as the Gift volume with three lithographs and one >Fleeting Time, Thou Hast Left Me Old, 2010.132.1–9, Purchased as the Gift of of Marion Deshmukh 1945, lithograph, 2011.60.5, The John U. drawing on title-page in blue pen titled, Dian Woodner Doesburg, Theo van, Dutch, 1883–1931, and Evelyn S. Nef Collection An Artist with a Female Nude and Kurt Schwitters, German, 1887–1948 Boys, Thomas Shotter, British, 1803–1874 >Derriere le Miroir (France, 1964), Aman-Jean, Edmond, French, 1860–1936 >Kleine Dada Soirée, 1922, lithographic >Picturesque Architecture in Paris, Ghent, unbound volume with one lithographic >La Rieuse: Madame Albert Besnard, 1897, poster/program, printed in red Antwerp, Rouen Etc., (London, 1839), cover and one lithographic centerfold color lithograph, printed in brown and and black, 2010.124.1, Gift of the bound volume with twenty-nine >Derriere le Miroir, (France, 1962), gold, 2011.79.1, Ailsa Mellon Bruce Fund Collectors Committee chromolithographs, 2011.82.1, William unbound volume with one lithographic Amman, Jost, Swiss, 1539–1591 B. O’Neal Fund cover and one lithographic centerfold Drevet, Pierre, French, 1663–1738 >Earth (after Wenzel Jamnitzer I), 1568, Bresdin, Rodolphe, French, 1822–1885 >Marc Chagall: The Ballet (Paris, 1969), >Frédéric Auguste III, roi de Pologne (after etching [proof without text] >The Good Samaritan, 1861, lithograph, bound volume with one lithograph on Francois de Troy), engraving [proof], >Air (after Wenzel Jamnitzer I), 1568, 2011.41.2, Gift of David P. Becker frontispiece and one drawing in ink and 2011.87.1, Ailsa Mellon Bruce Fund etching [proof without text] color crayon on title-page titled, A Brock, Bazon, German, born 1936, Dufy, Raoul, French, 1877–1953 >Water after Wenzel Jamnitzer I), 1568, Ballerina, 1971 Bernhard Jager, German, born 1935, and >Machines in a Field, lithograph etching [proof without text], >Marc Chagall: Monotypes (Geneva, 1966), Thomas Bayrle, German, born 1937 >Amphitrite, 1930, etching, 2011.60.8, 18, 2011.78.1–3, Ailsa Mellon Bruce Fund bound volume with one drypoint and >Bloom Zeitung, 1963, newspaper printed in The John U. and Evelyn S. Nef Collection Arms, John Taylor, American, 1887–1953 one drawing in watercolor and ink on red and black with half-tone photographs, Dufy, Raoul, French, 1877–1953, >Normandy Noon, 1936, etching on blue title-page titled, Two Lovers with a 2011.77.1, Brodie Fund Guillaume Apollinaire (author), French, paper, 2011.14.1, Gift of David F. Wright Bourgeoning Bouquet and a Bird 1880–1918 >Crystal and Jade, 1936–1940, etching Brosamer, Hans, German, c. 1500–1552 >Chagall: Lithographe III (Boston, 1969), >Le Poete Assassine, (Paris, 1962), bound with aquatint or 1554, Petrus Apianus (author), bound volume with two lithographs and volume with thirty-six lithographic >Wasps, 1920, aquatint and etching German, 1495–1592 one drawing in colored pencil and ink illustrations, 2011.60.84, The John U. and >Birdman, 1919, aquatint and etching >Inscriptiones Sacrosanctae Vetustatis Non titled, The Man in the Moon with a Lover Evelyn S. Nef Collection >Vermont, 1945, etching Ilae Quidem Romanae Sed Totius Fere Below, 1971 >The Pig Pen, 1936–1940, etching Orbis Summo Studio, (Ingolstadt, 1534), >Le Message Biblique Marc Chagall (Paris, Dunoyer de Segonzac, André, French, >Normandy, 1944, etching on blue paper bound volume with one title woodcut 1972), bound volume with one 1884–1974 >Triangular Bridge, Crowland, England, after Albrecht Dürer, seven woodcut lithograph on first free endpaper and >Reclining Nude 1920s, etching, 1941, etching initials and 134 half- or full-page one drawing in colored crayon on title- 2011.60.14, The John U. and Evelyn S. >Shadow in Mexico, 1936–1940, etching woodcut illustrations, 2011.94.1, Gift of page titled, Moses Presenting the Tablets of Nef Collection Vincent and Linda Buonanno >Patscuaro, Michoacán, Mexico, the Law to the Israelites, 1973 Dürer, Albrecht, German, 1471–1528 1941, etching on blue paper, Cage, John, American, 1912–1992 >Chagall Monumental (Paris, 1973), >Saint Jerome Penitent in the Wilderness, 2011.68.1–9, Gift of T. A. Cox >Not Wanting to Say Anything About bound volume with one lithograph and c. 1496, engraving, 2011.22.1, Joan and one drawing in pen and black ink with Bartsch, Adam von, Austrian, 1757–1821 Marcel (Plexigrams III) ), 1969, eight David Maxwell, Pepita Milmore pastel on title-page titled, An Artist at >A Crouching Apostle (after a drawing panels of screenprinted plexiglas with Memorial, and The Ahmanson the Easel with a Female Nude and a formerly attributed to Albrecht Dürer), walnut base, 2011.93.24, Gift of Eileen Foundation Funds Horse-Man, 1974 1785, etching and aquatint printed in and Michael Cohen >Marc Chagall: The Ceiling of the Paris Frink, Elisabeth, Dame, British, brown, 2011.86.1, Gift of Jane Tarleton Carpioni, Giulio, Italian, c. 1613–1678 1930–1993 Opera (France, 1966), bound volume Smith Moore >Saint Anthony of Padua, 1640s, etching, >Baboon, color screenprint, 1990, with one lithograph by Chagall, six 2011.73.3, The Washington Print 2011.97.1, The John U. and Evelyn S. Beuys, Joseph, German, 1921–1986 lithographs by Charles Sorlier after Club Fund Nef Collection >Creativity=Capital, 1983, lithograph Chagall, and one drawing by Chagall and screenprint, 2011.17.1, Gift of Chagall, Marc, Russian, 1887–1985 in blue felt-tip pen on title-page titled, >The Artist’s Wife, 1971, lithograph 70 ACQUISITIONS

Gassner, Mordi, American, 1899–1995 Lalanne, Maxime, French, 1827–1886 >In the Land of Crystal, 1897, lithographic Pissarro, Camille, French, 1830–1903 >Giraffes: The Tenderness of Nature, >Pont des Arts 1868, etching, 2010.131.1, crayon and tusche on chine collé >A Woman on the Road, 1879, etching 1936, lithograph Given by Art Information Volunteers and >Dr. Hermann Seidel, 1895, drypoint and and aquatint with drypoint, 2010.119.1, >Elk: The Majesty of Nature, Friends in Honor of Christopher B. With roulette on chine collé, 2011.84.1, 2, 5, Gift of Liane W. Atlas 1936, lithograph , 1869, etching >Dans un Parc The Epstein Family Collection Redon, Odilon, French, 1840–1916 >Zebras: Nature’s Wild Freedom, >Près Houlgate (Calvados), 1869, Orlik, Emil, German, 1870–1932 >The Haunting, 1893, lithograph, 1936, lithograph etching on japan paper, 2010.131.2, >Ferdinand Hodler, 1904, woodcut [artist’s 2011.41.1, Gift of David P. Becker >Polar Bear: The Solitudes, 3, Ailsa Mellon Bruce Fund proof] printed on blue japan paper, 1936, lithograph Reinhardt der älterer, Andreas, German, Lange, Otto, German, 1879–1944 2010.136.1, Daryl Reich Rubenstein >Lions: The Violence of Nature, 1676–1742 >Churchgoer with a Light, c. 1917, Memorial Fund 1936, lithograph >Lex Regia, (Copenhagen, 1709), bound color woodcut [unique artist’s proof , 1936, Paemel, Jules van, Belgian, 1896–1968 volume with nineteen etched and engraved >Hyenas: Nature’s Nocturnal Terros in monotype wiped colors], 2011.70.1, lithograph, 2011.15.1–6, Gift of Dorothy >The Tower of Babel, 1933, etching, illustrations after Claus à Möinichen, Joan and David Maxwell Fund Gordon Pocinki 2010.110.1, Ailsa Mellon Bruce Fund 2010.126.1, William B. O’Neal Fund Laurencin, Marie, French, 1885–1956 Grosz, George, German, 1893–1959 Paik, Nam June, American, born South Renoir, Auguste, French, 1841–1919 >Mandolin Player, drypoint and roulette in , 1972, lithograph, Korea, 1932–2006 >Claude Renoir, with Lowered Head, >People in a Street blue and black 2011.60.36, The John U. and Evelyn S. >Untitled (Merce), 1978, color lithograph, 2011.60.4, The John U. >Three Girls, etching, 2011.60.39, 69, The Nef Collection lithograph with screenprint and Evelyn S. Nef Collection John U. and Evelyn S. Nef Collection >Untitled (Allen Ginsberg), 1984, Heartfield, John, German, 1891–1968, Rivière, Henri, French, 1864–1951 Lazzari, Antonio, Italian, 1798–1834 color lithograph, 2011.61.3, 4, Gift Kurt Tucholsky (author), German, >Poster for Le Chat Noir: La march à >Nuova Racolta delle Principali vedute della of the Hakuta Family 1890–1935 l’Étoile, 1894, stencil-colored photorelief R. Città di Venezia (Venice, 1831), album (Berlin, Palmer, Frances Flora Bond, American, in black and yellow, 2011.13.1, Given in >Deutschland, Deutschland über alles of twelve etchings and aquatints, 1929), bound volume with photomontage born England, c. 1812–1876 Memory of Martin Atlas by his Friends 2010.111.1, Ailsa Mellon Bruce Fund illustrations on the wrappers, 2010.109.1, >“Wooding Up” on the Mississippi, Roberti, Cesare, Italian, born 1557 William B. O’Neal Fund Lory, Matthias Gabriel fils, French, 1863, color lithograph with hand- >The Holy Family with Saint John the 1784–1864 coloring, 2011.30.1, Donald and Hollar, Wenceslaus, Bohemian, Baptist, 1640s, etching and engraving, >Villa, 1811, hand-colored aquatint, Nancy de Laski Fund 1607–1677 2011.72.1, Bert Freidus Fund 2010.122.8, Anonymous Gift >Groenendael Abbey, 1647, etching, Pascin, Jules, French, 1885–1930 Rouault, Georges, French, 1871–1958 Master MZ, German, active c. 1500 2010.127.1, The Ellen von Seggern >A Woman, lithograph >Self-Portrait II, 1926, color lithograph, , Richter and Jan Paul Richter Fund >The Martyrdom of Saint Catherine >Three Women, lithograph, 2011.60.41, 42, 2011.60.45, The John U. and Evelyn S. engraving, 2010.112.1, Pepita Milmore >Venus (after Adam Elsheimer), etching, The John U. and Evelyn S. Nef Collection Nef Collection 2011.76.1, Ailsa Mellon Bruce Fund Memorial Fund Picasso, Pablo, Spanish, 1881–1973 Rysselberghe, Théo van, Belgian, Matisse, Henri, French, 1869–1954 Italian 15th century artists (Venetian and >The Poor, 1905, etching [printed 1913] 1862–1926 >Head of a Girl, lithograph Ferrarese), Giacomo Filippo Foresti da >Three Bathers III, 1923, etching >Loïe Fuller, 1893, etching printed in , 1925, etching on japan Bergamo (author), Italian, 1434–1520 >Reclining Girl [printed 1930/1931] brown on japan paper, 2011.43.1, paper, 2011.60.9, 71, The John U. and >De plurimis claris selectisque Mulieribus >The Frugal Repast, 1904, etching Given in Memory of Martin Atlas by Evelyn S. Nef Collection (Ferrara, published April 1497, borders [printed 1913] his Friends dated 1493), bound volume with 172 Meyer, Conrad, Swiss, 1618–1689 >Head of a Woman, 1905, etching Saint-Igny, Jean de, French, 1595–1649 woodcut vignette portraits, including >The Four Seasons, 1646–1649, [printed 1913] >Self-Portrait, c. 1610, etching, 2011.73.2, 116 repeats from fifty-two blocks, plus complete set of four etchings >Head of a Man, 1905, drypoint Ailsa Mellon Bruce Fund two large frontispieces, 2010.117.1, The with engraving, 2010.122.3–6, [printed 1913] New Century, Eugene L. and Louise Anonymous Gift >The Two Acrobats, 1905, drypoint Sorlier, Charles, French, 1921–1990 Garbaty, Clark Charitable Foundation [printed 1913] >The Angel in the Chandelier (after Marc Meyer, Melissa, American, born 1947 and Edward MacCrone Funds >The Acrobats, 1905, drypoint Chagall), 1973, lithographic poster, >Daphne, 1984, etching with aquatint, [printed 1913] autographed by Chagall Kandinsky, Wassily, Russian, 1866–1944 2011.67.1, Gift of Melissa Meyer in >Head of a Woman in Profile, 1905, >The Angel of Judgment (after Marc >Design in Color, lithograph, 2011.60.37, memory of Joshua P. Smith drypoint [printed 1913] Chagall), 1974, lithographic poster The John U. and Evelyn S. Nef Collection Moore, Henry, British, 1898–1986 >At the Circus, 1905, drypoint autographed by Chagall Katz, Alex, American, born 1927 >Reclining Woman on Yellow Background, [printed 1913] >Bay of Nice (after Marc Chagall), 1970, >Kasha, 1972, etching and aquatint, 1982, lithograph printed in color, >The Watering Place, 1905, drypoint lithographic poster autographed by 2011.60.103, The John U. and Evelyn S. 2011.60.70, The John U. and Evelyn S. [printed 1913] Chagall, 2011.60.35, 66, 67, The John U. Nef Collection Nef Collection >Acrobat Resting, 1905, drypoint and Evelyn S. Nef Collection , (New York, [printed 1913] Kent, Rockwell, American, 1882–1971 >Heads, Figures, and Ideas Spiegelman, Art, American, born 1948 1958), bound volume with one color , 1905, drypoint [printed 1913] >Male (Danseus), 1932–1933, lithograph, >The Bath >Lead Pipe Sunday #2 (Durby Dugan), lithograph, 2011.96.1, Gift of Ruth Kainen , 1905, drypoint 2011.60.17, The John U. and Evelyn S. >The Mother’s Toilette 1997, two-sided color lithograph, 2011.7.1, [printed 1913] Nef Collection Morgan, Norma Gloria, American, Gift of the Collectors Committee , 1905, drypoint [printed 1913] born 1928 >Salome Klinger, Max, German, 1857–1920 >“The Barbaric Dance” (Before Salome and Testa, Pietro, Italian, 1612–1650 >Dramen: VI Motive in X Blättern. >Turning Forms, c. 1950, color engraving Herod), 1905, drypoint [printed 1913] >Il Liceo della Pittura, c. 1638, etching, Radierungen Opus IX, 1883, portfolio of and aquatint, 2010.134.1, Ailsa Mellon >Man with a Guitar, 1915, engraving and 2010.135.1, Bert Freidus Fund ten etchings, some with drypoint and Bruce Fund etching [printed in 1929] Various Artists aquatint, in brown and black, 2011.71.1, Müller, Johann Gotthard, German, >Head of a Woman, 1925, lithograph, >Prints from the Mourlot Press, (Paris, Gail and Benjamin Jacobs Fund 1747–1830 2011.60.11, 44, 50–62, 65, 77, The John 1964), bound volume with nineteen (after Louis Tocqué), Kobell, Wilhelm von, German, >Louis Galloche U. and Evelyn S. Nef Collection lithographs, 2011.60.85, The John U. and 1776, aquatint, 2011.72.2, Katharine 1766–1853 >Le Déjeuner sur l’herbe (after Edouard Evelyn S. Nef Collection >Ancient Oaks in a Landscape (after Jan Shepard Fund Manet), 1962, color linocuts, complete Wijnants), 1792, aquatint in brown, Munch, Edvard, Norwegian, 1863–1944 set of seven artist’s proofs of early states, 2011.91.3, Ailsa Mellon Bruce Fund >A Female Nude in an Interior, 1896, 2011.69.1–7, Gift of Catherine Woodard burnished aquatint and drypoint and Nelson Blitz Jr. NATIONAL GALLERY OF ART 71

Vlaminck, Maurice de, French, Burtynsky, Edward, Canadian, born 1955 Connor, Bruce, American, 1933–2008 >Paul Bowles preparing mint tea…, 1961 1876–1958 >Silver Lake Operations #16, Lake Lefroy, >Applause, 1966, offset lithograph, >Jack Kerouac looking out window…, 1953 >Entrance to a Village, lithograph, printed Western Australia, 2007, chromogenic 2011.93.25, Gift of Eileen and >My front room 1010 Montgomery…, 1955 in color on japan paper, 2011.60.46, The print, 2011.26.1, Veverka Family Michael Cohen >Patti Smith, poet…, 1995 John U. and Evelyn S. Nef Collection Foundation Fund Cumming, Robert, American, born 1943 >William S. Burroughs slightly zonked…, Warhol, Andy, American, 1928–1987 Cage, John, American, 1912–1992 >Shaving Cream Alphabet, 1970, gelatin 1961 >Leonardo da Vinci (The Annunciation, >Not Wanting to Say Anything About silver print, 2011.93.5, Gift of Eileen and >William S. Burroughs, time of intense cut- 1472), 1984, color screenprint, Marcel (Plexigams III), 1969, eight panels Michael Cohen up prose experiments…, 1961 2011.62.1, Gift of Hilary Richardson of screenprinted Plexiglas and walnut >Gregory Corso musing on cot, 1961 De Clercq, Louis, French, 1836–1901 base, 2011.93.24, Gift of Eileen and >My brother Eugene Brooks..., 1953 Wechtlin I, Hans, German, 1480/1485– >Baalbeck, 1859, albumen print, 2011.75.1, Michael Cohen >Allen Ginsberg (b. 1926–) & Gregory 1526 or after, and Johann Geiler von Vital Projects Fund Corso (b. 1930– )…, 1961 Kaisersberg (author), German, Callahan, Harry, American, 1912–1999 diCorcia, Philip-Lorca, American, >Peter Orlovsky at James Joyce’s grave…, 1445–1510 >Self-Portrait, New York, 1942 born 1951 1980 >Pastill: Uber die fyer Euangelia durchs jor >Aix-en-Provence, 1958 >Head #22, 2001, chromogenic print, >Peter Orlovsky (b. 1933–) visiting his with Der Passion oder d[a]z Lyden Jesu >Highland Park, Michigan, 1941–1942 2011.48.1, Charina Endowment Fund family…, 1987 Christi unsers herren, (Strasbourg, 1522), >New Hampshire, 1967 >Pablo and Robert Frank visiting from bound volume with woodcut >Environs of Chicago, 1953 Emerson, Peter Henry, British, 1856– Bronx State Hospital…, 1984, gelatin illustrations, 2010.121.1, Gift of >Chicago, 1953 1936, and T.F. Goodall, British, silver prints, printed 1984–1997, William J. Wyer >La Salle Street, Chicago, 1953 1857–1944 2010.137.1–35, Gift of Gary S. Davis , 1945 >Wild Life on a Tidal Water, 1890, bound Weiditz II, Hans, German, 1500 or >New York , 1943 volume of 30 photogravures, 2011.27.1, Grannan, Katy, American, born 1969 before–c. 1536, Hans Burgkmair I, >Detroit >Highland Park, Michigan, 1941–1942 Vital Projects Fund >Anonymous, San Francisco, 2009, inkjet German, 1473–1531, and Marcus Tullius >Highland Park, Michigan, 1941–1942 print, 2011.25.1, Betsy Karel Fund Cicero (author) Evans, Frederick H., British, 1853–1943 >Highland Park, Michigan, 1941–1942 >Officia M.T.C., (Augsburg, 1531), bound >Aubrey Beardsley, 1894 Haacke, Hans, German, born 1936 , 1945 volume with 103 woodcut illustrations, >New York >Aubrey Beardsley, 1894, photogravures, >Wind Piece, 1969 , 2011.80.1, Ailsa Mellon Bruce Fund >Camera Movement on Flashlight 2010.120.1–2, Gift of Mary and >Grass Cube, 1967, gelatin silver prints, 1946–1947 Dan Solomon 2011.93.27–28, Gift of Eileen and Whistler, James McNeill, American, >Camera Movement on Automobile >York Minster, North Transept: “In Sure and Michael Cohen 1834–1903 Reflection, 1945–1947 Certain Hope”, 1902, platinum print, , 1896, lithograph, Heinecken, Robert, American, >Little Evelyn >Eleanor, Port Huron, 1942 2011.18.1, Carolyn Brody Fund and the 2011.60.48, The John U. and Evelyn S. 1931–2006 >Eleanor and Barbara, 1953 Milmore Memorial Fund >Study related to “Are You Rea”, c. 1969, Nef Collection >Eleanor and Barbara, Chicago, 1953 Gilbert and George, British, born offset lithograph, 2010.120.3, Gift of White, Charles Wilbert, American, >Eleanor and Barbara, Chicago, 1953 1943 and 1942 Mary and Dan Solomon 1918–1979 >Eleanor, Chicago, c. 1953 >Untitled, c. 1973, gelatin silver print, , 1978, lithograph, >Eleanor, New York, 1945 Jackson, William Henry, American, >Sounds of Silence 2011.93.26, Gift of Eileen and 2011.66.1, Gift of Brenda Baker Coakley >Collage, c. 1956 1843–1942 Michael Cohen >Collage, c. 1956 >Central City, Colorado, c. 1881, albumen TECHNICAL >Cutouts, c. 1956, gelatin silver prints Ginsberg, Allen, American, 1926–1997 print, 2011.21.1, Amon G. Carter >Atlanta, 1990, silver dye bleach print >WM. Burroughs, loft window 33 Greene Foundation Fund and Buffy and William Davies, Arthur B., American, 1862–1928 >Rhode Island, c. 1965 Street..., 1986 Cafritz Fund >James Baldwin visiting…, 1986 >Twelve Men, 1921, zinc lithographic >Cape Cod, 1972, gelatin silver prints Jonas, Joan, American, born 1936 >Louis Ginsberg in our house…, 1950s plate, 2011.64.1, Gift of Cosgrove- >Wales, 1984, dye imbibition print >Untitled (Joan Jonas Performing Twilight), >W.S. Burroughs leaving my photo Davies Family >Cuzco, Peru, 1974 1975, gelatin silver print, 2011.93.29, Gift show…, 1985 >Providence, 1967 of Eileen and Michael Cohen PHOTOGRAPHS >Providence, 1968 >Allen Ginsberg & Jack Kerouac practicing Kaprow, Allan, American, 1927–2006 >Providence, c. 1969 Mystical Alchemy…, 1953 >Courtyard, 1962 Acconci, Vito, American, born 1940 >Eleanor, Chicago, c. 1952 >Peter Orlovsky & Jack Kerouac…, 1957 >Courtyard, 1962, gelatin silver prints, >Passes, 1971, six gelatin silver prints, >Chicago, 1961 >Lawrence Ferlinghetti taking morning 2011.93.30–31, Gift of Eileen and 2011.93.1.1–6, Gift of Eileen and >Chicago, 1961 expresso…, 1985 Michael Cohen Michael Cohen >New York, 1962 >W.S. Burroughs in his room…, 1961 >Inquisitive girl…, 1993 Khan, Idris, British, born 1978 American 19th Century >Chicago, 1961 >Harry Smith, ethnomusicologist..., 1988 , 2009, chromogenic print, >Portrait of a Child with her Nurse (?), >Providence, c. 1965, gelatin silver prints >The Creation >Dorothy Norman recovering from broken 2011.4.1, Gift of the Collectors 1850s, daguerreotype, 2011.46.1, >Detroit, c. 1943 leg..., 1985 Committee Vital Projects Fund >Detroit, c. 1943 >Lafcadio, 17, and Peter Orlovsky, 22…, >Portugal, 1982 Krull, Germaine, French, 1897–1985 Belaner, Jean, nationality and dates 1956 >Atlanta, 1985 >André Malraux, 1933, gelatin silver print, unknown >Amiri Baraka née Leroi Jones…, 1985 >Portugal, 1982, dye imbibition prints 2011.45.1, R. K. Mellon Family Foundation >Runaway Train, 1988, bound volume of >Wall, Chicago, c. 1947, gelatin silver print >Bill Burroughs impersonating a gelatin silver prints, 2011.93.22, Gift of Levine, Sherrie, American, born 1947 >Hong Kong, 1985, dye imbibition print, detective…, 1961 Eileen and Michael Cohen >Untitled, undated, five lithographs, 2011.95.1– 45, Gift of the Callahan Family >Gregory Corso Paris…, 1957 2011.93.32.1–5, Gift of Eileen and Bochner, Mel, American, born 1940 >Joanne Kyger..., 1963 Campus, Peter, American, born 1937 Michael Cohen >Untitled, 1967, gelatin silver print, >Gregory Corso—Tangier 1961— >Untitled (Self-Portrait), 1978 2011.93.2, Gift of Eileen and Peter & my room—, 1961 Manzoni, Piero, Italian, 1933–1963 >Untitled (Self-Portrait), 1978, dye Michael Cohen >“Head bowed on his shoulder…”, 1976 >Inflatable/Portrait, c. 1968, gelatin silver diffusion transfer prints, 2011.93.3–4, >Raymond Foye..., 1986 print, 2011.93.33, Gift of Eileen and Brisley, Stuart, British, born 1933 Gift of Eileen and Michael Cohen >William Seward Burroughs and Alan Michael Cohen >Between, De Appel, Amsterdam, 1979, Clifford, Charles, Welsh, 1819–1863 Ansen…, 1953 gelatin silver print, 2011.93.23, Gift of >Puerta de Santa Cruz, Toledo, c. 1860, >Gregory Corso grounded serious..., 1985 Eileen and Michael Cohen albumen print, 2010.113.3, >William Burroughs amusing…, 1953 New Century Fund >Berenice Abbott…, 1985 72 ACQUISITIONS

Marville, Charles, French, 1813–1879 >Jimmy Webster (Lower West Side series), 1992 >Ralph Coxson with his Wife and Son, Staehle, Wolfgang, American, born >Statue of Clovis, Church of Sainte- >Jackie (Lower West Side series), 1974 Shenango Ingot Molds (Working People Germany, 1950 Clotilde, Paris, 1856, salted paper print, >Jackie (Lower West Side series), 1986 series), 1987 >Von, 1988, three silver dye bleach prints, 2011.49.1, Vital Projects Fund >Untitled (Lower West Side series), 1985 >Untitled, Shenango Ingot Molds (Working 2011.93.19–21, Gift of Eileen and >Portrait of Charles Delahaye, c. 1855, >Amherst Foundry (Working People People series), 1978–1981 Michael Cohen salted paper print, 2011.89.1, Diana and series), 1979 >Untitled, Shenango Ingot Molds (Working Stieglitz, Alfred, attributed to, American, Mallory Walker Fund >Amherst Foundry (Working People People series), 1978–1981 1864–1946 Matta-Clark, Gordon, American, series), 1979 >Untitled #3 (Appalachia series), 1962–1971 >Self-Portrait, 1898–1899, platinum print, 1943–1978 >Amherst Foundry (Working People >Untitled, France (Family of Miners 2011.32.1, Vital Projects Fund > , 1974, series), 1979 series), 1981 Anarchitecture: World Trade Towers Stoddard, Seneca Ray, American, gelatin silver print, 2011.93.6, Gift of >Pedro, Atlas Steel Casting (Working People >Untitled, Czech Republic (Family of 1843–1917 Eileen and Michael Cohen series), 1978–1979 Miners series), 1990 >Pedro, Atlas Steel Casting (Working People >Mother Green with Bible (Storefront >South from Ames, North Elba, c. 1888, Mol, Pieter Laurens, Dutch, born 1946 albumen print, 2011.47.1, Vital Projects series), 1978–1979 Churches series), 1958–1960 >Het Overlag, 1973, three gelatin silver Fund >Atlas Steel Casting (Working People >Untitled (Storefront Churches series), prints, 2011.93.7, Gift of Eileen and series), 1978–1979 1958–1961 Talbot, William Henry Fox, British, Michael Cohen >Atlas Steel Casting (Working People >Untitled (Storefront Churches series), 1800–1877 Moorman, Charlotte, American, series), 1978–1979 1958–1961, gelatin silver prints, >A Scene in York: York Minster from Lop 1933–1991 >Atlas Steel Casting (Working People 2010.138.1–53, Gift of Pierre Cremieux Lane, 1845, salted paper print, >“Ice Music,” Roundhouse Theatre London, series), 1978–1979 and Denise Jarvinen 2011.57.1, Edward J. Lenkin Fund, August 1972, 1972 Melvin and Thelma Lenkin Fund, and >Atlas Steel Casting (Working People Samaras, Lucas, American, born >“New Sounds from Old Rubbish and Bare , 1987 Stephen G. Stein Fund series) Greece, 1936 Bodies,” with Nam June Paik, 1969, 1969, >Atlas Steel Casting (Working People >Phototransformation, 1974 Tripe, Linnaeus, British, 1822–1902 gelatin silver prints, 2011.93.34–35, Gift series), 1978–1979 >Phototransformation, 1976, internal dye >Amerapoora: Palace of the White of Eileen and Michael Cohen >Atlas Steel Casting (Working People diffusion transfer prints, 2011.93.17–18, Elephant, 1855 series), 1978–1979 Nauman, Bruce, American, born 1941 Gift of Eileen and Michael Cohen >Amerapoora: Another part of the Balcony of >Self-Portrait as Fountain, 1966, gelatin >Atlas Steel Casting (Working People Kyoung No. 86, 1855, salted paper , 1976–1977 Schneeman, Carolee, American, silver print with ink series) prints, 2010.113.1–2, New Century Fund born 1939 >Bouncing in the Corner no. 1, 1968, >Retiree, Atlas Steel Casting (Working , 1978 >Mud-Drying Sun Process, 1975, gelatin Warren, George K. American, gelatin silver print, 2011.93.36–37, Gift of People series) silver print, 2011.93.39, Gift of Eileen 1824 or 1834–1884 Eileen and Michael Cohen >Retiree, Atlas Steel Casting (Working People series), 1978 and Michael Cohen >F.W. 4 (Old Chain Battery Walk), Nixon, Nicholas, American, born 1947 West Point, New York, c. 1867–1868, >Retiree with his Wife, Atlas Steel Casting Schwarzkogler, Rudolf, Austrian, >View East from Pi Alley, Boston, 2008, albumen print, 2011.24.1, Horace W. (Working People series), 1978 1940–1969 gelatin silver print, 2010.123.1, Charina Goldsmith Foundation through >Mary Daniels, Republic Steel (Working >Untitled Action, Summer, 1965, gelatin Endowment Fund Robert and Joyce Menschel People series), 1979 silver print >The Brown Sisters, Truro, Massachusetts, >East Rock, New Haven, 1868 >Mary Daniels with her Children, Republic >Untitled Action, Summer, 1965, gelatin 2010, gelatin silver print, 2011.23.1, >From Trophy Point, West Point, Hudson Steel (Working People series), 1979 silver print with graphite, 2011.93.40–41, Robert and Elizabeth Fisher Fund River, c. 1867–1868, albumen prints, >Mary Daniels with her Children, Republic Gift of Eileen and Michael Cohen 2011.28.1–2, Vital Projects Fund Oppenheim, Dennis, American, Steel (Working People series), 1987 Seymour, David, American, born Poland, 1938–2011 >Doris McKinney, Republic Steel (Working Weegee, American, 1899–1968 1911–1956 >Reading Position for Second Degree Burn, People series), 1978–1979 >Bowery Entertainers, 1944 >Untitled, c. 1950, two gelatin silver prints 1970 >Doris McKinney, Republic Steel (Working >Drunk Tank, 1950, gelatin silver prints, mounted on graph paper with graphite, >Parallel Stress, 1970, gelatin silver prints, People series), 1978 2011.92.1–2, Gift of Norman and ink, and marker, 2011.93.42, Gift of 2011.93.8, 38, Gift of Eileen and >Doris McKinney with her Two Sons, Republic Carolyn K. Carr Eileen and Michael Cohen Michael Cohen Steel (Working People series), 1987 >Benjamin Boofer, Shenango Ingot Molds Sipprell, Clara E., American, 1885–1975 Oppenheim, Meret, Swiss, 1913–1985 (Working People series), 1977 >Sixth Avenue, New York, 1920s, >Le Couple (The Couple), 1973, gelatin >Benjamin Boofer, Shenango Ingot Molds platinum print, 2011.31.1, R. K. Mellon silver print, 2011.93.9, Gift of Eileen and (Working People series), 1977 Family Foundation Michael Cohen >Benjamin Boofer with his Wife, Shenango Siskind, Aaron, American, 1903–1991 Penone, Guiseppe, Italian, born 1947 Ingot Molds (Working People series), 1977 >Martha’s Vineyard 12, 1953, gelatin >Svolgere la Propria Pelle (To Unfold One’s >Untitled, Shenango Ingot Molds (Working silver print, 2010.120.4, Gift of Mary Skin), 1970, 104 composite People series), 1978–1981 and Dan Solomon photolithographs on seven panels, >Untitled, Shenango Ingot Molds (Working Smith, Jack, American, 1932–1989 2011.93.10–16, Gift of Eileen and People series), 1978–1981 >Untitled, undated Michael Cohen >Untitled, Shenango Ingot Molds (Working >Untitled, undated, gelatin silver prints, Rogovin, Milton, American, 1909–2011 People series), 1978–1981 2011.93.43–44, Gift of Eileen and >Untitled (Lower West Side series), 1973 >Untitled, Shenango Ingot Molds (Working Michael Cohen >Untitled (Lower West Side series), 1974 People series), 1978–1981 >Johnny Grant (Lower West Side series), 1973 >Untitled, Shenango Ingot Molds (Working Smithson, Robert, American, 1938–1973 >Untitled (Lower West Side series), 1984 People series), 1978–1981 >20 shots of 5 sites, 1968 >Sugar (Lower West Side series), 1973 >Ralph Coxson, Shenango Ingot Molds >Untitled (Spiral Jetty), 1970 >Sugar (Lower West Side series), 1986 (Working People series), 1978 >Untitled (Spiral Jetty), 1970, gelatin silver >Sugar (Lower West Side series), 1992 >Ralph Coxson with his Wife and Son, prints, 2011.93.45–47, Gift of Eileen and >Jimmy Webster with his Father, Verne Shenango Ingot Molds (Working People Michael Cohen (Lower West Side series), 1973 series), 1976–1977 >Jimmy Webster (Lower West Side series), 1985 73

CHANGES OF ATTRIBUTION

The following changes of attribution are DRAWINGS the result of scholarly research utilizing 2009.70.1 the latest art historical investigations and The Assumption and Coronation of the Virgin scientific examinations. It is the policy of the Old: Hans von Aachen National Gallery of Art to publish these New: Matthäus Gundelach changes regularly. The following changes of attribution were proposed by Gallery curators 2007.111.61 and approved by the Gallery’s Board of Old: Stefano Della Bella, A Wine Decanter with Trustees during fiscal year 2011. The list is Lions and Putti arranged in alphabetical order according to New: Master of the Medici Banquet Decanters, the former attribution. Changes of title and/ A Wine Decanter with the Medici Arms or date are included if they were a part of the attribution change. 2007.111.62 Old: Stefano Della Bella, A Wine Decanter with Two Fighting Sea Horses New: Master of the Medici Banquet Decanters, A Wine Decanter with Two Seahorses

2007.111.93 Cloud-Borne Saints above a Lake Old: Luca Giordano New: Nicola Malinconico

2007.111.94 The Transport of the Ark of the Covenant Old: Luca Giordano New: Nicola Malinconico

2008.76.1 Two Kings and a Woman Leaving an Elaborate Palace Old: Circle of Jan Gossaert New: Jan Gossaert

1986.96.1 Saint John at the Foot of the Cross Old: Italian 15th Century New: Maso Finiguerra

2007.111.142 The Massacre of the Innocents Old: Pietro da Cortona New: Giovanni Francesco Romanelli 74

EXHIBITIONS AND LOANS

During the fiscal year, 129 lenders from The Exhibition Circle of the National Organized by The Art Institute and the Embassy of Morocco, fifteen countries and thirteen states Gallery of Art of Chicago Washington, as well as the Diocese loaned 781 works of art to twenty-one Supported by an indemnity from Matthew Wittkovsky, curator of Sigüenza-Guadalajara and Church exhibitions. The Gallery also worked on the Federal Council on the Arts and Made possible through the generous of Our Lady of the Assumption, another thirty projects scheduled to open the Humanities support of the Trellis Fund Pastrana, Spain in the next five years and administered >The Pre-Raphaelite Lens: British >Gabriel Metsu, 1629–1667 Julia Burke, Susan Arensberg, and Mary Levkoff, curators the tour of eight exhibitions. United Photography and Painting, 1848–1875 10 April 2011–24 July 2011 Made possible through the generous States Government Indemnity was 31 October 2010–30 January 2011 Organized by the National Gallery support of the government of Spain; the secured for six exhibitions on view in Organized by the National Gallery of of Ireland, Dublin, in association with government of Portugal, Ministry of fiscal year 2011, resulting in a savings of Art, Washington, in association with the the Rijksmuseum, Amsterdam, and the Foreign Affairs, Instituto Camões; and Musée d’Orsay, Paris National Gallery of Art, Washington $2,728,335 in insurance premiums. the government of Belgium, Ministry of Diane Waggoner, curator Arthur Wheelock and Adriaan Waiboer, Foreign Affairs >From Impressionism to Modernism: Made possible through the generous curator Conservation of tapestries undertaken at The Chester Dale Collection support of the Trellis Fund and the Ryna Made possible by the Hata Stichting the initiative of the Spanish Fundación Continued from previous fiscal year to and Melvin Cohen Family Foundation Supported by an indemnity from Carlos de Amberes, with support from 2 January 2012 and Marcella and Neil Cohen the Federal Council on the Arts and the Belgian InBev-Baillet Latour Fund, Organized by the National Gallery of Art Early support for research provided the Humanities and the following Spanish institutions: Harry Cooper and Kimberly Jones, by the Marlene Nathan Meyerson >Italian Master Drawings from the Wolfgang Fundación Caja Madrid, Region of curators Family Foundation Ratjen Collection, 1525–1835 Castilla—La Mancha, Provincial Council Made possible by United Technologies Supported by an indemnity from 8 May 2011–27 November 2011 of Guadalajara, Diocese of Sigüenza- Corporation the Federal Council on the Arts and Organized by the National Gallery of Art Guadalajara, and Church of Our Lady of Film made possible by the HRH the Humanities Margaret Morgan Grasselli, curator the Assumption, Pastrana Foundation >Larger Than Life: Ter Brugghen’s “Saint Made possible through the generous >Warhol: Headlines >In the Tower: Mark Rothko support of the STIFTUNG RATJEN, Sebastian Tended by Irene” 25 September 2011–2 January 2012 Continued from previous fiscal year to 9 Liechtenstein 21 January 2011–15 May 2011 Organized by the National Gallery of January 2011 Organized by the National Gallery of Art >The Gothic Spirit of John Taylor Arms Art, Washington, in association with The Organized by the National Gallery of Art Arthur Wheelock, curator 8 May 2011–27 November 2011 Andy Warhol Museum, Pittsburgh, the Harry Cooper, curator Made possible through the generous Organized by the National Gallery of Art Galleria nazionale d’arte moderna, Made possible by the generous support support of Michael A. Glass Charles Ritchie, curator Rome, and the Museum für Moderne of the Aaron I. Fleischman Foundation >Venice: Canaletto and His Rivals Kunst, Frankfurt Film made possible by the HRH >Declaration of Independence: The Stone Copy 20 February 2011–30 May 2011 Molly Donovan, curator Foundation 28 May 2011–5 September 2011 Organized by the National Gallery of Sponsored by The Terra Foundation for Organized by the National Gallery of >American Modernism: The Shein Collection Art, Washington, and The National American Art Art, Washington Continued from previous fiscal year to Gallery, London Made possible by The Exhibition Circle Deborah Chotner, curator 2 January 2011 David Brown, curator of the National Gallery of Art Lent by David M. Rubenstein Organized by the National Gallery of Art Made possible by the Bracco Supported by an indemnity from Nancy Anderson and Charlie Brock, Foundation and through the generous >The Capitoline Venus the Federal Council on the Arts and curators support of the Anna-Maria and Stephen 8 June 2011–18 September 2011 the Humanities >German Master Drawings from the Kellen Foundation Organized by Roma Capitale, Sovraintendenza ai Beni Culturali–Musei Wolfgang Ratjen Collection, 1580–1900 Additional support kindly provided by Sally Engelhard Pingree and The Charles Capitolini, and the National Gallery of LENDERS TO EXHIBITIONS Continued from previous fiscal year to Engelhard Foundation Art, with the partnership of the Knights 2 January 2011 Supported by an indemnity from the of Columbus and the Embassy of the Organized by the National Gallery of Art Private Collections Federal Council on the Arts and the Republic of Italy, Washington Andrew Robison, curator Humanities Mary Levkoff, curator Mr. Michael D. Abrams Made possible through the generous Part of The Dream of Rome, a project support of the STIFTUNG RATJEN, Verónica E. Betancourt >Gauguin: Maker of Myth initiated by the Mayor of Rome, Gianni Liechtenstein 27 February 2011–5 June 2011 Mr. Michele Bonuomo Alemanno, to exhibit timeless Organized by Tate Modern, London, >German Master Drawings from the masterpieces in the United States from The Honorable Henry Channon, in association with the National Gallery National Gallery of Art, 1580–1900 2011 to 2013, and Italy@150, a series of the Honorable Georgia Fanshawe of Art, Washington and Robin Howard Continued from previous fiscal year to events and activities around Washington Mary Morton, curator 2 January 2011 and in the United States to celebrate the Gary O. and Jean L. Cohen Sponsored globally by Bank of America Organized by the National Gallery of Art 150th anniversary of Italy’s unification, Madame Vittorio Coin Made possible through the generous Andrew Robison, curator under the high auspices of the President support of The Marshall B. Coyne John C. Bute of Italy, Giorgio Napolitano >Edvard Munch: Master Prints Foundation through the Fund for Richard de Pelet Continued from previous fiscal year to the International Exchange of Art >A New Look: Samuel F. B. Morse’s Donny Deutsch 28 November 2010 Additional support provided by “Gallery of the Louvre” Mrs. Sarah G. Epstein Organized by the National Gallery of Art The Exhibition Circle of the National 25 June 2011–8 July 2012 Viscount Fitzharris Andrew Robison, curator Gallery of Art Made possible by the generous support Made possible through the generous Supported by an indemnity from of the Terra Foundation for American Art Gordon Getty loans and support of the Epstein the Federal Council on the Arts and and organized in partnership with the Franck Giraud Family and Catherine Woodard and the Humanities National Gallery of Art Greg Gooding Nelson Blitz Jr. Film made possible by the HRH Nancy Anderson, curator John Gossage Foundation >Arcimboldo, 1526–1593: Nature and Fantasy >The Invention of Glory: Afonso V and the Ken Hakuta Continued from previous fiscal year to >In the Tower: Nam June Paik Pastrana Tapestries Thomas Kaplan 9 January 2011 13 March 2011–2 October 2011 18 September 2011–8 January 2012 Andrea Kayne Kaufman and Organized by the National Gallery of Art Organized by the National Gallery of Art Organized by the National Gallery of Jacob J. Kaufman David Brown, Gretchen Hirschauer, and Harry Cooper, curator Art, Washington, and the Fundación Sylvia Ferino-Pagden, curators Made possible by The Exhibition Circle Carlos de Amberes, Madrid, in David Knaus Made possible by Louisa and of the National Gallery of Art association with the Embassy of Spain, Christopher Makos Robert Duemling >Lewis Baltz: Prototypes/Ronde de Nuit the Spain-USA Foundation, and the Francesca McLin Sponsored by Altria Group Embassy of Portugal and with the 20 March 2011–31 July 2011 Robert E. Meyerhoff Additional support provided by cooperation of the Embassy of Belgium Lord Mountbatten, of Burma NATIONAL GALLERY OF ART 75

Otto Naumann Kassel: Staatliche Museen Kassel Bank of America Collection; Museum of Collection of Robert and Jane His Grace The Duke of Northumberland Munich: Bayerisches Contemporary Photography at Columbia Meyerhoff College Chicago; Terra Foundation for Icaro and Michela Olivieri Staatsgemäldesammlungen- American Art Frank Stella Alte Pinakothek; Bayerische >Marquis de Portago (first version) Dr. and Mrs. Joram Piatigorsky Staatsgemäldesammlungen; Museum Indiana Cooper-Hewitt, National Design Private Collection Brandhorst Valparaiso: Brauer Museum of Art Private Collection‒Belgium Museum, Smithsonian Institution IRELAND Private Collection‒Crespi, Milan Massachusetts Giovanni Domenico Tiepolo Dublin: National Gallery of Ireland Boston: Museum of Fine Arts, Boston >The Immaculate Conception Private Collection‒London Cambridge: Fogg Art Museum Private Collection c/o J. J. Buchanan ITALY Fioratti Collection Private Collection c/o Simon C. Caserta: Soprintendenza B.A.P.S.A.E. per Missouri Giovanni Minello Dickinson Ltd. le Province di Caserta e Benevento Kansas City: The Nelson-Atkins Museum >Bust of a Woman of Art Private Collection c/o Jonathan Green Milan: Museo Poldi-Pezzoli Glenstone Private Collection c/o Daniella Rome: Colonna Collection; Musei Capitolini New York Bruce Nauman Luxembourg Art Ltd. Venice: Galleria Querini-Stampalia; Museo New York: The Estate of Keith Haring; >Fifteen Pairs of Hands Jephta Drachman Art Trust; The Private Collection c/o Rachel Mauro Correr; Museo del Settecento Veneziano- Metropolitan Museum of Art; The Kaufman Americana Foundation Private collection c/o Michael Shapiro Ca’Rezzonico Museum of Modern Art; The Andy Warhol Photographs, San Francisco Foundation for the Visual Arts, Inc. Jan van der Heyden NETHERLANDS >View Down a Dutch Canal Private Collection c/o Sotheby’s Purchase: Neuberger Museum of Art Amsterdam: Rijksmuseum Private Collection c/o Timothy The Robert Lehrman Art Trust The Hague: Royal Picture Gallery Ohio Taylor Gallery Joseph Cornell Mauritshuis Cleveland: The Cleveland Museum of Art Oberlin: Allen Memorial Art Museum, >Varietes Apollinaris Private Collection c/o The Andy Warhol Leiden: Stedelijk Museum De Lakenhal Foundation for the Visual Arts, Inc. Oberlin College The Library of Congress PORTUGAL Toledo: Toledo Museum of Art Private Collection c/o Van de Weghe Unknown Artist Fine Art Lisbon: Museu Calouste Gulbenkian; Pennsylvania >Hubbard and Broekman Reproduction of Private Collector c/o Gagosian Gallery Museu Nacional de Arte Antiga Philadelphia: Philadelphia Museum of Art a Pascal Taksin Harpsichord Michael A. Rubel and Kristin Rey Pittsburgh: The Andy Warhol Museum RUSSIA Manoogian Collection Eric Richter St. Petersburg: The State Hermitage Texas George Caleb Bingham Mr. Charles B. Rosenblatt Museum Dallas: Dallas Museum of Art >The Jolly Flatboatmen Mr. Donald Rosenfeld Houston: The Museum of Fine Arts, Lord Rothschild SPAIN Houston Musée du Louvre, Réunion des Musées Madrid: Museo Nacional del Prado; Nationaux, Paris David M. Rubenstein Virginia Fundación Colección Thyssen-Bornemisza Venetian 16th Century Hugh Sassoon Newport News: The Mariners’ Museum Pastrana: Parroquia de Nuestra Señora de >Boy on a Dolphin Mr. and Mrs. Andrew Saul la Asunción de Pastrana National Museum of Health and Edward Shein LENDERS OF WORKS Medicine, Institute of Pathology Sydney Simon SWITZERLAND DISPLAYED WITH THE NGA Thomas Eakins Zurich: Galerie Bruno Bischofberger AG Steve Stein COLLECTION >Dr. John H. Brinton Attilio Michele Varricchio UNITED KINGDOM—ENGLAND Patsy Orlofsky Alan Victor Birmingham: Birmingham Museums & Mr. Roger Arvid Anderson Jim Dine Marco Voena Art Gallery Possibly Germain Pilon >Name Painting #1 William James Bell 1993 Trust Bristol: Bristol Museums and Art Gallery >Veiled Mourner with Torch Woburn Abbey Cambridge: The Fitzwilliam Museum Schroder Collection, London The Morris and Gwendolyn Cafritz Hans Mielich Ms. Catherine Woodard and London: Blackheath, Ranger’s House; Foundation Mr. Nelson Blitz Jr. Cadogan Collection; The National Gallery; >Portrait of a Woman David Smith David F. Wright The National Trust; Her Majesty Queen Candida and Rebecca Smith Elizabeth II; Sir John Soane’s Museum >Cubi XI Mr. and Mrs. Leo E. Zickler David Smith North Yorkshire: Kiplin Hall Calder Foundation >Aggressive Character, Black-White Forward Public Collections York: Castle Howard Alexander Calder >Aztec Josephine Baker Robert H. Smith CANADA UNITED KINGDOM—SCOTLAND >Red Panel Manner of Pugin >Marble Octagonal Pedestal (2 Works) Ottawa: National Gallery of Canada Edinburgh: National Gallery of Scotland >1 Red, 4 Black plus X White >Tom’s Smithsonian American Art Museum FRANCE UNITED STATES >Cheval Rouge Sir Anthony van Dyck Paris: Musée du Louvre; Musée California >Cheval Rouge (maquette) >Marchesa Elena Grimaldi-Cattaneo Jacquemart-André Laguna Beach: Laguna Art Museum >Tom’s (maquette) Strasbourg: Musée des Beaux-Arts, Los Angeles: The J. Paul Getty Museum >Untitled Mr. Jack Soultanian Strasbourg Jean Penicaud II Pasadena: Norton Simon Art Foundation The Catholic University of America, San Francisco: The Black Dog Collection; Oliveira Lima Library >Cicero GERMANY The Fine Arts Museums of San Francisco Frans Post Aachen: Neue Galerie-Sammlung Ludwig Santa Monica: Gallery Luisotti Mrs. Frederick M. Stafford >Brazilian Landscape, Probably Pernambuco Berlin: Staatliche Museen zu Berlin, Claude Lorrain Connecticut Preussischer Kulturbesitz Collection of the Artist >Landscape with Apollo and Mercury Greenwich: The Brant Foundation Cologne: Museum Ludwig Hartford: Wadsworth Atheneum Museum Helen Frankenthaler U.S. Department of the Interior, Dresden: Staatliche Kunstsammlungen of Art >Mountains and Sea National Park Service, Saint-Gaudens Dresden National Historic Site, Cornish, Collection of the Artist Frankfurt: Städelsches Kunstinstitut und District of Columbia New Hampshire Städtische Galerie Washington: Georgetown University; Jasper Johns Augustus Saint-Gaudens The Library of Congress; National Gallery Frankfurt am Main: Museum für >Between the Clock and the Bed >Study Head of a Black Soldier (6 works) of Art Library; National Portrait Gallery, >Field Painting Moderne Kunst Washington; Smithsonian American Art >Preliminary Sketch for Shaw Memorial Hannover: Niedersächsisches Museum; Washington National Cathedral >No >Shaw Memorial Landesmuseum Hannover >Target >Early Study of the Allegorical Figure for the Illinois Karlsruhe: Staatliche Kunsthalle Karlsruhe >Dancers on a Plane Shaw Memorial Chicago: The Art Institute of Chicago; 76 EXHIBITIONS AND LOANS

The White House Charles Ethan Porter 10 June 2011–11 September 2011 Paris, Galeries nationales du Grand Palais Paul Cézanne >Cherries Valentin de Boulogne Claude Monet 1840–1926 >Hamlet at Payannet, near Gardanne >Still Life with Bread and Wine Bottle >Soldiers Playing Cards and Dice 22 September 2010–24 January 2011 (Hameau à Payannet près de Gardanne) Frans Snyders (The Cheats) Claude Monet >House on a Hill >Still Life of Fruit [A Swag of Autumnal >Bazille and Camille (Study for “Déjeuner >Still Life with Skull Fruits] Vancouver, Museum of Anthropology at the University of British Columbia sur l’Herbe”) Mr. and Mrs. Erving Wolf Richard Caton Woodville >Argenteuil >War News from Mexico Man Ray, African Art and the Modernist Horatio Greenough Lens >The Artist’s Garden at Vétheuil >Interior, after Dinner >Portrait of George Washington 30 October 2010–31 January 2011 >Woman with a Parasol—Madame Monet Anna Hyatt Huntington NGA LOANS TO Alfred Stieglitz and Her Son >Yawning Panther TEMPORARY EXHIBITIONS >Claudia O’Keeffe Gaston Lachaise >Peacocks The department of loans and the Vancouver, Vancouver Art Gallery France 1500: Entre Moyen Age et National Lending Service administered Renaissance Frederick William MacMonnies The Color of My Dreams: Surrealism and >Pan of Rohallion the loans of 892 works of art to 216 sites Revolution in Art 6 October 2010–10 January 2011 during fiscal year 2011. This number Circulated to: The Art Institute of Paul Manship 28 May 2011–25 September 2011 includes the loan of 688 works to 128 >Briseis Joan Miró Chicago temporary exhibitions at 169 institutions >Oriental Dancer: Vase >Shooting Star * 27 February 2011–30 May 2011 and the extended loan of 158 Gallery >Salome Louise Bourgeois Master of Saint Giles and Assistant works to thirty-nine sites. Twelve works >Actaeon >The Winged Figure >Episodes from the Life of a Bishop Saint from the Gallery’s collections were on >Atalanta Master of Saint Giles short-term loan to the permanent collec- >Flight of Europa DENMARK >The Baptism of Clovis tions of eight U.S. museums. >Flight of Night Copenhagen, Ny Carlsberg Glyptotek French Early 16th Century >Panther leaping at deer (Bronze Relief >A Dialogue on Human Favor (recto)[fol. 15 *Works in National Lending Service Gauguin and Polynesia: South Pacific from the New York Century Association Encounters verso/16 recto] (Chicago only) Flower Boxes) AUSTRALIA 24 September 2011–31 December 2011 Jean Poyet Edward McCartan Paul Gauguin >The Coronation of Solomon by the Spring >Nymph and Satyr Melbourne, National Gallery of Victoria of Gihon (Chicago only) Vienna 1900: Klimt, Schiele and Hoffman >The Bathers >Bacchus >Père Paillard Elie Nadelman 18 June 2011–9 October 2011 >Self-Portrait Dedicated to Carrière Landscape Painting in Rome >Classical Head Gustav Klimt 8 March 2011–6 June 2011 >Head of a Girl >Baby (Cradle) FRANCE Circulated to: Museo Nacional del Augustus Saint-Gaudens Le Cannet, Musée Bonnard Prado, Madrid >“The Puritan” (Deacon Samuel Chapin) BELGIUM Bonnard in Cannet 4 July 2011–25 September 2011 >Samuel Gray Ward Antwerp, Rubenshuis 25 June 2011–30 September 2011 Annibale Carracci >Robert Louis Stevenson (square format) Palazzo Rubens. The Master as Architect >River Landscape >Robert Louis Stevenson (horizontal format) Pierre Bonnard 10 September 2011–11 December 2011 >Victory/Peace >Stairs in the Artist’s Garden * Paris, Musée d’Orsay Sir Anthony van Dyck Anonymous >Isabella Brant Paris, Galerie Nationale du Jeu de Paume The Pre-Raphaelite Lens: British Photography and Painting, 1848–1875 Bernardo Bellotto André Kertész Bruges, Groeningemuseum 6 March 2011–29 May 2011 >Pirna, The Fortress of Sonnenstein 28 September 2010–30 January 2011 From Van Eyck to Dürer: Artistic Nicolaes Pietersz Berchem Julia Margaret Cameron Exchanges between the Netherlands and Circulated to: Fotomuseum Winterthur >An Italianate Landscape with Figures >The Mountain Nymph, Sweet Liberty Central, Eastern and Northern Europe 25 February 2011–15 May 2011 >Elizabeth Keown, Kate Keown, and Gerrit Adriaensz Berckheyde c. 1420–1530 Circulated to: Martin-Gropius-Bau, Berlin Freddy Gould >The Grote or St. Bavokerk in Haarlem 28 October 2010–30 January 2011 11 June 2011–11 September 2011 >Summer Days Sandro Botticelli Tyrolean 15th Century Circulated to: Hungarian National >The Sunflower >Young Man Holding a Medallion >Portrait of a Man Museum, Budapest >William Holman Hunt Pieter Brueghel the Younger Tilman Riemenschneider 30 September 2011–31 December 2011 John Moran >The Wedding Party >A Bishop Saint (Burchard of Würzburg?) André Kertész >The Wissahickon Creek near Philadelphia Aelbert Cuyp Master of the Starck Triptych >Clock of the Académie Française Roger Fenton >A Pier in Dordrecht Harbor >The Raising of the Cross [center, left, and >“Buy,” Long Island University >Rievaulx Abbey, the North Transept Dirck van Delen right panels] >Elizabeth and I Oscar Gustav Rejlander >Church Interior with Elegant Figures Swabian 15th Century >Self-Portrait in the Hotel Beaux-Arts >Ariadne German 18th Century >A Sibyl >Lion and Shadow >Tennyson >Pair of Female Figures >Skywriting Henry Peach Robinson Brussels, Palais des Beaux-Arts, Bruxelles Jacopo Palma il Giovane >Jeno Kertész as Satyr >She Never Told her Love The World of Lucas Cranach: An Artist in >Venus and Cupid at the Forge of Vulcan >Jeno Kertész as Icarus Major F. Gresley the Age of Dürer, Titian and Metsys Arshile Gorky >Blind Musician, Abony >The Banks of the Severn, near Winterdyne 20 October 2010–23 January 2011 >Self-Portrait >Portrait of Master Bill Geoffrey Bevington >West 134th Street, New York >Self-Portrait Circulated to: Musée du Luxembourg, >Winter Fronds of the Prickly Fern Jan Davidsz de Heem Paris >Sleeping Boy >The Fairy Tale Viscountess Jocelyn >Still Life with Fruit, Oysters, and Wine 5 February 2011–23 May 2011 >Interior of Room Pieter Lastman >Street Scene, Budapest Lucas Cranach the Elder Francis Frith >David Gives Uriah a Letter for Loab >The Nymph of the Spring >Village (Budafolk?) >New York >Gems of Photographic Art Jan Lievens >Luther as an Augustinian Friar >Self-Portrait (Brussels only) >Communications Building, New York Manet, inventeur du Moderne (Manet, >Hercules Relieving Atlas of the Globe World’s Fair Edouard Manet >Wooden Horses Inventor of Modernity) >Spring (Brussels only) >Blvd de la Madeleine 4 April 2011–17 July 2011 Frans van Mieris CANADA >Paris, “After School in the Tuileries” Edouard Manet >A Young Woman Feeding a Parrot >Paris, “Alexander Calder” >The Dead Toreador Jan Miense Molenaer Ottawa, National Gallery of Canada >A Lute Player Caravaggio and his Circle in Rome NATIONAL GALLERY OF ART 77

Paris, Musée du Louvre Vermeer in München. König Maximilian Milan, Museo Diocesano, Milano >The Marquise de Pezay, and the Marquise Le Néoclassicisme I. Joseph von Bayern as Sammler Alter Oro dai Visconti agli Sforza. Smalti e de Rougé with Her Sons Alexis and Adrien Meister (Vermeer in Munich—King Max oreficerie nel Ducato di Milano 29 November 2010–14 February 2011 Tokyo, The National Art Center Circulated to: The Museum of Fine Arts, I Joseph of Bavaria as a Collector of Old 30 September 2011–30 January 2012 Masters) Impressionist and Post-Impressionist Houston French 15th Century (setting Western Masterpieces from the National Gallery 17 March 2011–19 June 2011 20 March 2011–29 May 2011 European Late 19th Century) of Art Johannes Vermeer >Morse with the Trinity Giovanni Paolo Panini 8 June 2011– 5 September 2011 >Woman Holding a Balance >Interior of the Pantheon, Rome Milan, Palazzo Reale Circulated to: Kyoto Municipal Museum Jean-Baptiste Greuze Munich, Kunsthalle der Hypo- Arcimboldo, 1526‑1593: Nature of Art >Ange Laurent de La Live de Jully Kulturstiftung and Fantasy 13 September 2011–27 November 2011 9 February 2011–22 May 2011 Paris, Musée du Petit Palais Dürer, Cranach, Holbein: Die Entdeckung Frédéric Bazille des Menschen:Das deutsche Porträt um Giuseppe Arcimboldo Jean-Louis Forain (1852–1931) >Young Woman with Peonies 1500 >Four Seasons in One Head >The Ramparts at Aigues-Mortes * 9 March 2011–5 June 2011 16 September 2011–15 January 2012 >Edmond Maître * Circulated to: The Dixon Gallery and Pavia, Scuderie del Castello Visconteo Bernhard Strigel Eugène Boudin Gardens, Memphis Degas, Lautrec, Zando. Les folies >Hans Roth [obverse] de Montmarte >Festival in the Harbor of Honfleur 26 June 2011–9 October 2011 >Margarethe Vöhlin, Wife of Hans Roth 15 September 2011–18 December 2011 >Washerwoman near Trouville Jean-Louis Forain [obverse] Gustave Caillebotte >The Artist’s Wife Fishing Edgar Degas Attributed to Hans Holbein the Younger >The Loge >Skiffs * >Portrait of a Young Man GERMANY Henri de Toulouse-Lautrec Mary Cassatt >A la Bastille (Jeanne Wenz) >Gathering Fruit Aachen, Suermondt Ludwig Museum IRELAND >The Bath Leonardo of the North—Joos van Cleve Dublin, National Gallery of Ireland Rimini, Castel Sismondo >In the Opera Box (No. 3) Parigi, Gli anni Meravigliosi. (1485/90–1541) Gabriel Metsu, 1629‑1667 >Children Playing on the Beach * Impressionismo contro Salon (Paris. >Sara Wearing a Bonnet and Coat 17 March 2011–26 June 2011 4 September 2010–5 December 2010 The Marvelous Years. Impressionism >Child in a Straw Hat Joos van Cleve Circulated to: Rijksmuseum, Amsterdam >Joris Vezeleer versus Salon) >Little Girl in a Blue Armchair 16 December 2010–21 March 2011 >Margaretha Boghe, Wife of Joris Vezeleer 23 October 2010–27 March 2011 >Woman Bathing Gabriel Metsu Auguste Renoir Paul Cézanne Berlin, Bode Museum, Staatliche Museen >The Intruder >Picking Flowers >Still Life with Apples and Peaches zu Berlin, Preussischer Kulturbesitz >The Artist’s Father, Reading “L’Événement” The Portrait in Renaissance Italy: From ITALY Rome, Museo Galleria di Villa Borghese Lucas Cranach: l’altro Rinascimento >Riverbank Masaccio to Bellini Brescia, Santa Giulia—Museo della Città >Antony Valabrègue 15 October 2010–13 February 2011 25 August 2011–20 November 2011 Henri Matisse: The Seduction of Form >Self-Portrait Lucas Cranach the Elder Andrea del Castagno 11 February 2011–26 June 2011 >At the Water’s Edge * >Portrait of a Man >A Prince of Saxony >Boy in a Red Waistcoat Henri Matisse >A Princess of Saxony Andrea del Verrocchio >Venus >Geraniums >Giuliano de’ Medici >Pianist and Checker Players Rome, Scuderie del Quirinale >The Bathers (Small Plate) Sandro Botticelli Lorenzo Lotto Jean-Baptiste-Camille Corot >Giuliano de’ Medici Ferrara, Exhibit Halls, Palazzo dei Diamanti 1 March 2011–30 June 2011 >The Eel Gatherers * Leone Battista Alberti Chardin. Il pittore del silenzio Lorenzo Lotto Gustave Courbet >Self-Portrait 17 October 2010–30 January 2011 >Allegory of Chastity >La Grotte de la Loue Cristoforo di Geremia Circulated to: Museo Nacional del >Allegory of Virtue and Vice Charles-François Daubigny >Lodovico Scarampi (Mezzarota), died 1465, Prado, Madrid >Washerwomen at the Oise River near Rovereto, Museo di Arte Moderna e Patriarch of Aquileia 1444 [obverse] 28 February 2011–29 May 2011 Valmondois Contemporanea di Trento e Rovereto Jean Siméon Chardin Edgar Degas Essen, Museum Folkwang Essen Modigliani scultore >Soap Bubbles >The Green Room (Le foyer de l’opera) 18 December 2010–27 March 2011 Bilder einer Metropole: Die >The Attentive Nurse >Dancers Backstage Impressionisten in Paris (Images of a Amedeo Modigliani >After the Bath (La sortie du bain Capital—The Impressionists in Paris) Florence, Museo Nazionale del Bargello >Head of a Woman (Petite planche)) 2 October 2010–30 January 2011 I grandi bronzi del Battistero: >Madame Dietz-Monnin Giovanfrancesco Rustici e Leonardo JAPAN Edouard Manet >Woman Ironing >The Railway 10 September 2010–10 January 2011 Kyoto, Kyoto Municipal Museum of Art >Scene from the Steeplechase: The Fallen >Plum Brandy Giovanni Larciani (Master of the Kress Communication: Visualizing the Human Jockey >Masked Ball at the Opera * Landscapes) Connection in the Age of Vermeer Jules Dupré Pierre Bonnard >Scenes from a Legend 25 June 2011–16 October 2011 >The Old Oak * >The Cab Horse Florence, Palazzo Strozzi Pieter de Hooch Henri Fantin-Latour >Woman and Child in a Courtyard Hamburg, Bucerius Kunst Forum Bronzino. Artist and Poet at the Court >Three Peaches on a Plate of the Medici Johannes Vermeer Turner—Painter of Elements Paul Gauguin 24 September 2010–23 January 2011 >A Lady Writing >Auti te Pape (Women at the River) 2 June 2011–11 September 2011 Agnolo Bronzino >Noa Noa (Fragrant, Fragrant) Joseph Mallord William Turner Sakura-shi, Kawamura Memorial Museum >The Holy Family >Breton Girls Dancing, Pont-Aven >The Evening of the Deluge of Art Florentine 16th Century Barnett Newman: Dialogue Between Eva Gonzalès Hannover, Sprengel Museum >Allegorical Portrait of Dante Man and Work >Nanny and Child Der Blick auf Fränzi und Marcella. Zwei 4 September 2010–12 December 2010 Edouard Manet Picasso, Miró, Dali. Giovani e Modelle der Brücke—Künstler, Heckel, Barnett Newman >The Railway Kirchner und Pechstein Arrabbiati: La Nascita della Modernità. >Pagan Void >Oysters 29 August 2010–9 January 2011 [Angry Young Men: the Birth of >A King Charles Spaniel Max Pechstein Modernity] Tokyo, Mitsubishi Ichigokan Museum >Plum Brandy >Franzi and Her Sister in a Hammock 12 March 2011–17 July 2011 Female Creators: Women Artists from the >The Boy with Soap Bubbles (L’enfant aux Pablo Picasso Era of Vigée Le Brun bulles de savon) Munich, Alte Pinakothek-Bayerisches >Peonies 1 March 2011–8 May 2011 >Masked Ball at the Opera Staatsgemäldesammlungen Elisabeth-Louise Vigée Le Brun 78 EXHIBITIONS AND LOANS

>Cucumber with Leaves 28 June 2011–25 October 2011 Corot. L’Armoire Secrète. Girl Reading >Before the Ballet >Polichinelle Edgar Degas in Context >The Dance Lesson >Berthe Morisot >The Engraver Joseph Tourny (Le graveur 4 February 2011–15 May 2011 Joseph Tourny) London, Tate Modern Claude Monet Jean-Baptiste-Camille Corot Gauguin: Maker of Myth >Argenteuil >Self-Portrait >Young Girl Reading 30 September 2010–16 January 2011 >The Artist’s Garden at Vétheuil Rotterdam, Museum Boijmans Van >The Cradle—Camille with the Artist’s Zurich, Kunsthaus Zürich Paul Gauguin Beuningen Pablo Picasso, Centenary Exhibition >Wayside Shrine in Brittany (Le calvaire Son Jean All Eyes on Kees Van Dongen >Woman with a Parasol—Madame Monet 15 October 2010–30 January 2011 Breton) and Her Son 18 September 2010–23 January 2011 Pablo Picasso >Human Sorrow (Miseres humaines) >Sainte-Adresse Circulated to: Musée d’Art >Harlequin Musician >Title Page for “Le Sourire” (Titre du Sourire) >The Japanese Footbridge Moderne de la Ville de Paris >Title Page for “Le Sourire” (Titre du Sourire) UNITED KINGDOM—ENGLAND >Maruru (Thank You) Berthe Morisot 24 March 2011–17 July 2011 >Eve >The Sisters Kees van Dongen Liverpool, Tate Liverpool >Te Arii Vahine (Lady of Royal Blood) >The Harbor at Lorient >Saida René Magritte: The Pleasure Principle >Bouddha (Buddha) >Young Woman with a Straw Hat * SPAIN 24 June 2011–16 October 2011 >The Ox Cart (Le char a boeufs) Camille Pissarro René Magritte >The Rape of Europa (L’enlevement >The Cabbage Field (Le champ de choux) Barcelona, Museu Picasso >La condition humaine d’Europe) Picasso Looks at Degas >Vegetable Market at Pontoise (Marche aux >The Murderous Sky (Le ciel meurtrier) >Be in Love and You will be Happy (Soyez legumes a Pontoise) 14 October 2010–16 January 2011 London, The Courtauld Institute Gallery, amoureuses, vous serez heureuses) >Orchard in Bloom, Louveciennes Edgar Degas Courtauld Institute of Art >Title Page for “Le Sourire” (Titre du Sourire) >Peasant Girl with a Straw Hat >Woman Ironing >The Bathers >Place du Carrousel, Paris Cézanne’s Card Players Madrid, Fundación Caja Madrid 21 October 2010 –16 January 2011 >Title Page for “Le Sourire” (Titre du Sourire) Auguste Renoir >Oviri (The Savage) [recto] Heroines Circulated to: The Metropolitan Museum >The Dancer >Pair of Wooden Shoes (Sabots) [right] 8 March 2011–5 June 2011 of Art >Children Playing Ball (Enfants jouant a >Pair of Wooden Shoes (Sabots) [left] Dosso Dossi 7 February 2011–8 May 2011 la balle) >Haystacks in Brittany * >Circe and Her Lovers in a Landscape >Oarsmen at Chatou Paul Cézanne >Parau na te Varua ino (Words of the Devil) * >Madame Henriot Madrid, Museo Nacional Centro de Arte >Man with Pipe * >Te Pape Nave Nave (Delectable Waters) >The Artist’s Son Claude or “Coco” Reina Sofía >The Invocation * >Pont Neuf, Paris New Realisms: 1957‑1962 Toulouse-Lautrec and Jane Avril >Breton Girls Dancing, Pont-Aven 16 June 2011–18 September 2011 >Madame Monet and Her Son 15 June 2010–15 October 2010 >Self-Portrait Dedicated to Carrière >Peaches on a Plate Henri de Toulouse-Lautrec Jean Fautrie >Geese; Girls in Bonnets, Geese [recto] >Dance in the Country >Body and Soul >Jane Avril >Monkey and Cottage; Little Breton Boy Georges Seurat >Seated Woman from Behind—Study for [recto] >Seascape at Port-en-Bessin, Normandy * ATLAS. How to Carry the World on “Au Moulin Rouge” >Address List; Manuscript Page [recto] >The Lighthouse at Honfleur One’s Back? London, Dulwich Picture Gallery >Profile of a Boy; Self-Portrait [recto] Paul Signac 26 November 2010–28 March 2011 Presiding Genius: A Masterpiece a >Three Studies of a Pig; Breton Boy Walking >The Buoy (La bouée) Alberto Giacometti Month for a Very Special Year with a Jug [recto] Alfred Sisley >No More Play 5 September 2011–3 October 2011 >Circles and Numbers; Self-Portrait [recto] >Banks of the River (Les Bords de rivière) >Still Life with Peonies Thomas Gainsborough >Boulevard Héloïse, Argenteuil Madrid, Museo Thyssen‑Bornemisza >Two Tahitians Gathering Fruit [recto] >Mrs. Richard Brinsley Sheridan Henri de Toulouse-Lautrec Impressionist Gardens >Bust of Mlle. Marcelle Lender (Mlle. 16 November 2010–14 February 2011 London, The National Gallery Joan Miró: The Ladder of Escape Marcelle Lender, en buste) Camille Pissarro Venice: Canaletto and His Rivals 14 April 2011–11 September 2011 >Carmen Gaudin >The Artist’s Garden at Eragny 13 October 2010–16 January 2011 Joan Miró >Lady with a Dog * Auguste Renoir Francesco Guardi >Head of a Catalan Peasant >Fashionable People at Les Ambassadeurs >Flowers in a Vase >Grand Canal with the Rialto Bridge, Venice >The Farm (Aux Ambassadeurs: Gens Chic) Claude Monet Antonio Joli London, Tate Britain Vincent van Gogh >The Artist’s Garden in Argenteuil (A >Procession of Gondolas in the Bacino di San John Martin: Apocolypse >Farmhouse in Provence Corner of the Garden with Dahlias) Marco, Venice * >Dr. Gachet (Man with a Pipe) 21 September 2011–15 January 2012 >Roses Malaga, Museo del Patrimonio Municipal Jan Gossaert’s Renaissance John Martin de Malaga >Joshua Commanding the Sun to Stand Still >Self-Portrait 23 February 2011–30 May 2011 Diego Rivera, Cubist Period 1903‑1926 upon Gibeon Jacopo de’ Barbari Yokohama, Yokohama Museum of Art 29 June 2011–28 August 2011 Edgar Degas >Nude Woman Holding a Mirror (Allegory London, Victoria and Albert Museum Circulated to: Casa de la Provincia, of Vanitas) The Cult of Beauty: The Aesthetic 17 September 2010–5 January 2011 Seville Jan Gossaert Movement in Britain, 1860‑1900 Edgar Degas 8 September 2011–30 October 2011 >Scene from the Steeplechase: The Fallen >Saint Jerome Penitent [left panel] 2 April 2011–17 July 2011 Diego Rivera >Saint Jerome Penitent [right panel] Circulated to: Musée d’Orsay, Paris Jockey >Montserrat >Portrait of a Merchant 12 September 2011–15 January 2012 >No. 9, Nature Morte Espagnole MEXICO >Madonna and Child Aubrey Beardsley Valencia, IVAM Centre Julio González >Two Kings and a Woman Leaving an >Caricature of J. M. Whistler (London only) Mexico City, Museo del Palacio de Jasper Johns Elaborate Palace Bellas Artes James McNeill Whistler Bartolome Esteban Murillo Retrospective 27 January 2011–24 April 2011 London, Royal Academy of Arts >Symphony in White, No. 1: The White Girl 15 September 2011–31 December 2011 Jasper Johns Antoine Watteau: The Drawings >Screen Piece UNITED STATES Bartolomé Esteban Murillo 12 March 2011–5 June 2011 >Watchman >Two Women at a Window Antoine Watteau California SWITZERLAND >The Bower NETHERLANDS Los Angeles, The J. Paul Getty Museum Paris: Life & Luxury Winterthur, Sammlung Oskar Reinhart Degas and the Ballet: Picturing Amsterdam, Rijksmuseum Movement 26 April 2011–7 August 2011 Rembrandt & Degas “Am Römerholz” 17 September 2011–18 December 2011 Circulated to: The Museum of Fine Arts, Houston Edgar Degas NATIONAL GALLERY OF ART 79

18 September 2011–1 January 2012 National Museum of Women in the Arts Illinois New York Edme Bouchardon 25th Year Anniversary Exhibition Chicago, David and Alfred Smart Museum Brooklyn, Brooklyn Museum >Cupid 15 September 2011–15 December 2012 of Art, University of Chicago Seductive Subversion: Women Pop Jean-Marc Nattier Georgia O’Keeffe The Tragic Muse: Art and Emotion, Artists, 1958‑1968 >Joseph Bonnier de la Mosson >Jack-in-Pulpit-No. 2 1700‑1900 15 October 2010–9 January 2011 Los Angeles, Los Angeles County National Portrait Gallery, Washington 10 February 2011–5 June 2011 Circulated to: Tufts University Art Gallery, Museum of Art America’s Presidents permanent Edouard Manet Medford, Massachusetts Cubes and Anarchy: Geometry in David collection exhibition >The Tragic Actor (Rouvière as Hamlet) 27 January 2011–3 April 2011 Smith 15 December 2009–31 December 2011 Maryland Vija Celmins 4 April 2011–24 July 2011 Chuck Close >Pencil David Smith >President Clinton Hagerstown, Washington County Museum >Circle III of Fine Arts New York, The Grolier Club >Blue Construction Wired: Portraits by Alexander Calder Portraits in Miniature The Best of Both Worlds: Important Livres d’Artiste, Finely Printed, >Black-White Forward 11 March 2011–14 August 2011 8 January 2011–17 April 2011 1910‑2010 Alexander Calder Angelica Kauffmann, Possibly Franciska San Francisco, San Francisco Museum of 17 May 2011–27 July 2011 >Curt Valentin Krasinska Modern Art Max Beckmann Eadweard Muybridge >Duchess of Courland * Capital Portraits: Treasures from >The Apocalypse (Apokalypse) 26 February 2011–7 June 2011 Washington Private Collections, Massachusetts Circulated to: Tate Britain, London New York, The Metropolitan Museum 1730‑2000 Cambridge, Harvard Art Museums, Arthur of Art 8 September 2011–16 January 2011 1 April 2011–5 September 2011 M. Sackler Museum Jan Gossaert’s Renaissance Eadweard Muybridge Chuck Close Prints and the Pursuit of Knowledge in >Tenaya Canyon from Union Point, Valley 5 October 2010–17 January 2011 >Nat Early Modern Europe of the Yosemite Circulated to: The National Gallery, 6 September 2011–10 December 2011 >Ruins of the Church of Santo Domingo- Smithsonian American Art Museum London Panama The Great American Hall of Wonders: Virgil Solis 23 February 2011–30 May 2011 >Phayne L. Running Stride, 19 ft., 9 in., Art, Science, and Invention in the >Astrologia (Astrology) Jacopo de’ Barbari Plate XVI Nineteenth Century >Artihmetria (Arithmetic) >Nude Woman Holding a Mirror (Allegory >Geometria (Geometry) >Illustrations of the Paces Walking, Plate LX 15 July 2011–8 January 2012 of Vanitas) Martin Schongauer >Setting out a Coffee Plantation at Antigua George Inness >Saint Jerome Penitent [left panel] >Elephant de Guatemala >The Lackawanna Valley >Saint Jerome Penitent [right panel] Augustin Hirschvogel >Portrait of a Merchant American 19th Century >Self-Portrait >Madonna and Child The Steins Collect: Matisse, Picasso, and >Man of Science * the Parisian Avant-Garde >Mars and Venus Rembrandt Peale North Adams, Massachusetts Museum of Jan Gossaert 1 May 2011–30 September 2011 >Rubens Peale with a Geranium Contemporary Art Pablo Picasso Sol LeWitt: A Wall Drawing >Two Kings and a Woman Leaving an >Lady with a Fan * The Phillips Collection Retrospective Elaborate Palace David Smith Invents Henri Matisse 14 November 2008–14 November 2033 >Postcard with a sketch of “The Painter’s 11 February 2011–15 May 2011 Rooms with Views: The Open Window Sol LeWitt in the 19th Century Family” David Smith >Wall Drawing No. 681 C/A wall divided >Untitled (9/3/59) 28 March 2011–4 July 2011 Santa Monica, Santa Monica Museum vertically into four equal squares separated >Untitled (11‑22‑58) and bordered by black bands. Within each Carl Wilhelm Götzloff of Art >Untitled >Antiquities by a Balcony Overlooking the Al Taylor: Wire Instruments and Pet square, bands in one of four directions, each with color ink washes superimposed. Gulf of Naples Stains From Drawing to Painting: Kandinsky’s 21 January 2011–16 April 2011 Painting with White Border Williamstown, Sterling and Francine Clark Stieglitz, Steichen, Strand Al Taylor 11 June 2011–4 September 2011 Art Institute 8 November 2010–10 April 2011 >The Peabody Group #32 Wassily Kandinsky Pissarro’s People Alfred Stieglitz 12 June 2011–2 October 2011 Connecticut >Improvisation 31 (Sea Battle) >Paul Strand Camille Pissarro Greenwich, Bruce Museum of Arts Florida >Two Women Chatting by the Sea, New York, Museum of Biblical Art and Science St. Thomas * Passion in Venice: Crivelli to Tintoretto Tampa, Museum of Art and Veronese: The Man of Sorrows in Circus! Art and Science Under the Big Top Degas: Form, Movement, and the Antique >The Gardener—Old Peasant with Cabbage 24 September 2010–9 January 2011 Venetian Art 12 March 2011–19 June 2011 Maine 15 February 2011–15 June 2011 John Steuart Curry Edgar Degas Albrecht Dürer >Circus Elephants * >Dancer with a Tambourine Portland, Portland Museum of Art John Marin: Late Work >The Man of Sorrows Mocked by a Soldier New Britain, New Britain Museum of >Study of a Mustang >The Man of Sorrows with Arms 23 June 2011–9 October 2011 American Art Georgia Outstretched The Tides of Provincetown: Pivotal John Marin >Grey Sea Veneto region 16th Century Years in America’s Oldest Continuous Savannah, Telfair Museum of Art >Christ Attended in the Tomb by Four Angels Twilight Visions: Surrealism, >The Written Sea Art Colony Edouard Manet Photography, and Paris 15 July 2011–16 October 2011 New Jersey >Dead Christ with Angels (Christ aux anges) Mark Rothko 9 June 2010–10 October 2010 Princeton, Princeton University Art Museum Bartolomeo Bellano >No. 5 Brassaï >The Dead Christ with Two Angels >Backstage at the Folies—Bergère, Paris Gauguin’s Paradise Remembered: The District of Columbia Noa Noa Prints Moderno >Magic City Dance Hall, Rue Cognacq— >The Dead Christ Supported by the Virgin 25 September 2010–2 January 2011 National Museum of American History Jay, Paris and Saint John The Price of Freedom >Pont des Arts Paul Gauguin >Nave Nave Fenua (Delightful Land) Probably Venetian 16th Century 14 January 2009–31 January 2012 Ilse Bing >Dead Christ Supported by Two Angels >Te Po (The Long Night) Charles Peale Polk >“It Was So Windy in the Eiffel Tower,” >The Universe is Created (L’Univers est créé) >General Washington at Princeton * Paris >The Universe is Created (L’Univers est cree) >Manao Tupapau (She is Haunted by a Spirit) 80 EXHIBITIONS AND LOANS

New York, The Museum of Modern Art 18 September 2010–2 January 2011 Oregon Richard Diebenkorn Picasso: Guitars 1912‑1914 Circulated to: San Diego Museum of Art >Untitled No. 19 Eugene, Jordan Schnitzer Museum of Art, 13 February 2011–6 June 2011 1 February 2011–1 May 2011 >Ocean Park No. 87—1975 University of Oregon Pablo Picasso Thomas Gainsborough Giuseppe Vasi’s Rome: Lasting Impressions Houston, The Menil Collection >Guitar and Bottle >Mrs. Richard Brinsley Sheridan from the Age of the Grand Tour Vija Celmins: Television and Disaster, >The Cup of Coffee (Cincinnati only) 25 September 2010–2 January 2011 1964‑1966 De Kooning: A Retrospective >Georgiana, Duchess of Devonshire Giuseppe Vasi after Filippo Juvarra 12 November 2010–20 February 2011 18 September 2011–9 January 2012 (San Diego only) >Sepulcher for the Kings of France Circulated to: Los Angeles County Willem de Kooning Cleveland, The Cleveland Museum of Art Museum of Art >Untitled Pennsylvania Treasures of Heaven: Relics, Saints, and 13 March 2011–5 June 2011 New York, PaceWildenstein Devotion in Medieval Europe Philadelphia, Philadelphia Museum of Art Vija Celmins 50 Years at Pace 17 October 2010–16 January 2011 Rembrandt and the Face of Jesus >Rhinoceros 17 September 2010–23 October 2010 Circulated to: The Walters Art Museum 28 July 2011–30 October 2011 >Tulip Car #1 Chuck Close 13 February 2011–15 May 2011 Rembrandt van Rijn Houston, The Museum of Fine Arts, >Fanny/Fingerpainting Gentile da Fabriano >Christ before Pilate: Large Plate Houston >The Crippled and Sick Cured at the Tomb >Christ Preaching (La petite Tombe) New York, Solomon R. Guggenheim German Impressionist Landscape of Saint Nicholas >Christ at Emmaus: the Larger Plate Museum Painting: Liebermann, Corinth, and Chaos and Classicism: Art in France, Columbus, Columbus Museum of Art Pittsburgh, Senator John Heinz Pittsburgh Slevogt Italy, and Germany, 1918‑1936 Shared Intelligence: American Painting Regional History Center 12 September 2010–5 December 2010 1 October 2010–9 January 2011 and the Photograph Stars and Stripes: The Story of the Max Liebermann Circulated to: Museo Guggenheim 4 February 2011–24 April 2011 American Flag >Woman and Child in Garden Bilbao Circulated to: Georgia O’Keeffe 11 September 2011–15 June 2012 7 February 2011–15 May 2011 Museum, Santa Fe Jasper Johns Impressionist and Post-Impressionist Masterpieces from the National Gallery Fernand Léger 20 May 2011–11 September 2011 >Flag of Art >Two Women Paul Strand Tennessee >Bowls 20 February 2011–23 May 2011 New York, South Street Seaport Museum Nashville, Frist Center for the Visual Arts Frédéric Bazille Alfred Stieglitz New York Portsmouth, Southern Ohio Museum and Warhol Live: Music and Dance in Andy >Young Woman with Peonies 14 September 2011–10 January 2011 Cultural Center Warhol’s Work >The Ramparts at Aigues-Mortes * Alfred Stieglitz Against the Grain: Modernism in 24 June 2011–11 September 2011 >Edmond Maître * the Midwest >From My Window at the Shelton, North Andy Warhol Gustave Caillebotte >From My Window at the Shelton, North 5 March 2011–29 May 2011 >Let Us Now Praise Famous Men >Skiffs * Circulated to: Museum of Wisconsin Art, New York, Whitney Museum of (Rauschenberg Family) * Mary Cassatt West Bend American Art >Children Playing on the Beach * Texas Lyonel Feininger Retrospective 20 July 2011–2 October 2011 >Child in a Straw Hat >Little Girl in a Blue Armchair 30 June 2011–16 November 2012 Ivan Le Lorraine Albright Fort Worth, Amon Carter Museum >There Were No Flowers Tonight * Paul Cézanne Lyonel Feininger American Modern: Documentary >Still Life with Apples and Peaches >Zirchow VII * Photography by Abbott, Evans and Oklahoma >The Artist’s Father, Reading “L’Événement” >Storm Brewing * Bourke-White >Riverbank >The Bicycle Race * Oklahoma City, Oklahoma City Museum 2 October 2010–2 January 2011 >Antony Valabrègue of Art Circulated to: The Art Institute North Carolina >At the Water’s Edge * The Allure of La Serenissima: of Chicago Eighteenth-Century Venetian Art >Boy in a Red Waistcoat Charlotte, Mint Museum Randolph 5 February 2011–15 May 2011 Romare Bearden: Southern Recollections 9 September 2010–2 January 2011 Edgar Degas Circulated to: Colby College Museum >Dancers Backstage 2 September 2011–8 January 2012 Giovanni Battista Tiepolo of Art, Waterville, Maine >Women and Men Regarding a Burning >Woman Ironing Romare Bearden 9 July 2011–2 October 2011 Pyre of Bones >Scene from the Steeplechase: The Fallen >The Family Walker Evans >Joseph Relays to Mary God’s Command Jockey >Breakfast Room, Belle Grove Plantation, Charlotte, Mint Museum Uptown to Flee Henri Fantin-Latour White Chapel, Louisiana From New York to Corrymore: Robert >The Holy Family Passes under a City Arch >Three Peaches on a Plate >Barber Shop Interior, Atlanta Henri and Ireland >The Holy Family Being Ferried Across Paul Gauguin >Minstrel Showbill 7 May 2011–7 August 2011 the River >Breton Girls Dancing, Pont-Aven Berenice Abbott >The Rest on the Flight, with Holy Family Eva Gonzalès Circulated to: Georgia O’Keeffe >Canyon, Broadway and Exchange Place under a Tree >Nanny and Child Museum, Santa Fe >Rockefeller Center Parking Space, 40 West 23 September 2011–15 January 2012 >The Flight, with Madonna at Right Edouard Manet Supported by Angels 49th Street Robert Henri >The Railway >Madonna of the Goldfinch >Catharine * Fort Worth, Kimbell Art Museum >A King Charles Spaniel Joseph Mallord William Turner Picasso and Braque: The Cubist >Oysters Durham, Nasher Museum of Art at >The Dogana and Santa Maria della Experiment, 1910‑12 >Plum Brandy Duke University Salute, Venice 29 May 2011–21 August 2011 >Masked Ball at the Opera * The Vorticists: Manifesto for a Modern Giovanni Battista Piazzetta Circulated to: Santa Barbara Museum Claude Monet World >Madonna and Child Appearing to Saint of Art >Argenteuil 30 September 2010–2 January 2011 Philip Neri 17 September 2011–9 January 2012 >The Artist’s Garden at Vétheuil Circulated to: Tate Britain, London >The Cradle—Camille with the Artist’s Tulsa, Gilcrease Museum Pablo Picasso 5 August 2011–28 September 2011 Perfectly American: The Art-Union and >Guitarist in an Armchair Son Jean Henri Gaudier-Brzeska its Artists >Woman with a Parasol—Madame Monet >Hieratic Head of Ezra Pound Fort Worth, Modern Art Museum of and Her Son 25 July 2011–10 October 2011 Fort Worth >Sainte-Adresse Ohio Fitz Henry Lane Richard Diebenkorn: The Ocean Park >The Japanese Footbridge >New York Harbor Cincinnati, Cincinnati Art Museum Series Berthe Morisot Thomas Gainsborough and the Modern 25 September 2011–22 January 2012 >The Sisters Woman >The Harbor at Lorient >Young Woman with a Straw Hat * NATIONAL GALLERY OF ART 81

Camille Pissarro IRELAND John Marin Sam Francis >Orchard in Bloom, Louveciennes >Old Swedish Church, New Castle, >White Line Dublin, United States Embassy Residence >Peasant Girl with a Straw Hat Delaware: Close View ** Winslow Homer >Place du Carrousel, Paris Gilbert Stuart Mark Rothko >Sunset >Counsellor John Dunn Auguste Renoir >Untitled (still life in front of window) Jasper Johns >The Dancer ITALY James McNeil Whistler >Numerals, 0 through 9 >Oarsmen at Chatou >Alice Butt Ellsworth Kelly >Madame Henriot Florence, Casa Buonarroti >Dark Red-Violet Panel (returned) Residence of the Vice President of >Pont Neuf, Paris after Michelangelo Buonarroti >Light Green Panel (returned) the United States >Madame Monet and Her Son >Damned Soul ** Giorgio Morandi John Ferneley >Peaches on a Plate >Still Life UNITED KINGDOM—ENGLAND >Heaton Park Races Georges Seurat >Still Life Style of Benjamin Marshall >Seascape at Port-en-Bessin, Normandy * London, United States Embassy Residence Louise Nevelson >The Lighthouse at Honfleur >Race Horse and Trainer Sir William Beechey >Model for “Sky Covenant” Mark Rothko Alfred Sisley >Lieutenant-General Sir Thomas Picton Susan Rothenberg >Boulevard Héloïse, Argenteuil >Untitled (figure lying on park bench) Francis Cotes >Butterfly Henri de Toulouse-Lautrec John Singer Sargent >Mrs. Thomas Horne Ed Ruscha >Carmen Gaudin >Miss Mathilde Townsend Thomas Gainsborough >I Think I’ll… >Lady with a Dog * Gilbert Stuart >William Yelverton Davenport Leon Polk Smith Vincent van Gogh >Ann Barry Michiel van Miereveld >Stretch of Black III >Farmhouse in Provence Marguerite Zorach >Portrait of a Lady with a Ruff (returned) >Roses >Christmas Mail Secretary of Defense Mark Rothko >Self-Portrait George Catlin >Orange and Tan The White House >Fort Union Virginia >Untitled George Catlin >Prairie Dog Village >An Aged Minatarree Chief and His Family Charlottesville, University of Virginia Art London, Wallace Collection >Antelope Shooting—Assinneboine Secretary of Education Museum Sir Thomas Lawrence >Battle between the Jiccarilla Apachees Variety, Archeology, and Ornament: Enrico Baj >Francis Charles Seymour-Conway, 3rd and Camanchees Renaissance Architectural Prints from >When I Was Young Marquess of Hertford >Buffalo Chase Column to Cornice Mark Rothko >Camanchee Chief, His Wife, and a Warrior 26 August 2011–18 December 2011 UNITED STATES >The Pugilist >Camanchee Chief with Three Warriors >Rural Scene Master PS Alabama >Distinguished Crow Indians >Untitled >Entablatures from Santa Pudenziana and >Encampment of Pawnee Indians at Sunset >Woman Reading the Arch of Camigliano, Rome Birmingham, Birmingham Museum of Art >A Flathead Chief with His Family >Entablature from the Basilica Ulpia, Rome Veronese >Four Dogrib Indians Secretary of Energy >Entablature from the Church of Saint >Saint Jerome in the Wilderness ** >Making Flint Arrowheads—Apachees Chinese Qing Dynasty Bibiana, Rome Anders Zorn >Ojibbeway Indians >Procession by a Lake >Entablature from the Temple of Castor and >Hugo Reisinger >An Ojibbeway Village of Skin Tents after Jean-Baptiste Greuze Pollux, Rome >Osage Chief with Two Warriors >Benjamin Franklin >Entablature from the Temple of Antoninus Montgomery, Montgomery Museum of Fine Arts >An Osage Indian Pursuing a Camanchee George Inness and Faustina, Rome >Pawnee Indians Approaching Buffalo >Lake Albano, Sunset >Entablature from the Temple of Vespasian, Mark Rothko >Untitled >A Small Cheyenne Village Rome >Three Mandan Warriors Armed for War Administrator of the Environmental California >Three Navaho Indians Protection Agency I. Rice Pereira EXTENDED LOANS FROM THE >Three Young Chinook Men Oakland, Oakland Museum >Two Unidentified North American Indians >Zenith NGA COLLECTION Mark Rothko >View in the “Grand Detour,” Upper Mark Rothko >Untitled Missouri >Untitled (two women before a cityscape) All works are part of the National Lending >Ball-Play Dance—Choctaw Julian Stanczak Service unless indicated by ** District of Columbia >Buffalo Chase, with Accidents >Shimmer The Library of Congress >Camanchees Lancing a Buffalo Bull BELGIUM Secretary of Health and Human Services Carl Milles >Catlin and Indian Attacking Buffalo Brussels, United States Embassy >Head of Orpheus >Cheyenne Village French 19th Century Residence, North Atlantic Treaty >A Crow Chief at His Toilette >Women and Two Children in a Field National Trust for Historic Preservation Organization >A Foot War Party in Council Mark Rothko Gilbert Stuart Bernard Hailstone >Game of the Arrow—Mandan >Untitled >Catherine Yates Pollock (Mrs. George >David E. Finley >Grassy Bluffs, Upper Missouri >Untitled Pollock) U.S. Commission of Fine Arts >Grizzly Bears Attacking Buffalo Secretary of Homeland Security >George Pollock Alice Neel >K’nisteneux Indians Attacking Two Erastus Salisbury Field Thomas Sully >William Walton Grizzly Bears >Leverett Pond >Ann Biddle Hopkinson >Mired Buffalo and Wolves Walt Kuhn >Francis Hopkinson Office of Senate Leadership, United Raoul Dufy >Green Apples and Scoop >The Leland Sisters States Capitol >The Basin Deauville ** >Pumpkins (returned) Franklin C. Courter Mark Rothko FRANCE >Lincoln and His Son, Tad ** Captain Edward H. Molyneux >The Party >Artist on a Quay Paris, Musée du Louvre >No. 17 [or] No. 15 Office of the Vice President of the George Ropes >Red Band Severo da Ravenna United States >Mount Vernon >The Christ Child ** American 19th Century American 19th Century >Imaginary Regatta of America’s Cup Winners >Chief Jumper of the Seminoles Secretary of Housing and Urban Paris, United States Embassy Alexander Helwig Wyant Edward Corbett Development Gilbert Stuart >Washington, D.C., November 1963 III Mark Rothko >John Adams >Peaceful Valley André Derain Richard Diebenkorn >Contemplation >Marie Harriman >Berkeley No. 52 >The Source >Untitled 82 EXHIBITIONS AND LOANS

>Untitled Justice Ginsburg Virginia Massachusetts >Untitled (four figures in a plaza) Mark Rothko Worcester, Worcester Art Museum >The Omen Fairfax, George Mason University Attorney General of the United States >Untitled Alfredo Halegua 9 September 2010–22 March 2011 French 19th Century >America Edouard Manet >Race Course at Longchamps Justice Kennedy Lila Pell Katzen >The Dead Toreador Follower of Claude Lorrain Dutch 17th Century >Antecedent New York >Harbor at Sunset >Flowers in a Classical Vase Edward Savage Walt Kuhn New York, The Metropolitan Museum TEMPORARY LOANS TO >George Washington >Zinnias of Art MUSEUM COLLECTIONS Allen Tucker Berthe Morisot 28 February 2008–31 December 2016 >Madison Square, Snow >Girl in a Boat with Geese Francesco di Giorgio Martini *Works in National Lending Service >God the Father Surrounded by Angels Director, Office of Management and Justice O’Connor and Cherubim Budget George Catlin UNITED STATES C. Gregory Stapko after John Trumbull >After the Buffalo Chase—Sioux California Virginia >Alexander Hamilton ** >An Apachee Village >Buffalo Chase, Sioux Indians, Upper Pasadena, Norton Simon Museum Norfolk, Chrysler Museum of Art United States Trade Representative Missouri 5 November 2010–24 January 2011 26 September 2011–15 January 2012 Leila T. Bauman >A Crow Village and the Salmon River Raphael Mark Rothko >Geese in Flight Mountains >The Small Cowper Madonna >Hierarchical Birds * Georgia Timken Fry >Two Blackfoot Warriors and a Woman >No. 4 * >Potters in a Landscape District of Columbia >Underground Fantasy * Justice Sotomayor Joseph Bartholomew Kidd after John Washington, National Portrait Gallery, >Untitled * James Audubon Philip van Kouwenbergh >Untitled * >Flowers in a Vase Washington >Orchard Oriole 4 July 2006–31 December 2012 Mark Rothko Justice Stevens John Wesley Jarvis LIBRARY LOANS >Untitled American 19th Century >Thomas Paine * >Untitled >Portland Harbor, Maine Irving R. Wiles CANADA Secretary of Transportation George Catlin >Miss Julia Marlowe * James Bard >Scene from the Lower Mississippi Florida Vancouver, Vancouver Art Gallery >Steamer “St. Lawrence” Alphonse Legros The Colour of My Dreams: The Douglas Volk >Hampstead Heath West Palm Beach, Norton Gallery and Surrealist Revolution in Art >Abraham Lincoln C. Gregory Stapko after John Constable School of Art 28 May 2011–2 October 2011 >A View of Salisbury Cathedral ** 1 September 2010–6 February 2011 Max Ernst Secretary of the Treasury Maurice Utrillo Vincent van Gogh >Histoire naturelle (Paris, 1926) André Derain >Street at Corté, Corsica >Self-Portrait >Abandoned House in Provence Franz Xaver Winterhalter UNITED STATES >Road in Provence >Queen Victoria Illinois Henri Moret Virginia Chicago, The Art Institute of Chicago >The Island of Raguenez, Brittany Maryland 22 February 2011–31 May 2011 Charlottesville, University of Virginia Maurice Utrillo Dowell, Annmarie Garden Sculpture Park Art Museum >The Pont Saint-Michel, Paris Paul Cézanne & Arts Center >Harlequin Variety, Archeology, and Ornament: Chief of Staff, The White House Jean Arp Renaissance Architectural Prints from Indiana Column to Cornice American 19th Century >Oriforme 1 August 2011–30 December 2011 >Abraham Lincoln George Rickey Indianapolis, Indianapolis Museum of Art Diego de Sagredo George Catlin >Cluster of Four Cubes 1 September 2009–1 September 2014 >Raison d’architecture antique (Paris, 1555) >A Small Crow Village Pennsylvania Lawrence Weiner Walther H. Ryff Supreme Court of the United States >MANY THINGS PLACED HERE Doylestown, James A. Michener Art & THERE TO FORM A PLACE >Furnembsten, notwendigsten der gantzen Chief Justice Roberts Museum CAPABLE OF SHELTERING Architectur angehorigen mathematischen und mechanischen Kunst eygentlicher George Cuitt, the Younger Joseph Goodhue Chandler MANY OTHER THINGS PUT Bericht und verstendliche Unterrichtung >Easby Abbey, near Richmond >Girl with Kitten HERE & THERE (Nuremberg, 1547) Gilbert Stuart Edward Hicks >George Washington >The Landing of Columbus Sebastiano Serlio >Reigles generales de l’architecture, sur les cincq manieres d’edifices (Antwerp, 1545) 83

PUBLICATIONS AND MEDIA

During the fiscal year the Gallery pro- >Last Looks, Last Books: Stevens, Plath, Video Presentations >Conversations with Artists: Richard duced eight book-length publications Lowell, Bishop, Merrill Misrach, Desert Cantos and Other >Gauguin: Maker of Myth, Parts 1–4 including three exhibition catalogues. The A. W. Mellon Lectures in the Fine Landscapes Several other major projects were in Arts, Helen Vendler >“The Life and Times of Allen Ginsberg” >Conversations with Artists: Roy Lichtenstein progress for publication in fiscal year (176 pages, hardcover edition only), with director Jerry Aronson 2012. In addition to labels and wall texts Bollingen Series XXXV: 56 Published by >Conversations with Artists: Scott Burton >Verbeeck’s Battle: Restoring War in the for all fiscal year 2011 exhibitions; materi- Princeton University Press in association and George Segal Conservation Lab als for 170 education projects; numerous with the National Gallery of Art >Conversations with Artists: Wayne Thiebaud exhibition-related brochures; recurring >The Moment of Caravaggio >Wyeth Lecture in American Art: Richard J. event calendars and periodicals; and Web The A. W. Mellon Lectures in the Fine Powell, Duke University: Minstrelsy >Conversations with Authors: Michael features, newsletters, and programs, the Arts, Michael Fried “Uncorked”: Thomas Eakins’ Empathetic Fried on Photography, Modernism, and publishing office produced several hun- (328 pages, 194 color, 9 b/w, hardcover Realism the Importance of Not Losing Faith in dred pieces of Gallery ephemera. The edition only), Bollingen Series XXXV: 51 the Dialectic Published by Princeton University Press Music Presentations publishing office also continued its partic- >Decoding Baltz’s Prototypes ipation in the Getty Foundation’s Online in association with the National Gallery of Art >Concerts in Honor of Venice: Canaletto and Scholarly Catalogue Initiative, progressing His Rivals >The Diamonstein-Spielvogel Lecture Series: toward an online model for the Gallery’s Andy Goldsworthy EXHIBITION BROCHURES Dan Franklin Smith, pianist Systematic Catalogues. Dan Zhu, violinist, and Renana >The Diamonstein-Spielvogel Lecture Series: >The Body Inside and Out: Anatomical Gutman, pianist Ann Hamilton EXHIBITION CATALOGUES Literature and Art Theory by Yuri Long >Fauré Piano Quartet >Dutch Paintings at the National Gallery of >Impressionist and Post-Impressionist >Collections Frozen in Time: Selections >Flute and Harp—Heavenly Sounds in the Art: The Untold Stories behind the Masterpieces from the National Gallery from the National Gallery of Art Library West Garden Court Acquisitions of the Rembrandts, Vermeers, of Art by Yuri Long and Other Treasures in the Collection >Geringas Baryton Trio Kimberly A. Jones >Gabriel Metsu, 1629–1667 by Henriette >The Early Modernists in America (192 pages, 60 color, hardcover edition de Bruyn Kops >Hungarian Chamber Music at the only) Copublished by Delmonico >Edgar Degas Sculpture: The Systematic >Gauguin: Maker of Myth by Lynn National Gallery of Art Books Prestel Catalogue Kellmanson Matheny >National Gallery of Art Vocal Arts >Edvard Munch: Understanding His >Italian Master Drawings from the Wolfgang >In the Tower: Nam June Paik by Ensemble and Chamber Players Ratjen Collection, 1525–1835 Master Prints Harry Cooper >Nature and Fantasy in 16th-Century Hugo Chapman, David Lachenmann, >Elson Lecture 1993: Frank Stella and Margaret Morgan Grasselli >A Masterpiece from the Capitoline Italian Music Museum, Rome: The Capitoline Venus (180 pages, 126 color, 5 b/w, hardcover >Notes from Norway >Elson Lecture 1994: Roy Lichtenstein and edition only) Copublished by Paul by Susan Arensberg Robert Rosenblum >Perfect 10s Holberton Publishing >A New Look: Samuel F. B. Morse’s >Elson Lecture 1995: Claes Oldenburg and >Warhol: Headlines “Gallery of the Louvre” by Peter John >The Stanford University Chamber Chorale Coosje van Bruggen Brownlee and Chatham Baroque Molly Donovan et al. >Elson Lecture 1996: Elizabeth Murray (224 pages, 224 color, hardcover and >Text as Inspiration: Artists’ Books and softcover editions) English hardcover Literature by Lamia Doumato Audio Presentations >Elson Lecture 1998: I. M. Pei in edition copublished by Delmonico Books >Arcimboldo, 1526–1593: Nature and conversation with Earl A. Powell III Prestel; German hardcover edition PERIODICALS AND EVENT Fantasy >Elson Lecture 1999: Ellsworth Kelly copublished by Prestel Verlag; Italian CALENDARS softcover edition copublished by Electa >Are Books Making Us Illiterate? How >Elson Lecture 2000: Wayne Thiebaud: >Auditorium Lecture Programs: Winter/ e-Reading Can Save Civilization “The Painted World” COLLECTION CATALOGUES Summer and Fall >Calling the Earth to Witness: Paul >Elson Lecture 2002: Christo and Gauguin in the Marquesas >Edgar Degas Sculpture >Calendar of Events: bimonthly Jeanne-Claude Suzanne Lindsay, Daphne Barbour, and >Concerts: biannual >Celebrating Seventy Years >Elson Lecture 2003: Sam Gilliam Shelley Sturman >Conversations with Collectors: The (408 pages, 221 color, 209 b/w, >Film Program: quarterly >Elson Lecture 2004: Jim Dine hardcover edition only) Distributed by Collecting of African American Art II: >Music Program: weekly, as required >Elson Lecture 2005: Andy Goldsworthy Princeton University Press Reflections on Collecting by concert schedule >Conversations with Collectors: The >Elson Lecture 2008: A Conversation with CENTER FOR ADVANCED >NGA Bulletin: Fall 2010 and Collecting of African American Art III: A Artist Robert Gober STUDY IN THE VISUAL ARTS Spring 2011 Peculiar Destiny: The Mission of the Paul >Elson Lecture 2011: Terry Winters: Notes (CASVA) PUBLICATIONS >NGAkids: Winter, Summer, Fall R. Jones Collection on Painting >Conversations with Collectors: The >Fifty-First A. W. Mellon Lectures in the >Art and the Early Photographic Album WEB PRODUCTIONS Collecting of African American Art IV: A Fine Arts: Michael Fried, Johns Hopkins Studies in the History of Art, volume 77, Historical Overview University edited by Stephen Bann In fiscal year 2011, the public website (288 pages, 131 color, 63 b/w, hardcover >Conversations with Artists: Christo and The Moment of Caravaggio: Part 1: received approximately 15,586,340 vis- edition only) Distributed by Yale Jeanne-Claude A New Type of Self-Portrait its. The Gallery produced seven video University Press The Moment of Caravaggio: Part 2: and 102 audio podcasts. The Gallery >Conversations with Artists: Claes Immersion and Specularity >Romare Bearden, American Modernist garnered more than 22,215 Facebook Oldenburg and Coosje van Bruggen The Moment of Caravaggio: Part 3: Studies in the History of Art, volume 71, fans and more than 7,775 Twitter fol- >Conversations with Artists: Ed Ruscha The Invention of Absorption edited by Ruth Fine and Jacqueline lowers. Eleven public and nine private The Moment of Caravaggio: Part 4: Francis newsletters and announcements were >Conversations with Artists: Jim Dine Absorption and Address (304 pages, 205 color, 95 b/w, hardcover distributed to subscribers via more edition only) Distributed by Yale >Conversations with Artists: Nancy Graves The Moment of Caravaggio: Part 5: than two million e-mails. The Gallery University Press and Donald Saff Severed Representations posted 31 videos to ArtBabble. The Moment of Caravaggio: Part 6: >Center 31 >Conversations with Artists: Pat Steir Painting and Violence Annual report, print and Web versions 84 PUBLICATIONS AND MEDIA

>Fifty-Sixth A. W. Mellon Lectures in the >My Faraway One: The Letters of Georgia >Impressionist and Post-Impressionist >Barbara H. Berrie and Louisa C. Fine Arts: Helen Vendler, Harvard University O’Keeffe and Alfred Stieglitz, 1915–1933 Masterpieces from the National Gallery Matthew, “Lead White from Venice: A Last Looks, Last Books: The Binocular of Art Whiter Shade of Pale?,” in Studying Old >Neorealismo 1941–1954: Days of Glory Poetry of Death, Part 1: Introduction: Association of American University Master Paintings (London: Archetype Sustaining a Double View >Puvis de Chavannes and the Invention of Presses Book Jacket and Journal Show Publications, 2011), 295–301. 2011 Last Looks, Last Books: The Binocular Modernism: Parsing the National Gallery >Jonathan Bober, “French Drawings at Poetry of Death, Part 2: Facing the of Art Paintings >The Pre-Raphaelite Lens: British The Blanton: A Short History,” in Storied Photography and Painting from 1848–1875 Past: Four Centuries of French Drawings Worst: Wallace Stevens, “The Rock” >Rembrandts, Vermeers, and Other Treasures Washington Book Publishers 2011 Book from the Blanton Museum of Art Last Looks, Last Books: The Binocular in the Collection Poetry of Death, Part 3: The Contest of Design and Effectiveness Award (Manchester and New York: Hudson Hills Melodrama and Restraint: Sylvia Plath, >Robert Frank and the Photographic Book, Press, 2011), 19–24. Film “Ariel” 1930–1960 >Judith Brodie, “Nineteenth-Century Last Looks, Last Books: The Binocular >The Rodin Touch >Gauguin: Maker of Myth American Prints,” Print Quarterly 28, Poetry of Death, Part 4: Death by 44th Annual U.S. International Film & no. 1 (March 2011): 194. Subtraction: Robert Lowell, >The Role of Art in Diplomacy Video Festival: Gold Camera in the >———, “International Printmaking “Day by Day” category of Documentary Programs: >The Sculpture of Edgar Degas at the beyond the Edge,” Print Quarterly 28, Last Looks, Last Books: The Binocular Arts and “Best of Festival” Nominee; National Gallery of Art: Launch of a CINE Golden Eagle Award in the no. 2 (June 2011): 194. Poetry of Death, Part 5: Caught Landmark Publication and Freed: Elizabeth Bishop, Professional, Non-Fiction Division for >David Brown, “Giulio Campagnola: Arts and Exhibition Programs; 32nd “Geography III” >Sights and Sounds of 18th-Century Venice The Printmaker As Painter,” in Artibus Annual Telly Awards Competition: Silver Symposium et Historiae, no. 61, (2010): 83–97. Last Looks, Last Books: The Binocular “Telly” in the category of Scriptwriting, Poetry of Death, Part 6: Self-Portraits >Sirens, Sea Unicorns, and Aquatic Angels: Bronze “Telly” in the category of >———, “Leonardo’s Lady with the While Dying: James Merrill, “A Fantastic Marine Creatures from Charitable/Not-for-profit productions, Ermine As a ‘ritratto al naturale,’” in Scattering of Salt” Renaissance Venice Bronze “Telly” in the category of Der Mensch Als Muster der Welt. >Fifty-Ninth A. W. Mellon Lectures in the Cultural Programs; 25th Annual Wine Untersuchungen zur italienischen Malerei >The Sydney J. Freedberg Lecture on Italian Country Film Festival official selection Fine Arts: Mary Miller, Yale University Art 2003: Ovid’s “Metamorphoses” in the von Venedig bis Rom (Munich: Deutscher Art and Representation in the Ancient Art of Renaissance and Baroque Masters: >Arcimboldo: Nature and Fantasy Kuntsverlag, 2010), 109–25. New World, Part 1: The Shifting Now of Paul Barolsky 44th Annual U.S. International Film & >Faya Causey, “Los programmas de the Pre-Columbian Past Video Festival: Gold Camera in the entrenamiento para profesionales en Art and Representation in the Ancient >The Sydney J. Freedberg Lecture on Italian category of Documentary Programs: Art 2005: Illuminated Choral Manuscripts museos de la National Gallery of Art: de New World, Part 2: Seeing Time, Arts; 32nd Annual Telly Awards las riberas del Potomac, hasta una visión Hearing Time, Placing Time of the Italian Renaissance: Jonathan J. G. Competition: Silver “Telly” in the Alexander global,” in Más allà de la taquilla: Art and Representation in the Ancient category of Cultural Programs, Silver Defendiendo a los museos y sus valores New World, Part 3: The Body of >The Sydney J. Freedberg Lecture on Italian “Telly” in the category of Scriptwriting, sustentables, ed. S. Holo and M. T. Álvarez Perfection, the Perfection of the Body Art 2006: Modernity Is Old: The Bronze “Telly” in the category of (Mexico City: National Autonomous Art and Representation in the Ancient Landscape of Italy as Seen by the Painters Charitable/Not-for-profit productions; University of Mexico, 2011), 86–89. New World, Part 4: Representation of the Early 19th Century: Anna Ottani 30th International Festival of Films on >Damon M. Conover, John K. Delaney, and Imitation Cavina Art, Montreal: Screening selection for Art and Representation in the Ancient 2011 showcase; 25th Annual Wine Paola Ricciardi, and Murray H. Loew, New World, Part 5: Envisioning a >The Sydney J. Freedberg Lecture on Italian Country Film Festival official selection; “Towards Automatic Registration,” in New World Art 2010: Thoughts on the Caravaggisti: 44th Annual WorldFest, Houston Computer Vision and Image Analysis of Art Michael Fried International Film Festival: Silver Remi II, Proceedings of SPIE, vol. 7869 (2011). >Film Design: Translating Words into Images >The New Acropolis Museum: A Award >Harry Cooper, “Braque’s Ovals,” in >For the Love of Movies: The Story of Conversation with Dimitrios Pandermalis Picasso and Braque: The Cubist American Film Criticism STAFF PUBLICATIONS Experiment (Santa Barbara & Kimbell >The Unknown Modigliani >Fragonard’s “Progress of Love” at the Frick Art Museums, 2011). >Lora V. Angelova, Kristin DeGhetaldi, Collection: A Site-Specific Installation? >The Vogel Collection Story: Postcards from >———, “Histoire d’une traversée: Les Christopher A. Maines, Barbara H. Artists peintures transatlantiques de >Gabriel Metsu, 1629–1667 Berrie, and Richard G. Weiss, “A >What I Saw: An Art Critic’s Report on Cleaning Application of Poly(Vinyl Mondrian,” Les Cahiers du MNAM >Gauguin: Maker of Myth Forty Years in Washington Alcohol-co-acetate)/Borate Gel-Like (Winter 2010–Spring 2011). >Gauguin’s Selves: Visual Identities in the Dispersions on Multiple Views by Stuart Exhibition Features >———, review of Philip Guston: Age of Freud Davis,” in Paintings Specialty Group Collected Writings, Lectures, and >Gauguin: Maker of Myth Postprints, vol. 23 (Philadelphia: American Conversations, by Clark Coolidge, >In the Tower: Nam June Paik Symposium Institute for Conservation, 2011). >The Pre-Raphaelite Lens: British Photography Artforum (October 2010). >The Greatest Unknown Work of Art in >Daphne Barbour and Roberta J. M. and Painting, 1848–1875 >———, “Spatter and Daub: The America Olson, “New Methods for Studying Serialization in the Workshop of Andrea Contradictions of Abstract >The Image of the Black in Western Art PRINT AND MEDIA AWARDS della Robbia: Technical Study and Expressionism,” Artforum (Summer >Introduction to the Exhibition—Gauguin: Analysis,” in Della Robbia: Dieci anni di 2011). Maker of Myth Print, Design Awards studi, ed. Anne Bouquillon, Mark >Mary Lee Corlett, “No Star Is Lost at Bormand, and Alessandro Zucchiatti All: Repetition Strategies in the Art of >Introduction to the Exhibition—Venice: >Beat Memories: The Photographs of (Genova: Sagep Editori, 2011), 56–61. Canaletto and His Rivals Allen Ginsberg Romare Bearden,” in Romare Bearden: Association of American University >Daphne Barbour and Shelley Sturman, Southern Recollections (London: D. Giles, >Jan Lievens: Out of Rembrandt’s Shadow; Presses Book Jacket and Journal Show “Des cires aux bronzes, étude récente Ltd. in association with the Mint Jan Lievens in Black and White: Etchings, 2011 de la série modèle,” in Degas Sculpteur Museum of Art, Charlotte, NC). Woodcuts, and Collaborations in Print (Paris: Gallimard, 2010), 72–83. >Edvard Munch: Master Prints >Lamia Doumato, review of Identity and >Lewis Baltz: Prototypes/Ronde de Nuit Association of American University >Barbara H. Berrie, Suzanne Quillen Christian-Muslim Interaction: Medieval Presses Book Jacket and Journal Show Lomax, and Michael Palmer, “Surface and >Martin Puryear: “How Things Fit Together” Art, by Bas Snelders, ARLIS/NA 2011 Form: The Effect of Degas’ Sculptural Reviews, http://www.arlisna.org/pubs/ Materials,” in Edgar Degas Sculpture, by >Meeting Metsu: ANOTHER Dutch Master reviews/2011/03/snelders.pdf. >German Master Drawings from the Suzanne Lindsay, Daphne Barbour, and >Michael Kahn and Shakespeare’s Italy Wolfgang Ratjen Collection, 1580–1900 Shelley Sturman (Distributed by Princeton >———, review of Early Byzantine Association of American University University Press.) Pilgrimage Art, by Gary Vikan, Choice >Michelangelo: In the Beginning Presses Book Jacket and Journal Show (July 2011). >The Moran Gondola 2011 NATIONAL GALLERY OF ART 85

>Ruth Fine, “Prelude: To Paint Disorder >Lindsay Harris, “A New Kind of Ruin: >James Meyer, “Focus: Glenn Ligon, >———, review of Styles, Schools and under a Big Order,” in John Marin’s Postwar Sicily through the Camera Whitney Museum of American Art,” Movements: the Essential Encyclopedic Watercolors: A Medium for Modernism, Lens,” in Milton Gendel: A Surreal Life Artforum (June 2011). Guide to Modern Art, by Amy (Rome: Museo Carlo Bilotti, 2011). by Martha Tedeschi and Kristi Dahm >———, “Focus: Francis Alÿs, Tate Dempsey, Choice (August 2010). (New Haven and London: Yale >Arlen Heginbotham, Aniko Bezur, Modern,” Artforum (November 2010). >———, review of Historical Dictionary University Press in association with Michel Bouchard, Jeffrey M. Davis, of Surrealism, by Keith Aspley, Choice The Art Institute of Chicago). Katherine Eremin, James H. Frantz, >Debra Pincus, “The Humanist and the Lisha Glinsman, Lee-Ann Hayek, Poet: Bernardo Bembo’s Portrait of (April 2011). >———, “Wonders without End: Look Duncan Hook, Vicky Kantarelou, Dante,” in Patronage and Italian >Lionel Simonot, Mathieu Thoury, and Closely,” in The Allure of Paper: Andreas Germanos Karydas, Lynn Lee, Renaissance Sculpture, ed. David J. Watercolors and Drawings from the Amon John Delaney, “Extension of the Jennifer Mass, Catherine Matsen, Drogin and Kathleen Wren Christian Kubelka-Munk Theory for Fluorescent Carter Museum of American Art, by Blythe McCarthy, Molly McGath, Aaron (Farnham, Surrey, England and Turbid Media to a Non-Opaque Layer Jane Myers (Fort Worth: The Amon Shugar, Jane Sirois, Dylan Smith, and Burlington, VT: Ashgate Publishing on a Background,” Journal of the Carter Museum of American Art). Robert J. Speakman, “An Evaluation Limited, 2010), 61–94. of Inter-Laboratory Reproducibility for Optical Society of America 28, no. 7, >———, preface to Romare Bearden: Quantitative XRF of Historic Copper >———, “Venice and Its Doge in the (2011): 1349–1357. Southern Recollections (London: D. Alloys,” in Metal 2010: proceedings of the Grand Design: Andrea Dandolo and Giles, Ltd. in association with the Mint >Dylan Smith, “The Application of interim meeting of the ICOM-CC Metal the Fourteenth-Century Mosaics of Alloy Analysis to Questions of Museum of Art, Charlotte, NC). Working Group, October 11–15, the Baptistery,” in San Marco, Attribution: Giovanni Francesco Charleston, SC (Clemson University, >E. Melanie Gifford, “Material As Byzantium, and the Myths of Venice, ed. Susini and the Workshop of 2011). Metaphor: Non-Conscious Thinking in Henry Maguire and Robert S. Nelson Giambologna,” in Metal 2010: Seventeenth-Century Painting >Jennifer Henel, four catalogue entries (Dumbarton Oaks Research Library proceedings of the interim meeting of Practice,” in Studying Old Master in Human Connections in the Age of and Collection, 2010). the ICOM-CC Metal Working Group, Vermeer, by Arthur K. Wheelock Jr. Paintings—Technology and Practice, ed. >R. Ploeger, O. Chiantore, D. October 11–15, Charleston, SC (London: Scala Publishers, 2011). Marika Spring (London: Archetype Scalarone, and T. Poli, “Mid-infrared (Clemson University, 2011). Press in association with The National >Ann Hoenigswald, “Manipulating Paint: Fiber Optic Reflection Spectroscopy >Shelley Sturman, review of The Gallery of Art, London, 2011), 165–172. The Shorthand of Plein Air Technique,” Analysis of Artists’ Alkyd Paints on in Studying Nature: Oil Sketches (New Craftsman Revealed: Adriaen de Vries, >———, “Fine Painting and Eloquent Different Supports,” Applied York: The Morgan Library, 2011). Sculptor in Bronze, by Jane Bassett, Imprecision: Gabriel Metsu’s Painting Spectroscopy 65 (2011): 429–435. Peggy Fogelman, David A. Scott, and >Henriette de Bruyn Kops, eight Technique,” in Gabriel Metsu, ed. >Rachel Pollack, seven catalogue Ronald C. Schmidtling, Studies in catalogue entries in Human Adriaan E. Waiboer (Dublin, 2010), entries in Human Connections in the Conservation 55 (2010). 154–179. Connections in the Age of Vermeer, by Arthur K. Wheelock Jr. (London: Scala Age of Vermeer, by Arthur K. Wheelock >D. Dodge Thompson, “Nelson >Sarah Greenough, My Faraway One: Publishers, 2011). Jr. (London: Scala Publishers, 2011). Shanks: A Personal View,” Selected Letters of Georgia O’Keeffe and >Paola Ricciardi and John K. Delaney, introduction to The State Russian Alfred Stieglitz, Volume One, 1915– >Alexandra Libby, five catalogue entries in Human Connections in the Age of “New Trends in the Study of Medieval Museum Presents: Nelson Shanks (Saint 1933 (New Haven: Yale University Press Vermeer, by Arthur K. Wheelock Jr. Illuminated Manuscripts: Combining Petersburg, Russia: Palace Editions, in association with Beinecke Rare Book (London: Scala Publishers, 2011). Visible and Infrared Imaging State Russian Museum, 2011), 11–13. and Manuscript Library, 2011). >Eleonora Luciano, eleven catalogue Spectroscopy with Site Specific, >Mathieu Thoury, John K. Delaney, E. >———, “Toccare il centro: il rapporto entries in The Renaissance Portrait from In-Situ Techniques for Material René de la Rie, Michael Palmer, tra Georgia O’Keeffe e Alfred Donatello to Bellini, ed. Keith Identification and Mapping,” Revista Kathryn Morales, and Jay Krueger, Stieglitz,” in Georgia O’Keeffe (Rome: Christiansen and Stefan Weppelmann de História da Arte (2011): 255–263. “Near Infrared Luminescence of Fondazione Roma and Skira, 2011), (New Haven: Yale University Press, >Mervin Richard, “Further Studies on Cadmium Pigments: In-Situ 22–33. 2011). Also published as Gesichter der Identification and Mapping in Renaissance. Mesiterwerke der italienischen the Benefit of Adding Silica Gel to Paintings,” Applied Spectroscopy 65 >Ksenya Gurshtein, “When Film and Portait-Kunst (Munich, 2011). Microclimate Packages for Panel Author Made Love: Reconsidering Paintings,” in Facing the Challenges of (2011): 939–951. >Christopher A. Maines, Dawn Rogala, Panel Paintings Conservation: Trends, OHO’s Film Legacy,” Kino! 11–12 >Mathieu Thoury, Jean-Philippe (2010). Susan Lake, and Marion Mecklenburg, Treatments, and Training: Proceedings of a “Deterioration in Abstract Expressionist Symposium at the Getty Center, May Echard, Matthieu Réfrégiers, Barbara H. Berrie, Austin Nevin, Frédéric >———, “Komar i Melamid: Paintings: Analysis of Zinc Oxide Paint 17–18, 2009, ed. Alan Phenix and Sue Jamme, and Loïc Bertrand, tvorcheskiy soyuz vne i posle Soyuza Layers in Works from the Collection of Ann Chui (Los Angeles: The Getty the Hirshhorn Museum and Sculpture “Synchrotron UV-Visible Multispectral (Komar and Melamid: the artistic Conservation Institute, 2011). union outside and after the Soviet Garden, Smithsonian Institution,” in Luminescence Microimaging of Union),” in Russian Art Abroad: Second Materials Issues in Art and Archaeology >Andrew Robison, “Rembrandt’s Light Historical Samples,” Analytical Half of the 20th–early 21st century IX, vol. 1319, ed. Pamela B. Vandiver, in His Religious Etchings,” The Oxford Chemistry (2011). Chandra L. Reedy, Weidong Li, and (Moscow: National Center for Theologian, Issue 2 (Spring 2011): Jose Luis Ruvalcaba-Sil (Boston: >Arthur K. Wheelock Jr., Human Contemporary Art, 2010). 16–18. Materials Research Society, 2011). Connections in the Age of Vermeer >Dawn Rogala, Susan Lake, (London: Scala Publishers, 2011). >John Hand, catalogue entry in Va n >Louisa C. Matthew and Barbara H. Eyck to Dürer. Early Netherlandish Christopher A. Maines, and Marion Berrie, “Memoria de colori che >Nancy H. Yeide, “Not a Moment Painting & Central Europe 1430–1530 Mecklenburg, “Condition Issues in bisognino torre a Vinetia” (Venice as a Too Soon: A New Research Tool (Bruges: Groeningemuseum, 2011), Abstract Expressionist Ground Layers: centre for the purchase of painters’ Untangles ERR Records,” International 407–408. Analysis of Paintings from the colours), in Trade in Artists’ Materials: Foundation for Art Research Journal 12, Markets and Commerce in Europe to Collection of the Hirshhorn Museum >———, “Der Künstler und seine no. 2 (Fall 2011): 22–26. 1700, ed. Jo Kirby, Susan Nash, and and Sculpture Garden,” Journal of the Kundschaft. Die Altarretabel Joos van Joanna Cannon (London: Archetype American Institute for Conservation 49, Cleves und ihr Handel in Europe,” in Publications, 2010). no. 2 (2010): 96–113. Leonardo des Nordens—Joos vann Cleve (Aachen: Suermondt-Ludwig Museum, >Neal McCabe and Constance McCabe, >Anne Simmons, “Maintenance 2011). The Big Show: Charles M. Conlon’s Recommendations for Artist Files,” in Golden Age Baseball Photographs (New Artists’ Files Revealed: Documentation >John Hand and Micha Leeflang, “Das York: Harry N. Abrams, 2011). and Access, ed. ARLIS/NA Artist Files Leben Joos van Cleves. Warum er in >Catherine A. Metzger, Christopher A. Working Group (Art Libraries Society Vergessenheit geriet und wie er Maines, and Joanna Dunn, ed., of America, 2010), 12–19, http://www. wiederentdeckt wurde,” in Leonardo Inpainting, vol. 3 of Paintings Conservation arlisna.org/pubs/onlinepubs/artist_ des Nordens—Joos vann Cleve (Aachen: Catalog (Washington, DC: American files_revealed.pdf. Suermondt-Ludwig Museum, 2011). Institute for Conservation, 2011). 86

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Staff as of 30 September 2011 Design Assistant Assistant Curator Curatorial Assistants SPECIAL PROJECTS IN Jon Frederick Yuriko Baccon Kerry Rose MODERN ART Paige Rozanski OFFICE OF THE DIRECTOR Design Coordinator Curatorial Assistant Curator and Head of Department Deborah Clark-Kirkpatrick Michelle Bird PRINTS AND DRAWINGS Ruth Fine Director Production Coordinators Samuel H. Kress Foundation Andrew W. Mellon Senior Research Associates Earl A. Powell III Linda Daniel Interpretative Art Museum Fellow Curator of Prints and Drawings Janet Blyberg Chief of Staff & Executive John Olson Elizabeth Tunick Andrew Robison Mary Lee Corlett Assistant Nathan Peek Laili Nasr Graduate Intern Office Manager Angela M. LoRé Photographer Alexandra Morrison Susanne L. Cook CURATORIAL RECORDS AND Staff Assistants Rob Shelley FILES Renaissance Paintings Curatorial Assistant Celina B. Emery Head of Graphics Monica Alvano Head of Department Melissa B. Goodman Curator and Head of Italian and Barbara Keyes Nancy H. Yeide Spanish Paintings Internal Auditor Old Master Prints Graphic Design/Silkscreen David Alan Brown Associate Larry L. Lewis Production Curator and Head of Department Anne L. Halpern Curator and Head of Northern Auditor Lisa Farrell Jonathan Bober Renaissance Paintings Kress Collection Provenance Orin Wolf Glenn Perry Associate Curator Jeffrey Wilson John Oliver Hand Project Research Assistant Gregory Jecmen Fulvia Zaninelli SPECIAL PROJECTS Stefan Wood Associate Curator, Italian and Assistant Curator Congressional Liaison Officer Spanish Paintings Summer Intern Head of Exhibits Shop Ginger Hammer and Director of Special Projects Randy Payne Gretchen Hirschauer Megan O’Connor Delia Gerace Scott Exhibits Shop Specialists Curatorial Assistant Old Master Drawings REGISTRATION AND LOANS/ Special Projects Associate Richard Bruce David Essex Curator and Head of Department OFFICE OF THE REGISTRAR Beth Fernandes Lester Dumont Joseph F. McCrindle Foundation Margaret Morgan Grasselli Chief Registrar George McDonald Special Projects Assistant Graduate Intern Associate Curator Sally Freitag Robert Motley Chelsea Morrocco Diana Mellon Stacey Sell Andrew Watt Registrar for Exhibitions Northern Baroque Paintings Assistant Curator Michelle Fondas EXHIBITIONS Head of Lighting Shop Andaleeb Banta Chief of Exhibitions Robert Johnson Curator and Head of Department Collections Information Systems D. Dodge Thompson Arthur K. Wheelock Jr. Joseph F. McCrindle Foundation Coordinator Lighting Shop Specialist Graduate Curatorial Fellow Susan Finkel Exhibition Officers Juan Garedo Curatorial Assistant Carolina Mangone Jennifer F. Cipriano Jennifer Henel Collections Information Systems Head of Paint Shop Assistant Naomi R. Remes Exhibitions Research Assistant Summer Intern Dennis Bult Elizabeth Concha Ann. B. Robertson Henriette de Bruyn Kops Diana Roberts Painters/Finishers Assistants for Exhibition Volunteer Interns Associate Registrar for Loans Wilber Bonilla Volunteer Intern and Curatorial Administration Marie Ladino Judith L. Cine Derrick Duarte Research Assistant Hillary K. Lord Alexandra Libby Lara Langer Associate Registrar for Nina O’Neil Exhibitions OFFICE OF THE Kress Foundation Curatorial Modern Prints and Drawings Melissa Stegeman Office Manager/Assistant to DEPUTY DIRECTOR Research Assistant the Chief of Exhibitions Curator and Head of Department Rachel Pollack Associate Registrar for Wendy Battaglino Judith Brodie Deputy Director and Collections Volunteer Intern Associate Curators Chief Curator Lehua Fisher Exhibition Programs Jennifer Plyler Carlotta Owens Franklin Kelly Assistant Registrar Head of Department Sculpture and Decorative Arts Charles Ritchie Administrator for Policy and Holly Garner-Ponce Susan MacMillan Arensberg Curatorial Assistant Programs Curator and Head of Department Associate Curators Amy Johnston Office Manager Elizabeth Driscoll Pochter Mary Levkoff Carol Nesemann Lynn Matheny Volunteer Intern Administrative Assistants Curator of Early European Margaret Doyle Adam Greenhalgh Art Services Manager Nancy M. Deiss Sculpture Daniel B. Shay Film and Video Productions Kerry Rose Wallin Alison Luchs Carroll Moore PHOTOGRAPHS Supervisory Museum Specialist Associate Curator Assistant Producers AMERICAN AND BRITISH Senior Curator of Photographs Robert Cwiok Eleonora Luciano and Head of Department David Hammer PAINTINGS Senior Art Services Specialists Sarah Greenough Elizabeth Laitman Hughes Curator and Head of Department Curatorial Assistant James Clark Emily Pegues Staff Assistant Nancy K. Anderson Associate Curators Andrew Krieger Sarah Kennel Johnnie Mizell Caroline Reitz Associate Curator Joseph F. McCrindle Foundation Diane Waggoner Daniel Randall Charles Brock Graduate Curatorial Fellow Culturex Fellow, Ministry of David Smith Carolina Mangone Assistant Curator Culture, Spain Assistant Curator Andrea Nelson Art Services Specialists Felix Monguilot Benzal Deborah Chotner Robert H. Smith Research Joan Ganzevoort Curator Curatorial Assistant Curatorial Assistant Lewis Schlitt DESIGN AND INSTALLATION Carolyn Miner Erin McKinney Nicole Stribling William Whitaker Senior Curator and Chief of Volunteer Andrew W. Mellon Postdoctoral Summer Intern Art Services Technician Design Debra Pincus Curatorial Fellow Mark Leithauser Jennifer Parsons Goven J. Martinez MODERN AND Ksenya Gurshstein Volunteer Deputy Chief and Head of CONTEMPORARY ART Exhibition Research Assistant Loans and the National Lending Ellen Layman Exhibition Production Lindsay Harris Service Gordon Anson Curator and Head of Department EUROPEAN PAINTINGS Harry Cooper Summer Intern Head of Department Office Manager Marie-Claire Guy Stephanie T. Belt Carol Koelemay French Paintings Associate Curators Molly Donovan Senior Loan Officer Curator and Head of Department Graduate Intern Architects/Designers James Meyer John Witty Alicia B. Thomas Jamé Anderson Mary Morton Research Associate Loan Officer Donna Kirk Associate Curator Jennifer Roberts Lisa M. MacDougall Kimberly A. Jones NATIONAL GALLERY OF ART 87

EDUCATION Summer Intern Assistant Editors Library Systems Manager Image Specialist for Northern Aliya Reich Magda Nakassis Karen P. Cassedy European Art Division Head Caroline Weaver Molli E. Kuenstner Lynn Pearson Russell Teacher, School, and Family Staff Assistant Budget Coordinator Kate M. Allen Circulation Desk Technician Administrator Programs Jamie Lowe Carrie A. Scharf Kim Hodges Department Head Technical Services Heidi Hinish Permissions Manager Staff Assistant Adult Programs Sara Sanders-Buell Technical Services Librarian Debra K. Massey Senior Educator and Manager of Anna M. Rachwald Department Head Teacher Programs Book Designer Student Assistant Wilford Scott Acquisitions Assistants Julie A. Springer Bradley Ireland S. Elizabeth Willson David Diaz Lecturers Education Assistant, Teacher Graphic Designer Amanda Kim Summer Interns Eric Denker Programs Rio DeNaro Mary Lazarenko Dwight Carey David Gariff Zev Slurzberg Jeffrey Leone Lauren Dodds Sally Shelburne Assistant Production Manager Senior Educator and Manager of John Long Acquisitions Student Assistant CONSERVATION Lecturer and Media Specialist High School Programs Elizabeth Fitzgerald Adam Davies Production Assistant Chief of Conservation Elisa Patterson Mariah Shay Cataloguers Mervin Richard Lecturer and Manager, Adult Museum Educator, High School John P. Heins Program Docents Publishing Coordinator/Program Conservation Administrator Programs Bary Johnson Diane Arkin Assistant Michael Skalka Lorena Baines Daniella Berman J. Bryan Lane Adult Programs Tour Scheduler Cathy F. Quinn Conservation Program Assistants Museum Educator C. Arlette Raspberry Summer Intern Paula L. Zech Shelley Kurt Deirdre Palmer Michalle Gould Michelle LeBleu Manager, Art Information Cataloguing Student Assistant Senior Educator and Manager Nicola Wood Dianne Stephens Volunteer Intern Gretchen Berkman of School Tour and Docent Samantha Le Andrew W. Mellow Intern, Art Supervisor, Art Information Programs Bindery Assistant Materials Collection Volunteer Operations Elizabeth Diament Web and New Media Jane E. Higgins Emma Kirks Marta Horgan Senior Educator and Manager, Chief of Web and New Media Reader Services Staff Assistant Art Around the Corner Initiatives Painting Conservation Head of Reader Services Arjumand Hamid Sara Lesk Joanna Champagne Head of Department Lamia Doumato Summer Intern Museum Educator, Art Around Web Manager Sarah Fisher Reference Librarian Sarah Montross the Corner John Gordy Senior Conservator of Modern John Hagood Volunteer Interns Julie Carmean Web Producers Painting Matthew Turner School Tour Scheduler Carolyn Campbell Reference Assistant Jay Krueger George (Ted) T. Dalziel Jr. Ellen Edwards Villa Jennifer Cross Guillermo Saénz Senior Conservators Suzanne Sarraf Interlibrary Loan Technician Carol Christensen Academic Programs Senior Educator and Manager of Thomas F. J. McGill Jr. Ann Hoenigswald Family & Teen Programs DIVISION OF IMAGING AND Department Head Catherine Metzger Nathalie Ryan VISUAL SERVICES Interlibrary Loan Assistant Faya Causey Michael Swicklik Faye Karas Museum Educators, Family & Chief, Division of Imaging and Administrator Elizabeth Walmsley Teen Programs Visual Services Circulation Technicians Ali Peil Conservation Technician Sarah Diallo Alan Newman Tina Habash Douglas Lachance Program Assistant Emily Lazaro Yuri Long Ben Masri-Cohen Paula Lynn Digital Imaging Services Rodrick McElveen Charles E. Culpeper Advanced Carpenter Foundation Fellow Graduate Intern Department Head John Shinn Training Fellow Kristin deGhetaldi Tashi Namgay Natalie Mann Peter Dueker Vertical Files Librarian Culturex Fellow, Ministry of Summer Intern Permissions Coordinator Anne Simmons William R. Leisher Memorial Fellow Culture, Spain Kathryn Wilson Ira Bartfield Serials Technicians Felix Monguilot Benzal Anna Alba Photographic Services Tammy Hamilton FILM PROGRAMS Bruce B. Hebblethwaite Graduate Intern Education Publications and Head of Department Department Head Julia Burdajewicz Summer Intern Resources Margaret Parsons Lorene Emerson Leá Norcross Paper Conservation Department Head & Deputy Assistant Head of Department Photographers Division Head Joanna Raczynska David Applegate Department of Image Head of Department Barbara Moore Ric Blanc Collections Kimberly Schenck Volunteer Interns Lee Ewing Senior Publications Manager Jonathan Earnshaw Chief, Library Image Collections Senior Conservator Donna Mann Ken Fleisher Gregory P. J. Most Marian Dirda Céline Ruivo Lea Ingold Senior Writer Greg Williams Deputy Chief and Image Conservator Carla Brenner PUBLISHING OFFICE Specialist for Architecture Michelle Facini Editor in Chief Visual Information Specialists Andrea R. Gibbs Writer/Editor Coordinator of Preservation Judy Metro Debbie Adenan Jennifer Riddell Doris Alston Image Specialist for Modern and Services Program Assistant Deputy Publisher and Production Christina Moore Contemporary Art Hugh Phibbs Manager Meg Melvin Melanie Spears John Schwartz Exhibition Specialists—Matting Chris Vogel Image Specialist for American and Framing Head, Education Resources Visual Services Leo J. Kasun Design Manager and British Art Caroline Danforth Wendy Schleicher Department Head Andrew L. Thomas Shan Linde Media Projects Coordinator Barbara Bernard Jenny Ritchie Susanna Kuehl Senior Editor and Managing Image Specialist for Italian Art Editor of the Systematic Museum Specialists Melissa Beck Lemke Conservation Technician Supervisor, Program Shipping Catalogue Peter Huestis Michelle Stein Image Specialist for Special Technician Karen Sagstetter Barbara Goldstein Wood Roland Young Projects Andrew W. Mellon Advanced Managing Editor of CASVA Secretary Lisa M. Coldiron Training Fellow Media Scheduling Coordinator Publications Geneva Rosenboro Im Chan Image Specialist for French Art Martha H. Aspron Cynthia Ware LIBRARY Nicholas A. Martin Photograph Conservation Affiliate Loan Coordinator Senior Editors Executive Librarian Image Specialist for Spanish Art Frances Duhart Tam Curry Bryfogle Head of Department Neal T. Turtell Thomas A. O’Callaghan Jr. Constance McCabe Program Shipping Technician Ulrike Mills Michael G. Bryant Julie Warnement Administrative Librarian Roger C. Lawson 88 STAFF LIST

Senior Conservator Assistant Administrator for PREDOCTORAL FELLOWS NOT Fiscal Technician ARCHITECTURE AND Sarah S. Wagner Budget and Accounting IN RESIDENCE Christy Williams ENGINEERING Bryant L. Johnson Conservator David E. Finley Fellows Supply, Property, and Senior Engineer/Senior Program Alisha Chipman Program Staff Benjamin Anderson Transportation Management Manager Susan Cohn Nathaniel B. Jones Alison Hunt Object Conservation Elizabeth Kielpinski Support Services Supervisor Paul Mellon Fellows Senior Architect/Senior Program Emma Millon Ricardo Martinez Head of Department Meredith Gamer Manager Laura Plaisted Shelley Sturman Jennifer M. S. Stager Supply Technicians (Property) Carl M. Campioli Jessica Ruse Kevin Grays Senior Conservators Martha M. Schloetzer Samuel H. Kress Fellow Nathan Howell Fire Protection Engineer/ Daphne Barbour Bailey Skiles Jason Di Resta Program Manager Judy L. Ozone Supply Technicians (Supply) Robert Wilson Research Staff Wyeth Fellow Katrina Pierce Conservator Alexandra Hoare Dana E. Byrd Ulrick Vilmenay Architects/Program Managers Katherine May Janna Israel William H. Cross Jr. Ittleson Fellow Support Services Specialist Research Conservator, Robert H. Daniel McReynolds Michael Gavula Anna Lise Seastrand (Transportation) Smith Bronze Study Project Lorenzo Pericolo Architects/Project Managers Andrew W. Mellon Fellow Bradley Sarber Dylan Smith Emily Pugh Bruce D. Condit Jessica N. Richardson Di Yin Lu Transportation Assistant Conservation Technician Christopher Ruffing Twenty-Four-Month Chester Dale Dora Barksdale Brittany Dolph Members, Center for Advanced Construction Project Manager Fellow Driver Andrew W. Mellon Advanced Study in the Visual Arts, Juan Radulovic Academic Year 2010–2011 Razan Francis Elvis Hill Training Fellows Construction Field Twelve-Month Chester Dale Simona Cristanetti Samuel H. Kress Professor Warehouse and Distribution Representative Fellow Marie Stewart Joseph J. Rishel Michelle Gilbert Kate Nesin Support Services Supervisor Textile Conservation Andrew W. Mellon Professor Robert Bevard Interior Designer Robert H. and Clarice Smith Carmen C. Bambach Susan A. Ritterpusch Head of Department Fellow Lead Materials Handler Julia Burke Edmond J. Safra Visiting Miya Tokumitsu Lemuel Jamison Program Analyst Professor Support Services Specialist Lauren Huh Scientific Research Department Victor I. Stoichita Ailsa Mellon Bruce Predoctoral Fellowships for Travel Abroad for Anthony Sean Hilliard Head of Department EQUAL EMPLOYMENT Paul Mellon Senior Fellow Historians of American Art E. René de la Rie Materials Handler OPPORTUNITY Elizabeth Sears Sarah Beetham Rickie Lee Younce Equal Employment Opportunity Senior Conservation Scientist Samuel H. Kress Senior Fellows Nika Elder Barbara H. Berrie Christina Rosenberger Mail and Records Management Officer Daniela Bohde Kelly Goode Senior Imaging Scientist Cammy Brothers Support Services Supervisor John K. Delaney Laura Weigert OFFICE OF THE Angela Dory EEO Programs Coordinator ADMINISTRATOR Sarah Holley Research Conservator for Ailsa Mellon Bruce Senior Support Services Specialists Paintings Technology Fellows Felton Byrd FACILITIES MANAGEMENT Sarah Betzer Administrator E. Melanie Gifford Bryan Durham Chief Rachel Kousser Darrell R. Willson Anthony Proctor Organic Chemist David Samec John-Paul Stonard Deputy Administrator Suzanne Quillen Lomax Mail Clerks Deputy Chief Paul Mellon Visiting Senior John Robbins Francis Moffatt Conservation Scientists Carl Pasquali Fellows Jose Vallecillo Lisha Deming Glinsman Deputy Administrator for Capital Frances Gage Projects Staff Assistant Christopher Maines Heather McPherson Audio Visual Services Linda Hilliard Kathryn Morales Susan Wertheim D. Fairchild Ruggles Supervisory Audio Visual Michael R. Palmer Lucia Tongiorgi Tomasi Executive Assistant Sustainability Erin Fisher Specialist Charles E. Culpeper Advanced Ailsa Mellon Bruce Visiting Senior Victoria Toye Facilities Scientist Training Fellow Fellows Staff Assistant Cecily Grzywacz Rebecca Ploeger Shelley Baltzer Radio Production Specialist Laura Agoston John Conway Energy Manager Engineering Conservation Science Fellow Fredrika H. Jacobs Assistant to the Administrator for Technician Margaret MacDonald Todd Longstaff-Gowan Budget Analysis Motion Picture Projectionist David Matthews Elisabeth Oy-Marra Andrew McCoy Jeannie Bernhards Samuel H. Kress Fellow Engineering Paola Ricciardi Guest Scholars Budget Analyst Electrical Equipment Repairer Nino Simonishvili Jill Dunham Frank Tutko Supervisor Loans and Exhibitions Andrés Ubeda William Burns Conservation Assistant to the Administrator for Printing and Duplicating PREDOCTORAL FELLOWS IN Business Activities Engineer Senior Conservator Printing Services Supervisor RESIDENCE Anne Valentine James Cromwell Michael Pierce Dionne Page David E. Finley Fellow CAD Team Engineering Technicians Conservator Printing Services Specialist Bryan Allen Christina Ferando Martin Livezey Frank Schiavone Bethann Heinbaugh Timothy Spencer Gary Ilko Paul Mellon Fellow Michael Ottmers Head of Frame Conservation Copier Equipment Operator Beatrice Kitzinger Staff Assistant, CASVA Housing James Morris Daniel Warrenfeltz Stephan Wilcox Tamara Fink Samuel H. Kress Fellow Building Automation System Conservator of Frames Telecommunications Shira Brisman ADMINISTRATIVE SERVICES Manager Richard Ford Supervisory Telecommunications Wyeth Fellow Brian McGivney Chief Specialist Jason David LaFountain CENTER FOR Cathy Yates Mark Ranze Assistant Building Automation ADVANCED STUDY IN Ittleson Fellow System Manager Deputy Chief Supervisory Telecommunications Dipti Khera Michael Smith THE VISUAL ARTS Thomas Valentine Specialist Andrew W. Mellon Fellow Administrative Officer Minnie Barbour Facilities Services Priyanka Basu Dean Scott Stephens Telecommunications Specialists Facilities Management Process Elizabeth Cropper Twenty-Four-Month Chester Dale Program Specialist (Travel Barbara McNair Specialist Associate Deans Fellow Coordinator) Brion Shearin Dan Hamm Peter M. Lukehart Lisa Lee Joy Borja Juanita Walker Program Specialist Therese O’Malley Program Specialist Vasily Lazarenko Center Administrator (Administration) Helen Tangires Bonnie Hodgkins NATIONAL GALLERY OF ART 89

Assistant Special Projects Teresa Johnson Staff Assistants Horticulturists PROTECTION SERVICES Coordinator Paul Marshall Miriam Dameron David Eimers Chief William Cabeza Gail Maxfield Adam Prescott Solomon Foster James J. Lucey Linda Mitchell David Gentilcore Special Projects Workers Visual Information Specialist Gwendolyn Nathan Kimberley Mead Secretary Anthony Givens Noriko Bell Darryel Parker Jeff Nagle Geraldine Green-Smith Andre Gordon Tony Reese Product Development Specialist/ Gardener Leader Identification Office Leora Richardson Buyer Work Control Center Anthony Ferrell James Carlton Judy C. Luther Devin Sampson Brannock Reilly Facilities Services Manager Gardeners Cassandra Smith Book Buyers Vladimir Solomykov John Haughey Charles Bauduy Derrick Snowden Dennis E. Callaghan Wayne Buckner Investigations Work Control Coordinators Ronald Stuckey Donald L. Henderson Taniesha Kelly Angeline Sutton Brian Johnson Enis Pinar Buyers John Todd Bridgette Thomas Ronald McGill Technical Services Supervisor Janet B. Kerger Antonio Williamson Willie Townes Angelo Catucci Building Maintenance Nancy A. Sanders Derrick Williams Building Operations Manager Rachael Valentino Senior Electronics Technician Volunteers William Shaw Craig MacFarlane Operations Manager Systems Manager Yasmine Baker Andy Ramjattan Production Shop Coordinator, G. Lee Cathey Martha Davidson Electronics Technician Louis Wagner Jr. Warehouse Assistant Managers Systems Analyst/Programmer Hannah Mazer Charlie Dipasquale Noel Ashton Alexander Bloshteyn Dorothea Sutton Locksmith Rodney Stringer Karen Taylor Ty Cullins Carpenter Shop Visual Presentation Manager Supervisor Therese Stripling PERSONNEL Administration and Visitor Supervisor Larry Smith Alvin Adams Visual Presentation Technicians Personnel Officer Services Leaders Melissa Cherry Douglas Goodell Deputy Chief Wood Crafters Leader James Hamilton Mary Tewalt Deputy Personnel Officer Elizabeth Thomas Carl Sturm Mark Teed Store Managers Meredith Weiser Program Analyst Wood Crafters Control Technicians Stephen McKevitt Personnel Systems Specialists Cheryl Miller Lynn C. Edwards Anthony Brooks Nancy G. Vibert Michele Caputo William Ferguson Jr. Eugene Givens Program Assistant Darryl Cherry Jose Guerra Wayne Valentine Assistant Store Managers Hilary Evans Allan Scheufele Frenzetta Coward Personnel Management Utility Systems Repair Operators Program Specialist Kelly Song Guziewski Specialist Paint Shop Seong An Andrea Bajrami Coy K. Mayle Jr. Terrence Snyder Supervisor Ricky Bruckschen Naomi Morgulis Supply Technician Senior Staffing Specialist Paul Zappulla Gregory Curry Michelle Cameron Roger Dunning Category Specialists Rick Decuir Painters Mary Heiss Office Assistants Artemas Edwards Staffing Specialist Victor Bercian Lisa P. Morgart Jesus Jimenez David Gali Laura Donahue Craig Cruikshank James Gant Mary Powell Zoya Mussienko Christopher Siron Bennie Martin Jason Johnson Personnel Staffing Assistant Office Automation Assistant William Smith Charles Randolph Lead Cashiers Kathy Sutton Davis Sandra Powell Carlos Russell Charlene Conlon Mason Shop Gallery Representatives Sahlu Teklesadik Linda Peterson Luis Baquedano Special Projects and Information Supervisor Donald Whittington Technology Cashiers Erin Cutler Roland Martin Pipefitters Maria Aragon Sarah Montgomery IT Specialist Patrick Parrett Mason Leader Ryan Brown Pamela Baxter-Simms Human Resources Specialist Gino Ricci Jeff Gandee Stefanie Clark Miriam Berman Risk Management Masons Insulator Pamela Coleman Receptionists Deputy Chief Robert Brinkley Dwayne Queen Denis Donovan Nanci Fox Annette Brown Philip Goldsmith Dennis Colella Maintenance Workers LaVonne Serrano Lara Ghelerter Occupational Safety and Health Daniel Depaz Earl Ashford Sophia Keith Training Officer Manager Tony Lowe Brandon Ensor Conrad Solomon Bonnie McBride Judith Frank Linda Schilder Victor Jamison Thomas Mertens Charles Sydnor Wilbert Thompson Training Specialists Fire Protection Specialist Patrick Verdin Kim Peacock Ronald Winston Bryce Myers Nathaniel Stroman James Ware Mildred Shivers Socrates Tiglao Mendi Cogle Wingfield Electric Shop Operations Building Services Timothy Turner PROCUREMENT AND Supervisor Rosemary Wilkerson Deputy Chief General Foreman CONTRACTS Anthony Pizzo Melissa Winter Robert Rule Charles Boone Chief Leader Merchandise Stock Clerks Major Supervisors Rodney C. Cartwright Daniel Smith Terry Gibson Larry Kaylor Sylvia Dorsey Aaron Seaboch Deputy Chief Deborah Hamilton Electricians Henrietta Brox-Campbell Captains Angela Lee Troy Cahill Operations Supervisor, Cleven Brown Christopher Fioravanti Warehouse Contracting Officers Karen Perry Leaders Curtis Headlee Denise Gilson Stephen Richardson Security Driver Calvin Anderson Timothy Maxwell Dean Koepp Lead Materials Handler Carlos Dubose Gerald Carthorne Richard Thomson David Reindl Marvin M. Walton Sheldon Malloy Carlton Williams Geoffrey Spotts Senior Security Command Darlene Middleton Materials Handlers Attorney Advisor Center Operators GALLERY SHOPS Custodians and Laborers Mioril Andoque Ethan S. Premysler Deriek Hairston Maurice Anderson Chief James B. Everett David Weston Jr. Purchasing Agents Kenneth Betts Ysabel Lightner Michael Nichols Security Command Center Paul Cotton Gregory Champlin Deputy Chief/Operations Operators Devigar Dozier HORTICULTURAL SERVICES James Wortham Manager Winston Franklin III Oliver Fowler Chief Karen Boyd Staff Assistant Barbara Height Carolyn Harvey Cynthia Kaufmann Patricia Barber James Townsend Brock Hawkins Office Administration/Office Deputy Chief Laverne Whitted Alice Holloman Manager Julianna Goodman Sharon Jenkins Laura A. Fitzgerald Michon Jenkins-Savoy 90 STAFF LIST

Commanders John Jones Walter Colbert Willie Sims Accountants Quellan Josey Veronica Jones Darnell Cooper Alexander Stephens William French Quinyardo McClain Aaron Kinchen Ivy Cooper Anbarasan Subbaya Jr. Ruth Lewis Jeroboam Powell Anthony Kittoe Larry Dailey Bawasin Tchalim Accounting Technicians Albert Lawrence Derwin Davis Jermaine Thomas Lieutenants Richard Eckert John Legrand Leroy Davis Luke Thompson Timothy Fortt Nicole Glaude Franklin Lewis Stephen Dobbs Damien Toler Armando Hartley Kevin C. Oberman Joe Lewis Antonio Dorsey James Turner Jr. Patricia Hassell Brenda M. Stevenson David Logan James Doye Thomas Tyson Dennis Hill Stephanie L. Thorpe Richard Lydick Alexander Duboise Jr. William Walker Jr. Joseph Hudson Valerie M. Wright Augustine Maldonado Patrick Dumsch David Watchorn David Lee Rodney Mathew Altwann Edwards Ricardo Watson Lawrence Marshall Payroll Isaac Mathis III Brigitte Fitzhugh Michael Webster Vernon Morton Oumar Mbodj Raynard Forte II Kelvin White Jr. Payroll/Personnel Specialist Dexter Moten William McLaughlin David Fortunoff Raymond White Emma G. Moses James Murphy Willie Miller Baron Foxworth Verda Whitlow Keith Thalhamer Payroll Technician Darrin Moyer Olympia Frazier Agnes Whittle Marlene Tucker Margaret Myers Jacob Neal Russell Gaskins Jr. Barry Williams Gerald Walker Beverly North Ardella Gill Lee Williams DATA PROCESSING Sheila Wright Reppard Powers III Lita Goings Stephen Williams Chief Information Officer Sergeants Chris Privott Debra Graham Vincent Williams Linda K. Stone Ronald Bond Jerry Reaves John Gray Phillip Williamson Joseph Callahan Marcus Reeves Pamela Green Andre Wilson Deputy Chief Information Officer Jerry Doss Sr. Lonnie Robertson Richard Green Chantay Wilson Gregory Swift Alonzo Fountain Linda Roché Paul Gresham Warren Woodson IT Specialist/Manager, Internet Thomas Gorman Loretta Roy Jason Hall Anthony Wright and Application Development Harry Groce John Smith Kaprii Hargrove Kenneth Wright Jr. David Beaudet James Hairston Timothy Smith Dorothy Harper Patricia Wright Franklin Jess Michael Strong Burley Harris Denise Young IT Specialist/Manager, Customer Lee Jones Altina Sumter Jamal Hassan Support Susan Farr Alonzo Kennedy Edward Thomas Kelly Hendley OFFICE OF THE Victor McCrea Reginald Thornton Thomas Hill TREASURER Information Systems Security Vernon Morton Joselito Tungcod Lemuel Hillian Officer John Rogers Larry Turner Fred Holmes Jr. Nabil Ghadiali Johanna Speight Gregory Tyson Priscilla Hopkins Treasurer IT Specialist/Manager, Network Keith Thalhamer Andre Vaughn Ina Hunter William W. McClure Infrastructure Raymond Tyndle Quinton Waldon Robert Hyer Deputy Treasurer Katherine Green Eugenio Velazquez Blease Washington David Jakes Diane C. Mullis Gallery Protection Officers II Gregory Watson David Johnson IT Specialist/Intranet Harold Williams Ottis Johnson Jr. Executive Assistant Development Wayne Alexander Judy Shindel Calvin Allen Lynn Williams Sherice Johnson Neal Johnson Mitchell Wright Jr. Wayman Johnson Roger Allen Staff Assistant IT Specialist/Manager, Data Willie Wright Kenneth Jones Irene Anderson-Thomas Eileen Ng Engineering James Yancey Nathnial Kefale Sr. Philip Arnett Chief of Investments and Cash Art Nicewick Leonard Bashful Philip Young Jr. Gabriel Kelley Management Network Engineer Joseph Beidle Stephen King George-Ann Tobin Chris Usher Wiziri Belcher Senior Gallery Protection Tameka Kyles Charles Berkley Jr. Officers and Trainers Clifton Leach Chief Planning and Budget OFFICE OF THE Vander Blount Yamashita Johnson Christopher Leonard Officer Howard Boddie Sr. (Union Joe Peterson Michael Lewis James Gaglione SECRETARY AND Robert Lewis Representative) Gallery Protection Officers GENERAL COUNSEL Tyrone Lewis Financial Manager John Boone Jr. Anani Abalo Dominick Little Larry M. Green Brian Bowman Rukan Ahmed Lionel Livingston Neil Braithwaite Aaron Alexander Senior Budget Analyst Secretary and General Counsel Joseph Loy Wesley Branon Frank Armstrong Vicki Zobisch Cundiff Elizabeth A. Croog Larry Macalino Alphonso Brown III Kodjo Assogba Senior Manager—Financial Deputy Secretary and Deputy Ramesh Malhotra Roy Brown Jr. Gwendolyn Bell Systems, Reporting and Analysis General Counsel Tammara Matthews Vincent Brown Jules Bell Michael Wright Nancy Robinson Breuer Joseph McClain George Burgess Allen Billingslea Sharisa McKenzie Assistant to the Treasurer for Associate General Counsels Darwin Capers Jeffrey Blaher Toi-Lynn McKenzie Risk Management and Special Carolyn G. McKee Edward Chapman Gary Bland Henry McKinnon Jr. Projects Isabelle Raval Venus Cristwell J. D. Blue Lawrence Meyers Nancy Hoffmann Julian F. Saenz Dominic Dangerfield David Bosley Denise Milburn Larita Dodson Kathryn Boyd Financial Manager Legal Assistant Reginald Miller Robert Edwards David Bradley Sr. Kelly Liller Sarah E. Fontana Gerald Mills Charles Forbes Jr. Steve Brock Wayne Morris Jr. FMS Systems Manager Assistant Secretary Edward Foster Jacqueline Brown Christopher Morrison William Rose Kathryn K. Bartfield Tameka Gaines Joshua Brown Margaret Nelson Robert Gayleard Travon Bruce Financial Systems Manager Staff Assistants Willie Norman William Gill Wayne Bryant Carol Ann Proietti Carol A. Christ Randy Otis Robert Goolsby Benjamin Burgess Amity Wang Roy Ottley Carolyn Groce Otis Butler GENERAL ACCOUNTING Joyce Palmer Kaisha Harper Richard Byrd Comptroller GALLERY ARCHIVES Theodore Panglao Peter Henderson Jr. David Caldwell David J. Rada Chief Frederick Parker Yvette Herbert Jacqueline Cameron Maygene F. Daniels Marian Parker Deputy Comptroller Jimmie Hines Julius Carroll Vincentius Payan Myles Burgess Senior Archivist and Oral Donna Hinton Marian Carter Ronald Piekarski Historian Mildred Holeman Slats Carter Accounts Receivable Manager Pamela Pitts Anne G. Ritchie David Jackson Mark Caruso Steve Arisumi Carey Porter Jr. John Eric Jackson Jesus Castro-Alvarez Archivist Willie Pugh Retail System and Accounts Edward Johnson Paul Cawley Michele Willens Michael Robinson Payable Manager Eugene Johnson Marcella Champion Sharman Gresham Savoy Michael Chapman Archives Technicians Eliot Jones David Clark Michael Simpson Julie Blake Felisha Jones Thomasine Cloude NATIONAL GALLERY OF ART 91

Jean Henry CORPORATE RELATIONS Sue Beddow Luba Marx Brook Fink Janice Reyes Carol Bellonby Marylin Mathis Tina Gulland Chief Development and Valerie Bernat Ursula McKinney Jan Haugen Kress History and Conservation Corporate Relations Officer Susan Bollendorf Mary Ellen McMillen Anne Haynes Research Fellow Christine Myers Marlene Bolze Patricia McMurray Patty Hohwiesner Lauren Algee Senior Officer Irene Bortolussi Irma J. McNelia George Holliday Jeanette C. Beers Marina Bradfield Amy Meadows Michelle Koerner OFFICE OF Jill Brett Sandra Mitchell JoAnne Lanouette DEVELOPMENT AND Special Assistant to the Chief Development and Corporate Maureen Fallon Bridgeland Sally Molenkamp Susan Lewis EXTERNAL AFFAIRS Relations Officer Gail Briggs Nan Morrison Patricia Mattimore Florence Brodkey Joan Morton Linda Meer Caroline Brantley Ana Maria Brown Joan Mulcahy Ann Marie Plubell Executive Officer, Development Debra Brown Laurie Nakamoto Jane Pomeroy and External Affairs Officer PRESS AND PUBLIC Richard Burke Caryn Nesmith Linda Powell Joseph J. Krakora INFORMATION Nancy Cammack Akemi Nishida Patricia Ramirez-Gomez Chief Press and Public Deputy to the Executive Officer, Karen Campbell Olga Nosova Janet Roberson Information Officer Development and External Valerie Carleton Nur Nossuli Cathy Ryan Deborah Ziska Affairs Jane Casazza Titiana O’Blazney Steven Selden Ellen Bryant Deputy Press and Public Leonard Coburn Mary Catherine O’Connell Katy Senkus Information Officer Carol Cochran Mariko Oka Christine Stinson Development and External Anabeth Guthrie Nancy Cummings Yasuko Okuno Traer Sunley Affairs Associate Theresa Daly Mary O’Neill Eleanor Wang Larissa Trociuk Senior Publicist Dina D’Arcangelo Gail Ostergaard Constance Wynn Sara Beth Walsh DEVELOPMENT Gerard de la Cruz Patty Owens Web Designer/Systems Bela Demeter Hedwig Pasolini ART INFORMATION Chief Development and Developer Rickey de Rivera Deborah Pietras VOLUNTEERS Corporate Relations Officer Dwayne Franklin Joan Dickey Karen Piper Claire Ackerman Christine Myers Staff Assistant/Calendar Editor/ Anna Dixon Judith Pomeranz Liane Atlas Deputy Chief Development Financial Manager Sandra Dugoff Nancy Porter Rosalie Baker Officer Laurie Tylec Helga Ehudin Ludmila Pruner Jay Ball Kay Casstevens Alice Ellington Maria Amelia Ramaciotti Valerie Ballard Program Assistant Marilyn Farrington Pickett Randolph Senior Development Officer for Barbara Behr Miriam Grotte Sharon Feldman Kara Reinsel Major Gifts Catherine Beyer Victoria Feldman Lucia Jean Reynolds Cathryn Dickert Scoville Administrative Assistant Nonja Bisgard Domini LeNoir Paula Ferdinand Cynthea Riesenberg Barbara Bluestone Senior Development Officer Harriet Finkelstein Eileen Romano Janet Boccia for Major Gifts and Foundation Interns Sandra Fischer Susan Rudy B. J. Boudreau Giving Isabella Bulkeley Virginia Flavin Sheila Ruffine Denise Boxberger Patricia A. Donovan Anna McWilliams Howard Fogt Lois Sacks Greta Brown Giulia Rosetti Stephanie Frasher Angelika Sasin Senior Development Officer for Amy Bruins Mia Sher Barbara Freeman Joyce Schwartz Annual Giving Arthur Bugler Jr. Phyllis Freirich Nancy Searles Rebecca C. Oliver SPECIAL EVENTS Josephine Cabezas Maureen Gevlin Judy Shulman Marian Carroll Development Officer for Chief of Protocol and Special Thomas Gilday Ruth Sickel Joan Chapin Planned Giving Events Joan Gottfried Trudi Small Evelyn Childs Giselle Larroque Obermeier Carol W. Kelley Gail Gregory Marie-France Smith Catherine Clark Development Officer for Deputy Chief of Protocol and Laura Hagood Langley Spurlock Kimball Clark Annual Giving Special Events Pamela Gulley Hardin Celia Steingold Nancy Clarke Kathryn A. Heaberg Bethann Siegel Alyson Hardy Elizabeth Sullivan Simone Clarke Joyce Harmon Laura Symcak Lynn Cleary Development Associate Executive Assistant Mary Harms Victor Tang Pat Clopper for Stewardship and Alice Kim Melissa Harris Shu Chen Tasi Carolyn Codamo Communications Senior Event Planner Shannon Hobbs Lillian Taylor Marlene Conner Caroline Halayko Welsh Maria E. A. Tousimis Nira Hodos Carolyn Thayer Janet Cooper Development Associate for Sally Hoffmann Ruth Thomas Marcia Corey Event Planner Research and Information Adriana Hopper Diedre Tillery Dina Cotlier Robert Marn Kristi Maiselman Marta Horgan Paula Tosini Megan E. Courtney Invitations and Protocol Sandy Horowitz Diane Tucker Michelle Crockett Development Associate for Brynne Suliman Marilyn Horwood Susan Van Nice Sherry Cross Major Gifts Merry Hunt Suzanne Vegh Elaine Dawes Kelsey Horowitz Intern Francesca Janni Joy Vige Sue Degnan Margaretta Andrews Development Associate for Michaela Johnson Josephine Wang Joanne DeSiato Annual Giving MUSIC Cynthia Juvan-Dormont Maria Elena Weissman Therese desRosiers Abby Bauman Evelyn Katz Margaret Wesbecher Verda Deutscher Head of Department Nancy Keefe Sue White Ruth Dinbergs Development Associate for Stephen Ackert Carolyn Kelloff Sue Wickwire Alexander Dobert Reports and Record Integrity Marney Kennedy Brooke Wilding Janet Donaldson Julie Dansereau-Tackett Music Program Specialist Danielle DeSwert Hahn Carol King Marjorie Williams Kim Doyle Development Assistant for Ilze King Michael Winer Shirley Edelman Operations Assistant to the Music Jane King Hession Maria Wood Valerie Edwards Wayne Henson Department Anne Klein Laura Wyman Estelle Eisendrath Bruno Nasta Audrey Kramer Lois Young Jinny Eury Development Assistant for Andrea Kraus Joan Zeizel Hilary Evans Major Gifts Concert Aides Bonhee Ku Kathryn Zoeller Rose Evans Allision Greer Vrejoohie Armenian Mary Carter Naomi Kulakow Gianna Zucchi Susana Fainbraun Development Assistant for Michael Jacko Olga Kushnir Gloria Fastrup SCHOOL DOCENT Annual Giving Cathy Kazmierczak Julien LeBourgeios Judith Feldman CANDIDATES Stephanie Ross Anne-Marie Lee Maureen Ferguson Rosalie Lesser Interns VOLUNTEERS Anamaria Anderson Janet Fesler Paula Litvak Micol Spinazzi Joan Barkin Barbara Fisher Jean Loper Kamal Zargar Sharon Baum Marjorie Fisher DOCENTS Dianne Maffia Elizabeth Billings Marcy Ford Barbra Mann Ann Allen Kathleen Bishop Sue Fretts Anne-Marie Marenburg Lee Allen Donita Buffalo Alan Friedman Patricia Martin Douglas Cooperman Pamela Fry 92 STAFF LIST

Betty Sue (Suzi) Gallagher Betsy Jenkins Harriett Mathews Dorothy Robinson Joan Timberlake Chhanda Ganguly Agnes Johnson LeeAnn Matthews Martha Rogers Marylee Tinsley Maria Garcia-Borreguero Carolyn Johnson Roy Matthews Wynefred Rogerson Alicia Tisnado John Garneski Marilyn (Lyn) Jonnes John McCaffrey John Thomas Rooney Jeanette Van Wormer Agnes Gavin Paula Kahn Joan McCormick Melissa Roover Ward Van Wormer Joyce Gentile Nancy Kane Carolyn McDevitt Eugene (Gene) Rosenfeld Suzanne Vaughn Jean Gerhardt Jill Kasle Margaret McDonald Shirley Rosenfeld Gene Venzke Martin Gerstell Melissa Kass Kerrie Messelbeck Carol Russel Ellen Villa Jaclyn K. Gibson Henrietta (Henri) Keller Barbara Meyers Audri Schiller Mary Waggoner Bernard (Benny) James Glenn Stephen Klatsky Elaine Miller Kalina Schneider Frances M. Walls Annette Goldschmidt Bonnie Kleinhans Lynn Mills Susan (Sue) Schneider Harry Walsh Gretchen Goodrich Christie Kramer Dale Moran Roberta Schneidman Moon-Shia Wang Barbara Goodwin Elaine Krassner Barbara Morris Sonja Schulken Diane Wapner Lucy Gordon Sally Kreisburg Yolanda Morris Marilyn Schwaner Michael Weaver Helen Grayson Ruth Kurzbaur Carolyn Morse Suzanne Scott Joan Wessel Edward Greenberg Adel Labib Elizabeth (Betty) Mullen Frances (Fran) Short Mary Westfall Lois Gregg Eileen LaFleur Susan Murphee Audrey Shuckburgh Elizabeth (Penny) White Helena Gunnarsson Stephen Lake Luzie Nahr Margaret Sickels Eleanor Williams Harvey Hale Julie Lantz Gabriele Nanda Iris Silverman Sally Wise Mary Hanrahan Mary Lawler Terry Neves Nancy Silverman Lindsey Withem Tawney Harding Marion H. Lebanik Sherry Nevins Esther Slaff Maria Ilena Wood Betty Hatch Allen M. Lewin Mary Niebuhr Jane Smith Edith Wubben Jean Hay Lisa Lewis Joan Novell Ann Snuggs Gerry Wyche Jo Ann Hearld Guenter Lewy Lola Olabode Carol Snyder Vinnie Zagurski Maria Higgins Ilse Lewy Jinx (Frances) Oliver Claire Southerlin Barbara Hodges Marlane Liddell Patricia Orr Joan Steigelman LIBRARY VOLUNTEERS Celia Hoke Susan Lightsey Arnold Palley Adele Stevens Judith Bernanke Jean Holder Karen Livornese Susan (Suzi) Pease Donna St. John Pat Clopper Leonard Holder Mary Ann Lucey Camille Pellegrino Linda Sundberg Sarah Schnorrenberg Claire Horowitz Marion Macdonald Stephen Pelszynski Michelle Sutton Lura Young Mark Huey Theresa Maciejewski Anthony (Tony) Piantes Bonnie Sweet Gail Huh Cynthia (Cindy) Major Karin Regan James (McKim) Symington Carol Huls Iris Mann Mary L. Regan Ann Szabo Mary Hurd Donna Marits Bette Richardson June Tancredi Eileen Hurley Donald Markle Gail Ridgway Victor Tang Irene Jacoby Geraldine (Geri) Markle Arlene Ring Ragan Tate Joan Janshego Rikki Marshall Alix Robinson James Robert (Jim) Thurston 93

GIFTS/DONORS

The support of the federal govern- Estate of Ruth Cole Kainen Bank of America The Getty Foundation ment and private sector enables the The Kaufman Americana Foundation Bank of America Foundation Gail and Benjamin Jacobs National Gallery of Art to fulfill its mis- in honor of George M. † and Linda H. Fondazione Bracco sion to collect, exhibit, interpret, and Kaufman Joan and David Maxwell preserve works of art at the highest possible standard. While the fed- Edward J. Lenkin and Roselin Atzwanger Joseph F. McCrindle Foundation eral government provides an annual Thelma and Melvin Lenkin BENEFACTORS Diane A. Nixon appropriation for the Gallery’s oper- Joan and David Maxwell STIFTUNG RATJEN, Liechtenstein ation and maintenance, works of art Benefactors are those who have made [Ratjen Foundation] in the collection, the two buildings, Beth and George Meredith cumulative gifts of art and/or funds and the sculpture garden are made Melissa Meyer in memory of at the level of $5 million or more. The Sharon and John D. Rockefeller IV possible through private gifts, as are Joshua P. Smith Gallery added the following individuals numerous educational and scholarly Robert H.† and Clarice Smith The Milligan and Thomson Families to this distinguished list at the close of programs. The Gallery extends its grat- fiscal year 2011: Robert H. Smith Family Foundation itude to both the federal government Estate of Jane Tarleton Smith Moore and the many generous donors listed Estate of Evelyn Stefansson Nef Mrs. Charles (Florian) Carr † Trellis Fund here who made gifts during fiscal year Dorothy Gordon Pocinki Elisha and Letitia Hanson † The Walton Family Foundation, Inc. 2011. These private contributions have allowed the Gallery to enhance its art Hilary Richardson The Milligan and Thomson Families collections, build its library holdings, Victoria and Roger Sant Helen L. Porter and James T. Dyke $50,000–$99,999 present special exhibitions, undertake conservation and research, offer com- Estate of Irma S. Seitz Ladislaus and Beatrix von Hoffmann Max and Heidi† Berry Deborah and Ed Shein Richard S. Zeisler † prehensive educational initiatives, and The Ryna and Melvin Cohen Family pursue scholarly endeavors. Thanks to Mary and Dan Solomon the ongoing commitment of its sup- Foundation and Marcella and Neil Cohen Estate of Joanna T. Steichen INDIVIDUAL AND porters and the federal government, Suzanne F. Cohen the Gallery continues to serve the Mr. Stephen G. Stein FOUNDATION GIFTS Cordover Family Foundation American people. Dian Woodner David F. Wright Gifts of $1,000 or more for art acquisi- Grega and Leo A. Daly III Fund for tion, special exhibitions, education, Architectural Books GIFTS TO THE NATIONAL William J. Wyer outreach, conservation, research initia- GALLERY OF ART Sha King Zox tives, and unrestricted support were Jo Ann and Julian Ganz, Jr. received from the following generous (October 1, 2010–September 30, 2011) Estate of Lore Heinemann donors during fiscal year 2011: LIBRARY GIFTS Robert and Arlene Kogod GIFTS OF ART $1,000,000 or more The Kraus Family Foundation The following individuals and institutions Estate of Mrs. Charles (Florian) Carr The Gallery’s collection is the result of made significant gifts to the Library and Edward J. Lenkin and Roselin Atzwanger private generosity. Unlike other national its Image Collections Department in Helen Porter and James T. Dyke The Henry Luce Foundation museums throughout the world, the fiscal year 2011: Greg and Candy Fazakerley Gallery receives no government funds Virginia Cretella Mars for the acquisition of art. Works of art Library Victoria and Roger Sant Estate of Simonne J. Michenon were added to the Gallery’s collection in Christo c/o C. V. J. Foundation fiscal year 2011 through the generosity $500,000–$999,999 Park Foundation of the friends listed here. Grega and Leo A. Daly III The Lee and Juliet Folger Fund Embassy of Portugal Anonymous The Hirshhorn Museum and Sculpture Anna-Maria and Stephen Kellen Edmond J. Safra Philanthropic Foundation Garden, Smithsonian Institution The Ahmanson Foundation Foundation Mr. and Mrs. Albert H. Small Alexandra and Michael N. Altman Christine Kermaire The Honorable Alfred H. Moses and Ms. Spain-USA Foundation Liane W. Atlas Estate of Evelyn Stefansson Nef Fern M. Schad Vital Projects Fund, Inc. Margot Wells Backas Matthew Witkovsky Terra Foundation for American Art Estate of David Becker Andrea Woodner Ladislaus and Beatrix von Hoffmann Merrill C. and Dalia S. Berman in honor Image Collections Wyeth Foundation for American Art of Judith Brodie Art Services International Carolyn S. Brody $250,000–$499,999 $25,000–$49,999 Vincent and Linda Buonanno Estate of Livingston and Catharina Estate of Gordon Carter Baart Biddle Carolyn S. Brody Buffy and William Cafritz Glenstone Pat Clopper Buffy and William Cafritz Norman and Carolyn K. Carr Hata Stichting The James Castle Collection and Archive The Courtauld Institute of Art Merritt Porter Dyke HRH Foundation Brenda Baker Coakley The Frick Art Reference Library Mrs. George M. Kaufman Samuel H. Kress Foundation Eileen and Michael Cohen The Modern Art Museum of Fort Worth Barbara and Jon Landau Malcolm Cosgrove-Davies The Andrew W. Mellon Foundation Lida Moser Jo Carole and Ronald S. Lauder Thomas A. Cox Dian Woodner Charles Schwartz Thelma and Melvin Lenkin Pierre Cremieux and Denise Jarvinen Gary S. Davis $100,000–$249,999 R. K. Mellon Family Foundation Helen Porter and James T. Dyke CORPORATE GIFTS Anonymous Marlene Nathan Meyerson Family Foundation The Epstein Family Collection The Ahmanson Foundation The Gallery is grateful to the following The Barbro Osher Pro Suecia Foundation The Lee and Juliet Folger Fund corporations and foundations whose gen- Nelson Blitz Jr. and Catherine Woodard Harry Grubert erous support allowed us to make possible Mr. Stephen G. Stein special exhibitions and related programs Marshall B. Coyne Foundation, Inc. Gift of the Hakuta Family Diana Walker of the highest quality in fiscal year 2011: The Charles Engelhard Foundation Estate of Judd Hammack Estate of Anne C. Williams The Aaron I. Fleischman Foundation 94 GIFTS/DONORS

$10,000–$24,999 Washington Drama Society Nancy B. Negley Mr. and Mrs. Reuben Jeffery III Candace and Rick Beinecke The J. and H. Weldon Foundation, Inc. H. Tony & Marti Oppenheimer and The Barbara and Jack Kay Faya Causey Alan F. Wohlstetter Oppenheimer Brothers Foundation Robert L. Kirk The Max and Victoria Dreyfus Foundation John and Mary Pappajohn Thomas G. Klarner Robert W. and Louisa C. Duemling COLLECTORS COMMITTEE Sally Engelhard Pingree Robert and Arlene Kogod Harmes C. Fishback Foundation Trust OF THE NATIONAL GALLERY Heather and Tony Podesta Lt. Col. and Mrs. William K. Konze OF ART Mr. and Mrs. Louis Glickfield Cynthia Hazen Polsky and Leon Polsky Jo Carole and Ronald S. Lauder Prince Charitable Trusts Henry and Alice H. Greenwald The Collectors Committee serves a vital Dr. and Mrs. LaSalle D. Leffall Jr. Harris Family Foundation, Toni and role in broadening the scope of the Mr. and Mrs. Mitchell P. Rales The Jacqueline Badger Mars 2001 Ronald Paul Gallery’s modern collection. Committee members provide invaluable support with Anita and Burton Reiner Charitable Lead Trust Johnson Family Foundation their annual gifts of $15,000, $30,000, and Mr. and Mrs. Stewart Resnick Virginia Cretella Mars more for the acquisition of modern art. Alexander M. and Judith W. Laughlin Sharon and John D. Rockefeller IV Mrs. G. William Miller John J. Medveckis Co-chairs Michele Rollins and Monique Rollins Mr. and Mrs. James H. Moshovitis Mrs. Robert B. Menapace † Barry Berkus Mr. and Mrs. Robert M. Rosenthal Mrs. Pat Munroe Ivan E. and Winifred Phillips Denise Saul Mary Beth and Don Roth Jackie and Wes Peebles Billy Rose Foundation Mr. and Mrs. C. Arthur Rutter III Irene Pollin Members Mr. B. Francis Saul II Vicki and Roger Sant Prince Charitable Trusts Howard and Roberta Ahmanson Embassy of Spain Louisa Stude Sarofim Sharon and John D. Rockefeller IV Ann and Steven Ames Irving Stenn Mr. and Mrs. Andrew Saul Vicki and Roger Sant William and Christine Aylward Rose-Marie and Eijk van Otterloo Chara Schreyer—Kadima Foundation Admiral and Mrs. Tazewell Shepard Jr. Anne T. and Robert M. Bass Jon and Mary Shirley Leonard and Elaine Silverstein $1,000–$9,999 Barry and Jo Berkus Mr. and Mrs. Albert H. Small Clarice Smith Anonymous (2) Dr. Luther W. Brady Michelle Smith Michelle Smith The Alvord Foundation Eli and Edythe Broad Peter F. Soriano Mr. Benjamin F. Stapleton III John and Dolores Beck Mr. and Mrs. Calvin Cafritz Roselyne Chroman Swig Mr. and Mrs. William L. Walton The Gladys Krieble Delmas Foundation Joseph Cohen Richard Thompson David Warnock and Deidre Bosley Marion Deshmukh Mr. and Mrs. Michael M. Connors Leopoldo Villareal Diane B. Wilsey Mr. and Mrs. Robert J. Fisher Edwin L. Cox Mr. and Mrs. Wallace S. Wilson Mr. Bruce B. Wiltsie Mr. Bert Freidus Brian and Paula Dailey Mrs. Martha Gil Montero and Mr. Joseph Jim and Christy Young Mrs. John R. Donnell A. Page THE EXHIBITION CIRCLE Mr. Barney A. Ebsworth Michael A. Glass OF THE NATIONAL GALLERY THE CIRCLE OF THE NATIONAL The Gottesman Fund in memory of Mrs. Donald G. Fisher OF ART GALLERY OF ART Milton M. Gottesman Aaron I. Fleischman, Lin Lougheed The Gallery wishes to thank the mem- The Gallery extends thanks to contribu- Harman Cain Family Foundation Norma Lee and Morton Funger bers of The Exhibition Circle for their tors to The Circle for their generous The Randy Hostetler Living Room Jo Ann and Julian Ganz, Jr. generous support at the level of $20,000 annual gifts of $1,000, $2,500, $5,000, or Music Fund or more, which provides funding for $10,000, or more, which provide unre- Jebediah Foundation in memory of Mary Mr. and Mrs. Carl S. Gewirz special exhibitions each year. stricted funding for a range of activities throughout the Gallery. Armstrong Amory Mr. and Mrs. Robert Goergen Betsy K. Karel Lenore and Bernard Greenberg Anonymous (1) Co-chairs Henry B. and Jessie W. Keiser Peggy and Richard Greenfield Mr. and Mrs. George C. Andreas Gregory W. Fazakerley Foundation, Inc. Diana C. Prince Agnes Gund Mr. and Mrs. Frederick W. Beinecke The Kiplinger Foundation Mimi and Peter Haas Fund Ronald M. Bradley and Danielle Kazmier Seena S. Levy Patron ($10,000 and above) Mr. and Mrs. Frederic C. Hamilton The Clark Charitable Foundation and A. The Honorable Eugene A. Ludwig and James & Alice B. Clark Brittain Bardes Dr. Carol Ludwig Richard C. and Elizabeth A. Hedreen Terri and Tom Barry Ron and Barbara Cordover Edward E. MacCrone Charitable Trust Mr. and Mrs. J. Tomilson Hill III Mr. and Mrs. Lawrence N. Brandt Ian and Annette Cumming Ms. Joanna Milstein Robert and Arlene Kogod Mrs. Edgar H. Brenner Grega and Leo A. Daly III Ruth Buchanan Matthew and Ann Nimetz Kathy Korn and Roger Pegorsch Dr. and Mrs. Ronald I. Dozoretz Russell and Anne Byers Peter and Linda Parshall Kyle J. and Sharon S. Krause Robert W. Duemling and Louisa C. Mr. and Mrs. Carter Cafritz Ms. Margaret B. Parsons Duemling Lorie Peters Lauthier Giuseppe and Mercedes Cecchi Eileen McGee Pestorius Thelma and Melvin Lenkin Irwin and Ginny Edlavitch Bonnie and Louis Cohen/Rubenstein Bruce Millar and Wendy Phillips in Robert and Mary Looker Dr. Mark Epstein and Amoretta Hoeber Charitable Foundation memory of their brother, David M. Millar Marshall B. Coyne Foundation, Inc. Christopher and Lois Madison The Lee and Juliet Folger Fund The Lois Roth Endowment Porter and Lisa Dawson Joan and David Maxwell Bernard and Sarah Gewirz Mr. and Mrs. Robert F. Erburu Royal Netherlands Embassy The Honorable Bonnie McElveen-Hunter Monica Lind Greenberg The Roger S. Firestone Foundation Mr. and Mrs. Roger D. Stone Mr. and Mrs. Edwin Van R. Milbury Sylvia Greenberg Nancy M. Folger and Sidney L. Werkman Veverka Family Foundation Mary V. Mochary Gail and Benjamin Jacobs John C. and Elizabeth E. Fontaine NATIONAL GALLERY OF ART 95

Betsy and Pete Forster Miriam and Eliezer Benbassat Mr. and Mrs. B. Hagen Saville Mr. and Mrs. David Morgan Frost Mrs. Marina Kellen French Mrs. Lyn Kass Berger Mr. Christopher M. Schroeder and Ms. Anne and Paul Gambal Dale and Suzi Gallagher Lili and Jon Billings Alexandra H. Coburn Deborah Garza Jo Ann and Julian Ganz, Jr. Angelina Billon Mr. and Mrs. Charles C. Shelleman Jr. Steven B. and Katrina H. Gewirz Mr. and Mrs. Henry H. Goldberg Tom and Barbara Boggs Dr. Richard A. Simms Thomas Gibian and Tina Grady Mrs. Barbara K. Gordon Andrew Brown Mr. and Mrs. David Southwell Nancy K. Glassman Lenore and Bernard Greenberg Frances Ann Bufalo Mrs. Frederick M. Stafford Kay G. Glenday Patrick W. and Sheila Proby Gross Mr. and Mrs. Richard I. Burnham Mr. and Mrs. John V. Thomas Cheryl Opacinch Gorelick Mr. and Mrs. Newman T. Halvorson Jr. Jane Rosenthal Cafritz Emily and Stephen Ward Richard and Mary Gray Mr. and Mrs. Frederic C. Hamilton Mr. and Mrs. Daniel J. Callahan III The Washington Post Company Harry Grubert The Heinz Family Philanthropies Ellen MacNeille Charles Mr. and Mrs. David R. Wilson Herbert J. Hansell Mr. and Mrs. Joseph W. Henderson III Judy and Richard Cohen Ken and Dorothy Woodcock J. Hearld Mr. Clark F. Hoyt and Ms. Linda Kauss Mr. Gregory Connors J. M. Zell Partners, LTD. Mrs. Charles T. Hellmuth Sr. J. W. Kaempfer Mr. and Mrs. Michael M. Connors Donald and Barbara Zucker Family Patti and Mitchell D. Herman Foundation Linda H. Kaufman T. A. Cox Mr. and Mrs. Robert N. Herman Mrs. Stephen M. Kellen Andrea B. Currier Julio E. Heurtematte Jr. Supporting ($2,500–$4,999) Ann and Mark Kington Donald de Laski Maria C. Higgins Anonymous (7) Lee G. Kirstein Hester Diamond John and Dori Holaday Warren and Jan Adelson Chill and Barbara Langhorne Dr. Joseph P. DiGangi Hilary Barnes Hoopes and Robert Ruth and Sam Alward Mr. and Mrs. † Leonard A. Lauder Mr. and Mrs. Richard England Hoopes Agatha and Laurence Aurbach Judith and Alexander Laughlin Mr. Lionel C. Epstein and Ms. Elizabeth Beth and Larry Horowitz Mr. and Mrs. Geoffrey B. Baker W. David Lawson P. Streicher John K. Hoskinson and Ana I. Fábregas Ellen and Robert Bennett The Lemon Foundation The Honorable and Mrs. Melvyn J. Estrin Helen M. Hubbard Marguerite H. Benson Edward J. Lenkin Mr. and Mrs. James W. Evans Margaret Stuart Hunter Mr. and Mrs. Douglas J. Besharov Marlene and Fred Malek Elinor K. Farquhar Lorna Jaffe Mr. and Mrs. James I. Black III Mr. and Mrs. Richard E. Marriott Mr. and Mrs. Alan H. Fleischmann Mr. James A. Johnson Jr. and Mr. Frank Mr. and Mrs. Robert O. Blake Sr. L. Spencer Joan and David Maxwell David and Jackie Fowler Susan Bloom Mr. and Mrs. Terral M. Jordan Mr. and Mrs. Thomas F. McLarty III Professor Joseph L. Gastwirth Jean Ramsay Bower Mrs. Ford A. Kalil James R. and Suzanne S. Mellor The Honorable Joseph and Alma Gildenhorn Joan and Jack Bray Dr. Cyrus Katzen Foundation Diane A. Nixon Mr. and Mrs. Joseph Goldstein Fleur S. Bresler Joëlle M. Kayden The George L. Ohrstrom Jr. Foundation Dr. Margaret A. Goodman Mr. and Mrs. John DeQ. Briggs Margot Kelly John and Mary Pappajohn Mr. and Mrs. Temple Grassi Margot Brinkley David and Justine Kenney Dr. James D. Parker Guest Services, Inc. Marc H. and Vivian S. Brodsky Robin and Carol King Phil and Jania Peter Mr. and Mrs. Andrew S. Gundlach Mr. and Mrs. Wiley T. Buchanan III Mr. † and Mrs. Norman V. Kinsey Mr. and Mrs. Ashraf Rizk Helen Lee Henderson Mr. and Mrs. Henry C. Cashen II Patricia and John Koskinen Mr. and Mrs. Thomas D. Rutherfoord Jr. The Fannie and Stephen Kahn Mrs. Aldus H. Chapin Nick and Mary Lynn Kotz Mrs. Stanley J. Sarnoff Charitable Foundation The Honorable John E. Chapoton and Maria and Stephen Lans Mr. and Mrs. B. Francis Saul II Mrs. Chapoton Mr. and Mrs. David T. Kenney Mrs. Anthony A. Lapham Ellen and Gerry Sigal Mrs. Robert H. Charles Mrs. Betsy Kleeblatt Gigi and Arthur Lazarus Jr. Clarice Smith Annetta J. Coffelt Mr. and Mrs. Scarsbrook Langhorne LaSalle D. Leffall III The Snyder/Granader Family Robert M. Coffelt Jr. Ted and Lynn Leonsis Jacqueline and Marc Leland Dr. Abigail R. Spangler Cybele K. Daley Jack and Betty Lou Ludwick Leon Levy Foundation Mr. Paul G. Stern Kenneth and Marcia Dam Mr. Forrest E. Mars Jr. Rob and Patty Liberatore Dr. Barry S. and Evelyn Strauch Joan Danziger Tom and Charlene Marsh Family Jerome and June Libin Eugene V. Thaw Foundation Ruth and Bruce Dayton The Honorable Eugene Ludwig and Dr. Anne and Peter Thomas Mrs. James R. McAlee April McClain-Delaney and John Carol Ludwig Delaney Jay and Toshiko Tompkins Jaylee M. Mead John Lueders and Elizabeth Larson The Charles Delmar Foundation Mallory and Diana Walker Mr. Robert B. Menschel Dr. and Mrs. Michael Maccoby Mr. and Mrs. H. Richard Dietrich III Marvin F. Weissberg Eleanor Merrill Bruce and Virginia MacLaury Edith R. Dixon Frederica Wheeler and Charles E. Robert E. Meyerhoff and Rheda Becker Mr. and Mrs. Worth D. MacMurray Johnson The William H. Donner Foundation Jim and Tracy Millar The Honorable John D. Macomber and Mr. and Mrs. John C. Whitehead A. Fenner Milton Mr. and Mrs. Douglas D. Drysdale Mrs. Macomber Judy and Leo Zickler Frederick W. and Linda K. Moncrief Merritt P. Dyke Mrs. James T. Magee Joan and Dan Mulcahy Ms. Joan M. Eckert Anne and John Marion Sustaining ($5,000–$9,999) The Honorable and Mrs. William A. Nitze Elizabeth W. Edgeworth Jennifer L. Marshall and Neal H. Flieger Anonymous (3) Mr. and Mrs. Gerald Petitt Charles and Susan Edson Tim and Jane Matz Ms. Debbie K. Alex and Mr. David Harris The Honorable Stephen W. Porter and Mr. and Mrs. Edward L. Emes Jr. Mayo Charitable Foundation Carolyn Small Alper Mrs. Susan Porter Harold and Louise Engle Susan McCabe Mr. † and Mrs. John H. Ariail Jr. Mrs. J. L. Quillen Sarah C. Epstein and Joseph P. Junkin Darina and Allan McKelvie Aileen Athy Grace Ritzenberg Tony and Kathryn Everett Irma Jean and John McNelia Mr. Andrew Athy Jr. Jacqueline Rizik Frank and Mary Fahrenkopf Laurel and Robert Mendelsohn, MD Miss Gillian Attfield Mr. David Rockefeller Barbara G. Fleischman Richard and Ronay Menschel Merribel S. Ayres Mr. David E. Rust † Dr. and Mrs. Peter A. Freeman Mr. and Mrs. Sean F. Mullins Gay and Tony Barclay 96 GIFTS/DONORS

Catherine Murray Adrienne D. Adels and Errol M. Adels Ms. Diane Bolz and Mr. Michael Jeremiah C. Collins E. Michael and Karen Magee Myers Mr. and Mrs. Mario A. Aguilar Alan Finn Mr. and Mrs. Terence Collins Sharon and Michael Nemeroff Mr. James Alefantis Count and Countess Peder Bonde Elizabeth R. Consolvo and Wilson N. Mr. Paul K. Nitze Jim and Lynn Alexander Kathy Borrus Krahnke Dr. Janne E. Nolan Robert N. Alfandre Bennett Boskey Paula Cooper and Jack Macrae Mr. and Mrs. Lawrence C. Nussdorf Dr. Katherine Alley and Dr. Richard Flax Edward C. Bou, Esq. Jay and Margaret Costan The Honorable Marcus Peacock and The Dr. and Mrs. Clement C. Alpert Mr. and Mrs. Stephen A. Bou Mr. and Mrs. John Courtright Honorable Donna R. McLean William B. and Sunny Jung Alsup Susan Boyd Warren and Claire Cox Suzy and Bob Pence Mr. Robert Thomas Amis Katherine and David Bradley Mr. and Mrs. Robert H. Craft Jr. Mr. and Mrs. John Ely Pflieger Mr. and Mrs. Harvey Applebaum Nomita von Barby Brady Audrey Z. Cramer and Kevin S. Flannery Dr. and Mrs. Jerold J. Principato Judy Areen and Richard Cooper Charles and Maureen Brain Teresa Yancey Crane Whayne and Ursula Quin Ms. Alexandra A. Armstrong and Mr. Mr. and Mrs. Robert S. Brandt Ann Crittenden and John B. Henry Earl and Carol Ravenal Jerry J. McCoy Mr. and Mrs. Raymond E. Brann Jr. Dr. Nancy B. Cummings Lola C. Reinsch and J. Almont Pierce Gale H. Arnold Randall Brater and Erin Barnes The Honorable and Mrs. Walter L. Cutler Dr. and Mrs. F. Turner Reuter Linda Arret Bob and Vivian Braunohler Mr. and Mrs. G. Allen Dale Douglas and Katherine Rigler Allie and Ellen Ash Rita Braver and Robert Barnett Peggy and Richard M. Danziger Toni A. Ritzenberg Lila Oliver Asher Mrs. Harry Lott Brock Mrs. Stuart C. Davidson Joseph E. Robert Jr. † Joseph S. Asin Robert D. Broeksmit and Susan G. Philip and Sara Davis Bruce and Shelley Ross-Larson Ann M. Askew Bollendorf Moira and Thomas Dawson Roberta O. Roumel Midori and William Atkins Jere and Bonnie Broh-Kahn The Honorable and Mrs. Whitney Jim Rowe and Lucy Adams Mrs. Martin Atlas Miss Anna Brooke Debevoise James J. Sandman and Elizabeth D. Anne-Lise Auclair-Jones and Hal Jones Dr. Peter F. Bross and Dr. Lisa Rarick Frauke de Looper Mullin Mrs. Gerald D. Aurbach Elizabeth and Ben Brown Joy Alexandra de Ménil and Laird Scott Townsend Reed Mr. and Mrs. Bruce W. Sanford Marilyn and David Austern I. D. Brown Susan Small Savitsky and Gerald Savitsky Richard G. Brown Mr. Bosworth Dewey and Ms. Liz Captain and Mrs. Sverre Bach Barratt-Brown Ms. Frances Way Schafer and Mr. William Joseph M. Bryan Jr. Isabel and Alfred Bader Julia Diaz-Asper Schafer Mr. and Mrs. John L. Buchanan Thayer and Kevin Baine Sally and Edison Dick Jean Schepers Elizabeth Buchbinder Mr. Grey D. Baker Mr. and Mrs. James F. Dicke II The David M. Schwarz Architects Jeremiah and Deborah Buckley Charitable Foundation D. James and Emily Lind Baker John and Anne Dickerson Sam and Susan Buffone Louise and Stephen M. Schwebel Colonel Owen C. Baker and Phyllis G. Diebenkorn Barbara Baker Janet C. Bullinger Mr. and Mrs. John P. Scott Dean and Margarita Dilley Mr. and Mrs. A. L. Ballard Amelie and Bernei Burgunder Judith and Jerry Shulman Michael and Betsy Dingman Marion and Frederic L. Ballard Jr. Frances and Leonard Burka Dr. and Mrs. Hugh Sickel Ms. Martha Dippell and Mr. Daniel Mr. and Mrs. Michael Baly III Mary C. Burrus Mr. and Mrs. Robert Bland Smith Jr. Korengold Louisa and John Barker Antoinette C. and Dwight L. Bush Ms. Barbara Spangenberg Hollis and Neal Dittersdorf Memory of Marian T. Barnes Susan L. and Dixon M. Butler Peter and Jennie Stathis Sean and Joslyn Dobson Mr. and Mrs. Edmund Bartlett Mr. and Mrs. C. Michael Buxton Lou M. Stovall and Di B. Stovall Sonnie and Bill Dockser Ramona and Lee Bass William E. Cain and Barbara Harman Bill and Susan Sweeney Mollie Dougherty and Tanguy de Mr. and Mrs. Richard S. Beatty Nora L. Cameron Carbonnieres Mr. and Mrs. Edward Symes III John and Priscilla Becker Mrs. Daniel S. Campbell Mr. and Mrs. Paul C. Dougherty Mr. Akio Tagawa and Ms. Yui Suzuki Mr. and Mrs. William Becker Dorothy and Jerry Canter Mr. and Mrs. Ryan Drant Mr. and Mrs. A. Alfred Taubman Mr. and Mrs. James R. Beers Vincent Careatti John and Joanna Driggs Antoine and Emily van Agtmael Richard Ben-Veniste and Donna The Honorable Henry E. Catto Jr. † Mr. and Mrs. Larry D. Droppa Victoria and Michael Vergason Marie Grell Mr. and Mrs. J. Pat Cave Mr. and Mrs. Raymond DuBois Mr. and Mrs. G. Duane Vieth Mrs. W. Tapley Bennett Mr. Steve Champlin and Ms. Mary John and Elizabeth Dugan Mr. William Walker and Dr. Sheila Walker Anne Searle Bent Beth Cahill Sandra Dugoff and Richard Geltman Peggy and Ted Weidlein Mrs. Edwin A. Bergman Ms. Randall Chanler Jennifer A. Duncan and Richard E. Bach Gregory Weingast Fund of The Mrs. Ellen R. Berlow Mrs. Mary L. Chapman Community Foundation for the National Mr. and Mrs. H. Stewart Dunn Jr. Capital Region Jules Bernstein and Linda Lipsett Dr. and Mrs. Kenneth Chase Mrs. Diana B. Dunnan Dr. and Mrs. Allan M. Weinstein Elizabeth G. Berry The Rhoda and David Chase Family Mr. and Mrs. Benjamin Dupuy Foundation Dennis and Bridgette Weitzel Max N. Berry Becky and Alan Dye Laura and George Chester The Honorable E. A. Wendt and Mr. and Mrs. Michael R. Beschloss E & B Family Trust Mrs. Pierre Paul Childs Ms. Que D. Nguyen Judd Best and Emily Sopensky Mr. and Mrs. LeRoy Eakin III Drs. Thomas and Judith Chused Vickie and Ken Wilson Mr. and Mrs. Stephen Best Franklin Eck and Bailey Morris Eck Kate Clark and Miles Carlisle Alan F. Wohlstetter Mark Betts and Shelley Slade Dr. and Mrs. Daniel Ein Wolfensohn Family Foundation Mr. and Mrs. Albert J. Beveridge III Robin Rowan Clarke and Thomas Crawford Clarke Estelle S. Eisendrath Alan and Irene Wurtzel Gene Bialek and Arlene Brown Mr. Harris Clay Julian and Elizabeth Eisenstein Lenore G. Zinn Elaine and Richard Binder Lindsay Kunder Coates Anthony and Marjorie Elson Mr. and Mrs. Arthur A. Birney Mrs. David A. Cofrin Ms. Catherine B. Elwell Contributing ($1,000–$2,499) Richard and Suzanne Bissell Suzanne F. Cohen Anne L. Emmet Anonymous (6) Sally and Tersh Boasberg Colb Family Pat and Lenore England Iris Aberbach Mr. and Mrs. George T. Boggs Robert Collett and Nancy Mika Mr. Xavier Fco. Equihua, Federal Mr. and Mrs. Dana T. Ackerly II Mr. and Mrs. William Boicourt Strategies Group, Inc. Mark Colley and Deborah Harsch Mr. and Mrs. Timothy D. Adams Jacqueline and Christian Erdman NATIONAL GALLERY OF ART 97

Mrs. John G. Esswein Jill and Ridgway Hall Sally B. Kaplan Bonnie and Ham Loeb Page Evans Brook Halvorson Mr. and Mrs. Steven Kaplan Joe and Pat Lonardo Mrs. John Dwight Evans Jr. James and Kristina Hamilton Mr. and Mrs. Teddy Kaplan Jane MacLeish Mr. and Mrs. Thomas M. Evans Jr. Gail and John Harmon Mr. Russell Katz Mr. and Mrs. John P. Magill Andrea Evers and Brian Aitken Ms. Sherry L. Harshaw Madeleine Keesing Wendy W. Makins Mr. and Mrs. Rodney E. Eyster Douglas and Marion Hart Mr. and Mrs. Robert Taylor Scott Keith Jr. Paul Malamud in memory of Ann and Mr. and Mrs. Reed M. Fawell IV Arthur and Donna Hartman Mr. and Mrs. David E. Kendall Bernard Malamud Mrs. James J. Ferguson Jr. Larry J. Hawk J. Keith Kennedy Mr. and Mrs. Peter L. Malkin Janet M. Fesler † Florence F. Hawkins Roger G. and Frances H. Kennedy Claudine B. Malone Mr. and Mrs. Thomas A. Fink Mr. and Mrs. John T. Hazel Jr. Paul W. Killian David and Cynthia Manke Ms. Gail S. Fleder Lucia M. Heard William and Ilze King Barbra and Phillip Mann Charles and Lisa Claudy Fleischman Mrs. Anthony Hecht Lila W. Kirkland Mr. and Mrs. Jan W. Mares Mr. and Mrs. Robert T. Foley Lenore Hecht Foundation, Inc. Mrs. Elizabeth L. Klee Mr. and Mrs. John F. Mars John and Eleanor Forrer Mrs. Sheryl Bills Heckler Mr. and Mrs. Robert H. Knox Frank C. Marshall Sarajane Foster Margaret Heiner Mr. and Mrs. James L. Koltes Lydia and Michael Marshall Dr. Hamilton Fout and Dr. Betty Fout Cynthia Helms Mr. and Mrs. Philip D. Kopper Christine M. Martin Florence Bryan Fowlkes Mr. Thomas G. Hentoff and Ms. Sarah Matt Korn and Cindy Miller Mr. and Mrs. I. Guyman Martin III Megan McNelia Frantz and Mark S. Sloan Stephen P. Koster Mr. and Mrs. James B. Martin Alexander Frantz Anita Herrick Mr. and Mrs. M. Kipp Kranbuhl Judith and Harry Martin Frank and Judy Franz Christy and Fred Hertz Robert and Hale Krasne Mrs. Lucinda G. Martin Mr. and Mrs. John French III Elizabeth P. Hester Kirstin and Andreas Kristinus Mr. C. Raymond Marvin Mr. and Mrs. Alvin Friedman Mr. and Mrs. Frank J. Hevrdejs Mr. Eugene F. Krueger II John and Sharon Mason Mr. and Mrs. N. Rickard Frisbie Joe Higdon and Ellen Sudow Fund Edith and John Kuhnle Mr. and Mrs. Mike Massie James T. Fuller III and Catherine T. Porter Ms. Janine M. Higgins Suzanne Kuser Miss Anissa Masters Bob and Megan Gabriel Megan E. Hills Deborah C. C. and Gary M. LaCroix Lisa and J. B. Masters Susan Gallagher and Michael Williams Richard and Pamela Hinds The Honorable Philip Lader and Mrs. Charles T. Matheson David L. Gardner and Pete Williams Robert and Nancy Hinton Lader The Pierre and Tana Matisse Foundation Ms. Mary Cox Garner Catherine Hirsch and James White Eugene I. Lambert and Janet Verner Platt Mr. E. Boyd Matson and Ms. Elizabeth Epstein Becker & Green/The Honorable Lisina M. Hoch David A. Lamdin J. Hudson Stuart M. Gerson Ingola and John Hodges Sheela K. Lampietti and François M. J. Roy and LeeAnn Matthews Mr. and Mrs. Michael K. Gewirz Christian and Nora Hohenlohe Lampietti Dan and Karen Mayers Mr. and Mrs. William Gibb Austen and Chloe Holderness Mr. and Mrs. Christopher Landau Michael and Hannah Mazer Mr. and Mrs. Lawrence B. Gibbs Wallace F. and Wilhelmina C. Holladay Mr. and Mrs. Richard Landfield Edward and Tessa McBride Mrs. Barbara J. Gibby Elizabeth C. Holleman Bill and Marilyn Lane Pat and Jim † McCarrick Mr. and Mrs. Kenneth W. Gideon Mr. and Mrs. James K. Holman Mr. and Mrs. Bruce Lane Camilla McCaslin Mr. and Mrs. Jackson B. Gilbert Donna Holverson Jean and John Lange Mr. Dennis K. McClellan and Mr. Steven E. Deggendorf Gardner and Stevie Gillespie Amanda and Carter Hood Ms. E. Janice Law Cathy and Scot McCulloch L. S. T. Gimbel Mr. and Mrs. Stephen A. Hopkins Ellen and Paul Lazar Jay and Lisa McGonigle Lorna Jury Gladstone William L. Hopkins and Richard B. Robin and Barbara Lee Marilyn and Michael Glosserman Anderson Virginia C. Lee John and Martha McGrane Mr. and Mrs. Richard D. Gluck Mr. Roger Horchow Mr. and Mrs. Lewis Leibowitz Cynthia and David McGrath Ken Golding and Pat Garcia Golding Charles Horn and Jane Luxton Emily Lenzner and Peter Cherukuri Eliza and John McGraw Mary Anne Goley Dr. Sari R. Hornstein Mr. and Mrs. Terry Lenzner Ms. Katlin E. McKelvie and Mr. Sam Backfield Elizabeth Marsteller Gordon Mr. and Mrs. Outerbridge Horsey Ms. Elissa A. Leonard Roderick R. McKelvie and Claire M. Mr. and Mrs. John C. Gore Mr. and Mrs. Timothy Howard Richard and Carol LePere McCarthy J. Gottfried James and Rosemarie Howe Herbert and Dianne Lerner Ms. Katherine McLeod Mary and Kingdon Gould Philip and Fiona Huber Jack and Laura Levengard Caroline and Hollis McLoughlin Nancy and Tony Gould Mr. and Mrs. Richard M. Huber Jr. Jennifer L. Levin Mr. and Mrs. James C. Meade Kathleen and Austin Graff Robert and Elizabeth Huffman Dr. and Mrs. Jerome H. Levy Amy and Marc Meadows Alexandra and John Graubert Philippa P. B. Hughes Richard H. Levy and Lorraine Gallard Rona and Allan Mendelsohn Tom and Pam Green William and Dandridge Ince Allen M. Lewin David and Anne Menotti Allan Greenberg and Judith Seligson Mr. Breckenridge Ingles Mrs. Carolyn G. Lewis Anne L. Metcalf Donna Greenfield and Burkey Belser John Peters Irelan Jeanne G. Lewis Mr. and Mrs. David A. Metzner Ms. Dee Ann Gretz Shirley Jacobs Mr. and Mrs. John Van Dusen Lewis Mrs. Frederick Meyers George and Christina Griffin Joy Jacobson and Gerald Warburg Willee and Finlay Lewis Dr. Salma G. Mikhail Mr. Vincent J. Griski and Mr. Cameron Lois U. and Dr. Dirk C. Jecklin Mr. and Mrs. Daryl A. Libow Maxine Whalen Millar W. Knight Joan and Garry Jewett Donald V. Lincoln LTC. Dennis F. Miller, RET and Judge Mrs. Nina B. Griswold Dr. David C. Johnson Mr. and Mrs. Russell C. Lindner Christine O. C. Miller Marion Guggenheim The Honorable R. Tenney Johnson Robert and Barbara Liotta Edward and Noël Miller Anjali and Arun Gupta Barbara J. Jones Ms. Sara Datema Lipscomb Mr. and Mrs. Karl S. Miller Corbin and Pamela Gwaltney Boisfeuillet and Barbara Jones Bill and Betty Livingston Mark Miller Dr. Joyce S. Hagel-Silverman and Mr. Mr. and Mrs. Peter H. Jost David Lloyd, Realtor Henry and Judith Millon Charles Silverman Jeffrey M. Kaplan Janet and Wingate Lloyd Jane S. and James K. Mitchell Mr. and Mrs. T. W. Hague Julius and Ann Kaplan Ms. Kate Lluberes Myra and Toby Moffett 98 GIFTS/DONORS

Allen and Myra Mondzac Mary and Alan Raul Gerald H. Sherman The Honorable Margaret Vanderhye and Mr. and Mrs. F. Joseph Moravec Cynthia T. Redick and Robert Brent Stephen and Barbara Sherwin Robert Vanderhye Mr. and Mrs. David B. Morgan Mrs. John M. Reed Foundation Jane Stuart Vander Poel Barbara and David Morowitz James Reyes Joan and Ev Shorey Mr. and Mrs. George D. Vassiliou Pearl and Seymour Moskowitz Mr. and Mrs. Robert P. Reznick Dr. Irwin Shuman and Mrs. Elaine O. Melanne and Philip Verveer Feidelman Susie and Jim Murphy Mr. and Mrs. Lacy I. Rice III Mr. and Mrs. Frank Vogl J. L. H. Simonds Mr. and Mrs. Arthur H. Nash Mr. Donald H. Richardson Kelly Vrana Charles J. Simpson Jr. and Pamela Ms. Eugenia Vroustouris Mr. and Mrs. John N. Nassikas III H. Richardson and M. Challinor Raymont-Simpson Barbara S. Wahl and Charles D. Ossola Sanford and Jo Anne Nelson Mr. and Mrs. John D. Richardson Tamara Simpson Ambassador Jenonne Walker Sherry and Louis Nevins Ms. Cary Ridder and Mr. David Dr. and Mrs. Lawrence Singer Alberswerth Bill and Irene Wallert Mr. and Mrs. R. C. Nicholas III Hayes and Jill Smith Marie W. Ridder Mr. and Mrs. Harold G. Walsh Dane A. Nichols Hedrick Smith and Susan Zox Smith Sylvia Ripley and Christopher Addison Carol Warden Henry and Mary Ann Nichols Mr. and Mrs. Matthew C. Smith Mr. and Mrs. David B. Ritchey Ms. Virginia S. Warner Ms. Jeannette T. Nichols Mr. and Mrs. T. Eugene Smith Mr. and Mrs. Robin D. Roberts Virginia A. Weil Akemi Nishida and S. Paul Selavko Mr. and Mrs. Richard W. Snowdon Cara W. Robertson Amy Weinberg and Norbert Hornstein Floyd L. Norton and Kathleen F. Mr. and Mrs. John W. Snyder Patterson William W. Robertson Jr., MD, and Karel Mrs. Eric W. Weinmann Devereux and James Socas Jeffrey Nuechterlein Dierks Robertson Georgia E. Welles Janet W. Solinger Mr. and Mrs. Charles Nulsen III Jane Washburn Robinson Susanne and W. Harrison Wellford Dr. and Mrs. Jonathan Solomon Mr. and Mrs. Hubert K. O’Bannon Mr. and Mrs. Robert W. Robinson Jr. J. Tullos Wells George A. Roche Dr. Stephen M. Solomon and Dr. Phyllis Mr. and Mrs. John Oberdorfer Barson Kathy and Robert Wenger Mr. and Mrs. Richard Roeckelein Giselle Larroque Obermeier and Victoria Stack Ms. Elizabeth Werner and Mr. Carl Stephen J. Obermeier Wynefred W. Rogerson Kravitz Ben Stein Roger H. Ogden Felix and Elizabeth Rohatyn Foundation Eileen Shields West Christine J. and Robert L. Steiner Frederick I. and Maria Victoria † Ordway Mr. and Mrs. Frederick S. Rolandi III Ms. Dorothy B. Wexler George Stelljes III Mrs. Roderic E. Ordway Mr. and Mrs. Dugan Romano Thomas and Anne Whalen Joanne M. Sten Orentreich Family Foundation Dr. Gregory C. Romanow and Dr. Gena Mr. and Mrs. George Y. Wheeler L. Romanow The Honorable Malcolm Sterrett and Mr. and Mrs. David Osnos Mrs. Sterrett Mr. and Mrs. Jeff White Shirley and Bill Rooker Patty and Carroll Owens Mr. and Mrs. Edward R. Stettinius Mrs. Charles S. Whitehouse Mr. and Mrs. Daniel Rose Alan and Marsha Paller Mr. and Mrs. Guy T. Steuart III Mr. and Mrs. Jon M. Wickwire Mrs. Milton M. Rose Barbara Palmer Mr. and Mrs. George C. Stevens Jr. Mr. and Mrs. Charles C. Wilkes Christy Halvorson Ross and Garth Ross Dr. John and Katherine Pan Mr. and Mrs. Geoffrey S. Stewart Mr. and Mrs. Stephen H. Willard Helen G. Ross Mr. and Mrs. Nicholas C. Pappas Kathryn Stewart Williams Family Foundation of Mrs. Jacqueline Roundtree and Mr. Georgia, Inc. Mr. James J. Pastoriza and Ms. Jan Whitney Stewart Shelburne Leslie H. Ryce Edwin and Kathe Williamson Mr. and Mrs. Richard P. Stifel Jr. Alma and John Paty David and Carolyn Ruben Professor John Wilmerding Mr. and Mrs. Robert D. Stillman Judge and Mrs. Michael T. Paul Mr. and Mrs. Sheldon Ruben Donald M. and Susan N. Wilson Mrs. Walter J. Stoessel Jr. Mr. and Mrs. Malcolm E. Peabody Lilly Gray Rubin Ms. Margot Dinneen Wilson Richard and Pamela Storch Stanley and JoAnn Pearlman Dr. and Mrs. J. R. Rudzki Mr. and Mrs. Walter C. Wilson Leila and Mickey Straus Simmy and Haven Pell Paul S. Russell, MD Mr. and Mrs. David L. Winstead Mr. and Mrs. Peter A. Sturtevant Jr. Nancy and Mark Penn Ms. Hattie Ruttenberg and Mr. Jonathan Ms. Katherine P. Wise Molot Mr. and Mrs. Brendan V. Sullivan Jr. Jean Perin Rich and Maureen Wolford Mrs. Victor Sadd Kevin R. and Mary Beth Sullivan Mr. and Mrs. Bruce C. Perkins Louisa Woodville and Nigel Ogilvie Louise and Arnold Sagalyn Mary H. D. Swift Dr. and Mrs. Michael J. Petite Robert † and Farida Wozniak Diane Salisbury, Exhibits Development Mr. and Mrs. Alain Taghipour Malcolm and Margaret Pfunder Francene and William Xanten Group Jake and Carrington Tarr Mr. and Mrs. Devereaux Phelps Dr. and Mrs. Bing Yao Rebecca and William C. Sanders Jr. Topsy Taylor Mr. Franklin C. Phifer Penny and David Yao Savitt Family Fund of Tides Foundation Mrs. Waverly Taylor Alan and Joan Platt Elizabeth and Stephen Yeonas Mrs. Amy C. Savopoulos Dr. and Mrs. Stanley Tempchin Greg and Liz Platts Lois and Ira Young Pamela and J. Andrew Scallan II David and Adena Testa Dr. Alan G. and Karen M. Pocinki Mr. and Mrs. Anthony Zelano Alison Schafer Henry L. Thaggert III Sydney M. Polakoff and Carolyn John and Edith Schafer Margot and Paul Zimmerman Goldman William R. and Norma Kline Tiefel Mr. and Mrs. Peter C. Schaumber Dario and Gió Zucchi Annette Polan Peggy and Alec Tomlinson Mr. and Mrs. Rudi Scheidt Warren and Janice Poland Lalie and Michael Tongour Bob and Patricia Schieffer THE TOWER PROJECT OF THE Helen Porter and James T. Dyke Chris Tousimis Reverend Gail Nicholas Schneider NATIONAL GALLERY OF ART The Honorable Trevor Potter and Mr. Jessica and Henry Townsend Mr. and Mrs. Samuel A. Schreiber Dana Scott Westring Rebecca Trafton The Gallery extends thanks to the Mr. and Mrs. Jeffrey S. Powell Jill A. Schuker Mr. and Mrs. Russell E. Train members of The Tower Project for their generous support at the level of $2,500 Joanne Powell Alan and Marianne Schwartz Mr. and Mrs. Andrew J. Travers or more which provides funding for Dr. and Mrs. Andrew Schwartz Judy Lynn Prince Sanford and Beth Ungar modern and contemporary exhibitions in Mr. and Mrs. Steven J. Quamme Rhea S. Schwartz and Paul Martin Wolff Jennifer C. Urquhart and Michael W. the Tower Gallery. Dr. and Mrs. Charles E. Rackley Thomas and Cathryn Scoville Edwards Comet Ping Pong Sylvia and Coleman Raphael Joan Searby Mr. and Mrs. Semih Ustun Brian and Paula Dailey Mr.† and Mrs. Donald Rappaport Linda and Stanley Sher Mr. and Mrs. Walter Vandaele Neil and Izette Folger NATIONAL GALLERY OF ART 99

Ramon Osuna Virginia F. Harrison Elliott † and George Donald V. Lincoln Ann Van Devanter Townsend and Lewis Dawn and Frank Saul W. Elliott Francine Schear Linde in honor of her Raynham Townsend † Paul So Mr. A. Thompson Ellwanger III and Mr. parents, Herbert and Blanche Schear Jack and Margrit Vanderryn Gregory E. Mescha † Angela M. LoRé in memory of her par- André-François H. Villeneuve Ms. Jane Engle ents, Charles and Alice LoRé Dorothy and Herbert Vogel THE LEGACY CIRCLE The Epstein Family Collection Jack and Betty Lou Ludwick Bettye S. Walker Legacy Circle members are those who Dr. K. Bolling Farmer Penn Lupovich Ambassador Jenonne Walker have decided to include the Gallery in Lee and Ann Fensterstock Joan and David Maxwell Mrs. Robert M. Weidenhammer their estate plans through various means. Aaron I. Fleischman Sameeran Yonan McAlee E. Allan Wendt and Que Dan Nguyen Anonymous (28) Peter T. Foley Mrs. Robert B. Menapace † John C. Whitehead The Adels Family Douglas and Pamela Fowler Mr. Harvey Shipley Miller and Mr. J. Malcolm Wiener Randall Plummer Seena and Joseph Aisner, MD Barbara W. Freeman Professor John Wilmerding Kent and Marcia Minichiello Carolyn Small Alper Howard and Shirlee Friedenberg Christopher and Beverly With in Memory Lucy G. Moorhead Dennis Alter Maryann and Alvin Friedman of Karl and Gerda With Diane L. Morris Lynn K. Altman Family Trust David Morgan Frost Andrea Woodner Ann Mosca M. Francis Anders Morton and Norma Lee Funger David F. Wright in memory of my good The Honorable Alfred H. Moses and friend, John Taylor Arms IV Mrs. Martin Atlas Jo Ann and Julian Ganz, Jr. Fern M. Schad Judy and Leo Zickler Ann M. and Thomas W. Barwick William H. Gerdts and Abigail Booth Gerdts Jeffrey Hugh Newman Charles S. and Elynne B. Zucker Mr. L. Graeme Bell III Mr. and Mrs. Carl S. Gewirz Diane A. Nixon Professor John Andrew Bernstein † Deceased Mr. and Mrs. William T. Gibb Stephen and Claudine Ostrow The Honorable Max N. Berry and Mrs. Mary and John Pappajohn Berry † Milly and Arne Glimcher Every effort has been made to create a Elisa M. Patterson Robert Hunt Berry in memory of R. K. Dr. Margaret A. Goodman complete and accurate list of contribu- Mellon, Ormond E. Hunt, and Cheryl O. Gorelick Ivan E. and Winifred Phillips tors. Due to limited space, gifts under $1,000 are not listed. Paul Mellon Joyce Z. Greenberg in memory of her Judith D. Pomeranz The Honorable and Mrs. William husband, Jacob Greenberg Helen Porter and James T. Dyke Gifts to the Gallery may be made in McCormick Blair Jr. Sarah Greenough Richard and Jeanne Press the form of cash, securities, or real and Ambassador and Mrs. Donald Blinken in The Grinstein Family Judy Lynn Prince personal property, and may be directed memory of Maurice H. Blinken toward specific programs or be unre- Agnes Gund Francis H. Rasmus stricted. Some donors make outright Jay Bowyer and Christopher Greer Helena Gunnarsson Carol Bird Ravenal, PhD gifts, while others elect to make deferred Kathryn Brooke The Stephen Hahn Family Collection Anita and Burton Reiner gifts to help provide for the future. All Andrew Brown gifts and bequests are deductible, within Denise Hale Mr.† and Mrs. George W. Riesz the limits prescribed by law, for appli- Ruth H. Buchanan John C. Harbert, MD The Rizik Family cable federal tax purposes. For further Frances Ann Bufalo information, please call the development Richard C. and Elizabeth A. Hedreen Alix I. Robinson Gilbert Butler office at (202) 842-6372. Helen Lee Henderson Mary and David † Robinson Mr. and Mrs. W. Russell G. Byers Jr. Judith F. Hernstadt Andrew Robison Norman and Carolyn K. Carr Maria C. Higgins David Rockefeller Faya Causey William L. Hopkins and Richard B. Sharon Percy Rockefeller Dr. Gerald Cerny Anderson Diane Rosacker Chuck L. Chandler Jeffrey E. Horvitz Trina and Lee G. Rubenstein Bruce and Sharyn Charnas R. Bruce Hunter † Gwendolyn Russell A. James Clark and Alice B. Clark Arthur C. G. Hyland David E. Rust † Robin Rowan Clarke Earle Hyman in memory of Rolf Sirnes The Honorable Arnold A. and Joan Ted Cooper Ira and Virginia † Jackson Saltzman Ian and Annette Cumming Mr. James A. Johnson Jr. Mrs. Stanley J. Sarnoff Ted Dalziel Paul M. Kanev Douglas Schaller Joan Danziger Betsy Karel Jean Schepers in memory of W. Roy and Cecily Langdale Davis Kasper Robertson Schepers and E. Beeson Bruce Schepers Shirley Ross Davis Jak Katalan Deanna J. Schupbach, PhD Virginia L. Dean Gift of Kaufman Americana Foundation Alexandra D. de Borchgrave in honor of George M. † and Linda H. Charles and Helen Schwab Dr. Lois de Ménil and Dr. Georges Kaufman Joyce Pomeroy Schwartz de Ménil Ina † and Jack Kay Deborah and Edward Shein Mr. Harry DeMott and Dr. Samantha Judith Keenan Ruth and Hugh Sickel Aldred Ellsworth Kelly Gerald and Ellen Sigal Dr. J. Robert DiFulgo Mr. Thomas G. Klarner Iris Silverman Dr. Joseph P. DiGangi Thomas and Kathleen Koepsell Albert and Shirley Small Patricia A. Donovan Robert and Arlene Kogod Robert H.† and Clarice Smith Robert W. and Louisa C. Duemling Alice S. and William K. Konze Mrs. Rudolf Sobernheim Merritt P. Dyke Julie LaFave Stephen G. Stein Mr. Barney A. Ebsworth Evelyn † and Leonard Lauder Ruth Carter Stevenson Joan M. Eckert Jo Carole and Ronald S. Lauder Mrs. Walter J. Stoessel Jr. Jean Efron Alexander M. and Judith W. Laughlin Donald D. Stone Robert † and Mercedes Eichholz The Honorable and Mrs. Marc E. Leland Robert T. and Bonnie Sweet Mr. and Mrs. Gerry Elliott Simon and Bonnie Levin Stanley and Barbara Tempchin Copyright ©2012 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978-0-89468-378-7

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: front cover, inside front cover, pages 2–3, 20–21, 23, 24, 25, 26, 27, 28, 29, 30–31

Film still courtesy of Photofest page 34

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram NATIONAL GALLERY OF ART Washington, D.C.