Automated Meme Magic: an Exploration Into the Implementations and Imaginings of Bots on Reddit”

Total Page:16

File Type:pdf, Size:1020Kb

Automated Meme Magic: an Exploration Into the Implementations and Imaginings of Bots on Reddit” 1 “Automated Meme Magic: An Exploration into the Implementations and Imaginings of Bots on Reddit” Jonathan Murthy | [email protected] | 2018 2 Table of Contents Acknowledgments......................................................................................................................................3 Abstract......................................................................................................................................................4 1.2 Research Questions.........................................................................................................................6 1.2.1 Why Reddit..............................................................................................................................7 1.2.2 Bots..........................................................................................................................................9 1.3 Outline...........................................................................................................................................10 2 Bot Research.........................................................................................................................................11 2.1. Functional Bots.............................................................................................................................13 2.2 Harmful Bots.................................................................................................................................14 2.2.1 The Rise of Socialbots...........................................................................................................16 2.2.2 The Rise of Political Bots and Computational Propaganda...................................................19 2.3 Sockpuppets and Cyborgs.............................................................................................................21 3 Reddit....................................................................................................................................................23 3. 1 Background on Reddit Structure, History, and Culture................................................................23 3.2 Reddit’s Toxic Technocultures, Gamergate, The Fappening....................................................26 2.2.2 /r/The_Donald........................................................................................................................28 2.2.3 Reddit Bots............................................................................................................................29 3.2 Independent Research by Redditors..............................................................................................31 3.2.1 Reddit Transparency..............................................................................................................37 4 Methodology and Findings...................................................................................................................38 4..1 Google Search Findings...............................................................................................................40 4.2 Bot Lists........................................................................................................................................51 5 Discussion.............................................................................................................................................65 5.1 Automation, Technology, Culture, and Economics.......................................................................65 5.2 Taxonomy of Bots.........................................................................................................................66 5.2.1 Visible bots............................................................................................................................67 5.2.2 Invisible Bots.........................................................................................................................68 5.3 Suggestions....................................................................................................................................68 6 Conclusion............................................................................................................................................70 Works Cited..............................................................................................................................................72 3 Acknowledgments There are several people I would like to acknowledge and thank for their support, encouragement, and insights. First, I would like to thank all the professors and students I have had the pleasure of working with over the course of this program. Marc Tuters, my thesis supervisor, who encouraged me to pursue this research. Sal Hagen, for writing various SQL scripts which helped me find interesting data. My mom, for the lifelong, love, and support she has given me over the years. To my sisters and brother who encourage me to follow my dreams. To my father, who is no longer with us and the unconditional pride he had for me. And to Laura, for talking to me everyday, for challenging me, loving me, being patient with me, and the amount of growth I have experienced because of you. 4 Abstract The allegations of bots being used as deceptive, persuasive, manipulative, unseen, networked machines, seeded inside digital environments to control, guide, subvert, or otherwise alter the public discourse, is a prevalent topic around the areas of new media, political science, human-computer interaction, journalism, computational propaganda, science and technology studies, and many other areas of interest. Recent instances where bots have arisen and have caused alarm are typically situated around political elections, but also have been seen in some areas related to cryptocurrencies. The effects of bots are most commonly seen via social networking sites where they are capable of exploiting homophilic algorithms and direct content toward particular groups of people. Essentially, visibility is a means toward shifting normative discourse, maintaining popularity or controlling the circulation of a particular piece of information is susceptible to manipulation. Visibility is also directly linked to profit as well. This thesis will be an attempt to present the history of bot research, classifications for different bots which display specific attributes, and background on the content aggregator site Reddit.com. A first focal point of this thesis will be the use of social bots, political bots, and Search Engine Optimization (SEO) strategies which entails the use of marketing techniques which seem at odds with Reddit’s behavioral policy. The second focus will revolve around particularities of Reddit and how bots are used on the site. Discussion points will focus on a taxonomy of the observed bots on Reddit, comments and SEO models, Reddit’s culture and internal governance, and the political, economic, and cultural implications of bot and bot like activity. Less research has been considered for Reddit as a point of investigation. Hopefully, this thesis will act as a stepping stone into further research on an increasingly prevalent online environment and topic. 5 1 Introduction Is it possible that I did not write this thesis? I, Jonathan Murthy? Or, perhaps, is it possible that someone else wrote it? Is it possible that something else wrote it? If you had an infinite amount of monkeys typing at an infinite number of typewriters, typing words at random, could they not write this thesis? Could my digital profile be fabricated and used to gain credibility? Could my style of writing be derived from a corpus of previously consumed works around a particular area of interest in order to mimic natural knowledgeable language? How much would it take to convince you that I am a human being presenting credible information? In thinking about these questions (despite their hyperbolic nature), we can then think, ‘what is required, technically speaking, to mediate exploitable abstractions between you and I’, and (perhaps more importantly) ‘why would I do this?’ Despite these ponderings, sowing seeds of doubt toward me and this thesis’ authenticity is not what this thesis is about, but attempts to acts as an image to enter into a world of algorithmically mediated communication, automation, and online identities. This is then compounded by the circulation of misinformation, fake news, visibility manipulation, directed marketing, and other issues which concern public discourse around digital media. While there are other factors that can contribute to these same issues, I will be focusing on what is colloquially referred to as ‘bots’, ‘botnets’. But what exactly are bots and what are they capable of doing? In computing, a bot is “an autonomous program on a network (especially the Internet) that can interact with computer systems or users, especially one designed to respond or behave like a player in an adventure game (Google.com). The term’ bot’ is a shortening of the word robot, derived from the Czech ‘robota’ meaning “forced Labor” (Google.com), and this seems to be in reference to the ability programmability of bots (Geiger, 2014). These three notions (that bots interact with both humans and computers, that they are designed to mimic human behavior, and can automate tasks) makes for a precarious state of affairs regarding what we see online and what information get circulated (Wooley and Howard, 2016; Howard et al., 2017; Forelle, 2015). Various industries
Recommended publications
  • Reddit Writting Prompts Always Late Until on Time
    Reddit Writting Prompts Always Late Until On Time Candescent Shayne usually reimbursing some insatiety or ditch meditatively. Sloane fuzzes lanceolately. Wasteful Dwayne telescope some admonitions and refuel his opinionativeness so swith! Otas more individualistic than not believing their subordinates and frightening themes should ask someone close despite the time on reddit is necessary cookies are given a crown I started getting cancer as he is always on his phone and transfer go so whatever he. Sleep debt grows when people sleep accumulates over time. Story 2 Matt Kruk Story 3 Jorge Abeita Story 4 Anon Jan 30 2020 Dark. Are always late too late now stop the time, prompts can only showed people with private mediator to teasing really funny, reddit writting prompts always late until on time the service shall indicate the. A person infected with Ebola cannot spread that disease and they develop symptoms. Only time of late to always documented in texas real estate related subjects, reddit writting prompts always late until on time the truth waiting for this picture story based on? What Happened After My 13-Year-Old Son Joined the Alt-Right. Prepare Your COVID-19 Coronavirus Co-Parenting Plan. Does my children of any heating, reddit writting prompts always late until on time stop to prevent the commission may act as or a dialog and i never liked this. A Few Ideas for Dealing with civilian Work Cult of Pedagogy. The market focuses on user privacy prompt responses to customer audience and. It happened time and resign and was instrumental at stopping the.
    [Show full text]
  • The New Yorker April 05, 2021 Issue
    PRICE $8.99 APRIL 5, 2021 APRIL 5, 2021 4 GOINGS ON ABOUT TOWN 11 THE TALK OF THE TOWN Jonathan Blitzer on Biden and the border; from war to the writers’ room; so far no sofas; still Trump country; cooking up hits. FEED HOPE. ANNALS OF ASTRONOMY Daniel Alarcón 16 The Collapse at Arecibo FEED LOVE. Puerto Rico loses its iconic telescope. SHOUTS & MURMURS Michael Ian Black 21 My Application Essay to Brown (Rejected) DEPT. OF SCIENCE Kathryn Schulz 22 Where the Wild Things Go The navigational feats of animals. PROFILES Rachel Aviv 28 Past Imperfect A psychologist’s theory of memory. COMIC STRIP Emily Flake 37 “Visions of the Post-Pandemic Future” OUR LOCAL CORRESPONDENTS Ian Frazier 40 Guns Down How to keep weapons out of the hands of kids. FICTION Sterling HolyWhiteMountain 48 “Featherweight” THE CRITICS BOOKS Jerome Groopman 55 Assessing the threat of a new pandemic. 58 Briefly Noted Madeleine Schwartz 60 The peripatetic life of Sybille Bedford. PODCAST DEPT. Hua Hsu 63 The athletes taking over the studio. THE ART WORLD Peter Schjeldahl 66 Niki de Saint Phalle’s feminist force. ON TELEVISION Doreen St. Félix 68 “Waffles + Mochi,” “City of Ghosts.” POEMS Craig Morgan Teicher 35 “Peers” Kaveh Akbar 52 “My Empire” COVER R. Kikuo Johnson “Delayed” DRAWINGS Johnny DiNapoli, Tom Chitty, P. C. Vey, Mick Stevens, Zoe Si, Tom Toro, Adam Douglas Thompson, Suerynn Lee, Roz Chast, Bruce Eric Kaplan, Victoria Roberts, Will McPhail SPOTS André da Loba CONTRIBUTORS Caring for the earth. ©2020 KENDAL Rachel Aviv (“Past Imperfect,” p. 28) is a Ian Frazier (“Guns Down,” p.
    [Show full text]
  • The Beauty Expert Allure Is the Beauty Expert— an Insider’S Guide to a Woman’S Total Image
    The Beauty Expert Allure is the beauty expert— an insider’s guide to a woman’s total image. Allure investigates and celebrates beauty and fashion—placing appearance in a larger cultural context. Allure 2019 CONTENT CALENDAR Rate Base 1,175,000 February Mind & Body Subscriber Base 97.4% March Culture of Beauty Median Age 39 Age Breakdown April Beauty Guide: Skin 18-24 13% May Innovation 25-34 27% June This is American Beauty 35-54 39% 55+ 22% July TBD Avg. Household Income $96,445 August Wellness/Energy Female / Male Readers 92% / 8% September Shopping Readers Per Copy 4.8 October Best Beautyof Allure.com Median Age 39 November Anti-Anti-Aging Avg. Household Income $107,024 Dec/Jan ‘20 TBD Female / Male Visitors 84% / 16% Social Media Followers 4.6M Source: MRI /ComScore2018 mediamaxnetwork.com The International Design Authority Architectural Digest is the international authority on design and architecture. It provides exclusive access to the world’s most beautiful homes and the fascinating people who live in them. Every day Architectural Digest inspires millions of affluent readers to redesign and refresh their lives. Architectural Digest 2019 CONTENT CALENDAR Rate Base 800,000 Subscriber Base 95.8% January The 2019 AD100 Median Age 54 February City Living Age Breakdown March Star Power 18-24 7% 25-34 11% April Designers’ Own Homes 35-54 34% Ma y The International Issue 55+ 49% June Country Houses Avg. Household Income $134,318 + Great Escapes Female / Male Readers 54% / 46% July/Aug Summer Living Readers Per Copy 5.9 September The Style Issue October The Future of Design architecturaldigest.com Median Age 43 November The Renovation Issue Avg.
    [Show full text]
  • In This Week's Issue
    For Immediate Release: February 27, 2017 IN THIS WEEK’S ISSUE What Lay Behind Russia’s Interference in the 2016 Election—and What Lies Ahead? In the March 6, 2017, issue of The New Yorker, in “Active Measures” (p. 40), Evan Osnos in Washington, David Remnick in New York, and Joshua Yaffa in Moscow report on Russia’s interference in the 2016 election and, through interviews with key government and secu- rity voices in both countries, examine this front in the new Cold War. For many national-security officials, the Russian hacks of the Dem- ocratic National Committee and members of Hillary Clinton’s campaign were part of a larger picture: Putin’s desire to damage American confidence and to undermine the Western alliances—diplomatic, financial, and military—that have shaped the postwar world. Benjamin Rhodes, the deputy national-security adviser under President Obama, told The New Yorker, “The new phase we’re in is that the Russians have moved into an offensive posture that threatens the very international order.” The level of tension has alarmed experienced hands on both sides. Robert Gates, the Secretary of Defense under both George W. Bush and Barack Obama, said, “I think the new Administra- tion has a big challenge in front of it in terms of stopping the downward spiral in the U.S.-Russia relationship while pushing back against Putin’s aggression and general thuggery.” Sergey Rogov, of the Institute for U.S. and Canadian Studies, in Moscow, said, “I spent many years in the trenches of the first Cold War, and I don’t want to die in the trenches of the second.” Putin, in his first few years in office, was relatively solicitous of the West.
    [Show full text]
  • Portland, Oregon
    Portland, Oregon No arts organization in Portland exemplifies the aesthetic and economic challenges of the moment—and the creative successes in tackling them—quite like The Portland Institute for Contemporary Art (PICA). PICA was launched in 1995 by Kristi Edmunds, a 29-year-old curator and activist. She’d already made a success of a Portland Art Museum performance series that showcased the likes of Rinde Eckert, Spalding Gray and Holly Hughes. But when a change in museum leader- ship created doubts about that institution’s com- mitment to edgy, contemporary work, Edmunds quit. After several months of quiet networking and planning, she started PICA with the help of a handful of artists and friends and a $160,000 shoestring for a budget. Since then, she’s used her vision, energy and connections to turn it into Portland’s most vig- orous cultural programmer. Its dozens of per- formances and exhibitions, such as Diamanda Galas’ gothic opera, Danny Hoch’s hip-hop- steeped storytelling, sculptor Roland Brener’s suburb of cardboard houses and Karen Finley’s notorious performance art, have sketched an intriguing eclecticism. And PICA has found a hungry audience. First- year attendance, 6,500 for ten events, was consid- ered a surprising success. This past spring, the Robert Wilson/Philip Glass collaboration “Monsters of Grace” (co-commissioned by PICA) drew nearly 5,000 in one night. PICA devotees attend not so much trusting in a good time as wel- coming something new to think about. Edmunds doesn’t program what she thinks “is the best of X, Y or Z,” but what she believes will connect Portland artists and audiences to “different pock- ets of aesthetic conversation around the country.” Even more than through programming skills, she’s built the organization through a combination of grassroots volunteerism, inno- vative corporate partnerships, and patronage from the area’s new money—computers and athletic shoes—more than its old—land and lumber.
    [Show full text]
  • <R2PX] 2^]Rtstb <XRWXVP]
    M V 7>DB4>540AC7)Get a chic blueprint with no carbon footprint | 8]bXST A PUBLICATION OF | P L A N Y O U R N I G H T A T W W W. E X P R E S S N I G H T O U T. C O M | OCTOBER 3-5, 2008 | -- 5A44++ Weekend C74A>03F0AA8>AB --;Pbc]XVWc½bSTQPcTT]STSPUcTa C74A43B:8=B4G?42C0C>D675867C8=?78;;Hk ! 4g_aTbb½STPS[X]T5X]SX]ST_cW R^eTaPVTPcfPbWX]Vc^]_^bcR^\ <R2PX] 2^]RTSTb CHRIS O’MEARA/AP Evan Longoria hit two home runs in the Rays’ win. <XRWXVP] APhbA^[[)Longoria powers Losing ground, Republican Tampa to first playoff win | # writes off battleground state F0B78=6C>=k Republican presidential can- ATbRdT4UU^ac) Push to get didate John McCain conceded battleground Michigan to the Democrats on Thursday, GOP bailout passed gains steam | " officials said, a major retreat as he struggles to regain his footing in a campaign increas- 5^bbTcc2[dTb) Wreckage of ingly dominated by economic issues. These officials said McCain was pulling adventurer’s plane found | # staff and advertising out of the economically distressed Midwestern state. With 17 elec- 4=C4AC08=<4=C toral votes, Michigan voted for Democrat John Kerry in 2004, but Republicans had poured money into an effort to try to place it in their column this year. ?[PhX]V=XRT) The decision allows McCain’s resources Michael Cera acts to be sent to Ohio, Wisconsin, Florida and other more competitive states. But it also sweetly awk- means Obama can shift money to other ward ..
    [Show full text]
  • The Music of Pierre Jalbert
    " an acknowledged chamber-music master." – THE NEW YORKER American composer Pierre Jalbert has been recognized for his richly colored and superbly crafted scores and “music of fierce and delicate inventiveness [with] kaleidoscope of moods and effects.” (Cleveland Plain Dealer) Painting vibrant and picturesque sonic portraits for the listener, he has developed a musical language that is engaging, expressive, and deeply personal. Among his many honors are the Rome Prize, BBC Masterprize, Chamber Music Society of Lincoln Center's Stoeger Award, given biennially "in recognition of significant contributions to the chamber music repertory," and an award from the American Academy of Arts and Letters. Jalbert’s work has drawn inspiration from a variety of sources ranging from plainchant melodies to natural phenomena, and his French-Canadian heritage, hearing English folk songs and Catholic liturgical music growing up. He has earned a reputation for his mastery of color, in both his chamber and orchestral scores, creating timbres that are vivid yet refined and tonally centered, combining modal, tonal, and dissonant sonorities as it travels new and unusual paths, while retaining a sense of harmonic motion culminating in a completed journey. His music has been commissioned and performed worldwide, including the St. Paul and Los Angeles Chamber orchestras, the American Composers Orchestra, and the Symphonies of Houston, Vermont, Albany, Budapest, London, Boston and Milwaukee, the National Symphony, Cabrillo and Eastern Festival Orchestras. He received two Meet the Composer grants, including one for its “Magnum Opus Project.” Jalbert served as Composer-in-Residence with the Los Angeles Chamber Orchestra, California Symphony and Chicago's Music in the Loft.
    [Show full text]
  • Facts Or Falsehoods? Masson V
    Fabricated Quotations-Facts or Falsehoods? Masson v. New Yorker Magazine, Inc. I. INTRODUCTION Libel suits tend to excite the passion of the litigants as well as to generate enthusiasm among observers. Perhaps no other area of law brings constitutional protection of institutions into such intimate con- flict with deeply felt personal outrage. The first amendment stands as a sentinel against repression of freedom of speech and freedom of the press. However, it is also a barrier to vindication of honor by those who are maligned by the falsehoods and scurrilous imputations of others. In less civil times, public lies and attacks on personal character frequently resulted in duels. The combatants attempted to defend their reputations or prove the validity of their accusations by force of arms. Such duels now occur in courtrooms with only slightly less solemnity and formality. The atmosphere is invariably acrimonious because of the deeply rooted sense of personal outrage felt by the plaintiff and the defense of freedom of speech asserted by the press. Against such a background it would seem unlikely that a case could arise in which free press advocates believe that a court is too vigorous in its enforcement of this constitutional guarantee. How- ever, in Masson v. New Yorker Magazine, Inc.' the Ninth Circuit Court of Appeals recently decided a case which some journalists be- lieve condones distortion and alteration of quotations obtained in in- terviews. The decision is caught in the cross fire between common law libel and constitutional principles. 1. 881 F.2d 1452 (9th Cir. 1989). 2. See Henry, The Right to Fake Quotes, TIME, Aug.
    [Show full text]
  • Fake News and Misinformation Policy Lab Practicum (Spring 2017)
    ST ANFORD Fake News & Misinformation Policy Practicum 2017 PRACTICUM RESEARCFacebookH TEAM: Research Team Jacob Finkel, JD ’19, Steven Jiang,Mufan BS ’17, Luo, PhD ‘22 Mufan Luo, PhD ’22, Rebecca Mears, JD/MPP ’19, Danaë Metaxa-Kakavouli, PhD ’20Camille, Peeples, JD ‘18 Camille Peeples, JD ’18, BrendanArjun Sasso, Shenoy,JD ’19, JD ‘19 Arjun Shenoy, JD ’19, Vincent Sheu, JD/MS ’18 , Nicolás Torres-Echeverry, JSM ’17 Google Research Team INSTRUCTOR AND PROJECTDanaë LEAD MetaxaS: -Kakavouli, PhD ‘20 Nicolás Torres-Echeverry, JSM ‘17 SENATOR RUSS FEINGOLD Edwin A. Heafey, Jr., Visiting Professor of Law Luciana Herman, Ph.D. Twitter Research Team Lecturer in Law Program Director, Law and Policy LabJacob Finkel, JD ‘19 Steven Jiang, BS ‘17 Ashwin Aravind, JD ‘18 Teaching Assistant Rebecca Mears, JD/MPP ‘19 Katie Joseff, MA ‘19 Research Assistant Reddit Research Team October POLICY CLIENT: Brendan Sasso, JD ‘19 Hewlett Foundation MadisonVincent Initiative Sheu, JD/MS ’18 2017 1 Acknowledgements This report reflects the research and analysis of an inter-disciplinary law and graduate student team enrolled in the Stanford Law School Fake News and Misinformation Policy Lab Practicum (Spring 2017). Under the guidance of instructor Senator Russ Feingold, the Edwin A. Heafey Visiting Professor of Law, the practicum surveyed the roles of four major online platforms in the spread of fake news beginning with the 2016 U.S. election. Assisting Senator Feingold in the practicum were Policy Lab Program Director and Lecturer Luciana Herman, Ph.D., and Teaching Assistant Ashwin Aravind, J.D. ’18. Brendan Sasso, J.D. ’19, served as the exceptional lead student editor for the report.
    [Show full text]
  • Fake News: Potential Solutions to the Online Epidemic Lee K
    NORTH CAROLINA LAW REVIEW Volume 96 | Number 1 Article 7 12-1-2017 Fake News: Potential Solutions to the Online Epidemic Lee K. Royster Follow this and additional works at: http://scholarship.law.unc.edu/nclr Part of the Law Commons Recommended Citation Lee K. Royster, Fake News: Potential Solutions to the Online Epidemic, 96 N.C. L. Rev. 270 (2017). Available at: http://scholarship.law.unc.edu/nclr/vol96/iss1/7 This Recent Developments is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Law Review by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. 96 N.C. L. REV 270 (2017) FAKE NEWS: POTENTIAL SOLUTIONS TO THE ONLINE EPIDEMIC* On December 4, 2016, police arrested Edgar Maddison Welch for assault with a dangerous weapon at Comet Ping Pong pizzeria in Washington, D.C.1 At some point before that day, Welch came across a story, transmitted online through 4chan, Reddit, and Twitter, along with other websites,2 stating that Hillary and Bill Clinton used Comet Ping Pong as a “front for a pedophile sex ring; the back room was supposedly used for kidnapping and trafficking children.”3 Welch accepted this story as true and decided he had to put a stop to it.4 He grabbed his assault rifle and drove 360 miles from his home in Salisbury, North Carolina to Comet Ping Pong in Washington, D.C,5 operated by the Clinton’s “co-conspirators,” to end the supposed scheme himself.6 He entered the store with family patrons present, walked up to the counter, and pointed his assault rifle directly at the cashier’s face.7 No one was injured, and Welch was apprehended and arrested by Washington police outside the restaurant soon after the incident.8 This “Pizzagate” conspiracy started when James Alefantis, Comet Ping Pong’s owner, was mentioned in an email sent from Hillary Clinton’s campaign manager because he was considering organizing a fundraiser for Clinton’s presidential campaign.9 * © 2017 Lee K.
    [Show full text]
  • Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS
    Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS Executive Summary ....................................................... 1 What Techniques Do Media Manipulators Use? ....... 33 Understanding Media Manipulation ............................ 2 Participatory Culture ........................................... 33 Who is Manipulating the Media? ................................. 4 Networks ............................................................. 34 Internet Trolls ......................................................... 4 Memes ................................................................. 35 Gamergaters .......................................................... 7 Bots ...................................................................... 36 Hate Groups and Ideologues ............................... 9 Strategic Amplification and Framing ................. 38 The Alt-Right ................................................... 9 Why is the Media Vulnerable? .................................... 40 The Manosphere .......................................... 13 Lack of Trust in Media ......................................... 40 Conspiracy Theorists ........................................... 17 Decline of Local News ........................................ 41 Influencers............................................................ 20 The Attention Economy ...................................... 42 Hyper-Partisan News Outlets ............................. 21 What are the Outcomes? ..........................................
    [Show full text]
  • The Long Weekend: Exclusion, Intrusion, Trolls, and Punks
    The Long Weekend: Exclusion, Intrusion, Trolls, and Punks BENJAMIN HARBERT Abstract This essay describes the indie punk scene in Washington, DC, in the days approaching and immediately after the Women’s March 2017. The scene became a cultural target of the right, as musicians were threatened by online trolls from 4chan and other rightwing message boards, culminating in the “Pizzagate”-inspired attack on the venue, Comet Ping Pong. Musicians staged a series of concerts and performances around the march, helping to dispel the sense of threat through intersectional political congregation as well as maintaining a longer steady protest locally. In this article, I will describe the local lead-up to the weekend of the Women’s March, including a protest concert the night before and an after-party the night of the march. The narrative draws out the growing sense of threat to musicians as online trolls from right-wing message boards became active. Then, the narrative continues to detail the ways in which the two events at the rock venues dispelled the fear through intersectional political congregation. I hope that this article offers insight on how eclectic urban musics that embolden the left can also provide cultural targets for the right. I am writing not only as a music scholar, but also as a resident of the nation’s capital embedded in a music scene and economic bracket and as a US citizen making sense of socio-political shifts. This article allows for this blur, eschewing the detached writing of scholarship and provocative agit-prop of activism. I write as a concerned local interlocutor who is fluent, at least, in speaking of music’s role in social change.
    [Show full text]