The Ice Queen
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Moresurprisesfromfairacres
Fiction ISBN1-56145-255-6 $14.95 www.peachtree-online.com EFFIE LELAND WILDER’S ou’d think that author Effie Wilder—at the age of first novel, OUT TO PASTURE ninety-two and with more than 500,000 copies of her H, MY GOODNESS! Hattie (BUT NOT OVER THE HILL) was is at it again! In spite of her published to great acclaim in Yfour best-selling books in print—would be content to O 1995 when she was eighty-five rest on her laurels. Fortunately for us, she isn’t the “retiring” surprises fr failing eyesight, inveterate journal- years old. Its three sequels, OVER WHAT HILL, re om keeper and eavesdropper extraordi- sort. In response to the flood of letters from fans requesting o Fair cres) OLDER BUT WILDER, and ONE MORE TIME, have (m A naire Hattie McNair is still reporting attracted an even wider readership. another visit to FairAcres Home, Mrs. Wilder has graciously on the antics of her lovable cohorts at Mrs. Wilder has lived in Summerville, invited us back for another delightfully uplifting and enter- FairAcres Home. South Carolina, for more than sixty years, the In her familiar journal entries, last fifteen of them at the Presbyterian Home. taining adventure. Whether you’re already acquainted with Hattie takes note of the laughter that She graduated from Converse College in 1930 Hattie and her friends or are meeting them for the first time, lightens their days as well as the tears and received the Distinguished Alumna Award you’re sure to be charmed by these folks who have a whole lot in 1982. -
Let Us Know How Access to This Document Benefits You
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Snapshots Christopher Fielding Porter The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Porter, Christopher Fielding, "Snapshots" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 3588. https://scholarworks.umt.edu/etd/3588 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Pennission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ••Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not gr; lermissioi Author's Signature; Date: Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 Snapshots By Christopher Fielding Porter B.A. Roanoke College, Salem Virginia, 1998 Presented in partial fulfillment of the requirements For the degree of Master of Fine Arts The University of Montana May 2002 Approved by; Chairperson Dean, Graduate School S-2l-02_ Date UMI Number: EP35140 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
The Antarctic Sun, December 24, 2006
December 24, 2006 HowHow McMurdo Got Its Groove On Local music scene heats up By Peter Rejcek Sun staff OTHER RIFFS t’s possibly the cool- Even Shackleton got the est music scene on the blues, page 10 planet. McMurdo Station Pole, Palmer also jam, is certainly the hub page 11 Iof operations for the U.S. AntarcticI Program (USAP) wise, this is a real hotbed of with an austral summer popu- potential.” lation of a thousand people Fox is a pretty good judge or more. But in the last 10 or of what makes a music scene 15 years, it’s become a cross- pulse. He came of age dur- roads for musicians playing ing punk rock’s angry genesis in just about every genre in the late 1970s and early imaginable in their leisure 1980s, playing bass for the time, from reggae to rock and band United Mutation in the from blues to bluegrass. It’s Washington, D.C., area. (See a scene where a punk rocker the Dec. 18, 2005, issue of can share the night’s billing The Antarctic Sun at antarc- with a folk singer and a blues ticsun.usap.gov for a related guitarist – and the audience is story.) there to see them all. A conversation with Fox is “We have been really itself like listening to a punk lucky down here,” said Jay rock set – briefly intense out- Peter Rejcek / The Antarctic Sun Fox, the retail supervisor for bursts, each riff a variation Barb Propst plays guitar at the McMurdo Station Coffee House. -
Ephemeral Art Ephemeral Art
Apr–Jun 2008 The Magazine of the International Child Art Foundation Photo: Scott Whitelaw Photo Credit, opposite page: Christo and Jeanne-Claude: The Gates, Central Park, New York City, 1979–2005 April—June 2008 Volume 11, Issue 2, Number 38 Photo: Wolfgang Volz. © Christo and Jeanne-Claude Editor’s Corner Ephemeral Art Ephemeral Art .................................................. 4 5 Where the Sands Blow, Mandalas Go ............. 5 Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being Ephemera in Art ............................................... 6 the eternal and the immovable. Ephemeral Art: Visualizing Time ...................... 8 - Charles Baudelaire (French Poet, 1857) Christo and Jeanne-Claude .......................... 10 Transformational Touching the Ephemeral Moment ................. 13 Dear Readers, Enviromental Art, Page 10 Art from Ice .................................................... 14 Lately it seems as though we are living in a constant state of transition in every corner of our planet. editor writers Interview with LEGO® Sculpture Artist .......... 16 14 Change is in the air; therefore, we have dedicated this Ashfaq Ishaq, Ph. D. Terry Barrett, Ph. D. B. Stephen Carpenter, II managing editor Day of the Dead: Día de Muertos .................. 18 distinctive issue of ChildArt to the Ephemeral Arts. Melissa Chapin Carrie Foix Andrew Crummy As you will soon discover, ephemeral artists “live in assistant editor Vicki Daiello Making Ephemeral Art ................................... 20 the moment.” From Christo and Jeanne-Claude’s B. Stephen Carpenter, II Claire Eike Sheri R. Klein, Ph. D. Clementina Ferrer How to Make a Paper Boat Sculpture ........... 22 environmental works (p.10) to the delicate sand Patricia McKee Carrie Foix Amanda Lichtenwalner Here Today, Gone Tomorrow ......................... 24 mandalas of Tibetan monks (p.5), ephemeral art’s contributing editor Joanna Mawdsley Amanda Lichtenwalner existence is shaped by the effects of time. -
Monthly Speaker Series
THE Santa Clara Valley Audubon Society Established 1926 AVOCET The Newsletter of the Santa Clara Valley Audubon Society March-April 2019 Birdathon is On! Are You Ready? by Chuq Von Rospach, Birdathon Committee Chair s we approach Spring Migration, our thoughts turn to Spring Birdathon - our annual fundraising event that Akicks off Saturday, March 30th and runs through May 5th. This is the most fun you will ever have fundraising, and your contributions help fund our education programs through- out the year. It’s easy to get involved: if you want to learn more about birds and birding in Santa Clara County, you can join one of the or- Rospach by Chuq Von ganized groups and go out with experienced leaders who will share their knowledge with you during the outing. If you want to support the fundraiser without joining a group, set yourself as a solo participant and go out and bird and report in your results. Have a group of friends you want to bird with? Set up your own team and have a good time while helping Santa Clara Valley Audubon Society fund its ongoing projects. Ready to sign up? Just go to scvas.org/birdathon to fnd dates and team descriptions, and register as a participant or create your own team. Then, all you need to do is fnd sponsors and from Birdathon 2018 Wren Rock go birding! There are events for all levels of birders, from brand new, enthusiastic learners to our most experienced people. For those just starting out, consider one of our big sits, where we fnd a good place to hang out and wait for the birds to come to us. -
Conceptual Blending, Metaphors, and the Construction Of
Conceptual Blending, Metaphors, and the Construction of Meaning in Ice Age Europe: An Inquiry Into the Viability of Applying Theories of Cognitive Science to Human History in Deep Time By Timothy Michael Gill A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Margaret Conkey, Chair Professor Rosemary Joyce Professor Kent Lightfoot Professor Eve Sweetser Fall 2010 Copyright Timothy Michael Gill, 2010 All rights reserved Abstract Conceptual Blending, Metaphors, and the Construction of Meaning in Ice Age Europe: An Inquiry Into the Viability of Applying Theories of Cognitive Science to Human History in Deep Time by Timothy Michael Gill Doctor of Philosophy in Anthropology University of California, Berkeley Professor Margaret Conkey, Chair Although the peoples of Ice Age Europe undoubtedly considered the drawings, engravings and other imagery created during that long period of prehistory to be deeply meaningful, it is difficult for people today to discern with any degree of accuracy or reliability what those meanings may have been. Grand theories of meaning have been proposed, criticized, and in some cases rejected. The development over the last few decades of modern cognitive science presents us with another angle of approach to this difficult problem. In this dissertation I review two related cognitive science theories, Conceptual Metaphor Theory and Conceptual Integration -
Burcham Beacon Volume 10 8Th Edition August 2017
Burcham Beacon Volume 10 8th Edition August 2017 Independence Day Celebration A record number of residents, families and staff attended the annual BBQ in celebration of Independence Day on Monday, July 3. The weather could not have been more perfect and the music from “The Clarksons” helped set the festive mood, even getting a large group out on the dance floor for the Chicken Dance! A special “Thank You” to the Hospitality Ser- vices Team for the delicious meal and to the Recreation Team for organizing the wonderful celebration. We look for- ward to the final celebration of the summer season with the Luau on Fri- day, September 1, to celebrate La- Just as in history, the light- bor Day. Be sure to save the date! house gave a guiding light to conduct mariners to their If you would like a table reserved destination, so will the for you and your family or a Burcham Beacon act as a guide to Aging with Grace. group of friends, please contact Kimber Lucius at 827-1061 or Alesha Williams 827-1068 by Fri- day, August 25. All non-reserved seating is first come, first serve. See more event photos on Page 16. I NSIDE T HIS I SSUE 3 Music & Enrichment 4 Employee Spotlights 5 Reminiscing 6 Special Events 7 Resident Center Happenings 8 CHR 2nd & 3rd floor Wellness Center Opens Neighborhoods 9 Places to Go with New Weekend Hours 10 Regular Program Descriptions 11/12 Wellness 13 Foundation The Fitness Team is excited to an- 14 Memorials 18 Spiritual Wellness nounce the Wellness Center is offi- & Support Groups 19 Movie Listings cially open for weekend hours. -
Heavier Than It Looks and Other Stories Matthew Obit As Ray
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2010 Heavier than it looks and other stories Matthew obiT as Ray Follow this and additional works at: http://mds.marshall.edu/etd Part of the Appalachian Studies Commons, Comparative Literature Commons, and the Fiction Commons Recommended Citation Ray, Matthew Tobias, "Heavier than it looks and other stories" (2010). Theses, Dissertations and Capstones. Paper 808. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. HEAVIER THAN IT LOOKS AND OTHER STORIES A Thesis submitted to The Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts Department of English by Matthew Tobias Ray Approved by Professor John Van Kirk, M.F.A., Committee Chairperson Dr. Rachael Peckham, M.F.A., Ph.D. Dr. Jane Hill, Ph.D. Marshall University May 2010 Keywords: third-person limited narration, first-person narration, second-person narration, metafiction, fatherlessness, suicide, violent crime, Appalachia, music, storytelling ii ACKNOWLEDGMENTS I want to extend my thanks to Professor John Van Kirk, Dr. Rachael Peckham, and Dr. Jane Hill. Without the patient consideration of each of these thoughtful people, this collection would not exist as it does today. Each member of my thesis committee helped me to see my writing from a different perspective and took the time to read the stories closely and provide me with excellent feedback. -
FF46 Tower O Destruction.Pdf
FIGHTING FANTASYBOO KIi Over 12 rnillion copiessold worldwldel ll o"o 4*LlVIIIGSTONE frF fr Puftrn Books TOWER OF DESTRUCTION Thirstingfor justice,you musl out on the L'ailof -5et the bizirre device.But wheredid it come From Mr'ho madeiL - and can it be sLopped?YOU must seeyour ouestthroueh to ils astoni+lngconclusion to ffnd the answersio il Lhesequestions. Eut beware - the sPhere is the key to a Fargreafer danger that threatensall Allansia! Two dice, a pencil and an eraser are all you n€ed to embark on this remarkable adventure, which comes complet with its elaboratecombat sysLem and a score sheetto ecordyour Progrcss. Many fearsomedangers lie aheadirnd successis by no meanscertain. Powe-rful adversaries are rahged against vou enemieswho wjll stop at nothing to foil you in vourquesr. lts up to YOU to decidewhich route Lo Follow,whi.h dangersto rish and which foesto fight Dare you takeup Lhechallenge? FightiflS Fant$y Gd Mbook Steve Jackson and Ian Living6tone PreEenr , THEFOREST OI DOOM rr DA€CEI5 Or DAX(N!S5 !Z BLACK!'EN PROPHECY 44 LECIM OF THE SIIADOW Martin Stev€Ja.ksnt SORCERYI Keith r (H,{Rl - cn-/PoRr or r&fs Iltuikatd W PeteKnifton FICI{TINC FANTASY lA€ r*ioducrory Role Playing Cde Th€ Adveea fighti$ FmtE y Sytle DUNCEONEER An Inhoduction to Advmed Fighhng Fantary BLACKsANDT - Mo,e Advmed Edtins Falasy OUI OF IHE PIT Fighting Fmtasy MonsteE TITAN The FighhnA lantasy wodd Th€ Fidting lebsy Novels THE TROLLTOOfi wAxS - ClEos lnvades All.nsia Pufffn Bmk6 DEMONSTEALER - Cladda Ddhnm€ Retms PUFfIN BOOKS CONTENTS Publded bY th€ Pcngum CrouP rval| ,rr^,'d E 'paeu,Bools.,J 'ws)- sldad Pqe IBoo" s'|. -
THE SNOW QUEEN a Fairytale in Seven Stories
THE SNOW QUEEN A fairytale in seven stories First story, which deals with the mirror and the shards of glass. Right then! Time to start. When we’re at the end of the story we’ll know more than we do now, for it has to do with an evil ogre! one of the very worst – it was ‘the devil’! One day he was in a really good mood, for he had made a mirror that had the property of reducing everything good and beautiful that was reflected in it into practically nothing, but whatever was fit for nothing and looked bad grew more pronounced and became even worse. The loveliest landscapes looked like boiled spinach in it, and the best of people turned ugly or stood on their heads with no stomach, their faces became so distorted that they were unrecognisable, and if someone had a freckle, you could be sure that it spread out over both nose and mouth. It was most amusing, ‘the devil’ said. If a good pious thought went through the mind of a person, a grin appeared in the mirror, so that the ogre devil had to laugh at his ingenious invention. Everyone who went to an ogre school – for he ran such a place – said far and wide that a miracle had taken place; now for the first time one could really see, they felt, what the world and people really looked like. They ran around with the mirror, and finally there wasn’t a country or a single person that had not been distorted in it. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Touch and Go…Magazine (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Sex Master…Squeeze (7/78) Surrender…Cheap Trick (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) I Wanna Be Sedated (megamix)…The Ramones (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The -
Back Yard, February 15, 1999, Vol. IV, No. 61
Volume IV, Issue #61 February 15,1999 Ruth & Matt Launch SCHELL BROS CIRCUS, 1929 1930 •By CarCM. T)eVere, Sr. (From "For Our Eyes Only"*Published by Bud) I spent a lot of time on the road with my parents when they were agents. Dad hitched the trailer to our sedan at 9 or 10 o'clock each morning. The jumps from one town to another were normally less than a 100 miles. We usually arrived at the next town before noon. Dad found the circus lot, unhitched the trailer, & he and Mom went to work. Sometimes I remained in the trailer. Other times, I rode to town with them. Many times I played in the back set of the car while Mom spoke to a prospective customer in the front seat. She gave a pitch in her front seat office while I listened. I heard her repeat the talk so many times, I entertained my folks during a jump by giving her entire presentation. I played the part of my mother & that of the buyer. So my parents declared me a full-fledged banner salesman at age six. I felt big! We loved to sing in the car. I thought it sounded beautiful. My parents harmonized, & they tried to teach me. However, I was better in the lead. The only song I understood for harmony was "You Are My Sunshine." We sang it several times each day to give me a chance to shine. We played many road games. One was "Auto License Plate Alphabet." My favorite was a game Dad made up, called "Popular Cars." Each of us selected a brand of car to look for on the highway.