Natasha Braier, Adf Director of Photography

Total Page：16

File Type：pdf, Size：1020Kb

Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net NATASHA BRAIER, ADF DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE NEON DEMON Nicolas Winding Refn Gaumont Official Selection, Cannes Film Festival (2016) THE ROVER David Michôd Porchlight/A24 Official Selection, Cannes Film Festival (2014) CHINESE PUZZLE Cédric Klapisch Studio Canal SWIMMER Lynne Ramsay Warp Films Winner, Best Short Film, BAFTA Awards (2013) Official Selection, Cannes Film Festival (2013) LOROXO Claudia Llosa TNT Winner, Best Short Film, Berlin Film Festival (2012) THE MILK OF SORROW Claudia Llosa Wanda Vision Nominated, Best Foreign Language Film, Academy Awards (2010) Winner, Golden Camera, Manaki Brothers International Cinematographers Film Festival (2009) Winner, Golden Bear, Berlin Film Festival (2009) SOMERS TOWN Shane Meadows Tomboy Films Winner, Best Film, Edinburgh Film Festival (2008) Official Selection, Berlin Film Festival (2008) XXY Lucia Puenzo Wanda Vision Winner, Critics Week Grand Prize, Cannes Film Festival (2008) Winner, Best Cinematography, Argentinian Film Critics Association Awards (2008) IN THE CITY OF SYLVIA Jose Luis Guerin Chateau-Rouge Official Selection, Venice Film Festival (2007) Official Selection, Toronto Film Festival (2007) GLUE Alexis Dos Santos The Bureau Film Co. Official Selection, Toronto Film Festival (2006) DIRECTORS/COMMERCIALS SAMIR MALLAL Samsung JUAN CABRAL Boot’s No. 7 FLEUR FORTUNE Nike NICOLAS WINDING REFN Hennessy, Hilton, Hugo Boss, Le Bon Marché STUART MCINTYRE Azzaro NICOLAI FUGLSIG Visa ROMAN COPPOLA Microsoft Bing PARK CHAN-WOOK Zenga “Rose Reborn” M BLASH Woodbridge FREDRIK BOND Vodafone BENITO MONTORIO British Petroleum FRANK BUDGEN Sony, Live 8 x 4 Campaign TOM CARTY Blackberry, Trident, Live 8 x 4 Campaign VINCE SQUIBB BBC Local Radio, McDonalds, Oronine MIKE MILLS Barnes & Noble CLAUDIA LLOSA Font Vella CHRIS PALMER Live 8 x 4 Campaign MARK MOLLOY Johnnie Walker MIKE MAGUIRE Cellular South CARLOS CUARON Corona THIRTYTWO BBC Radio LEILA & DAMIEN DE BLINKK Sony Bravia, Good Hair Day OLLY BLACKBURN Local Radio, Britvic CHRIS CAIRNS LG Mobile, Trivago ANTHONY DICKENSON Nationwide TOBY McDONALD Dreams, Anti-Smoking, BBC, Dreams SI & AD McDonald’s NEIL HARRIS Genius DAWN SHADFORTH Rimmel MARTIN KREJCI Koovs DIRECTORS/MUSIC VIDEOS MARTIN DE THURAH David Byrne & St. Vincent ‘Who” CHRIS CAIRNS LCD Soundsystem “Daft Punk is Playing at My House”, Little Barrie “Long Hair” DAWN SHADFORTH Hurts “Wonderful Life” RACHEL THOMAS Oasis “She Is Love” PRESS VARIETY MAGAZINE “10 Cinematographers to Watch” (2013) .

Copy Link

Recommended publications

Peter Suschitzky ASC Director of Photography
Peter Suschitzky ASC Director of Photography Website Peter Suschitzky, ASC Honored in Cannes by Angénieux Read here: https://www.theasc.com/site/news/peter-suschitzky-asc-honored-in-cannes-by-angenieux/ Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes THE TALE OF TALES Archimede Film Dir: Matteo Garrone MAPS TO THE STARS Integral Film/ Prospero Pictures Dir: David Cronenberg AFTER EARTH Blinding Edge Pictures/ Columbia Pictures Dir: M. Night Shyamalan COSMOPOLIS Alfama Pictures/ Kinology/ Prospero Dir: David Cronenberg Pictures A DANGEROUS METHOD Recorded Picture Company/ Lago Dir: David Cronenberg Pictures/ Prospero Pictures EASTERN PROMISES Serendipity Films/Focus Features/Kudos Dir: David Cronenberg Film & TV LE CONCILE DE PIERRE UGC Images/Integral Film Dir: Guillaume Nicloux A HISTORY OF VIOLENCE Bender Spink Inc/New Line Dir: David Cronenberg United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SHOPGIRL Disney/Hyde Park Dir: Anand Tucker SPIDER Capitol Films Dir: Capitol Films RED PLANET Village Roadshow/ Warner Bros Dir: Anthony Hoffman EXISTENZ Alliance Dir: David Cronenberg THE MAN IN THE IRON MASK United Artists Dir: Randall Wallace MARS ATTACKS! Warner Bros Dir: Tim Burton CRASH New Line Dir: David Cronenberg IMMORTAL BELOVED Columbia Dir: Bernard Rose M. BUTTERFLY Warner Bros Dir: David Cronenberg
[Show full text]
16.-22. Oktober 2003 På Bergen Kino Lørdag 18
16.-22. OKTOBER 2003 PÅ BERGEN KINO www.filmweb.no/biff LØRDAG 18. OKTOBER KP1 KL. 19.00 Et hav av film venter deg.. Lunsjretter, middagsretter, utstillinger, cafe-quiz mandager, BIFF byr på et rekordstort program i år. Med mer enn hundre langfilmer og nærmere 150 kortfilmer på programmet er BIFF den desiderte største konserter tirs- og torsdager og klubb onsdag og i helgene... filmfestivalen i Norge. BIFF er i år selve lokomotivet i Bergen Art Festival, som består av åtte partnere innen samtidskunstfeltet. ”På vei mot den 7. kunstart” har vi kalt denne fellesmarkeringen – fordi film er den kunstkunstart som tar opp i seg de andre fagfeltene, så som litteratur, musikk, billed- og scenekunst. PRØV VÅR NYE SANDWICHMENY, OGSÅ TAKE-AWAY!!! Hva er så de viktigste tema for årets BIFF? Det er først nå vi får rushet av Åpningstider: filmer som er laget etter 11. september 2001. Flere av filmene bærer preg mandag - lørdag 11.00 - 00.30/03.30 av den nye verdensuro i kjølvannet av det som skjedde og hva som er skjedd i etterkant. søndag 12.00 - 00.30 Café Opera Et annet tema er det vi i forrige århundre kalte kvinnefrigjøring. Det handler om kvinner som på forskjellig vis kutter kontakten til menn og prøver å stake ut sin egen kurs. PERSONAL VELOCITY er et Engen 18 - 5011 Bergen - tlf. 55 23 03 15 godt eksempel her. Så har vi en del filmer som har ensomhet som grunnleggende tema, selv om de på overflaten handler om noe annet og mer konkret. Og videre: "Grenseland i film" – vårt prosjekt i samarbeid med Statens filmtilsyn - handler i år om moralske panikker vis à vis f.eks.
[Show full text]
Rob Hardy, Bsc Director of Photography
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net ROB HARDY, BSC DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER LEWIS & CLARK (Mini-series) John Curran HBO/ Plan B EX MACHINA Alex Garland DNA Films/ Film 4 Scott Rudin Productions TESTAMENT OF YOUTH James Kent Heyday Films Official Selection, London Film Festival (2014) BBC Films THE INVISIBLE WOMAN Ralph Fiennes Magnolia Mae Films Official Selection, London Film Festival (2013) BBC Films Official Selection, Toronto Film Festival (2013) BROKEN Rufus Norris Cuba Pictures Limited Winner, Best British Film, BIFA Awards (2012) BBC Films Official Selection, Cannes Film Festival (2012) SHADOW DANCER James Marsh Unanimous/BBC Films Official Selection, Sundance Film Festival (2012) Element Pictures Official Selection, Berlin Film Festival (2012) STOLEN Justin Chadwick RSJ Productions Winner, Best Cinematography in a Television Drama, BSC Awards (2011) THE FORGIVENESS OF BLOOD Joshua Marston Journeyman Pictures Winner, Best Screenplay, Berlin Film Festival (2011) Official Selection, Toronto Film Festival (2011) THE FIRST GRADER Justin Chadwick Origin Pics/ BBC Films Official Selection, London Film Festival (2010) Sixth Sense Productions Official Selection, Toronto Film Festival (2010) RED RIDING: 1974 Julian Jarrold Revolution Productions Winner, Best Cinematography & Lighting, BAFTA TV Awards (2010) Channel 4 BOY A John Crowley Cuba Pictures Winner, Best Cinematography, BAFTA Awards (2008) Channel 4 Winner, Prize of the Ecumenical Jury, Berlin Film
[Show full text]
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC â€œSHARE THE AIRâ€ VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek GluziÃ±ski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
[Show full text]
Alex Reynolds Choreographer/ Movement Director
Alex Reynolds Choreographer/ Movement Director Agents Madeleine Pudney Assistant 020 3214 0999 Eliza McWilliams [email protected] 020 3214 0999 Daniela Manunza Assistant [email protected] Lizzie Quinn [email protected] + 44 (0) 203 214 0911 Credits Film Production Company Notes FANTASTIC BEASTS: THE Heyday Films / Warner Dir: David Yates SECRETS OF DUMBLEDORE Bros Prod: David Heyman, Steve Kloves, Tim Lewis, J.K. Rowling, Lionel Wigram MORBIUS Marvel / Sony Dir: Daniel Espinosa With Matt Smith & R&D for Prods: Avi Arad, Lucas Foster & Matt Jared Leto Tolmach LOUIS WAIN SunnyMarch / Amazon / Dir: Will Sharpe With Benedict Cumberbatch StudioCanal / Shoebox Prods: Adam Ackland, Ed Clarke, Films / Film 4 Leah Clarke & Guy Heeley EMMA Working Title Dir: Autumn de Wilde Prod: Tim Bevan, Eric Fellner United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE AERONAUTS With Eddie Mandeville Films / Dir: Tom Harper Redmayne Amazon Studios Prods: Todd Lieberman, David Hoberman THE SECRET GARDEN Heyday Films / Studio Dir: Marc Munden Canal Prods: Rosie Alison, David Heyman FANTASTIC BEASTS: THE Warner Bros Dir: David Yates CRIMES OF GRINDELWALD Prods: David Heyman, Steve Kloves, With Eddie Redmayne, J.K. Rowling, Lionel Wigram Katherine Waterston, Alison Sudol COLETTE BFI Dir: Wash Westmoreland With Keira Knightley and Prods: Elizabeth Karlsen, Pamela Dominic West Koffler, Michel Litvak, Christine Vachon, Gary Michael Walters, Stephen Woolley THE KID WHO WOULD BE KING Big Talk Productions Dir: Joe Cornish With Rebecca Ferguson Prods: Tim Bevan, Eric Fellner, Nira Park LIFE Columbia Pictures/ Sony Dir: Daniel Espinosa With Jake Gyllenhaal, Ryan Prods: Bonnie Curtis, David Ellison, Reynolds, Rebecca Ferguson Dana Goldberg, Julie Lynn THE MUMMY Universal Pictures Dir: Alex Kurtzman With Tom Cruise Prods: Sean Daniel, Alex Kurtzman, Chris Morgan, Roberto Orci FANTASTIC BEASTS AND Warner Bros.
[Show full text]
British Music Videos and Film Culture
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 The Fine Art of Commercial Freedom: British Music Videos and Film Culture Emily Caston, University of the Arts, London In the “golden era” or “boom” period of music video production in the 1990s, the UK was widely regarded throughout the world as the center for creative excellence (Caston, 2012). This was seen to be driven by the highly creative ambitions of British music video commissioners and their artists, and centered on an ideological conception of the director as an auteur. In the first part of this article, I will attempt to describe some of the key features of the music-video production industry. In the second I will look at its relationship with other sectors in British film and television production – in particular, short film, and artists’ film and video, where issues of artistic control and authorship are also ideologically foregrounded. I will justify the potentially oxymoronic concept of “the fine art of commercial freedom” in relation to recent contributions in the work of Kevin Donnelly (2007) and Sue Harper and Justin Smith (2011) on the intersection between the British “avant garde” and British film and television commerce. As Diane Railton and Paul Watson point out, academics are finally starting to recognize that music videos are a “persistent cultural form” that has outlived one of their initial commercial functions as a promotional tool (2011: 7). Exhibitions at the Museum of Moving Image (MOMI) in New York and the Foundation for Art and Creative Technology (FACT) in Liverpool have drawn the attention of Sight and Sound, suggesting that this cultural form is now on the verge of canonization (Davies, 2013).
[Show full text]
Completo 11.Qxd
Exibart.onpaper 11 Sped. in A.P. 45% art. 2. c. 20 A.P. in Sped. let. B - l. 662/96 Firenze eventi d'arte in italia | euro zero | anno secondo | dicembre 2003 - gennaio 2004 www.exibart.com Aprono a Roma i primi spazi del museo Maxxi. Con Kara Walker www.fondsrr.org FONDAZIONE SANDRETTO RE REBAUDENGO mostre - incontri - eventi paralleli 2004 2 retrocover Exibart.onpaper L’ambito più vicino all’arte è... la musica 19,79% Sondaggi il teatro 12,50% l'architettura 25,52% la moda 4,17% OREDARIA la poesia 16,15% davvero notevole la nuova galleria aperta nel quartiere nomentano di Partecipa ai sondaggi di exibart andando alla pagina: la letteratura 5,21% roma. grandiosità sotto ogni punto http://www.exibart.com/TestSondaggi/sondaggio.asp il cinema 16,67% di vista e intelligenza nelle scelte. e quasi quasi fa concorrenza al vici- no macro. anche nel numero di visitatori La politica culturale del governo è... Si può vivere di sola arte? FONDAZIONE TRUSSARDI continuano a convincere (e a dare inesistente 48,46% manco morti 26,75% una sferzata all'atmosfera un po' pessima 37,31% si, con sforzi 37,25% stagnante della milano d'inizio mil- corretta 5,77% smarchettando... 27,25% lennio) le mostre organizzate dalla fondazione trussardi e ospitate così così 8,46% non so 8,75% negli spazi suggestivi della capitale del nord. e a fine novembre l'istitu- zione diretta da massimiliano gioni ha vinto uno dei prestigiosi premi impresa e cultura 2003 MAXXI risorge dalle sue ceneri il costi- tuendo mega museo d'arte con- Qualcosa che va bene temporanea romano.
[Show full text]
Conservation and Curation: Theoretical and Practical Issues in the Making of a National Collection of British Music Videos 1966–2016
Alphaville: Journal of Film and Screen Media no. 19, 2020, pp. 160–177 DOI: https://doi.org/10.33178/alpha.19.14 Conservation and Curation: Theoretical and Practical Issues in the Making of a National Collection of British Music Videos 1966–2016 Emily Caston Abstract: This article identifies and examines the research methods involved in curating a national collection of British music videos for the British Film Institute and British Library in relation to existing scholarship about the role of the curator, the function of canons in the humanities and the concept of a hierarchy of screen arts. It outlines the process by which a theoretical definition of “landmarks” guided the selection of works alongside a commitment to include a regionally and socially diverse selection of videos to reflect the variations in film style of different music genres. The article also assesses the existing condition of British music video archives: rushes, masters, as well as documents and digital files, and the issues presenting academics and students wishing to study them. It identifies the fact that music video exists in the gaps between two disciplines and industries (popular music studies / the music industry and film and television studies / the screen industries) as an additional challenge to curators of the cultural form, alongside complex matters of licensing and formats. In 2015, I was tasked with creating a national collection of British music videos for the British Film Institute (BFI) and British Library (BL). This was an output from a large research project funded by the Arts and Humanities Research Council (AHRC) 2015–2017 to be accompanied by a monograph (Caston, British Music Videos).
[Show full text]
Björk Reaches Beyond the Binaries
COMMUNICATOR BETWEEN WORLDS: BJÖRK REACHES BEYOND THE BINARIES Edwin F. Faulhaber A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Kimberly Coates, Advisor Robert Sloane ii ABSTRACT Kimberly Coates, Advisor Icelandic pop star Björk has spent her career breaking down boundaries, blurring lines, and complicating binaries between perceived opposites. Examining a variety of both primary and secondary sources, this study looks at the ways that Björk challenges the binary constructions of “high” and “low” art, nature and technology, and feminism and traditional femininity, and also proposes that her uniquely postmodern approach to blurring boundaries can be a model for a better society in general. This study contends that Björk serves as a symbol of what might be possible if humans stopped constructing boundaries between everything from musical styles to national borders, and as a model for how people can focus on their commonalities while still respecting the freedom of individual expression. This is particularly important in the United States of America, a place where despite its infinite potential for cultural pluralism and collaboration, there are as many (or more) divisions between people based upon race, class, gender, and religion as anywhere else in the world. iii Dedicated to Morgaine iv ACKNOWLEDGMENTS I would like to thank my committee, Dr. Kim Coates and Rob Sloane, for all of their suggestions and encouragement while I wrote this thesis. I would also like to thank Dr. Don McQuarie and Gloria Enriquez Pizana for their support and assistance, as well as a host of wonderful professors who laid the groundwork for this thesis by inspiring me along the way: Rob, Kim, Drs.
[Show full text]
Dancing & Dreaming
Alphaville: Journal of Film and Screen Media no. 19, 2020, pp. 184–194 DOI: https://doi.org/10.33178/alpha.19.16 Dancing & Dreaming: “Fifty Years of British Music Video” in Havana Emily Caston and Justin Smith Abstract: This report reflects on a follow-on initiative from the AHRC-funded project “Fifty Years of British Music Video” designed to explore a collaboration between Cuba’s dance, film and music cultures to create non- performance-based dance videos. Facilitated by service company Island Pictures, we worked with a young director, Giselle García Castro, dancers at Danza Contemporánea de Cuba, and leading Cuban rap artist Telmary. The result was a single-shot video for Telmary’s “Soy el Verso” (2018), filmed in the dance studio, based on an improvisation guided by Giselle, and inspired by the José Martí poem in the song. The video fulfilled PI Caston’s ambition to break down the barrier between “dance film” and “music video” by building the choreography from the lyrics and making it the centre of the exercise. It endorsed Caston’s conceptual aim to encourage practitioners to identify and articulate their own narrative and iconography. The team also produced a fifteen-minute documentary of the process including interviews with filmmakers, teachers and students. The project demonstrated that academic collaboration with artistic communities can stimulate new creative practices and economic development. It also showed how creative industries researchers can use networks established by institutions such as the British Council and British Embassies to exchange media practice. On Friday 25 March 2016, The Rolling Stones held a free concert in Havana, Cuba, at the end of their South American tour.
[Show full text]
Power to the People: British Music Videos 1966 - 2016
Power To The People: British Music Videos 1966 - 2016 200 landmark music videos TRL314A_BKLT_R2018.indd 1 17/01/2018 12:46 Disc 1 contains Performance Videos - a genre which has its roots in mid-1960s films such Power To The People: as A Hard Day’s Night (1964). The core deceit of the performance video is that the band British Music Videos 1966 - 2016 do not perform the track live for filming but mimic performance by singing and playing their instruments in synch to audio playback of the track. Some bands and directors Introductory Essay by the curator Professor Emily Caston have rebelled against this deception to create genuine live performance videos such as Joy Division’s ‘Love Will Tear Us Apart’ (1980). There are precedents for the styles used in pre-1966 video jukebox and other short film clips. Directors who excelled in the performance genre often came from a music or record company background, or came This is a collection of some of the most important and influential music videos made in to video directing through album design. Britain since 1966. It’s the result of a three-year research project funded by the Arts and Humanities Research Council and run in collaboration with the British Film Institute and From the 1980s onwards video directors fashioned more and more original locations the British Library. The videos were carefully selected by a panel of over one hundred and devices for those artists who were willing to experiment with the performance directors, producers, cinematographers, editors, choreographers, colourists and video genre: Tim Pope & The Cure’s ‘Close To Me’ (1985), Sophie Muller & Blur’s ‘Song 2’ commissioners.
[Show full text]
Bafta Elevate 2017 Participants
BAFTA ELEVATE 2017 PARTICIPANTS Alicia Duffy Alicia Duffy is a BAFTA-nominated director. While at the National Film and Television School, she directed two short films: Numb (2000) and Crow Stone (2001), both of which screened at numerous festivals internationally. Numb received a Special Commendation at the Edinburgh Film Festival and the Arri Prize, while Crow Stone was a prize-winner in the Cinefondation Competition in Cannes 2001 and received awards at festivals including Edinburgh, Chicago and Bologna, and was an RTS award-winner in the same year. In 2002, Duffy was selected for the Cannes Film Festival Cinefondation Residence in Paris, and later that year made the short film The Most Beautiful Man In The World, for which she received a BAFTA nomination in 2003. In the same year, the film was in the Official Selection at Cannes and won Best International Film at the Hamburg Short Film Festival, as well as receiving further awards at The Rhode Island Film Festival and Chicago Film Festival, and the Turner Classic Movies Short Film Prize. Alice Duffy’s first feature, All Good Children, screened internationally and was selected for the Directors’ Fortnight at the Cannes Film Festival 2010. Amanda Blue Amanda Blue is a BAFTA-nominated director with 15 years’ experience in documentary filmmaking. She began her career in drama, working with BAFTA and Oscar-nominated director Mike Figgis, and later produced his documentary arts films, before directing her own work. Early in her documentary career, Blue directed the award-winning series, Young Black Farmers (2006). In 2008, she received a BAFTA nomination in the Director – Factual category at the British Academy Television Craft Awards for Prescott: The Class System and Me.
[Show full text]