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La Violencia De Género En El Cine De Iccíar
Trabajo Fin de Grado La violencia de género en el cine de Icíar Bollaín. El caso de Te doy mis ojos. Gender- based violence in Icíar Bollaín’s cinema. The case of Take my eyes. Autora Beatriz Pradas Royo Directora Amparo Martínez Herranz Facultad de Filosofía y Letras Departamento de Historia del Arte 2019 Índice. Resumen…………………………………………………………….....1 1.- Introducción…………………………………………………………..2 1.1.- Elección y justificación del tema………………………………...2 1.2.- Delimitación del tema y objetivos………………………………2 1.3.- Estado de la cuestión……………………………………………3 1.4.- Metodología…………………………………………………….6 2.- Desarrollo analítico…………………………………………………..8 2.1.- Los malos tratos en el cine español e internacional…………….8 2.2.- El caso de Icíar Bollaín…………………………………………10 2.2.1.- Principios creativos de su cine……………………….....19 2.3.- Te doy mis ojos…………………………………………………21 2.3.1.- Amores que matan………………………………………21 2.3.2.- Proceso creativo de Te doy mis ojos…………………….23 2.3.3.- Valores estéticos y narrativos…………………………..26 2.3.4.- Libro de familia…………………………………………28 2.3.5- El arte como catarsis…………………………………….33 3.- Conclusiones…………………………………………………………37 4.- Bibliografía…………………………………………………………..39 5.- Anexo 1. ……………………………………………………………..46 6.- Anexo 2. ……………………………………………………………..50 7.- Anexo 3. ……………………………………………………………..52 8.- Anexo 4. ……………………………………………………………..54 9.- Anexo 5 ……………………………………………………………...64 La violencia de género en el cine de Icíar Bollaín 1 El caso de Te doy mis ojos Resumen. La violencia de género es una lacra que afecta al conjunto de la sociedad desde hace décadas. A través de este trabajo, realizaré un breve recorrido sobre el tratamiento del asunto en el arte cinematográfico, comenzando por una panorámica general de películas que tratan este tema. A continuación, me centraré en la figura de la directora madrileña Icíar Bollaín, repasando su filmografía y los aspectos estéticos y narrativos de su cine. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Film, Literature, and Translation
1 Film, Literature, and Translation: The Reception of Spain in the United States by Andrea Reisenauer Trabajo fin de Máster directed by Luis Pegenaute Departament de Traducció i Filologia Universitat Pompeu Fabra Barcelona, July 2015 2 ABSTRACT There is an increasing amount of research examining the parallels between the translation and adaptation processes, products, and studies themselves. Many Adaptation Studies scholars call for the use of Translation Studies' theoretical and methodological framework provided by the Polysystem theory to help further Adaptation Studies as a discipline. This study seeks to adopt this Polysystem theory to examine both Spanish adaptations and Spanish translations that have been published or released in the United States between 1980 and 2015. In doing so, it intends to not only reveal the preliminary, combined, and reception norms involved, but also to further demonstrate the parallel between these two processes and the value of a Polysystem approach in Translation Studies and Adaptations Studies. 3 TABLE OF CONTENTS ABSTRACT.....................................................................................................................................2 TABLE OF CONTENTS.................................................................................................................3 LIST OF TABLES ..........................................................................................................................5 CHAPTER 1—INTRODUCTION...............................................................................................6 -
Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits -
LATIDO-Flyer-CHAMPIONS-Web.Pdf
Directed by Javier Fesser CAMPEONES / COMEDY / Production: Spain / Language: Spanish / 2018 / 118 min Synopsis Marco is an assistant coach in Spain’s top basketball league. One day, after getting drunk, his frustration and bad attitude get him involved in a traffic accident that lands him in court. He loses his job and his girlfriend and is sentenced to the worst possible punishment for his ego: coaching a group of intellectually-disabled players that have never touched a ball before. Through their innocence, tenderness and plenty of good humour, they will teach Marco about the things that really matter. They are the true Champions of Life. Over 1.3 million admissions and 7.5 euros box office in its first 3 weeks Starring Javier Gutierrez, two times Goya Award Winner for THE MOTIVE (2018) and MARSHLAND (2015) By the Oscars nominee director and winner of 6 Goya Awards for CAMINO Produced by MORENA FILMS (CHE, ASTERIX AND OBELIX, CELL 211, MA MA) Pre-sold to UNIVERSAL (Spain), LE PACTE (France), CONCORDE (Germany), PRAESENS (Switzerland), MOVIES INSPIRED (Italy), JOY PICTURES (China), BEES FACTORY (Taiwan) BIOGRAPHY AND FILMOGRAPHY OF THE DIRECTOR Javier Fesser (Madrid 1964), is a His second movie, LA GRAN AVENTURA taleteller and he was lucky to find, thirty DE MORTADELO Y FILEMON, it became years ago, the way to tell his stories: the fourth best box-office draw of the cinema. history of Spain. With this film, he also won five Goya Awards. From advertising campaigns, to short films, TV programmes or miniseries for With his short film BINTA Y LA GRAN the Internet, his four feature films he IDEA, which was awarded in more than has written and directed to the date. -
Press-File-2017.Pdf
MENU 2017 Edito ................................................................................................................................... 4 BIFFF Fun Facts ................................................................................................................... 5 Program ............................................................................................................................. 6 BIF Market .......................................................................................................................... 7 ArtBIFFF Expo .................................................................................................................... 8 2nd International Art Contest ............................................................................................ 9 Pimp My Chair .................................................................................................................. 10 34th Makeup Contest ....................................................................................................... 11 Gaming Madness day ....................................................................................................... 12 Magyar Movie Madness ................................................................................................... 13 Tromarathon .................................................................................................................... 14 Panorama ....................................................................................................................... -
HP308: Contemporary Spanish Cinema (2015/16)
09/25/21 HP308: Contemporary Spanish Cinema | University of Warwick HP308: Contemporary Spanish Cinema View Online (2015/16) [1] Acevedo-Muñoz, E.R. 2007. Pedro Almodóvar. BFI. [2] Allinson, M. 2001. A Spanish labyrinth: the films of Pedro Almodóvar. Tauris. [3] Almodóvar, P. et al. 2006. Pepi, Luci, Bom. Optimum Releasing. [4] Almodóvar, P. et al. 2006. Women on the verge of a nervous breakdown. Distributed by Optimum Releasing. [5] Almodóvar, P. and Maura, C. 2004. What have I done to deserve this? Optimum Releasing. [6] Amenábar, A. et al. 2007. Open your eyes: Abre los ojos. Lionsgate. [7] 1/13 09/25/21 HP308: Contemporary Spanish Cinema | University of Warwick Amenábar, A. et al. 2001. Tesis: [Thesis. Tartan Video. [8] Begin, P. 2009. Regarding the pain of others: The art of realism in Icar Bollan’s <I>Te doy mis ojos</I>. Studies in Hispanic Cinema. 6, 1 (Dec. 2009), 31–44. DOI:https://doi.org/10.1386/shci.6.1.31/1. [9] Berger, P. et al. 2013. Blancanieves. StudioCanal. [10] Besas, P. 1985. Behind the Spanish lens: Spanish cinema under fascism and democracy. Arden Press. [11] Buse, P. et al. 2012. The cinema of Álex de la Iglesia. Manchester University Press. [12] Buse, P. et al. 2012. The cinema of Álex de la Iglesia. Manchester University Press. [13] Cuerda, J.L. et al. 2000. Butterfly. Miramax Home Entertainment. [14] Davies, A. 2009. Woman and home: gender and the theorisation of Basque (national) cinema. Journal of Spanish Cultural Studies. 10, 3 (Sep. 2009), 359–372. DOI:https://doi.org/10.1080/14636200903186913. -
English Language Spanish Films Since the 1990S
Studies in 20th & 21st Century Literature Volume 33 Issue 2 Identities on the Verge of a Nervous Article 8 Breakdown: The Case of Spain 6-1-2009 Spaniwood? English Language Spanish Films since the 1990s Cristina Sánchez-Conejero University of North Texas Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Sánchez-Conejero, Cristina (2009) "Spaniwood? English Language Spanish Films since the 1990s," Studies in 20th & 21st Century Literature: Vol. 33: Iss. 2, Article 8. https://doi.org/10.4148/ 2334-4415.1705 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Spaniwood? English Language Spanish Films since the 1990s Abstract Is there such a thing as “Spanish identity”? If so, what are the characteristics that best define it? Since the early 1990s we have observed a movement toward young Spanish directors interested in making a different kind of cinema that departs markedly from the lighthearted landismo of the 70s and, later, the indulgent almodovarismo of the 80s. These new directors—as well as producers and actors—are interested in reaching out to wider audiences, in and outside of Spain. The internationalization they pursue comes, in many cases, with an adoption of the English language in their works. -
Press Release EUFF Delhi
'Celebrating Women' in New Delhi with the 18th European Union Film Festival New Delhi: May 08 – May 19 2013 24 films, each from a different EU Member State At Alliance Française Instituto Cervantes Hungarian Cultural Centre Italian Cultural Centre British Council Inauguration on 8 th May 2013 at 7 pm, at Alliance Française On the occasion of the 50 years of EU-India diplomatic relations, European Union will inaugurate its Film Festival in New Delhi on the eve of Europe Day, 8 th May 2013. Appropriately themed on: "Celebrating Women", this 11 city festival was launched in Coimbatore on 8 th March 2013, coincided with the International Women's Day. The film festival narrates many engaging stories, showcasing different shades, and nuances of women, and offering an insight into their remarkable lives. The stories of women often remain untold, overshadowed by other happenings and matters. But today women are raising their voices with increasing persistence, demanding to be seen and heard. The EU Film Festival would like to join the chorus of voices and through the perspective of the main female leads, share the very different lives of women. The films showcase different aspects, nuances and sometimes even the hardships of being a woman. Some of them are comedies, some are dramas, and some are unclassifiable just as life itself is. But in the end they narrate engaging stories that reach out to men and women alike, to young adults as well as to elders. The viewers will have the opportunity to watch a selection of 24 films that have not been screened in India yet. -
Video/Dvd Finder
1 VIDEO/DVD FINDER This is an ALPHABETICAL listing of all of the videos and DVDs in the Learning Support Services collection. If a translation was available, both the original and translated titles are listed. If a title belongs to a multi-part series, each title is listed separately as well as being listed under the series title (e.g. “The Rise of Nationalism” from the series “Africa: A Voyage of Discovery” is listed under both “Rise of Nationalism, The” and “Africa: A Voyage of Discovery : The Rise of Nationalism.” Ignore initial articles such as a, der, des, el, l’, la las, le, les, los, the, un, una, etc. (e.g . look under “B” for “La belle et la bete.”) 2 Guide to Call Numbers AF=African MS=Medieval Studies AN=Anthropology MT=Meteorology AR=Arabic MU=Music AS=South Asian NO=Norwegian BL=Bulgarian PE=Persian BO=Biology PG=Portuguese BU=Burmese PH=Physics CH=Chinese PL=Polish CM=Chemistry PO=Psychology CZ=Czech PS=Political Science DA=Danish RU=Russian DU=Dutch SB=Serbo-Croatian EC=Economics SC=Scandinavian Studies ED=Education SD=Swedish EN=English SG=Sociology EW=Ewe SH=Swahili FL=Folklore SP=Spanish FN=Finish TA=Tagalog FR=French TH=Thai GG=Geography TK=Turkish GL=Geology TM=Tamil GR=German UB=Urban Studies HA=Hausa WS=Women’s Studies HE=Hebrew YO=Yoruba HI=Hindi HS=History ID=Interdepartmental IN=Indonesian IS=Islam IT=Italian JA=Japanese JO=Journalism KE=Korea KR=Krio LI=Linguistics MA=Math MG=Mongolian 3 September 5, 2019 $10 HORSE AND A $40 SADDLE, A FL1.020 10 To 11 (DVD) TK2.063 100% Arabica (DVD) FR2.059.211 100 Jahre deutscher -
Demands of Female Representations in Spanish Audiovisuals: a Study of a Decade of Archetypes of Women in the Goya Awards
Revista de Ciencias de la Comunicación e Información. 2021. Vol. 26, 39-57 ISSN 2695-5016 DEMANDS OF FEMALE REPRESENTATIONS IN SPANISH AUDIOVISUALS: A STUDY OF A DECADE OF ARCHETYPES OF WOMEN IN THE GOYA AWARDS REIVINDICACIÓN DE LAS REPRESENTACIONES FEMENINAS EN EL AUDIOVISUAL ESPAÑOL: ESTUDIO DE UNA DÉCADA DE ARQUETIPOS DE MUJERES EN LOS PREMIOS GOYA Paula Meliveo Nogues. University of Malaga. Spain. [email protected] Carmen Cristófol-Rodríguez. University of Malaga. Spain. [email protected] How to cite this article: Meliveo Nogues, P. y Cristófol-Rodríguez, C. (2021). Demands of female representations in spanish audiovisuals: a study of a decade of archetypes of women in the goya awards. Revista de Ciencias de la Comunicación e Información, Vol. 26, 39-57. http://doi.org/10.35742/rcci.2021.26.e138 ABSTRACT In recent years, the Goya Awards have become a stage for the claims of the Spanish film sector due to the media coverage of the gala. Based on a methodological triangulation that applies case studies, content analysis, and in-depth interviews, this research proposes a new categorization of female archetypes in current Spanish cinema, proves the existence of gender discrimination through the stereotypical representation of women, and analyses whether these archetypes are also perpetuated and disseminated through high-end women's magazines and Sunday supplements. The main conclusion of this study is that the creation of a protectionist law to put an end to this marginalization is essential and a debt from Spain's historical and political past. KEYWORDS: Spanish Cinema, Goya Awards, women, gender stereotypes, demands. RESUMEN Los Premios Goya se han convertido en los últimos años en escenario de reivindicaciones del sector cinematográfico español por la repercusión mediática de su gala. -
Culture Versus Commerce New Strategies for The
Culture versus Commerce New Strategies for the Internationalization of Catalan Cinema Submitted for the Degree of Doctor of Philosophy At the University of Northampton 2016 Maurici Jiménez © Maurici Jiménez, February 2016. This thesis is copyright material and no quotation from it may be published without proper acknowledgement. Abstract This thesis analyses the potential of Catalan cinema to become a national cinema as the current political climate, with a significant part of the population claiming a Catalan state, indicates the relevance of this examination. Catalan cinema is currently considered a regional cinema, however Catalonia has been defined as a nation with its own language and culture, and therefore Catalan cinema may come to reflect this reality. This work also considers the problems and possibilities for Catalan cinema to attain international impact. This thesis analyzes the distinctions between regional, national and international cinemas in the context of world cinemas and of the relationship between cultural identity and the economic demands of the industry. Some regional cinemas can be seen as national because of the cultural and historic social context in which they develop and this gives them the scope to become international in their own right. The thesis analyzes the policies and international agreements developed to protect the domestic industry against the economic imperatives of a global market, particularly in relation to the predominance of Hollywood films in the international film market and the measures — and theoretical approaches upon which they are based — that nation-states and the European Union undertake to protect their film production and to ensure that it reaches their own audiences, but also is distributed internationally.