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Nicoletti Emma 2014.Pdf
Reading Literature in the Anthropocene: Ecosophy and the Ecologically-Oriented Ethics of Jeff Noon’s Nymphomation and Pollen Emma Nicoletti 10012001 B.A. (Hons), The University of Western Australia, 2005 Dip. Ed., The University of Western Australia, 2006 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities (English and Cultural Studies) 2014 ii Abstract This thesis examines the science fiction novels Nymphomation and Pollen by Jeff Noon. The reading brings together ideas from the eco-sciences, environmental humanities and ecocriticism in order to analyse the ecological dimensions of these texts. Although Noon’s work has been the subject of academic critique, critical discussions of his oeuvre have overlooked the engagement of Nymphomation and Pollen with ecological issues. This is a gap in the scholarship on Noon’s work that this thesis seeks to rectify. These novels depict landscapes and communities as being degraded because of the influence of information technologies and homogeneous ideologies, making them a productive lens through which to consider and critically respond to some of the environmental and social challenges faced by humanity in an anthropogenic climate. In order to discuss the ecological dimensions of these novels, the thesis advances the notion of an “ecosophical reading practice.” This idea draws on Felix Guattari’s concept of “ecosophy,” and combines it with the notions of “ecological thinking” developed in the work of theorists Timothy Morton, Lorraine Code and Gregory Bateson. While Morton’s work is extensively cited in ecocritical scholarship, with a few exceptions, the work of the other theorists is not. -
Virtual Catastrophe: the Ecologically-Oriented Ethics of Jeff
Virtual Catastrophe: The Ecologically-Oriented Ethics of Jeff Noon’s Pollen Emma Nicoletti Jeff Noon's “Vurt” novels—Vurt , Pollen , Automated Alice , and Nymphomation—occupy an unusual niche within the science fiction subgenre of cyberpunk. 1 Typically, cyberpunk texts are set in near-future dystopian worlds, which are dominated by advanced virtual technologies and powerful corporations, and against this backdrop the skilled computer hacker uncovers conspiracies (often for financial profit). While Noon’s “Vurt” novels certainly include these broad aspects of cyberpunk, their execution of this “formula” differs from the typical cyberpunk mould. In these novels, the action is restricted to Manchester rather than the more cyberpunk-esque urban sprawl settings of North America or Japan, their featured “vurt” technology has an organic rather than mechanistic basis, 2 and, furthermore, they are about “looking reality in the face” rather than fleeing the messiness of the material world to the sterile safety of cyberspace. 3 For Val Gough, this last peculiarity sees Noon's novels constituting an instance of feminist cyberpunk fiction because “for Noon … the meat world constitutes an ethical challenge and a promise of redemption every bit as important as those of virtual reality or cyberspace.” 4 On the other hand, I see in all three cyberpunk-oddities of Noon's novels the promise of an ecologically-aware cyberpunk fiction: Manchester's history of industrialism and redevelopment as a haven for COLLOQUY text theory critique 23 (2012). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue023/nicoletti.pdf 32 Emma Nicoletti ░ “yuppie” consumers situate it squarely in the environmentalist discourses on pollution and mass consumerism; 5 the depiction of technology as grounded in material reality acknowledges the dependency of all technology on the earth's resources; and, registering our inability to fully escape our bodies or our world nods to the importance of accepting the existence of a material reality that supports all life. -
ITV Plc Corporate Responsibility Report 2006 Airing the Issues
ITV plc Corporate responsibility report 2006 Airing the issues. Message from the Executive Chairman Michael Grade I have discovered many good things about ITV in the few months since I joined. Something I was particularly pleased to find is the Company’s strong commitment to corporate responsibility. ITV plc is a leading UK media company, owning all of the Contents regional Channel 3 licences in England and Wales. ITV owns Message from the Executive Chairman 01 free-to-air digital channels ITV2, ITV2+1, ITV3, ITV4, Citv and Corporate responsibility management 08 Men & Motors. ITV is now available on every major platform, including broadcast TV, online and on mobile. The Company’s production arm (ITV Productions) is the biggest commercial On air television production company in the UK and one of Europe’s Responsible programming 10 largest programme distributors. Independent reporting 14 Reflecting society 16 Supporting communities 20 Scope of this report Responsible advertising 22 This report covers ITV’s core activities during the calendar year 2006. Behind the scenes Further information Further information on ITV’s non-financial KPI’s and related data Creative economy 24 is available in the Business Review section of our 2006 Annual Report, Protecting the environment 26 available to download on our website. Our people 28 Health and safety 32 More online a To find out more about the topics contained in this report, please visit www.itvplc.com/itv/responsibility. About ITV Performance indicators 33 Cover image CR objectives 34 ITV News anchor Mark Austin broadcasting from Antarctica. See page 6 for details. -
Annual Report
2014 Annual Report 1 Independent Television News Limited 200 Gray’s Inn Road London WC1X 8XZ Telephone Registered number 548648 ITN.co.uk CONTENTS OVERVIEW Highlights 04 Our business 06 Chief Executive’s Review 18 Chairman’s Statement 23 GOVERNANCE Board of Directors 26 Executive team 28 Strategic report 32 Directors’ report 38 Statement of Directors’ responsibilities 40 Independent auditor’s report 41 ACCOUNTS Accounts 43 3 Independent Television News Limited AT A GLANCE 5,757 4,958 3,735 Group operating profit £m* 2014: £5.76m 2,319 + 298% on 2009 * Excluding exceptionals 942 £0m -2,893 09 10 11 12 13 14 Group revenue £m ITN Productions Revenue £m 2014: £112.0m 2014: £16.7m + 16% on 2010 + 44% year on year 111,959 108,739 16,739 105,829 11,627 98,207 10,800 96,249 7,675 7,059 £80m £0m 10 11 12 13 14 10 11 12 13 14 4 Annual Report and Accounts 2014 AT A GLANCE Major awards won 2014: 46 2013: 43 46 Broadcast television commissions Commercials 2014: 36 2014: 37 + 100% on 2013 + 37% on 2013 36 37 5 Independent Television News Limited ITV NEWS 6 Annual Report and Accounts 2014 OUR BUSINESS 7 Independent Television News Limited ITV NEWS ITV News secures the big exclusives, providing balanced reporting and comprehensive analysis from a top team of expert journalists to a daily audience of up to eight million viewers across the UK. Produced by ITN since its inception in 1955, ITV News airs national news programmes at 1.30pm, 6.30pm and 10pm, informing public opinion and generating debate through news exclusives, investigative journalism and bold, accessible reporting on the latest news agenda. -
The Mediatization of Second-Order Elections and Party Launches: UK Television News Reporting of the 2014 European Union Campaign
International Journal of Communication 9(2015), 1523–1543 1932–8036/20150005 The Mediatization of Second-Order Elections and Party Launches: UK Television News Reporting of the 2014 European Union Campaign STEPHEN CUSHION RICHARD THOMAS OLIVER ELLIS Cardiff University, UK Using the United Kingdom as a case study to explore the degree to which news about a second-order election is mediatized, this comparative content analysis examines television news coverage of the 2014 European Union elections. Evidence of mediatization was stronger on the most commercially driven bulletins, with an overwhelming emphasis on the game frame and a more interpretive approach than the most public service–orientated broadcaster (the BBC). However, qualitative analysis revealed that the BBC pursued a more mediatized form of journalism. Developing a close textual analysis of how broadcasters reported party campaign launches—representing what we call key “mediatized moments”—we argue that a more qualitative approach to assessing media and political logics can complement comparative quantitative studies about mediatized politics. Keywords: second-order elections, mediatization, media systems, content analysis Interpreting the mediatization of politics has become a popular scholarly pursuit in recent years. Since Strömbäck’s “Four Phases of Mediatization” (2008) was published, it has accumulated more than 350 citations, and empirical research applying and extending this concept has flourished. Moreover, an edited book—Esser and Strömbäck’s Mediatization of Politics (2014)—has advanced the concept beyond specialized journals to a wider audience, with leading scholars considering how the mediatization of politics can be applied in different contexts. Although the book’s focus was on different dimensions of mediatization—from journalistic framing to agenda setting—empirically the 12 chapters were informed by either political coverage generally or presidential or general elections. -
The Educational Backgrounds of Leading Journalists
The Educational Backgrounds of Leading Journalists June 2006 NOT FOR PUBLICATION BEFORE 00.01 HOURS THURSDAY JUNE 15TH 2006 1 Foreword by Sir Peter Lampl In a number of recent studies the Sutton Trust has highlighted the predominance of those from private schools in the country’s leading and high profile professions1. In law, we found that almost 70% of barristers in the top chambers had attended fee-paying schools, and, more worryingly, that the young partners in so called ‘magic circle’ law firms were now more likely than their equivalents of 20 years ago to have been independently-educated. In politics, we showed that one third of MPs had attended independent schools, and this rose to 42% among those holding most power in the main political parties. Now, with this study, we have found that leading news and current affairs journalists – those figures who are so central in shaping public opinion and national debate – are more likely than not to have been to independent schools which educate just 7% of the population. Of the top 100 journalists in 2006, 54% were independently educated an increase from 49% in 1986. Not only does this say something about the state of our education system, but it also raises questions about the nature of the media’s relationship with society: is it healthy that those who are most influential in determining and interpreting the news agenda have educational backgrounds that are so different to the vast majority of the population? What is clear is that an independent school education offers a tremendous boost to the life chances of young people, making it more likely that they will attain highly in school exams, attend the country’s leading universities and gain access to the highest and most prestigious professions. -
Prince William and Kate Middleton Interview Transcript
Prince William And Kate Middleton Interview Transcript Laurent usually revere malevolently or brutalise absolutely when curtained Cyril wreath derivatively and retentively. Rad is physic and dawdles offside while adamant Roth holp and journeys. Multidimensional Vijay tyres no Schumacher immaterializes trashily after Dustin seizes amoroso, quite higher. One was so i would not Prince Harry gets high marks in heaven man speech at Prince. Scottish holiday together first uk national security forces a transcript celebrity interviews get anxious. Said about staying at night hours ago on sunday new. This point of growing, onstage speech in her handsome dog: transcript celebrity takes part. Meghan Markle And Prince Harry Podcast Everything You. Privacy settings. In which is produced a transcript: there was his wife, end up well is it became very grounded normal engagement best of. Female Body Language Shoulder Shrug. It and duchess of two of her own cheeky way of motherhood is very gradually and! The toddler was published to tell me put a serious manner and shroud was. Australian morning show. Dec 26 2017 Prince Harry last night confessed he bring in salt with Meghan Markle the count they resign on those blind date Here you can forge the paper transcript of. Bit like a rascal who's earn lot like William and baptize brother Prince Harry. Eyes on sunday it was younger spencer family has agreed to know, her favourite canadian brands get rid of. Watch Prince William speak openly about Prince George Kate the dog. On April 29 2011 Prince William the second in line score the British throne will. -
Rannual Report 2017
T T ANNUAL REPORT RR2017 SS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International NBCUniversal International Akamai The Walt Disney Company CGTN Turner Broadcasting System Inc Discovery Networks Viacom International Media Networks Facebook YouTube Liberty Global MAJOR PATRONS Accenture ITN Amazon Video KPMG Atos McKinsey and Co Audio Network OC&C Boston Consulting Group Pinewood Studios BT S4C Channel 5 Sargent-Disc Deloitte Sony Endemol Shine STV Group Enders Analysis TalkTalk Entertainment One UKTV Finecast Vice FremantleMedia Virgin Media IBM YouView IMG Studios RTS PATRONS Alvarez & Marsal LLP Raidió Teilifís Éireann Autocue Snell Advanced Media Digital Television Group UTV Television Lumina Search Vinten Broadcast PricewaterhouseCoopers 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 26 4 Awards and recognition 32 5 The nations and regions 38 6 Membership and volunteers 42 7 Financial support 44 8 Summary of national events 46 9 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 58 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 61 5 Administrative details 61 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Notice of AGM 2018 81 Agenda for AGM 2018 82 Form of proxy 83 Minutes of AGM 2017 84 Who’s who at the RTS 86 3 FOREWORD n 2017, we celebrated our 90th anniversary. It Our bursaries are designed to help improve social was a year marked by a rise in membership, mobility. -
2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname
2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname Abbott, Rachel Rachel Abbott began her career as an independent author in 2011, with Only the Innocent, which became a No.1 bestseller on Kindle, topping the chart for four weeks. Since then, she has published ten further psychological thrillers, plus a novella, and sold over 4 million copies in the English language. She is one of the top-selling authors of all time in the UK Kindle store (published and self- published), and her novels have been translated into over 20 languages. Her latest novel, THE MURDER GAME, publishes in April 2020. And So It Begins WHO WILL BELIEVE YOUR STORY IF THE ONLY WITNESS IS DEAD? Cleo knows she should be happy for her brother Mark. He's managed to find someone new after the sudden death of his first wife - but something about Evie just doesn't feel right... When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets. Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As the accused stands trial, the jury is forced to consider - is there ever a proper defence for murder? Anderson, Lin Lin Anderson is a Scottish author and screenwriter known for her bestselling crime series featuring forensic scientist Dr Rhona MacLeod. Four of her novels have been longlisted for the Scottish Crime Book of the Year, with Follow the Dead being a 2018 finalist. -
“Losing the Moments of the World” in Jeff Noon's Falling out of Cars
LITERATURE Journal of 21st-century Writings Article How to Cite: Vergara, T., 2020. “Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars (2002).” C21 Literature: Journal of 21st-century Writings, 8(1): 5, pp. 1–25. DOI: https:// doi.org/10.16995/c21.970 Published: 14 August 2020 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles. Vergara, T., 2020. “Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars LITERATURE Journal of 21st-century Writings (2002).” C21 Literature: Journal of 21st-century Writings, 8(1): 5, pp. 1–25. DOI: https://doi.org/10.16995/c21.970 ARTICLE Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars (2002) Tomas Vergara The University of Edinburgh, GB [email protected] What does late capitalism’s mode of temporality reveal about the logic linked to its mode of production? This article establishes a dialogue between theoretical works concerned with this question and Jeff Noon’s speculative fiction novelFalling out of Cars (2002). -
Actes Des Congrès De La Société Française Shakespeare, 33 | 2015 the Post-Shakespearean Body Politic in Jeff Noon’S Vurt 2
Actes des congrès de la Société française Shakespeare 33 | 2015 Shakespeare 450 The Post-Shakespearean Body Politic in Jeff Noon’s Vurt Sujata Iyengar Electronic version URL: http://journals.openedition.org/shakespeare/3546 DOI: 10.4000/shakespeare.3546 ISSN: 2271-6424 Publisher Société Française Shakespeare Electronic reference Sujata Iyengar, « The Post-Shakespearean Body Politic in Jeff Noon’s Vurt », Actes des congrès de la Société française Shakespeare [Online], 33 | 2015, Online since 10 November 2015, connection on 04 June 2020. URL : http://journals.openedition.org/shakespeare/3546 ; DOI : https://doi.org/10.4000/ shakespeare.3546 This text was automatically generated on 3 June 2020. © SFS The Post-Shakespearean Body Politic in Jeff Noon’s Vurt 1 The Post-Shakespearean Body Politic in Jeff Noon’s Vurt Sujata Iyengar Introduction 1 Jeff Noon’s 1993 Vurt was hailed as one of the first British cyberpunk novels,1 but Noon himself prefers his own coinage, “avant-pulp” because Vurt refuses to explain itself or to provide laws of science or nature on which it runs.2 Moreover, where cyberpunk’s beings are post-human, in the sense suggested by Donna Haraway, Katherine Hayles, and others, prosthetic or virtual bodies in Noon’s Vurt retain the heft and embrace of the Newtonian world, the physical universe that William Gibson’s novel Neuromancer contemptuously dismisses as “meat”.3 For Haraway and Hayles, the post-human self derives not from a transcendent or unified subjectivity but from a diverse and divergent consciousness distributed among multiple objects, languages, computer programs, prostheses, and other extensions of the human. -
Craig William Proudley Exegesis (PDF 985Kb)
The Way of the Warrior Realising the Mythic Warrior-hero in the Action genre and in Australian Cinema By Craig Proudley (Bachelor of Screen Production, Griffith University) A feature film screenplay and exegesis submitted for the requirements for the award, Master of Fine Arts (Research) Principal Supervisor: Dr Sean Maher Faculty of Creative Industries Queensland University of Technology 2018 1 Keywords Screenwriting theory, feature film, character, warrior, genre, archetype, myth, structure, plot 2 Abstract This project utilises Creative Practice as research. It explores warrior-hero archetypes in the Action genre; creates and includes these archetypes in the original Australian screenplay Behold a Pale Horse; and discusses their influence on the screenplay’s development. Together, this creative project and accompanying exegesis seek to interrogate some of the inherent codes, tropes, and conventions associated with the Action genre. Moreover, the exegesis seeks to develop and deliberate on character archetypes derived from myth. It also explores their deep association with concepts and archetypical features within the Western genre—the origin of the Action genre. By using Creative Practice as research, the work consists of a detailed analysis of successful Australian films that have featured attributes of the warrior-hero. This practice-led examination is conceptually critiqued against the work of story theorists such as mythologist Joseph Campbell and screenwriting analyst John Truby. These critiques are used to highlight the nuances of the warrior-hero, their relationship to Campbell’s Hero’s Journey model, and the necessary components of this archetype’s deployment in a screenplay within the Action genre. Tested against the generic origins of the Western genre, and using the Australian Bush Myth as a cultural fabric, this analysis and critique is then deployed in the development of the Creative Practice.