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1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Read Ebook {PDF EPUB} the Shining Girls by Lauren Beukes the Shining Girls by Lauren Beukes – Review
Read Ebook {PDF EPUB} The Shining Girls by Lauren Beukes The Shining Girls by Lauren Beukes – review. Shining light … Lauren Beukes has enormous fun with her time-travel concept. Shining light … Lauren Beukes has enormous fun with her time-travel concept. L auren Beukes's previous novel, the Arthur C Clarke award-winning Zoo City , was an urban fantasy with shades of detective fiction: a grittier version of His Dark Materials recast in South Africa. In her new book, a man named Harper Curtis living in depression-era Chicago comes upon a house – or House, as it is capitalised in the novel – that is a portal to other times. Inside there's a dead man on the floor, and on the walls a constellation of unrelated artefacts, among them a pair of butterfly wings, a baseball card and a contraceptive pill. Next to these objects are the names of women, scrawled in Harper's own handwriting. When he looks out of the window the world beyond seems to be in a time-lapse film: "The houses across the way change. The paint strips away, recolours itself, strips away again through snow and sun and trash tangled up with leaves blowing down the street." We know Harper isn't much troubled by conscience because he throttled a blind woman to get the key to the House in the first place, and once inside he is quickly overcome with the urge to kill the "shining girls" signified by the names and keepsakes. His motives are mysterious. There are hints of the bliss-in-murder mysticism found in Alan Moore's graphic novel From Hell , but for the most part his reasons don't go any further than a penchant for cruelty, worked up by the inexplicable forces of the House. -
Vector 187 Speller Et Al 1996-02
1 8 Vector 7 THE CRITICAL JOURNAL OF THE BSFA £2.25 February 1996 Just Lousy With Information Neal Stephenson Interviewed Stephen Baxter on H.G.Wells’ The Invisible Man Hardback Reviews - page 11 Letters - page 3 Paperback Reviews - page 26 Page 2 Editorial Vector 187 On a New Year’s Day visit to Camden, I discovered that the Penguin bookshop had closed down. I remember this particular shop because it seemed to me to sum up the Contents elements of Camden I disliked: it had a cult book section, and I always felt that if you needed a marketing category to tell you Editorial 2 something was a cult, then you were coming to it for the wrong by Andrew Butler reasons. If it has to be explained, you won’t understand it. But cult books have re-emerged, in a joint Waterstones Frontline Despatches 3 / Observer promotion of sixteen cult books read in 1966 and Letters Edited by Gary Dalkin 1996. Leaving aside the arbitrariness of the thirty year gap, the two lists provide interesting reading as to what is considered Cognititve Mapping 2: Language 4 cult material, and what is left out. In 1966, Beat writing is by Paul Kincaid represented by Kerouac’s On the Road and Burroughs’s seminal (in all senses of the word) The Naked Lunch. Three Just Lousy With Information 5 other books on the list may be loosely considered fantasy: Neal Stephenson interviewed by Tanya Brown Hesse’s Steppenwolf, Kafka’s Metamorphosis and Peake’s The Invisible Man 9 Gormenghast. No Lord of the Rings, and no science fiction: no Dune, no Stranger in a Strange Land, no Sirens of Titan. -
Virtual Catastrophe: the Ecologically-Oriented Ethics of Jeff
Virtual Catastrophe: The Ecologically-Oriented Ethics of Jeff Noon’s Pollen Emma Nicoletti Jeff Noon's “Vurt” novels—Vurt , Pollen , Automated Alice , and Nymphomation—occupy an unusual niche within the science fiction subgenre of cyberpunk. 1 Typically, cyberpunk texts are set in near-future dystopian worlds, which are dominated by advanced virtual technologies and powerful corporations, and against this backdrop the skilled computer hacker uncovers conspiracies (often for financial profit). While Noon’s “Vurt” novels certainly include these broad aspects of cyberpunk, their execution of this “formula” differs from the typical cyberpunk mould. In these novels, the action is restricted to Manchester rather than the more cyberpunk-esque urban sprawl settings of North America or Japan, their featured “vurt” technology has an organic rather than mechanistic basis, 2 and, furthermore, they are about “looking reality in the face” rather than fleeing the messiness of the material world to the sterile safety of cyberspace. 3 For Val Gough, this last peculiarity sees Noon's novels constituting an instance of feminist cyberpunk fiction because “for Noon … the meat world constitutes an ethical challenge and a promise of redemption every bit as important as those of virtual reality or cyberspace.” 4 On the other hand, I see in all three cyberpunk-oddities of Noon's novels the promise of an ecologically-aware cyberpunk fiction: Manchester's history of industrialism and redevelopment as a haven for COLLOQUY text theory critique 23 (2012). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue023/nicoletti.pdf 32 Emma Nicoletti ░ “yuppie” consumers situate it squarely in the environmentalist discourses on pollution and mass consumerism; 5 the depiction of technology as grounded in material reality acknowledges the dependency of all technology on the earth's resources; and, registering our inability to fully escape our bodies or our world nods to the importance of accepting the existence of a material reality that supports all life. -
Introduction Through the Postmodern Looking-Glass
Through the Postmodern Looking-Glass Notes on Jeff Noon’s Automated Alice 2013-2014 Faculty of Translation and Interpretation T-ANGL-014 — Command of the Written Language School of International Interpreters T-ANGL-015 — Command of the Spoken Language UMONS (Belgium) ByJustine Houyaux ([email protected]) Introduction CONTENTS According to the Oxford Dictionary, of Gilgamesh that dates back to at least the literature is a mass noun originating from 18th century BC. Middle English (in the sense 'knowledge of Although there are many different books'): via French from Latin litteratura and ways to shed a light on literature, depending referring to on the literary criticism current to which one (1) written works, especially those might refer, it is important to keep in mind considered of superior or lasting that literature is both a personal (subjective) artistic merit: a great work of and universal experience. literature In order to bring order to chaos, MODERNISM Page 3 (2) books and writings published on this introduction comes with a general a particular subject: the literature overview of the main literary movements of on environmental epidemiology the 20th century (next page). (3) leaflets and other printed Automated Alice was first published matter used to advertise products in 1996 by Doubleday. It is “supposed to be” or give advice: advertising and a trequel to Alice’s Adventures in promotional literature Wonderland (1866) and Through the In the context of this course on Looking-Glass and What Alice Found There Automated Alice, we will obviously only (1872) by British author Lewis Carroll2. In the POSTMODERNISM Page 5 be focusing on the first meaning of the introduction, or in the inner cover word and it is sister-discipline, literary (depending on the edition), it is written: criticism: In the last years of his life, the the art or practice of judging and fantasist Charles Dodgson wrote a commenting on the qualities and third Alice book. -
Transreferentiality: Mapping the Margins of Postmodern Fiction
Transreferentiality: Mapping the Margins of Postmodern Fiction H De G Laurie 10079718 Thesis submitted for the degree Doctor Philosophiae in English Literature at the Potchefstroom Campus of the North-West University Supervisor: Prof AM De Lange September 2013 i Acknowledgements I hereby acknowledge with gratitude the financial assistance of the National Research Foundation, the Research Focus Area for Languages and Literature at the North-West University’s Potchefstroom Campus, The Open Window School for Visual Communication, and the North-West University‘s Research and Development Programme. Views expressed and conclusions reached in this study should be ascribed to the author and are not necessarily shared by any of these institutions. I would also like to thank the following people: My supervisor, Prof AM De Lange, for his support through complicated times and his willingness to stick out his neck. The Department of Academic Literacy in the School for Languages at the North-West University’s Vaal Triangle Campus, for granting me the time to finish this version of the thesis. My grandmother. My parents. All the friends and colleagues who, knowingly and unknowingly, provided inspiration and support and suffered during the writing of this thesis. ii Abstract Keywords: Postmodern, fiction, postmodernist fiction, science fiction, sf, possible-worlds theory, worlds, narratology, focalisation, immersion, reader experience, M. John Harrison, William Gibson, Jeff Noon This thesis starts from the observation that, while it is common for commentators to divide postmodern fiction into two general fields – one experimental and anti-mimetic, the other cautiously mimetic, there remains a fairly significant field of postmodern texts that use largely mimetic approaches but represent worlds that are categorically distinct from actuality. -
Rok III 2011
Rocznik Instytutu Polonistyki Stosowanej Wydziału Polonistyki UW Rok III 2011 Kultura popularna − części i całości Narracje w kulturze popularnej WARSZAWA 2011 Redaktor naczelny Józef Porayski-Pomsta Sekretarz redakcji Ewa Wolańska Komitet redakcyjny Stanisław Dubisz, Stanisław Gajda, Bogdan Owczarek, Józef Porayski-Pomsta (przewodniczący), Elżbieta Sękowska, Ewa Wolańska (sekretarz), Zofia Zaron, Halina Zgółkowa Redakcja tomu Bogdan Owczarek Joanna Frużyńska Współpraca Bartłomiej Fabiszewski Kamila Tuszyńska Recenzenci tomu Opracowanie redakcyjne streszczeń w języku angielskim Danuta Przepiórkowska Korekta Urszula Krzysiak Katarzyna Sałkiewicz Adres redakcji Instytut Polonistyki Stosowanej Wydział Polonistyki Uniwersytetu Warszawskiego ul. Krakowskie Przedmieście 26/28 00-927 Warszawa e-mail: [email protected] Copyright by Instytut Polonistyki Stosowanej Wydział Polonistyki UW Warszawa 2011 ISSN 2080-5853 Wydanie publikacji sfinansowane przez Wydział Polonistyki UW ze środków na badania naukowe Projekt okładki Dariusz Górski Skład i łamanie Małgorzata Kula Druk i oprawa Zakład Graficzny Uniwersytetu Warszawskiego, zam. 1319/2011 SPIS TREŚCI BOGDAN OWCZAREK: Wstęp .................................................................................... 7 STRATEGIE NARRACJI BOGDAN OWCZAREK: Narracyjność literatury popularnej ...................................... 11 JAKUB Z. LICHAŃSKI: Literatura popularna i sztuka opowiadania: glosy .............. 20 ADAM MAZURKIEWICZ: Teksty kultury cyberpunkowej w systemie rozrywkowym 30 LIDIA GĄSOWSKA: -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 8-1-1996 SFRA ewN sletter 224 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 224 " (1996). Digital Collection - Science Fiction & Fantasy Publications. Paper 163. http://scholarcommons.usf.edu/scifistud_pub/163 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. &1;'1 Review Issue #224, July/August 1996 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: President's Message (Sanders) ............................................. 5 Editorial (Sisson) ................................................................... 6 NEWS AND INFORMATION ............................................ 8 FEATURES Feature Review: "Cosmic Engineering" Westfahl, Gary. Cosmic Engineers: a study of hard science fiction. (Orth) .......................................... 15 REVIEWS: Nonfiction: Auerbach, Nina. Our Vampires, Ourselves. (Gordon) ... 21 Beaulieu, Trace, et al. The Mystery Science Theater 3000 Amazing Colossal Episode Guide. (Hellekson) ...................................................................... -
Foundation the International Review of Science Fiction Foundation 119 the International Review of Science Fiction
Foundation The International Review of Science Fiction Foundation 119 The International Review of Science Fiction In this issue: Matt Englund reassesses Philip K. Dick’s Galactic Pot Healer George A. Gonzalez explores US military policy in Star Trek Foundation Samantha Kountz analyses the representation of immigration in post-war sf cinema Erica Moore evaluates the post-Darwinism of J.G. Ballard’s Crash Nick Hubble reflects on the legacy of 2000 AD Iain M. Banks and Kim Stanley Robinson in conversation on the subject of utopia Vol. 43 No.119 2014 43 No.119 Vol. Conference reports by Paul Kincaid, Paul March-Russell and Robin Anne Reid In addition, there are reviews by: Jeremy Brett, Molly Cobb, Leimar Garcia-Siino, Lincoln Geraghty, Grace Halden, Andrew Hedgecock, Anna McFarlane, Joe Norman, Andy Sawyer, Will Slocombe, Tom Sykes and Michelle K. Yost Of books by: Jeannette Baxter and Rowland Wymer, David Brittain, Stefan Ekman, Simon Ings, Graham Joyce, Paul McAuley, Howard E. McCurdy, Jonathan Oliver, Christopher Sims, Graham Sleight, David C. Smith, and Thomas Van Parys and I.Q. Hunter Cover image/credit: Ian Gibson Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. 1041052). It is typeset and printed by The Lavenham Press Ltd., 47 Water Street, Lavenham, Suffolk, CO10 9RD. Foundation is a peer-reviewed journal. Subscription rates for 2015 Individuals (three numbers) United Kingdom £20.00 Europe (inc. Eire) £22.00 Rest of the world £25.00 / $42.00 (U.S.A.) Student discount £14.00 / $23.00 (U.S.A.) Institutions (three numbers) Anywhere £42.00 / $75.00 (U.S.A.) Airmail surcharge £7.00 / $12.00 (U.S.A.) Single issues of Foundation can also be bought for £7.00 / $15.00 (U.S.A.). -
2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname
2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname Abbott, Rachel Rachel Abbott began her career as an independent author in 2011, with Only the Innocent, which became a No.1 bestseller on Kindle, topping the chart for four weeks. Since then, she has published ten further psychological thrillers, plus a novella, and sold over 4 million copies in the English language. She is one of the top-selling authors of all time in the UK Kindle store (published and self- published), and her novels have been translated into over 20 languages. Her latest novel, THE MURDER GAME, publishes in April 2020. And So It Begins WHO WILL BELIEVE YOUR STORY IF THE ONLY WITNESS IS DEAD? Cleo knows she should be happy for her brother Mark. He's managed to find someone new after the sudden death of his first wife - but something about Evie just doesn't feel right... When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets. Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As the accused stands trial, the jury is forced to consider - is there ever a proper defence for murder? Anderson, Lin Lin Anderson is a Scottish author and screenwriter known for her bestselling crime series featuring forensic scientist Dr Rhona MacLeod. Four of her novels have been longlisted for the Scottish Crime Book of the Year, with Follow the Dead being a 2018 finalist. -
Science Fiction When the Future Is Now Six Authors Parse the Implications of Our Unhinged Era for Their Craft
BOOKS & ARTS COMMENT ILLUSTRATIONS ILLUSTRATIONS SEÑOR SALME BY WRITING Science fiction when the future is now Six authors parse the implications of our unhinged era for their craft. lphaGo, fake news, cyberwar: 2017 With technological change cranked up to — Lauren Beukes, Kim Stanley Robinson, has felt science-fictional in the here warp speed and day-to-day life smacking of Hannu Rajaniemi, Ken Liu, Alastair and now. Space settlement and dystopia, where does science fiction go? Has Reynolds and Aliette de Bodard — to reflect Asea-steading seem just around the bend; mainstream fiction taken up the baton? on what the genre has to offer at the end of so, at times, do nuclear war and pandemic. Nature asked six prominent sci-fi writers an extraordinary year. ©2017 Mac millan Publishers Li mited, part of Spri nger Natu21/28re. All ri gDECEMBERhts reserved. 2017 | VOL 552 | NATURE | 329 COMMENT BOOKS & ARTS disruption and decolonization are happen- future will actually happen is radically ing across the continent now. uncertain. It could be a good life for future LAUREN BEUKES The 1997 democratic constitution of humans in a shared and interdependent South Africa was based on the African biosphere. It could be extreme climate The power of philosophical principle of ubuntu: a per- change, a mass-extinction event, agricul- Afrofuturism son is a person because of other people. It’s tural collapse and intense deadly conflicts the rational humanist theory that we are all among desperate human groups, including Lauren Beukes’s latest volume is interconnected and interdependent. The nuclear war. Slipping, a collection of short stories most interesting science fiction examines To grapple with this bizarre breadth of and essays. -
University of Szeged Institute of English & American Studies
University of Szeged Institute of English & American Studies Literatures and Cultures in English Doctoral Program Doctoral Dissertation Fantastic Place and Space in China Miéville’s Fiction Rhetorics of Emancipatory Spatial Changes in the Miévillean New Weird By András Fodor Supervisors: Anna Kérchy PhD, DEA, dr. habil, Zoltán Dragon MPhil PhD Szeged, 2021 Table of Contents 1. Introduction ........................................................................................................................ 1 1.1 Biography ......................................................................................................................... 4 1.2 Focusing on Approaches .................................................................................................. 9 1.3 Method and System ........................................................................................................ 11 1.4 The Brief Results - Close readings ................................................................................. 15 2. The Weird ............................................................................................................................. 20 2.1 The Weird as Concept .................................................................................................... 20 2.1.1 The Literary Weird .................................................................................................. 21 2.1.1.2 Mile Posts in the Mist - Historical Background, Timeline, Monstrosity and Process of the Weird (Fiction) .....................................................................................