Introduction Through the Postmodern Looking-Glass
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Nicoletti Emma 2014.Pdf
Reading Literature in the Anthropocene: Ecosophy and the Ecologically-Oriented Ethics of Jeff Noon’s Nymphomation and Pollen Emma Nicoletti 10012001 B.A. (Hons), The University of Western Australia, 2005 Dip. Ed., The University of Western Australia, 2006 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities (English and Cultural Studies) 2014 ii Abstract This thesis examines the science fiction novels Nymphomation and Pollen by Jeff Noon. The reading brings together ideas from the eco-sciences, environmental humanities and ecocriticism in order to analyse the ecological dimensions of these texts. Although Noon’s work has been the subject of academic critique, critical discussions of his oeuvre have overlooked the engagement of Nymphomation and Pollen with ecological issues. This is a gap in the scholarship on Noon’s work that this thesis seeks to rectify. These novels depict landscapes and communities as being degraded because of the influence of information technologies and homogeneous ideologies, making them a productive lens through which to consider and critically respond to some of the environmental and social challenges faced by humanity in an anthropogenic climate. In order to discuss the ecological dimensions of these novels, the thesis advances the notion of an “ecosophical reading practice.” This idea draws on Felix Guattari’s concept of “ecosophy,” and combines it with the notions of “ecological thinking” developed in the work of theorists Timothy Morton, Lorraine Code and Gregory Bateson. While Morton’s work is extensively cited in ecocritical scholarship, with a few exceptions, the work of the other theorists is not. -
Vector 187 Speller Et Al 1996-02
1 8 Vector 7 THE CRITICAL JOURNAL OF THE BSFA £2.25 February 1996 Just Lousy With Information Neal Stephenson Interviewed Stephen Baxter on H.G.Wells’ The Invisible Man Hardback Reviews - page 11 Letters - page 3 Paperback Reviews - page 26 Page 2 Editorial Vector 187 On a New Year’s Day visit to Camden, I discovered that the Penguin bookshop had closed down. I remember this particular shop because it seemed to me to sum up the Contents elements of Camden I disliked: it had a cult book section, and I always felt that if you needed a marketing category to tell you Editorial 2 something was a cult, then you were coming to it for the wrong by Andrew Butler reasons. If it has to be explained, you won’t understand it. But cult books have re-emerged, in a joint Waterstones Frontline Despatches 3 / Observer promotion of sixteen cult books read in 1966 and Letters Edited by Gary Dalkin 1996. Leaving aside the arbitrariness of the thirty year gap, the two lists provide interesting reading as to what is considered Cognititve Mapping 2: Language 4 cult material, and what is left out. In 1966, Beat writing is by Paul Kincaid represented by Kerouac’s On the Road and Burroughs’s seminal (in all senses of the word) The Naked Lunch. Three Just Lousy With Information 5 other books on the list may be loosely considered fantasy: Neal Stephenson interviewed by Tanya Brown Hesse’s Steppenwolf, Kafka’s Metamorphosis and Peake’s The Invisible Man 9 Gormenghast. No Lord of the Rings, and no science fiction: no Dune, no Stranger in a Strange Land, no Sirens of Titan. -
Virtual Catastrophe: the Ecologically-Oriented Ethics of Jeff
Virtual Catastrophe: The Ecologically-Oriented Ethics of Jeff Noon’s Pollen Emma Nicoletti Jeff Noon's “Vurt” novels—Vurt , Pollen , Automated Alice , and Nymphomation—occupy an unusual niche within the science fiction subgenre of cyberpunk. 1 Typically, cyberpunk texts are set in near-future dystopian worlds, which are dominated by advanced virtual technologies and powerful corporations, and against this backdrop the skilled computer hacker uncovers conspiracies (often for financial profit). While Noon’s “Vurt” novels certainly include these broad aspects of cyberpunk, their execution of this “formula” differs from the typical cyberpunk mould. In these novels, the action is restricted to Manchester rather than the more cyberpunk-esque urban sprawl settings of North America or Japan, their featured “vurt” technology has an organic rather than mechanistic basis, 2 and, furthermore, they are about “looking reality in the face” rather than fleeing the messiness of the material world to the sterile safety of cyberspace. 3 For Val Gough, this last peculiarity sees Noon's novels constituting an instance of feminist cyberpunk fiction because “for Noon … the meat world constitutes an ethical challenge and a promise of redemption every bit as important as those of virtual reality or cyberspace.” 4 On the other hand, I see in all three cyberpunk-oddities of Noon's novels the promise of an ecologically-aware cyberpunk fiction: Manchester's history of industrialism and redevelopment as a haven for COLLOQUY text theory critique 23 (2012). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue023/nicoletti.pdf 32 Emma Nicoletti ░ “yuppie” consumers situate it squarely in the environmentalist discourses on pollution and mass consumerism; 5 the depiction of technology as grounded in material reality acknowledges the dependency of all technology on the earth's resources; and, registering our inability to fully escape our bodies or our world nods to the importance of accepting the existence of a material reality that supports all life. -
Theory and Sociology in the Age of Fractal Ambiguity, Dromology, and Emergent Epi-Spaces
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2015 After the Human: Theory and Sociology in the Age of Fractal Ambiguity, Dromology, and Emergent Epi-spaces Joel Michael Crombez University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Theory, Knowledge and Science Commons Recommended Citation Crombez, Joel Michael, "After the Human: Theory and Sociology in the Age of Fractal Ambiguity, Dromology, and Emergent Epi-spaces. " Master's Thesis, University of Tennessee, 2015. https://trace.tennessee.edu/utk_gradthes/3356 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Joel Michael Crombez entitled "After the Human: Theory and Sociology in the Age of Fractal Ambiguity, Dromology, and Emergent Epi-spaces." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in Sociology. Harry F. Dahms, Major Professor We have read this thesis and recommend its acceptance: Michelle Brown, Allen Dunn Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) After the Human: Theory and Sociology in the Age of Fractal Ambiguity, Dromology, and Emergent Epi-spaces A Thesis Presented for the Master of Arts Degree The University of Tennessee, Knoxville Joel Michael Crombez May 2015 Copyright © 2015 by Joel Michael Crombez All rights reserved. -
Transreferentiality: Mapping the Margins of Postmodern Fiction
Transreferentiality: Mapping the Margins of Postmodern Fiction H De G Laurie 10079718 Thesis submitted for the degree Doctor Philosophiae in English Literature at the Potchefstroom Campus of the North-West University Supervisor: Prof AM De Lange September 2013 i Acknowledgements I hereby acknowledge with gratitude the financial assistance of the National Research Foundation, the Research Focus Area for Languages and Literature at the North-West University’s Potchefstroom Campus, The Open Window School for Visual Communication, and the North-West University‘s Research and Development Programme. Views expressed and conclusions reached in this study should be ascribed to the author and are not necessarily shared by any of these institutions. I would also like to thank the following people: My supervisor, Prof AM De Lange, for his support through complicated times and his willingness to stick out his neck. The Department of Academic Literacy in the School for Languages at the North-West University’s Vaal Triangle Campus, for granting me the time to finish this version of the thesis. My grandmother. My parents. All the friends and colleagues who, knowingly and unknowingly, provided inspiration and support and suffered during the writing of this thesis. ii Abstract Keywords: Postmodern, fiction, postmodernist fiction, science fiction, sf, possible-worlds theory, worlds, narratology, focalisation, immersion, reader experience, M. John Harrison, William Gibson, Jeff Noon This thesis starts from the observation that, while it is common for commentators to divide postmodern fiction into two general fields – one experimental and anti-mimetic, the other cautiously mimetic, there remains a fairly significant field of postmodern texts that use largely mimetic approaches but represent worlds that are categorically distinct from actuality. -
Rok III 2011
Rocznik Instytutu Polonistyki Stosowanej Wydziału Polonistyki UW Rok III 2011 Kultura popularna − części i całości Narracje w kulturze popularnej WARSZAWA 2011 Redaktor naczelny Józef Porayski-Pomsta Sekretarz redakcji Ewa Wolańska Komitet redakcyjny Stanisław Dubisz, Stanisław Gajda, Bogdan Owczarek, Józef Porayski-Pomsta (przewodniczący), Elżbieta Sękowska, Ewa Wolańska (sekretarz), Zofia Zaron, Halina Zgółkowa Redakcja tomu Bogdan Owczarek Joanna Frużyńska Współpraca Bartłomiej Fabiszewski Kamila Tuszyńska Recenzenci tomu Opracowanie redakcyjne streszczeń w języku angielskim Danuta Przepiórkowska Korekta Urszula Krzysiak Katarzyna Sałkiewicz Adres redakcji Instytut Polonistyki Stosowanej Wydział Polonistyki Uniwersytetu Warszawskiego ul. Krakowskie Przedmieście 26/28 00-927 Warszawa e-mail: [email protected] Copyright by Instytut Polonistyki Stosowanej Wydział Polonistyki UW Warszawa 2011 ISSN 2080-5853 Wydanie publikacji sfinansowane przez Wydział Polonistyki UW ze środków na badania naukowe Projekt okładki Dariusz Górski Skład i łamanie Małgorzata Kula Druk i oprawa Zakład Graficzny Uniwersytetu Warszawskiego, zam. 1319/2011 SPIS TREŚCI BOGDAN OWCZAREK: Wstęp .................................................................................... 7 STRATEGIE NARRACJI BOGDAN OWCZAREK: Narracyjność literatury popularnej ...................................... 11 JAKUB Z. LICHAŃSKI: Literatura popularna i sztuka opowiadania: glosy .............. 20 ADAM MAZURKIEWICZ: Teksty kultury cyberpunkowej w systemie rozrywkowym 30 LIDIA GĄSOWSKA: -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 8-1-1996 SFRA ewN sletter 224 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 224 " (1996). Digital Collection - Science Fiction & Fantasy Publications. Paper 163. http://scholarcommons.usf.edu/scifistud_pub/163 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. &1;'1 Review Issue #224, July/August 1996 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: President's Message (Sanders) ............................................. 5 Editorial (Sisson) ................................................................... 6 NEWS AND INFORMATION ............................................ 8 FEATURES Feature Review: "Cosmic Engineering" Westfahl, Gary. Cosmic Engineers: a study of hard science fiction. (Orth) .......................................... 15 REVIEWS: Nonfiction: Auerbach, Nina. Our Vampires, Ourselves. (Gordon) ... 21 Beaulieu, Trace, et al. The Mystery Science Theater 3000 Amazing Colossal Episode Guide. (Hellekson) ...................................................................... -
“Losing the Moments of the World” in Jeff Noon's Falling out of Cars
LITERATURE Journal of 21st-century Writings Article How to Cite: Vergara, T., 2020. “Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars (2002).” C21 Literature: Journal of 21st-century Writings, 8(1): 5, pp. 1–25. DOI: https:// doi.org/10.16995/c21.970 Published: 14 August 2020 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles. Vergara, T., 2020. “Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars LITERATURE Journal of 21st-century Writings (2002).” C21 Literature: Journal of 21st-century Writings, 8(1): 5, pp. 1–25. DOI: https://doi.org/10.16995/c21.970 ARTICLE Catatonic Cultural Dominant: “Losing the Moments of the World” in Jeff Noon’s Falling out of Cars (2002) Tomas Vergara The University of Edinburgh, GB [email protected] What does late capitalism’s mode of temporality reveal about the logic linked to its mode of production? This article establishes a dialogue between theoretical works concerned with this question and Jeff Noon’s speculative fiction novelFalling out of Cars (2002). -
Alice's Adventures in Wonderland
Adaptations of Alice’s Adventures in Wonderland Catherine March, Oxford Brookes University Summary: An exploration of how different mediums adapt the classic children’s book Alice’s Adventures in Wonderland, what this does to the original text, and how this reinterpretation ensures its accessibility and thus its continuation. Adaption Considerations Playfulness Fidelity - How to stay “true” to the original. Playfulness is a key element of the story and can easily be translated across mediums, thus is present Who would want to read or watch it then and now? in all the works. The director or writer’s task is to introduce the Knowing Lexical playfulness is a well known part of Carroll’s and Unknowing audiences to their world, characters, or writing style, in Alice’s Adventures in Wonderland it plot, whilst also entertaining both. includes insider jokes for the Liddell girls. Multimodality creates playfulness and ensures ‘Every text … is an intertext that incorporates, refracts, understanding. refutes and alludes to many other texts.’ Burton’s dialogue is a direct translation of Carroll in ‘Words such as infidelity and betrayal … translate our places, the paralleling of playfulness foregrounds it, feeling when we have loved a book, that an adaptation has facial expressions further emphasise it. not been worthy of that love.’ Wheeldon’s balletic parody ‘Any modern adaptation Alice’s Adventures shows medium specific failing to recognize this considerations, a combination deeper, darker nature has of props and exaggerated actually missed the point. in Wonderland acting convey playfulness. This is quite a shift from the apparently unanimous The authorial voice of Noon nineteenth-century opinion mimics Carroll’s, he also that the Alice books were a breaks expectations and healthy dose of fun and literary conventions showing nonsense.’ playfulness with language. -
Vector 212 (July-August 2000)
Vector 212 (July-August 2000) Jul)'/ August ~000 £2.50 Cover photograph of Tricia Sullivan at the 1999 Arthur C. Clarke Award presentation, by Tony Cullen . FEATURES,EDITORIAL AND LETTERS 2 Andrew M. Butler – c/o Dept. of Arts and Media, 1 ASSH F Floor, Buckingham Chilterns University Vector College, High Wycombe HP11 2JZ EMail: [email protected] 2 Gary Dalkin – 5 Lydford Road, Bournemouth, THE CRITICAL JOURNAL OF THE BSFA Dorset, BH11 8SN Email: [email protected] Contents BOOK REVIEWS Steve Jeffery – 44 White Way, Kidlington, Oxon, 3 The View from the Science Museum OX5 2XA editorial by Gary S. Dalkin EMail: [email protected] 3 letters to Vector PRINTED BY: 4 A Conversation with Tricia Sullivan PDC Copyprint, 11 Jeffries Passage, Guildford, The 1999 Arthur C. Clarke Award winner in conversation with Surrey GU1 4AP Tanya Brown 8 Lights in the Darkness of Genre BSFA Officials Keith Brooke on the first two novels of Tricia Sullivan 11 The Best of British: the 1980s and 1990s TREASURER –Elizabeth Billinger, 1 LongRowClose,Everdon,Daventry, Dr Andrew M. Butler, Tanya Brown and Paul Billinger round off NorthantsNN113BE EMail:[email protected] the series. MEMBERSHIPSECRETARY –PaulBillinger, 1 LongRowClose,Everdon,Daventry, 14 Hunting the Unicorn NorthantsNN113BE EMail:[email protected] Sandra Unerman on the Unicorn in modern fantasy PUBLICATIONS MANAGER –VikkiLee,44 White Way, Kidlington, Oxon, OX5 2XA EMail: [email protected] 17 The Wall Around the Concentration Camp ORBITERS–Chris Rodgers, 98 Greenland Avenue, Maltby, Rotherham, S L.J.Hurst on the notorious right wing novel The Turner Diaries Yorks, S66 7EU Email: [email protected] 18 First Impressions AWARDS –ChrisHill, TheBungalow,27LowerEvingarRoad,Whitchurch,Hants book reviews edited by Steve Jeffery RG287EY EMail: [email protected] PUBLICITY/PROMOTIONS –ClaireBrialey, 26NorthamptonRoad,Croydon,Surrey, COVER: Tricia Sullivan at the 1999 Arthur C. -
Becoming Plant and Posthumanism in Jeff Noon's Pollen
Becoming Plant and Posthumanism in Jeff Noon’s Pollen (1995) Katharine Cockin Jeff Noon’s startling fiction owes as great a debt to Lewis Carroll as to William Gibson and deserves more critical attention. The reader is challenged at every turn in the treatment of difference, desire and nature. Place, identity and movement become particularly unstable but it is an openness to the posthuman which characterises Pollen (1995). Val Gough (2000) has argued that Noon presents a challenging representation in the context of gender and feminism but in this article I will suggest that other kinds of decentring are also enacted, notably in relation to spatial and species identities. The location of the action in the North of England questions the dominance of the South East. In cyberpunk, the metropolitan capital city tends to occupy the centre ground, occluding the margins and interstices that are, in Pollen, precisely where the serious challenges to apocalypse are taking place. The setting of the novel and the interaction with place and space will therefore be one area of investigation in this article. The other decentred sites in the novel concern the human itself and the extent to which the human self may retain any continuity after such radical mutations and transformations. In this regard, Pollen exemplifies the preoccupation in contemporary science fiction with life after death identified by Stephen Burt (2014). The novel presents a variety of extraordinary ways in which the human might develop, notably by defying death and becoming plant. Pollen is the second in a series of four novels set both in Manchester1 and in “the Vurt,” an alternative reality accessed by the absurd means of sucking on a feather. -
English Studies in Spain
Credits This volume brings together the papers delivered at the XXXVI International Conference of AEDEAN (Asociación Española de Estudios Anglo-Norteamericanos), that was held at the University of Málaga (Spain) from 14th to 16th November 2012. The Editors would like to express their gratitude to a number of institutions and individuals for their support, work and assistance as we put together the e-book. First, we would like to thank the members of the Department of English, French and German Philology (University of Málaga) for their enthusiasm, energy and advice before, during and after the Conference. Without them, this volume would not have seen the light of day. Second, we would like to thank the Board of the Spanish Association for English and American Studies (AEDEAN) for their encouragement, patience and support. Despite our delay in completing the volume, they have always supplied much-needed moral assistance, and have shown faith in our work. The proceedings include three keynotes, delivered by Dr. Patricia Duncker (University of Manchester), Dr. Julia Lavid (Universidad Complutense de Madrid), and Dr. Andrew Monnickendam (Universidad Autònoma de Barcelona). We have structured the e-book in three sections: Literature, Linguistics and Round tables and workshops. Following the lead of Sara Martín Alegre et al’s At a Time of Crisis: English and American Studies in Spain (2012), we strongly believe that the ebook will contribute to the visibility of the academic work in Spain and abroad. The outstanding quality of the papers included in this volume proves that English and American Studies in Spain is a fruitful academic field, and we are confident that it will remain so despite the difficulties that the humanities, and research in general, are facing these days.