Return of Private Foundation OMB No 1545-0052 Form 990 -PF Or Section 4947(A)(1) Nonexempt Charitable Trust ` Treated As a Private Foundation 2010 Note
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Global Philanthropy Forum Conference April 18–20 · Washington, Dc
GLOBAL PHILANTHROPY FORUM CONFERENCE APRIL 18–20 · WASHINGTON, DC 2017 Global Philanthropy Forum Conference This book includes transcripts from the plenary sessions and keynote conversations of the 2017 Global Philanthropy Forum Conference. The statements made and views expressed are solely those of the authors and do not necessarily reflect the views of GPF, its participants, World Affairs or any of its funders. Prior to publication, the authors were given the opportunity to review their remarks. Some have made minor adjustments. In general, we have sought to preserve the tone of these panels to give the reader a sense of the Conference. The Conference would not have been possible without the support of our partners and members listed below, as well as the dedication of the wonderful team at World Affairs. Special thanks go to the GPF team—Suzy Antounian, Bayanne Alrawi, Laura Beatty, Noelle Germone, Deidre Graham, Elizabeth Haffa, Mary Hanley, Olivia Heffernan, Tori Hirsch, Meghan Kennedy, DJ Latham, Jarrod Sport, Geena St. Andrew, Marla Stein, Carla Thorson and Anna Wirth—for their work and dedication to the GPF, its community and its mission. STRATEGIC PARTNERS Newman’s Own Foundation USAID The David & Lucile Packard The MasterCard Foundation Foundation Anonymous Skoll Foundation The Rockefeller Foundation Skoll Global Threats Fund Margaret A. Cargill Foundation The Walton Family Foundation Horace W. Goldsmith Foundation The World Bank IFC (International Finance SUPPORTING MEMBERS Corporation) The Leona M. and Harry B. Helmsley Charitable Trust MEMBERS Conrad N. Hilton Foundation Anonymous Humanity United Felipe Medina IDB Omidyar Network Maja Kristin Sall Family Foundation MacArthur Foundation Qatar Foundation International Charles Stewart Mott Foundation The Global Philanthropy Forum is a project of World Affairs. -
History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded. -
Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
INTERNATIONAL ENTREPRENEURSHIP the Case of Russia
Ministry of Education and Science of the Russian Federation St. Petersburg State Polytechnical University INTERNATIONAL ENTREPRENEURSHIP The Case of Russia V.D. Khizhniak St. Petersburg Publishing House of SPbSPU 2012 1 Khizhniak, Vladimir International Entrepreneurship: the Case of Russia. A manual for students. St. Petersburg: Publishing House of SPbSPU, 2012. This manual is intended for students interested in international business. The theoretical concepts and practical issues of international entrepreneurship are considered with reference to Russia, one of the most promising sites for international business. ISBN © St. Petersburg State Plytechnical University, 2012 2 CONTENTS Chapter 1 General Characteristic of International Entrepreneurship 6 Chapter 2 The Russian Marketplace in a Global Context 24 Chapter 3 Business Environment and General Terms of Business 46 Chapter 4 Promotion of Foreign Investment 64 Chapter 5 Entrepreneurial Law and Commercial Disputes Resolution 84 Chapter 6 Setting up a Business Abroad 105 Chapter 7 Importing and Exporting 126 Chapter 8 Finance and Banking Environment 140 Chapter 9 Capital Markets and Securities 160 Chapter 10 Principal Taxes and Tax System 183 Chapter 11 Labor Hiring and Labor Relations 205 Chapter 12 International Marketing and Sales 216 Chapter 13 Business Risks and Insurance 241 Chapter 14 Business Culture 260 Bibliography 279 3 PREFACE This manual is developed for students of business colleges who seek to enhance their knowledge of international entrepreneurship. Experience has shown that processes of globalization and internationalization are developing so rapidly in recent years that even if students majoring in business does not intend to be involved in international business activity, they nevertheless will encounter problems relating to globalization and internationalization processes in their professional activity. -
Typologizing Global Cities for the Simulation of Future Urban Mobility Patterns and Energy Scenarios by Sean Hua Submitted to the Dept
Mobility of the Future: Typologizing Global Cities for the Simulation of Future Urban Mobility Patterns and Energy Scenarios by Sean Hua Submitted to the Dept. of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2017 ○c Massachusetts Institute of Technology 2017. All rights reserved. Author.............................................................. Dept. of Electrical Engineering and Computer Science August 11, 2017 Certified by. Moshe Ben-Akiva Edmund K. Turner Professor of Civil and Environmental Engineering Thesis Supervisor Accepted by . Christopher Terman Chairman, Masters of Engineering Thesis Committee 2 Mobility of the Future: Typologizing Global Cities for the Simulation of Future Urban Mobility Patterns and Energy Scenarios by Sean Hua Submitted to the Dept. of Electrical Engineering and Computer Science on August 11, 2017, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science Abstract The MITEI-sponsored Mobility of the Future project sets out to create a viable framework for analyses and predictions of urban transportation behavior in response to inevitable changes such as improved vehicle technologies, emergence of novel transit services, and policy changes motivated by population growth and emission control. In order to feasibly simulate these scenarios on a global scale, we need to first determine a few prototypical cities that best represent the entire world, each exhibiting qualities that encompass the group to which it belongs. Our methodology for accomplishing this is centered around machine learning. After collecting and pruning relevant, up- to-date data, we perform dimension reduction and clustering to ultimately generate appropriate prototype cities. -
First DPS Train Departs for Serbia
NEVZ: Focus on Import Substitution p. 4 PARTNERS Vladimir Kiselev — On Our New Diesels p. 16 FOR Hopper cars: Reliability and Volume p. 20 JOURNAL 12/2015 № 4 First DPS Train Departs for Serbia p. 10 № 4 12/2015 MAGAZINE FOR PARTNERS № 4 12/2015 A publication for partners Contents of Transmashholding, CJSC company Editor-in-Chief Konstantin Dorokhin news [email protected] Editorial office address: 127055, Moscow, Butyrsky Val, 26, bldg. 1 Telephone: (495) 660-89-50 NEVZ: Focusinnovations on Import 4 Substitution 4 The magazine has been prepared with participation of MediaLine Publishing House www.medialine-pressa.ru Director General Larisa Rudakova Design artist Ilya Malov First DPScollaboration Train Departs Editorial director 10 Dmitry Dorofeyev for Serbia Copy editor Irina Demina Design and makeup 10 Emma Burlyaeva, Sergey Galushkin, Sergey Kukoba, Aleksey Sukonkin Vladimir Kiselev:Interview «We Have Proofreaders Larisa Nikolina, Built New Generation Alina Babich, 16 Svetlana Pydyk Diesel Engines» Prepress Andrey Klochkov, Anastasia Morozova Approved for printing on 22.12.2015 Printed by Tvolimedia print shop, 999 copies 20 Reliability andproduction Volume — Main Features of a New Hopper Car 20 traditions 24 24 Wartime Life 1 News Celebration Prospects Anniversary Bezhitsky Steel Plant (BSZ) has turned 80. Cast inAll Steelthese years BSZ has been providing high-quality steel castings to car repair plants and rolling stock manufacturers. During its long Tver Carriage Works (TVZ) has «Orders for railway cars for Russian history, the company has produced more built 50 new railway cars for Post and the Interior Ministry, which the than 6.4 million tons of casting. -
Showtime 2004
FOR IMMEDIATE RELEASE Contact: Cathy Taylor, Cathy Taylor Public Relations (773) 564-9564; [email protected] Ben Thiem, Director of Member Services, League of Chicago Theatres (312) 554-9800; [email protected] SUMMER 2019 THEATER HIGHLIGHTS Chicago, IL – Celebrating 2019 as the Year of Chicago Theatre, Chicago will continue to produce some of the most exciting work in the country this summer. Offerings from the city’s more than 250 producing theaters feature everything from the latest musicals to highly anticipated world premieres. For a comprehensive list of Chicago productions including a Summer Theatre Guide, visit the League of Chicago website, ChicagoPlays.com. Half-price tickets are available at HotTix.org or at the two Hot Tix half- price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven, Shops at 108 N. State. Hot Tix offers half-price tickets for the current week and some performances in advance. “As we approach the halfway point of the Year of Chicago Theatre, I encourage every Chicagoan and visitor to attend a production by one of our 250 theater companies. This summer, there is a wide range of offerings, including an impressive number of musicals and world premieres. Simply, there is something for everyone,” notes Deb Clapp, Executive Director of the League of Chicago Theatres. The following is a selection of notable work playing in Chicago throughout the summer: New works and adaptations include: Lookingglass Theatre presents a new adaptation of Mary Shelley’s Frankenstein. Mary Shelley’s unsettling story crackles to life as Victor Frankenstein must contend with his unholy creation. -
The Global Edge: an Agenda for Chicago’S Future Issues Through Contributions to Opinion and Policy Formation, Leadership Dialogue, and Public Learning
The Chicago Council on Global Affairs, founded in 1922 as The Chicago Council on Foreign Relations, is a leading independent, nonpartisan organization committed to influencing the discourse on global Future Chicago’s for An Agenda The Global Edge: issues through contributions to opinion and policy formation, leadership dialogue, and public learning. The Global Edge: An Agenda for Chicago’s Future Report of an Independent Study Group Michael H. Moskow, Henry H. Perritt, Jr., and Adele Simmons, Cochairs Sponsored by 332 South Michigan Avenue Suite 1100 Chicago, Illinois 60604 thechicagocouncil.org SPINE The Global Edge: An Agenda for Chicago’s Future RepoRt of an Independent Study GRoup Michael H. Moskow, Henry H. Perritt, Jr., and Adele Simmons, Cochairs SponSoRed by The Chicago Council on Global Affairs is a leading independent, nonpartisan organi- zation committed to influencing the discourse on global issues through contributions Study Group Cochairs to opinion and policy formation, leadership dialogue, and public learning. Michael H. Moskow The Chicago Council provides members, specialized groups, and the general public Senior Fellow for the Global Economy with a forum for the consideration of significant international issues and their bear- ing on American foreign policy. In addition to remaining the premier platform in the The Chicago Council on Global Affairs Midwest for international leaders in foreign policy, The Chicago Council strives to take the lead in gaining recognition for Chicago as an international business center Henry H. Perritt, Jr. for the corporate community and to broaden and deepen the Council’s role in the Professor community. Chicago-Kent College of Law THE CHICAGO COUNCIL TAKES NO INSTITUTIONAL POSITION ON POLICY ISSUES AND HAS NO AFFILIATION WITH THE U.S. -
Supporting Creative People and Organizations
Supporting Creative People and Organizations 2010 Report on Activities John D. and Catherine T. MacArthur Foundation Table of Contents President’s Essay 6 Year in Review 11 Grantmaking Activities 14 Financial Information 19 Board of Directors 23 Foundation Officers 23 Contact Us 24 1 4 2 5 3 Cover Photos: 1. Women in Nigeria receive potentially lifesaving information about maternal health; 2. A health worker visits a family in rural Mexico; 3. A mentor talks to participants in an evening reporting This annual report and supplementary information center for at-risk youth in Pennsylvania; 4. Quest to Learn, a public school in New York City based on the principles of game design; 5. A Masai community in Kenya watches clips of the about MacArthur’s grantmaking are available at documentary Milking the Rhino about wildlife conservation in their region. www.macfound.org/AR2010. Our mission is to support creative people and organizations across the United States and around the world. Informing the American Public In a media environment characterized by proliferating information sources of varying degrees of reliability, MacArthur seeks to support serious, fact-based journalism for television, radio, and the web, including NPR (National Public Radio). On each visit, I have come away more impressed with the quality of our grantees, their talent and creativity, their energy and determination—often in the face of overwhelming odds. Reducing Maternal Mortality More than 340,000 women die each year due to complications during pregnancy and childbirth, mostly in the developing world. With support from MacArthur, Pathfinder International is introducing a low-tech package of interventions in India and Nigeria to prevent postpartum hemorrhage, a leading cause of maternal deaths worldwide. -
Explore Our Virtual Program
20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P. -
To Lead and Inspire Philanthropic Efforts That Measurably Improve the Quality of Life and the Prosperity of Our Region
2008 ANNUAL REPORT To lead and inspire philanthropic efforts that measurably improve the quality of life and the prosperity of our region. OUR VALUES Five values define our promise to the individuals and communities we serve: INTEGRITY Our responsibility, first and foremost, is to uphold the public trust placed in us and to ensure that we emulate the highest ethical standards, honor our commitments, remain objective and transparent and respect all of our stakeholders. STEWARDSHIP & SERVICE We endeavor to provide the highest level of service and due diligence to our donors and grant recipients and to safeguard donor intent in perpetuity. DIVERSITY & INCLUSION Our strength is found in our differences and we strive to integrate diversity in all that we do. COLLABORATION We value the transformative power of partnerships based on mutual interests, trust and respect and we work in concert with those who are similarly dedicated to improving our community. INNOVATION We seek and stimulate new approaches to address what matters most to the people and we serve, as well as support, others who do likewise in our shared commitment to improve metropolitan Chicago. OUR VISION The Chicago Community Trust is committed to: • Maximizing our community and donor impact through strategic grant making and bold leadership; • Accelerating our asset growth by attracting new donors and creating a closer relationship with existing donors; • Delivering operational excellence to our donors, grant recipients and staff members. In 2008, The Chicago Community Trust addressed the foreclosure crisis by spearheading an action plan with over 100 experts from 70 nonprofit, private and public organizations.