The Oligarchy of Venice

Total Page:16

File Type:pdf, Size:1020Kb

The Oligarchy of Venice T H E O L I G A R C H Y F V E N I C E fi n 455m l: E B M LELL GEORG . CC AN BOST ON NE W YOR ' HOUGH ON MIFFLIN AND COMPANY T , t ca n minerfiit e p ress, (t am hribge 1904 PY I T 1 BY B C C O R G H 90 4 G E O R G E . M C L E L LA N ALL R IGH T S R E S E RV E D Publisb ed F ebr u a r y 1 90 4 WIFE CONTENTS C HAPTER VEN IC E II TH E BE G I I S F R E P B I . NN NG O THE U L C ’ TH E FIR S T COUP D ETAT I T H E F M Y IV . N A IL O F N ATION S ’ THE S E C OND C OUP D ET AT I S T P V . C ON TAN INO LE ’ H IR D U P D E VII . THE T C O TAT UE R IN I- I P C S PIR C Y VIII . THE Q T E OLO ON A M R I F I R IX . A NO AL E TH E WA R OF C HIOGGIA O T H E M I D XI . N A NLAN PE R A L M XII . IM I IS C S OF E MPIR E XIII . THE O T TH E M C I E ' IV . A H N P I ' V . S A N EN D XVI . THE THE O LIGAR CHY OF VENICE CHAPTER I VENICE o t t a b out S much has been wri en Venice, so th at much that is true, so much is false, so much fiction under the guise of history and history under the guise of fiction, so much poetry in prose and prose in poetry, that in sorting the vast amount of available of i material, it is a matter no little d fficulty to separate the grain from the ch aff . For of of the story the beginning Venice, we must depend upon the early chroniclers, foremost among whom stands John the Dea l m con . As they were conte poraneous, or nearly so, with the events which they describe, r e we must accept their word as law, only j e cti n g it when some outside authority con f ut es them . The chronicles of Andrea Dan 1 He e J Sa or n i n o te was form rly known as ohn g , but qui e e h e e e e e h is u r c ntly has b n d priv d of s rname . 2 THE OLIGARCHY OF VENICE dolo 1 bring the story onward to the begin 1343 ning of his reign as doge, in , and are i n e stIm abl u ur y val able, because of the so ces of information to which he had access . The 2 official historians of the republic are lim i ted in value from the necessity under which they found themselves of writing nothing offen - sive to an all seeing and paternal oligarchy . Of later historians scarcely any avoided being of influenced by the prejudice nationality, or the mixed condition of European politics . i Moreover, it is only recently that h story has i begun to be an exact science . M s sta tements of li or fact, originally made for po tical reli i ous g reasons, have by constant repetition become incorporated as part of Venetian his ’ 3 tory . So late historians as the Abbe Laugier, 4 i i n writ ng the eighteenth century, and Daru, of i at the beginning the n neteenth, must be B ’ accepted with the greatest caution . aru s hi s open hostility to the Church, constant 1 e Re r . xn . Print d in Muratori , Ital Scrip vol 2 e l 1487 Be 1551 1605 Sab l ico, , mbo, , Paruta, , Morosini, 1623 1680 n i 1534 . , Nani, , Giustinia , ’ 8 e de é e de e se e Histoir la R publiqu V ni , par l abb Lau e 1759 12 . gi r, Paris, , vols 4 i e de e e le e . 1853 H stoir V nis , par Comt P Daru, Paris, , 7 vols . VENICE 3 e fi or t , as a special pleader, to place her in the wrong whenever possible, makes his de li ghtful history of doubtful value . It was not until the middle of the nine t e e n th century that Romanin published the first complete, accurate, and unprejudiced 1 history of the republic that had yet appeared . The ten volumes of this work entitle their author to rank among the great historians . Of the more recent works on Venetian history that of Hazlitt 2 is valuable for its fullness 3 of of detail, while that Hodgson is accurate and scholarly . The history of Venice is unlike that of any n other n atio in that it is a completed whole . Extendin g over a period of fourteen hundred e years, its lin s of demarcation are clearly fixed . There was no shading off of Venetian or of institutions, Venetian government, into those of any other state . There was no absorption of her ruling caste Into another nationality . She ceased to exist as abruptly 1 e e e . e e Storia docum ntata di V n zia, di S Romanin, V n zia, — 1853 6 1 10 . , vols 2 Th e e e e . e V n tian R public, by W Car w Hazlitt, London, 1900 2 . , vols 3 e e . N e w Early History of V nic , by F C Hodgson , York 1902 1 . and London, , vol 4 THE OLIGARCHY OF VENICE Sh e as she began ; she died as was born , like a Sh e conscious, sentient being ; andwhen passed ui away, those who had g ded her fortunes disappeared from human activity as com ple t e ly as though the waters of the lagoons had closed over them . And so the history of Venice may be studied from beginning to end as a tale that is told, as a life that has been lived . But for her there was no hope of r of resur ection , no possibility a life to come . There was never anything commonplace in Venice . Her people solved the pettiest of - problems every day life, as they managed ff of e on l the gravest a airs state, in ways p i a r ly their own . She was the product of i n her time and age, but developed upon dividual lines . She was capable of great deeds, and infinite wickedness . Sometimes she was worse than those about her, some t m i es better, sometimes carried along with of a the tide medi evalism , yet more often swimming against that tide, with a dash and ’ a vigor worthy of the world s best days . e n And then at last, overcome by the sloth gendered by the forgetfulness of her great Sh e ness, who had defied popes and emperors, VENICE 5 wh o had laughed at coalitions embracing of nearly the whole Europe, succumbed at the word of Napoleon . of The story Venice is a great melodrama, ux li i m a divided into tablea , appea ng to the gination rather than to cold logic . We for get all that has happened between the acts, that while the curtain has been down there has been ceaseless activity behind the scenes . The great events of Venetian history impress themselves upon our minds at the expense of the causes and the results . Yet there is a clearly defined argument running through lei t—m ti the whole story, a o f that is carried by the orchestra from the overture to the of finale, and it is the study this gradual development of the causes of her greatness of and her undoing, that presents the most fascinating phase of Venetian history . The condition of anarchy into whi ch Eur ope had been thrown by the extin cti on of the Roman Empire by the barbarians who swept across from Asia gave place in time to the feudal system . The portable spoils of a successful barbaric horde were di vided . among its members, in accordance with their power or rank . When the barbarians set 6 THE OLIGARCHY OF VENICE tle d of in the country their conquest, the division of the lands presented a di ff erent problem . The chief had acquired his preeminence, either because of inheritance joined to per or of sonal fitness, because individual quali ties alone . His power was derived directly b e from the army, upon whose efficiency de f r pended o very existence . The work of conquest required time, and the settlements among the conquered were merely armed camps pitched, for a greater or lesser period, w bet een campaigns . The division of the lands was the reward of military service, and, in view of the constantly recurring calls to arms, could only be granted by the chief in return for military aid when required . Feu dal tenures were in the nature of reta ining of . fees, for the services the grantees of As the theory divine right grew, the of e crown, for services one kind or anoth r, m i r all originally litary in thei nature, granted i n f its lands feof to its subjects, who in turn ff regranted feo s, in the same way, to lower subjects of the crown .
Recommended publications
  • Biological Warfare Plan in the 17Th Century—The Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis
    HISTORICAL REVIEW Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis A little-known effort to conduct biological warfare oc- to have hurled corpses of plague victims into the besieged curred during the 17th century. The incident transpired city (9). During World War II, Japan conducted biological during the Venetian–Ottoman War, when the city of Can- weapons research at facilities in China. Prisoners of war dia (now Heraklion, Greece) was under siege by the Otto- were infected with several pathogens, including Y. pestis; mans (1648–1669). The data we describe, obtained from >10,000 died as a result of experimental infection or execu- the Archives of the Venetian State, are related to an op- tion after experimentation. At least 11 Chinese cities were eration organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman attacked with biological agents sprayed from aircraft or in- soldiers with plague by attacking them with a liquid made troduced into water supplies or food products. Y. pestis–in- from the spleens and buboes of plague victims. Although fected fleas were released from aircraft over Chinese cities the plan was perfectly organized, and the deadly mixture to initiate plague epidemics (10). We describe a plan—ul- was ready to use, the attack was ultimately never carried timately abandoned—to use plague as a biological weapon out. The conception and the detailed cynical planning of during the Venetian–Ottoman War in the 17th century. the attack on Candia illustrate a dangerous way of think- ing about the use of biological weapons and the absence Archival Sources of reservations when potential users, within their religious Our research has been based on material from the Ar- framework, cast their enemies as undeserving of humani- chives of the Venetian State (11).
    [Show full text]
  • Caterina Corner in Venetian History and Iconography Holly Hurlburt
    Early Modern Women: An Interdisciplinary Journal 2009, vol. 4 Body of Empire: Caterina Corner in Venetian History and Iconography Holly Hurlburt n 1578, a committee of government officials and monk and historian IGirolamo Bardi planned a program of redecoration for the Sala del Maggior Consiglio (Great Council Hall) and the adjoining Scrutinio, among the largest and most important rooms in the Venetian Doge’s Palace. Completed, the schema would recount Venetian history in terms of its international stature, its victories, and particularly its conquests; by the sixteenth century Venice had created a sizable maritime empire that stretched across the eastern Mediterranean, to which it added considerable holdings on the Italian mainland.1 Yet what many Venetians regarded as the jewel of its empire, the island of Cyprus, was calamitously lost to the Ottoman Turks in 1571, three years before the first of two fires that would necessitate the redecoration of these civic spaces.2 Anxiety about such a loss, fear of future threats, concern for Venice’s place in evolving geopolitics, and nostalgia for the past prompted the creation of this triumphant pro- gram, which featured thirty-five historical scenes on the walls surmounted by a chronological series of ducal portraits. Complementing these were twenty-one large narratives on the ceiling, flanked by smaller depictions of the city’s feats spanning the previous seven hundred years. The program culminated in the Maggior Consiglio, with Tintoretto’s massive Paradise on one wall and, on the ceiling, three depictions of allegorical Venice in triumph by Tintoretto, Veronese, and Palma il Giovane. These rooms, a center of republican authority, became a showcase for the skills of these and other artists, whose history paintings in particular underscore the deeds of men: clothed, in armor, partially nude, frontal and foreshortened, 61 62 EMWJ 2009, vol.
    [Show full text]
  • University Micrdfilms International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1 . The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2 . When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • ART HISTORY of VENICE HA-590I (Sec
    Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001).
    [Show full text]
  • HAA 151 Venice List
    Venice HAA 151v Spring 2016 J. Connors 27 March 2016 Summary list of art and architecture studied in site visit March 10-20, 2016 San Marco Façade spolia, Hercules reliefs, St. Mark cycle up to the Porta di S. Alippio. Tetrarchs, Pilastri acritani (St. Polyeuktos in Constantinople). Carmagnola head. Interior: early mosaics in chapels of St. Peter and St. Clement. Pala d’oro. Sansovino bronze door to the sacristy (veiled head of the grieving Virgin). Sea floor of Greek marble slabs. Porta saracenesca (double curves and mosaic) to the Treasury, where everyone chose a favorite object, often of glass remounted in Byzantine enamel. Baptistery (entered a pilgrims during the Exceptional Holy Year of 2016): Sansovino font, late Byzantine-style mosaics, altar as giant slab of stone. Glimpses from the Baptistery and from the portico into the Cappella Zen with bronze altar statues and bronze statue of the gisant Cardinal Zen. Portico mosaics: Days of Creation with Adam and Eve, Noah and the Flood, Joseph and his Brothers. Museum: 4 horses, mosaic fragments, Paolo Veneziano’s pala feriale used to cover the Pala d’Oro on non feast days with scenes of the cycle of St. Mark. Palazzo Ducale Exterior South façade with central window by the Delle Massegne 1400 West façade on Piazzetta with Porta della Carta and Justice Roundel. Three corners: Grape, Fig, Justice, with archangels above: Raphael, Michael, Gabriel. Justice Roundel. Porta della Carta with Doge Francesco Foscari and lion in high relief, and Justice enthroned on high. Virtues: Prudence, Fortitude, Temperance, Charity. Palazzo Ducale Courtyard Scala dei Giganti, with Hypnerotomachia-like emblematic decorations, small prison underneath.
    [Show full text]
  • Sacred Scripture / Sacred Space
    Sacred Scripture / Sacred Space Unauthenticated Download Date | 2/4/19 9:22 AM Materiale Textkulturen Schriftenreihe des Sonderforschungsbereichs 933 Herausgegeben von Ludger Lieb Wissenschaftlicher Beirat: Jan Christian Gertz, Markus Hilgert, Hanna Liss, Bernd Schneidmüller, Melanie Trede und Christian Witschel Band 23 Unauthenticated Download Date | 2/4/19 9:22 AM Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture Edited by Tobias Frese, Wilfried E. Keil and Kristina Krüger Unauthenticated Download Date | 2/4/19 9:22 AM ISBN 978-3-11-062913-2 e-ISBN (PDF) 978-3-11-062915-6 e-ISBN (EPUB) 978-3-11-063347-4 ISSN 2198-6932 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018964345 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Frese et al., published by Walter de Gruyter GmbH, Berlin/Boston This book is published in open access at www.degruyter.com. Cover Images: Florenz, San Pancrazio, Capella Rucellai, facade. Photo: Miguel Hermoso Cuesta, Wikimedia Commons (CC BY-SA 4.0). Typesetting: Sonderforschungsbereich 933 (Nicolai Schmitt), Heidelberg Printing and binding: Hubert & Co. GmbH & Co. KG, Göttingen www.degruyter.com Unauthenticated Download Date | 2/4/19 9:22 AM Contents Acknowledgements V Tobias Frese, Kristina Krüger Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture.
    [Show full text]
  • Print This Article
    Byzantina Symmeikta Vol. 29, 2019 Byzantine families in Venetian context: The Gavalas and Ialinas family in Venetian Crete (XIIIth- XIVth centuries) ΓΑΣΠΑΡΗΣ Χαράλαμπος Institute of Historical Research, Athens https://doi.org/10.12681/byzsym.16249 Copyright © 2019 Χαράλαμπος Γάσπαρης To cite this article: ΓΑΣΠΑΡΗΣ, (2019). Byzantine families in Venetian context: The Gavalas and Ialinas family in Venetian Crete (XIIIth- XIVth centuries). Byzantina Symmeikta, 29, 1-132. doi:https://doi.org/10.12681/byzsym.16249 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | INSTITUTE OF HISTORICAL RESEARCH ΙΝΣΤΙΤΟΥΤΟ ΙΣΤΟΡΙΚΩΝ ΕΡΕΥΝΩΝ SECTION OF BYZANTINE RESEARCH ΤΟΜΕΑΣ ΒΥΖΑΝΤΙΝΩΝ ΕΡΕΥΝΩΝ NATIONAL HELLENIC RESEARCH FOUNDATION ΕΘΝΙΚΟ IΔΡΥΜΑ ΕΡΕΥΝΩΝ CHARALAMBOS GASPARIS EFI RAGIA Byzantine Families in Venetian Context: THE GEOGRAPHY OF THE PROVINCIAL ADMINISTRATION OF THE TheBYZAN GavalasTINE E andMPI REIalinas (CA 600-1200):Families I.1.in T HVenetianE APOTHE CreteKAI OF (XIIIth–XIVthASIA MINOR (7T HCenturies)-8TH C.) ΤΟΜΟΣ 29 VOLUME ΠΑΡΑΡΤΗΜΑ / APPENDIX ΑΘΗΝΑ • 20092019 • ATHENS http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | ΒΥΖΑΝΤΙΝΑ ΣΥΜΜΕΙΚΤΑ 29 ΠΑΡΑΡΤΗΜΑ ΒΥΖΑΝΤΙΝΑ SYMMEIKTA 29 APPENDIX http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | NATIONAL HELLENIC RESEARCH FOUNDATION INSTITUTE OF
    [Show full text]
  • Reinhold C. Mueller
    Reinhold C. Mueller Aspects of Venetian Sovereignty in Medieval and Renaissance Dalmatia [A stampa in Quattrocento Adriatico , Fifteenth Century Art of the Adriatic Rim , Papers from a colloquium, Florence, 1994, edited by Charles Dempsey (Villa Spelman Colloquia Series, 5), Bologna, Nuova Alfa Editoriale, 1996, pp. 29-56 – Distribuito in formato digitale da “Reti Medievali”] The reader is forewarned that this paper, which maintains the character of the original oral presentation, makes no attempt at covering completely such a vast subject, on which there is an extensive bibliography - much of it in Serbo-Croatian, a language I do not know. My intent is simply to offer for discussion some little-exploited historical materials on well-known themes that exemplify contacts between the two coasts of the Adriatic Sea, especially - but not only - during the Quattrocento. Following an overview of the history of Venetian sovereignty in that part of the Stato da mar, attention will turn to aspects of politics and society, that is, to the political, financial and monetary administration of the subject territories and to the movement of people and peoples across the Adriatic. I. AN OVERVIEW OF HISTORY AND MYTH Venetian efforts at domination of the eastern Adriatic can be said to have begun in the year 1000, with the naval expedition commanded personally by doge Pietro II Orseolo, which put an end to the activity of pirates installed at the mouth of the Narenta River and first avowed control over the Adriatic as the “Gulf of Venice.” Lordship over the Adriatic was central to Venetian historiography and mythology over the centuries: from the supposed papal grant of lordship at the peace of 1177 with Barbarossa and the ceremony each Ascension day of the doge wedding the sea, to invocations of Jove and Neptune - all depicted as part of a political program in the redecoration of the Ducal Palace after the fire of 1577 As late as the eighteenth century, Tiepolo still represented Neptune and the sea as the source of Venice’s wealth, when that was already history.
    [Show full text]
  • Venetian Foreign Affairs from 1250 to 1381: the Wars with Genoa and Other External Developments
    Venetian Foreign Affairs from 1250 to 1381: The Wars with Genoa and Other External Developments By Mark R. Filip for the Degree of Bachelor of Arts in History College of Liberal Arts and Sciences University of Illinois Urbana, Illinois 1988 Table of Contents Major Topics page Introduction 1 The First and Second Genoese Wars 2 Renewed Hostilities at Ferrara 16 Tiepolo's Attempt at Revolution 22 A New Era of Commercial Growth 25 Government in Territories of the Republic 35 The Black Death and Third ' < 'ioese War 38 Portolungo 55 A Second Attempt at Rcvoiut.on 58 Doge Gradenigo and Peace with Genoa 64 Problems in Hungary and Crete 67 The Beginning of the Contarini Dogcship 77 Emperor Paleologus and the War of Chioggia 87 The Battle of Pola 94 Venetian Defensive Successes 103 Zeno and the Venetian Victory 105 Conclusion 109 Endnotes 113 Annotated Bibliography 121 1 Introduction In the years preceding the War of Chioggia, Venetian foreign affairs were dominated by conflicts with Genoa. Throughout the thirteenth and fourteenth centuries, the two powers often clashed in open hostilities. This antagonism between the cities lasted for ten generations, and has been compared to the earlier rivalry between Rome and Carthage. Like the struggle between the two ancient powers, the Venetian/Gcnoan hatred stemmed from their competitive relationship in maritime trade. Unlike land-based rivals, sea powers cannot be separated by any natural boundary or agree to observe any territorial spheres of influence. Trade with the Levant, a source of great wealth and prosperity for each of the cities, required Venice and Genoa to come into repeated conflict in ports such as Chios, Lajazzo, Acre, and Tyre.
    [Show full text]
  • “Talk” on Albanian Territories (1392–1402)
    Doctoral Dissertation A Model to Decode Venetian Senate Deliberations: Pregadi “Talk” on Albanian Territories (1392–1402) By: Grabiela Rojas Molina Supervisors: Gerhard Jaritz and Katalin Szende Submitted to the Medieval Studies Department Central European University, Budapest In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, Budapest, Hungary 2020 CEU eTD Collection To my parents CEU eTD Collection Table of Contents Acknowledgments .................................................................................................................................. 1 List of Maps, Charts and Tables .......................................................................................................... 2 Introduction ............................................................................................................................................ 3 A Survey of the Scholarship ........................................................................................................................... 8 a) The Myth of Venice ........................................................................................................................... 8 b) The Humanistic Outlook .................................................................................................................. 11 c) Chronicles, Histories and Diaries ..................................................................................................... 14 d) Albania as a Field of Study .............................................................................................................
    [Show full text]
  • The Scuola Dalmata Di San Giorgio E Trifone a Place for the Dalmatian Community in Venice
    Cultural Heritage. Scenarios 2015-2017 edited by Simona Pinton and Lauso Zagato The Scuola Dalmata di San Giorgio e Trifone A Place for the Dalmatian Community in Venice Silvia Zanlorenzi (Università degli Studi di Padova, Italia) Abstract The largest part of references available until today, on the Scuola dalmata di San Giorgio e Trifone tend to emphasize the role of Venice’ Dalmatian community with respect to the courageous contribution given in the course of the long-time’ conflicts against the Turks. The aim of this paper is to show instead, through the personal stories of the Scuola’s members and chiefs (Guardian grande), how they were able to distinguish themselves in other type of occupations which gained them a relevant position in town, as solid contributors not only to the economic life of Venice, but also to the cultural and spiritual one. Moreover, it will be shown how, at the end of Republic independence, in the conclusion of the XVIII century, their gradual integration as ‘Venetians’ made them suitable for a larger commitment as “trainers of italianity”, even in other regions of Italy ready to unify into a national State. Summary 1 Introduction. – 2 The Scuola Dalmata: a Confraternity of Warriors for the Crusades?. – 3 The Dalmatians in Venice: Their Lives, Their Accomplishments. – 4 Conclusions. Keywords Dalmatia. Venice. Scuola dalmata di San Giorgio e Trifone. 1 Introduction This paper will present and discuss the case of one Venetian Scuola belong- ing to the group of so-called ‘Scuole minori’. The Scuola dalmata di San Giorgio e Trifone has received until today, a relatively limited attention by scholars.
    [Show full text]
  • {DOWNLOAD} Venice, a Maritime Republic Pdf Free Download
    VENICE, A MARITIME REPUBLIC PDF, EPUB, EBOOK Frederic Chapin Lane | 528 pages | 01 Dec 1973 | JOHNS HOPKINS UNIVERSITY PRESS | 9780801814600 | English | Baltimore, MD, United States Republic of Venice | Account Options Sign in. Try the new Google Books. Check out the new look and enjoy easier access to your favorite features. Try it now. No thanks. Get print book. JHU Press Amazon. Shop for Books on Google Play Browse the world's largest eBookstore and start reading today on the web, tablet, phone, or ereader. Venice, A Maritime Republic. Frederic Chapin Lane. JHU Press , - History - pages. The children's version of the 1 New York Times bestselling classic Seriously, Just Go to Sleep is the G-rated, child-friendly version of the book every parent has been talking about. Of course, kids are well aware of how difficult they can be at bedtime. With Mansbach's new child-appropriate narrative, kids will recognize their tactics, giggle at their own mischievousness, and empathize with their parents' struggles--a perspective most children's books don't capture. Most importantly, it provides a common ground for children and their parents to talk about one of their most stressful daily rituals. This is a fixed-format ebook, which preserves the design and layout of the original print book. User Review - Flag as inappropriate Seamen. Selected pages Title Page. Table of Contents. Contents The Beginnings. A Community Center by Canaletto. Venice about woodcut by Vavassore. Victories BeyondtheSea and in Romania. Illuminated Initial from the Maritime Code of Doge Leonardo Loredan by Giovanni Bellini. The Condottiere in front of San Marco.
    [Show full text]