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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends. -
Spring 2016 Collection Lookbook Jackie Rogers
JACKIE ROGERS SPRING 2016 COLLECTION LOOKBOOK JACKIE ROGERS Jackie Rogers’ new collection is an homage to the works of famed artist Salvador Dali, with whom she established a friendship with while she lived in Paris. Jackie who started as a menswear designer at the suggestion of Chanel was inspired by Dali’s works and Rogers uses the artistic motif and iconography in the collection coupled with sumptuous fabrics including gabardine, lamé and silk chiffon to create these unique looks. In addition, the new collection features an expansion of her burlap jackets, which she tailors to the body and creates beautiful structured designs and expands her use of the fabric into ornate dresses that turned the heads of many at the event. As Rogers, often referred to as “America’s Coco Chanel,” likes to say, “I don’t believe in fashion, I believe in style,” and this motto is reflected throughout her latest collection, which is made with the timeless elegance that is the signature of the Jackie Rogers brand. Each Jackie Rogers design makes a statement of sophistication and style with every piece being perfectly tailored to fit the body. When you enter a room, the beauty and craftsmanship of signature a Jackie Rogers design is unmistakable as Rogers uses sewing techniques she perfected while working with Coco Chanel at her Paris studio. Jackie Rogers is conceived, designed and manufactured entirely in New York City in its Midtown showroom and available for purchase in her Southampton, NY and Palm Beach, Florida boutiques as well as at www.jackierogers.com. Hair and makeup by Dion Moore Jose Rosello for Angelo David Salon 2. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with -
1931 Annual Report
ANNUAL REPORT OF THE FEDERAL TRADE COMMISSION FOR THE FISCAL YEAR ENDED JUNE 30 1931 UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON 1931 For sale by the Superintendent of Documents, Washington. D.C. - - - Price 25 cents (paper cover) FEDERAL TRADE COMMISSION CHARLES W. HUNT, Chairman. WILLIAM E HUMPHREY. CHARLES H. MARCH. EDGAR A. McCulloch. GARLAND S. FERGUSON, Jr. OTIS B. JOHNSON, Secretary. FEDERAL TRADE COMMISSIONER--1915-1931 Name State from which appointed Period of service Joseph E Davies Wisconsin Mar. 16, 1915-Mar. 18, 1918. William J. Harris Georgia Mar. 16, 1915-May 31, 1918. Edward N. Hurley Illinois Mar.16, 1915-Jan. 31, 1917. Will H. Parry Washington Mar.16, 1915-Apr. 21, 1917. George Rublee New Hampshire Mar.16, 1915-May 14, 1916. William B. Colver Minnesota Mar.16, 1917-Sept. 25, 1920. John Franklin Fort New Jersey Mar.16, 1917-Nov. 30, 1919. Victor Murdock Kansas Sept. 4, 1917-Jan. 31, 1924. Huston Thompson Colorado Jan.17, 1919-Sept. 25, 1926. Nelson B. Gaskill New Jersey Feb. 1, 1920-Feb. 24, 1925. John Garland Pollard Virginia Mar. 6, 1925-Sept. 25,1921. John F. Nugent Idaho Jan.15, 1921-Sept. 25, 1927 Vernon W. Van Fleet Indiana June 26, 1922-July 31, 1926. C. W. Hunt Iowa June 16, 1924. William E Humphrey Washington Feb.25, 1925. Abram F. Myers Iowa Aug. 2, 1926-Jan. 15, 1929. Edgar A. McCulloch Arkansas Feb.11, 1927. G. S. Ferguson, Jr North Carolina Nov.14, 1927. Charles H. March Minnesota Feb. 1, 1929. GENERAL OFFICES OF THE COMMISSION 1800 Virginia Avenue, NW., Washington BRANCH OFFICES 608 South Dearborn Street 45 Broadway Chicago New York 544 Market Street 431 Lyon Building San Francisco Seattle II CONTENTS PART I. -
Prosecutions Follow Liquor Raids Made at Interior Points British
WEATHER FORECAST .WHERE. JÛ.JÀ0 IQJUGHT... Jbr J* hours ending 6 p. m . Thursday: Victoria aad • ^tcinlty—Moderate to fresh southerly winds, mostly cloudy and cool with shows» VOL. 61. NO. 39 VICTORIA, B.C., WEDNESDAY, AUGUST 9, 1922 PRICE FIVE CENTS Prosecutions Follow British Light Croiser Raleigh, Known to Victorians, Wrecked in Belle Isle Strait British Ministers ; Liquor Raids Made Take Up Problem of At Interior Points London Conference About Thirty Men Arrested at Penticton, Oliver, Cabinet Called to Meet To morrow to Discuss Differ Oeoyooe, Coalmont, Granite Creek, Ptinceton and ences of Opinion As to Course Affecting Germany; Keremeos; Hearings In Court. Poincare to Consult Colleagues. ■ I -, „• ^ Vi-n:i<(..ii. V>.<\, Aug. 0. Excitement rose to high pitch here ft* i*- London. Aug. 9.—The British (’abinet will meet to-morrow to »when it Iwcnnie known that the residences of D. C. / MU consider the Mtualioji grbwing out of the conference of Allied I. ? j «. Winnipeg Street, and A. Nieol. Fairview Road, had leaders here, it was announced this afternoon. eat 1> <1 liy the municipal police and the owners placed in the It is understood that at the same time Premier Poincare will •pal 1«m knp on eliargi's of contravention of the (iovernment consults with his colleagues. | ; \<t Interest was further stimulated when trucks contain- •> j • »rrel« of hier and other ‘‘wet goods" were seen Jiteing un- .x London. Aug. 9.—As a result of a three-hour conversation be I HR i»«i<le the munieipa! lmilding. Others arrested at the same S gtse . -
Ranch Dressing Cowboy Hats and Boots Are Two of the Most Iconic Symbols of the American West
SPECIAL ADVERTISING SECTION APPAREL RANCH DRESSING Cowboy hats and boots are two of the most iconic symbols of the American West. But more than just symbols, a cowboy’s footwear and hat—as well as everything between— serve an important purpose. Safety, comfort and style are all hallmarks of Western apparel, and Western Horseman has gathered a fine collection of items to update your wardrobe, from your hat down to your boots. BOOTS toddlers and infants since 1966. The 18150 is a women’s brown short boot North American Bison Boot with a narrow round toe, all made of by Boulet Boots genuine leather, including the lining and sole. Featuring a zipper for easy wear, a natural Goodyear welted, reinforced shank, and a cushioned leather insole, this stylish boot comes in sizes 5 to 10. For more information and to find a retailer, go to jamaoldwest.com. CB3 Classic Cowboy Boot by Olathe Boot Company Women’s Rancher boot, featuring an ostrich neck vamp in Brandy color and 11-inch shaft in Arena color. The boot sports a new SS toe shape. It is Boulet boots have been handmade available in multiple sizes and widths in Canada since 1933, and today the at fine Western retailers at a sug- family brand is carried on by its gested retail price of $309.99. Find a fourth generation. A new line of North store at twistedx.com. American Bison boots is now avail- able through most of the company’s Men’s Roper Concealed Carry retailers. Bison-skin boots have a Boot from Roper beautiful look and mold to your foot for comfort and long wear. -
Textiles and Clothing the Macmillan Company
Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text. -
Basic of Textiles
BASIC OF TEXTILES BFA(F) 202 CC 5 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Fiber Study 5-64 2. Fiber and its Classification 65-175 3. Yarn and its Types 176-213 4. Fabric Manufacturing Techniques 214-260 5. Knitted 261-302 UNIT Fiber Study 1 NOTES FIBER STUDY STRUCTURE 1.1 Learning Objective 1.2 Introduction 1.3 Monomer, Polymer, Degree of polymerization 1.4 Student Activity 1.5 Properties of Fiber: Primary & Secondary 1.6 Summary 1.7 Glossary 1.8 Review Questions 1.1 LEARNING OBJECTIVE After studying this unit you should be able to: ● Describe the Natural Fiber. -
B.Des. (Fashion Design)
Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. -
A Digital Textile Printer to Aid in the Product Development Process
FROM CONCEPT TO CREATION: A DIGITAL TEXTILE PRINTER TO AID IN THE PRODUCT DEVELOPMENT PROCESS Dr. Sherry Schofield Dr. Jessica Ridgway Retail, Merchandising and Product Development – College of Human Sciences PROJECT DESCRIPTION The proposed funding from the Student Technology Fee will be used to purchase a wide- format digital ink-jet fabric printer which will provide students the unique opportunity to print their own developed creative ideas using this cutting edge textile printing technology. Our goal with this project is to further integrate current industry technologies into the Retail, Merchandising, and Product Development (RMPD) course curriculum. Within the textile and apparel industry, when a new product is being developed, often the designer is forced to use the available prints that were designed by someone else. This process can limit the designer’s ability to create a truly unique product or garment and to the designer is not able to design from initial concept to final product. Today’s technology is changing this process; with the introduction of digital textile printers, designers can take part in the entire product development process starting with textile design. With the incorporation of a digital printer and the accompanying software into the RMPD textile lab, our students will have the ability to experience a similar concept to product process with the creation of his or her own sample fabric, which could ultimately result in new and unique products. Furthermore, the use of a digital textile printer affords students the ability to incorporate technology into the product development process. This not only emulates current industry practices, but also allows for further exploration in product development.