Griaule's Legacy: Rethinking "La Parole Claire" in Dogon Studies
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INVESTIGATING the SIRIUS "MYSTERY" Ian Ridpath
INVESTIGATING THE SIRIUS "MYSTERY" Ian Ridpath Did amphibious beings from the star Sirius visit the earth 5,000 or more years ago and leave advanced astronomical knowledge that is still pos- sessed by a remote African tribe called the Dogon? This astonishing claim was put forward in 1976 by Robert Temple in his "ancient astro- naut" book, The Sirius Mystery. An astronomer, familiar with the Sirius system, would say no, because astronomical theory virtually precludes the possibility that Sirius is a suitable parent star for life or that it could have habitable planets. But most of Robert Temple's readers would not know enough astronomy to judge the matter for themselves. Neither would they find the relevant astronomical information in Temple's book, most of which consists of brain-numbing excursions into Egyptol- ogy. (Isaac Asimov has been quoted by Temple as having said that he found no mistakes in the book; but Temple did not know that the reason for this, according to Asimov, was that he had found the book too im- penetrable to read!*) Even the BBC-TV Horizon investigation on an- cient astronauts (broadcast as part of the PBS "Nova" series in the United States), which did an otherwise excellent demolition job on the more extreme fantasies of Erich von Daniken, left the Sirius problem unanswered because of its extreme complexity. Yet an answer is needed, because the Dogon legends about a companion to Sirius are claimed to originate before any terrestrial astronomer could have known of the ex- istence of Sirius B, let alone its 50-year orbit or its nature as a tiny, con- * E d i t o r ' s note: See Asimov's essay, "The Dark Companion," in his Quasar, Quasar Burning Bright (Doubleday, 1978), in which he says he is embarrassed by his stupidity in not specifying that his comment, made only "to get rid of him [Temple] and to be polite," not be quoted. -
Cth 821 Course Title: African Traditional Religious Mythology and Cosmology
NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF ARTS AND SOCIAL SCIENCES COURSE CODE: CTH 821 COURSE TITLE: AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY 1 Course Code: CTH 821 Course Title: African Traditional Religious Mythology and Cosmology Course Developer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Writer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Programme Leader: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Title: CTH 821 AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY COURSE DEVELOPER/WRITER: Rev. Fr. Dr. Ushe .N. Michael 2 National Open University of Nigeria, Lagos COURSE MODERATOR: Rev. Fr. Dr. Mike Okoronkwo National Open University of Nigeria, Lagos PROGRAMME LEADER: Rev. Fr. Dr. Ushe .N. Michael National Open University of Nigeria, Lagos CONTENTS PAGE Introduction…………………………………………………………………………………… …...i What you will learn in this course…………………………………………………………….…i-ii 3 Course Aims………………………………………………………..……………………………..ii Course objectives……………………………………………………………………………...iii-iii Working Through this course…………………………………………………………………….iii Course materials…………………………………………………………………………..……iv-v Study Units………………………………………………………………………………………..v Set Textbooks…………………………………………………………………………………….vi Assignment File…………………………………………………………………………………..vi -
Mau Mau) Struggle for Kenya's Independence
Syracuse University SURFACE Pan African Studies - Theses College of Arts and Sciences 5-2013 "Thaai thathaiyai Ngai thaai": Narratives of Rituals, Agency, and Resistance in the KLFA (Mau Mau) Struggle for Kenya's Independence Henry Muoki Mbunga Syracuse University Follow this and additional works at: https://surface.syr.edu/panaf_theis Part of the African History Commons, and the African Studies Commons Recommended Citation Mbunga, Henry Muoki, ""Thaai thathaiyai Ngai thaai": Narratives of Rituals, Agency, and Resistance in the KLFA (Mau Mau) Struggle for Kenya's Independence" (2013). Pan African Studies - Theses. 4. https://surface.syr.edu/panaf_theis/4 This Thesis is brought to you for free and open access by the College of Arts and Sciences at SURFACE. It has been accepted for inclusion in Pan African Studies - Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract The purpose of this project is to examine the role of rituals in the Mau Mau struggle for Kenya’s independence. Traditionally, research on the Mau Mau has focused on the political and socio-economic aspects of Kenya’s anti-colonial struggle. As a result, the place of spirituality and, in particular, the role of rituals in the Mau Mau struggle has largely been ignored in existing literature. Initially, when KLFA rituals were studied at the height of the Mau Mau struggle, the task was undertaken by colonial anthropologists and psychologists who were often unable to escape the snare of racist and Eurocentric prejudices in their analyses. Subsequent revisionist studies have attempted to be more objective in their analyses, but the focus has mainly been on the elements and details surrounding the actual ceremonies, at the expense of how these rituals impacted individual freedom fighters. -
Anthropology and Fiction in the French Atlantic
JUSTIN IZZO EXPERI- MENTS WITH EMPIRE ANTHROPOLOGY AND FICTION IN THE FRENCH ATLANTIC JUSTIN IZZO hn hk io il sy SY ek eh fi fl ffi ffl Th hn hk io il sy SY ek eh fi fl ffi ffl Th hn hk io il sy SY ek eh fi fl ffi ffl Th hn hk io il sy SY ek eh fi fl ffi ffl Th hn hk io il sy SY ek eh fi fl ffi ffl Th hn hk io il sy SY ek eh fi fl ffi ffl Th experiments with empire theory in forms A Series Edited by Nancy Rose Hunt and Achille Mbembe Experiments with Empire Anthropology and Fiction in the French Atlantic justin izzo duke university press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Matt Tauch Typeset in Minion Pro by Westchester Book Group Library of Congress Cataloging- in- Publication Data Names: Izzo, Justin, author. Title: Experiments with empire : anthropology and fiction in the French Atlantic / Justin Izzo. Description: Durham : Duke University Press, 2019. | Series: Theory in forms | Includes bibliographical references and index. Identifiers: lccn 2018042312 (print) | lccn 2018057191 (ebook) isbn 9781478004622 (ebook) isbn 9781478003700 (hardcover : alk. paper) isbn 9781478004004 (pbk. : alk. paper) Subjects: lcsh: French literature—20th century— History and criticism. | French fiction—French-speaking countries—History and criticism. | Ethnology in literature. | Imperialism in literature. | Imperialism in motion pictures. | Politics and literature— History— 20th century. | Literature and society—History— 20th century. Classification: lcc pq3897 (ebook) | lcc pq3897 .I98 2019 (print) | ddc 840.9/3552—dc23 lc record available at https://lccn.loc.gov/2018042312 Cover art: Aerial View Of Cityscape Against Sky, Marseille, France. -
African Mythology a to Z
African Mythology A to Z SECOND EDITION MYTHOLOGY A TO Z African Mythology A to Z Celtic Mythology A to Z Chinese Mythology A to Z Egyptian Mythology A to Z Greek and Roman Mythology A to Z Japanese Mythology A to Z Native American Mythology A to Z Norse Mythology A to Z South and Meso-American Mythology A to Z MYTHOLOGY A TO Z African Mythology A to Z SECOND EDITION 8 Patricia Ann Lynch Revised by Jeremy Roberts [ African Mythology A to Z, Second Edition Copyright © 2004, 2010 by Patricia Ann Lynch All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Chelsea House 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Lynch, Patricia Ann. African mythology A to Z / Patricia Ann Lynch ; revised by Jeremy Roberts. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-1-60413-415-5 (hc : alk. paper) 1. Mythology—African. 2. Encyclopedias—juvenile. I. Roberts, Jeremy, 1956- II. Title. BL2400 .L96 2010 299.6' 11303—dc22 2009033612 Chelsea House books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Chelsea House on the World Wide Web at http://www.chelseahouse.com Text design by Lina Farinella Map design by Patricia Meschino Composition by Mary Susan Ryan-Flynn Cover printed by Bang Printing, Brainerd, MN Bood printed and bound by Bang Printing, Brainerd, MN Date printed: March 2010 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Dogon Restudied: a Field Evaluation of the Work of Marcel Griaule [And Comments and Replies]
Dogon Restudied: A Field Evaluation of the Work of Marcel Griaule [and Comments and Replies] Walter E. A. van Beek; R. M. A. Bedaux; Suzanne Preston Blier; Jacky Bouju; Peter Ian Crawford; Mary Douglas; Paul Lane; Claude Meillassoux Current Anthropology, Vol. 32, No. 2. (Apr., 1991), pp. 139-167. Stable URL: http://links.jstor.org/sici?sici=0011-3204%28199104%2932%3A2%3C139%3ADRAFEO%3E2.0.CO%3B2-O Current Anthropology is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. -
Redalyc.Between the Sensible and the Intelligible. Anthropology and The
VIBRANT - Vibrant Virtual Brazilian Anthropology E-ISSN: 1809-4341 [email protected] Associação Brasileira de Antropologia Brasil Caixeta de Queiroz, Ruben Between the sensible and the intelligible. Anthropology and the cinema of Marcel Mauss and Jean Rouch VIBRANT - Vibrant Virtual Brazilian Anthropology, vol. 9, núm. 2, diciembre, 2012, pp. 184 -211 Associação Brasileira de Antropologia Brasília, Brasil Available in: http://www.redalyc.org/articulo.oa?id=406941914007 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Between the sensible and the intelligible Anthropology and the cinema of Marcel Mauss and Jean Rouch Ruben Caixeta de Queiroz Abstract In this paper I explore the connections between the anthropology of Marcel Mauss and the anthropological cinema of Jean Rouch. In the process, I identi- fy elements in the work of the filmmaker and anthropologist that amount to a critique of any simplistic opposition between prose and poetry, science and art, rational and irrational, material and immaterial, the thought world and the lived world, ethnographic description and creative interpretation, sound and word, ethnographic film and documentary, anthropology and cinema. Keywords: French anthropology; Anthropological theory; Ethnographic film; Marcel Mauss; Jean Rouch; Surrealism. vibrant v.9 n.2 ruben -
Un Parcours Semé De Terrains. L'itinéraire Scientifique De Denise
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by HAL AMU Un parcours sem´ede terrains. L'itin´erairescientifique de Denise Paulme Marianne Lemaire To cite this version: Marianne Lemaire. Un parcours sem´ede terrains. L'itin´erairescientifique de Denise Paulme. L'Homme - Revue fran¸caise d'anthropologie, Editions´ de l'EHESS 2010, pp.51-74. <halshs- 00785088> HAL Id: halshs-00785088 https://halshs.archives-ouvertes.fr/halshs-00785088 Submitted on 5 Feb 2013 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. Un parcours semé de terrains L’itinéraire scientifique de Denise Paulme Marianne Lemaire Article paru dans L’Homme 193, 2010, pp. 51-74 Le parcours scientifique de Denise Paulme se caractérise en tout premier lieu par la multiplicité des terrains qui l’ont ponctué. Rares sont les anthropologues français qui, comme elle, se sont à ce point sentis concernés par la « recommandation des anthropologues britanniques » et ont ainsi jugé profitable de travailler tour à tour sur plusieurs sociétés. Redoutant de finir par « s’identifier plus ou moins »1 à la société sur laquelle elle aurait jeté son dévolu, Denise Paulme a ainsi successivement travaillé, en Afrique de l’Ouest, sur les Dogon, les Kissi, les Baga, les Bété, ainsi que sur quelques populations lagunaires de Côte d’Ivoire, parmi lesquelles les Atié et les Nzema. -
2004 Watch Site Has Served As a Cultural Crossroads for More Than 2,000 Years
bedded sandstone ridge that rises some 500 meters above the parched sands of Western Sahara, the Bandiagara Escarpment 2004 Watch Site has served as a cultural crossroads for more than 2,000 years. The eroded remnants of a Precambrian massif, the 200-kilo- meter-long formation snakes its way across the landscape from southwest to northeast. The plateau atop the escarpment slopes down to the Bani and Niger Basins to the northwest. Beneath Ait is a scree field littered with sizable sandstone blocks that have broken off the cliff face, creating a network of natural pathways and lush pockets of vegetation nourished by groundwater and seasonal rains trapped and channeled by fissures in the rock. A steady line of dunes marks the edge of the scree, beyond which is the vast sandy Seno Plain, stretching over the horizon toward the Burkina Faso Culture at a Crossroads FOR Mali’s BANDIAGARA ESCARPMENT, EXTRAORDINARY GEOLOGY AND HUMAN GENIUS HAVE CONSPIRED TO CREATE ONE OF THE World’s GREAT CULTURAL LANDSCAPES. FOR THE DOGON CLIFF-DWELLERS WHO LIVE THERE, THE FUTURE HANGS IN THE BALANCE. by Thierry Joffroy and Lassana Cissé border. Each twist, turn, and fold in the rock harbors a unique environment, not only in its flora and fauna, but in the cultural traditions and architectural forms that have developed there. Considered one of West Africa’s most impressive sites, the escarpment has witnessed nearly 100,000 years of human occupation. Among its more recent inhabitants have been the Toloy, a little-known people who took shel- ter in the numerous natural caves pocking the upper reaches of the cliff face sometime between the third and second centuries b.c. -
The Inner Eye Vision and Transcendence in African Arts
exhibition preview The Inner Eye Vision and Transcendence in African Arts Mary Nooter Roberts “e Inner Eye” draws attention to African individuals, such as “THE INNER EYE: rulers, mothers, and healers, as well as spirit beings who exhibit VISION AND TRANSCENDENCE IN AFRICAN ARTS” heightened senses of awareness, while acknowledging artists and CURATED BY MARY NOOTER ROBERTS performers as visionaries who bring works to life. A number of LOS ANGELES COUNTY MUSEUM OF ART artists are identiable master hands, and in some cases sculptures RESNICK PAVILION, FEBRUARY 26—JULY 9, 2017 are shown in clusters to appreciate the remarkable ingenuity that Oro, the essence of communication, takes place in the eyes. each artist brings to a single genre. Ultimately, in their own set- (Yoruba axiom cited in Abiodun :) tings and, one can hope, museum spaces as well, these objects empower people to transcend human limitations and boundaries he Inner Eye: Vision and Transcendence in and envision their own potentialities and possibilities (Fig. ). African Arts” features a cross-cultural con- Most works of art encourage viewers to gaze upon them in all stellation of sculptures—many of them iconic their multidimensionality. In fact, museum experience is predi- in the corpus of African art—and eye-catching cated upon looking. When we see art in most Western museum textiles. e exhibition explores how works of settings, the assumption is that objects are meant to be scruti- art and the visual regimes through which they nized and beheld, and in a sense consumed by visitors’ eyes and have been created and performed enable transitions from one caressed by their gaze. -
H-Horn H-Horn: Some Recent Publications (October 2015)
H-Horn H-Horn: Some Recent Publications (October 2015) Discussion published by Jonathan Miran on Saturday, October 3, 2015 H-Horn: Some Recent Publications (October 2015) James De Lorenzi, Guardians of the Tradition: Historians and Historical Writing in Ethiopia and Eritrea (Rochester: University of Rochester Press, 2015). http://www.urpress.com/store/viewItem.asp?idProduct=14818 Mohammed Hassen, The Oromo and the Christian Kingdom of Ethiopia 1300-1700 (James Currey, 2015). http://www.jamescurrey.com/store/viewItem.asp?idProduct=14848 Special issue of the journal African Diaspora Vol. 8, Issue 1 (2015) guest edited by Giulia Bonacci. [With contributions by Boris Adjemian, Hugo Ferran, Émeline Charpentier, Giulia Bonacci, John R. Campbell and Solomon Afework]. http://booksandjournals.brillonline.com/content/journals/18725465 Ityopis. Northeast African Journal of Humanities and Social Sciences. Extra Issue – 2015. ‘Cultural Research in Northeastern Africa. German Histories and Stories’. http://www.ityopis.org/Issues-Extra.html Iris Berger, Tricia Redeker-Hepner, Benjamin N. Lawrance et al. (eds.),African Asylum at a Crossroads: Activism, Expert Testimony, and Refugee Rights (Athens: Ohio University Press, 2015). [includes chapters on Ethiopia by J. Campbell and Eritrea by T. Redeker-Hepner]. http://www.ohioswallow.com/book/African+Asylum+at+a+Crossroads Citation: Jonathan Miran. H-Horn: Some Recent Publications (October 2015). H-Horn. 10-03-2015. https://networks.h-net.org/node/7596/discussions/85231/h-horn-some-recent-publications-october-2015 Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Horn Alex de Waal, The Real Politics of the Horn of Africa: Money, War and the Business of Power (Polity Press, 2015).