Présentation De Projet Sofiane Saidi
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Natacha Atlas Mish Maoul Mp3, Flac, Wma
Natacha Atlas Mish Maoul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Mish Maoul Country: UK Released: 2006 Style: Vocal, Ballad MP3 version RAR size: 1860 mb FLAC version RAR size: 1358 mb WMA version RAR size: 1445 mb Rating: 4.6 Votes: 178 Other Formats: AHX APE MP3 ADX APE MP4 AAC Tracklist Hide Credits Oully Ya Sahbi Bass, Acoustic Guitar, Keyboards, Strings, Programmed By – Dubulah*Cello, Double Bass [Contrabass] – Bernard O'NeillDrums – Brother PDrums, Shaker, Keyboards, Programmed 1 5:33 By – Neil SparkesGoblet Drum [Darabuka] – Ali El MinyawiKeyboards – Natacha AtlasNey, Flute [Kawala] – Louai HenawiVocals – Sofiane SaidiWritten-By – Dubulah*, N. Atlas*, N. Sparkes* Feen Accordion – Gamal El Kordi*Cymbal [Zills], Bells, Shaker, Tambourine, Drums [Duf] – Neil SparkesDouble Bass – Bernard O'NeillGoblet Drum [Darabuka], Drums [Duf] – Ali El 2 MinyawiGuitar, Drums, Keyboards, Arranged By [Strings] – Dubulah*Ney [Solo], Zither 5:46 [Qanun] – Aytouch*Oud – Nizar HusayniRecorded By [Strings] – Khaled Raouf*Strings – The Golden Sounds Studio Orchestra Of CairoVocals – Princess JuliannaWritten-By – Dubulah*, Julie Anne Higgins, N. Atlas*, N. Sparkes* Hayati Inta Backing Vocals – Sofiane SaidiBacking Vocals, Flute [Djouwak], Performer [Tabel], Handclaps, Arranged By – Hamid BenkouiderBacking Vocals, Oud, Lute [Gambri], Drums 3 3:57 [Bendir], Zurna, Percussion [Karkabou], Programmed By, Arranged By – Yazid FentaziDouble Bass – Bernard O'NeillGuitar – Count DubulahProducer – Hamid Benkouider, Natacha Atlas, Philip BagenalWritten-By – M. Eagleton*, N. Atlas* Ghanwah Bossanova Double Bass, Piano – Bernard O'NeillDrums – Brother PDrums, Programmed By, Percussion 4 [Riq], Shaker, Shaker [Shell], Cymbal [Zills], Goblet Drum [Darabuka], Drums [Bendir] – 6:29 Neil SparkesGuitar, Programmed By, Keyboards, Strings – Count DubulahWritten-By – Dubulah*, N. Atlas*, N. -
Natacha Atlas
Musique Jeudi 11 décembre à 20h30 Natacha Atlas BaseGVA basedesign.com BaseGVA Photo © Banjee Théâtre Forum Meyrin, Place des Cinq-Continents 1, 1217 Meyrin / +41 22 989 34 34 / forum-meyrin.ch Service culturel Migros, rue du Prince 7, Genève, +41 22 319 61 11 / Stand Info Balexert, Migros Nyon-La Combe Jeudi 11 décembre à 20h30 Natacha Atlas Le concert On dit d’elle qu’elle est la rose raï du Caire. Une Dalida qui aurait emprunté le chemin inverse, l’emmenant des faubourgs de Bruxelles au relatif anonymat de la capitale égyptienne. Natacha Atlas est surtout, depuis une vingtaine d’années, l’incarnation de ce que la world music peut offrir de mieux sur scène, mélangeant des racines orientales, faites de danses du ventre et de youyous hululés, à des rythmes électroniques plus européens, souvenirs de son passage, au début des années 1990, dans le groupe Transglobal Underground. Depuis toujours, elle aime faire le grand écart, construire un pont entre deux rives qu’elle seule semble à même de réunir. Pour sa nouvelle tournée, cette crooneuse des sables s’est entourée d’un aréopage de musiciens issus tout autant du jazz que du folklore arabe. Le résultat est toujours aussi envoûtant, qu’elle entonne le remarquable Rise to Freedom, en hommage à la révolution du Nil de 2011, ou reprenne le joyau qu’est River Man, un titre du compositeur anglais Nick Drake. Natacha Atlas n’aime pas les barrières, encore moins les interdits. Femme du monde, héritière des grandes voix moyen-orientales, on pense à Oum Kalsoum ou à la diva libanaise Fairouz, elle est capable de nous émerveiller avec un concert digne des mille et une nuits étoilées. -
ISLAMIC HIP-HOP Vs. ISLAMOPHOBIA: AKI NAWAZ, NATACHA ATLAS, AKHENATON
Excerpted from draft of: ISLAMIC HIP-HOP vs. ISLAMOPHOBIA: AKI NAWAZ, NATACHA ATLAS, AKHENATON Ted Swedenburg Department of Anthropology University of Arkansas (accessed from http://comp.uark.edu/~tsweden/IAM.html) [ . ] Akhenaton: 100% Métèque Akhenaton, rapper and chief spokesperson for Marseille rap group IAM,29 was born Philippe Fragione, son of immigrants from the region of Calabria in South Italy, who settled in Marseille. When IAM burst onto the French rap scene30 with its 1991 release ...De la Planète Mars, one of its most notable features was what André Prévos dubs its "pharaohism." Four of the group's six members go by ancient Egyptian names (Imhotep, DJ Kheops, Divin Kephren, and of course Akhenaton), and IAM's lyrics are full of references to ancient Egyptian civilization. Prévos argues astutely that "pharaohism" permitted IAM to assert connections to the contemporary Arab world in an indirect, coded way: "The concept [of pharaohism] underlines Arabic origins while bypassing negative representations of North African countries gripped by Islamic fundamentalism and economic uncertainties" (1996:721).31 The jacket of IAM's enormously successful second CD (L'ombre est lumière, 1993)32 even asserts that in ancient times, Egypt was connected to Marseille, but the continents subsequently drifted apart. I would take issue, however, with Prévos's claim that IAM's "pharaohism" is an original development that demonstrates French rap's growing independence from US hip-hop hegemony (Prévos 1996:719, 721-722). According to Akhenaton, the name IAM (standing for Imperial Asiatic Men)33 was chosen after he read Senegalese writer Cheikh Anta Diop, one of Afrocentrism's leading theorists, who spurred a pre-existing interest in the Asiatic Middle East as the origin of the monotheistic religions and in Egypt as the (Black) cradle of civilization. -
CP Odyssey 11 12
COMMUNIQUÉ DE PRESSE PIANO’CKTAIL MER. 11 DEC. ODYSSEY — 20H Compagnie Hervé Koubi DANSE Tout public et Famille à partir de 7 ans // Tarifs : de 11€ à 24€. Réservation conseillée. Piano’cktail 02 40 65 05 25 – pianocktail-bouguenais.fr Perce, surgit et se déploie une éclatante déclaration d’amour Après Les nuits barbares et Ce que le jour doit à la nuit , la Compagnie Hervé Koubi signe son grand retour au Piano’cktail avec une nouvelle création pour quatorze danseurs et trois musiciens. À travers une relecture des poèmes d’Homère, le chorégraphe compose une ode à la Femme… à toutes les femmes, incarnées par la chanteuse anglo-égyptienne Natacha Atlas. Le Piano’cktail accueille les ultimes répétitions puis la toute première représentation publique de cette création internationale. > Rencontre avec les artistes en bord de scène après le spectacle. Teaser : https://youtu.be/yK7PE6Es9Xg Hervé Koubi Formé au Centre International de Danse Rosella Hightower de Cannes, puis à l’Opéra de Marseille, Hervé Koubi intègre le Centre Chorégraphique National de Nantes en 1999. Il travaillera par la suite avec Karine Saporta au Centre Chorégraphique National de Caen et Thierry Smits Compagnie Thor à Bruxelles. Il crée son premier projet Le Golem en 2000. Depuis, il collabore avec Guillaume Gabriel sur l’ensemble de ses créations. Depuis 2010 il mène un projet orienté vers la méditerranée pour un parcours jalonné de plusieurs créations El Din (2010-2011), Ce que le jour doit à la nuit (2012) accueilli au Piano’cktail en 2012, Le rêve de Léa (2014), Des hommes qui dansent (2014), Les nuits barbares ou les premiers matins du monde (2015-2016) accueilli au Piano’cktail en 2015, Boys don’t cry (2018), Sylphides (projet pour danseuses d’Afrique du Nord) (2018), ODYSSEY (2020), SOL INVICTUS (2022). -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
Harveybrough
harveybrough. NATACHA ATLAS - ANA HINA 2008 WORLD VILLAGE - HARMONIA MUNDI HARVEY BROUGH: PRODUCER, ARRANGER GUARDIAN DAILY MIRROR harveybrough.com harveybrough. TIME OUT OBSERVER SONGLINES harveybrough.com harveybrough. BBC - WORLD REVIEW 03/11/2008 - MARTIN LONGLEY Singer Natacha Atlas is now recording in London rather than Cairo, but perversely this is her most traditionally Arabic album, at least in terms of its nostalgia. Working with musical director Harvey Brough, she's chosen a classicist acoustic approach, as opposed to her usual electronic reinventions of Middle Eastern and North African sounds. Natacha's fluttering voice is very prominent in the mix, allowing the space to savour every detail of her ornamented phrasing. Around half of the songs have a 1940s or 50s aura, sensitively interpreted by an orchestra of serpentine strings, ney flute, oud, percussion and a horn section that includes Julian Siegel. The Egyptian star Gamal Al Kordy makes a notable contribution on accordion; an apt inclusion given his involvement in many of the original recordings of these songs. It's not all Arabic traditionalism, though. The Atlas/Brough songwriting partnership has produced four originals and a pair of arrangements, which revisit ancient folk forms, both Western and Eastern. Two of the originals possess strange echoes of other songs, with the title track evoking both Jacques Brel and James Brown's It's A Man's World. A reading of Black Is The Colour follows Nina Simone's formula; just voice, piano and strings, sung in English. There's also an eerie version of a Frida Kahlo poem, in its original Spanish, sung as a duo with baroque guitarist and oud player Clara Sanabras, who this time opts for a pinging ukulele. -
Natacha Atlas
Natacha Atlas Natacha Atlas nació en Bélgica, aunque sus antepasados provienen del oriente medio (Egipto, Palestina y Marruecos). Atlas se ha pasado la mitad de su vida viajando alrededor del mundo, viviendo en Bruselas, Egipto, Grecia e Inglaterra, lo que ha influido claramente su música. La primera noticia de Atlas en el mundo de la música fue como cantante de un club llamado !Loca¡, donde se introdujo en el cÃrculo Jah Wobble, cantando y co-escribiendo para sus recién formados Invaders of the Heart. También conoció a Transglobal Underground, el colectivo multicultural londinense que se han convertido a la larga en visionarios del fenómeno \"world dance\" mezclando electronica, dub, hip-hop y funk con formas musicales provenientes de India, Africa y Oriente Medio. Natasha se convirtió en miembro de este cuarteto vocal, al pricipio como invitada en 1991, más tarde como cantante principal y bailarina del vientre (el verdadero raq sharki). Un par de años después, fue la banda de Tim Whelan, Hamid ManTu y Nick Page (a.k.a. Count Dubulah, ahora Temple of Sound) quienes la ayudaron en su disco en solitario, Diaspora. Paralelamente, aparte de su éxito en solitario era miembro permanente de Transgrobal, y la propia banda hacÃa de su banda de acompañamiento hasta que abandonaron Nation en 1999, aunque han seguido siendo aliados a lo largo de sus carreras. Diaspora se publicó en 1995 en el sello Mantra, combinando el punto de vista global dubby y rÃtmico de Transglobal con al trabajo más tradicional de los músicos árabes. -
Song List by Artist
song artist album label dj year-month-order sample of the whistled language silbo Nina 2006-04-10 rich man’s frug (video - movie clip) sweet charity Nayland 2008-03-07 dungeon ballet (video - movie clip) 5,000 fingers of dr. t Nayland 2008-03-08 plainfin midshipman the diversity of animal sounds Nina 2008-10-10 my bathroom the bathrooms are coming Nayland 2010-05-03 the billy bee song Nayland 2013-11-09 bootsie the elf bootsie the elf Nayland 2013-12-10 david bowie, brian eno and tony visconti record 'warszawa' Dan 2015-04-03 "22" with little red, tangle eye, & early in the mornin' hard hair prison songs vol 1: murderous home rounder alison 1998-04-14 phil's baby (found by jaime fillmore) the relay project (audio magazine) Nina 2006-01-02 [unknown title] [unknown artist] cambodian rocks (track 22) parallel world bryan 2000-10-01 hey jude (youtube video) [unknown] Nina 2008-03-09 carry on my wayward son (youtube video) [unknown] Nina 2008-03-10 Sri Vidya Shrine Prayer [unknown] [no album] Nina 2016-07-04 Sasalimpetan [unknown] Seleksi Tembang Cantik Tom B. 2018-11-08 i'm mandy, fly me 10cc changing faces, the best of 10cc and polydor godley & crème Dan 2003-01-04 animal speaks 15.60.76 jimmy bell's still in town Brian 2010-05-02 derelicts of dialect 3rd bass derelicts of dialect sony Brian 2001-08-09 naima (remix) 4hero Dan 2010-11-04 magical dream 808 state tim s. 2013-03-13 punchbag a band of bees sunshine hit me astralwerks derick 2004-01-10 We got it from Here...Thank You 4 We the People... -
Mediations of Contemporary Popular Music in Morocco and Spain
Across a Divide: Mediations of Contemporary Popular Music in Morocco and Spain Brian Karl Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Brian Karl All rights reserved ABSTRACT Across a Divide: Mediations of Contemporary Popular Music in Morocco and Spain Brian Karl This dissertation is about the mediation of cross-cultural difference among Moroccan and Spanish musical practitioners. It is based on the idea that negotiations across the gaps of such difference have been promoted through the increased circulation of people, products and ideas in the modern era. Based on fieldwork during the years 2003-2007, primarily in the urban sites of Granada, Spain and Fez, Morocco, the project focuses on popular music, how both the production and reception of music are critically bound up with notions of genre, how resulting associations of musical practice are affected by different uses of technology, and how musical practices of all types partake of and help form different ideas of belonging. The understanding of genres of musical expression by listeners and performers alike serves a similar function in demonstrating affiliation with certain in-groups or belief in certain ideologies: e.g., of ethnic or national belonging; or of modern, cosmopolitan access. Tracking not only performance of certain genres but discourse about those genres provides clues to how crucial cultural and political differences are understood and mediated. Key sites for research included official venues for public concerts and cultural tourism, but also more everyday spaces of musical production and reception such as bars and cafes, homes, taxis, streets, parks, and small retail shops. -
Annual Report 2002
annual report 2002 IMPLEMENTATION OF ACTIVITIES AND USE OF FUNDS OFFICE OF THE UNITED NATIONS HIGH COMMISSIONER FOR HUMAN RIGHTS human rights OFFICE OF THE UNITED NATIONS HIGH COMMISSIONER FOR HUMAN RIGHTS ANNUAL REPORT 2002 The Office of the High Commissioner for Human Rights Palais des Nations - CH-1211 Geneva 10 - Switzerland Telephone: 41 22/917 90 00 - Fax: 41 22/917 90 04 Web site: www.unhchr.ch annual report 2002 OFFICE OF THE UNITED NATIONS HIGH COMMISSIONER FOR HUMAN RIGHTS Prepared by the Resource Mobilization Unit of the Office of the High Commissioner for Human Rights. Editorial Consultant: Marilyn Achiron Design and Desktop Publishing by Latitudesign, Geneva Printed by Atar SA, Geneva Photographs: UNICEF/HQ00-0682/Chalasani; UNICEF/HQ01-0375/Squire; UNICEF/HQ99-0916/LeMoyne; UNICEF/HQ00-0623/ LeMoyne; UNICEF/HQ98-0181/Hartley; UNICEF/HQ03-0030/Noorani; UNICEF/HQ99-0512/Horner; UNICEF/HQ99-0898/LeMoyne; UNICEF/HQ02-0083/Markisz. The designations employed and the presentation of the material in this report do not imply the expression of any opinion whatsoever on the part of the Office of the High Commissioner for Human Rights concerning the legal status of any country, territory, city or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. Table of contents Introduction by the High Commissioner . 5 Activities administered through UNOG The Annual Report 2002: A reader’s guide . 7 and UNOPS . 115 Funding of OHCHR. 9 Human rights support for peace-making, peacekeeping and peace-building activities Human rights trust funds established Introduction. 117 by the United Nations General Assembly Staff security . -
The Middle East in the American Popular Music Imaginary, 1955-2014 by Meghan Drury BA in Anthropology, May 2
Sonic Affinities: The Middle East in the American Popular Music Imaginary, 1955-2014 by Meghan Drury B.A. in Anthropology, May 2004, Scripps College M.A. in Ethnomusicology, June 2006, UC Riverside A dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 15, 2016 Melani McAlister Associate Professor of American Studies and International Affairs Gayle Wald Professor of English and American Studies The Columbian College of Arts and Sciences of The George Washington University certifies that Meghan Elizabeth Drury has passed the Final Examination for the degree of Doctor of Philosophy as of March 7, 2016. This is the final and approved form of the dissertation. Sonic Affinities: The Middle East in the American Popular Music Imaginary, 1955-2014 Meghan Drury Dissertation Research Committee: Melani McAlister, Associate Professor of American Studies and International Affairs, Dissertation Co-Director Gayle Wald, Professor of English and American Studies, Dissertation Co-Director Josh Kun, Professor of Communication and American Studies and Ethnicity, University of Southern California, Committee Member Antonio López, Associate Professor of English, Committee Member ii © Copyright 2016 by Meghan Drury. All rights reserved iii This dissertation is dedicated to my mom, my Nana, and Auntie Pussy – intelligent, resourceful women and enduring role models. iv Acknowledgments This dissertation is the product of a decade-long graduate school journey, which began in the music department at UC Riverside. I owe a debt of gratitude to Deborah Wong, René T.A. Lysloff, Jonathan Ritter, Leonora Saavedra, Byron Adams, and Griff Rollefson for their support and encouragement of my work as a master’s student. -
Juliol- Setembre 2005
BBUTLLETÍUTLLETÍ DDEE NNOVETATSOVETATS DDISCOGRÀFIQUESISCOGRÀFIQUES JJULIOL-ULIOL- SSETEMBREETEMBRE 20052005 ÍNDICE 0. MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 4 1. JAZZ 1 2 2. ROCK, POP, MÚSICA LIGERA 16 3. MÚSICA CLÁSICA 2 6 4 . MÚSICA NEW AGE 31 PÁGINA 2 0 MMÚSICAÚSICA DDEE TTRADICIONESRADICIONES NNACIONALES.ACIONALES. CCANTAUTORES.ANTAUTORES. PÁGINA 3 1 AMADOR, Raimundo Mundo amador [Grabación sonora] / Raimundo Amador Madrid : Universal Music Spain, D.L. 2005. -- 1 disco compacto (ca. 57 min.) : digital ; 12 cm + 1 folleto Contiene: Pa’ mojar / con el Gran Wyoming ; Pasa la vida / con Charo Manzano ; Bolleré / con B.B. King ; Pata Palo / con Kiko Veneno ; Volando voy / Camarón con Raimundo Amador y Tomatito ; A mi primo Tomate / con Tomatito ; Marina / con Antonio Carmona ; Me voy pa’ las 3000 / con Mala Rodríguez ; Voy por pilas / con Rosendo ; La victoria de los gatos / con Nacho García Vega ; Ay qué gustito pa’ mis orejas / con Andres Calamaro ; Los managers / con Kiko Veneno ; So broken / Bjök con Raimundo Amador ; Making love on yor side / Howie B. con Marina Heredia y Raimundo Amador D.L. M 17133-2005 1. Flamenco fusión I. Título 094.8 AMA Número de Título: 850848 14,50 € Ahora que las musas vuelven la espalda a Raimundo, hace bien al reunir colegas flamenos y estrellas globales y nacionales. Desde Camarón y Rosendo, a B. B. King, Björk y Howie b. El sevillano recupera algunos de sus mejores mo- mentos a ritmo de rumba, rock, regae, detalles funk, flamencos, blouseros, hipnóticos y jazzies, Rinde mejor en compañía. Que lo escuche él también y recupere la inspiración. I. C. 2 ATLAS, Natacha The best of Natacha Atlas [Grabación sonora] / Natacha Atlas [S.l.] : Mantra Recordings, p 2005.