Natacha Atlas Mish Maoul Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Natacha Atlas Mish Maoul Mp3, Flac, Wma Natacha Atlas Mish Maoul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Mish Maoul Country: UK Released: 2006 Style: Vocal, Ballad MP3 version RAR size: 1860 mb FLAC version RAR size: 1358 mb WMA version RAR size: 1445 mb Rating: 4.6 Votes: 178 Other Formats: AHX APE MP3 ADX APE MP4 AAC Tracklist Hide Credits Oully Ya Sahbi Bass, Acoustic Guitar, Keyboards, Strings, Programmed By – Dubulah*Cello, Double Bass [Contrabass] – Bernard O'NeillDrums – Brother PDrums, Shaker, Keyboards, Programmed 1 5:33 By – Neil SparkesGoblet Drum [Darabuka] – Ali El MinyawiKeyboards – Natacha AtlasNey, Flute [Kawala] – Louai HenawiVocals – Sofiane SaidiWritten-By – Dubulah*, N. Atlas*, N. Sparkes* Feen Accordion – Gamal El Kordi*Cymbal [Zills], Bells, Shaker, Tambourine, Drums [Duf] – Neil SparkesDouble Bass – Bernard O'NeillGoblet Drum [Darabuka], Drums [Duf] – Ali El 2 MinyawiGuitar, Drums, Keyboards, Arranged By [Strings] – Dubulah*Ney [Solo], Zither 5:46 [Qanun] – Aytouch*Oud – Nizar HusayniRecorded By [Strings] – Khaled Raouf*Strings – The Golden Sounds Studio Orchestra Of CairoVocals – Princess JuliannaWritten-By – Dubulah*, Julie Anne Higgins, N. Atlas*, N. Sparkes* Hayati Inta Backing Vocals – Sofiane SaidiBacking Vocals, Flute [Djouwak], Performer [Tabel], Handclaps, Arranged By – Hamid BenkouiderBacking Vocals, Oud, Lute [Gambri], Drums 3 3:57 [Bendir], Zurna, Percussion [Karkabou], Programmed By, Arranged By – Yazid FentaziDouble Bass – Bernard O'NeillGuitar – Count DubulahProducer – Hamid Benkouider, Natacha Atlas, Philip BagenalWritten-By – M. Eagleton*, N. Atlas* Ghanwah Bossanova Double Bass, Piano – Bernard O'NeillDrums – Brother PDrums, Programmed By, Percussion 4 [Riq], Shaker, Shaker [Shell], Cymbal [Zills], Goblet Drum [Darabuka], Drums [Bendir] – 6:29 Neil SparkesGuitar, Programmed By, Keyboards, Strings – Count DubulahWritten-By – Dubulah*, N. Atlas*, N. Sparkes* Bathaddak Accordion, Keyboards, Arranged By [Additional], Composed By [Additional] – Gamal El 5 Kordi*Bass, Programmed By – Tim WhelanNey – Louai HenawiPercussion – Ali El 5:10 MinyawiProducer – Natacha Atlas, Tim WhelanVocals – Princess JuliannaWritten-By – Julie Anne Higgins, N. Atlas*, T. Whelan*Zurna – Yazid Fentazi Bab El Janna Bass, Acoustic Guitar, Drums, Keyboards – Count DubulahCongas, Shaker, Cymbal [Zills], 6 Bells – Neil SparkesFlute [Kawala] – Ibrahim Kawala*Recorded By [Strings] – Khaled 5:43 Raouf*Strings – The Golden Sounds Studio Orchestra Of CairoVocals [Spoken] – Nizar HusayniWritten-By – Dubulah*, N. Atlas*, N. Sparkes*Zither [Qanun] – Aytouch* Wahashni Drums, Percussion, Handclaps, Cymbal [Zills], Bells, Piano [Thumb] – Neil 7 4:34 SparkesKeyboards, Handclaps – Dubulah*Written-By – Dubulah*, N. Atlas*, N. Sparkes*Zither [Qanun] – Abdullah Chhadeh Haram Aleyk Accordion, Keyboards, Backing Vocals – Gamal El Kordi*Drums – Hamid Mantu*Effects 8 [Fx] – Mika Sabet*Keyboards, Guitar, Programmed By – Tim WhelanPercussion, Backing 5:06 Vocals – Ali El MinyawiProducer – Natacha Atlas, Tim WhelanWritten-By – N. Atlas*, T. Whelan*, M. Sabet* La Lil Khowf Accordion – Gamal El Kordi*Drums – Brother PGoblet Drum [Darabuka], Shaker, Bells – Neil SparkesGuitar, Keyboards, Programmed By – Count DubulahPercussion, Goblet Drum 9 [Darabuka] – Ali El MinyawiRap [English] – Clotaire KRap [French] – Hamid 5:30 BenkouiderRecorded By [Strings] – Khaled Raouf*Strings – The Golden Sounds Studio Orchestra Of CairoVocals – Sofiane SaidiVoice [Dictaphone Poet] – Youssef NabilWritten-By – Dubulah*, N. Atlas*, N. Sparkes* Yariet 10 Guitar – Marc EagletonProducer – Marc Eagleton, Natacha AtlasWritten-By – M. Eagleton*, 3:35 N. Atlas* Companies, etc. Recorded At – Golden Sound Studios (Hani Mehanna) Credits Engineer [Assistant] – Alan O'Connell, Anna Tjian*, Antti Uusimaki Mastered By – Mike Marsh Mixed By – Natacha Atlas (tracks: 5, 8), Temple Of Sound (tracks: 1, 2, 4, 6, 7, 9), Tim Whelan (tracks: 5, 8) Mixed By, Engineer – Philip Bagenal Producer – Temple Of Sound (tracks: 1, 2, 4, 6, 7, 9) Vocals – Natacha Atlas Notes Recorded at Colossal Sounds, Estudio Santo Estereo, Eastcote Studios, Altea. Strings on tracks 2, 6 and 9 recorded at Golden Sounds Studio, Cairo. Mixed at Eastcote Studios. Mastered at The Exchange. Barcode and Other Identifiers Barcode (Bar code ): 6 09008 10382 1 Other versions Category Artist Title (Format) Label Category Country Year Natacha Mish Maoul (CD, T1483A MG Records T1483A Russia 2006 Atlas Album, Unofficial) Natacha Mish Maoul (CD, Mantra MNTCD1038 MNTCD1038 US 2006 Atlas Album, Promo) Recordings Mantra MNTCD 1038, Natacha Mish Maoul (CD, MNTCD 1038, Recordings, Ukraine 2006 MR 1651-2 Atlas Album) MR 1651-2 Moon Records Natacha Mish Maoul (CD, MNTCD1038 Союз MNTCD1038 Russia 2006 Atlas Album) Related Music albums to Mish Maoul by Natacha Atlas Jeremy Camp - Restored Natacha Atlas & David Arnold - One Brief Moment Natacha Atlas - Mish Fadilak Natacha Atlas v So Solid - Eye Of The Duck (Remix) Natacha Atlas - Myriad Road Kalafina - Red Moon Temple Of Sound - Chica Bonita Unlucky Atlas / The Antiques - Split Natacha Atlas - Ayeshteni Sheryl Crow - Wildflower.
Recommended publications
  • Natacha Atlas
    Musique Jeudi 11 décembre à 20h30 Natacha Atlas BaseGVA basedesign.com BaseGVA Photo © Banjee Théâtre Forum Meyrin, Place des Cinq-Continents 1, 1217 Meyrin / +41 22 989 34 34 / forum-meyrin.ch Service culturel Migros, rue du Prince 7, Genève, +41 22 319 61 11 / Stand Info Balexert, Migros Nyon-La Combe Jeudi 11 décembre à 20h30 Natacha Atlas Le concert On dit d’elle qu’elle est la rose raï du Caire. Une Dalida qui aurait emprunté le chemin inverse, l’emmenant des faubourgs de Bruxelles au relatif anonymat de la capitale égyptienne. Natacha Atlas est surtout, depuis une vingtaine d’années, l’incarnation de ce que la world music peut offrir de mieux sur scène, mélangeant des racines orientales, faites de danses du ventre et de youyous hululés, à des rythmes électroniques plus européens, souvenirs de son passage, au début des années 1990, dans le groupe Transglobal Underground. Depuis toujours, elle aime faire le grand écart, construire un pont entre deux rives qu’elle seule semble à même de réunir. Pour sa nouvelle tournée, cette crooneuse des sables s’est entourée d’un aréopage de musiciens issus tout autant du jazz que du folklore arabe. Le résultat est toujours aussi envoûtant, qu’elle entonne le remarquable Rise to Freedom, en hommage à la révolution du Nil de 2011, ou reprenne le joyau qu’est River Man, un titre du compositeur anglais Nick Drake. Natacha Atlas n’aime pas les barrières, encore moins les interdits. Femme du monde, héritière des grandes voix moyen-orientales, on pense à Oum Kalsoum ou à la diva libanaise Fairouz, elle est capable de nous émerveiller avec un concert digne des mille et une nuits étoilées.
    [Show full text]
  • 2587Booklet.Pdf
    ENGLISH P. 2 DEUTSCH S. 5 Discover Bellydance with ARC Music Bellydance is the common name for the dance of the Arabic and 1. Storm over Giza Middle Eastern world – or the dance of the orient. EUCD2316 Egypt Unveiled – Hossam Ramzy & Phil Thornton An ARC Music Production. The term bellydance is actually a misnomer, as the emphasis is on several body parts, and perhaps most noticeably on the hips. A skilled Following the huge success of the previous albums Eternal Egypt, dancer uses certain movements to interpret specific characteristics Immortal Egypt and Enchanted Egypt, Phil Thornton and Hossam Ramzy of the various instruments. In fact, translating the music this way is present Egypt Unveiled, crowning the trilogy. A magnificent album, so integral to the art form that musician and bellydance historian echoing the majesty of the pyramids, revealing the mystery of Egypt in Hossam Ramzy – included on this collection – has said that the dancer a 21st century guise. is the “final musical instrument of the orchestra” (article: ‘You Are a Musical Instrument’ at hossamramzy.com). 2. Sehr Oyounik EUCD1305 Source of Fire – Hossam Ramzy Bellydance is in itself a fusion. It has been influenced by Ottoman, Licensed from Hossam Ramzy. Indian, Persian, Greek and other civilizations, and in today’s modern world, its rhythms can be found in hits by some of the planet’s biggest An album of emotional compositions delving into the untapped, pop stars. heartfelt melodies that have been burning inside Egypt’s most virtuoso soloists, the Hossam Ramzy Egyptian Ensemble. While Source This collection highlights several forms of bellydance from Lebanon, of Fire follows Hossam’s high standard in dance pieces it washes onto Turkey, Tunisia, Egypt, Libya, Morocco and even Macedonia.
    [Show full text]
  • “A Committed, Euphoric International Coalition.”
    “a committed, euphoric international coalition.” Bio Founded in 2011 by Egyptian ethnomusicologist Mina Girgis and Ethiopian-American singer Meklit Hadero, the Nile Project is one of the tightest cross-cultural musical collaborations in history. Working to raise awareness of the entire Nile River basin as an ecosystem, the 27- member Nile Project collective hail from all along the great river that connects 11 countries and over 400 million people—a region that has been marred by political and ecological conflicts—from its sources beyond Lake Victoria to its delta in Egypt. Resonant harps and lyres from up and down the river have learned new musical modes, while buzzing timbres and ingenious polyrhythms support vocals in more than 10 languages. Instruments that parted ways millennia before are reunited and pushed into new places. Love songs have crossed geographic and linguistic barriers to forge new, close friendships. The Nile Project’s collaborative model is a blueprint for a new way to organize the Nile. In January 2015, the Nile Project embarked on a 4 month US tour performing 50 concerts with stops at the Lincoln Center, the United Nations and residencies at 30 universities. Using music to spark cultural curiosity and engage audiences, the Nile Project encourages them to feel connected to the river and to explore new approaches to its large- scale problems. In an evolving series of interlocking programs that spring from the musical experience, the project aims to inspire, educate and empower young people worldwide to become Nile Citizens. Full Bio at www.nileproject.org/music Musicians Only US Tour musicians are featured in this publication.
    [Show full text]
  • ISLAMIC HIP-HOP Vs. ISLAMOPHOBIA: AKI NAWAZ, NATACHA ATLAS, AKHENATON
    Excerpted from draft of: ISLAMIC HIP-HOP vs. ISLAMOPHOBIA: AKI NAWAZ, NATACHA ATLAS, AKHENATON Ted Swedenburg Department of Anthropology University of Arkansas (accessed from http://comp.uark.edu/~tsweden/IAM.html) [ . ] Akhenaton: 100% Métèque Akhenaton, rapper and chief spokesperson for Marseille rap group IAM,29 was born Philippe Fragione, son of immigrants from the region of Calabria in South Italy, who settled in Marseille. When IAM burst onto the French rap scene30 with its 1991 release ...De la Planète Mars, one of its most notable features was what André Prévos dubs its "pharaohism." Four of the group's six members go by ancient Egyptian names (Imhotep, DJ Kheops, Divin Kephren, and of course Akhenaton), and IAM's lyrics are full of references to ancient Egyptian civilization. Prévos argues astutely that "pharaohism" permitted IAM to assert connections to the contemporary Arab world in an indirect, coded way: "The concept [of pharaohism] underlines Arabic origins while bypassing negative representations of North African countries gripped by Islamic fundamentalism and economic uncertainties" (1996:721).31 The jacket of IAM's enormously successful second CD (L'ombre est lumière, 1993)32 even asserts that in ancient times, Egypt was connected to Marseille, but the continents subsequently drifted apart. I would take issue, however, with Prévos's claim that IAM's "pharaohism" is an original development that demonstrates French rap's growing independence from US hip-hop hegemony (Prévos 1996:719, 721-722). According to Akhenaton, the name IAM (standing for Imperial Asiatic Men)33 was chosen after he read Senegalese writer Cheikh Anta Diop, one of Afrocentrism's leading theorists, who spurred a pre-existing interest in the Asiatic Middle East as the origin of the monotheistic religions and in Egypt as the (Black) cradle of civilization.
    [Show full text]
  • Possible Quiz Questions for Music in Egypt Match the List of Egyptian
    Possible Quiz Questions for Music in Egypt Match the list of Egyptian instruments with the descriptions. 1. mizmar a. a plucked zither 2. kawala b. a tambourine with five sets of cymbals 3. tabla c. a short-necked lute with five pairs of strings 4. nay d. an Arabic folk oboe 5. qanun e. a four-stringed Western instrument used in Egyptian musical traditions 6. ‘ud f. an end-blown reed flute used in madh music 7. violin g. the end-blown reed flute featured in east Arab art music 8. riqq h. single-headed, goblet-shaped drum Use the list of instruments to match with the pictures of Egyptian instruments. ___________ ___________ ___________ ____________ ______________ ____________ __________________ Tabla Kawala Qanun Violin Mizmar ‘Ud Riqq Match the singer or type of musical tradition with the description. 1. Hakim 2. Umm Kulthum 3. Zaffa 4. Takht 5. Firqa 6. Mizmar ensembles 7. Call to prayer _____A. Wedding procession _____B. Egyptian pop music superstar _____C. Recurring soundscape heard across Egypt at several times throughout the day _____D. The orchestra-sized ensemble which performed Arab art music from the 1930s _____E. The most famous Egyptian singer who became the “Voice of Egypt” _____F. A small performance ensemble for eastern Arab art music in the late-nineteenth and early-twentieth centuries Possible Quiz Answers for Music in Egypt Match the list of Egyptian instruments with the descriptions. 9. Mizmar a. a plucked zither 10. Kawala b. a tambourine with five sets of cymbals 11. Tabla c. a short-necked lute with five pairs of strings 12.
    [Show full text]
  • CP Odyssey 11 12
    COMMUNIQUÉ DE PRESSE PIANO’CKTAIL MER. 11 DEC. ODYSSEY — 20H Compagnie Hervé Koubi DANSE Tout public et Famille à partir de 7 ans // Tarifs : de 11€ à 24€. Réservation conseillée. Piano’cktail 02 40 65 05 25 – pianocktail-bouguenais.fr Perce, surgit et se déploie une éclatante déclaration d’amour Après Les nuits barbares et Ce que le jour doit à la nuit , la Compagnie Hervé Koubi signe son grand retour au Piano’cktail avec une nouvelle création pour quatorze danseurs et trois musiciens. À travers une relecture des poèmes d’Homère, le chorégraphe compose une ode à la Femme… à toutes les femmes, incarnées par la chanteuse anglo-égyptienne Natacha Atlas. Le Piano’cktail accueille les ultimes répétitions puis la toute première représentation publique de cette création internationale. > Rencontre avec les artistes en bord de scène après le spectacle. Teaser : https://youtu.be/yK7PE6Es9Xg Hervé Koubi Formé au Centre International de Danse Rosella Hightower de Cannes, puis à l’Opéra de Marseille, Hervé Koubi intègre le Centre Chorégraphique National de Nantes en 1999. Il travaillera par la suite avec Karine Saporta au Centre Chorégraphique National de Caen et Thierry Smits Compagnie Thor à Bruxelles. Il crée son premier projet Le Golem en 2000. Depuis, il collabore avec Guillaume Gabriel sur l’ensemble de ses créations. Depuis 2010 il mène un projet orienté vers la méditerranée pour un parcours jalonné de plusieurs créations El Din (2010-2011), Ce que le jour doit à la nuit (2012) accueilli au Piano’cktail en 2012, Le rêve de Léa (2014), Des hommes qui dansent (2014), Les nuits barbares ou les premiers matins du monde (2015-2016) accueilli au Piano’cktail en 2015, Boys don’t cry (2018), Sylphides (projet pour danseuses d’Afrique du Nord) (2018), ODYSSEY (2020), SOL INVICTUS (2022).
    [Show full text]
  • Read Book \\ Articles on World Music Songs, Including: I Put a Spell On
    B8SDJFDWGK3A » Kindle » Articles On World Music Songs, including: I Put A Spell On You,... Read PDF ARTICLES ON WORLD MUSIC SONGS, INCLUDING: I PUT A SPELL ON YOU, IT'S A MAN'S MAN'S MAN'S WORLD, NE ME QUITTE PAS, MON AMIE LA ROSE, MISTANEEK, BASTET (SONG), ONE BRIEF MOMENT, DUB To read Articles On World Music Songs, including: I Put A Spell On You, It's A Man's Man's Man's World, Ne Me Quitte Pas, Mon Amie La Rose, Mistaneek, Bastet (song), One Brief Moment, Dub PDF, you should refer to the hyperlink listed below and download the document or have accessibility to other information which are highly relevant to ARTICLES ON WORLD MUSIC SONGS, INCLUDING: I PUT A SPELL ON YOU, IT'S A MAN'S MAN'S MAN'S WORLD, NE ME QUITTE PAS, MON AMIE LA ROSE, MISTANEEK, BASTET (SONG), ONE BRIEF MOMENT, DUB ebook. Read PDF Articles On World Music Songs, including: I Put A Spell On You, It's A Man's Man's Man's World, Ne Me Quitte Pas, Mon Amie La Rose, Mistaneek, Bastet (song), One Brief Moment, Dub Authored by Books, Hephaestus Released at 2016 Filesize: 7.23 MB Reviews This is actually the greatest pdf i actually have read until now. it absolutely was writtern really properly and benecial. Your life period will be change when you complete looking over this pdf. -- Lurline Little This publication is worth getting. This is certainly for those who statte that there was not a well worth studying.
    [Show full text]
  • Auteur Music in the Films of Wes Anderson
    Wayne State University Wayne State University Dissertations 1-1-2013 What Is This Music? Auteur Music In The iF lms Of Wes Anderson Lara Rose Hrycaj Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Hrycaj, Lara Rose, "What Is This Music? Auteur Music In The iF lms Of Wes Anderson" (2013). Wayne State University Dissertations. Paper 662. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. WHAT IS THIS MUSIC? AUTEUR MUSIC IN THE FILMS OF WES ANDERSON by LARA HRYCAJ DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2013 MAJOR: COMMUNICATIONS Approved by: Advisor Date ! ! ! ! ! ! © COPYRIGHT BY LARA HRYCAJ 2013 All Rights Reserved DEDICATION I dedicate this to: Judy, Steve, and Nick Wes, Mark, and Randall and Mandy and the boys ii ACKNOWLEDGMENTS I would like to thank my advisor Jackie Byars. I am indebted to all the wisdom, hard work, and encouragement she has shared on my journey in earning my PhD. I would like to extend my gratitude to my committee. Hayg Oshagan and Juanita Anderson have been part of my entire dissertation process and have always kept me on my toes. I am grateful for Steven Shaviro and Pradeep Sopory for joining my committee late in the process. While Robert Burgoyne had to leave my committee, the genesis of this dissertation is due him sharing one of the earliest academic articles on Wes Anderson with me, and for this I am extremely grateful.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • ABOUT the Artists ABOUT the Performance
    ABOUT THE ARTISTS The Nile Project is a collaborative group of musicians, educators and activists who work together to build awareness about and generate new ideas to address environmental challenges in the Nile River basin. It was founded in August 2011 by Egyptian ethnomusicologist Mina Girgis and Ethiopian-American singer Meklit Hadero, who both feel passionately about the power of music to make a difference in the Nile region. The 437 million citizens of the 11 nations in the Nile River basin do not have many opportunities to connect with each other. Girgis and Hadero believe that these countries must work together to solve the environmental challenges facing the Nile River, such as food sustainability, climate change, water policy and pollution. The Nile Project brings together musicians from the Nile countries to make new songs and tour around the region and beyond, sharing the music and cultures of their river neighbors. Another strategy the Nile Project takes is education, working with universities to hold workshops that provide students with opportunities to learn more about the Nile River and develop ideas to create a more sustainable Nile Basin. The organization also offers a Nile Prize, which provides students a way to turn their inspiration and environmental knowledge into new and exciting sustainable solutions for the Nile ecosystem. In 2015 The Nile Project tours the United States for four months, bringing music and education programs to American universities and towns. The Project aims to inspire and educate citizens around the world to work together for environmental sustainability. About the PERFORMANCE The Nile Project performs original music that was composed collaboratively by all the participating artists.
    [Show full text]
  • ARABIC MUSIC Devin J Stewart, Ph.D
    HUMANITIES INSTITUTE ARABIC MUSIC Devin J Stewart, Ph.D. Arabic Musical Traditions Instruments. Music is one of the most complex, varied, and ubiquitous aspects of cultural production in the Arab worlds. It is found even in the most conservative communities. In Arabic music, drums are the most important instruments for dancing and group singing such as wedding songs, and the lute is the most important for accompanying solo singing. Other traditional instruments include the mizmar, similar to an oboe, various types of flute called nay or kawala, a rabab or spike fiddle, and the qanun or zither. In modern times, the violin has replaced the rabab in many contexts. The piano was introduced and adapted, the electric guitar came and went, and the synthesizer and drum machine are now standard in pop music. Distinguishing features. Arabic music is readily distinguished from Western music by several factors. It has distinct rhythms, usually played on a variety of ceramic or frame drum, and represented by a series of heavy and light strokes termed dum and tak. While a few of the most common rhythms fit into a 4-4 bar, many are more complex, having 7, 9, or 13 beats. The popular rhythms in the Middle East are distinguished from those found in Iran—where 6/8 rhythms are the most popular—and from rhythms in areas where sub- Saharan African influence is strong, such as the Gulf and Morocco, where 3 on 2 rhythms (i.e., two simultaneous rhythms) are popular. The equivalent of Western key signatures or scales are called maqams or modes, of which dozens exist, each with a name such as rast, saba, nahawand, and so on.
    [Show full text]
  • Harveybrough
    harveybrough. NATACHA ATLAS - ANA HINA 2008 WORLD VILLAGE - HARMONIA MUNDI HARVEY BROUGH: PRODUCER, ARRANGER GUARDIAN DAILY MIRROR harveybrough.com harveybrough. TIME OUT OBSERVER SONGLINES harveybrough.com harveybrough. BBC - WORLD REVIEW 03/11/2008 - MARTIN LONGLEY Singer Natacha Atlas is now recording in London rather than Cairo, but perversely this is her most traditionally Arabic album, at least in terms of its nostalgia. Working with musical director Harvey Brough, she's chosen a classicist acoustic approach, as opposed to her usual electronic reinventions of Middle Eastern and North African sounds. Natacha's fluttering voice is very prominent in the mix, allowing the space to savour every detail of her ornamented phrasing. Around half of the songs have a 1940s or 50s aura, sensitively interpreted by an orchestra of serpentine strings, ney flute, oud, percussion and a horn section that includes Julian Siegel. The Egyptian star Gamal Al Kordy makes a notable contribution on accordion; an apt inclusion given his involvement in many of the original recordings of these songs. It's not all Arabic traditionalism, though. The Atlas/Brough songwriting partnership has produced four originals and a pair of arrangements, which revisit ancient folk forms, both Western and Eastern. Two of the originals possess strange echoes of other songs, with the title track evoking both Jacques Brel and James Brown's It's A Man's World. A reading of Black Is The Colour follows Nina Simone's formula; just voice, piano and strings, sung in English. There's also an eerie version of a Frida Kahlo poem, in its original Spanish, sung as a duo with baroque guitarist and oud player Clara Sanabras, who this time opts for a pinging ukulele.
    [Show full text]