Tribal Narratives of Community, Sovereignty, and Treaty Rights at the Squaxin Island Museum, Library and Research Center and the Mille Lacs Indian Museum
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To Resist and Adapt: Tribal Narratives of Community, Sovereignty, and Treaty Rights at the Squaxin Island Museum, Library and Research Center and the Mille Lacs Indian Museum A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Karissa Elizabeth White IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Brenda J. Child December 2013 © Karissa Elizabeth White 2013 Acknowledgements I am extremely grateful for many things in my life. I feel very fortunate to have been born an Ojibwe person with loving parents. I am thankful for my brothers and their families (for my “Half-Chunk” nieces and nephews), my son Ozhigaabo, all my relatives at both LCO and Grand Portage, growing up on my reservation at Lac Courte Oreilles in Wisconsin (in both the K-Town and Boulevard communities), attending tribal school where my parents taught; hearing the Anishinaabe language being spoken by elders in my youth; engaging in cultural activities as a child; dancing at powwows, and knowing both my LCO grandma and my Grand Portage granny. My grandma Susie White (Ozhaawaashkoobineshikwe) was fifth degree Midewiwin and my granny Amelia LeGarde taught language and culture for many years in the Duluth Public Schools. I have been inspired by both women’s commitment to their education and I hope to gain the same level of wisdom and knowledge they both possessed when they entered into the spirit world. I am also thankful for the fact that wherever I travel and live, I know I always have a place to call home. Lac Courte Oreilles will always be an important part of who I am. I feel blessed that I can visit my parents and other relatives who still live on the family’s original allotment land. This doctoral program would have been more difficult without my first encounter with graduate school. If I had not taken the plunge to apply for the museology program at the University of Washington in Seattle, I would not have gained the experience of working as a tribal museum curator for the Squaxin Island Tribe in the South Puget Sound. I am indebted for my UW professors who supported my work by introducing me i to the Squaxin Island Museum, Library and Research Center, where I met Charlene Krise, Dale Clark, Liz Yeahquo, Jeremiah George, Theresa Henderson, Dale Croes, Margaret Seymour-Henry, Joe Seymour, and many others in the community who positively influenced my direction in life. I am always happy to visit the Squaxin Island Tribe and attend the Canoe Journey events whenever I can. At Mille Lacs, I would like to acknowledge all of those who work at the Mille Lacs Indian Museum and affiliated with the Minnesota Historical Society. This second venture into graduate school at the University of Minnesota has been quite the journey. My son Isaac was only four months old when I walked into the American Studies department and into my first class. I would especially like to thank my advisor, Brenda Child and my committee members Pat Albers, Jeani O’Brien, Kevin Murphy, and John Borrows, for their support and feedback along the way. Miigwech to those in the American Indian Workshop who read portions of my work and offered their feedback as well. Also, miigwech to John Nichols, Edna Day, and others in the American Indian studies department for helping me in my RA or TA work over the years. Miigwech also to Bruce White, Marc Slonim, and Erik Redix for their scholarly expertise on Ojibwe history and treaty rights. Most importantly, I am extremely grateful to have been a part of the best cohort ever. I could not have continued on without their support, advice, volunteer child care, and overall love. I am glad to be life-long friends with Jasmine Kar Tang, Emily Smith-Beitiks, Catie Watson, and honorary cohort member Jessica Guisti. Isaac and I miss and love you all. ii I have been fortunate to receive funding to support my research from a number of different sources, beginning with the University of Minnesota Community of Scholars Program for the DOVE Fellowship (a one-year and a summer research grant), the American Family Empowerment Fund of the Minneapolis Foundation (for a short-term child care grant), the Graduate Research Partnership Program Race and Ethnic Studies Summer Grant, the National Academies Ford Foundation Pre-Doctoral and Dissertation Fellowship, the University of Minnesota Diversity Pre-Doctoral Diversity Teaching Fellowship at Morris (special thanks to Noro Andriamanalina), the American Studies Summer Dissertation Research Grant, and the Northland College Native American Studies Teaching Fellowship. Chi-miigwech to my friends and family who have supported me during this long and often arduous process. My parents always believed in my ability to get through school and remain strong throughout my life’s endeavors. Their love and support has been tremendous. I believe what kept me going was knowing that even if I failed they would always be there for me and for my son. Miigwech to my brothers Odawa and Charles and their families for their love and perspectives on Native education. To all my other relatives at Lac Courte Oreilles and Grand Portage—miigwech to all my uncles, aunties, cousins, and family friends from powwows and Big Drum for your support. To everyone mentioned in this paragraph, I continually admire your strength to persevere throughout difficulties. You have all inspired me in many ways and will always have a special place in my heart. Miigwech for the past, present, and future memories. iii To my friends at the Squaxin Island Tribe and my relatives at Mille Lacs. I am inspired by your courage and I look forward to teaching my son and others about the history of your community. iv Abstract The power of Western institutions, namely the museum, lies in their colonizing agendas to deny contemporary Native identities and cultures. Standard colonial museum narratives have supported non-Native notions of authenticity and cultural representation, which federal and state governments utilized to attack the rights of tribal nations as stipulated by treaties. Many tribes built museums to preserve and revitalize their cultures, assert their own tribal and cultural identities, and maintain their inherent sovereignty. Tribal museums serve as a central site in which to consider larger narratives of colonialism, conflict, resistance, adaptation, identity, sovereignty, and empowerment. This dissertation examines and compares the struggle for treaty rights as an assertion of sovereignty in two reservation communities—the Squaxin Island Tribe in Washington State and the Mille Lacs Band of Ojibwe in Minnesota— through their tribal museums. I explore their cultural landscapes and histories, treaties, perceptions of sovereignty, and complex relationships with federal and state governments and local non- Native communities. This project reveals how Native nations have at times recreated and reconstituted their tribal and cultural identities through tribal museums in an effort to further their most significant political causes aimed at maintaining their inherent tribal sovereignty. Comparative analysis of these community’s histories, their historical struggles to retain treaty rights, and their museum structures reveals important insights into the place of tribal museums within broader sociopolitical relationships. The museum is one way tribal nations are simultaneously resisting and adapting to their socio-political, legal, and economic circumstances throughout history and into the present. v Table of Contents Acknowledgements ............................................................................................................. i. Dedication ......................................................................................................................... iv. Abstract ...............................................................................................................................v. Table of Contents .............................................................................................................. vi. List of Figures ................................................................................................................... ix. Introduction ........................................................................................................................1 Prologue...........................................................................................................................1 Organization of the Dissertation ....................................................................................17 Chapter One: Western Museum Origins, Collecting Native-Made Objects and Tribal Museums Meanings ........................................................................22 Western Museum Origins and American Cabinets ........................................................23 Collecting Practices in the U.S. ......................................................................................26 The Western Museum as Powerhouse ...........................................................................32 Authenticity and Representation in Western Museum Exhibits ....................................38 The Display of Ethnographic Objects ....................................................................39 The Museum Effect .................................................................................................41 Ethnographic Objects and ‘Others’ on Display: More on Authenticity and Cultural Representation .........................................45