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London, an Intimate Picture
i Class. M^ol:' Book. Copyright ]^^ COPYRIGHT DEPOSn^ LONDON AN INTIMATE PICTURE N By HENRY JAMES FORMA IN THE FOOTPRINTS OF HEINE THE IDEAL ITALIAN TOUR LONDON—AN INTIMATE PICTURE Horseguard at Entrance to Whitehall LONDON AN INTIMATE PICTURE BY HENRY JAMES FORMAN AUTHOR OF " THE IDEAL ITALIAN TOUR, " ETC. NEW YORK McBRIDE, NAST & COMPANY 1913 ^"^ y^<( Copyright, 1913, by McBeide, Nast & Co. Published, November, 1913 ©CI,A357790 TO FILSON YOUNG COXTEXTS PAGE I The Lure of Loxdox 1 II The Atmosphere of London . 7 III Trafalgar Square and the Strand . 14 IV A Walk in Pall Mall and Piccadilly 36 V Fleet Street and the Temple . 58 VI From St. Paul's to Charter House . 77 VII The City: Some Milton, Shakespeare and Dickens Land 95 VIII The To"vver 117 IX Whitehall and Westminster 127 X Galleries and Pictures 151 XI Here and There 171 XII The London of Homes . 185 THE ILLUSTRATIONS Horseguard at Entrance to Whitehall . Frontispiece Thames Embankment and Cleopatra's Needle . 2, Trafalgar Square 16 Waterloo Bridge^ showing entrance to subway . 24 St. Clement Danes Church 32 Piccadilly Circus 40 St. Mary le Strand 60 Queen Anne Statue, before St. Paul's .... 78 Sentry at Buckingham Palace 86 Fishing in the Green Park 98 St. Saviour's Church 112 On Tower Bridge 120 " " Westminster Bridge, showing Big Ben . .134 One of Landseer's Lions and the National Gallery . 154 The British Museum 172 Thomas Carlyle Statue on Chelsea Embankment . 194 LONDON AN INTIMATE PICTURE London: An Intimate Picture THE LURE OF LONDON those of us whose tongue is English, Lon- TOdon is the most romantic spot on earth. -
Sundials, Solar Rays, and St Paul's Cathedral
Extract from: Babylonian London, Nimrod, and the Secret War Against God by Jeremy James, 2014. Sundials, Solar Rays, and St Paul's Cathedral Since London is a Solar City – with St Paul's Cathedral representing the "sun" – we should expect to find evidence of solar rays , the symbolic use of Asherim to depict the radiant, life-sustaining power of the sun. Such a feature would seem to be required by the Babylonian worldview, where Asherim are conceived as conduits of hidden power, visible portals through which the gods radiate their "beneficent" energies into the universe. The spires and towers of 46 churches are aligned with the center of the dome of St Paul's Cathedral, creating 23 "solar rays". I was already familiar with this idea from my research into the monuments of Dublin, where church steeples and other Asherim are aligned in radial fashion around the "sun," the huge modern obelisk known as the Millennium Spire. As it happens, a total of 23 "solar rays" pass through the center of the dome of St Paul's Cathedral, based on the alignment of churches alone . Thus, in the diagram above, two churches sit on each line. If other types of Asherim are included – such as obelisks, monoliths, columns and cemetery chapels – the number is substantially greater. [The 46 churches in question are listed in the table below .] 1 www.zephaniah.eu The churches comprising the 23 "rays" emanating from St Paul's Cathedral 1 St Stephen's, Westbourne Park St Paul's Cathedral St Michael's Cornhill 2 All Souls Langham Place St Paul's Cathedral St Paul's Shadwell -
Famous People Associated with St Marylebone Church
Famous People Associated with St Marylebone Church The part of London, now known as Marylebone, has been connected to its parish church for eight centu- ries. In the Domesday Book, compiled in 1086, there are records of the district called Tybourn – a name which for hundreds of years had grim associations with the gallows, which stood a little way to the northeast of the site where Marble Arch now stands. About the year AD1200, a small church, probably of timber, was built on the fringe of the Middlesex for- est by the Tybourn stream which flowed from Highgate Hill to the Thames at Westminster. This little church was in every respect a country church. It stood near the place where the Tybourn stream crossed the Tybourn road (now called Oxford Street) and Stratford Place. The church was called St John the Evangelist at Tybourn, and it served the spiritual needs of the agricul- tural folk who tilled the lands of the Manor of Tybourn, which belonged to the Abbess and Convent of Barking. In the Domesday Book the Manor was valued at 52s. In the taxation record of Pope Nicholas IV, 1291, there is an entry: Middlesex, ecclesia de Tiborne £6 Maitland’s History of London, first published in 1739, says The village of Tybourne going into decay and its church denominated St John the Evangelist, left alone by the side of the Highway, it was robbed of its Books, Vestments, Bells, Images and other decorations, on which occasion the Parishioners petitioned Robert Braybrook, Bishop of London, for leave to take down their old, and to erect a new church elsewhere, which he readily agreed to, and granted them a faculty or licence of 23rd October anno 1400, by virtue of which they erected the new church. -
'James Gibbs's Autobiography Revisited'
William Aslet, ‘James Gibbs’s autobiography revisited’, The Georgian Group Journal, Vol. XXV, 2017, pp. 113–130 TEXT © THE AUTHORS 2017 JAMES GIBBS’S AUtobiographY REVISITED WILLIAM ASLET ames Gibbs (1682–1754) was one of the most claim that the manuscript comprises ‘Memorandums Jimportant architectural figures in eighteenth- for his own use’ has been taken at face value. After an century England. Taught by Carlo Fontana, the most outline of his biography, I will begin by arguing that fashionable Roman architect of his day, Gibbs ‘had Gibbs intended to publish the manuscript, having a professional training at the fountain-head of Italian composed it during his final years. Following this, baroque that was unique among contemporary I will place the manuscript in the literary context of architects’.1 He was the architect of the London mid eighteenth-century England, contending that churches of St. Mary-le-Strand and St. Martin- it was composed as a piece of travel writing. I will in-the-Fields; the Senate House, Cambridge, and conclude that it was in this manuscript that Gibbs the Radcliffe Library, Oxford; houses that include hoped to preserve his legacy. From this, Gibbs will Sudbrook, Surrey, and Ditchley, Oxfordshire; and emerge as an architect who sought to immortalise was the author of two highly influential books,A himself through books as much as through buildings. Book of Architecture and Rules for Drawing the Several Parts of Architecture. Critical assessment of Gibbs is, however, complicated by the fact that our knowledge of his biography is largely limited AUTHORSHIP AND DATING to a single document currently in Sir John Soane’s The Gibbs manuscript comprises 162 pages (81 Museum, London, henceforth referred to as the folios) and is of a quarto size, bound in leather. -
Northbank Book
STRANDS OF HISTORY Northbank Revealed Clive Aslet Strands of History Northbank Revealed by Clive Aslet First published in 2014 by Wild Research, 40 Great Smith Street, London SW1P 3BU www.wildsearch.org © Wild Research 2014 All rights reserved The Northbank BID West Wing, Somerset House, Strand, London WC2R 1LA www.thenorthbank.org ISBN 978-0-9576966-2-4 Printed in Poland by ? ‘Looking to Northumberland House, and turning your back upon Trafalgar Square, the Strand is perhaps the finest street in Europe, blending the architecture of many periods; and its river ways are a peculiar feature and rich with associations.’ Benjamin Disraeli, Tancred: or, The New Crusade, 1847 ‘I often shed tears in the motley Strand for fullness of joy at so much life... Have I not enough, without your mountains?’ Charles Lamb, turning down an invitation from William Wordsworth to visit him in the Lake District Contents Foreword 10 Chapter One: The River 14 Chapter Two: The Road 26 Chapter Three: Somerset House 40 Chapter Four: Trafalgar Square 50 Chapter Five: Structural Strand: Charing Cross Station and Victoria Embankment 58 Chapter Six: Serious Strand: The Law Courts 64 Chapter Seven: Playful Strand: Shopping, Hotels and Theatres 72 Chapter Eight: Crown Imperial: The Strand Improvement Scheme 82 Chapter Nine: Art Deco and Post War 94 Chapter Ten: The Future 100 Image Acknowledgements 108 Further Reading 110 About Wild Research 111 7 8 About the Author Acknowledgements Clive Aslet is an award-winning writer and Maecenas molestie eros at tempor malesuada. journalist, acknowledged as a leading authority Donec eu urna urna. -
Savoy House & Milford House
SAVOY HOUSE & MILFORD HOUSE 190 Strand is a luxurious new development of apartments, townhouses and penthouses in an area of central London internationally acknowledged as the Capital’s theatre, nightlife, shopping and cultural heartland, with international embassies, law courts and the River Thames close by. CONTENTS A World Class Location 04 Cosmopolitan London Living 08 Connecting London 10 The Garden Bridge 12 London’s Famous Address 14 Cocktails & Cuisine 16 Culture & Leisure 18 Fashion & Retail 20 Location Map 22 Iconic Landmark 24 Site Plan 26 First Class Living 28 Warm Welcome 34 Business & Pleasure 40 Leisure Facilities 42 Impressive Interiors 46 Specification 62 Savoy House Floor Plans 64 Milford House Floor Plans 86 The Team 108 Sustainability at 190 Strand 109 St Edward – Designed for Life 110 Our Commitment to the Future 111 1 3 Computer generated image is indicative only CANARY WHARF THE CITY TOWER BRIDGE THE SHARD ST PAUL’S CATHEDRAL TATE MODERN MILLENNIUM BRIDGE BLACKFRIARS BRIDGE OXO TOWER KING’S COLLEGE LONDON OLD BANK OF ENGLAND VICTORIA ROYAL COURTS EMBANKMENT OF JUSTICE NATIONAL THEATRE RIVER THAMES ST CLEMENT DANES CHURCH LONDON SCHOOL OF ECONOMICS & POLITICAL SCIENCE ST MARY LE STRAND CHURCH ALDWYCH SOMERSET HOUSE WATERLOO BRIDGE STRAND ALDWYCH THEATRE LYCEUM THEATRE In the heart of Central London, 190 Strand is just moments from the River Thames, A WORLD CLASS Covent Garden, the Houses of Parliament and Trafalgar Square. Perfectly located for access to culture and entertainment, fashion and shopping, hotels and fine dining, as well LOCATION as being within close proximity to a range of London’s educational centres of excellence. -
Church Crawling
Church Crawling with Barbara Pym ‘Her books are indubitably “churchy”, partly in the sense that church-going frequently occurs and clergymen are among her best characters, and partly from the tacit and unproselytizing assumption that the world divides into those who do and those who do not attend their parish church. The ethos is always decently Anglican, but this too is taken for granted and no hint of doctrinal or emotional problems is intruded upon the reader. Religion, for Miss Pym’s characters, involves no anguish of conscience (“social” or personal), no dark night of the soul, but decisions about what vestments should be worn on Mid-Lent Sunday, what shall be served for luncheon on Fridays in the clergy-house, who is to query that enigmatic entry in the Church accounts, and “that rather delicate affair of the altar brasses and the unpleasantness between Miss Jenner and Miss Beard”. … Her treatment of religion suggests, in fact, a rather unusually strong, though reserved, religious sense. (Robert Smith, ‘How Pleasant to Know Miss Pym’, Ariel, Vol. 2 No. 4, October 1971, p. 66; quotation from Some Tame Gazelle) ‘Barbara was brought up and remained throughout her life a member of the Church of England, and to her all its churches were places of devotion and interest. When after War service and her mother’s death she came to live with her sister in London, and “already well into churchgoing” as her sister has written, she became a regular worshipper at St Gabriel’s Church, Warwick Square, Pimlico. … ‘About this time [ca. -
Paul Jeffery, 'Unbuilt Gibbs a Fresh Look at His Designs for the 1711 Act
Paul Jeffery, ‘Unbuilt Gibbs a Fresh Look at his Designs for the 1711 Act Church Commissioners’, The Georgian Group Jounal, Vol. IV, 1994, pp. 11–19 TEXT © THE AUTHORS 1994 UNBUILT GIBBS A FRESH LOOK AT HIS DESIGNS FOR THE 1711 ACT CHURCH COMMISSIONERS Paul Jeffery ames Gibbs, of Scottish descent, was born in 1682 and died in 1754 at the age of 71 after a long and successful career, mostly connected with the design and construction of private houses, but including some important churches and public buildings.1 He left several Jportfolios of drawings containing a record of his numerous large scale designs, not all of which were built, together with many examples of his smaller-scale work in designing garden buildings, ornaments and monuments of all kinds. On his death these drawings were bequeathed to the Radcliffe Library in Oxford and are now in the Ashmolean Museum. The collection includes a number of drawings for churches whose intended sites have not, so far, been identified. Most of these are from the first decade of his architectural career in Britain and were produced when he was one of the surveyors to the Commissioners appointed under an Act of 1711 for the Building of Fifty New Churches.2 He was appointed to this post in 1713, succeeding William Dickinson who had resigned, and in competition with John James.3 Almost immediately, he was concerned with designs for the site near the maypole in the Strand, and completed the church for the Commissioners, after the foundations had been laid to a design by Thomas Archer.4 His best known parish church is St Martin-in-the-Fields (1722-26) for the Commissioners appointed under an Act of 1720.5 His work includes also the steeple for St Clement Danes (1719-20) and the Oxford or Marylebone chapel, later St Peter, Vere Street, (1721-24) for Edward Harley, Earl of Oxford. -
National Gallery of Art
National Gallery of Art / Deborah Ziska, Information Officer FOR IMMEDIATE RELEASE CONTACT: (202) 842-6353 May 16, 2000 Rebecca Coleman, Publicist [email protected] SPECTACULAR MODELS AND OTHER WORKS DOCUMENT MASTERPIECES OF BAROQUE ARCHITECTURE IN EUROPE AT THE NATIONAL GALLERY OF ART. MAY 21 - OCTOBER 9. 2000 Washington, D.C. -The Triumph of the Baroque: Architecture in Europe 1600-1750. a major exhibition covering two centuries of European architectural history and exploring the triumphs of the most famous architects of the baroque era, will dominate two floors of the West Building at the National Gallery of Art, May 21 through October 9, 2000. Following the National Gallery's highly successful Italian Renaissance Architecture of 1994-1995, this awe-inspiring exhibition presents twenty-seven original architectural models and forty related paintings, drawings, prints, and medals. The National Gallery of Art will be the exhibition's only U.S. venue. Already seen at the Palazzina di Caccia, Stupinigi, Turin, and The Montreal Museum of Fine Arts, The Triumph of the Baroque will travel to the Musee des Beaux-Arts, Marseille (November 17, 2000 through March 4, 200I). The exhibition is organized by the National Gallery of Art, Washington; Palazzo Grassi, Venice; the Montreal Museum of Fine Arts; and the Musee des Beaux-Arts, Marseille. "Appreciation for the achievements of baroque architecture, disdained for years as excessively exuberant, has grown over the last two centuries," said Earl A. Powell III, director, National Gallery of Art. The Triumph of the Baroque examines the architecture of an era, which witnessed a remarkable unification of the arts of painting, sculpture, decoration, architecture, landscape and urban planning." SUPPORT EduCap Inc. -
Anglican Parish Registers.Pdf
Westminster City Archives Information Sheet 1 Anglican Parish Registers This is a list of the Anglican Parish Registers deposited at the City of Westminster Archives Centre. These are original registers unless otherwise stated, but almost all are to be viewed on microfilm for reasons of conservation. Roman Catholic registers are listed in Information Sheet 2 and Non-Conformist in Information Sheet 3. All Saints, Ennismore Gardens Christ Church, Broadway Baptisms 1849-1955 Baptisms 1843-1941 Confirmations 1931-1954 Marriages 1876-1947 Banns 1933-1955 Marriages 1849-1955 Christ Church, Cosway Street, St Marylebone Baptisms 1825-1836 Mf All Saints, Finchley Road, St Marylebone 1846-1905 Mf Baptisms 1845-1937 Mf Marriages 1825-1837 Mf Marriages 1846-1906 Mf Burials 1826-1853 Mf All Saints, Grosvenor Road Baptisms 1863-1940 1955-1967 All Saints, Margaret Street, St Marylebone Baptisms 1849-1898 Mf Marriages 1860-1900 Mf All Saints, Norfolk Square, Paddington Baptisms 1847-1925 Mf Marriages 1848-1919 Mf All Souls, Langham Place, St Marylebone Baptisms 1825-1916 Mf Marriages 1825-1903 Mf Archbishop Tenison’s Chapel see St Thomas, Regent Street Belgrave Chapel, Halkin Street Baptisms 1898-1910 All Souls, Langham Place Charlotte Chapel Christ Church, Down Street, Mayfair see St Peter, Palace Street Baptisms 1865-1984 Confirmations 1902-1960 Banns 1916-1956 Marriages 1865-1972 Key: Mf - Microfilm/microfiche; Tr - Transcript; P - Printed book; F - Facsimile BT - Bishop’s Transcripts on microfilm; CW - recorded in Churchwardens’ Accounts City of -
Monumental Inscriptions in Westminster Graveyards
Westminster City Archives Information Sheet 8 Monumental Inscriptions in Westminster Memorial tablet from St Anne’s, Soho Printed Works for South Westminster General Source Reference Survey of the Cities of London and Westminster. John Stowe, 1720 ff942.11 Lists monuments in churches of St Anne, Archive store St Clement Danes, St James, Piccadilly, St Margaret, St Martin-in-the-Fields, St Mary, Savoy, St Paul, Covent Garden. Christ Church, Broadway List of gravestones. Notes and Queries, Photocopy 22 July 1939 f929.3, pamphlet List of inscriptions on tombstones from the grave- AGR Elliott, Typescript yard on junction of Victoria Street and Broadway, 5 January 1992 f929.3, pamphlet Westminster. City of Westminster Archives Centre 10 St Ann’s Street, London SW1P 2DE Tel: 020-7641 5180, fax: 020-7641 5179 E-mail: [email protected] Website: www.westminster.gov.uk/archives January 2010 Westminster City Archives Monumental Inscriptions Information Sheet 8 in Westminster Christ Church, Down Street Source Reference Christ Church, Down Street. Memorial Inscriptions C Tucker, 1971 Typescript 1862-1924. f929.3, pamphlet St Anne, Soho St Anne, Soho, Monumental Inscriptions. AGR Elliott, 1985 Typescript f929.3, pamphlet Monumental Inscriptions and extracts from the WE Hughes, 1905 929.3 registers of births, marriages and deaths at Archive store St Anne’s, Soho. St Clement Danes See entry for John Strype under General St George, Hanover Square Brief History of St George’s Chapel [St George’s Cecil Moore, 1883 942.135 burial ground, Bayswater Road]. Includes Open shelves monumental inscriptions. Mount Street Gardens – Mount Street Burial Ground Westminster City Council, Typescript [St George’s], list of gravestones. -
The Religious Fraternities of Medieval Middlesex
THE RELIGIOUS FRATERNITIES OF MEDIEVAL MIDDLESEX Jessica Freeman SUMMARY funeral rites took place, and that alms were channelled to those in need. Yet the type of Fraternities, gilds or brotherhoods (groups of people gild which flourished in any particular place coming together for a common purpose or mutual was determined by differences in population benefit) were established throughout England from and economic activity. Although the shire at least the early 14th century until their dissolution fell under the influence of the wealthy and in 1548. Through the surviving sources, this paper commercial City of London, and included examines the foundation, dedications and activities of the parish of Westminster, now home on a such lay associations within the county of Middlesex. regular basis to the king, his household and These fraternities can be grouped together by location the law courts, much of Middlesex remained and economic interest: fraternities and confraternities, a rural county which served the needs of craft gilds, suburban gilds in the busy extramural the capital as its hinterland. The crowded parishes adjacent to the City of London, town gilds suburban parishes adjacent to the City, which generally obtained a foundation licence, rural such as St Sepulchre without Newgate, or gilds, and hospital gilds. Within a parish, such a busy administrative, legal and religious groups supported a chapel, light, image or altar of centre like Westminster were capable of their patron saint or saints, provided post-mortem supporting several gilds, including one that masses for their members and financial help for the climbed to prominence and gradually built needy, and encouraged a sense of community through up a permanent and substantial landed feasts and processions.