DOCSLIB.ORG

University of Ghana Music of the Tabom

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University of Ghana Music of the Tabom University of Ghana http://ugspace.ug.edu.gh UNIVERSITY OF GHANA MUSIC OF THE TABOM: ITS CULTURAL BACKGROUND AND STYLE BENJAMIN AMAKYE-BOATENG OCTOBER 2017 University of Ghana http://ugspace.ug.edu.gh UNIVERSITY OF GHANA MUSIC OF THE TABOM: ITS CULTURAL BACKGROUND AND STYLE BENJAMIN AMAKYE-BOATENG A Dissertation in the Department of Music, School of Performing Arts, submitted to the School of Graduate Studies in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy (MUSIC) in the University of Ghana OCTOBER 2017 University of Ghana http://ugspace.ug.edu.gh DECLARATION STUDENT’S DECLARATION I, Benjamin Amakye-Boateng, declare that this dissertation, with the exception of quotations and references contained in published works which have all been identified and duly acknowledged, is entirely my own original work, and it has not been submitted, either in part or whole, for another degree elsewhere. SIGNATURE: ……………………………. DATE: ……………………………………. SUPERVISOR’S DECLARATION We hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of thesis as laid down by the University of Ghana, Legon. …………………………………….. (Principal Supervisor) Signature:…..…………………… Date: ……………………………… …………………………………… (Co-Supervisor) Signature:……..………………… Date: ……………………………… …………………………………… (Co-Supervisor) Signature:……..………………… Date: ……………………………… i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to all members of the Agbe Ensemble of the Afro-Brazilian Community- the Tabom- in Accra, Ghana. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGMENTS I wish to express my personal appreciation and gratitude to my Supervisors, Prof Edmund John Collins of the Department of Music, University of Ghana, Prof. Daniel Avorgbedor of the Institute of African Studies, University of Ghana and Dr. Sylvanus K Kuwor of the Department of Dance Studies, University of Ghana for their enormous help, careful reading and general review of this project. I also wish to thank Prof Burt Feintuch and Prof Funso Afolayan of the University of New Hampshire in the United States of America, for their massive assistance as they played supervisory roles throughout my stay in the US during the Fall semester of 2014. I thank also Prof Kofi Agyekum, Ag. Dean of the School of Performing Arts at the University of Ghana, Dr Joshua Amuah, Head of the Department of Music at the University of Ghana, as well as Prof John Wiredu, for their concern and encouragement as well as advisory roles they played to ensure the completion of this project. I am also grateful to Prof. Kwaku Osam, former Pro VC University of Ghana for being instrumental in appointing me as a faculty member to go on an exchange program at the University of New Hampshire, this brought me into contact with Profs Feintuch and Afolayan. I also wish to acknowledge with profound gratitude, the help by Dr Adwoa Arhine in shaping my dissertation with her good counsel and encouragements. Not forgetting Mr Timothy Andoh, Dr Hilarius Wuaku, Dr Obadele Kambon and other members of staff of the Department of Music, University of Ghana, Legon. I owe an enormous debt of gratitude to Newlove Annan, Nathaniel Laryea, Benedictus Mattson, Evans Agyekum, Samuel Heman Agbohevia and Emmanuel Nii Sowah for the diverse roles they performed towards the completion of this project. I likewise wish to mention the immeasurable contribution I received from the UG-Carnegie, for the grant awarded to me, which relieved me partially of financial burden as I carried out my research. My thanks also go to all my informants and to all authors whose works I have used and duly cited, I am grateful. iii University of Ghana http://ugspace.ug.edu.gh To Rev. Dr. Emmanuel Osae, General overseer of the Light of Life Gospel Mission, Abeka- Lapaz, and the entire Pastorate and members of LOLGM, I say a big thank you for encouraging me, and standing constantly with me in prayer when I needed it most. I might sound very ungrateful if I do not mention also the endless contributions of my wife- Sandra- and kids- Lucynna, Benetta, Meldrick and Ethan-. I benefitted immensely from their prayers, patience, moral support and encouragement. Finally, I do not also forget the priceless contributions of anyone who, in one way or the other, was associated with this dissertation but is not mentioned. To all, I say thank you and may God richly bless you. iv University of Ghana http://ugspace.ug.edu.gh ABSTRACT Negotiating identity is a key factor to a people surrounded by many other differences such as other ethnic groups and communities with different orientations. Such is the story of the Tabom who are African slave returnees from Brazil. The music or organised sound related to their existence helps in the creating of their unique identity as it relates to being Ga on one side, and having had contact with the outside world on the other. Agbe, the music of the Tabom is one of the avenues by which the story, culture, and identity of the Tabom can be studied. To date, all anthropological studies done on the Tabom (Boadi-Siaw 1993, Amos and Ayensu 2002 Schamloeffel 2008, Essien 2010, and Von Hesse 2014) only mention in passing the music-Agbe as a mere practice but not as a normative functional element to the creation of the Tabom identity. This dissertation argues from an ethnomusicological perspective that Agbe as an organised sound in relation to the life and culture of the Tabom serves the purpose of creating and negotiating identity as found in their use of music as part of religious rites and as part of other important ceremonies such as in relation to the rites associated with the human life cycle. The dissertation sets forth the historical and social background of the Tabom, reveals the music and analyses every musical element and or device that the creators and the performers of the music utilise in bringing to the fore the priorities of the Tabom culture. A special interest of this dissertation is the study of rhythm, text, melody and the combination of any of these as well as other aids to musical performance in expressing the inner self that subsequently helps in shaping the Tabom identity. An in-depth analysis of the music using both western and African analytical tools such as the identification of scales, modes, and interval cycles/cyclic pitch collections as well as the African minimalist impulse and its relation to the other forms of art within the African culture. v University of Ghana http://ugspace.ug.edu.gh TABLE OF CONTENTS [ DECLARATION ................................................................................................................... i DEDICATION ...................................................................................................................... ii ACKNOWLEDGMENTS ................................................................................................... iii ABSTRACT ......................................................................................................................... v TABLE OF CONTENTS .................................................................................................... vi LIST OF TABLES ................................................................................................................ x LIST OF MUSICALS EXAMPLES ................................................................................... xi LIST OF FIGURES ........................................................................................................... xiii GLOSSARY OF TERMS ................................................................................................... xv CHAPTER ONE ................................................................................................................... 1 INTRODUCTION ................................................................................................................ 1 1.1. The Issue.................................................................................................................. 1 1.2. Background ............................................................................................................. 1 1.3. Objectives ................................................................................................................ 3 1.4. Research questions .................................................................................................. 3 1.5. Significance of study ............................................................................................... 3 1.6. Scope of Study......................................................................................................... 5 1.7. Literature Review .................................................................................................... 5 1.8. Theoretical Framework ......................................................................................... 10 1.9. Research Design .................................................................................................... 13 1.10. Sampling ............................................................................................................ 14 1.11. Ethnography Procedures .................................................................................... 14 1.12. Field Sites ........................................................................................................... 14 1.13. For Studies among Academic Scholars ............................................................
Load more

Recommended publications
  • Afro-Descendants, Discrimination and Economic Exclusion in Latin America by Margarita Sanchez and Maurice Bryan, with MRG Partners
    macro study Afro-descendants, Discrimination and Economic Exclusion in Latin America By Margarita Sanchez and Maurice Bryan, with MRG partners Executive summary Also, Afro-descendants do not have a significant voice in the This macro study addresses the economic exclusion of people planning, design or implementation of the policies and activi- of African descent (Afro-descendants) in Latin America. It ties that directly affect their lives and regions. This is an aims to examine how and why race and ethnicity contribute to important omission; while Afro-descendant populations may the disproportionately high levels of poverty and economic dis- be materially poor, they have a rich cultural heritage and access crimination in most Afro-descendant communities, and how to key natural resources. Development strategies need to recog- to promote change. nize the historical, social and cultural complexity of There are clear links between Afro-descendant communi- Afro-descendants’ poverty and consult them on the most cul- ties and poverty, however there is a need for disaggregated data turally appropriate means of achieving positive change. to provide a more precise picture, and to enable better plan- The views of Afro-descendants are central to much of the ning and financing of development programmes for this highly information used in this study, which uses a rights-based marginalized group. approach. The study explains some of the causes and conse- A prime cause for the lack of quantitative material, is that quences of Afro-descendants’ exclusion, and offers donors and governments have only recently begun to acknowl- recommendations for a more inclusive minority rights-based edge Afro-descendant populations’ existence.
    [Show full text]
  • Orisha Journeys: the Role of Travel in the Birth of Yorùbá-Atlantic Religions 1
    Arch. de Sc. soc. des Rel., 2002, 117 (janvier-mars) 17-36 Peter F. COHEN ORISHA JOURNEYS: THE ROLE OF TRAVEL IN THE BIRTH OF YORÙBÁ-ATLANTIC RELIGIONS 1 Introduction 2 In recent years the array of Orisha 3 traditions associated withtheYorùbá- speaking peoples of West Africa has largely broken free of the category of “Afri- can traditional religion” and begun to gain recognition as a nascent world religion in its own right. While Orisha religions are today both trans-national and pan-eth- nic, they are nonetheless the historical precipitate of the actions and interactions of particular individuals. At their human epicenter are the hundreds of thousands of Yorùbá-speaking people who left their country during the first half of the 19th cen- tury in one of the most brutal processes of insertion into the world economy under- gone by any people anywhere; the Atlantic slave trade. While the journey of the Middle Passage is well known, other journeys under- taken freely by Africans during the period of the slave trade – in a variety of direc- tions, for a multiplicity of reasons, often at great expense, and sometimes at great personal risk – are less so. These voyages culminated in a veritable transmigration involving thousands of Yorùbá-speaking people and several points on both sides of 1 Paper presented at the 1999 meeting of the Société Internationale de la Sociologie des Religions. This article was originally prepared in 1999. Since then, an impressive amount of literature has been published on the subject, which only serves to strengthen our case. A great deal of new of theoretical work on the African Diaspora in terms of trans-national networks and mutual exchanges has not so much challenged our arguments as diminished their novelty.
    [Show full text]
  • Multiculturalism, Afro-Descendant Activism, and Ethnoracial Law and Policy in Latin America
    Rahier, Jean Muteba. 2020. Multiculturalism, Afro-Descendant Activism, and Ethnoracial Law and Policy in Latin America. Latin American Research Review 55(3), pp. 605–612. DOI: https://doi.org/10.25222/larr.1094 BOOK REVIEW ESSAYS Multiculturalism, Afro-Descendant Activism, and Ethnoracial Law and Policy in Latin America Jean Muteba Rahier Florida International University, US [email protected] This essay reviews the following works: Seams of Empire: Race and Radicalism in Puerto Rico and the United States. By Carlos Alamo-Pastrana. Gainesville: University Press of Florida, 2016. Pp. xvi + 213. $79.95 hardcover. ISBN: 9780813062563. Civil Rights and Beyond: African American and Latino/a Activism in the Twentieth-Century United States. Edited by Brian D. Behnken. Athens: University of Georgia Press, 2016. Pp. 270. $27.95 paperback. ISBN: 9780820349176. Afro-Politics and Civil Society in Salvador da Bahia, Brazil. By Kwame Dixon. Gainesville: University Press of Florida, 2016. Pp. xiii + 174. $74.95 hardcover. ISBN: 9780813062617. Black Autonomy: Race, Gender, and Afro-Nicaraguan Activism. By Jennifer Goett. Stanford, CA: Stanford University Press, 2017. Pp. ix + 222. $26.00 paperback. ISBN: 9781503600546. The Politics of Blackness: Racial Identity and Political Behavior in Contemporary Brazil. By Gladys L. Mitchell-Walthour. New York: Cambridge University Press, 2018. Pp. xvi + 266. $34.99 paperback. ISBN: 9781316637043. The Geographies of Social Movements: Afro-Colombian Mobilization and the Aquatic Space. By Ulrich Oslender. Durham, NC: Duke University Press, 2016. Pp. xiii + 290. $25.95 paperback. ISBN: 9780822361220. Becoming Black Political Subjects: Movements and Ethno-Racial Rights in Colombia and Brazil. By Tianna S. Paschel. Princeton: Princeton University Press, 2016.
    [Show full text]
  • Redalyc.Diaspora Sounds from Caribbean Central America
    Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Stone, Michael Diaspora Sounds from Caribbean Central America Caribbean Studies, vol. 36, núm. 2, julio-diciembre, 2008, pp. 221-235 Instituto de Estudios del Caribe San Juan, Puerto Rico Available in: http://www.redalyc.org/articulo.oa?id=39215107020 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative WATCHING THE CARIBBEAN...PART II 221 Diaspora Sounds from Caribbean Central America Michael Stone Program in Latin American Studies Princeton University [email protected] Garifuna Drum Method. Produced by Emery Joe Yost and Matthew Dougherty. English and Garifuna with subtitles. Distributed by End of the Line Productions/ Lubaantune Records, 2008. DVD. Approximately 100 minutes, color. The Garifuna: An Enduring Spirit. Produced by Robert Flanagan and Suzan Al-Doghachi. English and Garifuna with subtitles. Lasso Pro- ductions, 2003. Distributed by Lasso Productions. DVD. 35 minutes, color. The Garifuna Journey. Produced by Andrea Leland and Kathy Berger. English and Garifuna with subtitles. New Day Films, 1998. Distributed by New Day Films. DVD and study guide. 47 minutes, color. Play, Jankunú, Play: The Garifuna Wanáragua Ritual of Belize. Produced by Oliver Greene. English and Garifuna with subtitles. Distributed by Documentary Educational Resources, 2007. DVD. 45 minutes, color. Trois Rois/ Three Kings of Belize. Produced by Katia Paradis. English, Spanish, Garifuna, and K’ekchi Maya with subtitles (French-language version also available).
    [Show full text]
  • World Bank Document
    Afro-descendants in Latin America Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Toward aFrameworkofInclusion in LatinAmerica Afro-descendants Afro-descendants in Latin America Toward a Framework of Inclusion Prepared by: Germán Freire Carolina Díaz-Bonilla Steven Schwartz Orellana Jorge Soler López Flavia Carbonari Latin America and the Caribbean Region Social, Urban, Rural and Resilience Global Practice Poverty and Equity Global Practice Afro-descendants in Latin America Toward a Framework of Inclusion Prepared by: Germán Freire Carolina Díaz-Bonilla Steven Schwartz Orellana Jorge Soler López Flavia Carbonari Latin America and the Caribbean Region Social, Urban, Rural and Resilience Global Practice Poverty and Equity Global Practice © 2018 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org This work was originally published by The World Bank in English as Afro-descendants in Latin America: Toward a Framework of Inclusion, in 2018. In case of any discrepancies, the original language will prevail. This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries.
    [Show full text]
  • Cicalo, André 2012: “Brazil and Its African Mirror: Discussing 'Black
    Working Paper No. 24, 2012 Brazil and its African Mirror Discussing ‘Black’ Approximations in the South Atlantic André Cicalo Working Paper Series desiguALdades.net Research Network on Interdependent Inequalities in Latin America Working Paper No. 24, 2012 Brazil and its African Mirror Discussing ‘Black’ Approximations in the South Atlantic André Cicalo desiguALdades.net Working Paper Series Published by desiguALdades.net Research Network on Interdependent Inequalities in Latin America The desiguALdades.net Working Paper Series serves to disseminate first results of ongoing research projects in order to encourage the exchange of ideas and academic debate. Inclusion of a paper in the desiguALdades.net Working Paper Series does not constitute publication and should not limit publication in any other venue. Copyright remains with the authors. Copyright for this edition: André Cicalo Editing and Production: Sérgio Costa / Barbara Göbel / Johannes Heeg / Marco Just Quiles / Paul Talcott All working papers are available free of charge on our website www.desiguALdades.net. Cicalo, André 2012: “Brazil and its African Mirror: Discussing ‘Black’ Approximations in the South Atlantic”, desiguALdades.net Working Paper Series, No. 24, Berlin: desiguALdades.net Research Network on Interdependent Inequalities in Latin America. The paper was produced by André Cicalo during his Post-doctoral Fellowship at desiguALdades.net from 11/2011 to 10/2012. desiguALdades.net Research Network on Interdependent Inequalities in Latin America cannot be held responsible for errors or any consequences arising from the use of information contained in this Working Paper; the views and opinions expressed are solely those of the author or authors and do not necessarily reflect those of desiguALdades.net.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may t)e from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to t)e removed, a rx)te will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproducedtoy sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have t)een reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI’ DECIPHERING THE ETHNICITY SYSTEM OF CAYO, BELIZE: AN EXPLORATION OF COMMUNITY AND SCHOOL DISCOURSE DATA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lisa Suzanne Chiteji, B.A., M.A.
    [Show full text]
  • Legal Responses to Black Subordination, Global Perspectives
    LEGAL RESPONSES TO BLACK SUBORDINATION, GLOBAL PERSPECTIVES Kevin E. Davis∗ [I]n order to win and bring as many people with us along the way, we must move beyond the narrow nationalism that is all too prevalent in Black communities. — Black Lives Matter1 INTRODUCTION Around the world, people of African descent (“Afro-descendants”) — to use one of the broadest possible definitions of Blackness — are overrepresented among the poor and disempowered.2 Any effort to un- derstand the role that law has played in the past — and might play in the future — in either causing or mitigating these patterns of subordi- nation should account for the fact that while those patterns exhibit enor- mous variety, they also transcend national boundaries and operate on a global scale. These insights are staples of postcolonial analyses of Black culture.3 Less well explored is why or how the relationship between law and Black experiences ought to be analyzed from a global perspective.4 So, for instance, it is not immediately obvious why the killing of a Black man by police in the United States should lead to protests around the world. Nor is it obvious why the members of the Congressional Black ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– ∗ Beller Family Professor of Business Law, New York University School of Law. I am grateful to Deborah Archer, Abbye Atkinson, Guy Charles, César Rodríguez Garavito, Stephen Lee, Edefe Ojomo, Tracy Robinson, Vincent Sutherland, India Thusi, Frank Upham, and students in a reading group on Race, Rights, and Reparations in the Americas for helpful comments; Alexandre Abitbol for invaluable research assistance; and, for financial support, the Filomen D’Agostino and Max E.
    [Show full text]
  • Afro-Colombian Hip-Hop: Globalization, Popular Music and Ethnic Identities
    AFRO-COLOMBIAN HIP-HOP: GLOBALIZATION, POPULAR MUSIC AND ETHNIC IDENTITIES DISSERTATION Presented in Partial Fulfillment for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Christopher Charles Dennis, B.A., M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Dr. Abril Trigo, Advisor Dr. Ileana Rodriguez Dr. Fernando Unzueta Advisor Graduate Program in Spanish and Portuguese ABSTRACT As scholars around the globe debate the shortcomings and virtues of economic and cultural globalization, I approach Afro-Colombian hip-hop as a form of testimony to study what young black Colombians – as representatives of a generation at a global crossroads – reveal about the challenges presented by globalization. Evidence indicates that globalization and neoliberal reform have aggravated socio-political ills through intensified warfare, poverty, income inequalities, massive displacement, and violence, among others. These circumstances, in turn, inform much of the Afro-Colombian testimony channeled through hip-hop. I maintain that the content of Afro-Colombian rap, and the circumstances that inspire it, support those who argue that ethnic-racial minorities in the peripheries of the world do not benefit from economic globalization and its anticipated rising tide of wealth and spread of human rights. The dissent and frustration expressed in this music point to youths who are aware that promises of economic distribution, democracy, tolerance, and cultural respect are not and cannot be for everyone. Globalization has also led to cultural transformations and changing ethnic identities, which are very evident among Afro-Colombian urban youth integrated into processes of economic modernization and cultural modernity. I examine various factors ii that currently interpellate Afro-Colombian ethnic identities constructed through music and its practice.
    [Show full text]
  • Afro-Brazilian Perspectives
    CONTEMPORARYAND.COM PLATFORM FOR INTERNATIONAL ART C&FROM AFRICAN PERSPECTIVES SPECIAL GUEST EDITORS OMENELICK 2°ATO POINTS OF VIEW AFRO-BRAZILIAN PERSPECTIVES AN ONLINE ART MAGAZINE PRINT EDITION NO. 6 PRINT EDITION NO. 6 | C& CONTENTS GALPÃO VB | ASSOCIAÇÃO CULTURAL VIDEOBRASIL PRESENTS 6 Lucia Nhamo AKRAM ZAATARI THE TANGLED HISTORIES OF DISCONNECTED PLACES TOMORROW EVERYTHING WILL BE ALRIGHT There are contextual parallels between Brazilian and Zimbabwean politics, says artist Lucia Nhamo, who CURATOR SOLANGE FARKAS recently completed a residency in Salvador de Bahia. CO-CURATOR GABRIEL BOGOSSIAN 14 Abdias do Nascimento WHEN THE GENERALS RULED AND BLACK CULTURE FOCUS: MATTERED LESS 32ND BIENAL DE SÃO PAULO Abdias do Nascimento was a prominent Afro-Brazilian scholar and radical theater maker who troubled Brazil’s presence at three important festivals of Black African 10 culture. Accra Study Days COLONIAL GHOSTS HAUNT ACCRA’S JAMESTOWN 17 Brazil’s history as the largest slave-owning country Lucélia Sergio & Sidney Santiago Kuanza prompted a group of artists, curators, and researchers AFRONTAMENTOS affiliated with the 32nd Bienal de São Paulo to visit Cia Os Crespos is a São Paulo theater collective that has Ghana in search of history. researched the emotional lives of Black transvestites, cross-dressers, drag queens, and transgender people. 35 Dalton Paula 22 THE ABCs OF DALTON PAULA: FROM AFRICA TO BAHIA Village Unhu, lugar a dudas & Afrorexistencia AND, OF COURSE, CUBA AN ESSENTIAL GESTURE OF CULTURAL RESISTANCE Brazilian artist Dalton Paula talks to Alexandre Araújo A round-table conversation with three collectives Bispo about his interest in drawing, Black history, about the role of their artist-run platforms: Misheck performance, botany, and Afro-Brazilian religious practices.
    [Show full text]
  • Amaro (Brazilian Returnees) and Cultural Diffusion in Lagos: a Study of Lagos-Pacific Cultural Relations
    Amaro (Brazilian Returnees) and Cultural Diffusion in Lagos: A Study of Lagos-Pacific Cultural Relations Bashir Olalekan Animashaun, Lagos State University, Nigeria The European Conference on Arts & Humanities 2018 Official Conference Proceedings Abstract Amaro is the traditional word used to describe the Brazilian returnees whose advent in Lagos was an aftermath of the abolition of the trans-Atlantic slave trade. And since their return to Lagos they have succeeded in institutionalising a replica of the Rio carnival known in Lagos as Fanti carnival. This paper examines the advent of the Amaro (Brazilian Returnees) in Lagos from 1830’s and their contributions to the Lagos cultural system with an appraisal of the place of Fanti carnival in the Lagos cultural system. As one of the cultures which diffused from the pacific to the Lagos society few years prior to the British conquest of Lagos in 1850, the Fanti carnival has become a state-wide cultural system from being an exclusive Lagos Island affair. This paper using the historical narrative and analytical methods provides insights into how the Fanti carnival became a state wide affair. The paper concludes that the introduction and eventual integration of the Fanti carnival into Lagos cultural system was as a result of the atavistic ties of the Brazilian returnees (Amaro) to their pristine cultural heritage and the transplantation of their cultural identity to cosmopolitan Lagos Keywords: The Pacific, Amaro, Fanti, Cultural system, Lagos iafor The International Academic Forum www.iafor.org Introduction From the 19th century onwards Lagos entered a unique relationship and forged interactions with the Pacific.
    [Show full text]
  • The Educated Elite and Associational Life in Early Lagos Newspapers: in Search of Unity for the Progress of Society
    THE EDUCATED ELITE AND ASSOCIATIONAL LIFE IN EARLY LAGOS NEWSPAPERS: IN SEARCH OF UNITY FOR THE PROGRESS OF SOCIETY by NOZOMI SAWADA A thesis submitted to University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre of West African Studies School of History and Cultures College of Arts and Law University of Birmingham July 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis has examined the associational lives of the educated African elite described in the Lagos newspapers between 1880 and 1920, focusing especially on articles about memorial associations, industrial and agricultural associations, and associations relating to the ceremonies of the British Empire. There are two purposes underlying this research. The first is to re-examine early colonial Lagos, which has been described as a divided society. The second is to re-evaluate the roles of the early Lagos press. Based on extensive examination of the Lagos newspapers, this thesis argues that the descriptions of associational activities in Lagos newspapers were part of a conscious project of the press to re-construct Lagos society by encouraging “unity” for an “African”/“Nigerian” way of progress.
    [Show full text]