How the Sitcom the Big Bang Theory Influences
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INDICE 1. Introduzione 3 2. Rassegna Della Letteratura 7 3. Metodo 15 4
INDICE 1. Introduzione 3 2. Rassegna della letteratura 7 2.1. Introduzione 7 2.2. Studi linguistici sulla sitcom The Big Bang Theory 7 2.3. Conclusioni 13 3. Metodo 15 3.1. Introduzione 15 3.2. Quesiti della ricerca 15 3.3. Quadro teorico di riferimento 15 3.3.1. Il Principio Cooperativo di Grice 16 3.3.2. La Teoria della Pertinenza di Sperber e Wilson 22 3.3.3. La cortesia 25 3.3.3.1. Il modello di Leech 26 3.3.3.2. Il modello di Brown e Levinson 32 3.3.3.3. Conclusioni 36 3.4. Raccolta, preparazione e analisi dei dati 37 3.4.1. Raccolta dei dati 37 3.4.2. Preparazione dei dati 38 3.4.3. Analisi qualitativa 40 3.4.4 Analisi quantitativa 53 3.5. Conclusioni 53 4. Risultati 55 4.1. Introduzione 55 4.2. Risultati analitici quantitativi e qualitativi della ricerca 55 4.2.1. Risultati della prima stagione 56 4.2.2. Risultati della seconda stagione 62 4.2.3. Risultati della terza stagione 69 4.2.4. Risultati della quarta stagione 75 4.2.5. Risultati della quinta stagione 82 4.2.6. Risultati della sesta stagione 88 4.2.7. Risultati della settima stagione 94 4.2.8. Risultati della ottava stagione 101 4.2.9. Risultati della nona stagione 107 1 4.2.10. Risultati della decima stagione 114 4.3. Risultati quantitativi e qualitativi sintetici della ricerca 120 4.3.1. (In)efficienza comunicativa 120 4.3.1.2. Il Principio Cooperativo di Grice 120 4.3.1.3. -
Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Bazinga! Uma Análise Neotribal Da Sitcom the Big Bang Theory Arthur
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XVI Congresso de Ciências da Comunicação na Região Sudeste – São Paulo - SP – 12 a 14 de maio de 2011 Bazinga! Uma Análise Neotribal Da Sitcom The Big Bang Theory 1 Arthur Carlos FRANCO OLIVEIRA 2 Mirna TONUS 3 Universidade Federal de Uberlândia, Uberlândia, MG RESUMO O presente artigo tem como objetivo analisar a sitcom The Big Bang Theory sob a ótica da teoria neotribalista proposta por Michel Maffesoli. A partir do método observacional, assistiu-se a todos os episódios das quatro temporadas da sitcom, procurando identificar em seus personagens elementos que os relacionassem a uma neotribo. Assim, foi possível concluir que os sujeitos analisados não atendem a todas as características de uma neotribo. PALAVRAS-CHAVE: sitcom, neotribalismo, televisão, humor. “Bazinga!” – Sheldon Cooper Desde o surgimento da televisão, suas funções têm sido as mais diversas. Informar, emocionar e fazer rir são alguns dos papéis que ela exerce no contexto atual. Suas atrações sempre buscam aumentar a audiência e cativar o público, sendo que, nos últimos anos, a televisão tem mais do que nunca se utilizado do público para fazer sucesso. Séries humorísticas, programas de auditório recheados de casos engraçados e comentários ácidos e inteligentes são alguns artifícios veiculados para divertir o público. E, entre os programas de humor, estão as chamadas sitcoms . O termo, segundo o Dicionário da Língua Portuguesa4, é uma série televisiva que aborda situações do dia–a-dia em tom de comédia. A palavra vem do termo inglês “situation comedy ”, que, literalmente, significa situação de comédia. Desde o seu 1 Trabalho apresentado no DT 4 – Comunicação Audiovisua do XVI Congresso de Ciências da Comunicação na Região Sudeste realizado de 12 a 14 de maio de 2011. -
REDEFINING “NERDINESS”: the Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many Studies Define “Nerdiness” Differently
ARTICLE Title REDEFINING “NERDINESS”: The Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many studies define “nerdiness” differently. Some textual cues including explicit and implicit cues. These would define gifted students as “nerds” (O’Connor 293), terms are adopted from Culpeper’s The Language and The Big Bang Theory Reconsidered suggesting that the word is based solely on intelligence. Characterisation: People in Plays and Other Texts, in which he Others may define “nerds” as “physical self-loathing [and explains that these textual cues can help a viewer make having] technological mastery” (Eglash 49), suggesting certain inferences about a specific character (Language that “nerds” have body issues or are somehow more and Characterisation 167). Explicit cues are when charac- BY JACLYN GINGRICH technologically savvy than the average person. Bednarek ters specifically express information about themselves or defines “nerdiness” as displaying the following linguistic others (Language of Characterisation 167). An example framework: “believes in his own intelligence,” “was a child would be when Leonard says, “Yeah, I’m a frickin’ genius” ABSTRACT it is that they are average people socializing with each prodigy,” “struggles with social skills,” “is different,” “is health (“The Middle Earth Paradigm”). Here he is explicitly other and living normal lives. The Big Bang Theory displays This paper analyzes the linguistic characteristics of Leonard obsessed/has food issues,” “has an affinity for and knowl- saying that he believes he has intellectual superiority. the comical reality of what normally happens in these Hofstadter, television character from The Big Bang Theory and edge of computer-related activities,” “does not like change,” Implicit cues are implied. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Socioeconomic Class Representation in Sitcoms Awroa:&~
KEEPING UP WITH THE JONESES: SOCIOECONOMIC CLASS REPRESENTATION IN SITCOMS by ALEXANDRA HICKS A THESIS Presented to the School of Journalism and Communication and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2014 A• Abstracto( the Thesis of Alexandra Hicks for 1he degree ofBachelor of Arts in the School of Journalism and Communication to be talcen June, 2014 Title: Keeping Up With the Jonescs: Socioeconomic Class Representation in Sitcoms Awroa:&~ This thesis examines the representation of socioeconomic class in situation comedies. Through the influence of the advertising industiy, situation comedies (sitcoms) have developed a pattem throughout history of misrepresenting ~ial class, which is made evident by their portrayals ofdifferent races, genders, and professions. To rectify the IKk ofprevious studies on modem comedies, this study analyzes socioeconomic class representation on sitcoms that have aired in the last JS years by taking a sample ofseven shows and comparing the estimated cost of characters' residences to the amount of money they would likely earn in their given profession. 1be study showed that modem situation comedies misrepresent socioeconomic class by portraying characters living in residences well beyond what they could afford in real life. Accurate demonstration ofsocioeconomic class on television is imperative be<:ause images presented on television genuinely influence viewers• perceptions of reality. Inaccurate portrayals ofclass could cause audiences to develop distorted views ofmember.; of socioeconomic classes and themselves. u Acknowledgements I would like to thank Professor Debra Merskin for inspiring me to examine television in an in-depth and critical manner. -
Interpretation of Verbal Humor in the Sitcom the Big Bang Theory from the Perspective of Adaptation-Relevance Theory
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 12, pp. 2220-2226, December 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.12.2220-2226 Interpretation of Verbal Humor in the Sitcom The Big Bang Theory from the Perspective of Adaptation-relevance Theory Zejun Ma School of Foreign Languages, Dalian University of Technology, Dalian, China Man Jiang School of Foreign Languages, Dalian University of Technology, Dalian, China Abstract—Humor plays a very important role in every sphere of our daily life, especially verbal humor which is mainly carried by language use in a certain context to achieve humorous effect. As a special carrier of humor, sitcom, which is a type of comedy performance, has attracted millions of audiences with humorous utterances all over the world. The American sitcom The Big Bang Theory has been one of the most popular American sitcoms in China within these years which largely count on verbal humor to create general humorous effect. Based on the achievements made by previous researchers, the present study explores the verbal humor in the American sitcom The Big Bang Theory in the light of a new model—Adaptation-Relevance model so as to reveal its interpretive power of humor and its feasibility in analyzing verbal humor in the sitcom The Big Bang Theory. The paper mainly adopts the qualitative and descriptive methods to analyze the selected examples and finally comes to a conclusion that this Adaptation-Relevance model which is an integration of two powerful pragmatic theories holds the interpretive power for verbal humor and has feasibility in analyzing verbal humor by using the data in sitcom The Big Bang Theory. -
Getting to Know Siri
Chapter 1 Getting to Know Siri In This Chapter ▶ Seeing what — or rather, who — Siri is ▶ Setting up Siri for your personal use ▶ Exploring different ways to use Siri ▶ Finding out how to get fast and reliable replies ▶ Teaching Siri what to call you ongratulations! You’re now the owner of the most definitive Cguide to Siri on the planet. This easy-to-read For Dummies title will teach you everything you need to know about Siri — and then some. Be prepared to master all of Siri’s amazing features, at your own pace, so you can get a lot more out of your beloved iPhone, iPad (and iPad mini), or iPod touch. But first, a few words about my introduction to Siri, what Siri is exactly, and a bit of history. As a longtime technology reviewer, I firmly believe Siri (pronounced SEAR-ree) is the start of something very special, and it was love at first sight — er, speech. Here I am, sitting in the crowd at Apple headquarters in Cupertino, California, on October 4, 2011. The exclusive press event is called “Let’s Talk iPhone,” and like many other journalists and analysts in theCOPYRIGHTED room, I was expecting Apple CEO MATERIAL Tim Cook to take the wraps off the iPhone 5. When the iPhone 4S was initially debuted, you could sense the ini- tial disappointment among the attendees — after all, there were so many rumors leading up to the event that it seemed inevitable that a dramatically new smartphone would be unveiled that day. But that letdown feeling completely vanished the moment Siri was introduced. -
For Pete's Sake
FINAL-1 Sat, Jan 27, 2018 5:25:50 PM tvupdateYour Weekly Guide to TV Entertainment For the week of February 4 - 10, 2018 For Pete’s sake Pete Holmes as seen in “Crashing” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 HBO’s “Crashing” is currently enjoying its sophomore season, with a new episode airing Sunday, Feb. 4. Writer, creator and star Pete Holmes (“Ugly Americans”) has drawn humor from some of his deepest memories and most personal life moments. He plays a fictionalized version of himself in the dark comedy — a character who struggles with the realities of adulthood, such as the disollution of his marriage and the difficulties of carving out a place for himself in the comedy world. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL Salem, NH • Derry, NH • Hampstead, NH • Hooksett, NH ✦ 37 years in business; A+ rating with the BBB. TRADE Newburyport, MA • North Andover, MA • Lowell, MA ✦ For the record, there is only one authentic CASH FOR GOLD, PARTS & ACCESSORIESBay 4 YOUR MEDICAL HOME FOR CHRONIC ASTHMA Group Page Shell We Need: SALES & SERVICE Motorsports WINTER ALLERGIES ARE HERE! 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE 1 x 3” DON’T LET IT GET YOU DOWN INSPECTIONS Are you suffering from itchy eyes, sneezing, sinusitis We are the ORIGINAL and only AUTHENTIC or asthma?Alleviate your mold allergies this season. Appointments Available Now CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 978-683-4299 at 527 So. -
Filosofická Fakulta Masarykovy Univerzity
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Jana Vaverková Accents of English in Czech Dubbing Master‘s Diploma Thesis Supervisor: PhDr. KateřinaTomková, Ph.D. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature I would like to thank to my supervisor, PhDr. KateřinaTomková, Ph.D., for valuable pieces of advice not only with my diploma thesis and also to my family for their never ending support and love. Table of Contents List of Tables .................................................................................................................... 8 Introduction ....................................................................................................................... 9 1 Accents of English .............................................................................................. 12 1.1 What Is an Accent ............................................................................................... 12 1.2 General British and General American ............................................................... 13 1.2.1 Received Pronunciation and General British ............................................ 13 1.2.2 General American ..................................................................................... 15 1.2.3 Difference between General British and General American .................... 16 1.3 Non-Native Accents of English -
Locating South Asians in 21St Century American Popular Media
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media Bhoomi K. Thakore Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Sociology Commons Recommended Citation Thakore, Bhoomi K., "Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media" (2013). Dissertations. 549. https://ecommons.luc.edu/luc_diss/549 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Bhoomi K. Thakore LOYOLA UNIVERSITY CHICAGO JUST LIKE EVERYONE ELSE? LOCATING SOUTH ASIANS IN 21st CENTURY AMERICAN POPULAR MEDIA A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN SOCIOLOGY BY BHOOMI K. THAKORE CHICAGO, IL MAY 2013 Copyright by Bhoomi K. Thakore, 2013 All rights reserved. ACKNOWLEDGEMENTS This dissertation would have not been possible without the guidance of my committee members. First, I would like to thank my chair, Dr. J. Talmadge Wright. During the 2+ years that we have worked together, I have learned a great deal from you about audience studies and the very unique world of media sociology. In the fall of 2012 leading up to my dissertation defense, I had the privilege of meeting with you on a weekly basis to talk about my research, my teaching, my job market status, and everything in between.