It's Time to Meet the Muppets
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INDICE 1. Introduzione 3 2. Rassegna Della Letteratura 7 3. Metodo 15 4
INDICE 1. Introduzione 3 2. Rassegna della letteratura 7 2.1. Introduzione 7 2.2. Studi linguistici sulla sitcom The Big Bang Theory 7 2.3. Conclusioni 13 3. Metodo 15 3.1. Introduzione 15 3.2. Quesiti della ricerca 15 3.3. Quadro teorico di riferimento 15 3.3.1. Il Principio Cooperativo di Grice 16 3.3.2. La Teoria della Pertinenza di Sperber e Wilson 22 3.3.3. La cortesia 25 3.3.3.1. Il modello di Leech 26 3.3.3.2. Il modello di Brown e Levinson 32 3.3.3.3. Conclusioni 36 3.4. Raccolta, preparazione e analisi dei dati 37 3.4.1. Raccolta dei dati 37 3.4.2. Preparazione dei dati 38 3.4.3. Analisi qualitativa 40 3.4.4 Analisi quantitativa 53 3.5. Conclusioni 53 4. Risultati 55 4.1. Introduzione 55 4.2. Risultati analitici quantitativi e qualitativi della ricerca 55 4.2.1. Risultati della prima stagione 56 4.2.2. Risultati della seconda stagione 62 4.2.3. Risultati della terza stagione 69 4.2.4. Risultati della quarta stagione 75 4.2.5. Risultati della quinta stagione 82 4.2.6. Risultati della sesta stagione 88 4.2.7. Risultati della settima stagione 94 4.2.8. Risultati della ottava stagione 101 4.2.9. Risultati della nona stagione 107 1 4.2.10. Risultati della decima stagione 114 4.3. Risultati quantitativi e qualitativi sintetici della ricerca 120 4.3.1. (In)efficienza comunicativa 120 4.3.1.2. Il Principio Cooperativo di Grice 120 4.3.1.3. -
Transmedia Muppets: the Possibilities of Performer Narratives
Volume 5, Issue 2 September 2012 Transmedia Muppets: The Possibilities of Performer Narratives AARON CALBREATH-FRASIEUR, University of Nottingham ABSTRACT This article examines how the Muppets franchise engages with transmedia narratives, their stories moving fluidly between television, film, comics, the internet and more. Rather than highlight the complexity Henry Jenkins (2006), Elizabeth Evans (2011) and others associate with transmedia, an examination of the Muppets offers insight into a mechanism that allows for simpler coherent connection between texts. The Muppets’ ongoing performer narrative challenges the prevailing understanding of transmedia storytelling. As performative characters (singers, actors, performance artists), any text concerned with Muppets, even those in which they act as other characters, becomes part of an overarching Muppet narrative. A high degree of self-reflexivity further supports transmediality, as most Muppet texts contain references to that text as a performance by the Muppets. Thus the comic Muppet Robin Hood and the film Muppet Treasure Island continue the story of the Muppets as further insight is gained into the characters' personalities and ongoing performance history. Examining different iterations of the Muppets franchise illuminates the ramifications of performer narratives for transmedia storytelling. KEYWORDS Transmedia storytelling, franchise, narrative, Muppets, multi-platform For over fifty-five years the Muppets have been appearing in media texts. They began on local television but have spread across most contemporary mediums, with many of these texts part of the over-arching, ongoing Muppet story. This article explores an alternative framework for defining one form of transmedia storytelling. This model suggests a complication in the understanding of transmedia storytelling put forward by Henry Jenkins (2006) and Elizabeth Evans (2011). -
Lamb Chop Award
Second Annu for Excellence in i n's I g Honoring the founders of Children's Television Workshop (now Sesame Workshop) and the creators of Sesame Street Joan Ganz Cooney, Lloyd Morrisett and Jim Henson KIDSNET Celebrates the life and legacy of Shari Lewis ]dcome to the 2nd Annual Lamb Chop Award Last year we inaugurated the KIDSNET Lamb Chop percentages of minority children 79-85% of classes are Award. It also marked our 15th year of providing linked to the Internet. Of course, this statistic illustrates programming information on children's media to parents another fact that Lloyd has identified (he actually coined and professionals in the U.S. and abroad. This award, the phrase "digital divide") that there is still more work to named for founding KIDSNET Board member Shari be done to bring technological equity to our nation's Lewis, who died in 1998, reflects her genius, creativity, schools. and intellect that embodied everything we could hope to Shortly after the Kennedy Center seminar in '84 we inspire and celebrate in children's electronic media. received our first grant from the Markle Foundation to Shari was in the vanguard of new technology. She seed the KIDSNET information service. Markle funds started with a sock puppet named Lamb Chop and over were also matched by the Ford Foundation, the the course of a 40 year career created material for Corporation for Public Broadcasting, and the Carnegie children in virtually all media, from books, audio, and Corporation. These were the same funders that in the videotapes to broadcast television, CD-ROM and the mid-1960's (with the U.S. -
Bazinga! Uma Análise Neotribal Da Sitcom the Big Bang Theory Arthur
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XVI Congresso de Ciências da Comunicação na Região Sudeste – São Paulo - SP – 12 a 14 de maio de 2011 Bazinga! Uma Análise Neotribal Da Sitcom The Big Bang Theory 1 Arthur Carlos FRANCO OLIVEIRA 2 Mirna TONUS 3 Universidade Federal de Uberlândia, Uberlândia, MG RESUMO O presente artigo tem como objetivo analisar a sitcom The Big Bang Theory sob a ótica da teoria neotribalista proposta por Michel Maffesoli. A partir do método observacional, assistiu-se a todos os episódios das quatro temporadas da sitcom, procurando identificar em seus personagens elementos que os relacionassem a uma neotribo. Assim, foi possível concluir que os sujeitos analisados não atendem a todas as características de uma neotribo. PALAVRAS-CHAVE: sitcom, neotribalismo, televisão, humor. “Bazinga!” – Sheldon Cooper Desde o surgimento da televisão, suas funções têm sido as mais diversas. Informar, emocionar e fazer rir são alguns dos papéis que ela exerce no contexto atual. Suas atrações sempre buscam aumentar a audiência e cativar o público, sendo que, nos últimos anos, a televisão tem mais do que nunca se utilizado do público para fazer sucesso. Séries humorísticas, programas de auditório recheados de casos engraçados e comentários ácidos e inteligentes são alguns artifícios veiculados para divertir o público. E, entre os programas de humor, estão as chamadas sitcoms . O termo, segundo o Dicionário da Língua Portuguesa4, é uma série televisiva que aborda situações do dia–a-dia em tom de comédia. A palavra vem do termo inglês “situation comedy ”, que, literalmente, significa situação de comédia. Desde o seu 1 Trabalho apresentado no DT 4 – Comunicação Audiovisua do XVI Congresso de Ciências da Comunicação na Região Sudeste realizado de 12 a 14 de maio de 2011. -
REDEFINING “NERDINESS”: the Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many Studies Define “Nerdiness” Differently
ARTICLE Title REDEFINING “NERDINESS”: The Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many studies define “nerdiness” differently. Some textual cues including explicit and implicit cues. These would define gifted students as “nerds” (O’Connor 293), terms are adopted from Culpeper’s The Language and The Big Bang Theory Reconsidered suggesting that the word is based solely on intelligence. Characterisation: People in Plays and Other Texts, in which he Others may define “nerds” as “physical self-loathing [and explains that these textual cues can help a viewer make having] technological mastery” (Eglash 49), suggesting certain inferences about a specific character (Language that “nerds” have body issues or are somehow more and Characterisation 167). Explicit cues are when charac- BY JACLYN GINGRICH technologically savvy than the average person. Bednarek ters specifically express information about themselves or defines “nerdiness” as displaying the following linguistic others (Language of Characterisation 167). An example framework: “believes in his own intelligence,” “was a child would be when Leonard says, “Yeah, I’m a frickin’ genius” ABSTRACT it is that they are average people socializing with each prodigy,” “struggles with social skills,” “is different,” “is health (“The Middle Earth Paradigm”). Here he is explicitly other and living normal lives. The Big Bang Theory displays This paper analyzes the linguistic characteristics of Leonard obsessed/has food issues,” “has an affinity for and knowl- saying that he believes he has intellectual superiority. the comical reality of what normally happens in these Hofstadter, television character from The Big Bang Theory and edge of computer-related activities,” “does not like change,” Implicit cues are implied. -
Muppets Now Fact Sheet As of 6.22
“Muppets Now” is The Muppets Studio’s first unscripted series and first original series for Disney+. In the six- episode season, Scooter rushes to make his delivery deadlines and upload the brand-new Muppet series for streaming. They are due now, and he’ll need to navigate whatever obstacles, distractions, and complications the rest of the Muppet gang throws at him. Overflowing with spontaneous lunacy, surprising guest stars and more frogs, pigs, bears (and whatevers) than legally allowed, the Muppets cut loose in “Muppets Now” with the kind of startling silliness and chaotic fun that made them famous. From zany experiments with Dr. Bunsen Honeydew and Beaker to lifestyle tips from the fabulous Miss Piggy, each episode is packed with hilarious segments, hosted by the Muppets showcasing what the Muppets do best. Produced by The Muppets Studio and Soapbox Films, “Muppets Now” premieres Friday, July 31, streaming only on Disney+. Title: “Muppets Now” Category: Unscripted Series Episodes: 6 U.S. Premiere: Friday, July 31 New Episodes: Every Friday Muppet Performers: Dave Goelz Matt Vogel Bill Barretta David Rudman Eric Jacobson Peter Linz 1 6/22/20 Additional Performers: Julianne Buescher Mike Quinn Directed by: Bill Barretta Rufus Scot Church Chris Alender Executive Producers: Andrew Williams Bill Barretta Sabrina Wind Production Company: The Muppets Studio Soapbox Films Social Media: facebook.com/disneyplus twitter.com/disneyplus instagram.com/disneyplus facebook.com/muppets twitter.com/themuppets instagram.com/themuppets #DisneyPlus #MuppetsNow Media Contacts: Disney+: Scott Slesinger Ashley Knox [email protected] [email protected] The Muppets Studio: Debra Kohl David Gill [email protected] [email protected] 2 6/22/20 . -
The Muppets (2011
The Muppets (2011. Comedy. Rated PG. Directed by James Bobin) A Muppet fanatic and two humans in a budding relationship mobilize the Muppets, now scattered all over the world, to help save the Muppets’ beloved theater from being torn down. Songs, laughter tears ensue. Starring Jason Segel, Amy Adams, Chris Cooper, Steve Whitmire, Eric Jacobsen, David Goelz, Bill Barretta. The scenes of Kermit and friends driving across the country are in Tahoe (standing in for the snowy Rocky Mountains) and rural Lincoln in Western Placer County along Wise Road and various cross streets (standing in as the Midwest). Notice the beautiful, green fields along the roadways. \ Some of the road views can be seen from inside Kermit’s car, looking out. Other scenes feature the exterior of the car driving down county roads. The Muppets shot here in part because Placer County diverse terrain is a good substitute for many parts of the US; many other productions have done the same. This was the second time Kermit shot in Placer County. He filmed here for a few days in 2006, for a Superbowl commercial for the Ford Escape Hybrid (at Euchre Bar Tail Head/Iron Point near Alta, CA). Phenomenon (1996. Romantic fantasy. Rated PG. Directed by Jon Turteltaub) An amiable ordinary man of modest ambitions in a small town is inexplicably transformed into a genius. Starring John Travolta, Kyra Sedgewick, Forest Whitaker, and Robert Duvall. 90% of this film was shot in around Auburn, CA in 1995. Some of the locations include the Gold Country Fairgrounds, Machado’s Orchards, and various businesses in Old Town Auburn. -
Sheldon Cooper Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 12-2014 Sheldon Cooper Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Sheldon Cooper Display" (2014). Presentations. 33. https://tigerprints.clemson.edu/lib_pres/33 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Sheldon Cooper Display December 2014 Sheldon Cooper Display Photograph taken by Micki Reid, Sign created by Cassie Thomas, Cooper Library Public Information Coordinator Cooper Library Weekend Supervisor Display Description A new display has been created for the library's New Books Shelf, and this month, it's centered on fictional physicist Sheldon Cooper. On display you will find the first season of The Big Bang Theory along with all things Sheldon: trains, Texas, Star Trek, Star Wars, Firefly, comics, cats, and of course, theoretical physics. The display will remain up throughout the month of December. - Posted on Clemson University Libraries’ Blog, December 3rd 2014 Works on Display • Aczel, Amir D. Present at the Creation: The Story of CERN and the Large Hadron Collider. New York: Crown, 2010. Print. QC787.P73A29 2010. • The Big Bang Theory: The Complete First Season. Pro. Chuck Lorre, Bill Prady, Lee Aronsohn. Perf. Johnny Galecki, Jim Parsons, Kaley Cuoco-Sweeting. Warner Home Video, 2008. DVD. PN1992.77.B54 2008. • Bird, Kai, and Martin J. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
Menlo Park Juvi Dvds Check the Online Catalog for Availability
Menlo Park Juvi DVDs Check the online catalog for availability. List run 09/28/12. J DVD A.LI A. Lincoln and me J DVD ABE Abel's island J DVD ADV The adventures of Curious George J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Curious George J DVD ADV The adventures of Ociee Nash J DVD ADV The adventures of Ichabod and Mr. Toad J DVD ADV The adventures of Tintin. J DVD ADV The adventures of Pinocchio J DVD ADV The adventures of Tintin J DVD ADV The adventures of Tintin J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD AGE Agent Cody Banks J DVD AGE Agent Cody Banks J DVD AGE 2 Agent Cody Banks 2 J DVD AIR Air Bud J DVD AIR Air buddies J DVD ALA Aladdin J DVD ALE Alex Rider J DVD ALE Alex Rider J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALICE Alice in Wonderland J DVD ALL All dogs go to heaven J DVD ALL All about fall J DVD ALV Alvin and the chipmunks. -
Page 1 1 ALL in the FAMILY ARCHIE Bunker Emmy AWARD
ALL IN THE FAMILY ARCHIE Bunker Based on the British sitcom Till MEATHEAD Emmy AWARD winner for all DEATH Us Do Part MIKE Stivic four lead actors DINGBAT NORMAN Lear (creator) BIGOT EDITH Bunker Archie Bunker’s PLACE (spinoff) Danielle BRISEBOIS FIVE consecutive years as QUEENS CARROLL O’Connor number-one TV series Rob REINER Archie’s and Edith’s CHAIRS GLORIA (spinoff) SALLY Struthers displayed in Smithsonian GOOD Times (spinoff) Jean STAPLETON Institution 704 HAUSER (spinoff) STEPHANIE Mills CHECKING In (spinoff) The JEFFERSONS (spinoff) “STIFLE yourself.” “Those Were the DAYS” MALAPROPS Gloria STIVIC (theme) MAUDE (spinoff) WORKING class T S Q L D A H R S Y C V K J F C D T E L A W I C H S G B R I N H A A U O O A E Q N P I E V E T A S P B R C R I O W G N E H D E I E L K R K D S S O I W R R U S R I E R A P R T T E S Z P I A N S O T I C E E A R E J R R G M W U C O G F P B V C B D A E H T A E M N F H G G A M A L A P R O P S E E A N L L A R C H I E M U L N J N I O P N A M R O N Z F L D E I D R E D O O G S T I V I C A E N I K H T I D E T S A L L Y Y U A I O M Y G S T X X Z E D R S Q M 1 84052-2 TV Trivia Word Search Puzzles.indd 1 10/31/19 12:10 PM THE BIG BANG THEORY The show has a science Sheldon COOPER Mayim Bialik has a Ph.D.