Workers' Movement: Marxism Against Freemasonry
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The Narrative of Censorship in Cuban Novels of the 1990S Britton W
The Narrative of Censorship in Cuban Novels of the 1990s Britton W. Newman A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Spanish). Chapel Hill 2012 Approved by: Prof. Rosa Perelmuter Prof. Alicia Rivero Prof. Juan Carlos González Espitia Prof. Emilio del Valle Escalante Prof. Oswaldo Estrada Abstract BRITTON W. NEWMAN: The Narrative of Censorship in Cuban Novels of the 1990s (Under the Direction of Rosa Perelmuter) While significant attention has been paid to the practices of censorship under the revolutionary Cuban government, little has been written about the way that such censorship has been portrayed by those writers directly affected. My dissertation fills that void by analyzing the thematization of censorship in Cuban novels of the 1990s. Drawing from the 1990s production of four of the most important contemporary Cuban novelists— Jesús Díaz, Leonardo Padura, Pedro Juan Gutiérrez and José Manuel Prieto—I identify the “narrative of censorship” that undergirds each of their novels. This narrative line shows the process of internalization of the norms of censorship, the effects that such internal censorship has on an individual and the struggle through which the individual can eventually overcome it. Its remarkably similar portrayal by each author suggests that censorship, both in the form of external repression and of learned behaviors, continued to be an important factor in Cuban expression during the 1990s. In Chapter 1 I divide the phenomenon of censorship into the two levels of external—repression imposed by official or societal pressures—and internal—the masking impulse that aims to avoid the real or perceived punishment that would follow expression. -
Literature for the Planet Author(S): Wai Chee Dimock Source: PMLA, Vol
Literature for the Planet Author(s): Wai Chee Dimock Source: PMLA, Vol. 116, No. 1, Special Topic: Globalizing Literary Studies (Jan., 2001), pp. 173-188 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/463649 Accessed: 04-03-2015 17:04 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org This content downloaded from 137.190.201.136 on Wed, 04 Mar 2015 17:04:06 UTC All use subject to JSTOR Terms and Conditions i 6. I Literature for the Planet WAI CHEE DIMOCK HEYEAR WAS 1934, A YEARIN WHICHOSIP MANDELSTAM lived in constantterror. Just a few months before, he had commit- ted political suicide by recitinga satiricalpoem on Stalin,featuring "the ten thick worms his fingers" and "the huge laughing cockroaches on his top lips." The poem concludes: He forges decrees in a line like horseshoes, One for the groin, one the forehead, temple, eye. He rolls the executions on his tongue like berries. He wishes he could hug them like big friends from home.1 Mandelstam's arrestcame as expected. -
Boris Pasternak - Poems
Classic Poetry Series Boris Pasternak - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Boris Pasternak(10 February 1890 - 30 May 1960) Boris Leonidovich Pasternak was a Russian language poet, novelist, and literary translator. In his native Russia, Pasternak's anthology My Sister Life, is one of the most influential collections ever published in the Russian language. Furthermore, Pasternak's theatrical translations of Goethe, Schiller, Pedro Calderón de la Barca, and William Shakespeare remain deeply popular with Russian audiences. Outside Russia, Pasternak is best known for authoring Doctor Zhivago, a novel which spans the last years of Czarist Russia and the earliest days of the Soviet Union. Banned in the USSR, Doctor Zhivago was smuggled to Milan and published in 1957. Pasternak was awarded the Nobel Prize for Literature the following year, an event which both humiliated and enraged the Communist Party of the Soviet Union. In the midst of a massive campaign against him by both the KGB and the Union of Soviet Writers, Pasternak reluctantly agreed to decline the Prize. In his resignation letter to the Nobel Committee, Pasternak stated the reaction of the Soviet State was the only reason for his decision. By the time of his death from lung cancer in 1960, the campaign against Pasternak had severely damaged the international credibility of the U.S.S.R. He remains a major figure in Russian literature to this day. Furthermore, tactics pioneered by Pasternak were later continued, expanded, and refined by Aleksandr Solzhenitsyn and other Soviet dissidents. <b>Early Life</b> Pasternak was born in Moscow on 10 February, (Gregorian), 1890 (Julian 29 January) into a wealthy Russian Jewish family which had been received into the Russian Orthodox Church. -
[JAOG]⋙ the Stalin Epigram: a Novel by Robert Littell
The Stalin Epigram: A Novel Robert Littell Click here if your download doesn"t start automatically The Stalin Epigram: A Novel Robert Littell The Stalin Epigram: A Novel Robert Littell Based on a riveting historical episode, The Stalin Epigram is a fictional rendering of the life of Osip Mandelstam, perhaps the greatest Russian poet of the twentieth century -- and one of the few artists in Soviet Russia who daringly refused to pay creative homage to Joseph Stalin. The poet's defiance of the Kremlin dictator and the Bolshevik regime -- particularly his outspoken criticism of Stalin's collectivization rampage that drove millions of Russian peasants to starvation -- reached its climax in 1934 when Mandelstam, putting his life on the line, composed a searing indictment of Stalin in a sixteen-line epigram and secretly recited it to a handful of friends and fellow artists. Would Stalin and his merciless state security apparatus get wind of this brazenly insulting poem? Would the poet's body and spirit be crushed under the weight of the state if they did? Narrated in turn by Mandelstam himself, his devoted wife, his great friends the poets Boris Pasternak and Anna Akhmatova, along with vivid fictional characters, The Stalin Epigram is the page-turning tale of courage and the human spirit told in deftly poetic prose by a perceptive, talented writer. With the benefit of extraordinary research and an almost mystical empathy, bestselling author Robert Littell has drawn a fictional portrait of the beleaguered poet struggling to survive the running riot of Stalinist Russia in the 1930s. This memorable novel culminates in a wholly unexpected encounter that illuminates the agonizing choices Russian intellectuals faced during the Stalinist terror and explains what drew Robert Littell to the poignant subject in the first place. -
Dvigubski Full Dissertation
The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Anna Dvigubski All rights reserved ABSTRACT The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski This dissertation examines representations of authorship in Russian literature from a number of perspectives, including the specific Russian cultural context as well as the broader discourses of romanticism, autobiography, and narrative theory. My main focus is a narrative device I call “the figured author,” that is, a background character in whom the reader may recognize the author of the work. I analyze the significance of the figured author in the works of several Russian nineteenth- and twentieth- century authors in an attempt to understand the influence of culture and literary tradition on the way Russian writers view and portray authorship and the self. The four chapters of my dissertation analyze the significance of the figured author in the following works: 1) Pushkin's Eugene Onegin and Gogol's Dead Souls; 2) Chekhov's “Ariadna”; 3) Bulgakov's “Morphine”; 4) Nabokov's The Gift. In the Conclusion, I offer brief readings of Kharms’s “The Old Woman” and “A Fairy Tale” and Zoshchenko’s Youth Restored. One feature in particular stands out when examining these works in the Russian context: from Pushkin to Nabokov and Kharms, the “I” of the figured author gradually recedes further into the margins of narrative, until this figure becomes a third-person presence, a “he.” Such a deflation of the authorial “I” can be seen as symptomatic of the heightened self-consciousness of Russian culture, and its literature in particular. -
The High Tide of UK Anti-Revisionism: a History
1 HIGH TIDE Reg’s Working Class Party Throughout its history there were only a few times when the organisational skeleton of a national ML force was in the making: McCreery in the initial break from the CPGB led the first occasion. With the demise of the CDRCU, it was the launch of the CPB (ML), led by former Communist Party Executive member, Reg Birch that saw the beginnings of a national ML force unchallenged for almost a decade until the late 1970s emergence of the rejuvenated and "bolshevised" Revolutionary Communist League. For the first half of the decade, it was the CPB (ML) that seemed the most promising organisation to make a political break through. The project initiated by Reg Birch could draw upon a lot of goodwill. Birch, with a pedigree of both trade union and communist activity, offered the chance of gathering the best forces of the ML movement around the standard he had raised. Those who were already disgusted with the inward‐looking squabbling, that seemed to dominate the activities of some groups, look forward to the opportunity for serious political work in trade unions and campaigns directed at winning working class support. Reg Birch was an initial asset to the formation of the CPB (ML) and not without confidence, he announced: “Small and new as it is on the British political scene the Communist Party of Britain (Marxist Leninist) is the only party which is genuinely a workers' party. It was founded by workers, serves only the working class and is unswervingly committed to the revolutionary task of smashing capitalism and all its institutions so that exploitation can be ended and workers can establish their own socialist state."1 He had the initial support of, not only his own engineering base, but also of probably the largest single organised Marxist‐Leninist group in the country, the Association of Indian Communist, those Maoists of Indian origin resident in Britain. -
Debating Power and Revolution in Anarchism, Black Flame and Historical Marxism 1
Detailed reply to International Socialism: debating power and revolution in anarchism, Black Flame and 1 historical Marxism 7 April 2011 Source: http://lucienvanderwalt.blogspot.com/2011/02/anarchism-black-flame-marxism-and- ist.html Lucien van der Walt, Sociology, University of the Witwatersrand, Johannesburg, South Africa, [email protected] **This paper substantially expands arguments I published as “Counterpower, Participatory Democracy, Revolutionary Defence: debating Black Flame, revolutionary anarchism and historical Marxism,” International Socialism: a quarterly journal of socialist theory, no. 130, pp. 193-207. http://www.isj.org.uk/index.php4?id=729&issue=130 The growth of a significant anarchist and syndicalist2 presence in unions, in the larger anti-capitalist milieu, and in semi-industrial countries, has increasingly drawn the attention of the Marxist press. International Socialism carried several interesting pieces on the subject in 2010: Paul Blackledge’s “Marxism and Anarchism” (issue 125), Ian Birchall’s “Another Side of Anarchism” (issue 127), and Leo Zeilig’s review of Michael Schmidt and my book Black Flame: the revolutionary class politics of anarchism and syndicalism (also issue 127).3 In Black Flame, besides 1 I would like to thank Shawn Hattingh, Ian Bekker, Iain McKay and Wayne Price for feedback on an earlier draft. 2 I use the term “syndicalist” in its correct (as opposed to its pejorative) sense to refer to the revolutionary trade unionism that seeks to combine daily struggles with a revolutionary project i.e., in which unions are to play a decisive role in the overthrow of capitalism and the state by organizing the seizure and self-management of the means of production. -
Workers' Playtime
Workers’ Playtime on the miners’ strike (articles from April 1983 to May 1985) Workers’ Playtime was a more-or-less regular class struggle-oriented journal produced between Feb ’83 and May ’85. It was written and edited by a small group of revolutionaries who had got together through the London Workers Group (LWG) in the early 1980s, although it never aimed to be the journal (theoretical or otherwise) of the LWG. It is of interest because it provides detailed analysis of some of the most important workers’ struggles which took place in the UK in this period, as they were happening. Here is everything that Playtime published which directly related to the ’84-’85 miners’ strike, including two articles about struggles in the mining industry shortly before the so-called Great Strike. For further information see: https://libcom.org/tags/workers-playtime 2 Contents Workers’ Playtime, April 1983 ........................................................................................................................... 4 Coming apart at the seams ............................................................................................................................ 4 Workers’ Playtime, March-April 1984 ............................................................................................................... 7 Miners wound up .......................................................................................................................................... 7 Workers’ Playtime, June 1984 ........................................................................................................................ -
SUBVERSION' Is Published by a Small Group of Revolutionaries Based ,In the North of Groups Like the C.W.0
2'”! '" ('1 !.»=e- l-‘ii ‘Hi’ -=--Z1 FREE. 1 If you thought Nelson Mandela was a great There have been major strikes by both coal heroic leader of the oppressed masses of and gold niners, in the hospitals and on South Africa who, now risen like Christ the railways. This in addition to the after 27 years in the underworld and poised resistance in the squatter camps, the rent to lead said masses, if not to life strikes and school boycotts. All of everlasting, at least to freedom in the these struggles are a shining example to here and now, you might be a little workers everywhere and show that the puzzled. workers in South Africa are among the most anvanced in the world in combativity. Surely that can't be right. Mandela However, trey face a serious threat from condemning the schools boycott and the ANC. ‘ordering’ students back to school. Mandela THE CLASS NATURE OF THE ANC supporting the use of South African state forces to suppress riots. Mandela and de The ANC is one of many similar groups Klerk singing each others praises. Etc.etc. around the world, such as the PLO, IRA, What's going on? SWAPO, Sancinistas etc. who claim to be fighting against oppression and for, If you were surprised by all this, it's usually, ‘national liberation’. All because you didn't realize what the ANC was of these organisations are simply the all about. The ANC has always been a capit- latter-day equivalents of the nationalist, alist organisation. bourgeois democratic movements of the historical period following the French THE STRUGGLE IN SOUTH AFRICA Revolution. -
The Game of War
Class Wargames Presents Guy Debord's The Game of War (the extended film script) by Richard Barbrook & Fabian Tompsett 2012, Unpopular Books Poplar Published by: Unpopular Books, Poplar All enquiries etc. should be addressed c/o: Salamander Press (London) Ltd, Island House, Roserton Street, London E14 3JD This text is placed in the public domain in a gesture prefiguring the abolition of copyright. Typesetting by: Salamander Press (London) Ltd. Funded with support from the Arts Council of England Copyleft: Class Wargames 2009 http://www.classwargames.net All proceeds from tha sale of this book will go towards the overthrow (sublation) of a capitalism. ISBN 978-1-871593-91-4 Cover Xenographs by Alex Veness: Front: Overlooking the Thames, Back: Dorothy and Michael Hintze Sculpture Galleries,Victoria & Albert Museum, Dedicated to Elena Mikhailovna Duffield (née Vorontsova) 1975 - 2012 Comrade, Class Wargamer and friend Preface "I'm not a philosopher, I'm a strategist.” - Guy Debord We present here the extended film script of Class Wargames Presents Guy Debord's The Game of War which provided the basis for Ilze Black's film of the same name. Her final version involved the severe editing of the script that we reproduce here as the full original text. When I was first approached in 2007 by Richard Barbrook as to whether I would be interested in recreating the game which Guy Debord has described in his 1987 book, Le Jeu de Guerre, he was somewhat surprised to learn that I had already played the game. I had bought a copy back in the 1980s. -
THE SPECTACLE 2.0 Reading Debord in the Context of Digital Capitalism the Spectacle 2.0: Reading Debord in the Context of Digital Capitalism
CDSMS EDITED BY MARCO BRIZIARELLI AND EMILIANA ARMANO THE SPECTACLE 2.0 Reading Debord in the Context of Digital Capitalism The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano University of Westminster Press www.uwestminsterpress.co.uk Acknowledgements The spectacle thus unites what is separate, but it unites it only in its separateness (Thesis 29, 1967) Dobbiamo convincerci che oggi, quanto al risveglio del fattore sogget- tivo, non possiamo rinnovare e continuare gli anni Venti, ma dobbiamo cominciare da un nuovo punto di partenza, sia pure utilizzando tutte le esperienze che sono patrimonio del movimento operaio e del marxismo. Dobbiamo renderci conto infatti chiaramente che abbiamo a che fare con un nuovo inizio, o per usare un’analogia, che noi ora non siamo negli anni Venti del Novecento ma in un certo senso all’inizio dell’Ottocento, quando dopo la rivoluzione francese si cominciava a formare lentamente il movi- mento operaio. Credo che questa idea sia molto importante per il teorico, perché ci si dispera assai presto quando l’enunciazione di certe verità pro- duce solo un’eco molto limitata. (Ontologia dell’Essere Sociale, G. Lukács) Un ringraziamento particolare va a Christian Fuchs per aver discusso in pro- fondità il progetto editoriale e per averlo sostenuto in quanto editore e revisore. Siamo altresì grati a Kylie Jarrett e Eran Fisher per averci incoraggiato nelle fasi iniziali di ideazione. iv The Spectacle 2.0 Alla stesura di questo libro hanno anche collaborato, del tutto involontari- amente, Romano Alquati, Tom Bunyard and Jonathan Crary. -
Non-Market Socialism in the Twentieth Century
NON-MARKET SOCIALISM IN THE NINETEENTH AND TWENTIETH CENTURIES Also lry Maximilien Rubel PAGES DE KARL MARX POUR UNE ETHIQUE SOCIALISTE KARL MARX: SELECTED WRITINGS IN SOCIOLOGY AND SOCIAL PHILOSOPHY (editor witk T.B. Bottomore ) KARL MARX: OEUVRES: ECONOMIE I, II PHILOSOPHIE (editor) KARL MARX UND FRIEDRICH ENGELS ZUR RUSSISCHEN REVOLUTION: Kritik Eines Mythos MARX WITHOUT MYTH (witk Margaret Manale) RUBEL ON KARL MARX: Five Essays Also lry John Crump THE ORIGINS OF SOCIALIST THOUGHT IN JAPAN STATE CAPITALISM: The Wages System under New Management (witk Adam Buick) Non-Market SocialisDl in the Nineteenth and Twentieth Centuries Edited by Maximilien Rubel and John Crump Palgrave Macmillan ISBN 978-0-333-41301-2 ISBN 978-1-349-18775-1 (eBook) DOI 10.1007/978-1-349-18775-1 © Maximilien Rubel and lohn Crump, 1987 Softcover reprint ofthe llardcover 1st edition 1987 All rights reserved. For information, write: Scholarly & Reference Division, St. Martin's Press, Inc., 175 Fifth Avenue, New York, NY 10010 First published in the United States of America in 1987 ISBN 978-0-312-00524-5 Library of Congress Cataloging-in-Publication Data Non-market socialism. Edited papers from a conference held in York, England, Sept. 1984. Bibliography: p. Includes index. \. Socialism - Congresses. 2. Communism Congresses. 3. Marxian economics-Congresses. 4. Anarchism-Congresses. I. Rubel, Maximilien. 11. Crump, John 1944- HX13.A3N66 1987 335 86-29847 ISBN 978-0-312-00524-5 This book is dedicated to the rnen and wornen of the thin red line of non-rnarket socialisrn who have kept alive the vision of socialisrn as a society of personal freedorn, cornrnunal solidarity, production for use and free access to goods.